The Tragedy of Hamlet, Prince of Denmark is a tragedy by William Shakespeare.

Set in the Kingdom of Denmark, the play dramatizes the revenge Prince Hamlet exacts on his uncle Claudius for murdering King Hamlet, Claudius's brother and Prince Hamlet's father, and then succeeding to the throne and taking as his wife Gertrude, the old king's widow and Prince Hamlet's mother. The play vividly portrays both true and feigned madness from overwhelming grief to seething rage and explores themes of treachery, revenge, incest, and moral corruption. Hamlet is Shakespeare's longest play and among the most powerful and influential tragedies in English literature, with a story capable of "seemingly endless retelling and adaptation by others."[1] The play was one of Shakespeare's most popular works during his lifetime and still ranks among his most-performed, topping the Royal Shakespeare Company's performance list since 1879. It has inspired writers from Goethe and Dickens to Joyce and Murdoch, and has been described as "the world's most filmed story after Cinderella". Shakespeare based Hamlet on the legend of Amleth, preserved by 13th-century chronicler Saxo Grammaticus in his Gesta Danorum as subsequently retold by 16th-century scholar Franois de Belleforest. He may also have drawn on or perhaps written an earlier (hypothetical) Elizabethan play known today as the Ur-Hamlet. He almost certainly created the title role for Richard Burbage, the leading tragedian of Shakespeare's time. In the 400 years since, the role has been performed by highly acclaimed actors and actresses from each successive age. Three different early versions of the play are extant, the First Quarto (Q1, 1603), the Second Quarto (Q2, 1604), and the First Folio (F1, 1623). Each version includes lines, and even entire scenes, missing from the others. The play's structure and depth of characterisation have inspired much critical scrutiny. One such example is the centuries-old debate about Hamlet's hesitation to kill his uncle, which some see as a mere plot device to prolong the action, but which others argue is a dramatization of the complex philosophical and ethical issues that surround cold-blooded murder, calculated revenge, and thwarted desire. More recently, psychoanalytic critics have examined Hamlet's unconscious desires, and feminist critics have reevaluated and rehabilitated the often maligned characters of Ophelia and Gertrude.

Characters

Hamlet Son of the former King, and nephew of

Osric a Courtier Marcellus an Officer Bernardo an Officer Francisco a Soldier Reynaldo Servant to Polonius Ghost of Hamlet's Father Fortinbras Prince of Norway Gravediggers a Sexton, and a clown. Player King, Player Queen, Lucianus,

the present King. Claudius King of Denmark, and Hamlet's

uncle. Gertrude Queen of Denmark, and mother to

Hamlet. Polonius Lord Chamberlain Ophelia Daughter to Polonius Horatio Friend to Hamlet Laertes Son to Polonius Voltimand and Cornelius Courtiers Rosencrantz and Guildenstern Courtiers,

etc. Players

friends to Hamlet.

