Beruflich Dokumente
Kultur Dokumente
TableofContents
Licenseagreement©rightinformation:.....................................................................................................3
IntroducingNDK:...............................................................................................................................................4
Preprocessingand2buscompression:...................................................................................................................4
Themostextensivelysampledacousticinstrument,ever!........................................................................................4
Featuredinstruments:................................................................................................................................................5
Thanksto:..................................................................................................................................................................5
Nomenclature:...................................................................................................................................................6
Abbreviationsexplained:..............................................................................................................................6
Filenamesexplained:..................................................................................................................................8
Fordrums:.................................................................................................................................................................8
Forcymbals:..............................................................................................................................................................9
Forhihats:.................................................................................................................................................................9
Forkickdrum:..........................................................................................................................................................10
Preroll:....................................................................................................................................................................10
Alternatesamplesofthesamearticulation:............................................................................................................11
Misshits:..................................................................................................................................................................11
Preandreleasesamples(brushsnaresonly):........................................................................................................11
_misc:.............................................................................................................................................................12
Airswipes:...............................................................................................................................................................12
Folderhierarchy:.............................................................................................................................................12
Installingthesamples:.....................................................................................................................................12
Kitsetupdiagrams:........................................................................................................................................13
Samplers:........................................................................................................................................................15
WhyHALionandKontakt?:.......................................................................................................................15
HALionPlayer:.........................................................................................................................................................15
Nomenclature:............................................................................................................................................15
LoadingHALionpresets:............................................................................................................................15
AbouttheFXPs:.........................................................................................................................................15
AbouttheFXBs:.........................................................................................................................................16
Preload:..................................................................................................................................................................16
MIDIchannelnumbers:............................................................................................................................................16
Audiochannels:.......................................................................................................................................................16
2008,AtelierRobin
NDK
FXPvolume:............................................................................................................................................................16
Randomrobinandassociatedmappingdifferences:............................................................................................16
Howtoplaythekits:...................................................................................................................................16
Universalkeymapping:...........................................................................................................................................16
modulationwheel:....................................................................................................................................................17
Hihats:....................................................................................................................................................................17
Voicegroups&polyphony:......................................................................................................................................19
Afewfinalwords:............................................................................................................................................19
APPENDIX1:instrumentspecifications..........................................................................................................20
Snares(5359uniquesamples):................................................................................................................20
Kickdrums(668uniquesamples):............................................................................................................22
Hihats(4204uniquesamples):................................................................................................................23
Cymbals(1858uniquesamples):..............................................................................................................23
Toms(5894uniquesamples):...................................................................................................................26
Percussion(253uniquesamples):............................................................................................................27
APPENDIX2:articulationcharts.....................................................................................................................28
Snares:......................................................................................................................................................28
Kickdrums:................................................................................................................................................29
Hihats:......................................................................................................................................................29
Cymbals:....................................................................................................................................................30
Toms:.........................................................................................................................................................31
Percussion:................................................................................................................................................32
APPENDIX3:hihatopennesschartsforHALionmappings...........................................................................33
hh13,sticks:...............................................................................................................................................33
hh13,malletsandbrushes:........................................................................................................................33
hh13,hands:..............................................................................................................................................33
hh14,sticks:...............................................................................................................................................34
hh14,malletsandbrushes:........................................................................................................................34
hh13,hands:..............................................................................................................................................34
APPENDIX4:samplecountbreakdown.........................................................................................................35
APPENDIX5:universalmappingchart...........................................................................................................36
2008,AtelierRobin
NDK
Licenseagreement& copyrightinformation:
IMPORTANTREADCAREFULLY:ThisAtelierRobinEndUserLicenseAgreement("EULA")isalegalagreement
betweenyou(eitheranindividualorasingleentity)andAtelierRobinfortheNDKSampleLibraryyouhavelicensed.
NDKSampleLibraryreferstotheentirecontentsoftheNDKDVDsandthatwhichismadeavailabletotheenduser
throughthemembersresourcesectionofthenaturaldrum.comwebsitehttp://naturaldrum.com.
Copyrightlawsandinternationalcopyrighttreaties,aswellasotherintellectualpropertylawsandtreatiesprotectNDK
SampleLibrary(hereafterreferredtoastheLibrary)anditislicensed,notsold.Therightsgrantedherearevalidated
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1.GRANTOFLICENSE.Inconsiderationofpaymentofthelicensefee,whichisaportionofthepriceyoupaid,Atelier
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usethesoundsthatmakeuptheLibraryinthecreationofarecordedorliveperformancethatincludesthelicensed
samplesaspartofaderivativemusicalworkcreatedbythelicensedenduser.
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following:(i)electronicallytransfertheLibrary,ormaketheLibraryavailable,tomultiplecomputersovera
networksystem;(ii)distributecopiesoftheLibraryoraccompanyingmaterialstoothers;(iii)embedtheLibrary
samplesinanyhardwareasastandaloneelementwithoutanadditionallicensefromAtelierRobin.
(b)TheLibrarysamplesmaynotbeincluded,whetherunmodifiedoraspartofaderivativework,inanymusic
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(c)Youmayclaimcopyrightonaderivativemusicalworkcreatedbythelicensedenduser(asoutlinedin
section1above);however,oneormoresamplesfromtheLibrarymaynotbemixedsolelywithoneormore
samplesfromtheLibraryorthirdpartysoundeffectstocreateaderivativesoundeffectonwhichyouclaima
separatecopyright(i.e.youcannotmakenewsamplesusingoursamplesasbuildingblocksandthenexploit
themasapartofathirdpartysoundeffectslibrary,compilation,orotherwise).
(d)Samplerpresetsorsimilar(including,butnotlimitedto,presetsforsoundreplacementplugins,
sequencers,virtualinstrumentsetc.)designedtobeusedwiththeLibrarysamplesmaynotbesoldwithout
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2008,AtelierRobin
NDK
samplesmustagreetobeboundbythetermsandconditionsofthisAgreement.
5.TERMINATION.Withoutprejudicetoanyotherrights,AtelierRobinmayterminatethisEULAifyoufailtocomplywith
thetermsandconditionsofthisEULA.Insuchevent,youmustdestroyallcopiesofthesamplesandallofits
componentparts.
IntroducingN D K :
TheguidingprinciplesbehindeveryNDKdesigndecisionwere:
1.TheusershouldbeabletoplayNDKliveasafulldrumkit.
2.Ifit'spossibletoplaysomethingonarealdrumkit,itshouldbepossibletoplayonNDK.
3.NDKshouldsoundutterlyconvincingandtheendusershouldfeeltheyactuallyownthesourceinstruments.
4.Itshouldbeusablestraightfromthebox.
5.NDKshouldrepresentextremevalueformoney.
Furthertotheabove,aconceptthathasbeenatthecoreofNDKsinceitsinception:theusershouldforgetthatheor
sheistriggeringsamplesandfeelliketheyareplayingarealinstrument.Thisisachievedthroughcloseattentionto
detail,athoroughknowledgeoftheinstrumentbeingreplicatedandincisivesamplermapping.
Considerthis:theNDK13hihatcontainsover3500individualhitsandthestereobouncedownofthesesamples
weighsinatamassive4.43GB.Ifwewentforthemultiplemicoption,youcouldendupwithwellover20,000samples
takingupover20GB;justforthehihats!
WithNDK,theabilitytoplaysampledinstrumentslivehasalwaysbeentheorderoftheday.Allthedrumsand
cymbalsinNDKwererecordedasafullkitthroughmultiplemicrophones,Thenwehavedonethehardwork,pre
mixedandbouncedthemdowntostereofilesforthefinallibrary.ForNDK,theemphasiswasputonprovidingmany
extraarticulationsorvelocitylayers.Webelievethismakesforamoreexpressivekitandonewhichiseminentlymore
playable.
