The Andalucian Friend

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ANDALUCIAN
FRIEND
A NOVEL

THE

Alexander Sderberg

CROWN PUBLISHERS NEW YORK

CAST OF CHARACTERS

THE SW EDES
Sophie Brinkmann Albert Brinkmann Jens Vall Lars Vinge Gunilla Strandberg Erik Strandberg Anders Ask Aron Geisler Hasse Berglund Sonya Alizadeh Svante Carlgren Tommy Jansson

T HE SPA NI A RDS
Hector Guzman Adalberto Guzman Carlos Fuentes Leszek Smialy

THE GERM A NS
Ralph Hanke Roland Getz Christian Hanke Klaus Khler

THE RUSSIA NS
Mikhail Asmarov Dmitry, Gosha, Vitaly

PROLOGUE

he kept looking between the rearview mirror and the road ahead. She couldnt see the motorcycle, not just then. It had been there a moment before, looming up behind her, then it disappeared. She pulled into the inside lane of the highway, trying to seek cover from the cars behind her. He kept looking back, trying to direct her driving from the passenger seat. She couldnt hear his words, just the panic in his voice. The outline of the motorbike appeared in the shaky rearview mirror, disappeared for a few moments, then reappeared it kept going like that as it cruised between the cars behind them. She pulled out into the left-hand lane, which lay open ahead of her, and put her foot down, and the car vibrated with the rapid revolution of the engine as she put the car into fth gear, the highest. She felt sick. There was a draft around her feet, the bullets must have hit somewhere down there. The holes made a whining noise that merged with the sound of the straining engine, a terrible noise that cut into her
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THE ANDALUCIAN FRIEND

consciousness. She couldnt remember how far she had driven before the shots came sudden and unreal. She had time to see that the man riding the motorbike was wearing a blue helmet with a dark visor, that the gunman behind him had a black helmet with no visor; she had seen his eyes for a moment, she had seen the emptiness in them. They had been shot at from the left; the sound came out from nowhere rattling in quick succession. The clatter inside the car sounded like someone was hitting the bodywork with a heavy chain. At the same time she heard a yell, but she couldnt tell if it had come from her or the man beside her. She glanced quickly at him. He was different now: his nerves and fear were shining through, showing themselves as anger. That much was clear from his face: furrowed brow, staring eyes, every now and then a twitch in one of them. He pressed one of the speed-dial numbers on his cell phone again he had done this once already since the shots were red he waited, staring intently ahead of him, no answer this time either, he hung up. The motorbike was heading toward them at high speed, he yelled at her to drive faster. She realized that speed wasnt going to save them and neither would his yelling. She felt the metallic taste of fear in her mouth as a white noise buzzed feverishly in her head. Her panic had crossed a boundary, she was no longer trembling, she just felt a terrible weight in her arms, as if driving the car were somehow heavy. And like an invincible enemy, the motorbike was suddenly alongside them. She glanced to the left and saw the snub-nosed weapon in the gunmans hand again as he raised it toward her. She ducked instinctively as the gun spewed out bullets: hard cracking sounds echoed as the shots hit the bodywork, the crash as the side window shattered, throwing a cascade of glass over her. She was slumped down with her head to one side, foot hard on the accelerator. The car was driving itself, she had no idea what was happening ahead of them. She had time to notice that the glove compartment by his knees was open, that there were several magazines in there, that he was holding a pistol in his hand. Then a loud bang, metal against metal. A loud scraping sound from the right as the car slid into the barrier along the side of the highway. There was a shrieking, scraping sound, the car was juddering, and there was a smell of burning. She sat up, turned the wheel, and straightened the car, and pulled out into trafc again. A quick look over her shoulder; the motorbike
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ALEXANDER SDERBERG

