Punk Bibliography Alan OConnor This bibliography includes only books and articles that have substantial discussions

of punk. It does not include university theses or articles in newspapers but does include discographies, selected photo books and punk fiction. Any research on punk must make use of fanzines produced in different parts of the world. The bibliography includes only selected special issues of major fanzines and articles such as Lance Hahns series on anarcho-punk. Some back issues of punk fanzines are available online through the website of Operation Phoenix Records. A selection of punk videos and films is listed separately.

Books and articles Adams, Chris. Turquoise Boys: The Weird World of Echo & the Bunnymen. New York: Soft Skull Press, 2002. Adilkno. Cracking the Movement: Squatting Beyond the Media. New York: Autonomedia, 1994. Albini, Steve. The Problem with Music. In Commodify Your Dissent: Salvos from The Baffler, eds. Frank, Thomas and Matt Weiland, 164-76. New York: Norton, 1997. Alfonso, Jos A. Hasta el Final: 20 Aos de Punk en Espaa. Zaragoza: Zona de Obras, 2001. Anderson, Mark. All the Power: Revolution without Illusion. Punk Planet Books, 2004. Anderson Mark and Mark Jenkins. Dance of Days: Two decades of Punk in the Nations Capital. New York: Soft Skull Press, 2001. Andes, Linda. Growing Up Punk: Meaning and Commitment Careers in a Contemporary Youth Subculture. In Youth Culture: Identity in a Postmodern World, ed. Jonathan S. Epstein, 211-31. Oxford: Blackwell, 1998. Angel, Jen. Becoming the Media: A Critical History of Clamor Magazine. Oakland: PM Press, 2008. Anonymous. Punks. Montevideo, Uruguay: Por Debajo Records, c. 1995. Reprinted in Mexico City by JAR Records. Anonymous. Forming: The Early Days of L.A. Punk. Santa Monica: Smart Ass Press, 1999.

Anonymous. Evasion. Atlanta: Crimethinc, 2001. Antonia, Nina. Too Much Too Soon: The New York Dolls. London: Omnibus Press, 1998. Armstrong, John. Guilty of Everything. Vancouver: New Star, 2001. Fiction. Arnold, Gina. Route 666: On the Road to Nirvana. New York: St. Martins Press, 1993. Arnold, Gina. Kiss This: Punk in the Present Tense. New York: St. Martins Griffin, 1997. Atkinson, Michael. The civilizing of resistance: straightedge tattooing. Deviant Behavior 24(2003): 197-220. Azerrand, Michael. Our Band Could be Your Life: Scenes from the American Underground 1981-1991. Boston: Little Brown, 2001. Bacon, Tony. London Live. London: Balafon, 1999. Ch. 5, Pub-Rock and Punk. Bangs, Lester. Psychotic Reactions and Carburetor Dung, ed. Greil Marcus. New York: Anchor Books, 1987. Bangs, Lester. Mainlines, Blood Feasts and Bad Taste: A Lester Bangs Reader, ed. John Morthland. New York: Anchor Books, 2003. Banks, Abby, Punk House: Interiors in Anarchy, ed. Thurston Moore. New York: Abrams, 2007. Barclay, Michael, Ian A.D. Jack and Jason Schneider. Have Not Been the Same: The CanRock Renaissance, 1985-95. Toronto: ECW Press, 2001. Includes some discussion of punk and post-punk bands in Canada. Baron, Steve W. The Canadian west coast punk subculture: a field study. Canadian Journal of Sociology 14 (1989): 289-316. Baron, Steve W. Resistance and its Consequences: The Street Culture of Punks. Youth and Society 21 (1989): 207-37. Baulch, Emma. Creating a Scene: Balinese Punks Beginnings. International Journal of Cultural Studies 5 (2002): 153-177. Baulch, Emma. Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham: Duke University Press, 2007