Asmentionedearlier,thefilesinthislibraryhavebeenpremixed.Additionally,theyhavebeenpreprocessed
accordingtostyle.Forexample,therockkithassomeaudiblecompression,whereasthebopkithasonlylight
compressionandsubtleEQsweetening.Again,thishelpsprovideyouwithakitthatsoundsgoodstraightfromthebox.
Importantly2buscompression/limiters/maximisershaven'tbeenusedinotherwords,nodynamicprocessingwas
usedacrossthemasterouts.2buscompressioncanbeanimportantpartofgettingacohesivedrumsound,butit
worksmosteffectivelywhenappliedtoacompletedrumtrack,ratherthanindividualsamples.Thisallowsyouto
chooseattack/releasetimes,thresholdandratiosappropriatetotheparticularprojectathand.
The m ostextensivelysampledacousticinstrument,ever!
Asfarasweareaware,NDKisthemostextensivelysampledacousticinstrumentevermade.Toclarify:manyofour
singlekits(6pieceshellpack,snare,hihatandcymbals)havemoreindividualhits,asadirectbyproductofthesheer
numberofarticulationsandvelocitylayers,thananyothersampledacousticinstrumentcurrentlyonthemarket.
2008,AtelierRobin
NDK
Featuredinstruments:
AdetailedlistofallthedrumsandcymbalssampledcanbefoundinAppendix1,buttherearethreeinstrumentswefeel
warrantamoredetailedexamination:
hh13(a.k.a.dreamhats)UFIP13BionicSerieshihats.
A firstforsampleddrumkits:asetofhihatswhichmirrortheexpressivequalitiesoftherealthing.
Inreality,thesehihatsaremostversatileanddynamicallyunsurpassed.Whenweweregoingthroughtheplanning
stagesofns_kit,wewantedtodothatsoundjusticeandknewthatthehihatsweregoingtobeveryextensive.We
wantedtobeabletodoeverythingontheNDKhihatsthatyoucoulddoonrealhihats.Thatdreamhasbecomea
realityhence,dreamhats!
Notonlyareyoupresentedwithtop,edgeandbellhits,youalsoget16degreesofopenness;thefirst13degreesof
whichhaveleftandrighthandsamplesforordinaryandtophits!Addtothatpedalchicks,splashesandgrabs(allwith
varyingdegreesofopenness),rimhits,brushesandmallets(thoughtheseonlyhave6degreesofopenness.)and
youcanseewhythe13hihatsweighinatalmost4.5GB.
sn12PearlMastersAllMaple12x7snare.
Somethingofalandmarkinsampledsnaredrums,containingover3400samples.
Whilemanydrumlibrariespresenttheenduserwithmultiplesnares,therearerarelydifferenttuningsofthesamedrum.
Wehavetakenissuewiththatandprovidedyouwithnolessthanfivedifferenttuningsoneofwhichisavailablein
mutedandopenvariations.
Wefeelthat12inchsnaresgenerallyrecordbetterthan14s,givingtighterimagingandgreaterclarity,whichiswhywe
choseitastheNDKmastersnare.Theriskwith12inchsnaresisthattheaddedfocusisattheexpenseofafull
sound;notsowiththisparticularsnare.PartlywhatmakesthePearl12x7soversatileisit'sunusuallydeepshell,
allowingittosupportdifferenttuningswithease.
cy19rideUFIP19ExperienceSeriesthinvintageride.
Ifthere'soneareathat'salwaysbeenlackinginsampleddrum libraries,it'stheridecymbal.Untilnow...
Considerthatformanystyles,particularlyjazz,theridecymbalisasimportant(ifnotmoreimportant)thananyother
partofthekit.Fromthequietestaccentstothunderingcrashes,thereislittletocompetewiththevariationoftonethat
canbeextrudedfromarideandthis19UFIPisnoexception.
Toachievethishighdegreeofexpression,werecorded49velocitylayersontheordinaryhits,26onthebell,29elvin
shots,114rimhitsand46hitandgrabs.Thiscymbalalsosoundsreallynicewhenyoucrashit,sowerecorded36
velocitylayersofthattoo!
Butitdoesn'tstopthereyoualsogetasimilarlyextensivesetofsamplesforbrush,malletsandhandhits.Andthen
there'sthesizzleride,butwethinkwe'vesaidenough...
Thanksto:
DouglasWhatesfromnaturalstudio.co.ukforcreatingtheprecursortoNDK,thens_kit7drumsampleslibrary,all
samplesinNDKandNDCongasoriginatefromns_kit7.
JamieFlanaganforprovidingakillersetofdrums,cymbalsandpercussionandnotleastforperformingalltheNDK
1
Seeappendix2Forarticulationdescriptions
2008,AtelierRobin
NDK
(ns_kit7)samples!
EveryonewhomadeNDKfreepresets.
No m e nclature:
Pleasetakeafewmomentstofamiliariseyourselfwiththefollowinginformationitisfundamentaltotheunderstanding
ofNDK.Asolidgraspofthenamingconventionsandabbreviationsusedwillenableyoutodecipherthefilenameof
anyNDKsamplewithease.
Ab breviationsexplained:
bel=bell
mlt=mallets
slp=slap
brs=brushes
cls=closed
opn=open
ord=ordinaryhit
spl=splash
stn=stand
crs=crash
cy=cymbal
p=prerollorpresample
ped=pedal/chick
stx=sticks
swc=circularsweep
e2c=edgetocenter
elv=elvinshot
pn=percussion
prs=presshit
swl=legatosweep
sws=staccatosweep
grb=hit&grab
grc/grt=crash/tophit&grab
r=releasesample
r=righthand
swu=undersweep
t2l=tighttoloose
hnd=hands
hh=hihat
rim=rim
rmh=highrimshot
tm=tom
top=top
kd=kickdrum
l=lefthand
rms=rimshot
rol=roll
w=snare(wire)on
x=misshit
m=muted
shl=shell
xtk=crossstick
Whilemostofthetermsaboveareselfexplanatory,thetablebelowmayhelpwiththemoreobscureterminology.
Ordinaryhit:
Edge tocentre:
(snares&
progresses
toms):
fromtheedge
Appliestoall
oftheskinto
snaresand
thecentreas
toms.
thehits
become
louder.
Ri m shot:
High rimshot:
stickmakes
featuredon
contactwiththe
someofthe
skinandrimat
snares.
thesametime.
2008,AtelierRobin
NDK
Crossstick:
Crossstick,
thedrummer
stickshot:
restsoneendof
tipofleftstick
thestickonthe
restsonskin,
skinandstrikes
righthand
therimwiththe
strikesstick.
other.
Ri m:
Ordinaryhit
stickshafthits
(hihats):
therimofthe
stickshafthits
drum.
thetophihat
attheedge.
Top
Bell
(hihats):
(hihats):
sticktiphitsthe
stickshafthits
topofthehi
thebellofthe
hat.
hihat.
Ordinaryhit
Ordinaryhit
(crashes&
(rides):
splashes):
tipofthestick
shaftofthe
hitstopofthe
stickhits
cymbal(same
cymbalvery
forcrash&
neartheedge.
splashtophits)
Elvinshot
Hit& grab
(rides):
(cymbals):
shaftofthe
thecymbalis
stickhitsthetop
firsthitand
ofthecymbal.
thenquickly
grabbed
(choked).
2008,AtelierRobin
NDK
Ri m
Bell
(cymbals):
(cymbals):
theshaftofthe
Forquiethits,
stickhitsthe
thesticktipis
cymbalrim.
used;for
louderhits,the
shaftofstickis
used.
Closedbrush
Staccatoand
hits:
legatosweep
Thebrushisleft
(snare):
incontactwith
Thebrushis
theskinafter
sweptacross
hit.Openhits
thesnareskin.
allowthebrush
torebound.
Circularsweep:
Staccatosweep
Thebrushis
(cymbals):
swirledina
Thebrushis
continuous
sweptacross
motionaround
thesurfaceof
theskin.
thecymbal.
