Computer Aided Jacquard Designing

FALL 2012
CSF-4071
Muhammad Usman Javaid
COMPUTER AIDED JACQUARD DESIGNING

Using NedGraphics
FALL 2012
CSF-4071
Scope of the Training
Jacquard Machine
Images for Jacquard Designing
Harness Build Up
Weave Designing
Jacquard Design
Jacquard Controlling
FALL 2012
CSF-4071
COMPUTER AIDED JACQUARD DESIGNING / MANUFACTURING

Jacquard Machine
FALL 2012
CSF-4071
Jacquard Machine
Jacquard is Warp Lifting/Shedding Mechanism:
FALL 2012
CSF-4071
Parts of a Jacquard
Main Drive from loom to Jacquard also for motion synchronization Jacquard System engine
Harnesses Area
Jacquard Electronic Controller
Loom
FALL 2012
CSF-4071
Line diagram of Jacquard
FALL 2012
CSF-4071
Mechanical Jacquard Lifting Animation
FALL 2012
CSF-4071
Electronic Jacquard Shedding Animation
FALL 2012
CSF-4071
Jacquard Controller
FALL 2012
CSF-4071
10
Types of Jacquard Punch Cards

There are three types of Jacquard Punch Cards with
respect to density of holes in the cards:

English or Coarse Pitch Card has large hole and less density Verdol or Standard Pitch Cards has smaller hole than English
pitched cards and relative high density Fine Pitch Card has smallest hole and more density therefore will have less size and weight fore same number of needles
FALL 2012
CSF-4071
11
FALL 2012
CSF-4071
12
Types of Pitches
Type English Coarse Pitch Verdol Standard Pitch Vincenzi Fine Pitch Area 412mm x 60mm 377mm x 69mm 320 mm x 27mm Pitch 8 x 51 = 408 (16 x 28 x 3)-24 =1320 8 x 56 = 448 x 6 = 2688
FALL 2012
CSF-4071
13
Mirror only at selvedge Border Tie
One Direction Straight Tie
Mirroring, Pointed Tie
Mixed Tie
English Coarse Pitch
Verdol Standard Pitch
Vincenzi Fine Pitch
Perpendi cular London, Cross, Quartertwisted Tie
Parallel Norwich, Straight Tie
Single Tie
Lay-over or Repeating Tie
Pitch/Capacity
Orientation of Design Cylinder w.r.t. Comber board
Number of Repeats
Types of Harness Ties
FALL 2012
CSF-4071
14
Harness Ties
The jacquard harness is
the system of cords, healds, and lingoes that transmit the movement of the hooks to the individual warp threads A simple form of harness is shown. The jacquard machine is assumed to have 400 hooks which are represented in the diagram:
FALL 2012
CSF-4071
15
Harness Ties
8 Rows X 50 hooks /row =
400 hooks Comber board is almost one meter below the bottom of the hooks. The holes are arranged in rows of eight corresponding to the rows of eight hooks in the machine. From the hooks cords are led thought the first, 401st, 801st and 1201st holes.
FALL 2012
CSF-4071
16
Single Tie
When number of
harnesses are equal to the number of neck cords, i.e. there is only one repeat in whole width of the jacquard, is called single tie.
FALL 2012
CSF-4071
17
Lay-over Ties
FALL 2012
CSF-4071
18
Lay-over Tie
This is the most common design
tie used for, both Norwich and London harness ties. The fabric contains more than one repeat of the design in its full width. Fig. 14.15 shows a portion of the repeating pattern. In this tie there must be as many harness cords tied to each neck cord as there are repeats in the full width of the fabric. Thus if there are 4 repeats of the pattern, In the width of the fabric then there will be 4 harness cords tied to each neck cord or hook.
FALL 2012
CSF-4071
19
Center Tie
This type of tie is suitably
used, when a design is symmetrical if turned over Its central line, One such design Is shown n Figure For example suppose the design shown m the above figure complete on 800 ends in Its full repeat the number of ends from the central Line to each dotted line s 400, representing a half repeat of the design, The threading of the harness tines through the comber board Is indicated in Figure.
FALL 2012
CSF-4071
20
Center Tie
The harness tines are connected from 1st
to 400th hook in a regular order order then from the 399th hook, the harness lines are connected in the reverse Order i.e. from 399th to the 2nd hook from where the order is again reversed and the harness Cord is passed through hole no. 1 in the comber board No. 400 is In the center and No. 1 repeat at the right. By this arrangement the texture of the cloth is slightly affected as no end is drawn through the No. 400 and No.1 repeats with a solid mark in the Figure The design with the Omission of these ends will have totally 798 ends instead of 800 ends Originally assumed. The centered tie is largely used for silk ribbons curtains, serviettes tray clothe, upholstery and carpets.
FALL 2012
CSF-4071
21
Border Tie
Mainly used for bordered fabrics like
handkerchief or table cloth. In this tie one repeat of the border figure is made at each side of the fabric only. The central design is, however, repeated a number of times. The central portion may have a repeating tie or a central tie and any appropriate number of hooks may be assigned for the border and the body design of the fabric. The illustration in the figure indicates the border figure is turned over at the sides and the body figure is developed by a centered tie repeating two times. A number of permutations can be used for a variety of effects.
FALL 2012
CSF-4071
22
Mixed/Special Ties
FALL 2012
CSF-4071
23
Card Cutting
FALL 2012
CSF-4071
24
Card Cutting
FALL 2012
CSF-4071
25
Electronic Jacquard Reading-In

