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Content
2 3 6 8 12 14 18 21 Using the Catalogue Catalogue & Festival Staff Introduction Rutger Wolfson The Supportive Festival Thanks to Partners & Sponsors Jury Tiger Awards Competition Jury Tiger Awards Competition for Short Films
23 Tiger Awards Competition 39 Tiger Awards Competition for Short Films 47 Bright Future 83 Spectrum 121 Spectrum Shorts 183 Made in Rotterdam 189 203 227 241 263 279 Signals: Peter von Bagh Signals: Regained Signals: The Mouth of Garbage Signals: Power Cut Middle East Signals: Hidden Histories Signals: For Real
291 Industry Services & Facilities 297 311 317 323 327 333 Addresses Print & Sales Film List by Country List of Premieres Index Directors Index Films & Compilation Programmes Programme Day by Day
TG
Awards for a new generation. Seventeen nominated filmmakers compete with their first or second films for the three equal Hivos Tiger Awards.
TIGER AWARDS COMPETITION FOR SHORT FILMS
TS
Awards for the short but sweet: 21 films of less than sixty minutes have been selected for the Tiger Awards Competition for Short Films, in which three equal prizes are up for grabs.
BRIGHT FUTURE
Young blood. The first or second films by filmmakers from whom the festival expects big things.
BF
SPECTRUM
Rotterdam at its most eclectic. The festival has selected contemporary, powerful and innovative work from all over the world; from veterans, maestros and lesser-known directors.
SP
SPECTRUM SHORTS
SH
The strength of the short: films from one to 59 minutes long, from all over the world. Screening at the festival either ahead of feature films, or in special compilation programmes.
PB
Thanks to the oeuvre of Peter von Bagh (filmmaker, festival director and walking film encyclopaedia), you can become an expert on Finland during the IFFR. Von Baghs documentaries focus on cinema and Finlands tumultuous history. This retrospective of his work will be accompanied by remarkable, historic films from Finland.
SIGNALS: REGAINED
RG
A refreshing dive into film history, featuring treasures from the vaults of world cinema. The haul: restored classics, documentaries on cinema, animated films, celluloid experiments and a number of exhibitions.
MG
Retrospective of classic trash, horror, social drama, avant-garde and porn films from the notorious Brazilian red-light district of Boca do Lixo in So Paulo.
PC
The daily bombardment of images of the popular revolutions in the Middle East gives an impression that the Arab Spring could be a flash in the pan. Power Cut Middle East investigates what exactly these images tell us and, using previous works from filmmakers, shows that revolt had been in the air for some time.
HH
Fiction films and documentaries from China that give an impression of the reality of life in that country, contradicting Party propaganda, with subjects including poverty, corruption, displacement and misgovernment. Alongside films, Hidden Histories also has a very special meeting place: the Ai Weiwei Caf.
FR
ABBREVIATIONS
Prod = Producer Prod Comp = Production Company Sc = Scenario Cam = Camera Ed = Editor Prod Des = Production Design Sound Des = Sound Design With = The most important actors and actresses Distr NL = Distributor in the Netherlands
DWBZ = Doelen Willem Burger Zaal DJZ = Doelen Jurriaanse Zaal SGZ = Schouwburg Grote Zaal PA1 - PA7 = Path 1 - 7 CI1 - CI7 = Cinerama 1 - 7 LV1 - LV6 = LantarenVenster 1 - 6 LUX = Oude Luxor All films are English spoken or subtitled in English, except for the films marked: d.s. = Dutch subtitles or f.s. = French subtitles. The films being screened at the festival can be found in the catalogue listed under the IFFR programme sections. Films are ordered by the directors family name in the following sections: TG, BF and SP. Filmmakers from China, Japan and Korea (following the tradition) are listed with their family name first, followed by their given name. Check www.filmfestivalrotterdam.com for biographies, filmographies and programmers notes (for selected titles only).
CATALOGUE
catalogue@filmfestivalrotterdam.com
Editors in Chief Saskia Gravelijn, Lot Piscaer Editor Anne Lynn Cleuren Photo Editor Robert-Jan Schiphorst Copy Editors (English:) Mark Baker, Jane Bemont, Christine Gardner (Dutch:) Mariska Graveland, Pauline Kleijer, Mark Mallon Contributors Niels Bakker, Charlotte Bank, Leo Bankersen, Joost Broeren, Sacha Bronwasser, Edwin Carels, Iwana Chronis, Anne Lynn Cleuren, Anton Damen, KEES Driessen, Jan Pieter Ekker, Mariska Graveland, Evgeny Gusyatinskiy, Jolinde den Haas, Erwin van t Hart, Peter van Hoof, Chinlin Hsieh, Juliette Jansen, Pauline Kleijer, Gabe Klinger, Katrien Lamers, Delphine Leccas, Inge de Leeuw, Olaf Mller, Nat Muller, Maricke Nieuwdorp, Mark Peranson, Ronald Rovers, Nicole Sant, Rada Sesic, Bianca Taal, Gerwin Tamsma, Peter Taylor, Jacobine van der Vloed, Andr Waardenburg, Rutger Wolfson, Theus Zwakhals, Gertjan Zuilhof
Translators (English:) Mark Baker, Martin Cleaver, Titus Verheijen, (Dutch:) Sjaan de Bruijn, Leo Reijnen Production Marieke Berkhout, Afke Duinkerken Programme Chris Schouten Cover design 75B Design & typesetting Sjoukje van Gool, Gerald Zevenboom Print Veenman+
2012 International Film Festival Rotterdam Nothing from this publication may be reproduced, stored in an automated retrieval system or made public in print, photocopy, microfilm or in any other way without prior written permission from the publisher. For inclusion of any part(s) of this publication in anthologies, readers and other compiled works, one should contact the publisher. ISSN 1873-8362
vk.nl/events
Festival Staff
41st International Film Festival Rotterdam PO Box 21696 3001 AR Rotterdam The Netherlands tel: +31 10 890 9090 fax: +31 10 890 9091 tiger@filmfestivalrotterdam.com www.filmfestivalrotterdam.com
Board Melle Daamen, Mart Dominicus, Frans van Gestel, Francine Houben, Rudy Stroink, Hans van der Vlist Festival Director Rutger Wolfson Managing Director Janneke Staarink Management Team Afke Duinkerken, Marit van den Elshout, Eva de Jong, Chris Schouten, Juul Veenboer Programmers Edwin Carels, Evgeny Gusyatinskiy, Peter van Hoof, Chinlin Hsieh, Inge de Leeuw, Dicky Parlevliet, Bianca Taal, Gerwin Tamsma, Gertjan Zuilhof, (short films:) Peter van Hoof, Sacha Bronwasser, Erwin van t Hart, Juliette Jansen, Peter Taylor, Theus Zwakhals Guest Curators Charlotte Bank, Gabe Klinger, Delphine Leccas, Olaf Mller, Nat Muller Programme Advisors Mary Davies, Mona Deeley, Christiane Gruen, Aihara Hiromi, Robert Gray, Shelly Kraicer, Miryam van Lier, Ralph McKay, Olivier Pierre, Diana Sanchez, Rada Sesic, Roberto Turigliatto, Miroljub Vickovic, Grace Winter Programme Department Chris Schouten, Corto Blommaert, Mary Hasavari, Pim Kipp, Robert de Rek, Melissa van der Schoor, Erik Tijman Press Bert-Jan Zoet, Albert Hidding, Edwige Leblay, Nancy van Oorschot Communication & Marketing Video Library Rob Duyser, Samanta Telleri Distribution Juliette Jansen, Katrien Lamers Education & Youth Marketing Cindy Beck,
Mirjam Klootwijk, Mariska Korff, Karin Zuijderwijk Office Helma Haak, Miriam Benschop, Naomi Taverdin, (assistant to Rutger Wolfson:) Mirjam Klootwijk Production Juul Veenboer, Remke Annema, Rembrandt Boswijk, Wahid El Solh, Eefje Goderie, Roland Groenenboom, Rosa Schol, Adam Verhaar, Nathalie Wellstood, Paul Westerweel, (CIFFR:) Joost Trines Guest Department & Hospitality Susanne van Doorn, Emy Miranda, Saskia Pique, Kerensa van der Sluys, Nikki Smit, Inge Visser Jury Support Jeroen Achterberg, Gert-Jan Bleeker, Nineke Verhoofstad, Summer Wood
Information & Communication Technology
Afke Duinkerken, Marieke Berkhout, Sanne de Rooij Sponsoring & Fundraising Martje van Nes, Hedwig Hupkes, Barbara Korpershoek, Micha Vinkesteijn CineMart Marit van den Elshout, Fay Breeman, Jolinde den Haas, Nienke Poelsma, Emmy Sidiras, Jacobine van der Vloed, (consultants/matchmakers:) Maegene Fabias, Tobias Pausinger, David Pope, Lucas Rosant Hubert Bals Fund Iwana Chronis, Fay Breeman, Janneke Langelaan, Stien Meesters General Editors Anton Damen, Saskia Gravelijn, Lot Piscaer Editor Anne Lynn Cleuren Photo Editor Robert-Jan Schiphorst Website Lotte Kroese, Niki van der Ende, Fabian Schellevis Film Office Jolinde den Haas, Nikolas Montaldi, Inke van Loocke, Myrthe Terpstra,(industry consultants:) Hayet Benkara, Mary Davies, Jannie Langbroek, Marina Kozul, Aneta Lesnikovska
Cornell den Broeder, Marcel van Sprang, Victor Verheij Volunteers Coordination Annemarie van Leeuwen, Thomas van der Zel, Angelika Geronymaki Box Office Andre van den Berg, Annekoos Logtenberg, Marco Oudewortel Film Technique Martin van Broekhoven, Dick Moesker Electronic Subtitling Els van der Meer Film Control Joop van Langen, Anke Hellebrand, Kathinka Verhoeven Car Service Marie-Louise Calame, Eline Kunz Q&A & Translators Marketa Tom, Angela Visser Talkshows Mieke van der Linden, Farid Tabarki, Franciska Toetenel Horeca Remco Ris
CineMart International Advisory Board
Ido Abram, David Atlan-Jackson, Dora Bouchoucha, Georges Goldenstern, Juan Gordon, Keith Griffiths, Claudia Landsberger, Scott Macaulay, Jeremy Nathan, Chris Paton, Lorna Tee, Susan Wendt International Liaison Lucius Barre
Hubert Bals Fund Selection Committee
Lina Chaabane, Iwana Chronis, Ludmila Cvikova, Jan Pieter Ekker, Marit van den Elshout, Emile Fallaux, Simon Field, Peter van Hoof, Ilse Hughan, Juliette Jansen, Jannie Langbroek, Janneke Langelaan, Dicky Parlevliet, Lucas Rosant, Rada Sesic, Ineke Smits, Gerwin Tamsma, Jacobine van der Vloed, Rutger Wolfson, Gertjan Zuilhof Festival Groningen Gerben ter Haar, Hanneke van den Hoogen, Henk Klein Wassink, Lisa Klompe, Loes Rademaker
Daniel Baggerman
One year ago, while the International Film Festival Rotterdam (IFFR) was celebrating its 40th anniversary, the people of Egypt started their revolution. Commentators in the West were quick to point out that many Egyptian youth were involved in the revolt and that social media were being used to organise demonstrations on Tahir Square and elsewhere. The events were quickly dubbed the first Facebook revolution. One of the Signals programmes in this years festival, called Power Cut Middle East, will demonstrate that this revolution was not as spontaneous as many in the West might think. It shows how this revolution had in fact already announced itself though Egyptian films and video art. The Arab Spring is far from having reached its conclusion. The developments currently going on in Syria are particularly worrying. As part of Power Cut Middle East, the IFFR is offering a home-in-exile to the Visual Arts Festival Damascus, since for obvious reasons it cannot take place in Syria this year. In China as well, filmmakers and artists play an important role in defining an image, or even making visible what has deliberately been kept hidden. This years Signals programme Hidden Histories focuses on courageous and determined Chinese documentary filmmakers who show us aspects of their society that the Chinese government does not want us to see: poverty, corruption and misrule. The word hidden also applies to the films themselves. The screening and distribution of these films is regularly discouraged or even forbidden in China. As part of this programme, we will also show new works by Ai Weiwei, who not only is one of the most prominent visual artists of our time, but a famous opponent of the Chinese government as well. Showing the work of committed filmmakers is one way to make the world visible through film. Genre films can offer more than pleasure and entertainment; often they also reflect the society in which they are made. This is certainly the case with the quickand-dirty, low-budget Brazilian films from the 1960s, 70s and 80s. The festival has dedicated a Signals programme to these films called The Mouth of Garbage, after the red light district in So Paolo where most of these films were made. They highlight the underbelly of Brazilian society and often use established genres like film noir, horror, Westerns and pornography. Some of them were ingeniously critical of the Brazilian dictatorship. Others rebelled against Cinema Novo, the movement in Brazilian art film that was considered good taste at the time.