was off to the side behind her. He swore loudly and leaned across her, ring the gun through her window, three shots in quick succession. The explosions from the gun echoed improbably inside the car, the motorbike braked and disappeared. How much farther? she asked. He looked at her as if he didnt understand the question, then he must have heard it as an echo in his head. I dont know. . . . The accelerator pedal was still on the oor, the needle of the speedometer was quivering as the car lurched around curves in the road. Another quick glance in the rearview mirror. Here it comes again, she said. He tried to open his own window but the collision with the barrier had buckled the door and the window was stuck. He leaned back toward her, took aim with his right foot, and kicked at the window. Most of the glass fell out. He cleared the rest with the barrel of the gun, then leaned out and shot at the motorbike, which pulled back once more. She realized how hopeless their situation was. The motorbike was in control. Then everything fell silent, as if someone had switched off all sound. They sailed along the highway, staring ahead as if they were both trying to reconcile themselves to their approaching death, faces pale, incapable of comprehending what was happening to their lives at this precise moment. He looked tired, his head was hanging, his eyes sad. Say something! She uttered the command in a loud voice, both hands on the wheel, eyes on the road, speed unchanged. At rst he didnt answer; he seemed to be thinking, then he turned toward her. Sorry, Sophie.

PART ONE
STOCK HOLM, SI X W EEKS E A RL IER , M AY

here was something about her that made some people say she didnt look like a nurse, and she could never gure out if this was a compliment or an insult. She had long, dark hair and a pair of green eyes that sometimes gave the impression that she was about to burst out laughing. She wasnt; that was just the way she looked, as if she had been born with a smile in her eyes. She went down the stairs, which creaked beneath her feet. The house a fairly small, yellow wooden villa built in 1911, with leaded windows, shiny old parquet oors, and a garden that could have been bigger was her place on this earth, she realized that the rst time she saw it. The kitchen window was open to the still spring evening. The smell coming through the window was more summer than spring. Summer wasnt supposed to arrive for several weeks, but the heat had come early and not wanted to leave. Now it was just hanging there, heavy and completely still. She was grateful for it, needed it, enjoyed
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THE ANDALUCIAN FRIEND

being able to have her windows and doors open being able to move freely between outside and in. There was the sound of a moped in the distance, a thrush was singing in a tree other birds too, but she didnt know their names. Sophie got out the china and set the table for two, with the best plates, nicest cutlery, and the nest glasses, avoiding the workaday as best she could. She knew she would be eating alone, seeing as Albert ate when he was hungry, which seldom coincided with her timing. She heard his steps on the stairs sneakers on old oak wood; a bit too heavy, a bit too hard Albert wasnt bothered by the noise he was making. She smiled at him as he came into the kitchen; he smiled back boyishly, yanked open the fridge door, and stood there for far too long, staring at the contents. Shut the fridge, Albert. He stood where he was; she ate for a while, idly lea ng through a newspaper, then she looked up, said the same thing again, this time with a hint of irritation in her voice. I cant move . . . , he whispered theatrically. She laughed, not so much at his dry sense of humor but more because he was just funny, which made her happy . . . proud, even. How was your day? she asked. She could see he was close to laughter. She recognized the signs, he always thought his own jokes were funny. Albert took a bottle of mineral water from the fridge, slammed the door, and jumped up onto the kitchen counter. The carbon dioxide hissed as he unscrewed the top. Everyones mad, he said, taking a sip. Albert started to tell her about his day in small fragments as they occurred to him. She listened and smiled as he made fun of the teachers and other people. She could see he enjoyed being amusing, then suddenly he was done. Sophie could never gure out when this was going to happen; he would just stop, as if he had gotten fed up with himself and his sense of humor. And she felt like reaching out to him to ask him to stay, carry on being funny, carry on being human, friendly, and mean at the same time. But that wasnt how it worked. Shed tried before and it had gone wrong, so she let him go. He disappeared into the hall. A short silence; maybe he was changing his shoes.
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ALEXANDER SDERBERG

You owe me a thousand kronor, he said. What for? The cleaning lady came today. Dont say cleaning lady. She heard the zip of his jacket. So what should I say? She didnt know. He was on his way out through the door. Kiss, kiss, Mom, he said, his tone suddenly gentle. The door closed and she could hear his steps on the gravel path outside the open window. Give me a ring if youre going to be late, she called. Sophie went on as normal. She cleared the table, tidied up, watched some television, called a friend and talked about nothing and the evening passed. She went up to bed and tried to read some of the book on her bedside table, about a woman who had found a new life helping the street children of Bucharest. The book was dull; the woman was pretentious and Sophie had nothing in common with her. She closed the book and fell asleep alone in her bed as usual.

