Earth Frequency, Harmonics & Musical Notes

By Jonel Boljanac

The Schumann Resonant Frequency 7.83Hz and the first overtone

14Hz are the most radioactive and energetic out of the E.L.F.
(Extremely Low Frequencies) range. Like two coiled serpents rising in
pitch from the earth they cross and come together at certain points
within harmonic increments and ratios. Also background noise from
60 cycle electric power lines have been consistently measured in the
U.S. and cross the E.L.F. harmonic overtones and sequences from this
range. Where they meet I noticed these notes have unique sonic
properties when an acoustic instrument is tuned properly to resonate
exactly or close as possible. Overall tuning to the earth tones is
musically more pleasant and beneficial, especially for musical
instruments, they simply resonate better, and can be biologically,
emotionally and mentally beneficial for the player and listener. The
overtone 14Hz when measured is actually more energetic with
radiation than 7.83 by about 10%. My focus and emphasis is showing
frequency exponential growth in equal temperament (N Hz.*
1.0594631) and rise in pitch in Hertz/waves for 7.83Hz, 14Hz and
60Hz. Resonance with these notes is achieved by calibrating a tuner to
A=446Hz based on 7.83Hz.
Due to the resonant earth frequencies fluctuation with global & atmospheric
phenomenon the numbers listed are for gaining a basic grasp of the resonant
ideas but keep in mind the variables of the actual phenomenon.

Chromatic Scale From 7.83Hz

(Negative numbers are below standard notation)

1.03 (B -3), 1.09 , 1.16 (C#), 1.23 (D), 1.30 (D#), 1.38 (E), 1.46 (F), 1.55 (F#), 1.64
(G), 1.74 (G#), 1.84 (A), 1.95 (A#), 2.07 (B), 2.19 , 2.32 (C#), 2.46 (D), 2.61 (D#),
2.76 (E), 2.93 (F), 3.10 (F#), 3.29 (G), 3.48 (G#), 3.69 (A), 3.91 (A#), 4.14 (B), 4.39 (C),
4.65 (C#), 4.93 (D), 5.22 (D#), 5.53 (E), 5.86 (F), 6.21 (F#), 6.58 (G), 6.97 (G#), 7.39
(A), 7.83 (B -2), 8.29 (C), 8.78 (C#), 9.31 (D), 9.86 (D#), 10.45 (E), 11.07 (F), 11.73
(F#), 12.42 (G), 13.16 (G#), 13.95 (A), 14.78 (A#), 15.66 (B -1 ), 16.59 (C 0), 17.57
(C#), 18.62 (D), 19.73 (D#), 20.90 (E), 22.14 (F), 24.46 (F#), 24.85 (G), 26.33 (G#),
27.90 (A), 29.56 (A#), 31.32 (B 0), 33.18 (C 1), 35.15 (C#), 37.24 (D), 39.46 (D#), 41.80
(E), 44.29 (F), 46.92 (F#), 49.71 (G), 52.67 (G#), 55.80 (A), 59.12 (A#), 62.64 (B 1),
66.36 (C 2), 70.31 (C#), 74.49 (D), 78.92 (D#), 83.61 (E), 88.58 (F), 93.85 (F#), 99.43
(G), 105.34 (G#), 111.61 (A), 118.24 (A#), 125.28 (B 2), 132.72 (C 3), 140.62 (C#),
148.98 (D), 157.84 (D#), 167.22 (E), 177.17 (F), 187.70 (F#), 198.86 (G), 210.69 (G#),
223.22 (A), 236.49 (A#), 250.56 (B 3), 265.45 (C 4), 281.24 (C#), 297.96 (D), 315.68
(D#), 334.45 (E), 354.34 (F), 375.41 (F#), 397.73 (G), 421.39 (G#), 446.44 (A), 472.99
(A#), 501.12 (B 4), 530.91 (C 5), 562.48 (C#), 595.93 (D), 631.37 (D#), 668.91 (E),
708.69 (F), 750.83 (F#), 795.47 (G), 842.78 (G#), 892.89 (A), 945.98 (A#), 1002.24 (B
5), 1061.83 (C 6), 1124.87 (C#), 1191.87 (D), 1262.74 (D#), 1337.83 (E), 1417.38 (F),
1501.66 (F#), 1590.95 (G), 1685.56 (G#), 1785.78 (A), 1891.97 (A#), 2004.48 (B 6),
2123.67 (C 7), 2249.95 (C#), 2383.74 (D), 2525.48 (D#), 2675.66 (E), 2834.76 (F),
3003.32 (F#), 3181.91 (G), 3371.12 (G#), 3571.57 (A), 3783.95 (A#), 4008.96 (B 7),
4247.34 (C 8)
It can be viewed that early 7.83Hz increment tones (15-46Hz) are very close to the overtones
and harmonics measured at: 14, 21, 26, 33, 39, 45 and are created & strengthened by
the initial base frequency. 7.83 & 14Hz reinforce each other to rising in pitch. The
frequencies highlighted are where 7.83 and 14 increments are close or cross. Mathematical
Genesis: From 0 the first wave is generated 1Hz, then the octave 2Hz, it should go to the
octave 4Hz but instead 3.915Hz, then the octave 7.83Hz (Or it goes to 4Hz then to 7.83). The
first audible octave that resonates with the earth on a piano at A=440Hz of the Schumann
Frequency is 31.32Hz we call that note B. The fourth octave 62.64Hz we call that note B as
well. The fifth octave 125.28 is B. BUT after B3 there are no notes aligned with the octaves of
7.83 in A=440Hz. B4 is off by 7.24Hz (501.12 493.88 = 7.24). B5 is off by 14.47Hz
(1002.24 987.77 = 14.47). B6 is off even more 2004.48 - 1979.5 = 24.98Hz. B7: 4008.96
3951.1 = 57.81Hz. These notes are in between notes at A=440.