Stretching the boundaries of cinema to reveal an unexplored intersection between film and real life is a very topical subject. But this years revamped Regained Signals programme proves that historical cinema can be equally modern. Regained now combines recently restored masterpieces with contemporary ones, like the colour version of Le voyage dans la lune and Martin Scorseses Hugo, which is inspired by the life and work of Mlis. Regained now also employs a wider perspective and includes non-Western treasures from film history as well as several performances and multimedia installations. In the summer of 2011, a long-term festival friend sadly passed away. Ral Ruiz was one of the great storytellers of modern cinema and a versatile artist, active in theatre, opera, visual arts as well as writing. The festival honoured his work with retrospective, in 1982 and in 2004. With an oeuvre of over a hundred films, and ideas for many more to come (some of them currently in production), Ral Ruiz leaves behind an impressive legacy. Wed like to celebrate his life and works by screening two of his films: La maleta (1963), his very first film, and Ballet aquatique (2011), one of the last projects he worked on. During the festival, one of the Smart Talks (January 31) will be dedicated to Ral Ruiz. An important change in this years programme is the downsizing of Bright Future, the section that presents the most promising debut or second-time filmmakers. Also the number of short films, an integral part of Spectrum which presents powerful new work by veterans and less well-known directors, has been significantly reduced. This will help give the individual films in these sections the attention they so deserve. It also means that the overall programme is even more focused and outspoken. Also on behalf of managing director Janneke Staarink and the festival staff, I wish you an exciting 41st edition, full of crazy, profound, meditative, worrying and wonderful films.
Together, these very different programmes illustrate cinemas extraordinary potential to help us see the world around us, identify and interpret new artistic and social developments, and give meaning. Someone who has made the exploration of this potential his lifes work is the writer, director, film critic and film festival director Peter von Bagh. The IFFR is honouring Von Bagh this year with a Signals focus programme, bringing a selection of his work: mostly documentaries on Finnish filmmakers, artists and history, but also feature films he has directed and collaborated on. This focus programme is not only a rare chance to see Von Baghs work outside of Finland, its a chance to get more familiar with a country that, oddly enough, is unfamiliar to most of us. Cinema can not only help us see the world around us, it can quite literally shape how we see it. The Signals programme For Real takes a closer look at the extent to which cinema has become part of how we view everyday reality. Cinema is so deeply imbedded in our consciousness today that we very easily experience reality as film. With a series of subtle interventions, For Real evokes cinematic experiences in reality, for example by adding an extra audio-visual element to a location, scripting real situations and animating a metropolitan experience with a soundtrack.
The Hubert Bals Fund is designed to bring remarkable, socially relevant and urgent feature films by innovative and talented filmmakers from developing countries closer to completion. The HBF provides grants that often turn out to play a crucial role in enabling these filmmakers to realise their projects. Since the Fund started in 1989, close to one thousand projects from independent filmmakers in Africa, Asia, Latin America, the Middle East and parts of Eastern Europe have received support. Every year, completed films supported by the Hubert Bals Fund screen at the International Film Festival Rotterdam. This year, the IFFR proudly presents a total of 17 films supported by the HBF in various programme sections, including five HBF-supported films nominated for the Tiger Awards Competition. Besides Rotterdam, many international film festivals keep a close eye on completed HBF-supported films and select them for their programmes. Each year, HBF-supported films are screened at the Cannes, Venice, Locarno, Toronto and Pusan film festivals, among others. The Hubert Bals Fund aims to support feature-length fiction projects that are original, authentic and rooted in the culture of the applicants country. Annually, the HBF has close to 1 million at its disposal and is able to make individual grants in the following categories: script and project development, digital production, postproduction/final financing, distribution and special projects. The Hubert Bals Fund Plus programme is a scheme set up for Dutch producers, which aims to facilitate access to artistically interesting co-productions. Those projects that have been granted financial support from the HBF for script and project development are eligible. Every year, HBF Plus can support four projects with 50,000 Euro each, thanks to a contribution from The Netherlands Film Fund. This edition of the IFFRs programme includes no less than three films coproduced by Dutch production companies through the HBF Plus Programme. Boost! is a new partnership between IFFRs Hubert Bals Fund and CineMart and the Binger Filmlab. Boost! aims to provide a financial, creative and networking stimulus to high-potential
film projects from Africa, Asia, Latin America, the Middle East and parts of Eastern Europe by combining the unique expertise of each of the partners involved. Each year, five projects selected for HBF Script and Project Development support are offered the opportunity to further develop their project at Binger Filmlab. Subsequently, the projects are presented at the CineMart, where they will be offered special pitching and project development sessions prior to having one-to-one meetings at the market. The first selection of Boost! projects will be presented at the 29th edition of the CineMart. The Hubert Bals Fund is proud to present this years HBF Harvest at the 41st edition of the International Film Festival Rotterdam.
Hubert Bals Fund Harvest 2012 Tiger Awards Competition
De jueves a domingo, Dominga Sotomayor (Chile, Netherlands); In April the Following Year, There Was a Fire, Wichanon Somumjarn (Thailand); Neighbouring Sounds, Kleber Mendona Filho (Brazil); Sudoeste, Eduardo Nunes (Brazil); Voice of My Father, Orhan Eskiky, Zeynel Dogan (Turkey, Germany)
Bright Future
Abrir puertas y ventanas, Milagros Mumenthaler (Argentina, Switzerland, Netherlands); Corta, Felipe Guerrero (Colombia, Argentina, France); Girimunho, Helvcio Marins Jr., Clarissa Campolina (Brazil, Germany, Spain); Sur la planche, Lela Kilani (Morocco, France)
Spectrum
A Temple, Umesh Vinayak Kulkarni (India); Cornelia frente al espejo, Daniel Rosenfeld (Argentina); Florentina Hubaldo, CTE, Lav Diaz (Philippines); Goodbye, Mohammad Rasoulof (Iran); Los ltimos cristeros, Matas Meyer (Mexico, Netherlands); Mondomanila, Khavn De La Cruz (Philippines, Germany); Rat Fever, Cludio Assis (Brazil); Verano, Jos Luis Torres Leiva (Chile)
CINEMART
The 41st International Film Festival Rotterdam marks the 29th edition of its international co-production market, CineMart. This was the first platform of its kind to offer filmmakers the opportunity to launch their ideas to the international film industry and to find the right connections to get their projects financed. Launching some 35 new projects in need of additional financing, CineMart also heralds an important start of the film year. Every year, CineMart invites a select number of directors/producers to present their film projects to co-producers, funds, sales agents, distributors, TV stations and other potential financiers. The CineMart staff organise the CineMart meetings prior to the event. After the project selection is completed, the CineMart staff draws up a dossier with information on the selected projects. Attending professionals then inform the CineMart of their interests and a master meeting schedule is set up. Upon arrival in Rotterdam, all guests receive their personal meeting schedule.
During CineMart 2011, there were some 4,500 meetings between project representatives and potential financiers. One of CineMarts trademarks is its highly productive, yet informal atmosphere. In order to maintain such an environment, the number of projects is kept to around 35 and the invitation process is selective. The four-day event takes place during the IFFR and shares its location with the Festival Center, de Doelen, in the heart of Rotterdam.
Nine films previously selected for CineMart will be presented at this years festival Bright Future
Abrir puertas y ventanas, Milagros Mumenthaler (Argentina, Switzerland); Girimunho, Helvcio Marins Jr. & Clarissa Campolina (Brazil, Germany); L hiver dernier, John Shank (Belgium, France, Switzerland); The Hunter, Bakur Bakuradze (Russia); The Invader, Nicolas Provost (Belgium, France); Sur la planche, Lela Kilani (Morocco, France)
Spectrum
The Loneliest Planet, Julia Loktev (USA); The Hunter, Daniel Nettheim (Australia, Closing Night Film); Play, Ruben stlund (Sweden)
ROTTERDAM LAB
The CineMart staff also organise the Rotterdam Lab, a five-day training workshop for young and emerging producers designed to build up their international networks and their experience at an international festival and market. Participation in the Rotterdam Lab provides producers with the confidence and skills to navigate the festival circuit and meet professionals who can help finance their projects. Panel discussions are organised on topics such as development, financing, post-production, (digital) distribution, VOD and sales. In these panels, experts from the industry give the producers tools with which to present their project and build up an international network. Complimentary to the panels, participants take part in speed-dating sessions, during which they have time to meet personally with industry delegates and receive advice on their projects. In addition to the organised programme, it is important that the producers take the chance to participate in all other CineMart events, such as networking, breakfasts, lunches, cocktails and other panels. Over the past few years, the Rotterdam Lab has expanded steadily, with more producers from more regions participating every year. The Lab has already resulted in many producers returning to CineMart, and films by producers who have attended the Lab have been screened in the official festival programme. By bringing together a mix of producers from around Europe and the rest of the world, the Rotterdam Lab has also generated many alluring international co-productions.
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The IFFR is very active in the field of distribution; for years, the festival has organised the distribution of its own HBF films and often also the Tiger Award winners in the Netherlands. In this way, the festival strengthens an artistic film climate which is always vulnerable, particularly as far as non-Western cinema is concerned. Moreover, it is important to every maker for their work to be screened, also outside the festival circuit. In the field of distribution, the IFFR pays a great deal of attention to digital developments The IFFR owns a YouTube channel that provides, for example, short film programmes and feature films from the Bright Future section. Cinemalink.tv expanded the cooperation with a VOD (Video On Demand) page on the IFFR site, which means the general public can now also stream festival hits such as Festen (1998) and A Single Man (2009) at a reasonable price. A new platform, Ximon, was launched in April 2011, a collaboration between the NVS, EYE Film Institute Netherlands and Instituut voor Beeld en Geluid also featuring about twenty Tiger releases. At the end of 2011, the IFFR teamed up with the cinephile VOD platform MUBI.com, that has output deals with Sony (PS 3) and Belgacom. Also, the IFFR is planning to work with vodo.net, a file sharing P2P platform that is rather successful with a very active community sharing films and donating to filmmakers. Furthermore, main sponsor UPC is planning to collaborate with the IFFR in acquiring more content for their VOD service, UPC on demand. The IFFR also wishes to play a mediating role for filmmakers by participating in Festivalscope, a website where sales agents, programmers and other professionals can view art films. In 2011 the IFFR launched the new dvd series 10 to Watch; a package of 10 festival films, mainly Bright Future premieres from earlier festivals, including a few Hubert Bals Fund-supported titles. The DVD releases are on the same day as the VOD releases at the partner platforms mentioned above; Cinemalink, Ximon and in 2012 also MUBI. This years package contains, for example, award-winners such as Winter Vacation, Norteado and If the Seed Doesnt Die.