The protagonist of Hamlet is Prince Hamlet of Denmark, son of deceased King Hamlet and his wife, Queen Gertrude. The story opens on a chilly night at Elsinore, the Danish royal castle. Francisco, one of the sentinels, is relieved of his watch by Bernardo, another sentinel, and exits while Bernardo remains. A third sentinel, Marcellus, enters with Horatio, Hamlet's best friend. The sentinels inform Horatio that they have seen a ghost that looks like the dead King Hamlet. After hearing from Horatio of the Ghost's appearance, Hamlet resolves to see the Ghost himself. That night, the Ghost appears again. It leads Hamlet to a secluded place, claims that it is the actual spirit of his father, and discloses that hethe elder Hamletwas murdered by his brother Claudius pouring poison in his ear. The Ghost demands that Hamlet avenge him; Hamlet agrees, swears his companions to secrecy, and tells them he intends to "put an antic disposition on" (presumably to avert suspicion). Hamlet initially attests to the ghost's reliability, calling him both an "honest ghost" and "truepenny." Later, however, he expresses doubts about the ghost's nature and intent, claiming these as reasons for his inaction. Polonius is Claudius's trusted chief counsellor; Polonius's son, Laertes, is returning to France, and Polonius's daughter, Ophelia, is courted by Hamlet. Both Polonius and Laertes warn Ophelia that Hamlet is surely not serious about her. Shortly afterward, Ophelia is alarmed by Hamlet's strange behaviour, reporting to her father that Hamlet rushed into her room, stared at her, and said nothing. Polonius assumes that the "ecstasy of love"] is responsible for Hamlet's "mad" behaviour, and he informs Claudius and Gertrude. Perturbed by Hamlet's continuing deep mourning for his father and his increasingly erratic behaviour, Claudius sends for two of Hamlet's acquaintancesRosencrantz and Guildensternto find out the cause of Hamlet's changed behaviour. Hamlet greets his friends warmly but quickly discerns that they have been sent to spy on him. Together, Claudius and Polonius convince Ophelia to speak with Hamlet while they secretly listen. Hamlet enters, contemplating suicide (To be or not to be). Ophelia greets him, and offers to return his remembrances, upon which Hamlet questions her honesty and furiously rants at her to "get thee to a nunnery." Hamlet remains uncertain whether the Ghost has told him the truth, but the arrival of a troupe of actors at Elsinore presents him with a solution. He will have them stage a play, The Murder of Gonzago, re-enacting his father's murder and determine Claudius's guilt or innocence by studying his reaction to it. The court assembles to watch the play; Hamlet provides an agitated running commentary throughout. When the murder scene is presented, Claudius abruptly rises and leaves the room, which Hamlet sees as proof of his uncle's guilt. Gertrude summons Hamlet to her closet to demand an explanation. On his way, Hamlet passes Claudius in prayer, but hesitates to kill him, reasoning that death in prayer would send him to heaven. However, it is revealed that the King is not truly praying, remarking that "words" never made it to heaven without "thoughts." An argument erupts between Hamlet and Gertrude. Polonius, spying on the scene from behind an arras and convinced that the prince's madness is indeed real, panics when it seems as if Hamlet is about to murder the Queen and cries out for help. Hamlet, believing it is Claudius hiding behind the arras, stabs wildly through the cloth, killing Polonius. When he realises that he has killed Ophelia's father, he is not remorseful, but calls Polonius "Thou wretched, rash, intruding fool." The Ghost appears, urging Hamlet to treat Gertrude gently, but reminding him to kill Claudius. Unable to see or hear the Ghost herself, Gertrude takes Hamlet's conversation with it as further evidence of madness. Claudius, now fearing for his life, finds a legitimate excuse to get rid of the prince: he sends Hamlet to England on a diplomatic pretext, accompanied (and closely watched) by Rosencrantz and Guildenstern. Alone, Claudius discloses that he is actually sending Hamlet to his death. Prior to embarking for England, Hamlet hides Polonius's body, ultimately revealing its location to the King. Upon leaving Elsinore, Hamlet encounters the army of Prince Fortinbras en route to do battle in Poland. Upon witnessing so many men going to their death on the brash whim of an impulsive prince, Hamlet declares, "O, from this time forth, / My thoughts be bloody, or be nothing worth!" At Elsinore, further demented by grief at her father Polonius's death, Ophelia wanders the castle, acting erratically and singing bawdy songs. Her brother, Laertes, returns from France, horrified by his father's death and his sister's madness. She appears briefly to give out herbs and flowers. Claudius convinces Laertes that

Hamlet is solely responsible; then news arrives that Hamlet is still alivea story is spread that his ship was attacked by pirates on the way to England, and he has returned to Denmark. Claudius swiftly concocts a plot to kill his nephew but make it appear to be an accident, taking all of the blame off his shoulders. Knowing of Hamlet's jealousy of Laertes' prowess with a sword, he proposes a fencing match between the two. Laertes, enraged at the murder of his father, informs the king that he will further poison the tip of his sword so that a mere scratch would mean certain death. Claudius, unsure that capable Hamlet could receive even a scratch, plans to offer Hamlet poisoned wine if that fails. Gertrude enters to report that Ophelia has drowned. In the Elsinore churchyard, two "clowns", typically represented as "gravediggers," enter to prepare Ophelia's grave, and although the coroner has ruled her death accidental so that she may receive Christian burial, they argue that it was a case of suicide. Hamlet arrives with Horatio and banters with one of them, who unearths the skull of a jester whom Hamlet once knew, Yorick ("Alas, Poor Yorick; I knew him, Horatio."). Ophelia's funeral procession approaches, led by her mournful brother Laertes. Distraught at the lack of ceremony (due to the actually-deemed suicide) and overcome by emotion, Laertes leaps into the grave, cursing Hamlet as the cause of her death. Hamlet interrupts, professing his own love and grief for Ophelia. He and Laertes grapple, but the fight is broken up by Claudius and Gertrude. Claudius reminds Laertes of the planned fencing match. Later that day, Hamlet tells Horatio how he escaped death on his journey, disclosing that Rosencrantz and Guildenstern have been sent to their deaths instead. A courtier, Osric, interrupts to invite Hamlet to fence with Laertes. Despite Horatio's warnings, Hamlet accepts and the match begins. After several rounds, Gertrude toasts Hamletagainst the urgent warning of Claudiusaccidentally drinking the wine he poisoned. Between bouts, Laertes attacks and pierces Hamlet with his poisoned blade; in the ensuing scuffle, Hamlet is able to use Laertes's own poisoned sword against him. Gertrude falls and, in her dying breath, announces that she has been poisoned. In his dying moments, Laertes is reconciled with Hamlet and reveals Claudius's murderous plot. Hamlet stabs Claudius with the poisoned sword, and then forces him to drink from his own poisoned cup to make sure he dies. In his final moments, Hamlet names Prince Fortinbras of Norway as the probable heir to the throne, since the Danish kingship is an elected position, with the country's nobles having the final say. Horatio attempts to kill himself with the same poisoned wine but is stopped by Hamlet, so he will be the only one left alive to give a full account of the story. When Fortinbras arrives to greet King Claudius, he encounters the deadly scene: Gertrude, Claudius, Laertes, and Hamlet are all dead. Horatio asks to be allowed to recount the tale to "the yet unknowing world," and Fortinbras orders Hamlet's body borne off in honour.