Bayley, Roberta at al. Blank Generation Revisited: The Early Days of Punk. New York: Schirmer Books, 1997. Photos from New York in late 1970s and early 1980s. Becker, Scott ed. We Rock So You Dont Have To: The Option Reader #1. San Diego: Incommunicado Press, 1998. Beeber, Steven Lee. The Heebie-Jeebies at CBGBs: A Secret History of Jewish Punk. Chicago: Chicago Review Press, 2006. Belsito, Peter, Bob Davis and Marian Kester. Street Art: The Punk Poster in San Francisco 1977-1982. San Francisco: Last Gasp, 1981. Belsoto, Peter and Bob Davis. Hardcore California: A History of Punk and New Wave. San Francisco: Last Gasp, 1983. Bennett, Andy. Punks Not Dead: The Continuing Significance of Punk Rock for an Older generation of Fans. Sociology 40 (2006): 219-35. Bessman, Jim. Ramones: An American Band. New York: St Martins Press, 1993. Biafra, Jello. The far right and the censorship of music. Harvard Law Review, 17 April 1987, 10-16. Bissonnette, Matt. Smash Your Head on a Punk Rock. Holstein, Ontario: Exile Editions, 2007. Fiction. Blinderman, Barry ed. David Wojnarowicz: Tongues of Flame. New York: D.A.P. Publishers, 1990. Blinko, Nick. The Primal Screamer. London: Spare Change Books, 1995. Fiction by Rudimentary Peni singer/guitarist. Blush, Stephen. American Hardcore: A Tribal History. Portland: Feral House, 2001. Board, Mykel, I, A Me-Ist or The Portable Board. Hope & Nothings, 2000. MRR columnist. Bockris, Victor. Lou Reed: The Biography. London: Random House, 1994. Bockris, Victor. Beat Punks. New York Da Capo Press, 1998. Bockris, Victor and John Cale. The Autobiography of John Cale. New York: St. Martins Press, 1999. Bockris, Victor and Gerald Malanga. Up Tight: The Velvet Underground Story. Cooper Square Press, 2003. Originally published 1983.

Boot, Adrian and Chris Salewicz. Punk: The Illustrated History of a Music Revolution. London: Boxtree, 1996. Large format book with colour illustrations. Boston, Virginia. Punk Rock. New York: Penguin Books, 1978. Bowman, David. This Must Be the Place: The Adventures of Talking Heads in the 20th Century. New York: Harper, 2001. Bowman, Rob. Argh Fuck KillCanadian Hardcore Goes on Trial: The Case of the Dayglo Abortions. In. Policing Pop, eds. Martin Cloonan and Reebee Garofalo, 113139. Philadelphia: Temple University Press, 2003. Bradford, Martin. And You Voted For That Guy: 1980s Post-Punk and Oppositional Politics. Journal of Popular Music Studies 16 (2004): 142-74. Brannon, Norman. The Anti-Matter Anthology: A 1990s Post-Punk and Hardcore Reader. Huntington Beach, CA: Revelation Records Publishing, 2007. Breedlove, Lynn. Godspeed. New York: St. Martin's Press, 2002. Fiction. Bromberg, Craig. The Wicked Ways of Malcolm McLaren. New York: Harper & Row, 1989. Browne, David. Goodbye 20th Century: A Biography of Sonic Youth. New York: Da Capo, 2009 Burchill Julie and Tony Parsons. The Boy Looked at Johnny: The Obituary of Rock and Roll. London: Pluto Press, 1978. Burnett, Robert ed. Absolutely Zippo. Published in USA, 2002. Anthology of East Bay zine from late 1980s and early 1990s. Burns, Jake and Alan Parker. Stiff Little Fingers: Song by Song. London: Sanctuary, 2003. Butler, C. T. Lawrence and Keith McHenry. Food Not Bombs: How to Feed the Hungry and Build Community. Philadelphia and Gabriola Island: New Society Publishers, 1992. Butt, Malcolm. Sid Vicious. London: Plexus, 1997. Cabaas, Jose Ignacio et al. Armarse sobre las ruinas: Historia del movimiento autnoma en Madrid 1985-1999. Madrid: Potencial Hardcore, 2002. Carducci, Joe. Rock and the Pop Narcotic. Chicago: Redoubt Press, 1990.