DISTRIBUTION
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THANkS TO
Ahmed Aboutaleb Tikoy Aguiluz Michael Amiabel Isabel Arrate Errki Astala Thalita Ateyeh Marline Bakker Charlotte Bank Christine Bardsley Annamaria Basa Violeta Bava Mickel Beckers Justin Bennett Julie Bergeron Guus Beumer Aleksandra Biernacka Ronald de Boom Doreen Boonekamp Olya Borissova Ger Bouma Han Bouman Filip Braams Paulo Branco Rmi Burah Zita Carvalhosa Cristina Cassano Chang Ting Philip Cheah Zo Chen Chung-jung Mihai Chirilov Cho Youngjung Marcel Cobussen Simon Corsl Florian Cramer Arleen Cuevas Claudio Cunha Claudia Curio Ludmila Cvikova Matthieu Darras Costas Daskalakis Amy Dotson Jan De Clercq Roman Dekhtiar Peter Delpeut Christian De Schutter Erik Diks Ellis Driessen Nelleke Driessen Irma Dulmers Ren Dutrieux Basak Emre Tine Fischer Eric Franssen Saskia Frinking Giovanna Fulvi Raviv Ganchrow Angelique van Gasteren Tudor Giurgiu Jacob van der Goot Eva de Grote Trevor Groth Sandra den Hamer Briony Hanson Shanty Harmayn Eric den Hartigh Jacques van Heijningen Sonja Heinen Titia Hienema Kees Hin Steve Holmgren
Hong Hyosook Rogier van der Horst Alexander Horvath Sunny Hu Heleen Hulshof Hans Hurch Helena Ignez Peter Inklaar Jeon Yoonhyung Marit Kapla Ida de Kat Petri Kemppinen Chris Keulemans Eric Khoo King Yiu Chu Gabe Klinger Asya Kolodizhner Konstantinos Kontovrakis Eve-Marie Kuijstermans Pieter Kunz Elise Labb Jannie Langbroek Joanna Lapinska Nina Lath Gupta Stefan Laudyn Delphine Leccas Lee Yongkwan Jeanette Leete-Bijl Li Shanshan Jan Loorbach Michelle Lou Mark Lwoff Scott Macaulay Samuel Maoz Jos Mojica Marins Franois Margolin Dorleta Martin San Venancio Jasmin McSweeney Rob van der Meer Frank Meinster Nathalie Mierop Johan Moerman Olaf Mller Natalie Mooallem Nashen Moodley Marco Muller Nat Muller Pascale Nanning Nakayama Hiroki Beatriz Nava Mary Nazari Mark Neirynck Lauge Nielsen Ken Okubo Roberto Olla Irina Orssich Jacqueline Oskamp Jerome Paillard Michiel Pannekoek Park Ki-Yong Arnaud Pasquali Onno Paymans Theo Peekel Frank Peijnenburg Mark Peranson Gerrit Peters Adina Pintilie Roland van Putten Marten Rabarts Alessandro Raja Dominique van Ratingen Michel Reilhac Rachel Robey
Nick Roddick Peter Rorvik Ruan Liang-cheng Aukje Rypma Christiaan van Schermbeek Alicia Schersono Marc-Andr Schmachtel Martin Schweighofer Karen Shakhnazarov Shan Dong-bing Aviva Silver Janine van der Sluis Alessandra Speciale Anocha Suwichakornpong Hugues Sweeney Tan Chui Mui Meiske Taurisia James Thompson Jos Luis Torres Leiva Tina Trapp Joao Trevisan Tsai Jing-fang Menno Tummers Melany van Twuijver Wilbert van Twuijver Chalida Uebumrungjit Esther Urlus Jacqueline Veenendaal Isabel van der Velden Ronald Vierbergen Rogier Vlaming Peter Von Bagh Anita Voorham Christine Vroom Wang Mumu Carlos Wendel Magelhaes Manon WilbrinkLommen E-Shyh Wong Wong Tuck Cheong Ying Liang Gamila Ylstra Zhang Xian-min Zhu Rikun ABC Cinemien A-Film Distribution Alliance Franaise Rotterdam ARTE France Cinma Ateliers du Cinma Europen Austrian Film Museum Batumi International Art House Film Festival Beijing Independent Film Festival Benelux Film Distributors BFI London Film Festival Bilderberg Parkhotel Binger Filmlab British Council Buenos Aires Festival Internacional de Cine Independiente (BAFICI) Busan International Film Festival La Casa Encendida Catalan Films Centre for the Moving Image Centrum Beeldende Kunst Art & Public Space Chinese Independent Film Festival
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THANkS TO
Cinart Netherlands Cinfondation Rsidence du Festival de Cannes Cinema Digital Seoul Film Festival Cinmathque de Toulouse Cinergia City Development Corporation (OBR) CPH-DOX Creative Scotland Danish Film Institute Doha Film Institute DS+V Durban FilmMart/ Durban Film Office Durban International Film Festival European Audiovisual Entrepreneurs (EAVE) Ecrans Noirs Festival Cameroun Eurimages Edinburgh International Film Festival Elise Mathilde Fonds Embassy of India Embassy of Poland Ethiopian International Film Festival EXiS EYE Film Instituut Nederland Festival Cinema Africano, Asia, America Latina Festival de Cine Africano de Tarifa Festival del Film Locarno Festival du Film de Dakar Festival Internacional de Cine de Morelia Festival International du Film de Cannes Film Bazaar Filmfreak Distributie Film I Vst Les Films de lElysee Film- und Medienstiftung NRW Finnish Film Foundation Finnish Film Institute Flanders Audiovisual Fund Fundacin TyPA Garage Center for Contemporary Culture Gerrit Rietveld Academie Glamcult Goethe Institute Khartoum Goethe Institute Lagos Goethe Institute Rotterdam Golden Apricot Film Festival Gteborg International Film Festival Hilton Hotel HIVOS Cultuurfonds Holland Subtitling/ NCP Holland Digital Filmlab
Hong Kong Asia Film Financing Forum (HAF) IDFA Imagine Nederland Independent Filmmaker Project Indigenous Branch Screen Australia Internationale Filmfestspiele Berlin Irish Film Board Israel Film Fund Istanbul Film Festival (Meetings on the Bridge) Jakarta International Film Festival Jan Vrijman Fonds Just Film Distribution Kenya International Film Festival Korean Film Council (KOFIC) Li Xianting Film Fund Li Xianting Film School Locarno Film Festival Lumire March du Film Cannes (Producers Network) MEDIA Desk Nederland MEDIA Mundus MEDIA Programme of the European Union Medienboard BerlinBrandenburg Ministerie van Buitenlandse Zaken Ministerie van OCW Moscow Business Square Mosfilm Cinema Concern Mostra de Cinema de Belo Horizonte Mostra del Cinema di Venezia NAiM/Bureau Europa National Audiovisual Archive Finland National Film Board Canada National Film Development Corporation India NCDO Nederlands Architectuurinstituut (NAi) Nederlandse Film en Televisie Academie Nederlands Filmfonds Nederlands Instituut voor Mediakunst/ Montevideo NETPAC New Zealand Film Commission Nieuwe Oogst Norwegian Film Institute NTR (Korte Film Online) OBrother Distribution Paradiso Filmed Entertainment Paris Cinma ParOvisie Piet Zwart Instituut Pioner Cinema Premsela, Dutch Platform for Design and Fashion
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... and special thanks to our patrons, individual donors and Tiger Friends
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Stadsontwikkeling
AMPCO FLASHLIGHT
Dioraphte
stichting
M U N D U S
111212_KFO
58th International Short Film Festival Oberhausen 26 April 1 May 2012 Oberhausen Manifesto 1962 2012 www.kurzfilmtage.de
O12_IFF_110x117_GB.indd 1
BOROS
02.01
At Jameson, we want to share our love of film with the world. The Jameson Film Experience is all about watching our favourite films at spectacular screenings, staged to transport our members into the films universe. In cooperation with the International Film Festival Rotterdam, Jameson Irish Whiskey brings you this series of unique events that will inspire, intrigue and make you laugh.
JAMESON FILM EXpERIENCE N 4 COMINg SOON! LOCATION: ROTTERDAM DATE: 3 FEBRUARY 2012
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Brazilian actress Helena Ignez studied Law and had never imagined herself as an actress, until in the second year of her studies she attended a play starring young actors. She was so impressed by the performances of the actors that she decided she wanted to do the same. After graduating in Dramatic Arts from the Federal University of Bahia, she made her breakthrough in the avantgarde theatre scene, where she got involved with several Broadway directors. From 1968 onwards, Ignez worked with Rogrio Sganzerla, acting in almost all of his films from The Red Light Bandit (1968) until his last film O signo do caos (2005). She is currently known as one of the pioneers of the Brazilian Marginal Cinema movement with her new underground style of acting for women: debauched, extravagant and violent.
Eric khoo, born in Singapore, was educated in filmmaking at the City Art Institute in Sydney. He put Singapore on the international film map with his first feature film Mee pok man (1995), which was screened in Berlin and Venice. His second feature 12 Storeys (1997) was the first Singaporean film ever invited to participate at the Cannes Film Festival. The following year, Khoo was ranked as one of the 25 most exceptional trendsetters in Asia by the magazine Asiaweek. In 2008, My Magic was selected for the Cannes official main competition. Besides making films, Khoo was president of the jury at the 63rd edition of the Locarno International Film Festival in 2010. His latest production 2359 (2011) shot to number one at the Singapore box office.
was born in Tel Aviv, Israel. In 1982, when he was 20 years old, he served in the Israeli army in the war against Lebanon he was a gunner in one of the first tanks to enter Lebanon. After the war, he studied cinematography at Tel Aviv University. Maoz started his film career as a production designer for several TV dramas and features. He subsequently began directing video clips, commercials and TV dramas, and later short video art films and documentaries. In 2009, he made his first feature film Lebanon, based on his personal experiences during the war. This debut was awarded many prizes, including the Golden Lion for Best Film in Venice and European Discovery and Best Cinematographer at the European Film Awards in 2010.
Samuel Maoz
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based in Toronto. For 12 years, she was a member of the programming team at TIFF Cinematheque (Ontario), where she curated numerous directors retrospectives and thematic shows. Since 2006, she is the curator of Wavelengths at the Toronto International Film Festival, as well as a regular contributor to TIFFs installation programme and its features selection. In addition to her curatorial work, Picard has published internationally on art, architecture and film, and writes a quarterly Film/Art column for Cinema Scope magazine. Originally Lebanese, Rania Stephan graduated in Cinema Studies from Latrobe University in Melbourne and continued for a master degree from Paris VIII University. Her career in film production has been long and diverse. She has worked as a sound engineer, cinematographer, editor and first direction assistant with renowned filmmakers including Simone Bitton (Rachel, Wall) and Elia Suleiman (Divine Intervention). In addition, Stephan has also directed her own documentaries and video art films. The Three Disappearances of Soad Hosni is her first feature film, and is included in this years IFFR programme.