The module is an assembly of elements
comprising the following parts. 1 - Elements outside the module 2 - Elements inside the module 3 - Release hook return springs 4 - Release hooks 5 - Electromagnet 6 - Mobile hooks 7 - Hoist body 8 - Braces 9 - Reeling cable 10 - Harness threads 11 - Run up point 12 - Hoist pulleys 13 - Screws 14 - Ramp 15 - Armature
FALL 2012
CSF-4071
27
COMPUTER AIDED JACQUARD DESIGNING

Basics
FALL 2012
CSF-4071
28
Path to follow
Make its size SUITABLE. Choose Colors: Define different colored region to give different Weaves. Manipulate the image as required i.e. Scaling, mirroring, drawing, etc. Add warp and weft pattern information An Image Make a loom readable Image and transport to loom
Add Weaves, Loom harness, and other practical information
FALL 2012
CSF-4071
29
IMAGES FOR JACQUARD DESIGNING
FALL 2012
CSF-4071
30
Why Images?
Fabrics and Images are very resembling to each other
Letsfirstlookatwhatareimages:
FALL 2012
CSF-4071
31
Pixels and images

Image: is grid of pixels Pixel is the unit of color
display of an image Different Colors of pixels make up the colors of an image dpi = Pixel per inch defines size of an image Two Image of same size (width pixels x length pixels) but different dpi will have different dimensions width x length of the image
FALL 2012
CSF-4071
32
Pixels and images

Pixels are squares
so usual image has same density of pixels in length and width direction But It can be varied as needed by making pixel rectangle
FALL 2012
CSF-4071
33
Pixels and images
FALL 2012
CSF-4071
34
Fabric and Images

Fabric has yarn density Fabrics can have warp Images has Pixel
and weft densities different

Fabrics has few colors
density Images usually have same dpi but it can be made different Images have many colorsthatswhywe need to reduce the image colors that we need to convert to fabric
FALL 2012
CSF-4071
35
Fabric and Images

Colors in fabric are from Each Pixel in an image
either warp or weft w.r.t. weave (for YDF) While images are used asfabric,theycant contain such information so details of yarn colors need to be saved separately. That is what a design (*.des) file does.
hasitsownindependent color
FALL 2012
CSF-4071
36
We Can Conclude:
Image consists of pixels: No.ofPixelsinanimageswidthcanrepresentafabricsWarps No.ofPixelsinanimageslengthcanrepresentafabricsWefts Pixels shape can be changed to show difference in densities of warp and weft. Different colors in image can represent different weaves and color is nothing to do with weave expect a specific area of image where defined weave will be given. Pattern of warp and weft must also be given separately.
FALL 2012
CSF-4071
37
JACQUARD CAD SOFTWARE

Introduction
FALL 2012
CSF-4071
38
Jacquard Designing Path
Yarn + Weave + Artwork + Pattern
Jacquard Design
Loom File
Modules in Jacquard CAD

Harness
(Loom Editor)
Communicati on (Fabric Editor)
Image Editor (Texcelle)

Jacquard Software
Simulations
(True Coloring)
Weaves
(Weave Editor)
Compile
(Product Creator)
FALL 2012
CSF-4071
40
IMAGES FOR CAD
FALL 2012
CSF-4071
41
Introduction
Image editor is an image creation tool for the preparation
of artwork for use in jacquard design. Basic artwork can be created:

1. 2. 3.
Freehand, Scanned in, or loaded from an existing file.
FALL 2012
CSF-4071
42
Image editor Usage

Steps: 1. A graphics image is created. 2. Weave structures are created for each unique color in the graphics image. 3. The weave structures are applied to the graphics image to create a single total weave structure. 4. Warp and weft patterns and loom control informations are created and applied to the total weave structure to generated the woven jacquard design.
FALL 2012
CSF-4071
43
Observations
On understanding this process, certain observations
should become clear. Firstly,

each unique colour in the artwork image must be allocated a weave
structure - generally a different weave structure to those around it. In order to keep the number of different weaves in the jacquard down to a workable minimum number you must control and minimize the number of unique colors in the artwork image.
Secondly, the physical appearance of the colours in the artwork is not important (except to distinguish between different colour areas) since these colours are only used to create a weave structure. The colours in the finished design come from the warp and weft patterns and not from the artwork.
FALL 2012
CSF-4071
44
Pixels and Resolution

A pixel is a single picture element (a dot on the screen) -
the smallest element that you can identify in a computer graphics image. All graphics images are built up of pixels and these are fundamental to an understanding of computer graphics. A pixel does not have an intrinsic size - the size of a pixel depends upon the device on which the image is displayed. Graphics display devices all have a resolution associated with them and it is this resolution that determines the pixel size. The resolution is generally measured as a number of dots per inch (dpi) and this equates to pixels per inch.
FALL 2012
CSF-4071
45

For example, a computer screen may have a resolution of
72 dots per inch.

This means that each pixel can be displayed at 1/72 of an inch. So, if you display an image that is 72 pixels wide on this device
then it will measure exactly one inch on the screen.
Colour printers usually have much higher resolutions than
computer screens - anything from 300 to 1440 dots per inch. If you take the same 72 pixel wide image and print it directly to a colour printer with a resolution of 300 dots per inch then it would only be 72/300 inches wide. Thus the size of a pixel is determined by the resolution of the display device.
FALL 2012
CSF-4071
46

You can only work with whole numbers of pixels - you cannot have
halfapixelsincepixelsarethesmallestelementofacomputer graphics image. It is common, however, to scale up pixels to obtain a larger image. This is often done when printing an image because of the higher resolution (and hence smaller pixel size) of printers. When sending an image from the screen to a printer, for example, each screen pixel (1/72 inch) might be converted into a block of printer pixels (1/300 inch) in an attempt to restore the image size. Using the above resolution figures you might use a scale factor of 4 so that each screen pixel is duplicated to become a block of 4 x 4 printer pixels. This would be equivalent to a printer resolution of 300/4 = 75 dots per inch which is much closer to the original screen resolution.
FALL 2012
CSF-4071
47
Pixels and Jacquard Designs

When creating artwork for a jacquard design it is useful to
remember that a screen pixel represents a single lift in the resulting jacquard weave structure. Single pixels in an jacquard artwork image are actually undesirable since they will become almost random lifts within the weave structure. Remember that each colour in the artwork represents a different weave structure. Suppose you have artwork in which there is single red pixel surrounded by a large area of blue pixels. You assign a twill weave to the blue pixels and a plain weave to the red pixels. In the jacquard weave the red pixel will become ONE LIFT of the plain weave in amongst the large area of twill weave.
FALL 2012
CSF-4071
48
Pixels and Jacquard Designs

At best this one lift will not be seen and is therefore
superfluous.
At worst it may contribute to a longer floating thread sequence at
this area and is therefore a flaw in the fabric.
For this reason single pixels, and single pixel width lines
are best avoided in jacquard artwork.

If you want to see the effect of a colour area in the finished
jacquard fabric then the width and height of that colour area in pixels should bear some relationship to the ends and picks of the weave structure that will be allocated to that colour.
Screen pixel Block of printer pixels occupying approx. same area as
screen pixel Single red pixel surrounded by blue Effect of this pixel in jacquard weave
FALL 2012
CSF-4071
49
The Graphics Image

As mentioned previously, there are three main ways to
create a graphics image in the Image editorprogram.