Closed
O pen
(kickdrum):
(kickdrum):
Afterthestrike,
Afterthestrike,
thebeaterisleft
thebeateris
incontactwith
lefttorebound
theskin.
fromtheskin.
2008,AtelierRobin
NDK
example:
sn14wrock_stxl_ord_021.wav(i.e.[sn][14][w][rock]_[stx][l]_[ord]_[021])
=14inchrocksnare,snareon,ordinaryhit,usingastickinthelefthand.Samplenumber21.
tm10bop_brsr_rms_013.wav
=10inchboptom,snareoff,rimshot,usingabrushintherighthand.Samplenumber13.
Asyoucansee;snareonissignifiedbyaw,whereasSnareoffomitsthew.2
Inadditiontotheabove,thebopsnareaddsamutedvariationwhichisindicatedbythelettermafterthestyle
parameter.
example:
sn12wbopm_mltr_ord_017.wav
=12inchbopsnare,snareon,muted,ordinaryhit,usingamalletintherighthand.Samplenumber17.
Forcymbals:
Thetemplateusedforcymbalsisverysimilartotheabove,butthereisnoneedforsnareon/off,handorstyle.So:
[instrumenttype][cymbalsize][type]_[sticktype]_[articulation]_[samplenumber]
example:
cy12splash_stx_bel_006.wav
=12inchsplash,onthebell,usingastick.Samplenumber6.
cy18crash_brs_grb_012.wav
=18inchcrash,hit&grab,usingabrush.Samplenumber12.
Forhihats:
Thetemplateusedforhihatsinverysimilartothatusedforcymbals,butremovesstyleandaddshandandopen
nessparameters.So:
[instrumenttype][hihatsize]_[sticktype][hand]_[openness][articulation]_[samplenumber]
example:
hh13_stxr_ctop_025.wav
=13inchhihats,hitonthetop,usingastickintherighthand,copenness.Samplenumber25.
hh13_stx_mped_033.wav
=13inchhihats,pedal,mopenness.Samplenumber33.
Itisworthpointingoutherethathihatopennessisgradedalphabetically,withabeingthemostclosed.However,with
regardstothe13inchhihats,thesamelettersbetweendifferentsticksdon'trelatetothesamedegreeofopenness.
Thatistosaythatanopennessofdwithsticksonthehihatsisn'tthesameasanopennessofdwithmallets.This
isduetothefactthatthereare16degreesofopennesswithsticksonthehihats(i.e.ap)and6withmallets(i.e.a
2
Thedeadtoms(tmdead),funksnare(sn12funk),deadsnare(sn12dead),tightsnare(sn12tight),piccolosnare(sn12piccolo),noreso'kick(kd22noreso)andfullkick(kd20full)
wereonlyrecordedwithsnareon.Despitethat,thesesamplesomitthewfromthefilename.
2008,AtelierRobin
NDK
f).
Forkickdru m:
Thetemplateusedforkickdrumisverysimilartothatusedforsnare,butremoveshandandsticktype.So:
[instrumenttype][drumsize][snareon/off][style/type]_[articulation]_[samplenumber]
example:
kd20wpunch_cls_031.wav
=20inchkickdrum,snareon,closedhit.Samplenumber31.
Preroll:
Ifyou'veeverscrutinisedakickdrumrecording,you'llnoticethat,precedingthedrum'smainattack,thereisa
significantamountofnoisecausedbythekickdrumpedalthisisparticularlyevidentforthelouderhits.3Whileina
normalrecordingthiswouldn'tbeaproblem,wheneditingsamplesitrepresentssomethingofaquandarywheredo
youcropthefile?wefoundthatcroppingfromthefirstsignofpedalnoiseresultedinasamplethatwasverydifficultto
triggerwithanytimingaccuracy.Thereasonforthisisquitesimple:whenadrummerplaysarealkit,theyare
subconsciouslyaccountingforthedelaybetweenapplyingpressuretothepedalandthebeaterhittingtheskin.This
can'tbedoneonaMIDIinstrumentasthefirstitknowswhatyouwantisaftertheevent(noteon).Therefore,when
triggeringkickdrumsamplesviaaMIDIcontroller,theMIDInoteonshouldtriggerthesamplestartingfromthemain
attackofthedrum;nottheprecedingpedalnoise.
However,thisresultsinasoundwhich,tothediscerningear,seemsslightlycroppedandunnatural;whereas,theun
croppedfilesoundsfullerandmorenatural.So,wherenecessary,wehavepresentedyouwithtwodifferentversionsof
thesamesamplesonecroppedandonewithacertainamountofprerolltocapturethepedalnoise.Thepreroll
samplesareavailabletodownloadfromthemember'sresourceareaofthenaturaldrum.comwebsiteandcanalsobe
foundontheDVDs.Here'showtousethosefiles:
Forlivetriggering,playingbackexistingMIDIfiles,generalsequencing,drummachines/stepsequencers,etc.usethe
normal,croppedsamples.
WhereyouhavetheoptiontomanuallyedityourMIDInotes,usetheprerollsamples.Then,selectallyourkickdrum
hitsandmovethemearlierbytherelevantamount,asindicatedinthefilename(seebelow).Inessence,whatyouare
doinginthisfinalstepisanticipatingtheattackofthekickdrum,inmuchthesamewayarealdrummerwouldonareal
kit.
Prerollsamplesareindicatedinthefilenamebytheletterp,followedbytheamountofprerollinmilliseconds.So:
[instrumenttype][drumsize][snareon/off][style]_[preroll]_[articulation]_[samplenumber]
example:
kd20wpunch_p50_cls_031.wav
=20inchkickdrum,snareon,closedhit.50mspreroll.Samplenumber31.
AparticularlygoodexampleofthissoundcanbeheardinJamesBrown'sGetUp,IFeelLikeBeingaSexMachinewherethelistenercanclearlyhearthepedalnoise,
squeaksandall!
2008,AtelierRobin
10
NDK
Toreiterate:kd20wpunch_cls_031.wavandkd20wpunch_p50_cls_031.wavareexactlythesame,exceptthelatter
hasa50mspreroll.
Thissamephenomenaalsoappearsinhihatpedal(andsplash)andsnarecrosssticksamples(thistime,ratherthan
pedalnoise,itisthehandandstickmovingagainstthesnareskinthatthelistenerhearsbeforethemainattack).For
boththeabovewehaveprovidedalternativeprerollversionsofthesamplesandnamedtheminasimilarfashiontothe
kickdrumsamples.
Alternatesamplesofthesame articulation:
Occasionallytherearealternativesamplesofthesamearticulation.Thisisindicatedbyaletterinfrontofthesample
number.
example:
tm14rock_stxl_ord_a013.wav
=14inchrocktom,snareoff,ordinaryhit,usingastickinthelefthand.Samplenumber13,seta.
tm14rock_stxl_ord_b013.wav
=14inchrocktom,snareoff,ordinaryhit,usingastickinthelefthand.Samplenumber13,setb.
Misshits:
Includedinthislibraryarerimshotmisshits.Misshitsareindicatedwiththeletterx,whichisappendedtothefile
nameaccordingly.
example:
sn12funk_stxl_rms_002x.wav
=12inchsnare,rimshotmisshit,usingastickinthelefthand.Samplenumber2,misshit.
Preand releasesamples(brushsnaresonly):
Certainbrushsnarearticulationshaveassociatedpreandreleasesamples,indicatedinthefilenamebythelettersp
andrrespectively.
First,let'sdealwiththereleaseorliftoffsamples:Whenadrummerplaysaclosedbrushhit,thebrushisleftonthe
drumskin.Liftingthebrushfromtheskinmakesanoise.wehaveprovidedtheseliftoffnoisesasseparatesamples,
indicatedbytheletterraftertheassociatedsamplenumber.
example:
sn12wbop_brsl_cls_033r.wav
=12inchbopsnare,snareon,closedbrushhitrelease(liftoff)sample.Associatedwithsamplenumber33.