EUROPEAN FILM ACADEMy EUROPEAN SHORT FILM AWARD
At the IFFR, the jury of the Tiger Awards Competition for Short Films will nominate one European film to enter the competition for the European Short Film Award. The nominee will be announced on Monday, 30 January at 22:30 hours in WORM. The members of the European Film Academy will vote for the overall winner, which will be presented at the European Film Awards Ceremony in December.
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svartur leik
Blacks game
worLd premiere
Public SCREENINGS Wed 1-2 18:45 PA5 Thu 2-2 12:30 PA7 Fri 3-2 19:30 PA4 Sat 4-2 19:00 PA1
Press & Industry SCREENINGS Wed 1-2 13:15 DJZ Thu 2-2 18:00 CI3
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Babamin sesi
Voice of my Father
worLd premiere
Public SCREENINGS Mon 30-1 18:30 PA7 Tue 31-1 16:15 PA3 Wed 1-2 15:00 LV3 Thu 2-2 21:30 PA7 Sat 4-2 15:15 PA6
Press & Industry SCREENINGS Sun 29-1 09:45 DWBZ Thu 2-2 12:00 DJZ
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Jidan he shitou
egg and stone
Huang Ji
In the village where she was born in the province of Hunan, Huang Ji filmed this quietly disturbing, sober drama about 14-year-old Honggui, who is forced to live with her uncle and aunt in the countryside. The girl is not wanted. Nor was she wanted by her parents, who apparently intended to farm her out to family for two years so they could work in the city. In the meantime, seven years have passed. When she tries to make contact, her real mother is too busy to take her call. The tragedy of Hongguis personal story gradually unfolds. At the same time, in her feature debut, Huang (b. 1984) shows us how other Chinese women are also often afflicted. Not only by the widespread poverty, combined with the policy to restrict births that ensures that parents primarily want boys. A story read out loud in the film illustrates just how deeply-anchored oppressive thoughts about women are in Chinese culture. The blood of women pollutes the water for virtuous men, they say, and women can only cleanse themselves by praying. Its the fault of woman, just as in the Old Testament. But the men in Egg and Stone are not that virtuous. The visual motif of Hongguis spread and closed legs, which the filmmaker uses repeatedly with suitable reserve, is a painful and gripping reminder of the tyrannical power that men can take a power justified by the creative interpretation of principles apparently granted by God.
worLd premiere
Public SCREENINGS Sun 29-1 16:30 PA4 Mon 30-1 13:30 PA4 Tue 31-1 12:15 PA6 Wed 1-2 19:45 LV3 Sat 4-2 10:30 PA4
Press & Industry SCREENINGS Sat 28-1 14:00 DJZ Thu 2-2 09:45 DJZ
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ro-men-seu Jo
romance Joe
Lee Kwang-Kuk
Where to start? With the filmmaker who was cruelly dumped in a rural town and told to seek fresh inspiration there? With the energetic waitress who is willing to give him more than coffee in return for payment and has a talent for telling stories? For instance about Romance Joe, whom she had interrupted a little earlier as he tried to commit suicide in his hotel room, and who also wanted to make films? It may even start with Romance Joes squabbling parents. In all these intertwined stories, we keep seeing a different narrator. For instance, Romance Joe himself remembers a childhood love that he never dared to pursue. Then theres the little boy who is looking for his mother who ran away... Lee Kwang-Kuk plays a game with stories with unmistakable pleasure in this elegantly filmed feature debut. Its structure and the references to making films betray the influence of his mentor Hong Sang-Soo, to whom he was assistant director and who won a Tiger Award in 1997 for The Day a Pig Fell Into the Well. But Lee touches on Alice in Wonderland, and he also has his very own sense of humour. In Romance Joe, someone can allege you dont exist at all. Should you start doubting everything, just remember its only a film. And yet, despite all the irony and perspective, the characters are real enough to be moving. Winner of an audience award in Busan.
inTernATionAL premiere
Public SCREENINGS Sun 29-1 18:45 PA5 Mon 30-1 12:30 PA7 Tue 31-1 22:00 LV5 Thu 2-2 13:15 PA3 Sat 4-2 15:45 PA5
Press & Industry SCREENINGS Sat 28-1 15:00 CI4 Sun 29-1 15:15 CI3
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L
Babis Makridis
In L, you are what you drive. The protagonist, aged 40, is a more than dedicated driver. His work is literally his life and his car is more than a means of transport. He lives in his car and receives his family at fixed times. His employer is a rich narcoleptic who cant drive. The driver, known as the Man, provides him with special honey. But when an even better driver comes along, the Man loses his job and decides to look for another means of transport. Aris Servetalis, who can also be seen in Yorgos Lanthimos Alps, plays the Man without batting an eyelid. Whether hes talking seriously to his children, listening to a friend or just has his eyes on the road, he always focuses intensely on what he is doing. With a screenplay by Efthimis Filippou (Dogtooth, Alps) its not surprising that the absurdist tone recalls Lanthimos films. L is also akin to Attenberg by Athina Rachel Tsangari. But Babis Makridis distinguishes himself from his colleagues because he allows his film to be even more abstract. L is a unique combination of comedy and existential drama. A debut film filled with bizarre dialogues, a stuttering Moonlight Sonata and a song about bears.
eUropeAn premiere
Public SCREENINGS Tue 31-1 18:30 PA7 Wed 1-2 12:30 PA7 Thu 2-2 18:15 PA6 Fri 3-2 22:30 LV5 Sat 4-2 16:00 PA1
Press & Industry SCREENINGS Mon 30-1 21:00 DWBZ Thu 2-2 10:00 PA6
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o som ao redor
neighbouring sounds
worLd premiere
Public SCREENINGS Wed 1-2 15:30 PA7 Thu 2-2 18:30 PA7 Fri 3-2 17:30 LV3 Sat 4-2 13:00 PA1
Press & Industry SCREENINGS Wed 1-2 09:00 PA4 Thu 2-2 13:30 CI3
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Midi Z
Wang Xing-hong has been a Burmese guest-worker in Taiwan, but now there have been elections in his country, he decides its time to return. During the journey from Rangoon to his birthplace, we hear propaganda songs on the radio about the blessings of democracy. When he sees his mother again after 12 years, she asks: Have you eaten? With those same words, the mother of filmmaker Midi Z welcomed her son when he returned in 2008 after an absence of 10 years. In early 2011, soon after the elections, Midi Z went back again. This time he brought his camera, to shoot Return to Burma. Xing-hong has the sad duty of returning the ashes of a friend who had a fatal accident in Taiwan. But theres also the joy of seeing friends and family. Young people still gather together to sing romantic songs and dream of working in China or even America. Xing-hongs younger brother is about to leave for Malaysia. Xing-hong himself would prefer to stay and goes to markets and smuggling centres to see if there are any opportunities for him. Return to Burma reflects a poor yet hopeful society in images that follow the countryside and the peoples movements and often have a documentary approach. A rare Tiger too, because we dont see many films from Burma at all.
eUropeAn premiere
Public SCREENINGS Mon 30-1 15:30 PA7 Tue 31-1 12:30 PA7 Wed 1-2 17:30 LV3 Thu 2-2 21:15 PA6 Sat 4-2 12:45 PA5
Press & Industry SCREENINGS Sun 29-1 13:15 CI3 Mon 30-1 10:00 PA5
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Klip
Clip
Maja Milos
Jasna is a beautiful girl in her mid-teens. Disillusioned by her life in a remote Serbian town with a dispirited mother and terminally ill father, she opposes everyone, including herself, and goes wild, experimenting with sex, drugs and simply killing time. But gradually, this desperate protest helps her come to terms with painful reality. In her first feature, Maja Milos (1983) explores the disturbing state of adolescence as bravely and honestly as her protagonist explores herself. Isidora Simijonovic, also a debutant, gives a striking and fearless performance full of contrasts. Together they create a highly dynamic and vibrant portrait of wasted youth lost in the search for identity. Milos sets this classical coming-of-age story in the world of contemporary teenagers obsessed with pornographic images, violence and online reality, meanwhile exploring the blurring boundaries between sex and affection, simple pleasures and true love, brutality and tenderness. Above all, Clip examines the shifting family and social values in present-day Serbia, where the generation gaps are extreme, placing everyone between disintegrating traditions and uncertain contemporary morality.
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worLd premiere
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sudoeste
southwest
Eduardo Nunes
The languid, lateral black-and-white shots and repetitive background sounds of Eduardo Nunes feature debut Southwest inevitably evokes memories of the work of Bla Tarr. But where Tarr used that style to break open reality, Nunes (b. 1969) chooses a more magical approach with this Brazilian parable about a woman who passes through her life in one day. It is immediately obvious from the title that Southwest enters the domain of the fantastic, because the southwest of Brazil doesnt exist at least not officially. Its an area beyond the frontiers of the visible. Most characters experience the day that is coming just like every other, even though the young, pregnant Clarice dies in the early morning in an inn. In the hours that follow, another Clarice appears: first as a baby, then as a little girl, then as a teenager and finally as an adult woman. Under the scorching sun, she changes from one character to another. The contrast between these radical changes and the slow tempo makes the viewer search for a handhold. Nunes, who won several prizes with his short films, uses this dreamy yet also painful and tragic narrative to point to Christian and magical stories. But in the end, there is no clear logic; only the puzzle of time and life.
eUropeAn premiere
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eUropeAn premiere
Public SCREENINGS Sat 28-1 18:45 PA5 Sun 29-1 13:30 PA4 Mon 30-1 18:15 PA6 Thu 2-2 17:30 LV3 Sat 4-2 18:45 PA5
Press & Industry SCREENINGS Fri 27-1 16:15 DJZ Tue 31-1 12:00 DJZ
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mulgogi
A Fish
Park Hong-Min
Park Hong-Mins feature debut A Fish is the first 3-D film in the Rotterdam Tiger Awards Competition, and that 3-D form does justice to the various dimensions overlapping in this metaphysical mystery in a fascinating way. Little by little, the filmmaker reveals where this unfortunate road movie is taking its characters. At first not much seems to happen. In a roadside restaurant, the troubled protagonist, Professor Lee, picks up the detective who says he has found Lees missing wife on an island off the coast. The men head for the sea, but instead of taking the ferry that evening, they must look for alternative transport the next day. That night, the professor has a curious dream. Park, who is still studying directing in Seoul, maintains a realistic style that hides the true nature of events for a long time. But what at first seems like a series of absurd situations slowly changes into a moving and decisive coming-of-age story. A story that leans on the symbolic meaning of water and fish, even though Park clearly does not want to explain or reveal too much. When one of the characters suggests to another that their conversation is starting to sound philosophical, they immediately stop, saying they dont have anything sensible to say. This characterises the playful and provocative way in which A Fish tries to fathom the very last moment we will eventually all experience.
inTernATionAL premiere
Public SCREENINGS Fri 27-1 19:30 PA4 Sat 28-1 09:30 PA2 Mon 30-1 22:15 PA3 Fri 3-2 13:30 PA4 Sat 4-2 13:30 PA4
Press & Industry SCREENINGS Thu 26-1 16:15 PA3 Mon 30-1 09:15 PA2
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inTernATionAL premiere
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Zhit
Living
Vasily Sigarev
Vasily Sigarevs second feature, after his acclaimed Wolfy, is an existential portrait of protagonists living in a wintry Russian province. A mother wants to reunite with her twin daughters. A young couple marry in church, but immediately after the ceremony, God or maybe the Devil, or maybe Blind Fate tests their love in the most brutal way. A boy wants to see his estranged father, despite his mothers violent protests. Each of these characters lives through their own ordeal. Among all the sorrows imaginable, Sigarev focuses on the most devastating: death. Without any sentimentality, but with brutal sincerity, he has made a fiercely personal yet artistically crafted film on the complexity of being. A prominent author of extremely truthful plays written in the tradition of new drama, Sigarev takes his art a few steps further by meticulously depicting the bleak routine of everyday life, while at the same time searching for something hidden beneath its surface. He tackles a fundamental question: Is there catharsis in life, and therefore in art? If so, can our sorrows be healed? And if not, how can one escape despair and go on living? An enigma that transforms this realistic film into a universal parable, revealing a mystery and even in spite of all the bleakness a miracle.