Carducci, Joe. Enter Naomi: SST, L.A. and All That. Redoubt Press, 2007. Carter, Angela. Year of the Punk. New Society, 22 December 1977, supplement, xivxvi. Cavanna, Esteban M. El Nacimiento del Punk en Argentina y la Historia de Los Violadores. Buenos Aires: Interpress Ediciones, 2001. Cave, Nick. King Ink II. Los Angeles: 2.13.61, 1997 Cave, Nick. The Complete Lyrics 1978-2001. London Penguin, 2001. Cave, Nick. And the Ass saw the Angel. Los Angeles: 2.13.61, 2003. Fiction originally published 1989. Celeste Kearney, Mary. Dont Need You: Rethinking Identity Politics and Separatism from a Grrrl Perspective. In Youth Culture: Identity in a Postmodern World, ed. in Jonathan S. Epstein,148-88. Oxford: Blackwell, 1998. Cerdn, Diego. Eskorbuto: Historia Triste. Madrid: Ediciones Marcianas, 2001. Chantry, Art. Instant Litter: Concert Posters from Seattle Punk Culture. Seattle: Real Comet Press, 1985. Ciminelli and Knox. Homocore. Alyson Books, 2005 Clarke, Dylan. The Death and Life of Punk: The Last Subculture. In The PostSubcultures Reader, eds., David Muggleton and Rupert Weinzierl, 223-36. Oxford and New York: Berg, 2003. Clark, Humpshery. Loser: The Real Seattle Music Story. Portland: Feral House, 1995. The Clash. The Clash. New York: Grand Central, 2008. Cloonan, Martin. I fought the law: popular music and British obscenity law. Popular Music 14/3 (1995): 349-63. Cogan, Brian. Encyclopedia of Punk Music and Culture. Greenwood Press, 2004. Cohen, Sara. Rock Culture in Liverpool: Popular Culture in the Making. Oxford: Clarendon Press, 1991. Case studies of local post-punk bands in 1980s. Cole, Joe. Planet Joe. Los Angeles: 2.13.61, 1992. Colegrave, Stephen and Chris Sullivan. Punk: A Life Apart. London: Cassell, 2001. Large format book documenting 1970s in USA and England.

Cometbus, Aaron. Despite Everything: A Cometbus Omnibus. San Francisco: Last Gasp, 2002. Cometbus, Aaron. Double Duce. San Francisco: Last Gasp, 2003. Reprints material from Cometbus zine about punk house. Cometbus, Aaron. Chicago Stories. Self published, 2004. Cometbus, Aaron. Mixed Reviews. Port Louis: Internationalist Publishing, 2005. Cometbus, Aaron. I Wish There Was Something I Could Quit. Self published, 2006. Fiction. Connolly Cynthia, Leslie Clague and Sharon Cheslow eds. Banned in D.C.: Photos and Anecdotes from the DC Punk Underground (1979-85). Washington: Sun Dog Propaganda, 1992. Coon, Caroline. The New Wave Punk Explosion. London: Omnibus Press, 1982. Cooper, Aimee. Coloring Outside the Lines: A Punk Rock Memoir. Elgin, Texas: Rowdys Press, 2002. Cope, Julien Head-On: Memories of the Liverpool Punk-Scene and the Story of the Teardrop Explodes: 1976-82. London: Magon Books, 1994. Corrett, John. Extended Play: Sounding Off from John Cage to Dr. Funkenstein. Durham: Duke University Press, 1994. Segment on The Ex. County, Jayne. Man Enough to be a Woman. London: Serpents Tail, 1995. Crass. Love Songs. Hebden Bridge, West Yorkshire: Pomona, 2004. Cross, Richard. The Hippies Now Wear Black: Crass and the anarcho-punk movement. Socialist History no. 26, Autumn 2004 D'Ambrosio, Antonino ed. Let Fury Have The Hour: The Punk Rock Politics Of Joe Strummer. New York: Nation Books, 2004. Dancis, Bruce. Safety Pins and Class Struggle: Punk Rock and the Left. Socialist Review no. 39, May-June 1978, 58-83. Davies, Jude. The Future of No Future: Punk Rock and Postmodern Theory. Journal of Popular Culture 29 (1996): 3-25.