Next,let'sdealwiththepresamples:Thesedifferslightlyfrompreroll,thoughtheyaresimilarinconcept.Whena
drummerplaysasnaresweepwithabrush,thebrushmustfirstmakecontactwiththeskin.Wehaveprovidedthese
contactnoisesasseparatesamples,indicatedbytheletterpaftertheassociatedsamplenumber.
2008,AtelierRobin
11
NDK
example:
sn12wbop_brs_sws_013p.wav
=12inchbopsnare,snareon,staccatosweepcontactnoise,usingabrush.Associatedwithsamplenumber13.
_ misc:
TheNDKsamplelibrarycontainsa_miscfolderinwhichyouwillfindanassortmentofsamplesthatdefied
categorisation.
Thesilentsampleis2msofsilence,andisusedasaspartofaworkaroundforimplementingmutegroupsincertain
HALion3mappings(seetheHALionsectionlaterinthemanualformoredetails).Hihatstand,snaremechanism,stick
countinsandsilenceareallselfexplanatory.Theairswipesamplesrequireabitmoreexplanation...
Airswipes:
Asanaddedbonus,wehaveincludedairswipesamples.Thereasoningbehindtheinclusionofthesesamplesis
relatedtothatofthekickprerollsample:inarealrecording,precedingthemainattackoflouderhits(bethatwith
sticks,brushesormallets),thediscerniblelistenerwillnoticeadefinitepreattacksound;furtherinvestigationrevealsit
tobethesoundoftheparticularstick/mallet/brushswipingthroughtheair.
Astoucheduponearlier,croppingsamplesfromthispreattackwouldresultinasamplewhichtriggersinavery
unnaturalfashion.Assuch,wehavecroppedthesamplesfromthemainattackofthesound,butprovidedyouwithair
swipesampleswhichcanbeaddedlater.
Whilethestickandmalletsamplesare,admittedly,somethingofagimmick,wefindthatagreatdealofwhatdefinesthe
brushsoundcomesfromtheseairswipesthereisnodoubtthatcorrectlyimplementingthemwillimproverealism
greatly.Themethodfordoingthisissimilartothatoutlinedintheprerollsection.
Folderhierarchy:
Foldersarealsonamedusingthetemplatesdescribedaboveand,withoutexception,arenestedasfollows:
dru m/cy m balna me
sticktype
openness(hihatonly)
muted/open(bopsnareonly)
snareon/off
articulation
Installingthesamples:
MSWindows:Runthesetup.exeprogrampresentoneachofthe2DVDs.
MACOSX:Runthesetupprogrampresentoneachofthe2DVDs
2008,AtelierRobin
12
NDK
Whenpromptedbythesetupprogram,selectthedestinationdisk/folderforthesamples.Thesoundfilesonthe
DVDsarecompressedinFLAClosslessformat.ThesetupprogramwilldecompresstheFLACsoundfilesto
wavformatandstoretheminyourdestinationfolder.Youneed19GBoffreespaceonyourharddisktostore
allsamples.
DVDcontent:
DVD1kicks,percussion,cymbals,hihats,congas,thismanual,misc.samplesandanarchiveofcurrent
member'sresourcedownloads.
DVD2snares,toms,presets
2008,AtelierRobin
13
ns_kit 7
cymbals
funk kit
A = 8 splash
B = 9 splash
C = 12 splash
F
D = 15 crash
E
C
I
orleans kit
J
F = 19 china
G = 19 ride
bop kit
H = 19 sizzle ride
12 x 7
E = 18 crash
I = 20 ride
5P
J = 13 hi-hat
12 x 7
K = 14 hi-hat
12 x 7
L = 8 rock tom
rock kit
M = 10 rock tom
U
N = 12 rock tom
jungle kit
O = 14 rock tom
P = 16 rock tom
R
Q = 8 bop tom
14 x 5
R = 10 bop tom
10 x 2
S = 12 bop tom
tight kit
T = 14 bop tom
U = 16 bop tom
piccolo kit
V = 10 dead tom
2
M
W = 12 dead tom
X = 14 dead tom
12 x 7
K
Y = 10 noreso tom
Z = 12 noreso tom
dead kit
10 x 4
Zz = 14 noreso tom
metal kit
1 = 20 punch kick
4
2 = 20 full kick
3 = 22 noreso kick
4 = 22 boom kick
12 x 7
K
2005, naturalstudio
5 = 14 bop kick
- 14 -
14 x 5.5
J
Zz
NDK
Sa m plers:
W h y H A Lion and Kontakt?:
Asmentionedearlier,oneofthemostimportantaspectsofNDKistheabilitytoplayitlive.Notonlythat,wewantedto
allowtheendusertoswitcharticulationsonthefly,utilisemultichanneloutputs,changevolumeandpanningon
individualdrums,buildtheirownkitsandtriggerconvincingdrumpartsfromedrums.Allthatrequiresasampler
capableoftriggeringgigabytesofdataatthepushofafewbuttonsand,assuch,diskstreamingtechnologyisneeded.
Alsoimportantiscrossplatformcompatibility.Webeganlookingatexistingsamplersandthenecessityfordisk
streamingandcrossplatformcompatibilityleftuswithveryfewoptions.Intheend,bothHALion3.1andKontakt
seemedideal:theyhaveaproventrackrecordofreliablediskstreaming,goodcrossplatformsupport,reasonable
price,acomprehensivefeaturesetand,mostimportantly,fillsalltherequirementswehadplannedforourlibrary.
H A Lion Player:
TheicingonthecakeisSteinberg'srecentintroductionofHALionPlayer.ThisisastrippeddownversionofHALion,
butcontainsnoneoftheplaybackrestrictionsoftenfeaturedwithdevelopers'budgetversionsoftheirfullscale
samplers.PutsimplyifwehaveprogrammedapresettoworkinthefullversionofHALion3.1,wecanbeconfident
thatanyoneusingHALionPlayerwillbenefitfromsaidpreset'sparameters.Furthermore,likethefullversion,HALion
Playerallowstheusertobuildandsavetheirownkits,adjustpanning,volume,audiooutputsetc.Combinedwith
HALionPlayer,NDKcanbeconsideredaveryreasonablypriced,superchargedvirtualinstrumentwhichhastheability
toruninstandalone,VSTi,DxiorAUformat.
No m e nclature:
Thepresetfilenamesuseaverysimilarnamingstructuretothatdescribedintheprevioussection,butwithafew
importantadditions:
rr=randomrobin.Essentially,thisallowsformorerealistictriggeringandisparticularlyaimedate
drumsusers.Moreinfoonthesepresetscanbefoundlaterinthissection.
m o nophonic=wherethisisappendedtothefilename,thepresethasaforcedpolyphonyof1.
pedchk =pedalchoke.Appendedtohihatpresetswherethepedalchickandsplashcutoffany
soundinghihatnotes.(includingthemselves).
xf=crossfade.Again,hihatspecific.Indicatesthatthehihatopennesslevelsarefadedintoeach
othercanprovidemorerealistichihatresponse.Moredetailslaterinthissection.
AbouttheF X Ps:
TheHALionFXPsareforsingledrumsandcymbals(asopposedtofullkits)andwillgenerallybeusedtocompile
customkits.TherearealsoFXPsforfullsetsoftoms(shellpacks)andcymbals(cymbalpacks).AllFXPshavetheir
2008,AtelierRobin
15
NDK
volumesetatHALion'sdefaultthisis6dbbelowunity.
AbouttheF X Bs:
FXBsallowthelibrarydevelopertocreatepresetscontaininganumberofdifferentFXPs.Italsoallowstheenduserto
savetheircustomkitsandrecallthematalaterdate.OneadvantageofFXBsisthatitallowsyoutoembedthe
followinginformationinthesavefile:
Preload:
Thisistheamountofeachsamplewithinthebankthatwillbepreloadedintoram.Thehigherthebuffer,thelesswork
theharddrivehastodo.Thelowerthebuffer,themoreramyouneed.AllNDKpresetshavebeensetupwitha.3s
preload.Thisshouldbegoodforsystemswith1GBoframormore.