worLd premiere
Public SCREENINGS Tue 31-1 15:30 PA7 Wed 1-2 12:15 PA6 Thu 2-2 14:30 LV2 Fri 3-2 18:30 PA7 Sat 4-2 19:30 PA4
Press & Industry SCREENINGS Sat 28-1 09:45 DWBZ Mon 30-1 12:00 DWBZ
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Wichanon Somumjarn
Nuhm is a foreman in the building industry in Bangkok who has to look for other work. On the eve of the Thai New Year, he returns to his birthplace in the north-east of Thailand (where director Wichanon Somumjarn also grew up). After the wedding of a school friend, Nuhm goes to see his father, but their reunion is difficult. Meeting a young woman he was once in love with brings out other feelings. They talk about Albert Camus rules for a happy life and Nuhm admits that he would most love to make films. Meanwhile, on the radio we hear news reports about riots in other parts of the country. The film takes an unexpected turn when, in a documentary fragment, the directors father and older brother appear on screen. Then it becomes apparent that much of what weve seen is autobiographical the title refers to an event that took place when Somumjarn was six months old. Fiction, reality, memories and dreamlike images become increasingly intertwined. This first full-length feature film by former architecture student Somumjarn leans primarily on moods and feelings. A lot remains unsaid. Beauty can be inside issues, such as caring for a horse, the landscape or a karaoke song about diverging life paths. Its also a meditation. And, as the director says: This is the story of my land.
worLd premiere
Public SCREENINGS Tue 31-1 18:45 PA5 Wed 1-2 15:15 PA6 Thu 2-2 20:15 LV3 Fri 3-2 15:45 PA5 Sat 4-2 12:15 PA6
Press & Industry SCREENINGS Mon 30-1 11:45 DJZ Wed 1-2 09:30 DJZ
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de jueves a domingo
Thursday Till sunday
Dominga Sotomayor
This Chilean road movie is set entirely in and around the car belonging to a middle-class family on a four-day trip to the north of Chile. It will be their last journey as a family. We occasionally catch a glimpse of marital problems, but the crisis is largely implicit. For instance, we often only see the backs of the silent parents heads, seen from the perspective of the children in the back seat, who only have a partial idea of what is going on. The journey that starts so cheerfully with all kinds of games in the car quickly acquires melancholy undertones: the children only want to go to the beach, while the father is heading for a new life in another apartment and the mother primarily yearns for a place which no longer exists, where everything remains the same as it was. Dominga Sotomayor previously made the short film Videogame, which screened at IFFR in 2010. That film also focused on a divorce, seen from the perspective of the child: a boy loses himself in the fictional world of a video game while his parents divide the household effects. Thursday Till Sunday was selected for the Cannes Cinfondation Rsidence 2010 and supported by the Hubert Bals Fund.
worLd premiere
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Im Freien
In the Open Albert Sackl
The inaccessible landscape of Iceland functions as an arena for a fascinating and cinematic double pass between Sackl and his modified 16mm camera. Wherever they are, an image is photographed every three minutes, three months in a row. Fickle weather conditions and shortening days shape the image and enter into a dialogue with introduced sculptural elements. The concept is maintained right up to the final credits, shot on location.
INTERNATIONAL PREMIERE
Big in Vietnam
Mati Diop
A movie is being filmed around Marseille. Henriette, a French-Vietnamese director, is shooting Les liaisons dangereuses, assisted by her son Mike. Soon, all activity must stop. The main actor is missing. Henriette leaves the stage and goes looking for him. In the port city, Henriette wanders around, discovering a world that reminds her of the one she left. There, she meets a man haunted by a journey of no return. (MD) Mati Diops Snow Canon screens in the compilation programme Short Stories: Surprising Mysteries.
WORLD PREMIERE
Commissioned for the 2011 Singapore Biennale, the meaning of style qualifies as the shortest, most perfectly formed film in the Tiger Shorts competition. Shot with Malaysian skinheads in Penang, its a meditative fantasy on signs, signals and butterflies, leading to pointed reflections on the relationship between British colonial history and popular culture in South-East Asia, says its maker, and to quote Jose Da Silva: Fuck, its beautiful.
WORLD PREMIERE
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Springtime
Jeroen Eisinga
A man, a table, a camera and twentyfive kilos of bees: this adventure ended in hospital. Artist Jeroen Eisingas film performance Springtime is a contemporary rite of passage that leaves neither him nor the viewer unmoved. In his meticulously crafted tableau vivant the maker takes the beekeepers sport of bee bearding to the next level. The bees slowly take over his body, and his and our minds.
WORLD PREMIERE
As ondas
The Waves Miguel Fonseca
The world premiere of Miguel Fonsecas beautifully judged, beautifully photographed The Waves, where the minutiae of two sisters relationship is placed in balance with the vastness of the ocean, cliffs and late summer sky. This is a Portuguese paradise lost, a terrain rendered even more starkly beautiful by the sense of frailty and loss at its very core. Its a landscape and drama, made ripe for transformation.
WORLD PREMIERE
Shadow Life
Cao Fei
Shadow Life evokes folklore and Communist festivals. The vignettes are performed by shadow puppets; the form of the hand is a synecdoche for the manual labour of workers and peasants, while the silhouette medium allows quick metamorphoses: a grandstanding dictator to a barking dog, a swaying tree to a crane transforming the landscape. A remake of a 2000 Russian pop hit serves as the soundtrack to the third part, Transmigration. (CF)
EUROPEAN PREMIERE
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Words shape our impressions and form our history. In Scene Shifts, in Six Movements by Finnish artist Jani Ruscica, a journey through historic layers of various spots on several continents unfolds. However, it is primarily an intellectual journey. The locations, images, texts and music hold references to a long history of cross-cultural misinterpretations.
WORLD PREMIERE
generator
Makino Takashi
Makino Takashis source of inspiration, our place in the world and the universe, never seems to dry up in view of the never-ending flow of immersive films, of which many have already been seen in Rotterdam. Generator may well be the earthiest of his films so far, made as a reaction to the Fukushima disaster. A reality check, but in the world that Makino shows, this can never be achieved without looking inwards too.
INTERNATIONAL PREMIERE
The eccentric 77-year-old widow Ragnhild Borgomanero does everything to preserve the largest private collection of fossils in Latin America and the memory of her brilliant husband Guido for posterity. Determined, she shows us the recently digitised photo collections and talks nonchalantly about her courses in Photoshop and Adobe. Her penetrating presentation reveals a painful void.
Brazil, 2011 | colour, video, 12 min, Portuguese
Prod: Ana Paula Malaga, Rafael Urban | Prod Comp: Tu i Tam Filmes | Sc: Rafael Urban | Cam: Eduardo Baggio | Ed: Ana Lesnovski | Sound Des: Alexandre Rogoski | Music: Alessandro Borgomanero | With: Ragnhild Borgomanero | Print/Sales: Moro Filmes
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Im Lisa
Charlotte Lim Lay Kuen
A sultry evening in tropical Asia. A young housekeeper is busy at work in the kitchen for an elderly woman. She is filleting a frog. She swats a mosquito. It doesnt look as if much is happening, but what does happen is meticulously observed. The maker does not want to say much about it. She refers to Wittgenstein. Whereof one cannot speak, thereof one must be silent. The maker must mean we just have to look and who would wish to contradict her in this case?
EUROPEAN PREMIERE
A journey through Cairo, led by the voice of the contemporary flneuse Sein. Her journey leads through the age-old streets, through colonial districts modelled on Paris to new apartments in international style. Using voices from now and from the past, Hala Elkoussy shows how the City is repeatedly reborn, resisting meanings just as recalcitrantly as its eight million inhabitants and in this way becoming into the megalopolis it is today.
WORLD PREMIERE
A journey through the African continent based on a list of traditional pilgrimage routes. The route follows geographical data which are used to generate image and sound compositions. From a walkers perspective, this data-driven, abstract documentary unfolds from an unnamed location in South Sudan and ends in Marrakech, Morocco. In 6,900 kilometres and 10 countries, the film mirrors a transformation of the walker and his surroundings.
WORLD PREMIERE
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El arca
The Ark Cristbal Len, Joaqun Cocia
Papier-mch marionettes, the passengers from Noahs Ark and an astronaut who gives his genitals to a girl The Ark opens an exuberant world in which the Bible and psychoanalysis are whipped into a heady mix. Animators Lon and Cocina elevated their talents to new heights (during courses at De Ateliers in the Netherlands) and in the process honour Athanasius Kircher, a seventeenth-century scientist/fantasist.
Netherlands/Chile, 2011 | colour/b&w, video, 17 min, no dialogue
Prod: Cristbal Len, Joaqun Cocia | Prod Comp: Diluvio | Sc: Cristbal Len, Joaqun Cocia | Cam: Carlos Vasquez | Ed/Prod Des/Sound Des/Music/With: Cristbal Len, Joaqun Cocia | Print: Diluvio | Sales: Upstream Gallery
Manque de preuves
Lack of Evidence Hayoun Kwon
Lack of Evidence tells the tragic story of a father in Nigeria who believes that his twins are cursed and therefore kills one of his sons ceremonially. The other brother manages to escape just in time, after which he embarks on a long journey to Europe, where he becomes embroiled in bureaucratic asylum procedures because he has no proof of what happened. This file, with the story that is repeatedly not believed, is the foundation of this unconventional animated re-construction.
France, 2011 | colour, video, 9 min, French
Prod: Eric Prigent | Prod Comp: Le Fresnoy | Sc: Hayoun Kwon | Cam: Guillaume Brault | Ed: Lee Oh Eun, Hayoun Kwon | Sound Des: Robin Rimbaud-Scanner | Music: Robin Rimbaud-Scanner | With: Christiane Cavallin-Carlut, Bakary Diallo | Print/Sales: Le Fresnoy
In three parts, articulated around three strong institutions a theatre, a prison and a church Narkevicius brings his narrative and fictional method of recounting history to the cinematic scale. Apart from the main story about an aspiring theater director in Vilnius, victim of the Soviet regimes investigations of presumed homosexuality, the filmmaker also constructs a subnarrative of the role of art and creativity within a supposed utopia.
Lithuania/Spain, 2011 | colour, DCP, 46 min, Lithuanian/Russian/Polish
Prod: Deimantas Narkevicius | Sc: Deimantas Narkevicius | Cam: Audrius Kemezys | Ed: Dominykas Kilciauskas | Prod Des: Audrius Dumikas | Sound Des: Sigitas Motoras | Music: Without Letters | With: Valentinas Krulikovskis, Egle Driukaite, Aleksas Kazanavicius, Arunas Smailys, Mikas Urbonas | Print/Sales: Deimantas Narkevicius
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This graduation film is a clever and meditative piece that both caresses and attacks the senses. Director Tasaka Naoko said: Im pursuing something undistinguishable, with no name or with no boundaries, like something implied in a loose connection of the words in poetry. Its not an unknown thing. Its something which I already know but I dont know how to describe. I search in my experience and recollection trying to rebuild something similar with the fragments of my memory.
