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An epic simile is a long, explicit comparison of two highly complex subjects.

Its purpose is to help the reader visualize the original subject while enhancing the formal tone of the epic, or long poem. The ancient Greek poet Homer is generally considered the creator of the epic simile, which is also known as the Homeric simile. Similes, at their most basic, are simply direct comparisons of two different things, often using the words like or as. In the clich, He is as busy as a bee, the last three words are a simile. All similes tend to compare the subject to something extremely familiar to the intended audience so that the scene is easily imagined. Epics, on the other hand, are long, formal narrative poems such as Homers Odyssey and Iliad, Virgils Aeneid, and John Miltons Paradise Lost. Every epic concerns serious events and heroic deeds, such as the Trojan War in the Iliad. Even mock epics, which treat trivial matters with the formality of an epic, contain epic similes to add to their satire. Compared to a simple simile, an epic simile is more complicated and lengthy, frequently formed like a . . . when it . . . It enhances the poems formality and grandiose nature through its complexity. In book 22 of the Iliad, instead of stating that Achilles chased Hector, Homer compares them with a hunting simile, beginning: As a hound in the mountains starts a fawn from its lair. While a regular simile typically compares only one object, an epic simile may draw similarities between several aspects of a person or situation. For example, in book 12 of the Odyssey, Homer describes the six-headed monster Scylla as a fisherman, waiting on a rock. In addition, the simile continues by comparing the men to fish, writhing, gasping out their lives. Furthermore, an epic simile usually takes precedence over the story, simply because of the similes sheer size and complexity. Many epic similes last for several lines, as the author draws out the various comparisons. For example, both the hunting metaphor in The Iliad and the fishing simile from the Odyssey last for six lines. Epic similes are occasionally confused with conceits, since both are lengthy, complex similes. Conceits were favored by the metaphysical poets of the seventeenth century for their surprising subjects, such as the comparison of a flea bite to sexual activity in John Donnes poem The Flea. The epic simile, on the other hand, simply paints an intricate picture without attempting to shock or surprise its readers.