Beruflich Dokumente
Kultur Dokumente
12/21/08 Pd. 7
displays a latent paradigm of his own life, as well as certain social affairs of the time period.
During the age of Shakespeare and his tragedy, Macbeth, “psychology” was virtually unheard of.
Many people questioned the associations of the body, mind, and actions, and often times related
them to aspects of their religion and faith. In addition, new scientific breakthroughs helped pave
the way for how these relationships were viewed, and ultimately contributed to what we study,
and continue to study in psychology today. One can infer that psychological issues were not
readily cared for during the Elizabethan era, which can be seen in Shakespeare’s Macbeth
through the biles of the body, the Wyrd sisters, and the emotional, mental, unbecoming
transformation of Macbeth.
According to the earliest Greek philosophers, the human body consists of four basic
humors, or biles: black bile, red bile (blood), yellow bile, and phlegm. A balance of these four
humors results in adequate health. However, an imbalance of one or more of the humors could
lead to disease, mental instability, or personality changes for the individual. A number of possible
situations involving the biles could have easily been influential on Shakespeare, either
consciously or subconsciously, during his writing. Macbeth’s struggles with morality and
ethicality are evident throughout the story, and are comparable to Arab psychologist Ishaq ibn
Imran’s studies of excesses of black bile. What Imran found is that an excess of black bile results
in “malikhuliya” which translates to English, melancholia. Sudden movement, foolish acts, fear,
delusions, and hallucinations, were said to be the most common symptoms, according to Imran
(Melan.).
“Lennox
Here, my good lord. What is’t that moves your highness?
Macbeth
Which of you have done this?
Lords
What, my good lord?
Macbeth
(to Ghost) Thou canst not say I did it. Never shake
Thy glory locks at me.
Ross
Gentleman, rise. His highness is not well.” (III, iv, 51-55)
At the sight of Banquo’s ghost sitting in his seat, Macbeth displays more than one of the
previously stated symptoms. Hallucinations, delusions, fear, and foolish acts all appear to
manifestly portray Macbeth’s illness in this trifling scene. Thus, it is possible that Shakespeare
used the relativity of the biles and human functioning to render themed temperaments for a
number of the characters. Known for her power and persuasiveness over Macbeth, perhaps Lady
Macbeth’s role throughout the tragedy is an anecdote as well. Her possible choleric disposition
“Lady Macbeth
O, Never
Shall sun that morrow see!
Your face, my thane, is as a book where men
May read strange matters. To beguile the time,
Look like the time. Bear welcome in your eye,
Your hand, your tongue. Look like th' innocent flower,
But be the serpent under’t. He that's coming
Must be provided for; and you shall put
This night's great business into my dispatch,
Which shall to all our nights and days to come
Give solely sovereign sway and masterdom.
Macbeth
We will speak further.
Lady Macbeth
Only look up clear.
To alter favor ever is to fear.
Leave all the rest to me.” (I, v, 51-65)
It is plain to see that Lady Macbeth holds some form of power over Macbeth. She has just
instructed him on how to greet King Duncan, and is careful in explaining the details, all the
while Macbeth listens to her. A choleric tempered person does in fact gain pleasure from having
power over others, as well as by holding leadership roles. Hence, how Lady Macbeth tells
Macbeth that he can rely on her for the affair to run smoothly.
In addition to biles and humors, the Wyrd sisters play a fundamental role in the story of
Macbeth as well. The idea of the Wyrd sisters comes along with fate and destiny, which are
crucial to the tragedy. Because a man’s “weird” is his destiny, there is no doubt the Weird sisters
are key factor of the outcome of each individual character, as well as the outcome of the story as
a whole. Shakespeare felt that it was necessary to include the witches at various points
throughout Macbeth, to emphasize their role. However, Macbeth’s fate is questionable. Was
Macbeth destined to murder, gain power, and withstand his dissolving morals? This was his
destiny according to the witches, and they were sure to make him aware of it. Oppositely, was it
Macbeth’s destiny to remain in his role as thane of Glamis, until the witches came along and put
opposing ideas into his head? The dispute over which of the opposing fates is the original
remains argumentative. Whether the sisters were advocates of Macbeth’s true destiny, or simply
three witches out to meddle with human fate still challenges many. In addition to Macbeth’s, the
destinies of many other characters spur out of the weird sisters prophecies as well.
“First Witch
All hail, Macbeth! Hail to thee, thane of Glamis!
Second Witch
All hail, Macbeth! Hail to thee, thane of Glamis!
Third Witch
All hail, Macbeth, that shalt be King hereafter!” (I, iii, 49-51)
When Macbeth and Banquo come across the three witches in the woods, the witches
immediately begin predicting the future and putting ideas into Macbeth’s head. Macbeth is
flattered, and at the same time unduly confused by the comments. He realizes what these witches
are suggesting is that something will happen to King Duncan, and Macbeth will succeed him.