M I DI channelnu m bers:
ItispossibletosetupdifferentMDIchannelsfordifferentpartsofthekit.Wehavechosentokeepeverythingonthe
sameMIDIchannelthisaidsliveperformanceofthekit.
Audiochannels:
Wehavesetallkitpartsto1stereooutput.Thisallowsforaquickandeasyauditionofthekitandmeansyoudon't
havetousemultipleaudiochannelsinyoursequencer.Itisverysimpletochangetheoutputsifyouwish.
F X P volume:
Wehaveadjustedthevolumeoneachkitpart(i.e.FXPswithintheFXB)tohaveanaturalbalancethatshouldbea
goodstartingpoint.Ofcourse,youmaywanttochangethisonaprojectbyprojectbasis.
Rando m robinand associatedm ap pingdifferences:
Whentriggeringfromakeyboard,wewouldrecommendusingnonroundrobinpatchesandsimplygettingusedto
usingleftandrighthandstrokes,modwheelswitching,usingdifferentarticulationsandmakingsuretomakesubtle
variationsinvelocity(e.g.don'talwayshitvelocity127!).Wehavefoundthatthecontrolthisgives,particularlyfor
sequencing,isdesirable.Foredrums,thismethodcanbeproblematicasthereisoftenonlyonepadtotriggerone
drum.Tohelpovercomethisproblem,certainFXBsalsohaverandomrobinvariations.Forthoseunfamiliarwiththis
concept,itisasystemwhichmakestriggeringthesamesampleconsecutivelynighonimpossible.Forthesemappings,
wehaveassignedleftandrighthandsamplestothesamekeyandsetthemtorandomrobin.Certainsnaresalsohave
edgetocenterhitsthesehavealsobeenassignedtothesamekeyandsettorandomrobin.Kickdrumsrandom
robinthroughthealternativeclosedandopenhits.
Inallinstances,themappingscomplywiththoseshownin5,exceptthelefthandsampleshavebeenpushedupa
coupleofoctaves.
Ho w toplaythekits:
Universalkeym a pping:
AllpresetsandbankswithinNDKusethesamekeymapping.Thisnotonlygreatlyaidsthecreationofcustomkits,it
meansthatonceyou'velearnedhowtoplayandsequenceonekit,you'veprettymuchlearnedthemall.
Asyou'llseefromthechartinAppendix5,theNDKmappingsaren'ttoofaroffGeneralMIDIspecifications,withthe
2008,AtelierRobin
16
NDK
followingalterations:
Handclap(MIDInote#39)becomessnarerimshot.
Snaredrum2(MIDInote#40)becomessnarepresshit.
Lowfloortom(#41)becomesordinaryhihat.
Tambourine(#54)becomes12splash.
Vibraslap(#58)becomes9splash.
Highbongo(#60)becomes19ridebell.
WhatmakesNDKmappinguniqueisthatthesamemappinginalsomirroredtwooctavesdown,withthefollowing
exceptions:
Righthandarticulationsswaptothelefthand.
Whereavailable,snareshavealternativecrosssticksamples.
Whereavailable,kickdrumshavealternativesamplesofthesamearticulations.
Crashandsplashordinaryhitsbecometophits.
Hihatpedalchickbecomespedalsplash.
Hihatopenbecomeshihatbell.
20Rideordinaryhitbecomeselvinshot
19Rideordinaryhitbecomescrashhitand,forsticks,transposeddownasemitone.
Cowbellordinaryhitbecomestophit.
Wehavefoundthismakesforanextremelyplayablekitwhichallowstheperformertothinkandplaylikeadrummer.If
you'reusedtoplayingGeneralMIDIdrumsfromakeyboard,moveyourlefthanddownacoupleofoctavesandyou'll
beperforminglivetakesinnotime.
m o dulationwheel:
Furthertotheabove,NDKusesextensivemodulationwheelswitchingtoaccessevenmorearticulations.Wehave
mappedthekitsinsuchawaythatyouwillbeabletouseallthekitpartsononeMIDIchannelandcontrolthem
simultaneouslywiththemodwheelthisisbecausewe'vesetitupinphases.Forexampleifyoupushthemod
wheelforwardtohitatomrimshot,you'dstillbeabletoplayanordinarycymbalhit.Keeppushingthemodwheel,and
onlythenwillyougethit&grabs.
ForliveperformanceofNDK,it'shighlyrecommendedthatyousetupanexpressionpedalandassignittoCC#01.See
Appendix5forthemappingchartwhichillustratesthevariousmodulationcontrollerphases.
Hihats:
Aswellasmodulationwheelswitching,thehihatsalsoemployfootcontroller(CC#04)switchingtocontrolthedegreeof
hihatopenness.SeeAppendix3forhihatmodulationandfootswitchmappingcharts.
footcontroller(CC#04)tocontrolopennessofthehihats,youneedtousesomesortofMIDI
continuouscontrollerandassignittoCC#04.Typically,edrumshavetheirhihatfootpedalsetupto
sendoncontinuouscontroller4bydefault.Also,manykeyboardsallowyoutoassigntheir
modulationwheels(ordataentryfaders)todifferentcontinuouscontrollers.Alternatively,many
sequencersallowyoutodrawinCCeventsthiswillgenerallybeasubsectionofthepianoroll
screen.
2008,AtelierRobin
17
NDK
xfexplainedasmentionedearlier,certainpresetshaveanxfappendedtothefilename.This
standsforcrossfadeandinprincipalit'safairlysimpleconcept,allowingtheperformertousethefoot
controller(CC#04)tocrossfadebetweenthedifferentdegreesofopenness.Forexample:let'ssayI
openthefootcontrollerandhitawideopenhihat.IfIthenbegintoclosethefootcontroller,thewide
opensamplewillbegintofadeintoaslightlylessopenhihat.IfIcloseitsomemore,thewideopen
hihatsamplewillbegintofadeout.IfIkeepclosingthehihat,itwillkeepcrossfadingdownthough
allthesamples.
Thereisalimitation,though,governedbythewaythissystemisimplemented.Tocomprehendthis
limitation,youneedanunderstandingofhowthecrossfadesystemworks:triggeringonehihatnote
withaparticularvelocitylayeronaparticulararticulationandopennessdegreesimultaneouslytriggers
allsamplesassignedtothatsamevelocityandarticulationthroughouttheremainingopenness
degrees.4Thecrossfadeworksbyonlylettingyouhearoneopennessdegreewhichaccordstoyour
footcontrollerMIDIvalue.So,whenyoumovethefootcontroller,itisn'ttriggeringanothersample,
butcrossfadingintoonewhichisalreadythere(triggeredbytheinitialnoteonevent).So,let'ssayI
hitacompletelyclosedhihatthesounddecaysinunderhalfasecond.Yet,ifIopenthefoot
controller,Iwouldcrossfadeintothelongerdecayingopenhihats.Clearlythisisanunrealistic
characteristicandshouldbeconsideredwhenprogrammingyourhihats.Conversely,ifIhitanopen
hihatandleaveittoolongbeforeIclosethepedal,thetighterhihatswillhavealreadydecayedand
youwouldbecrossfadingintonothing.Inpractice,thesescenarioscomeupveryrarely.Toreduce
thefrequencyofsuchincidents,ensurethatwheneveryouclosethehihat,youalsotriggeraclosed
pedalsoundthiswillcutoffanyhihatsamplesringingon.
Thisalsomakesxfbanksandbresetsveryresourcehungryasithastostreamalotofsamplessimultaneously.