Eight hours later, and the time was quarter past six in the morning. Sophie got up, showered, wiped the bathroom mirror, which revealed hidden words when it steamed up: Albert, AIK, and a load of other illegible things that he wrote with his nger while he was brushing his teeth. She had told him to stop doing it, but he didnt seem to care, and in some ways she rather liked that. She ate a light breakfast on her feet as she read the front page of the morning paper. It would soon be time to leave for work. She shouted up to Albert three times that it was time to get up, then fteen minutes later she was sitting on her bicycle and letting the mild morning air wake her up.

He went by the name of Jeans. They seriously believed that was his name.

Theyd laughed and pointed to their trousers. Jeans! But his name was Jens, and he was sitting at a table in a hut in the jungle in Paraguay together with three Russians. The bosss name
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THE ANDALUCIAN FRIEND

was Dmitry, a lanky guy in his thirties, his face still looked like a childs a child whose parents were cousins. His colleagues, Gosha and Vitaly, were the same age and their parents may have been siblings. They kept laughing without showing any sign of pleasure, their eyes wide, half-open mouths letting on that they didnt really understand anything at all. Dmitry was mixing a batch of dry martinis in a plastic container. He tipped in some olives and shook it around, poured it into some rinsed-out coffee mugs, spilling it, then proposed a toast in Russian. His friends roared; they all drank the martinis, which had an undertone of diesel. Jens didnt like them, not a single one. They were repulsive: dishonest, rude, twitchy. . . . He tried to not show his distaste but it shone through; hed always been bad at hiding his feelings. Lets take a look at the goods, he said. The Russians lit up like children on Christmas morning. He went out of the shed toward the jeep that was parked in the middle of the dusty, poorly lit yard. He had no idea why the Russians had come all the way to Paraguay to look at the goods. Normally someone ordered something from him, he delivered, got paid, never met the customer. But this time it was different, as if the whole business of buying arms was a big deal for them, something fun, an adventure in itself. He had no idea what they were involved in either, and he didnt want to know. It didnt matter; they were there to look at their purchases, test the weapons, snort some cocaine, fuck some whores, and pay Jens the second of three installments. He had brought one MP7 and one Steyr AUG with him. The rest were packed away in a warehouse by the harbor in Ciudad del Este awaiting shipment. The Russians grabbed the guns and pretended to shoot one another. Hands up . . . hands up! They were shrieking with laughter, jerking about. Dmitry had a white smear of coke in his stubble. Gosha and Vitaly were arguing over the MP7, pulling and tugging at the gun, punching each other hard in the head with their sts. Dmitry separated them, brought out the container of dry martinis. Jens watched from a distance. The Russians would get out of hand, the Paraguayans would come back with some whores as a ges10

ALEXANDER SDERBERG

ture of goodwill. The Russians would get even more wired and drunk and then theyd start ring live rounds. He knew what was going to happen and he couldnt do anything to stop it, and it would all be terrible. He wanted to leave, but he had to stay until sunrise, stay alert and sober, to take his money whenever Dmitry decided it was time to hand it over. Jeans! Where the fuck is the ammo? Jens pointed to the jeep. The Russians ran over, tore open the doors, and began searching. Jens put his hand in his pocket, he only had one piece of nicotine gum left. It was two months since he had stopped using chewing tobacco, and three years since he stopped smoking. And now he was in the jungle twenty-ve miles from Ciudad del Este. The nicotine synapses in his brain were screaming for attention. He pulled out the last piece of gum, chewed hard on it, looked over at the Russians with ill-concealed disgust, and realized that he was about to start smoking again.