Davis, J. R. Growing Up Punk: Negotiating Aging in a Local Music Scene. Symbolilc Interaction 29 (2006): 63-69. Davis, Jerome. Talking Heads. New York: Vintage, 1986. Dawson, Ashley. Do Doc Martins Have A Special Smell? Homocore, Skinhead Eroticism, and Queer Agency. In Reading Rock and Roll: Authenticity, Appropriation, Aesthetics, eds., in Kevin J.H. Dettmar and William Richey, 125-43. New York: Columbia University Press, 1999. Includes discussion of Mikilteo Fairies, MDC, Vaginal Davis, God is My Co-Pilot and others. Dechaine, D. Robert. Mapping Subversion: Queercores Musics Playful Discourse of Resistance. Popular Music and Society 21 (1997): 7-37. DeRogatis, Jim. Let it Blurt: The Life and Times of Lester Bangs, Americas Greatest Rock Critic. New York: Broadway Books, 2000. DeLano, Sharon. The Torch Singer: Patti Smiths life as a rock-and-roll diva. The New Yorker, 11 March, 200248-63. Dickson, Ian. Flash Bang Wallop! Photographs of the Punk Explosion. London: Abstract Sounds Publishing, 2000. Black and white photos from 1976-77. Diehl, Matt. My So-Called Punk. New York: St. Martins, 2007. Diggle, Steve and Terry Rawlings. Harmony in My Head: The Original Buzzcock Steve Diggles Rock n Roll Odyssey. London: Helter Skelter, 2002. Doggett, Peter. Lou Reed: Growing Up in Public. London: Omnibus Press, 1992. DuBrul, Sasha Altman. Carnival of Chaos. New York: Autonomedia/Bloodlink, 1997. Duncan, Chris. My First Time: A Collection of First Punk Show Stories. San Francisco and Edinburgh: AK Press, 2007. Duncombe, Stephen. Notes from Underground: Zines and the Politics of Alternative Culture. London: Verso, 1997. Dunn, Kevin C. Never mind the bollocks: the punk rock politics of global communication. Review of International Studies 34 (2008): 193-210. Edge, Brian. Paintwork: A Portrait of the Fall. London: Omnibus, 2003. Edge, Brian ed. 924 Gilman: The Story So Far. San Francisco: Maximumrocknroll, 2004.

Epstein Stephen J. Anarchy in the UK, Solidarity in the ROK: Punk Rock Comes to Korea. Acta Koreana 3 (2000): 1-34. Evans, Mike. N.Y.C. Rock: RocknRoll in The Big Apple. London: Sanctuary, 2003. Everett, True. Hey Ho Lets Go: The Story of the Ramones. London: Omnibus. 2002. Fairchild, Charles. Alternative Music and the Politics of Cultural Autonomy: The Case of Fugazi and the D.C. Scene. Popular Music and Society 17 (1995): 17-25. Faris, Marc. That Chicago Sound": Playing with (Local) Identity in Underground Rock. Popular Music & Society 27 (2004), 429-54 Farren, Mick and Suzy Shaw. Bomp! Los Angeles: AMMO, 2008. Farseth, Erik. Wipe Away My Eyes: A History: Underground Culture and Politics, 19791999. Minneapolis: Abandoned House Books, 2001. Finnegan Bell. Dear Andrew: An Unsent Letter. Vancouver: Hungry Ghost Press, 2005. Bruce Burnside of Zegota and Ivory Bell record label. Fish, M and D Halbery. Cabaret Voltaire: The Art of the Sixth Sense. Harrow, SAF Publishing, 1989. Floyd, Dave. Riot/Clone: Dead But Not Forgotten. London: Black Sheep Design, 1993. Fly. Peops: Stories and Portraits. New York: Soft Skull Press, 2003. Sketches by punk artist and statements by New York squatters, punks and others. Foege, Alec. Confusion is Next: The Sonic Youth Story. New York: St. Martins Press, 1994. Includes Glen Branca and NYC no wave bands, some discussion of independent labels. Foster, Ben. Like Hell. Oak Park: Hope and Nothings, 2001.Fiction by MRR columnist. Fournier, Michael T. Double Nickels On The Dime. New York: Continuum, 2007/ Fox, K. Real punks and pretenders: the social organization of a counter culture. Journal of Contemporary Ethnography 16 (1987): 344-70. Friedman, Glen E. (1994) Fuck You Heroes. Los Angeles and New York: Burning Flag Press, 1994. Photos and commentary on skater, hardcore and rap performers. Friedman, Glen E. (1996) Fuck You Too. Los Angeles and New York: Burning Flag Press and 2.13.61. Additional photos.