Chromatic Scale From Harmonic

Overtone 14Hz
14 (A -1), 14.83 (A#), 15.71 (B), 16.64 (C), 17.38 (C#), 18.87 (D), 19.79 (D#), 20.97 (E),
22.22 (F), 23.54 (F#), 24.94 (G), 26.42 (G#), 28.00 (A 0), 29.66 (A#), 31.42 (B), 33.29
(C)1, 35.27 (C#), 37.37 (D), 39.59 (D#), 41.95 (E), 44.44 (F), 47.09 (F#), 49.89 (G),
52.85 (G#), 56.00 (A 1), 59.32 (A#), 62.85 (B), 66.59 (C 2), 70.55 (C#), 74.75 (D), 79.19
(D#), 83.90 (E), 88.89 (F), 94.18 (F#), 99.78 (G), 105.71 (G#), 112.00 (A 2), 118.65
(A#), 125.71 (B), 133.19 (C 3), 141.11 (C#), 149.50 (D), 158.39 (D#), 167.81 (E), 177.78
(F), 188.36 (F#), 199.56 (G), 211.42 (G#), 224.00 (A 3), 237.31 (A#), 251.43 (B), 266.38
(C 4), 282.22 (C#), 299.00 (D), 316.78 (D#), 335.62 (E), 355.57 (F), 376.72 (F#), 399.12
(G), 422.85 (G#), 448.00 (A 4), 474.63 (A#), 502.86 (B), 532.76 (C 5), 564.44 (C#),
598.00 (D), 633.56 (D#), 671.24 (E), 711.15 (F), 753.44 (F#), 798.24 (G), 845.71 (G#),
896.00 (A 5), 949.27 (A#), 1005.72 (B), 1065.53 (C 6), 1128.88 (C#), 1196.01 (D),
1267.13 (D#), 1342.48 (E), 1422.31 (F), 1506.88 (F#), 1596.49 (G), 1691.42 (G#),
1792.00 (A 6), 1898.55 (A#), 2011.45 (B), 2131.06 (C 7), 2257.77 (C#), 2392.03 (D),
2534.27 (D#), 2684.96 (E), 2844.62 (F), 3013.77 (F#), 3192.98 (G), 3382.84 (G#),
3584.00 (A 7), 3797.11 (A#), 4022.90 9(B), 4262.12 (C 8)
The first harmonic 14Hz of Schumann Resonance is prominent in its octaves within the
Diatonic scale at A=440 in equal temperament. But after A3 doesnt appear as accurately or
as close in the higher octaves, at A4 it is off by about 8Hz (448 440 = 8), at A5: off by 16Hz,
at A6: by 32Hz, A7: 64Hz. The notes of the 14Hz chromatic scale in the higher octaves are
also in between notes at A=440