Once she was at the hospital, she worked. There was rarely time for anything

else, and besides, she didnt enjoy drinking coffee with her colleagues; it felt uncomfortable. She wasnt shy, but maybe there was something missing, preventing her from socializing over coffee. She was mainly there for the patients sake, not because of any particular piety or a specic desire to look after other people. She worked at the hospital so she could talk to them, spend time with them. They were there because they were ill, which meant that they were basically themselves. Open, human, and honest. And that made her feel safe and functional. That was what she wanted, that was what kept her coming. Patients rarely talked nonsense, except when they were getting better, and thats when she left them, and they her. Maybe that was why Sophie had chosen this as her career in the rst place. Did she wallow in other peoples misfortune? Possibly, but it didnt really feel to her as if that was what she was doing. It felt more like she was dependent. Dependent on other peoples honesty, dependent on their openness, dependent on the chance to see glimpses of peoples inner selves shine through every now and then. And when that happened, those patients would often become her favorites on
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THE ANDALUCIAN FRIEND

the ward. Her favorites were almost always imposing characters. Imposing was the word she used. And when they appeared before her, she would stop and think, impressed, maybe, and lled with an indenable sense of hope. Straight-backed people who dared to face life with a smile, the ones who were imposing on the inside: she had always been able to see them, right from the very rst glance, without being able to explain how or why. As if these few people let their souls blossom, as if they chose the very best over what was merely good, as if they dared to see all sides of themselves, even the shady, hidden aspects. She was walking down the corridor carrying a tray, heading for Hector Guzman in Room 11. He had come in three days earlier after being knocked down on a pedestrian crossing in the city center. His right leg was broken below the knee. The doctors thought theyd discovered something wrong with his spleen, so he was being kept in for observation. Hector was in his mid-forties, good-looking without being handsome, large without being fat. He was Spanish, but she thought she could see hints of something Nordic in his features. His hair was fairly dark, with a few lighter hints. His nose, cheekbones, and chin were sharp and his skin verged on the sandy brown. He spoke uent Swedish and he was imposing perhaps because of the observant eyes that lit up his face, possibly because of the lightness of his movements even though he was a large man. Or possibly because of the natural indifference that made him smile every time she went in to him as if he knew that she knew, which she did, and that made her smile back at him. He pretended to be absorbed in a book as he sat up in bed with his reading glasses on his nose. He was always doing things like that when she was with him, pretending not to see her, pretending to be busy. She sorted out the pills and put them in little plastic cups, then handed him one. He took it without looking up from his book, tipped the pills into his mouth, accepted a glass of water, and swallowed them, all without taking his eyes from the book. She gave him the second dose and he did the same with that. Always just as tasty, he said quietly, then looked up. Youre wearing different earrings today, Sophie. She caught herself about to raise one hand to her ear. I might be, she said.
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ALEXANDER SDERBERG

No, not might be, you are. They suit you. She headed for the door and pulled it open. Can I have some juice? If thats OK? Its OK, Sophie said. In the doorway she bumped into the man who had introduced himself as Hectors cousin. He wasnt like Hector thin but muscular, black-haired, taller than average, with alert blue eyes that seemed to notice everything going on around him. The cousin nodded to her curtly. He said something to Hector in Spanish, Hector said something back, and they both started to laugh. Sophie got the feeling that she was part of the joke, and forgot about the juice.