INTERNATIONAL PREMIERE
Agatha
Beatrice Gibson
A sexual reminiscence, a utopian gender-bending sci-fi of psychometric suggestibility about a place beyond words. Gorgeously shot amongst the gorse, slate and moss of North Wales Snowdonia mountains, Agatha features Gibson herself as protagonist and narrator, continuing her filmmaking explorations with a new looseness and spontaneity within the paradigm of Cornelius Cardews dream recollection.
WORLD PREMIERE
La maladie blanche
The White Disease Christelle Lheureux
An isolated village in the Pyrenees is entirely under the spell of a sultry summer night and the inhabitants enjoy themselves with music, shadow plays and stories. A community of people in harmony with each other and with their surroundings. Before they go to sleep, a father tells his daughter about a dark cave, about the first signs of civilisation and transience. In the deep of the night, a prehistoric being emerges and leads the girl from the village to the mountains.
INTERNATIONAL PREMIERE
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An inconspicuous row of trees and some bushes, somewhere on a riverbank on the edge of the Danube Delta. Time seems to have stood still here. In the minor events that then emerge, we see an unexpected coherence. The animals that have found their homes here and seem condemned to each other, the tired fishermen who chug up in their boat and disrupt the peace and the crumbling material in general all acquire a glowing cinematographic meaning.
WORLD PREMIERE
A drone operator discusses his daily routine. Off camera and off the record, he describes recurring incidents in which the unmanned plane fired at both militants and civilians and the psychological difficulties he experienced as a result. Director Fast mixes fact and fiction, merging documentary shots of war zones with happy Las Vegas feature-film images. He erases reality by inventing his own, which is nonetheless true.
USA/France/Ireland, 2011 | colour, video, 27 min, English
Prod: Daniel Desure | Prod Comp: Commonwealth Projects | Sc: Omer Fast | Cam: Yon Thomas | Ed: Omer Fast | Prod Des: Anthony Stabley | Sound Des: Jochen Jezussek | With: Denis OHare, Gabriel Gutierrez, Eddie B. Smith | Print/Sales: Omer Fast
Bobby Yeah
Robert Morgan
Bobby Yeah demonstrates such a staggeringly unprecedented abundance of imagination in its stop-motion, squelchy silicon and revolting rubber universe that we can only pray it comes hermetically sealed. Nightmares arent usually accomplished in such profoundly original, perfectly sub-humanoid shapes. Push that button!
United Kingdom, 2011 | colour, video, 23 min, no dialogue
Prod/Sc: Robert Morgan | Cam: Robert Morgan, Charlotte Steeples, Marcus Waterloo | Ed/Prod Des: Robert Morgan | Sound Des: ZnO | Music: ZnO | Print/Sales: BlueLight | www.robertmorganfilms.com
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BRIghT FUTURE
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Eight contemplative short films show eight stages in the love life of Peter, a gay man in Jakarta. In chronological order, they describe Peters first infatuation at the age of ten (in the segment Stolen Kiss), his first sexual experience (The Game Kiss), love taken away by death (Solace) or crushed by the pressure of a traditional society (The Last Time), the difficult times in a long relationship (3 and The Couch and the Cat), right up to a flirt with a younger man when 40-year-old Peter is married (Why Isnt Peter Happy?). Paul Agusta, who calls the stories partly autobiographical, has plenty of experience in short film: hes made more than 30 since he turned to cinema in 2003. The different segments of Parts of the Heart can be watched separately, but this omnibus film is more than the sum of its parts. The seduction of the younger man who walks into Peters coffee business in the last section is even more powerful when you have seen what led up to it.
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Sumru, an ethnomusicologist by profession, travels to Diyarbakir to make sound recordings of elegies and the stories that belong with them. While she listens to the stories of Kurdish women who lost their husbands or sons during the bloody tyranny, she is confronted with her own past. Sumrus lover left for the Kurdish front years ago and never came back. During her journey, she meets Ahmet. With him, she goes looking for what happened to her lover. A romance seems to blossom between Sumru and Ahmet, but in this spot, marked by sorrow and loss, she finds it difficult to break free of her past. As in his debut Autumn, the second film by zcan Alper displays political commitment. Alper managed to capture the layered story of Future Lasts Forever with a firm hand. The beautiful camerawork and the rich sound design turn the film into pure cinema.
Okhotnik
the hunter Bakur Bakuradze
The pig farmer Ivan Dunaev lives as free as a modern man can. His life is only dictated by the seasons in the remote north-west of Russia. He eats, works and sleeps and sometimes he hunts. One day, two new workers arrive at the farm: Lyuba and Raya. They are out on parole from the nearby prison. How will these two change the rhythm of Ivans daily life? With the same eye for detail as in his feature debut Shultes (2008), which follows the vicissitudes of a petty thief, in The Hunter Bakur Bakuradze records everyday actions on a farm. The starting point is the fact that life for most people is determined right down to the smallest detail by others especially in cities because of the limited space. Even those who dont accept this are still often dependent on the city. From this background, Bakuradze looks at life outside the city as a form of resistance. But how much resistance can reality bear? Even this apparently timeless and idyllic life does not remain sacrosanct.
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Jeanne Balibar and Pierre Lon roam in tourist outfits through Paris and prepare a play with a producer who keeps changing her clothes. In a parallel world, another layer if you wish, actors rehearse their texts for a Greek tragedy on the beach at Deauville and at prominent Parisian locations. It is the story of Electra, probably a rather inefficient character, one who perseveres and refuses to give up the battle against injustice. This absurd, slightly surrealist and occasionally humorous film looks like a theatre performance with its solemn dialogues and mise-en-scne issues. The makers, the actress Balibar and filmmaker Lon, however also use the medium by inserting screenshots of business e-mails reflections on their plans. In addition, Balibar is a singer and she sings the texts as if the e-mails were edifying lieder. Electra, for Instance is, as one of the characters puts it, a true culture souq.
room 514
Sharon Bar-Ziv
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A female Israeli soldier is ordered to interrogate an Israeli officer who is alleged to have abused an Arab family. Lower in rank and also a woman, she is barely taken seriously by the haughty man; he only gives her sarcastic answers. Her colleagues, including her lover, advise her to stop the case because it is too political, too complex and too notorious. Instead, she fastens her teeth in it, in the hope of getting justice for the victims. In the meantime she has the thumbscrews tightened by her lover and his intended. All the interrogations take place in room 514, where the sound palette is formed only by voices and the air conditioning. Room 514 is a courageous, hyper-realistic, low-budget drama that provides a worrying and critical picture of Israeli Army culture, where young soldiers discover that good and evil, black and white, dont exist. This debut film filled with expressive, hand-held shots was recorded in only a few days.
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Lanabase
the Anabasis of May and Fusako Shigenobu, Masao Adachi and the 27 Years Without images
Eric Baudelaire Like his compatriot Philippe Grandrieux, the French artist Eric Baudelaire has made a personal film about the history of the Japanese Red Army (JRA), an extreme leftwing group that took up arms in the early 1970s in order to realise the proletarian revolution. The JRA hijacked aeroplanes and in 1972 organised a raid on the airport of Lod, in which 26 people died. They also fought in Lebanon, with the Peoples Front for the Liberation of Palestine (PFLP). On the soundtrack, we hear the story of the Japanese filmmaker Adachi Masao, who lived in Beirut for years and at the time was spokesman for the JRA. Shigenobu May, the daughter of Shigenobu Fusako, the woman who founded the JRA, talks about her childhood in Lebanon and her many secret identities. Baudelaire illustrates their stories with 8mm films that he made in Beirut and Tokyo, at the places where both were active. We also see clips from films by Adachi and newsreel footage of the attack at Lod and the arrest of Shigenobu Fusako in 2000.
La jubilada
the retired Jairo Boisier Olave
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The title of the film refers both to Fabiolas father as to herself: at the age of 30 she turned her back on her career as a porn actress in Santiago de Chile and has returned to her parental home, where her father lives with her elder sister Gina. Fabiola is initially not welcomed with open arms; Gina is not keen to have someone who interferes with her tightly organised housekeeping. It soon becomes clear to Fabiola that it isnt easy to leave her professional past behind her. Moises, who offers her a job, turns out to be interested in more, and others also seem to only regard her as the lust object she once was. While Fabiola tries to improve conditions and relationships at home, an unlikely yet honest relationship develops with the 16-year-old son of Moises. Jairo Boisier Olave brings the story without frills or sentimentality, but with compassion for human weakness.
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Die ruberin
rough Markus Busch
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The actress Tania travels from Munich to a village in the north of Germany. The skies are grey, just like the sea and the wintery plains. Her feelings are also covered in a grey veil of mist. Her painful past makes it impossible for this forty-something to feel anything at all. The arrival of the stranger is immediately noticed in the tightlipped community, but she is hardly welcome. Only the teenager Thore, whose imagination is too much for this no-mans-land, has contact with her. A fragile band develops between them attraction, rejection and occasionally sexually charged. Thore reveals a need in Tania, one she didnt know she had. She decides to steal Thore to come to terms with her own loss. Rough is a directing debut filmed with great poise and with a sharp eye for this beautiful yet slightly depressing landscape and the people who inhabit it. The camera first functions as a detached observer, then as an accomplice, always very close to Tania.
the Whirlpool
Alvin Case
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By the Niagara Falls on the Canadian border, theres an encounter between twenty-somethings Victor and Agathe: two lost souls who fall for each other. The Parisienne Agathe, adopted and bogged down in a complex relationship with her therapist, is on holiday on her own. Victor is coping with a family drama. Their problems do not get in the way of a passionate relationship; they make love and philosophise all night long about their love, their difficult pasts and a possible future. But Victors ghosts remain alive. The Whirlpool is an experimental, raw film project with a small budget and a large dose of fantasy, filmed with small hand-held cameras, including an iPhone. The production originated in e-mails between director Alvin Case and the French actress Agathe Feoux. Their correspondence provided ideas for the storyline, the locations and possible themes. During the shooting, that raw material developed into a kaleidoscopic, playful story helped by acting, emotion and improvisation.
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Padang besar
i Carried You home Tongpong Chantarangkul
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The death of their mother forces two sisters alienated from each other to make a two-day journey together. They leave in an ambulance from Bangkok to go to the birthplace of their mother in rural Thailand. One of the sisters had moved to Singapore to stay out of the way, the other armed herself with indifference. Seated in the back of the ambulance, beside the coffin with the dead body, they look back on what they shared, but also what drove them apart. Tongpong Chantarangkuls melancholy story about guilt and forgiveness gives space for the silence between two women who have to learn to speak again after years of non-communication. It becomes clear that they did not separate without reason and they have to learn to look that past in the eye. Between them is the eternally silent mother. In the context of her funeral, Chantarangkul gives this road movie the character of a ritual a ceremonial cleansing after which the women may be able to step over the shadows from the past.
Lestate di giacomo
Summer of giacomo Alessandro Comodin
After a long opening scene in which 19-year-old Giacomo plays a stormy drum solo while the camera focuses on his hearing aid, the hard-of-hearing boy sets off on a languid summer afternoon with his childhood girlfriend Stefi through the woods to a remote river. There the two swim and sunbathe, enjoy picnic sandwiches, chatter away mindlessly, listen to music and throw clay at each other in the water. During large parts of the minimalist, delicate, occasionally sultry Summer of Giacomo, the camera moves not a millimetre off Giacomo and Stefi the viewer can almost count the spots on his back and the soft tears in her neck. The wonderful, nonprofessional actors Giacomo Zulian and Stefania Comodin apparently have no trouble holding the viewers attention and slowly the relationship between the two of them becomes clearer. At last years Locarno Festival, novice director Alessandro Comodin won an award in the category Cineasti del Presenti (Filmmakers of the Present).