Gertrude (Hamlet)
In William Shakespeare's play Hamlet, Gertrude is Hamlet's mother and Queen of Denmark. Her relationship with Hamlet is somewhat turbulent, since he resents her for marrying her husband's brother Claudius after he murdered the King (young Hamlet's father, King Hamlet). Gertrude reveals no guilt in her marriage with Claudius after the recent murder of her husband, and Hamlet begins to show signs of jealousy towards Claudius. According to Hamlet, she scarcely mourned her husband's death before marrying Claudius.

Role in the play

Gertrude is first seen in Act 1 Scene 2 as she tries to cheer Hamlet over the loss of his father, begging him to stay at home rather than going back to school in Wittenberg. Her worry over him continues into the second act, as she sides with King Claudius in sending Rosencrantz and Guildenstern to raise the spirits of her son. Also, rather than ascribing Hamlet's sudden madness to Ophelia's rejection (as thought by Polonius), she believes the cause to be his father, King Hamlet's death and her quick, subsequent marriage to Claudius: "I doubt it is no other but the main; His father's death and our o'erhasty marriage."[1] In Act three, she eagerly listens to the report of Rosencrantz and Guildenstern on their attempt to cheer him, and supports the King and Polonius' plan to watch Hamlet from a hidden vantage point as he speaks with Ophelia, with the hope that her presence will heal him. In the next act, Gertrude tells Claudius of Polonius' murder, convinced that Hamlet is truly mad. She also shows genuine compassion and affection as she watches along with others as Ophelia sings and acts in absolute madness. At Ophelia's burial, she expresses her former hope that the young woman might have

married her son: "I hoped thou shouldst have been my Hamlet's wife."[2] When Hamlet appears and grapples with Laertes, she asks him to stop and for someone to hold him backsaying that he may be in a fit of madness now, but that will alleviate soon. In the final scene, Gertrude notices Hamlet is tired during the fight with Laertes, and offers to wipe his brow. She drinks a cup of poison intended for Hamlet by the King, against the King's wishes, and dies, shouting in agony as she falls: "No, no, the drink, --O my dear Hamlet,-- The drink, the drink! I am poison'd."[3] Other characters' views of the Queen are largely negative. When the Ghost of her former husband appears to Hamlet, he describes her as a "seeming virtuous queen", but orders Hamlet not to confront her about it and leave her judgement to heaven. However, he also expresses that his love for her was benevolent as he states that he would have held back the elements if they "visited her face too roughly". Hamlet sees her as an example of the weakness of women (which affects his relationship with Ophelia) and constantly hurt in his reflections of how quickly (less than a month) she remarried. Interpretations Gertrude's last words show affection towards her son. She does not confess to any sins before she dies which suggests she was naive about the "corruption" in Denmark. Therefore, Gertrude is most likely an honest queen and a passionate mother (which is debatable depending upon interpretation) as she makes no attempts to ease her conscience regarding whether she would be sent to Heaven or Hell (the Christian ethos formed a backdrop to the play as a technique used by Shakespeare). Other considerations point to Gertrude's complicity in the murder of Hamlet's father. After repeated erratic threats towards his mother to no response, Hamlet threatens to discover the true nature of Gertrude's character by setting up a mirror at which point she projects a killer: In the essay "Hamlet and his problems" T. S. Eliot suggests that the main cause of Hamlet's internal dilemma is Gertrude's sinful behaviour. He states, "Shakespeare's Hamlet... is a play dealing with the effect of a mother's guilt upon her son." In the 1940s, Ernest Jonesa psychoanalyst and Freud's biographerdeveloped Freud's ideas into a series of essays that culminated in his book Hamlet and Oedipus (1949). Influenced by Jones's psychoanalytic approach, several productions have portrayed the "closet scene", where Hamlet confronts his mother in her private quarters, in a sexual light. In this reading, Hamlet is disgusted by his mother's "incestuous" relationship with Claudius while simultaneously fearful of killing him, as this would clear Hamlet's path to his mother's bed. Carolyn Heilbrun's 1957 essay "Hamlet's Mother" defends Gertrude, arguing that the text never hints that Gertrude knew of Claudius poisoning King Hamlet. This analysis has been championed by many feminist critics. Heilbrun argued that men have for centuries completely misinterpreted Gertrude, believing what Hamlet said about her rather than the actual text of the play. By this account, no clear evidence suggests that Gertrude is an adulteress: she is merely adapting to the circumstances of her husband's death for the good of the kingdom.