2008,AtelierRobin
18
NDK
Voicegroups& polyphony:
HALiondemandsthateachinstrumentbeassignedagroupnumberwhichisgivenapolyphonylimit.Wehaveusedthe
followingsettingforallNDKpresets:
INST R U M E N T
V OI C E G R O U P
PO L Y P H O N Y
Kickdrums:
Snaredrum:
Toms
Percussion
Hihats
12
Hihats,crossfade,stx
2*
Hihats,crossfade,mlt,brs&hnd
9,10,11,12,13,14
19Ride
15
12
20Ride
16
12
Crashes&Splashes
*thethreemosttightlyshutopennessdegreesofthethe13hihatsdonotcrossfadeand
keepapolyphonyof12.
A few finalwords:
Wehopeyouhavefoundthismanualinformativeandeasytounderstand.
IfyoudecidetomakeyourownpresetsusingNDKsamplesandsharethemwithothers,weencourageyoutousethe
mappingslaidoutintheuniversalmappingchart(Appendix5).Thatway,potentialuserscandownloadthismanualand
quicklyseehowthemappingandsamplesworks.YoucanalsoshareyourmappingswithotherNDKusersbyposting
themonthewikioruserforumonnaturaldrum.com
Allfeedbackismuchappreciatedandifyouhaveanyquestions,pleasedon'thesitatetogetintouch.
GoodluckwithyourNDKprojects!
http://naturaldrum.com
2008,AtelierRobin
19
NDK
A P P E N D I X 1:instrumentspecifications.
Snares(5359uniquesamples):
name: sn10jungle
instrument: SonorJungleSnare,10x2.
description: Asnappydrumwithhighpitchedsnare.Itisauniquedrumandhas16jinglesattachedtoit,
notunlikeatambourine.Thoughclassedasaneffectsdrum,thejinglesarehardlynoticeable,
exceptonrimshotsandwhenplayingwithhands.
ambience:
samplecount: 881
size: 502MB
name: sn10piccolo
instrument: YamahaPeterErskineSignatureModel,10x4.
description: Despiteit'sdiminutivesize,thisisarichsnareandpacksasignificantpunch.Thesnarewire
waspulledtightresultinginaquickdecay.Greatstickresponseandanicewoodytonethanks
tothe8plymapleshell.
ambience:
samplecount: 200
size: 64MB
name: sn12bop,twoversionsofthesametuningmutedandopen
instrument: PearlMastersAllMaple,12x7.
description: Areallyexpressiveandmusicalsnare.Inthisparticulartuning,thesnarewireandskin
resonanceplayamoreprominentrolethantheshellindefiningthesound;althoughtherim
shotsandcrossstickshaveareallysweet,woodytone.Theopenvariationhasafull
wonderfulsustainandisalivewithovertones.Themutedversionkeepsthetoneofthedrum
buthushestheovertoneswhichmaybetoomuchfordensermixes.
ambience:
samplecount: 2347
size: 1.25GB
name: sn12dead
instrument: PearlMastersAllMaple,12x7.
description: Tunedlowandheavilymuted.Verylittlesnarewireresonance.
ambience:
samplecount: 164
size: 43MB
2008,AtelierRobin
20
NDK
name: sn12funk
instrument: PearlMastersAllMaple,12x7.
description: Tunedtobringoutthetoneoftheshellandletthelistenerknowthissnareis7deep!Top
skinpulledfairlytightforaquickstickresponse.Therimshotshaveimmensepowerand
overallthedrumhasincrediblefocusandpunch;thiswillbesuretocutthroughanymix.
ambience:
samplecount: 407
size: 171MB
name: sn12orleans
instrument: PearlMastersAllMaple,12x7.
description: Tunedaslowasthedrumandskinwouldhandle.Snarewireandresonantheadadjustedto
allowformaximumsustain.Abig,fat,wetsound.
ambience:
samplecount: 186
size: 134MB
name: sn12tight
instrument: PearlMastersAllMaple,12x6.5.
description: Acrossbetweensn12funkandsn12dead.
ambience:
samplecount: 347
size: 159MB
name: sn14metal
instrument: GretschCrystalTone,14x5.5.
description: Adirty,roughroundtheedgessteelsnaresound.Tunedhightogetanicefastattackand
highovertones.
ambience:
samplecount: 293
size: 218MB
name: sn14rock
instrument: GretschUSAMaple,14x5.
description: Whatthissnarelacksinstickresponse,itmakesupforinmeat;thissnareisthedefinitionof
beef.Nothingsubtleheretunedlowandfat.Chunkyrimshotsound.
ambience:
samplecount: 534
size: 253MB
2008,AtelierRobin
21
NDK
Kickdru ms (668uniquesamples):
name: kd14bop
instrument: GretschUSAMaple,14x11floortom,positionedandplayedasakick.
description: Althoughthisstartedasanexperiment,thisfloortomprovetobeagreatsoundinghighkick
drumperfectforbop.
ambience:
samplecount: 229
size: 95.4MB
name: kd20full
instrument: GretschUSAMaple,20x16.
description: Resonantandbatterheadtunedlowforafullsound.Heavilydampened.Goodallround
soundwhichwillcutthroughamix.
ambience:
samplecount: 95
size: 18.3MB
name: kd20punch
instrument: GretschUSAMaple,20x16.
description: Resonantheadtunedhigherthanbatterheadtightbeaterresponse.Layintothisdrumand
thereasonbehindthenamewillberevealed!Mediumdampeningallowsforsomeresonance
inthelowmids.
ambience:
samplecount: 194
size: 52MB
name: kd22boom
instrument: GretschUSAMaple,22x18.
description: Explosive;definitelynotatypicalstudiokick.Thebatterheadistunedlowforameatybeater
sound,whilethehigherpitched,unmuted,unportedresonantheadproducesalotofsustain
andbody.
ambience:
samplecount: 107
size: 36.8MB
name: kd22noreso
instrument: GretschUSAMaple,22x18.
description: Heavilymutedandtunedlow.Resonantheadremoved.
ambience:
samplecount: 43
2008,AtelierRobin
22
NDK
size: 6.91MB
Hihats(4204uniquesamples):
name: hh13,a.k.a.ns_dreamhats
instrument: UFIP13"BionicSeries.
description: Weareyettohearabettersetofhihats:enormousdynamicrange,focusedsticksound,tight
andcleanchick(thankstothethreeairholes),massivesustain,eventoneacrossthe
registerandanimpossiblecombinationofwarmthandpresence.Thesearealso(byfar)the
loudesthihatswe'veeverheardbutremaindetailedandfullofresponserightthroughthe
dynamicrange.Acceptnosubstitutesthisistherealdeal.
samplecount: 3504
size: 4.43GB
name: hh14
instrument: Meinl14OneofaKindmedium.
description: Aslightlytamerhihat,butonlywhencomparedtothens_dreamhats!Theseoozeexpression
andhavegreatplayability.Sticksoundisn'ttoopronouncedwhichcanhelpthesehihatssitin
amix.Hasamediumsustainandarelativelyquietchickandsplashsound.Aperfect
alternativetothe13hihats,withagreatlydifferentcharacter.
samplecount: 700
size: 397MB
Cy m b als(1858uniquesamples):
name: cy8splash
instrument: UFIP8"NaturalSeriessplash.
description: NothingcomparestotheuniquesoundofUFIPsplashesandthis8beautyisnoexception.
Slightlydarkersoundingandmoresticksoundthanthe9splash.
samplecount: 144
size: 149MB
name: cy9splash
instrument: UFIP9"NaturalSerieslightsplash.
description: Areallysmoothresponseandanevendecay.Richinhighovertones.
samplecount: 134
size: 143MB
name: cy12splash
instrument: UFIP12"NaturalSeriessplash.
