Beruflich Dokumente
Kultur Dokumente
An Invitation to Design .
PART 1 ChAPTER 1 ChAPTER 2 ChAPTER 3 ChAPTER 4 ChAPTER 5 PART 2
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monotype, Collagraph, and gelatin Prints . silk-screen Printing image transfer fold and Color. Working with resists. marbling methods. drawing on fabric . all that glitters
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PART 3
a designers noteBook
inspiration and recordkeeping . basic color Theory . . . . . . . . . . composition 101 . . . . . . . . . . . .
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Paints
You can use heavy-body, transparent, or opaque textile paints for textural effects, or use acrylic paints mixed with the appropriate textile medium. (See Comparing Textile Paints, page 18.)
applicators
As well as the items suggested at left, youll need a palette (a smooth surface to hold the paint) and a brayer to pick up the paint from the surface and apply it to the fabric. Smooth and easy to clean, the best palette is Plexiglas, available at shops that sell mirrors and glass, as well as at building-supply, hardware, and home-improvement stores. My favorite brayer is a 4-inch-wide Rollrite Multi-Purpose foam brayer, but do experiment to find the brayer that works best for you. ProJeCt: Play with texture suPPlies needed Work surface covered with plastic sheeting rubber bands in a variety of sizes Prewashed fabric measuring about 18" 22" (or fat quarter size) Painters masking tape Paint Plastic spoons, for scooping out the paint (optional) Plexiglas sheet, about 11" 13" (or other smooth, flat palette) brayer, for rolling out paint
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step 1
step 2
step 3. Roll the paint-laden brayer over the fabric. Avoid landing the brayer too suddenly on the fabric; this results in a sharp line where you make contact. For a softer look, use some finesse and go at the fabric with a smooth motion, striving to apply the paint gradually and evenly throughout. I think of this as hitting the floor running. If you have a tendency to load on too much paint, roll out the brayer on another piece of fabric first. Its a good idea to wipe paint off the edges of the brayer before printing, to keep the edge of the print clean. step 4. Get some visual distance from your
piece before you go too far. After applying some paint, hang your piece up, and step back to take a good look at it. Youll find that a small amount of texture goes a long way, so take your time. You can always add more, but its difficult to take paint away!
step 3
try this!
use multiple colors. roll out several colors on the Plexiglas at once. unless you want gray or brown, dont let more than a couple ofcolors mix. Create different grains. change direction as you roll on the paint, angling the roller this way and that to achieve a variety of grains.
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texture
vary the material a, b, c. Experiment with a variety of materials, including those listed on page 50 or others you discover. move around d. Change the position of the material youre using to achieve texture, striving for some inconsistency and/or overlapping images. use fabric crayons or Paintstiks e. Instead of rolling on paint, rub over the area with fabric crayons or Shiva Paintstiks. You can use the flat end or break off a piece, so you can use the side. (See pages 249 and 251 for more information on using crayons and Paintstiks.) rubber bandwrapped brayer f. Create a wonderful, barklike texture by wrapping a soft brayer with rubber bands before rolling on the paint. This can be a little tricky, but its well worth the trouble. afterthought g. Spread paint with a brayer on an art piece that has already been quilted. Take care that only the raised areas of the fabric get painted, while the areas with stitching do not. Youll have to experiment with different rollers and how much pressure to use. This technique can add lovely highlights and contrast to a piece that might seem too monochromatic. more or less paint. Notice how different the paint looks when the brayer is loaded compared to areas where the paint is almost gone. Use that difference to your advantage. Youll find that it adds dimension to the texture.
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ProJeCt: Making a Leaf Print suPPlies needed Work surface covered with plastic sheeting leaves of all shapes and sizes newspaper sheets, cut to size Paint and paint palette Foam brushes, cosmetic sponges, a brayer, and/ or a homemade dauber Prewashed fabric (see page 28) Sponge brayer for rubbing (optional) Damp towel for wiping your hands (this can be amessy operation!)
step 1
step 2
step 3
step 3. Put a piece of newspaper on top of the leaf, then rub on it with your hands or a soft sponge brayer to smooth the paint onto the fabric. step 4. Carefully lift off the newspaper. (It will
more than likely have paint on it, so be careful where you put it down. I usually crumple it up right away and throw it in the trash so I dont have any accidents.) Carefully lift off the leaf. I like to wipe it clean with a damp rag right away so I can use it again.
step 4
step 6. Allow the paint to dry and then heatset (see page 22), if necessary.
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step 8
step 8
step 9a
step 9b
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