Ghost (Hamlet)
The hhost of Hamlet's late-father is a character from William Shakespeare's play Hamlet, also known as The Tragedy of Hamlet, Prince of Denmark. In the stage directions he is referred to as "Ghost." He is loosely based on a legendary Jutish chieftain, named Horwendill, who appears in Chronicon Lethrense and in Saxo Grammaticus' Gesta Danorum. According to legend, the Ghost was originally played by Shakespeare himself.[1] King Hamlet appears as a Ghost four times in the play: in Act I Scenes i, iv, and v, and Act III Scene iv. The ghost arrives at 1.00 a.m. in at least two of the scenes, and in the other scene all that is known is that it is night. The Ghost appears first to a duo of soldiersBarnardo and Marcellusand a visitor to Denmark, Horatio. Francisco never sees the Ghost having the immediate preceding watch to Barnardo and Marcellus. The men draw their swords and stand in fear, requesting that Horatio, as a scholar, address the ghost. Horatio asks the

ghost to speak, and reveal its secret. It is about to do so when the cock crows, signaling morning, and the ghost instead disappears. In this scene, the Ghost is clearly recognized by all present as the King, dressed in his full armour. It is also said that he had appeared to the castle guards at least twice before at exactly the same time. In his second appearance, Horatio has talked Prince Hamlet into staying up with the guards to see if the ghost returns. At midnight, it appears, and beckons Hamlet to follow. Horatio and his friends beg him not to go alone, but he does anyway, driven by curiosity. Once alone, the ghost describes his wanderings on the earth, and his harrowing life in purgatory, since he died without receiving the ordinances of the Catholic Church, such as Extreme Unction. He tells the young Hamlet that he was poisoned and murdered by his brother, Claudius, the new King of Denmark, and asks the prince to avenge his death. He also expresses disgust at his wife, Gertrude, for marrying Claudius, but warns Hamlet not to confront her, but to leave that to Heaven. Later, Prince Hamlet returns to his friends and has them swear on his sword to keep what they have seen a secret. When they resist, the ghost utters the words "Swear" and "Swear on the sword", from below the stage, until his friends agree. The prince Hamlet, fearing that the apparition may be a demon pretending to be King Hamlet, decides to put the ghost to the test by staging a play that re-enacts the circumstances that the spirit claims led to his death. Claudius's reaction is one of guilt and horror, and Prince Hamlet is convinced that the ghost is, in fact, his father. However, due to his over-analytical mind and the complexity of the ghost's conditions, much time passes before Hamlet can carry out his orders. In the third appearance, Hamlet is confronted by the ghost in his mother's closet, and is rebuked for not carrying out his revenge and for disobeying in talking with Gertrude. Hamlet fearfully apologizes. Gertrude, however, cannot see the ghost, and thinks Hamlet is mad, asking why he stares and talks to nothing. In this scene, the ghost is described as being in his nightgown. King Hamlet is described by other characters in the play as a warrior, as he led Denmark's forces to victory against Norway, and personally defeated its King Fortinbras in hand-to-hand combat. Hamlet respects him, saying Claudius pales in comparison to him, and frequently reflecting on him in an endearing manner.