2008,AtelierRobin
23
NDK
description: Similarincharactertothe8splash,butwithastrongerfundamentalandmorepronounced
sticksound.Fullmidrange.
samplecount: 160
size: 300MB
name: cy15crash
instrument: UFIP15"NaturalSeriescrash.
description: Adarkcymbalwithaquickdecay.Strongundertonesandthicksticksound.
samplecount: 196
size: 541MB
name: cy18crash
instrument: UFIP18"RoughSeriescrash.
description: Thisisanexceptionallyloudcymbalthattakesallyoucanthrowatit.Thisisthebrightest
cymbalinthepackandhasafullsustain.Canalsoworkasanauxiliaryride.Handlewith
care!
samplecount: 194
size: 673MB
name: cy19china
instrument: Zildjian19"KSerieschina.
description: Atrashychinasoundwithafastdecay.Handlesquiteabitofforcebeforebreakingup.
samplecount: 183
size: 418MB
name: cy19ride
instrument: UFIP19"ExperienceSeriesthinvintageride.
description: Anextraordinarilyexpressivecymbal.Craftedintheoldstyle,thishasawarm,darkand
mellowsound.Exceptionallyarticulatesticksound.Opensuptoacrashsoundwhenpushed.
samplecount: 418
size: 1.57GB
name: cy19sizzle
instrument: UFIP19"ExperienceSeriesthinvintageride.
description: Asabove,butwithasizzlechainattached.
samplecount: 243
size: 638MB
2008,AtelierRobin
24
NDK
name: cy20ride
instrument: UFIP20"NaturalSeriesheavyride.
description: Verypronouncedsticksoundand,onaccountofitsthickness,almostimpossibletocrash.
Veryarticulateandevenacrossthedynamicrange.Strongfundamental,incrediblesustain
andremarkablepowermakethisoneofthemostcharacterfulUFIPsavailable.
samplecount: 181
size: 859MB
2008,AtelierRobin
25
NDK
To ms (5894uniquesamples):
name: tm_bop
instrument: GretschUSAMaple,8x7,10x8,12x9,14x11&16x16
description: Tunedtightlywithsomemoderatemutingonthehighertoms.Stickresponseissecondto
noneandrimshotshaveanalmosttimbalelikesound.Thedrumsweretunedtohavean
open,ringysound,ideallysuitedtobopandstyleswhereahigherpitched,moremelodictom
isrequired.Brushesandmalletshaveaparticularlypleasingtimbreonthesetoms.
ambience:
samplecount: 2484
size: 2.16GB
name: tm_dry
instrument: GretschUSAMaple,10x8,12x9&14x11
description: Heavilydampenedonboththebatterandresonanthead.Acrisp,tightstudiosoundwith
plentyofattack.
ambience:
samplecount: 384
size: 159MB
name: tm_noreso
instrument: GretschUSAMaple,10x8,12x9&14x11
description: Theresonantheadisremovedandthebatterheadistunedaslowaspossible.Mic'swere
alsousedinsidethetoms.Possiblythemostunsubtletomsoundeverrecorded!
ambience:
samplecount: 135
size: 131MB
name: tm_rock
instrument: GretschUSAMaple,8x7,10x8,12x9,14x11&16x16
description: Tunedtogetoptimalpower,punchandvolumefromthedrumwiththebatterheadstuned
slightlyhigherthantheresonant.Themoretaughtheadhelpsgiveamorebitingstick
response,particularlynoticeableonthelouderhits.Eachtomistunedinsympathywiththe
fundamentaloftheshelltogetareallyfulltoneandhelpthedrumsingatlowervelocities.
Somemoongelusedtotamethehigherovertones.
ambience:
samplecount: 2891
size: 2.35GB
2008,AtelierRobin
26
NDK
Percussion(253uniquesamples):
name: pn8cowbell
instrument: Meinl8OriginalRealPlayersteelbell
description: Adeep,powerfulcowbellwithexcellentprojectionandacuttingattack.
samplecount: 253
size: 110MB
2008,AtelierRobin
27
NDK
A P P E N D I X 2:articulationcharts.
Snares:
instrument
sticks
stx
mlt
brs
snarewire
hnd
sn10jungle
on
stx
sn10piccolo
mlt
brs
hnd
stx
on
mlt
brs
hnd
on
mlt
brs
hnd
on
sn12bop(open)
mlt
brs
hnd
on
mlt
brs
hnd
on
sn12orleans
sn12tight
mlt
brs
brs
hnd
hnd
stx
brs
hnd
sn14metal
mlt
brs
2008,AtelierRobin
e2c
rms
on
on
hnd
on
cls
opn
sweeps
rmh
rol
slp
cls
opn
sweeps
slp
cls
opn
sweeps
slp
cls
opn
sweeps
prs
rim
xtk
ord
e2c
rms
rmh
prs
rim
xtk
rol
rim
xtk
rol
e2c
rms
rmh
prs
off
ord
off
e2c
rms
ord
e2c
rmh
prs
rms
rmh
prs
rim
xtk
rol
slp
cls
opn
sweeps
rim
xtk
rol
slp
cls
opn
sweeps
off
ord
e2c
off
off
rmh
prs
e2c
rms
rmh
prs
ord
e2c
rms
rmh
prs
off
ord
rms
ord
sn14rock
on
stx
ord
mlt
mlt
slp
stx
off
stx
sn12funk
ord
stx
sn12dead
rol
stx
xtk
off
rim
prs
rmh
rms
stx
e2c
off
brusharticulations
ord
sn12bop(muted)
off
articulations
rim
xtk
rol
slp
cls
opn
sweeps
xtk
rol
slp
cls
opn
sweeps
xtk
rol
slp
cls
opn
sweeps
slp
cls
opn
sweeps
xtk
rol
28
rms
rim
e2c
rim
rmh
prs
rim
NDK
Kickdru ms:
snarewire
instrument
articulations
on
off
cls
opn
kd14bop
kd20full
kd20punch
kd22boom
kd22noreso
Hihats:
instrument
sticks
ord,l
ord,r
top,l
top,r
bel
hh13
(ns_dreamhats)
2008,AtelierRobin
mlt
brs
articulations
openness
(hh13)
stx
hnd
29
grb
ped
spl
rim
sws
NDK
hnd
openness
ord,l
ord,r
top,l
top,r
bel
(hh13)
stx
mlt
brs
(hh13)
hh14
(hh14)
(hh14)
(hh14)
grb
ped
spl
rim
sws
Cy m b als:
instrument
sticks
stx
mlt
articulations
brs
hnd
ord5
crs
top
elv
bel
grb
cy8splash
stx
mlt
brs
hnd
ord
hnd
ord
cy9splash
stx
mlt
brs
crs
top
elv
bel
grb
rim
top
elv
bel
grb
sws
rim
crs
rol
rol
sws
rim
rol
sws
Thisarticulationdiffers,dependingontheparticularcymbale.g.acrash/splashordhitwouldbeusingtheshankofthestickontheedge.Aride,ontheotherhand,would
behitontopwiththesticktip.