Frith, Simon. Beyond the dole queue: The Politics of Punk. Village Voice, 24 October, 1977. Frith, Simon. The Punk Bohemians. New Society 43 (1978): 535-6. Also in Frith (1983), 266-67. Frith, Simon. Sound Effects: Youth, leisure, and the politics of rock. London: Constable, 1983. Especially The Case of Punk, 158-64. Frith, Simon and Howard Horne. Art into Pop. London and New York: Methuen, 1987. Fryer, Paul. Punk and the New Wave of British Rock: Working Class Heroes and Art School Attitudes. Popular Music and Society 10 (1986): 1-15. Fuchs, Cynthia, If I Had a Dick: Queers, Punks, and Alternative Acts. In Mapping the Beat (1998), 101-18. Gaertner, Joachim. They Could Have Been Bigger Than EMI: A discography of now defunct independent record labels that released vinyl. Germany: Pure Pop for Now People, 2005. Galenza, Ronald and Heinz Havemeister eds. Wir wollen immer artig sein Punk, New Wave, HipHop, Independent-Szene in der DDR 1980-1990. Berlin: Verlag GmbH, 1999. Essays and interviews on punk and underground scene in East Germany. Gandesha, Samir. Flowers in the Dustbin, or Requiem for Punk. Border/Lines [Toronto] no. 45 (1997), 8-14. Gendron, Bernard. Between Montmarte and the Mudd Club: Popular Music and the Avant-Garde. Chicago: University of Chicago Press, 2002. Chs. 10-13 deal with New York City punk and new wave from 1971-81. Geldof, Bob. Is That It? London: Penguin Books, 1985. Autobiography of member of Boomtown Rats. General Idea, FILE Magazine [Toronto] vol. 3 no. 4 (Fall 1977). Punk Til You Puke Mainly photos. Gibbs, Alvin. Destroy: The Definitive History of Punk. No place: Britannic Press, c. 1997. Gilbert, Pat. Passion is a Fashion: The Real Story of the Clash, Cambridge MA: Da Capo Press, 2005.

Gimarc, George. Punk Diary 1970-1979. New York: St. Martins Press, 1994. Chronology of events. Includes CD. Gimarc, George. Post Punk Diary 1980-1982. New York: St. Martins Press, 1997. Chronology of events. Includes CD. Ginoli, Jon. Deflowered: My Life in Pansy Division. San Francisco: Cleis Press, 2009. Glasper, Ian. Burning Britain: The History of UK Punk 1980-84. London: Cherry Red, 2004. Glasper, Ian. The Day the Country Died: A History of Anarcho-Punk 1980-1984. London: Cherry Red, 2006. Goldthorpe, Jeff. Talking Punk with Maximumrocknroll. Radical America vol. 18, no. 6 (1984), 9-24. Goldthorpe, Jeff. Intoxicated Culture: Punk Symbolism and Punk Protest. Socialist Review vol. 22, no. 2 (1992), 35-64. Goossens, Jerry and Jeroen Vedder. Het Gejuich was Massaal: Punk in Nederland 19761982. Amsterdam: Poparchief Nederland, 1996. In Dutch. Includes discography. CD titled Im Sure Were Gonna Make ItDutch Punk Rock 1977-1982 issued on Epitaph Records includes liner notes in English. Gordon, Alastair. Throwing Out the Punk Rock Baby with the Dirty Bath Water: Crass and Punk, A Critical Appraisal. Nottingham: Do One Press, 1996. Gosling, Tim. Not For Sale: The Underground Network of Anarcho-Punk. In Music Scenes: Local, Translocal and Virtual, eds. Andy Bennett and Richard A Peterson, 16883. Nashville: Vanderbilt University Press, 2004. Goshert, John Charles. Punk After the Pistols: American Music, economics, and the politics in the 1980s and 1990s. Popular Music and Society, 24 (2000): 85-106. Gottlieb Joanne and Gayle Wald. Smells like Teen Spirit: Riot Grrrls, Revolution and Women and Independent Rock. In Microphone Fiends: Youth Music and Youth Culture, eds. Andrew Ross and Tricia Rose, 250-74. New York: Routledge, 1994. Gray, Marcus. The Clash: Return of the Last Gang in Town. New York: Hal Leonard, 2002. Green, Johnny and Garry Barker. A Riot of Our Own: Night and Day with the Clash. New York: Faber and Faber, 1999.