1. Freehand Artwork Creation Image editorallows freehand painting directly onto the computer screen
using a mouse or pen and has a full range of image manipulation tools to assist with this. You can start with a blank screen and create the image that you want.
2. Scanning If you have a colour scanner you can scan existing paper artwork onto
the computer screen. Once on the screen you can use the freehand artwork tools to manipulate and edit the image as required.
3. Loading from File Image editorcan read (import) and write (export) all of the major
graphics files formats (e.g. TIFF, BMP, PCX etc.). This allows you to create an image using virtually any other graphics software (e.g. Photoshop, Corel Draw etc.).
FALL 2012
CSF-4071
50
The Graphics Image

The image is created and stored using the other graphics
software then loaded onto the Image editorscreen. Note that the CAD software package Jacquard Designer program will only accept files stored by Image editoras the basis for a jacquard design. This is because the Jacquard designer program uses extra information stored alongside the image file which standard graphics files formats do not include. For this reason you must go through the Image editorprogram as part of the jacquard creation process.
FALL 2012
CSF-4071
51
COLOR ISSUES
FALL 2012
CSF-4071
52
Colour Issues
When creating jacquard artwork it is important to
remember the following points 1. Each unique colour in the artwork represents a weave structure 2. The colour appearance of the artwork does not affect the jacquard fabric The first point is important because it places a restriction on the number of colours you choose to use in your artwork.
FALL 2012
CSF-4071
53
Colour Issues
For example, if you only want five different weave structures in your
jacquard fabric then you must have only five unique colours in your artwork. Always work backwards from the jacquard fabric when constructing your artwork. Think of the number of weaves that you want to use (approximately) then equate this to unique artwork colours. If there are too many colours in your artwork then you may have to use colour compression techniques (see later) to reduce the number. The second point refers to the actual physical appearance of the colours in the artwork. Given that the artwork is only an intermediate stage of the jacquard design process and that it is essentially used to create a total weave structure which is monochrome in colour, then you should not spend too much time on the actual colour appearance. Colours are used only to distinguish different areas in the artwork. If it helps to identify these areas by using strongly contrasting colours then this is how your colour palette should be setup.
FALL 2012
CSF-4071
54
24-Bit and 8-Bit Colour

Artwork Designer, in common with most professional
graphicssoftware,supports24-bitand8-bitcolour images. These images are fundamentally different and it is worth taking a little time to understand the differences.
FALL 2012
CSF-4071
55
8-Bit Color Images

An 8-bit image uses up to 256 different colours. It has a
palette associated with it, which contains the 256 colour definitions. Each colour in the palette can be uniquely selected from a range of 16.7 million colours. Each pixel in the image is a palette reference number between 0 and 255). To identify the colour of that pixel you must refer to the palette. For example, a pixel value of 34 means that the colour of that pixel is defined by the data in palette entry number 34.
FALL 2012
CSF-4071
56
24-Bit Color Images

A 24-bitimagecanhaveasmanydifferentcoloursas
there are pixels in the image. So, if the image size is 200 x 300 pixels then a 24-bit image can potentially have 200 x 300 = 60,000 unique colours. As the image size increases so does the potential colour range, up to a maximum of 16.7 million. There is no palette associated with a 24-bit image. Each pixel consists of a red, green, and blue value each with the range 0 to 255, Generally speaking, 24-bit images are suitable for photographic-type images where subtle shading and fine detail are of most importance. 24-bit images are NOT suitable for jacquard artwork as there are simply too many colours in the image.
FALL 2012
CSF-4071
57
Colour Compression\Reduction
Colour compression is necessary when there are too many colours in your artwork image and you wish to
reduce the number of colours (and hence the number of weaves required for a jacquard) to a more manageable number. This will typically be the case with a scanned image, which can have anything from 256 to several thousand unique colours. A large range of colours is used to preserve the image quality and realism and is essential when working with photographic images but a jacquard with 200 unique weaves is unworkable and unnecessary. Often individual colours will only appear as single pixels within the image and it would be unnecessary to allocate a weave structure which would only weave for one lift before changing to another structure. The above shows a scanned image with an area enlarged to show how many unique colours are present in this small area. Due to subtle shading there are many more colours present than at first meets the eye. The original image does in fact contain over 200 unique colours - most of which are subtle light and dark shades which are not immediately apparent. However, by looking at the image you can see that there are only three dominant colours - the mid-blue background, the dark blue, and a white colour. It should be possible to reproduce the essence of the image using only these three colours. Thereisnoquestionthattheoriginal,uncompressed,imagehasmoreclarityandismorecorrectina photographic sense. But remember that the object of this exercise is to create jacquard artwork which will then be converted into weaves. This very process will result in some degradation of the image therefore the second, compressed, image is more than adequate for this purpose. In this example, colour compression has reduced the number of colours from over 200 to 3 and, in doing so, has made the artwork image much more suitable for use in a jacquard design.
FALL 2012
CSF-4071
58
Colour Compression Techniques