Another idea suggests that the witches are merely a figment of ones imagination. Possibly
“Lennox
What’s your grace’s will?
Macbeth
Saw you the weird sisters?
Lennox
No, my lord.” (IV, i, 141-143)
causing Macbeth to become frustrated with the Wyrd sisters and their unreliability.
from a nobleman to madman, such as the biles and foretelling of the Wyrd sisters. More
importantly, the one thing that has the chief role in this transformation is Macbeth himself.
Focusing on ancient philosophical and psychological ideals, it is seen that these ideas are not so
far off from ideas of more modern theories. Ibn Rushd, a Muslim philosopher of the Middle Ages
stated that “the human mind has two aspects. There is a passive intellect, which is composed of
the potential for thought and carries the details that make one personality different from another,
both physically and psychologically. It is a part of the body and dies with it. And there is an
active intellect, which energizes the passive intellect. It is actually the same in each person, is the
demotion of Macbeth, this theory makes perfect sense. Macbeth begins the story with “both
aspects” of his mind free and clear. Macbeth’s passive intellect, which is unique to himself and
his own personality, eventually falls victim to the prophecies of the witches. Henceforth, the
active intellect, which fuels it, serves as a form of encouragement. The first murder occurs. King
Duncan. Macbeth is in a state of content; both aspects of his mind are in agreement. However,
when the time comes to kill Banquo and Fleance, disagreement flairs. The clear, thought
provoking, passive intellect is almost being forced to continue by the words of the witches. At
the same time, the stimulating active intellect is experiencing feelings of guilt and remorse.
While these feelings remain strong, the passive intellect remains completely submissive to the
Wyrd sisters. This cognitive conflict results in hallucinations, delusions, and on a larger scale,
Menteith
What does the tyrant?
Caithness
Great Dunsinane he strongly fortifies.
Some say he’s mad, others that lesser hate him
Do call it valiant fury. But, for certain,
He cannot buckle his distempered cause
Within the belt of rule.
Angus
Now does he feel
His secret murders sticking on his hands.
Now minutely revolts upbraid his faith-breach.
Those he commands move only in command,
Nothing in love. Now does he feel his title
Hang loose about him, like a giant’s robe
Upon a dwarfish thief.” (V, ii, 12-22)
Not only is Macbeth aware of his degrading transformation, but others clearly are as well.
At this point in the story, Macbeth has fallen completely victim to the overpowering, conflicting
thoughts that quarrel in his mind. He is now delusional, power-hungry, and deranged, all of
which could have been prevented if he did not let himself pay attention to the ideas in the first
place.
“Macbeth
Accursed be that tongue that tells me so,
For it hath cowed my better part of man!
And be these juggling fiends no more believed,
That palter with us in a double sense,
That keep the word of promise to our ear
And break it to our hope. I’ll not fight with thee.” (V, viii, 17-22)
When he realizes he is face to face with the one person the witches told him he could not
defeat, Macbeth immediately loses all hope and courage. He lets this feeling of defeat and
remorse get the best of him, and he loses his final battle. Macbeth’s struggles cost him much
more than just his sanity. His torturous feelings costs many others’ lives, as well as his wife’s and
Macbeth can be seen in many different ways at the end. As Shakespeare intended, it is
considered a tragedy. In other ways however, it is a story of hope and lessons learned. Macbeth
becomes too caught up in his power and will, and eventually becomes a victim of himself.
Occurring simultaneously, Lady Macbeth undergoes a transformation as well. Early on, she is a
bright, enthusiastic leader. Nevertheless, by the end of the story she has lost all power. She is
haunted at night by terrible thoughts and dreams, and is forever scarred by bloody guilt. The
balance of biles and humors, the Wyrd sisters and destiny, and Macbeth’s psychological
transformation are all defining factors of the story in various ways. Macbeth represents the
archetype of the lovable leader who got too caught up and lost sight of what was realistic,
becoming a symbol of hate to his people. While just the opposite, Macduff displays the hero
archetype. From philosophical symbols, such as Wyrd, and psychological evidence pertaining to
the biles and the psyche, there is no doubt Shakespeare’s work is much more than a simple
tragedy, but rather a journey involving endless amounts of triumph, defeat, glory, and misfortune.
Bibliography
Boeree, George C. 2000. The Middle Ages. 14 Dec 2008.
<http://webspace.ship.edu/cgboer/middleages.html>
<http://tvtropes.org/pmwiki/pmwiki.php/Main/FourTemperamentEnsemble>
<http://www.absoluteastronomy.com/topics/Melancholia>
Tolman, Albert Harris. “The Weird Sisters”. The Views About Hamlet and Other Essays. New
<http://www.a2zpsychology.com/ARTICLES/psychology.htm>