Green, Johnny and Kris Needs. Joe Strummer and the Legend of The Clash. UK: Plexus Publishing, 2005. Greenwald, Andy. Nothing Feels Good: Punk Rock, Teenagers and Emo. New York: St. Martins, 2003. Grubbs, Eric. Post: A Look at the Influence of Post-Hardcore 1985-2007. iUniverse, 2008. Habell-Palln, Michelle. Soy Punkera, Y Que?: Sexuality, Translocality and Punk in Los Angeles and Beyond. In Rockin Las Americas, eds., Deborah Pacini Hernandez, Hctor Fernndez LHoeste and Eric Zolov. Pittsburgh: University of Pittsburgh Press, 2004. Haenfler, Ross. Straight Edge: Clean-Living Youth, Hardcore Punk, and Social Change. New Brunswick: Rutgers University Press, 2006. Hahn, Lance. Series of articles on British anarchopunk from 1978-1984. Maximumrocknroll no. 209, October 2000 no. 305, October 2008. . Hansen, Ann. Direct Action: Memoirs of An Urban Guerilla. Oakland: AK Press, 2002. Harvard, Joe. The Velvet Underground and Nico. New York and London: Continuum 2004. Havok, Felix. Punk: Sub-Culture or Counter-Culture? Undergraduate essay, University of Minnesota, 1991. Online http://www.havocrex.com/column2.html; Internet; accessed 15 February 2004. Havok, Felix. Review of American Hardcore: A Tribal History by Steven Blush, Maximumrocknroll #224 (January 2001), 1 page. Online http://www.havocrex.com/review_americanhardcore.html; Internet; accessed 15 February 2004. Heartattack no. 26, May 2000. Race and Hardcore issue Heartattack no. 27, August 2000. International issue Heartattack no. 47, 2005. Work Issue Hebdidge, Dick. Subculture: The Meaning of Style. London: Methuen, 1979. Hebdidge, Dick. Hiding in the Light. London and New York: Routledge 1988. Hell, Richard. Artifact. New York: Hanuman Books, 1990.

Hell, Richard. Go Now: A Novel. New York: Scribner, 1996. Hell, Richard. Hot And Cold: essays, poems, lyrics, notebooks, pictures, fiction. New York: Powerhouse Books, 2001. Helton, Jesse J. and William J. Staudenmeier. Re-imagining being straight in straight edge. Contemporary Drug Problems 29 (2002): 445-475. Henry, Tricia. Punk and Avant-Garde Art. Journal of Popular Culture, Spring 1984. Henry, Tricia. Breaking all the rules: Punk Rock and the Making of a Style. London: U.M.I Research Press, 1987. Hesmondhalgh, David. Post-punks attempt to democratise the music industry: the success and failure of Rough Trade. Popular Music 16 (1998): 255-74. Hesmondhalgh, David. Indie: The Institutional Politics and Aesthetics of a Popular Music Genre. Cultural Studies 13 (1999): 34-61. Heylin, Clinton ed. The Penguin Books of Rock & Roll Writing. London: Penguin 1992. Selections by Julie Burchill and Tony Parsons, Lester Bangs, Joe Carducci, James Wolcott, Caroline Coon, Paul Morley, Patti Smith, Richard Goldstein, Charles Shaar Murray, Nick Kent, Jonh Ingham, Roy Carr, Paul Williams, Don Watson, John Helstrom, Lou Reed, Steve Albini, Patrick Zerbib, Richard Hell. Heylin Clinton. From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World. New York: Penguin, 1993. Hibickina and Kika. Off the Map. Olympia: Crimethinc, 2003. Travel journals including punk and squat scenes in Europe. Hippycore Crew. Soy, Not Oi! New Edition. Minneapolis: Profane Existence, 1996. Cookbook with commentary. Hoban, Phoebe. Basquiat: A Quick Killing in Art. New York: Penguin Books, 1999. Basquiat was in noise band Gray and participated in New York No Wave scene. Holmstrom, John ed. Punk: The Original. New York: Trans-High Publishing, 1996. Selections from Punk magazine 1976-1979. Home, Stewart. The Assault on Culture: Utopian Currents from Lettrisme to Class War. Stirling: AK Press, 1991. Ch. 15 on punk. Home, Stewart. Cranked Up Really High: Genre Theory and Punk Rock. Hove: Codex, 1995.