Chromatic Scale From 60Hz

60 (A# 1), 63.56 (B), 67.34 (C 2), 71.35 (C#), 75.59 (D), 80.09 (D#), 84.85 (E),
89.89 (F), 95.24 (F#), 100.90 (G), 106.90 (G#), 113.26 (A), 120.00 (A# 2), 127.13
(B), 134.69 (C3), 142.70 (C#), 151.19 (D), 160.18 (D#), 169.70 (E), 179.79 (F),
190.48 (F#), 201.81 (G), 213.81 (G#), 226.52 (A), 240.00 (A# 3), 254.27 (B),
269.39 (C 4), 285.40 (C#), 302.38 (D), 320.36 (D#), 339.41 (E), 359.59 (F),
380.97 (F#), 403.63 (G), 427.63 (G#), 453.05 (A), 480.00 (A# 4), 508.54 (B),
538.78 (C 5), 570.81 (C#), 604.76 (D), 640.72 (D#), 678.82 (E), 719.18 (F),
761.95 (F#), 807.26 (G), 855.26 (G#), 906.11 (A), 960.00 (A# 5), 1017.08 (B),
1077.56 (C 6), 1141.63 (C#), 1209.52 (D), 1281.44 (D#), 1357.64 (E), 1438.37
(F), 1523.90 (F#), 1614.52 (G), 1710.52 (G#), 1812.23 (A), 1919.74 (A# 6),
2033.90 (B), 2154.85 (C 7), 2282.97 (C#), 2418.72 (D), 2562.55 (D#), 2714.93
(E), 2876.37 (F), 3047.40 (F#), 3228.61 (G), 3420.60 (G#), 3624.00 (A), 3839.49
(A#7), 4061.80 (B), 4309.68 (C 8),
Notice that early in the octave range the frequencies are not that far off
notes in A=440, but as the octaves climb they are further apart.