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hail
Amiel Courtin-Wilson
According to Amiel Courtin-Wilson, Hail is ninety percent based on the stories by the former prisoner Daniel P. Jones. They are memories of his own violent past; or anecdotes about friends, acquaintances and cellmates. Courtin-Wilson met Jones on the day he was released from prison and was immediately gripped by his fierceness and presence, which is also the focus in the alternately heartless and intensely tender Hail. The other ten percent of the screenplay is the adhesive for the story and focuses on the relationship between Daniel (Danny) and Leanne, strikingly candidly played by Joness own wife. Fresh from jail, Danny does what he can to build up a normal life, but the violence inside him has to come out sooner or later. Courtin-Wilson mixes the raw-realistic scenes of their lives with poetic and enigmatic intermezzos, accompanied by an alienating, eclectic soundtrack.
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Nuit #1
Night #1 Anne mond
In a messy Canadian apartment, a man and a woman spend the night together. The very realistically filmed one-night stand ends up with two confessions, in which both judge their own failings sharply and honestly. Everything is set within four walls; the small room is transformed into a kind of confessional space, from which the debutante director Anne mond manages to obtain maximum effect. They are in their early thirties and both feel lost. Nikolai regards himself as a failed romantic idealist, someone who plunges into literary classics but never reaches the last page. His cynical conclusion: Modern life makes me sick. Were better off alone. The mysterious, beautiful Clara leads a double life: during the day she teaches at primary school and in the evening she seeks radical outlets for her uprooted feelings. Just as in her short films, in this chamber play mond investigates the loneliness that cant be combated with sex and not even with love. Individualism largely evokes despair in her work.
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Kong Curling
King Curling Ole Endresen
Just as Kingpin put tenpin bowling on the map, this mild satirical comedy does the same with curling. This bowling on ice is very popular in Norway and the same can be said of the protagonist and co-writer Atle Antonson, who acquired a great deal of fame in the hilarious TV series by the director Ole Endresen. Antonson plays Truls Paulsen, a wellto-do curling star. Diagnosed with an obsessive-compulsive disorder, he has to stop taking part in competitions. But then he hears that his coach Gordon is dying and decides to fight back. Truls leaves his wife, stops taking medicines and brings together his old teammates. When they succeed in winning the national championships, Gordon is able to afford his expensive lung transplant operation. Endresen set his anti-hero film against a backdrop of sets from the 1970s and 1980s, supported by a similarly dated soundtrack. The running gags, which ridicule the winners mentality, work thanks to the perfect timing of the actors.
A La Cantbrica
to La Cantbrica Ezequiel Erriquez
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They are 12 years old, the four friends from this sensitive debut film set in Buenos Aires in 1997. The enormous economic crisis facing Argentina at that time only plays a role in the background, because director Ezequiel Erriquez specifically chooses the perspective of his young protagonists. We do, for instance, hear that the father of one of them is going abroad, looking for work. But Lola, Choco, Lija and Zota like all 12-year-olds are primarily interested in themselves and each other. Lola has her ballet lessons, Zota helps with the rehearsals for a play, performed by a group of blind actors. One day, the friends decide to go and play at La Cantbrica, a deserted factory that was recently shut. The precise events of that fateful day are left unseen by the 26-year-old director, just as he also only shows fragments of everyday experiences. The film focuses on what the children experience, and after this day their lives will never be the same again.
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A arca do den
edens Ark Marcelo Felix
Patterns of twigs and leaves in this experimental film poem blend seamlessly with the craquel of old, half decayed films. While the voice-over initiates us in a botanical version of the story of Noahs Ark, enchanting images lead us through a world filled with transience. Attempts to protect and describe disappearing plant species are associated with film conservation and the fight against the loss of memories in this first full-length production by the experimental film and documentary maker Marcelo Felix. A mythical traveller links past and future. He thinks he knows the world, but has to conclude that everything keeps slipping away from him. Via picture and plant archives, the laboratories of scientists, old film fragments and the editing tables of restorers, this poetic reflection ends in an inhospitable polar landscape where time seems to have come to a halt. Here, in a futuristic safe, are frozen seeds, numbered and labelled, conserved for eternity.
Sylvain George
Sylvain George compiled this gripping, gritty black & white film from images from his earlier documentary Quils reposent en rvolte (Des figures de guerresI) from 2010. In it he shows about three years in the lives of illegal immigrants who have become stranded in the Northern French port of Calais, on their way to England. They are the people without papers, mainly men of North African origin or from the Middle East. They are staying here illegally and spend their time surviving and fleeing the police. In an experimental form, Fragments shows scenes from the everyday lives of these people on the fringes of a Western society in which they are not welcome. Cool registrations of the cluttered, hostile no-mans-land and warlike images of pursuit are juxtaposed with interviews in which several men talk frankly about how they feel. This provides painful stories and insights into the fact that these men are not looking for a better life but are fleeing to stay alive.
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Corta
Felipe Guerrero
In Corta, Felipe Guerrero records the cultivation of sugar cane in the southwest of Colombia. In all its facets. With a fixed camera. A man walks into the frame, changes his clothes and starts hacking cane, seen from behind. After a few minutes, another one takes over from him. It carries on like that, in a tempo and rhythm it demands some surrender that has a very meditative effect. The men sharpen their knives and chop and chop. When theyre finished, enormous trucks drive back and forth and the countryside is set on fire. Guerreros minimalist recording of the largely manual process is also an ode to the craft of film: the filmmaker used seven 16mm rolls of 11 minutes; the rhythm of the slashing knives determines the rhythm of the editing. Between the different, beautifully photographed scenes are sections of black, occasionally we hear traditional music, often only for a couple of seconds, and that helps shape the mood.
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Weekend
Andrew Haigh
When Russell wakes up after a wild night and finds himself beside Glen, the first thing Glen does is thrust a tape recorder under his nose. Its for an art project, Glen explains, and will Russell please describe the events of the previous evening from his own perspective. This is the start of a weekend that is basically one long conversation between the two of them, because they are both surprised to note that the attraction between them extends longer than that one night. Weekend is a British version of the mumblecore genre, and a variation on Brief Encounter (1945, David Lean), but then with a contemporary, liberal sexual morality. Andrew Haigh does not shy away from the eroticism of the relationship between the two men, and the way they handle it is a recurrent topic of conversation. But the dreamily filmed Weekend is primarily about questions that are familiar to everyone. Are you yourself when you meet a new lover? Or are you who you want to be? And how much of yourself do you reveal?
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Skoonheid
Beauty Oliver Hermanus
Franois van Heerden has everything under control. The forty-something runs a successful timber store in Bloemfontein. He has a beautiful house, a sweet wife, successful children in other words he has all the status a conservative Afrikaner could want. Occasionally he drives to a remote farm and stays away for the night, but no one needs to know what really goes on there. When he meets 23-year-old Christian at his daughters wedding, the foundations under his respectable life turn out to be less than stable. The attractive apparition he sees in Christian wont let Franois go. With Beauty, the young South African director Oliver Hermanus proves that his powerful debut Shirley Adams (2009) was not a one-hit wonder. His balanced, nerve-wracking second feature is about suppressed desires, ingrained thoughts and the strange leaps people make when their convictions are set adrift. Beauty was the first film spoken in Afrikaans to be selected for the Cannes Film Festival.
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Amma Lo-fi
grandma Lo-fi: the Basement tapes of Sigrdur Nelsdttir
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Akataka
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Sur la planche
On the edge Lela Kilani
After making a documentary about immigrants who risk the crossing from Tangier to Europe, the breathtaking feature debut of Lela Kilani is also about the bitter-sweet dream of globalisation. The plank of the title is a springboard, diving board and pirate plank all at once; a springboard to a richer, more materialistic system but one that is accompanied by great danger to life. Badia and Imane are girlfriends who peel prawns during the day in the factory and at night rob men under false pretences. In the streets, they get to know Asma and Nadal, who have jobs in the Free Zone, the European- oriented part of the city. It is primarily Badia, spiritedly played by Soufia Issami, who sees that as an opportunity to gain more wealth. She will have to raise her criminal activities to a riskier level. Kilani provides a raw and authentic glimpse of the attempts of poor workers/ petty thieves to get a better life. As moody as dynamic film noir, in which the shots of Tangier by night contrast with the broad panoramas by daylight.
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the Pettifogger
Lewis Klahr
In the words of Lewis Klahr himself, his first full-length film The Pettifogger is an abstract crime film, a sensorial exploration of the virulence of unfettered capitalism. The life of the pettifogger, a petty criminal in the early 1960s, is collapsing thanks to his greed, his calculating nature and his weakness for playing cards for money. The further he descends, the more vague and enigmatic the story becomes. The form is the same as Klahr developed in recent decades in his renowned short films: moving collages of found images, set against an equally eclectically compiled soundtrack. The variation of materials used is enormous: not only comic strips in the style of Lichtenstein from which the protagonist comes, but also playing cards, poker markers and battered original photos. The many image repetitions, flashing lights and stunning shots complete the hypnotic effect.
Momoiro sorawo
About the Pink Sky Kobayashi Keiichi
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Izumi is a teenage girl who one day finds a wallet with 300,000 yen in it. She lends some of the money to someone in financial need but, urged on by her two girlfriends Hasumi and Kaoru (encounters and conversations between the three of them form a significant part of the film) she decides to give the lost property back to its owner Koki Sato, the son of a rich, corrupt politician. He decides however that he doesnt want the money back, but in exchange, the three girls have to make a newspaper which is only filled with good news for a sick friend. During the production process, we look mainly through the surprised eyes of the cheerful and original-minded Izumi a kind of Japanese Juno at the world around her and we also see her growing up. This subtle comedy, which also touches on difficult questions such as homosexuality, death and economic crisis, is stylishly shot in black-andwhite. Virtually all the roles are played by novice or non-professional actors.
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totem
Jessica Krummacher
The Bauer family takes on a household help. This young woman, Fiona, is thrown into the middle of the family of five with only a few basic instructions. The inhabitants lead their own lives; they do not take much notice of each other and they dont care how the outside world looks at them. Fiona prepares for each new day without asking questions and without commenting. Uneasy meals, tragic loneliness and unsuitable behaviour do not seem to put her off balance. No one in the house notices that Fiona herself is wrestling with issues. Totem is set in the Ruhr district, but time, place and context are not particularly relevant in this disturbing, soberly filmed drama. The behaviour, the choices and everyday routines of the protagonists are not revealed to Fiona nor to the viewers. Completely normal moments are juxtaposed with absurdist scenes; the tame rabbits in the garden are just as matter-of-fact as the cherished baby dolls in the nursery.
ex Press
Jet Leyco
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Ever since the first use of the film camera by the French Lumire Brothers, the train has been a favourite subject as a metaphor for progress, but also as a depiction of standing still, as at the beginning of Jet Leycos Ex Press. The young Filipino director started filming without a screenplay and juxtaposed documentary footage of the train as it travels in fits and starts through the jungle with fragments of thoughts and dreams. Because the passing trains are regularly pelted with rubbish and stones by inhabitants of the shanties along the railway line, the railway company started up its own police force. One of the officers, the violent Colonel Paliparan, abruptly resigned several years ago for mysterious reasons. His two sons try to find out why. With a mixture of traditional and guerilla filmmaking, Leyco manages to create an idiosyncratic, sometimes even musical, atmosphere from the details and rhythms of apparently everyday scenes around the Filipino train as it thunders on.