Home, Stewart. Pure Mania. Polygon Books, 1989. Fiction. Hopper, Jessica. Emo: Where the Girls Arent. In Da Capo Best Musical Writing 2004, ed. Mickey Hart Cambridge MA: Da Capo Press. 2004. Originally published in Punk Planet (October 2003). Horgan, Susie J. Punk Love. Foreword by Henry Rollins. Interview with Susie Horgan and Ian Mackaye. New York: Universal, 2007. Hoskyns, Barney. Waiting for the Sun: Strange Days, Weird Scenes, and the Sounds of Los Angeles. New York: St. Martins Griffin, 1996. Hudson, Mike. Diary of a Punk: Life and Death in the Pagans. Niagra Falls, NY: Tuscarora Books, c. 2008. Hurchalla, George. Going Underground: American Punk 1979-1992. Stuart, Florida: Zuo Press, 2005. Hurley, Bri. Making a Scene: New York Hardcore. Boston: Faber, 1989. Black and white photos and interviews with Gavin van Vlack (Absolution), Ralphy Boy (show organizer), Cindy Pack (Children of the Night) and Diego Casalins (Agnostic Front). Hustwit, Gary. Releasing an Independent Record, 6th edition. Rockpress Publishing, 1997. Worked at SST Records Irwin, Darrell. The Straight Edge Subculture: Examining the Youths Drug-Free Way. Journal of Drug Issues 29 (1999) 365-381. Based on research in Long Island, NY. James David E. Power Misses: Essays Across (Un)Popular Culture. London, New York: Verso, 1996. Chs. 9, 10. Jandreus, Peter. The Encyclopedia of Swedish punk 1977-1987. Premium Publishing, 2008. Jrisch, Bukhard. Flex! U.S. Hardcore Discography, second edition. Bblingen: Flex, 2001. Jasper Maura and Hulken Mancini. Punk Rock Aerobics. Cambridge MA: Da Capo Press, 2004. Exercise book with interviews by musicians and other punks. Jaurs Noland, Carrie. Rimbaud and Patti Smith: Style as Social Deviance. Critical Inquiry 21 (1995): 581-610. Jeppersen, Sandra. (2003) Kiss Painting. Toronto: Gutter Press, 2003. Fiction. Johnstone, Nick. Patti Smith: A Biography. London: Omnibus Press, 1997.

Jones, Daniel. 1978: A Novel. Toronto: Rush Hour, 1998. Joynson, Vernon. Up Yours! A Guide to U.K. Punk, New Wave and early Post Punk. Wolverhampton: Borderline Productions, 2001. Detailed alphabetical guide to U.K. bands. Juno, Andrea ed. Angry Women in Rock. Volume 1. New York: Juno Books, 1996. Kan, Alex and Nick Hayes. Big Beat in Poland. In Rocking the State: Rock Music and Politics in Eastern Europe and Russia, ed. Sabrina Petra Ramet, 41-53. Boulder: Westview Press, 1994. Includes discussion of punk in Poland from 1977-84. Kasmir, Sharryn. From the Margins: Punk Rock and the Repositioning of Ethnicity and Gender in Basque Identity. In Basques in the Contemporary World: Migration, Identity, and Globalization. Vol. 1 - Basque Culture, eds. William A. Douglass, Carmelo Urza, Linda White, and Joseba Zulaika. Reno: University of Nevada Press, 2000. Katsiaficas, George. The Extraparliamentary Left in Europe. Monthly Review, September, 1982. Katsiaficas, George. The Subversion of Politics: European Autonomous Movements and the Decolonization of Everyday Life. Atlantic Highlands: Humanities Press, 1997. Keithley, Joey. I, Shithead: A Life in Punk. Vancouver: Arsenal Pulp Press, 2003. Kennedy, David. Frankenchrist versus the State: The New Right, Rock Music and the Case of Jello Biafra. Journal of Popular Culture 24 (1990): 131-48. Includes bibliography about the trial. Kent, Nick. The Dark Stuff: Selected Writings on Rock Music, 2nd edition. New York: Da Capa, 2002. Kester, Marian. Dead Kennedys: The Unauthorized Version, edited by f-stop Fitzgerald. San Francisco: Last Gasp, 1982. King, John. Human Punk. London Jonathan Cape, 2000. Fiction. Kinsella, Warren. Furys Hour: A (Sort-of) Punk Manifesto. Random House Canada, 2005. Knight, Michael Muhammad. The Taquoacores. New York: Autonomedia 2004. Fiction about Muslin punk house in Buffalo, New York. Konigsberg, Eric. A Punk Reunion: the Dead Kennedys reunite for a performance in Brooklyn, New York. The New Yorker, 10 June 2002.