Chromatic Crossings of 7.83Hz, 14Hz & 60Hz

7.83, 13.95 (A), 14.78 (A#), 15.66 (B -1), 16.59 (C 0), 17.57 (C#), 18.62 (D), 19.73 (D#), 20.90
(E), 22.14 (F), 24.46 (F#), 24.85 (G), 26.33 (G#), 27.90 (A), 29.56 (A#), 31.32 (B 0), 33.18 (C
1), 35.15 (C#), 37.24 (D), 39.46 (D#), 41.80 (E), 44.29 (F), 46.92 (F#), 49.71 (G), 52.67 (G#),
55.80 (A), 59.12 (A#), 62.64 (B 1), 66.36 (C 2), 70.31 (C#), 74.49 (D), 78.92 (D#), 83.61 (E),
88.58 (F), 93.85 (F#), 99.43 (G), 105.34 (G#), 111.61 (A), 118.24 (A#), 125.28 (B 2), 132.72 (C
3), 140.62 (C#), 148.98 (D), 157.84 (D#), 167.22 (E), 177.17 (F), 187.70 (F#), 198.86 (G),
210.69 (G#), 223.22 (A), 236.49 (A#), 250.56 (B 3), 265.45 (C 4), 281.24 (C#), 297.96 (D),
315.68 (D#), 334.45 (E), 354.34 (F), 375.41 (F#), 397.73 (G), 421.39 (G#), 446.44 (A), 472.99
(A#), 501.12 (B 4), 530.91 (C 5), 562.48 (C#), 595.93 (D), 631.37 (D#), 668.91 (E), 708.69 (F),
750.83 (F#), 795.47 (G), 842.78 (G#), 892.89 (A), 945.98 (A#), 1002.24 (B 5), 1061.83 (C 6),
1124.87 (C#), 1191.87 (D), 1262.74 (D#), 1337.83 (E), 1417.38 (F), 1501.66 (F#), 1590.95 (G),
1685.56 (G#), 1785.78 (A), 1891.97 (A#), 2004.48 (B 6), 2123.67 (C 7), 2249.95 (C#), 2383.74
(D), 2525.48 (D#), 2675.66 (E), 2834.76 (F), 3003.32 (F#), 3181.91 (G), 3371.12 (G#), 3571.57
(A), 3783.95 (A#), 4008.96 (B 7), 4247.34 (C 8)
14 (A -1), 14.83 (A#), 15.71 (B), 16.64 (C), 17.38 (C#), 18.87 (D), 19.79 (D#), 20.97 (E), 22.22
(F), 23.54 (F#), 24.94 (G), 26.42 (G#), 28.00 (A 0), 29.66 (A#), 31.42 (B), 33.29 (C 1), 35.27
(C#), 37.37 (D), 39.59 (D#), 41.95 (E), 44.44 (F), 47.09 (F#), 49.89 (G), 52.85 (G#), 56.00 (A
1), 59.32 (A#), 62.85 (B), 66.59 (C 2), 70.55 (C#), 74.75 (D), 79.19 (D#), 83.90 (E), 88.89 (F),
94.18 (F#), 99.78 (G), 105.71 (G#), 112.00 (A 2), 118.65 (A#), 125.71 (B), 133.19 (C 3), 141.11
(C#), 149.50 (D), 158.39 (D#), 167.81 (E), 177.78 (F), 188.36 (F#), 199.56 (G), 211.42 (G#),
224.00 (A 3), 237.31 (A#), 251.43 (B), 266.38 (C 4), 282.22 (C#), 299.00 (D), 316.78 (D#),
335.62 (E), 355.57 (F), 376.72 (F#), 399.12 (G), 422.85 (G#), 448.00 (A 4), 474.63 (A#), 502.86
(B), 532.76 (C 5), 564.44 (C#), 598.00 (D), 633.56 (D#), 671.24 (E), 711.15 (F), 753.44 (F#),
798.24 (G), 845.71 (G#), 896.00 (A 5), 949.27 (A#), 1005.72 (B), 1065.53 (C 6), 1128.88 (C#),
1196.01 (D), 1267.13 (D#), 1342.48 (E), 1422.31 (F), 1506.88 (F#), 1596.49 (G), 1691.42 (G#),
1792.00 (A 6), 1898.55 (A#), 2011.45 (B), 2131.06 (C 7), 2257.77 (C#), 2392.03 (D), 2534.27
(D#), 2684.96 (E), 2844.62 (F), 3013.77 (F#), 3192.98 (G), 3382.84 (G#), 3584.00 (A 7),
3797.11 (A#), 4022.90 9(B), 4262.12 (C 80)
60 (A# 1), 63.56 (B), 67.34 (C 2), 71.35 (C#), 75.59 (D), 80.09 (D#), 84.85 (E), 89.89 (F), 95.24
(F#), 100.90 (G), 106.90 (G#), 113.26 (A), 120.00 (A# 2), 127.13 (B), 134.69 (C3), 142.70 (C#),
151.19 (D), 160.18 (D#), 169.70 (E), 179.79 (F), 190.48 (F#), 201.81 (G), 213.81 (G#), 226.52
(A), 240.00 (A# 3), 254.27 (B), 269.39 (C 4), 285.40 (C#), 302.38 (D), 320.36 (D#), 339.41 (E),
359.59 (F), 380.97 (F#), 403.63 (G), 427.63 (G#), 453.05 (A), 480.00 (A# 4), 508.54 (B), 538.78
(C 5), 570.81 (C#), 604.76 (D), 640.72 (D#), 678.82 (E), 719.18 (F), 761.95 (F#), 807.26 (G),
855.26 (G#), 906.11 (A), 960.00 (A# 5), 1017.08 (B), 1077.56 (C 6), 1141.63 (C#), 1209.52 (D),
1281.44 (D#), 1357.64 (E), 1438.37 (F), 1523.90 (F#), 1614.52 (G), 1710.52 (G#), 1812.23 (A),
1919.74 (A# 6), 2033.90 (B), 2154.85 (C 7), 2282.97 (C#), 2418.72 (D), 2562.55 (D#), 2714.93
(E), 2876.37 (F), 3047.40 (F#), 3228.61 (G), 3420.60 (G#), 3624.00 (A), 3839.49 (A#7), 4061.80
(B), 4309.68 (C 8)
After C5 scales based on 60Hz start to veer from 7.83Hz and 14 Hz.
But theyre still not that far off. After C7 7.83Hz and 14Hz start to
veer, but for most of the range they are resonant.

Tuning For Earth Resonance

The octave B 501Hz is achieved on an instrument when calibrated
with A=446Hz tuning. All the notes will resonate a unique richness
that must be experienced. Tuning can also be done, e.g., A=421Hz
(501Hz is now the note C), this is a half step lower. A=473Hz (501Hz
is now A#), this is a half step higher.
Regardless of calibration and what a note is called as a nominal, it is
more important to maintain the basic octaves of 7.83Hz. Using a tone
generator oscillate 501Hz, then using a chromatic digital tuner raise or
lower the tuners calibration of A from 440 up or down until its in the
center. It will tell you the new nominal.