2008,AtelierRobin
30
NDK
cy12splash
bel
grb
rim
bel
grb
rim
grb
rim
...cymbalscontinuedonnextpage...
stx
mlt
brs
hnd
ord
hnd
ord
hnd
ord
hnd
ord
crs
hnd
ord
crs
hnd
ord
cy15crash
stx
mlt
brs
cy18crash
stx
mlt
brs
cy19china
stx
mlt
brs
cy19ride
stx
mlt
brs
cy19sizzle
stx
mlt
brs
cy20ride
crs
top
elv
crs
top
elv
crs
top
elv
bel
crs
top
top
top
rol
rol
sws
rol
sws
elv
bel
grb
rim
elv
bel
grb
rim
elv
bel
grb
rim
sws
rol
sws
rol
sws
rol
sws
To ms:
instrument
tm8rock,tm10rock&
tm12rock.
tm14rock&tm16rock
tm8bop&tm10bop
2008,AtelierRobin
sticks
stx
mlt
articulations
brs
hnd
on
off
ord
rms
rim
31
rhonly
rhonly
NDK
tm12bop&tm14bop
tm12bop
stx
mlt
brs
rms
rim
hnd
on
off
ord
tm16bop
tm_dry
tm_noreso
Percussion:
instrument
pn8cowbell
pn8cowbellm
2008,AtelierRobin
sticks
stx
mlt
articulations
brs
hnd
ord
top
32
NDK
A P P E N D I X 3:hihatopennesschartsforH A Lion m a p pings.
hh13,sticks:
articulationsandassociatedCC#04value
degreeof
openness
ord/top
bel
07
015
815
1623
2431
3239
4047
4855
5663
6471
7279
8087
8895
96103
104111
112119
120127
ped*
grb
spl*
rim
1631
039
3263
07
4063
6479
839
6479
095
80119
40119
80119
96119
120126
120127
120127
120127
127
*controlledwithmodwheel
degreeof
openness
ord
021
2243
4465
6687
88109
110127
grb
045
46127
0127
hh13,hands:
degreeof
articulationsandassociatedCC#04value
openness
ord
063(midinote#42)
64127(midinote#42)
2008,AtelierRobin
bel
33
NDK
c
0127(midinote#46)
hh14,sticks:
articulationsandassociatedCC#04value
degreeof
openness
ord
bel
025
025
2650
26101
5176
77101
102127
102127
degreeof
articulationsandassociatedCC#04value
openness
ord
045
4685
86127
hh13,hands:
degreeof
articulationsandassociatedCC#04value
openness
ord
0127(midinote#42)
0127(midinote#46)
2008,AtelierRobin
34
NDK
A P P E N D I X 4:samplecountbreakdo w n.
Instrument
stx/ord
mlt
brs
hnd
cy8splash
52
36
34
29
cy9splash
42
38
35
27
cy12splash
74
41
33
21
cy15crash
94
47
50
17
cy18crash
96
56
39
15
cy19china
82
42
42
25
cy19ride
201
102
104
22
cy19sizzle
89
54
80
24
cy20ride
86
32
54
17
hh13
2513
647
688
258
hh14
494
110
140
84
kd14wbop
133
kd14bop
96
kd20full
95
25
15
kd20wpunch
91
kd20punch
103
kd22wboom
59
kd22boom
48
kd22noreso
43
pn8cowbell
74
36
pn8cowbellm
75
28
sn10wjungle
421
sn10jungle
321
sn10piccolo
200
sn12wbopm
575
sn12bopm
136
sn12wbop
444
57
385
46
58
381
46
sn12bop
407
sn12dead
164
sn12funk
348
sn12orleans
190
sn12tight
351
sn14wmetal
164
sn14metal
129
sn14wrock
203
146
41
156
sn14rock
179
tm_wrock
677
323
303
205
tm_rock
639
338
303
194
tm_wbop
794
353
tm_bop
776
334
tm_wdry
189
tm_dry
195
tm_noreso
135
2008,AtelierRobin
35
259
413
258
ns_kit 7
13
15
20
18
22
25
27
30
32
34
37
39
42
44
46
49
51
54
56
58
11
M O D U L A T I O N
cy12splash_ord
pn8cowbell_ord
W H E E L
sn_e2cl
sn_rol
hh_ordl
tm16_rmsl
tm14_rmsl
tm12_rmsl
tm10_rmsl
tm8_rmsl
cy19china_top/rol
hh_grb
cy8splash_bel/rol
cy15crash_rim/rol
kd_cls_bxxx
kd_opn_bxxx
sn_e2cr
sn_rolr
hh_ordr
tm16_rim
tm14_rim
tm12_rim
tm10_rim
cy19china_grb
cy20ride_bel
cy8splash_ord
cy15crash_ord
sn_xtx_axxx
hh_topl
hh_spl
hh_bel
cy18crash_rim/rol
cy20ride_rim/rol
cy12splash_rim/rol
pn8cowbell_top
cy19ride_rim/rol
sn_xtk_xxxa
sn_rmhr
hh_topr
hh_ped
hh_opnr
cy18crash_ord
cy20ride_ord
cy12splash_ord
pn8cowbell_ord
cy9splash_ord
cy19ride_bel
cy19ride_grt
cy15crash_grb
cy8splash_grb
cy20ride_bel
cy19china_grb
tm8_rim
tm10_rim
tm12_rim
tm14_rim
tm16_rim
hh_ordr
sn_rolr
sn_e2cr
kd_opn_bxxx
kd_cls_bxxx
cy15crash_rim/rol
cy8splash_bel/rol
hh_grb
cy19china_top/rol
tm8_rim
tm10_rim
tm12_rim
tm14_rim
tm16_rim
hh_ordl
sn_rol
sn_e2cl
kd_opn_axxx
kd_cls_axxx
hh_topl
hh_spl
hh_bel
cy18crash_bel
cy20ride_elv
cy12splash_bel
pn8cowbell_top
cy19ride_elv
sn_xtk_bxxx
sn_rmsr
hh_topr
hh_ped
hh_opnr
kd_opn_axxx
127
sn_xtx_axxx
kd_cls_axxx
sn_e2cr
kd_opn_bxxx
kd_cls_bxxx
cy15crash_bel
cy8splash_bel
hh_grb
cy19china_top
tm8_rmsl
tm10_rmsl
tm12_rmsl
tm14_rmsl
tm16_rmsl
hh_ordl
sn_prsl
sn_e2cl
kd_opn_axxx
86
sn_xtx_axxx
kd_cls_axxx
sn_ordl
hh_topl
hh_spl
hh_bel
cy18crash_top
cy20ride_elv
cy12splash_top
pn8cowbell_top
cy19ride_crs
sn_xtk_bxxx
sn_prsr
hh_ordr
tm16_rmsr
tm14_rmsr
tm12_rmsr
cy19china_ord
cy20ride_bel
cy8splash_ord
cy15crash_ord
cy9splash_ord
sn_rmhl
46
14
sn_prsl
sn_ordr
sn_rmsr
hh_topr
hh_ped
hh_opnr
tm10_rmsr
sn_rmsl
kd_cls_axxx
16
hh_ordl
tm8_ordl
38
sn_prsr
sn_rmsl
17
tm16_ordl
kd_opn_axxx
19
tm14_ordl
C0
21
tm12_ordl
12
23
26
cy19china_top
tm10_ordl
28
hh_grb
C1
29
cy8splash_bel
24
31
cy15crash_top
kd_cls_bxxx
33
35
40
hh_ordr
kd_opn_bxxx
41
tm16_ordr
C2
43
tm14_ordr
36
45
tm10_ordr
tm12_ordr
C3
47
48
tm8_ordr
cy12splash_ord
pn8cowbell_ord
cy9splash_ord
tm8_rim
50
cy19china_ord
cy18crash_ord
52
cy20ride_bel
cy19ride_ord
tm8_rmsr
53
cy8splash_ord
cy19ride_bel
cy18crash_ord
55
cy15crash_ord
cy19ride_ord
cy20ride_ord
57
cy19ride_bel
cy20ride_ord
59
cy19ride_ord
C4
cy19ride_bel
60
sn_xtx_axxx
sn_rim
hh_topl
hh_spl
hh_rim
cy18crash_rim/rol
cy20ride_rim/rol
cy12splash_rim/rol
pn8cowbell_top
cy19ride_grc
sn_xtk_xxxa
sn_rim
hh_topr
hh_ped
hh_opnr
cy18crash_grb
cy20ride_grb
cy12splash_grb
pn8cowbell_ord
cy9splash_grb
NB: for brush kits, the following substitutions are made: sn_ord -> cls, sn_prs -> opn, sn_xtx_xaaa -> swl, sn_xtk_bxxx -> sws, hh_top -> ord, hh_ordl -> sn_swc, hh_ordr -> sn_swu, cy_rim -> sws.
Articulations shown after slashes are for mallets only.
- 35 -
2005, naturalstudio