Kozak, Roman.This Aint No Disco: The Story of CBGB. Winchester: Faber and Faber 1988. Kramer, Jane. Maxwell (November 1988). In The Politics of Memory: Looking for Germany in the New Germany, by Jane Kramer,. 4-49. New York: Random House, 1996. Berlin autonomists and punks in the 1980s. Kramer, Michael J. Cant forget Motor City: Cream magazine, rock music, Detroit identity, mass consumerism, and the counterculture. Michigan Historical Review 28,2 (2002): 43-79. Kruse, Holly. Site and Sound: Understanding Independent Music Scenes. New York: Peter Lang, 2003. Lagerspetz, Kristi et al. Can Outfit be Aggressive: Values and Images of Punks. In Aggression: Biological, Developmental, and Social Perspectives ed. Seymour Feshbach and Jolanta Zagrodzka, 155-75. New York: Plenum Press, 1997.. Lahickey, Beth ed. All Ages: Reflections on Straight Edge. Huntington Beach, California: Revelation Books, 1997. Lahusen Christian. The aesthetic of radicalism: The relationship between punk and the patriotic nationalism movement of the Basque country. Popular Music 12/3 (1993). Laing, Dave. Interpreting Punk Rock. Marxism Today, April 1978. Laing, Dave. One Chord Wonders: Power and Meaning in Punk Rock. Milton Keynes: Open University Press, 1985. Lamy, Philip and Jack Levin. Punk and Middle-Class Values. In Sandra J. BallRokeach and Muriel G. Cantor eds. Media, Audience, and Social Structure, 338-48. Beverly Hills: SAGE, 1986. Law, Vikki. Enter the Nineties ABC No Rio: Poets, Punks and Politics. New York: Black Star Publishing, 2005. Lazell, Barry. Punk! An A-Z. London Reed Consumer Books, 1995. Large format book. Not as detailed as Joynson (2001) Leblanc, Lauraine. Pretty in Punk: Girls Gender Resistance in a Boys Subculture. New Brunswick: Rutgers University Press, 1999. Leblanc, Lauraine. Punky in the Middle: Cultural Constructions of the 1996 Montral Summer Uprisings (A Comedy in Four Acts). In Making Trouble: Cultural

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Films, Videos and DVDs 925 Gilman, Jack Curran, Scarred Films, 2004. Afropunk, James Spooner, 2003, released on Jos DVD, 2006. American Hardcore, Paul Rachman and Steven Blush, Sony 2006. Another State of Mind, Adam Small and Peter Stuart, Time Bomb, 1983. Art of Revolution: ABC No Rio, Tribal War Records, c. 1997. Between Resistance and Community, Joe Carroll, Ben Holtzman and Jimmy Choi, Walklor, 2002. Beyond the Screams, Martn Sorrondeguy, Lengua Armada, 1999. The Blank Generation, Amos Poe, 1977. The Clash: Westway to the World, Don Letts, c. 2002. CrashnBurn, Ross McLaren, Toronto, 1977. Decline of Western Civilization, Penelope Spheeris, Atlantic Television, 1980. The Devil and Daniel Johnson, Jeff Feuerzeig, 2005. DOA, Lech Kowalski.

Instrument, Jem Cohen and Fugazi, Discord, 1999. Jerichos Echo: Punk Rock in the Holy Land, Elizabeth Nord, Israel/USA, 2004. Louder Faster Shorter, Mindaugis Bagdon, Re/Search V/Search. Minor Threat Live, Discord, 1988. Not Dead Yet, Ruth Taylor and Edwards Mowbray, Toronto, Victory Video Arts, 1984. Punk: Attitude, Don Letts, 2005. Punking Out, Juliusz Kossakowski c. 1977. Documents early CBGB bands. Ramen Days: Bay Area Hardcore Documentary, Melissa Elbirt, Six Weeks Records, 2005. Rise Above: The Tribe 8 Documentary, Tracy Flanagan, 2003. DVD release, 2006. Sin Dios: Ms de diez aos de autogestin, Difusion Libertaria La Idea, 2000. Ten years of Spanish anarcho-punk band Sin Dios. S.P.I.T.: Squeegee Punks in Traffic, Daniel Cross, Montreal, Cinema Libre, 2001. Useless, Glen Sanford, Canada, 2001. We Jam Econo: The Story of the Minutemen, Tim Irwin, Rocket Fuel Films, 2005. DVD release, Plexifilm, 2006.

Additional material: GIMME SOMETHING BETTER The Profound, Progressive, and Occasionally Pointless History of Bay Area Punk from Dead Kennedys to Green Day Jack Boulware - Author Silke Tudor - Author Penguin 2009 Pytryk Schafraad, More Than Music: Punk as a Counter Culture? In Transitions of Youth Citizenship in Europe: Culture, Subculture and Identity, ed Andy Furlong and Irena Guidikova. Council of Europe, 2001.

Marisa Meltzer, Girl Power: the Nineties Revolution in Music (New York: Faber & Faber, 2010)