Gunilla Strandberg was sitting in the corridor holding a bunch of owers, watching the nurse come out of Hector Guzmans room. Gunilla studied her as she came toward her. Was that happiness she could see? The sort of happiness that a person doesnt themselves know about? The woman went past her. On her left breast pocket was the little pin that showed that she was a Sophia Sister a graduate of Sophiahemmet University College. Beside the pin was a name badge. Gunilla had time to make out the name Sophie. She watched Sophie go. The womans face was beautiful. Beautiful in the way that privilege bestowed: narrow, discreet . . . and fresh. The nurse moved easily, as if she let each foot merely graze the oor before taking the next step. It was an attractive way of walking, Gunilla thought. She watched until Sophie disappeared into another patients room. Gunilla was left thinking, her thoughts based on emotional equations. She looked once more in the direction where Sophie had just disappeared, then toward Room 11, in which Hector Guzman lay. There was something there. An energy . . . an emphasized form of something invisible to the naked eye. Something that woman, Sophie, had brought out of the room with her. Gunilla got up and walked down the corridor, then peered into the staff room. It was empty. The weeks roster was on the wall. She looked around the corridor before going in, then went over to the roster and ran her nger down it as she checked the names. Helena . . . Roger . . .
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THE ANDALUCIAN FRIEND

Anne . . . Carro . . . Nicke . . . Sophie . . . Sophie Brinkmann, she read. Stufng the bunch of owers in an empty vase on a portable table, she left the ward. In the elevator she pulled out her cell, called the ofce, and asked for an address for a Sophie Brinkmann. Instead of heading back to the station on Brahegatan, she drove over the highway from Danderyd Hospital and turned off into the villas of Stocksund. She got lost in the maze of little roads that seemed actively to want to stop her from reaching her destination, and ended up driving around in circles. It felt like she was driving up and down hills at random, until eventually she found the right road. She checked the house number and pulled up outside a small, yellow wooden villa with white detailing. She sat for a while behind the wheel, looking around. It was a quiet area, leafy, birch trees about to ower. Gunilla got out of the car and the scent of bird cherry hit her. She did a full turn, looking at the neighboring houses. Then she looked at Sophies house. It was beautiful, smaller than its neighbors, and she got the impression that it was less tidy than the others. She turned around again, comparing them. No, Sophie Brinkmanns house wasnt untidy, it was normal. It was the neighboring houses that were odd: a sort of perfectionism dull, soulless order. Sophies house again: more alive; the woodwork hadnt just been painted, the grass hadnt just been cut, the gravel path hadnt just been raked, the windows hadnt just been cleaned. Gunilla took a few tentative steps through the gate and walked carefully up the gravel path. She peered in through the kitchen window facing the road. What she could see of the kitchen looked tasteful. Old and new styles in an attractive combination; lovely brass faucets, an Aga stove, an old oak counter. A ceiling lamp that was so lovely, so unusual and well-chosen, that for a moment Gunilla felt a pang of envy. She went on looking, her gaze settling on the cut owers in a large vase in the hall window. She backed away and looked up. She could see another beautiful arrangement on one of the upstairs windowsills. In the car on the way back to the city her brain started working at high speed.
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This is a work of ction. Names, characters, places, and incidents either are the product of the authors imagination or are used ctitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Translation copyright 2013 by Neil Smith All rights reserved. Published in the United States by Crown Publishers, an imprint of the Crown Publishing Group, a division of Random House, Inc., New York. This translation published by agreement with the Salomonsson Agency. www.crownpublishing.com Originally published in Sweden as Den Andalusiske Vnnen by Norstedts, Stockholm, in 2012. Copyright 2012 by Alexander Sderberg. CROWN and the Crown colophon are registered trademarks of Random House, Inc. Library of Congress Cataloging-in-Publication Data Sderberg, Alexander. [Andalusiske vnnen. English] The Andalucian friend : a novel / Alexander Sderberg. 1st ed. p. cm. Originally published in Sweden as Den Andalusiske vnnen by Norstedts, Stockholm, in 2012. (alk. paper) 1. Organized crime Fiction. 2. Police corruption Fiction. 3. Nurses Fiction. 4. Sweden Fiction. I. Title. PT9877.29.O34A5313 2013 839.73'8DC23 2012023775 ISBN 978-0-7704-3605-6 eISBN 978-0-7704-3606-3 Printed in the United States of America Book design by Elina D. Nudelman Jacket design by Ben Wiseman 10 9 8 7 6 5 4 3 2 1 First Edition

The Andalucian Friend

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Published by

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