CAD software package provides several methods for colour
compression.Decreaseto256willautomaticallyreducea24-bit image down to a maximum of 256 colours. This is generally the first step in compressing a scanned image. Once the image has been reduced to 256 colours you can choose fromAutomaticcolourcompressionorManualcolourcompression. Automaticcompressionattemptstousemathematicstoworkoutthe relationship between colours and can be used to reduce an image to given number of colours. Sometimes, however, the mathematics of the colours in an image is such that the automatic compression algorithm is not successful and will not result in the desired effect. Manualcompressionallowsyoutomanuallyselect,fromthe screen, the colours that you wish to remain in the image. All other colours in the image will become one of the selected shades. Again, mathematics is used to determine how the non-selected colours are changed.
FALL 2012
CSF-4071
59
Scaling Issues
One of the most important issues when designing jacquard artwork comes in
choosing the size of the artwork image. In this context, the size of the image is the width and height of the image measured in pixels (screen dots). Imageeditorcanscaleaimageupordowntoanyrequestedsizebut,indoing so, you will add or remove pixels to the image in order to generate the new sized image. When scaling an image up thistypicallyleadstojaggededgesteppingeffects, especially on diagonal lines within an image. When scaling an image down to a smaller size the problem is a loss of detail as pixels are discarded to reduce the image to a smaller size. If an image consists of single pixel-width lines (which themselves are not recommended for jacquard design) then these may disappear from the image altogether as a result of scaling down. To avoid these problems the simplest solution is to plan the image size carefully so that scaling is not necessary. To do this you must work backwards from the jacquard fabric size. Identify the jacquard repeat size (in ends and picks) that you will need to give you the fabric size that you require. To minimize scaling the artwork image should be the same size as the ends and picks of the jacquard repeat.
FALL 2012
CSF-4071
60
Example 1
Repeat size 6 x 8 inches
Warp sett 32 ends per inch

Weft sett 40 picks per inch Ends 6 x 32 = 192
Picks 8 x 40 = 320
Artwork Width 192 pixels Artwork Height 320 pixels
FALL 2012
CSF-4071
61
Example 2
Repeat size 25 x 32 cm
Warp sett 12 ends per cm

Weft sett 15 picks per cm Ends 25 x 12 = 300
Picks 32 x 15 = 480
Artwork Width 300 pixels Artwork Height 480 pixels If the calculated artwork sizes are too large for the artwork
then reduce the artwork size by dividing these sizes exactly by 2, or 3 and so on. If the calculated sizes are too small then multiply them by 2 or 3 and so on to create new sizes. This will minimize any scaling required.
FALL 2012
CSF-4071
62
Example 3: Scaling a Multiple-Layer Jacquards

The above examples assume that you are creating a
simple, single cloth jacquard with one face layer only. If your jacquard construction is multi-layer (e.g. 2 warps, 2 wefts, or 1 warp 3 wefts etc.) then to minimize scaling effects you should plan your artwork sizes as follows 1.
2. 3.
Work out the pixel sizes as described above. Divide the pixel width by the number of warp layers Divide the pixel height by the number of weft layers
Note that the above size calculations are
recommendations only. There is nothing to stop you creating CAD software package artwork any size that you wish.However,youshouldbeawarethatscalingmay take place and that this will affect your artwork.
FALL 2012
CSF-4071
70

Jacquard Harness Build Up
Woven Textile Software Packages

NedGraphics ScotWeave
Textronics
Arahne Designcope Victor
Software Comparison
NedGraphics Scope ScotWeave Arahne Weaving, Knitting, Weaving, Braiding Weaving + Printing, Fashion, Printing Interior and Textile Design X X OK
Commercial + Free
OS Price
Windows + MAC Expensive
Windows Expensive
Linux Not very Expensive
FALL 2012
CSF-4071
73
Jacquard Manufacturers
Staubli
Bonas
Grosse
FALL 2012
CSF-4071
74
Communicating Design to Jacquard
FALL 2012
CSF-4071
75
Jacquard Information
Without complete harness information it will be impossible to
setup Jacquard Software (ScotWeave) correctly for jacquard loom and therefore impossible to transfer the design from CAD software package to jacquard loom. Harness information will have been supplied when the harness was fitted to your jacquard. If you do not have this information then you must contact whoever installed the harness and ask for this information. You may also need to contact the manufacturer/supplier of your jacquard mechanism for some additional information on how this is setup for reading data from a CAD system.
FALL 2012
CSF-4071
76
Map of Hooks
Amapofjacquardheadlifterstoharnesscordsisused
to show which lifters are attached to which harness cords and the function of each harness cord. In addition to this, many electronic jacquard controllers haveelectronicfunctionsorelectroniccontrolswhich can be used to control weft selection mechanisms and warp motion. If these functions are used then they must also be mapped out.
FALL 2012
CSF-4071
77
Types of Hooks
FALL 2012
CSF-4071
78
Jacquard Loom
FALL 2012
CSF-4071
79
Jacquard Harness Designing

Total Hooks
Jacquard Short Rows and long rows measure

Weft Selectors Regulators Weft Density Control Warp Tension Control Machine Speed Control Selvedge Hooks Design/Body Hooks
FALL 2012
CSF-4071
80
Stabuli Jacquard
Function number Used for 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Weft selector number 1 Weft selector number 2 Weft selector number 3 Weft selector number 4 Weft selector number 5 Weft selector number 6 Weft selector number 7 Weft selector number 8 Weft selector number 9 Weft selector number 10 Weft selector number 11 Weft selector number 12 Weft selector number 13 Weft selector number 14 Weft selector number 15 Weft selector number 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 Density bit 0 Density bit 1 Density bit 2 Warp tension bit 0 Warp tension bit 1 Warp tension bit 2 Speed bit 0 Speed bit 1 Speed bit 2 Loop tension Terry/Flat Border End of rapport > managed by the JC4 Trennstuck weben Reserved Reserved
FALL 2012
CSF-4071
81
Regulators: 3 bit controlled Function

Bit 1 0 1 0 Bit 2 0 0 1 Bit 3 0 0 0 Index 1 2 3
1 0
1 0 1
1 0
0 1 1
0 1
1 1 1
4 5
6 7 8
FALL 2012
CSF-4071
82
Single bit controlled Function
Bit 1 0 1
Index 1 2
FALL 2012
CSF-4071
83
Creating a Loom Diskette

The process of creating a loom diskette involves selecting
a jacquard harness plan, then applying this to a CAD software package jacquard design to create information for a loom. Whenever you begin the process of creating a new loom disk you will see the following dialog which will confirm the current harness plan that will be used
FALL 2012
CSF-4071
84
Creating a Loom Diskette
FALL 2012
CSF-4071
85

Weave Designing
FALL 2012
CSF-4071
86
Weaving Designing Direct Editing Weave Creation Through Weave Editor

Simple Weave Design Complex (Layered) Weave Design
FALL 2012
CSF-4071
87

Jacquard Designing
FALL 2012
CSF-4071
88
Parts of a Jacquard File

Image and Yarn information = .DES file
Jacquard Harness Information = .HRS file

Pile Details = Selected from option design in .DES file Yarn Density Information
Design Repeat Information

Yarn Information Weave Information
FALL 2012
CSF-4071
89
Yarn Designing
Details of Yarns: Yarn Count System Yarn Count Number Twist Yarn (Visual) Type (Fancy yarns) Yarn Color Color Types Total Yarns Library of Yarn Scanning Yarn
FALL 2012
CSF-4071
90
Card View
FALL 2012
CSF-4071
91
Design View
FALL 2012
CSF-4071
92
Fabric Weaves
FALL 2012
CSF-4071
93
Other Weaves
FALL 2012
CSF-4071
94
Simulation
FALL 2012
CSF-4071
95

Jacquard Controlling
FALL 2012
CSF-4071
96
Function of Jacquard Controller

Weaving from Files
Importing Files
Exporting Files Editing/Viewing Files
FALL 2012
CSF-4071
97
Before we Design
End / inch
Pick/ inch

Computer Aided Jacquard Designing

Hochgeladen von

Dokumentinformationen

Copyright

Verfügbare Formate

Dieses Dokument teilen

Dokument teilen oder einbetten

Freigabeoptionen

Stufen Sie dieses Dokument als nützlich ein?

Sind diese Inhalte unangemessen?

Copyright:

Verfügbare Formate

Computer Aided Jacquard Designing

Hochgeladen von

Copyright:

Verfügbare Formate

FALL 2012

Muhammad Usman Javaid