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Malaventura
Michel Lipkes
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The opening scene lasts for more than nine minutes and sets the tone for Malaventura. While it slowly, very slowly gets lighter and the slightly threatening music crawls under your skin, an old man wakes up and performs his morning ritual. We follow him in a series of lengthy shots in one day, his last day, shuffling through the streets of Mexico City. There is a series of encounters, some grim and puzzling, some commonplace or absurdist. The old man roams through his past while everyday life slips by him. The final credits state that Malaventura was shot in Chamagoscope. It is a joke at the expense of conservative Mexican critics who tend to write off the films of the younger generation of directors one of whom is Lipkes as chamago cinema, in other words grimy film. With his stately, considered images, Lipkes however demonstrates that grimy does not need to be an insult.
Shapito-shou
Chapiteau-show Sergey Loban
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A mysterious circus tent in a seaside resort on the Black Sea forms the start and end-all for bizarre stories filled with light-hearted absurdity. A teenage girl lures her sombre Internet friend very reluctantly into the real world. The main threats in this coastal resort come from fanatical boy scouts, deaf kids and gays. A famous actor yearns for a reunion with his son, and in the last part we follow an ambitious producer. The protagonists want love, friendship, respect and cooperation (the titles of the four parts), but get bogged down in aimless peregrinations that mock their ambitions. For outsiders, their personal tragedies are only comic and banal. Cheerful despair, surrealist winks and minimalist musical numbers set the tone in a play that is refreshingly different from the average Russian art film. Sergej Loban acquired a cult reputation in Moscow underground culture and won the Russian critics prize for his sciencefiction film Dust (2005).
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girimunho
Swirl Helvcio Marins Jr., Clarissa Campolina
Time takes it easy in So Romo, situated in a distant corner of Brazil. The river calmly follows its course, no one gets worked up. The young Branca is thinking about going to study somewhere else, but for now an important task keeps her at home: caring for her grandmother, who could use some company after her husband died. Bast is a vivacious 81-year-old, just like her old friend Maria, who cheers up every local feast with her music and singing. The neighbours find a lot of support from each other, but not even Maria has any answer to the apparitions that haunt Bast. Swirl includes several beautifully exciting music scenes, but excels primarily in its calm satisfaction. The filmmakers worked on their meticulous feature debut for six years. Their aim was realism, even though in So Romo that is coupled with a touch of magic. The actors are all amateurs who largely play themselves; their lives and memories are incorporated into this loving drama in which generation gaps fade and old and modern Brazil come together seamlessly.
rnia
Roberta Marques
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An obsession with dance runs through the oeuvre of Roberta Marques. Its an obsession with which she infected the protagonist in her first feature film. Rnia (16) dreams of a successful career as a dancer. Thats not a dream easy to realise, because Rnia lives in the slums of the northern Brazilian town of Fortaleza and has to work hard to survive. Alongside her school career, she helps her mother with the housekeeping and has a part-time job in a beach bar. When she meets the choreographer Estela, who selects her for an international dance company, her life goes into top gear. Can Rnia realise her plans and maybe even earn her living dancing? Instead of chosing a raw, social-realistic style that would be an obvious choice in a teenage drama taking such a close look at life, Marques made the daring decision to create a dreamy and tranquil mood. Not such an obvious choice when seen in the context of Rnias life, but its closer to the ambitions and dreams she so passionately yearns for.
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Nana
Valrie Massadian
Nana, awarded the prize for best debut at the Locarno Film Festival, sees the world from the standpoint of an independent four-year-old girl in the French countryside. When she comes home one day, she finds the house empty. There is no explanation for the disappearance of her mother, so the viewer has no idea about the adult world just like the little girl, who goes her own way. She manages very well, thank you. She dresses herself, heads into the woods, jumps over a stream, eats a sandwich. The dandelions and the moss are like a great adventure for her, nor does she shut her eyes at the sight of a dead hare or a slaughtered pig. Nana exchanges an explicit narrative line for a relaxed look at the primeval instincts of a child who is allowed to be herself, without adults to project their ideas on her. The refined lighting and clever compositions betray Massadians background as a photographer; she worked with Nan Goldin for a long time.
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In a junk shop, documentary maker Matt McCormick bought a scrapbook, in perfect condition, of a road trip made by four ladies in 1958 across several American states. Filled with photographs, invoices, menus and admission tickets to all kinds of sites to be seen. McCormick decided in 2010 to take exactly the same route, more than 3200 miles long, with his camera to record how America had changed or hadnt. With a sharp eye for interesting frames, he provides a beautiful, experimental scrapbook film filled with wide landscapes in which people seem not to have intervened. But also with images of mining towns now gone to ruin which were still flourishing in 1958. A striking number of motels and bars seem hardly to have changed since then. The comparisons between old picture postcards and new shots are fantastic. McCormick provides no commentary, at most short screen texts about the course of local history or about differences between the routes then and now.
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Shame
Steve McQueen
The bare prison cell of IRA man Bobby Sands in Hunger has been exchanged in Steve McQueens second feature for the equally suffocating space in the head of New Yorker Brandon Sullivan, again a striking role by Michael Fassbender. Sullivans existence revolves around sex: with whores, on the phone, with colleagues or women he picks up in the clubs of a sterile blue Manhattan, Sullivans personal laboratory. That daily routine of emotionless sex is disrupted when Sullivans younger sister Sissy moves in with him. The shadows of a past that injured both of them slowly intrude. But where Sissy directs her destructive tendencies within and lets the world overwhelm her, Sullivan keeps them at a distance. As in Hunger, McQueen is a man of few words. Shame is as physical and naked as Hunger, equally focussed on textures and sounds that make the space of the cell visible. Ironically, in this case it is the total freedom of unbridled consumption of bodies with which Sullivan creates that prison.
Stillleben
Still Life Sebastian Meise
Bernhard is horrified to discover that his father visits a prostitute whom he calls Lydia, even though her name is really something else. Lydia is the name of his daughter, Bernhards sister. This worrying fact causes a series of events and revelations that make this apparently stable family burst apart. The occasionally shocking issues in Sebastian Meises feature debut are worked out subtly, helped by the plausible reactions of all the relatives. For 24 hours, we follow the protagonists father, mother and the adult son and daughter from the moment when the dear son pulls the pin out of the news grenade. With minimal revelations and glimpses behind the veil around this apparently normal family, Meise maintains the tension in this nervewracking drama. Still Life looks at the moral questions surrounding guilt, shame and how to come to terms with them. Even the smallest movements, the most usual situations and silences are filled with significance.
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Bright Future
Louise Wimmer
Cyril Mennegun
After getting divorced, Louise Wimmer found herself on the street. She earns a pittance as a cleaner, but its not enough to live on: her things are in storage and she is forced to spend the night in her car. Whenever she starts the car, we hear Sinnerman by Nina Simone blaring from the speakers. At first its support in a musical form, but it soon becomes an infuriating reminder of her tragic existence. In this realistic drama, we follow the far-from-talkative Louise for several weeks in which she hopelessly waits for somewhere to live and in the meantime tries to maintain the semblance of a normal life. Her isolation only increases because of her poverty and her shame about it. Wimmer is not a psychiatric patient with an alcohol problem, but a normal, intelligent middle-aged woman who just happened to have some bad luck. Without any unnecessary context or explanation, it becomes clear how easily somebody can sink without those around them realising.
Carnival
Madhuja Mukherjee
WOrLD PreMiere
Babu returns from abroad to his home city of Kolkata due to the demise of his mother. He gets caught up in a whirl of colours, lights, crowds, music, sacrifices and ritualistic spectacles that evoke hidden emotions within him. He deals with his memories while roaming around and rediscovering his home city. The Hindu autumn festival of Durga Puja has a special meaning for Bengali people, and the film is beautifully suffused with the spirit of this auspicious event. Stopmotion, moving pictures, saturated photography, a very free camera style and an intriguing sound design create the inner emotional space of Babu, who after losing his mother spends most of the time with his old father. Carnival, a world premiere, is Madhuja Mukherjees first feature film. An upcoming Indian talent who has previously done some interesting shorts and video installations.
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Bright Future
Julia Murat
Every morning Madalena makes bread for Antonios old coffee shop. And every day she crosses the railroads where no trains have passed for years, cleans up the gate of the locked cemetery, listens to the priests sermon and then shares lunch with the other old villagers. Clinging to the memory of her dead husband and living in her past, Madalena is awakened by the arrival of Rita, a young photographer who comes to the village of Jotuomba where time seems to have stopped and people are stuck in their memories and daily rituals. And why is the cemetery locked? The beautifully photographed debut film of documentary maker Julia Murat is a melancholy homage to Brazils Paraiba Valley, once a flourishing region that prospered thanks to its coffee plantations, now a derelict region full of empty estates and ghost towns. Prize winner at the Abu Dhabi Film Festival.
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iNterNAtiONAL PreMiere
Portret v sumerkakh
twilight Portrait Angelina Nikonova
A girlfriend of Marina describes her as a happy woman. And thats how it looks. She is married, has a beautiful apartment, lives comfortably in the middle class and has an interesting job as a social worker. What people dont know is that Marina was recently raped by three police officers. Her character changes and she becomes a strange version of herself. As a person and as a woman she wrestles with existential questions about society. It turns out to be corrupt, rock hard and entirely hostile. In coming to terms with her trauma and rediscovering her identity, she throws herself in front of one of the culprits. Is it revenge, self punishment, or considering her work experience is she looking for the roots of his cruel behaviour? With a minimal budget and primarily non-professional actors, debuting director Angelina Nikonova has made a perhaps controversial yet intriguing and credible social drama, filled with grey images of the surroundings that visually underline the mood and the theme.
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Bright Future
Lultimo terrestre
What gifts do alien creatures have that humans dont? They make lifeless surroundings blossom again. They distinguish good from evil. But above all: they bring spiritual liberation. In this Italian science-fiction drama, reminiscent in its dark yet warm mood of modern classic Donnie Darko, a spaceship is about to land on Earth. Fear reigns. Only introverted Luca, a waiter in a depressing bingo hall, remains calm in face of the impending invasion. He leads an alien life himself, withdrawn and solitary. Luca grew up without a mother and has contact only with his father, his macho colleagues and two prostitutes. His relationship with the female sex is difficult, but does he know why? Gianni Pacinotti, who caused furore as a comic-strip artist, based his feature debut on a graphic novel by Giacomo Monti. This can be seen in the colourful sets and the absurd, dry humour of the dialogues. This psychological character study is a subtle mix of cinematographic realism and fantasy.
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the invader
Nicolas Provost
In the hypnotic opening scene of The Invader, refering to Michelangelo Antonioni and Gustave Courbets painting Lorigine du monde, Belgian model Hannelore Knuts walks naked along a beach when she sees several African refugees struggling to survive as they are washed ashore. What follows is an intense, consistent crossover between social drama, revenge film and Lynch-like trip, in which this earthly paradise turns into a hell for one of the refugees. In a ghostly Brussels, the man starts work illegally on a building site. You nothing here, nothing at all, his crooked boss tells him. The Invader is Flemish video artist and short-filmmaker Nicolas Provosts feature debut. At the Ghent Film Festival it won the Jo Rpke Award for young Flemish Film Talent and the award for best director at Cinma tous crans in Geneva. The camerawork by Frank van den Eeden also deserves praise, as does the starring role by Issaka Sawadogo, who switches convincingly between victim and aggressor.
Press & Industry SCREENINGS Sun 29-1 12:00 CI2 e.s. Tue 31-1 09:45 CI2 e.s.
The self-supporting Jake Williams lives in the middle of the forests of Scotland. In 2006, Ben Rivers went to see him for his short film This Is My Land; in Rivers first full-length film Two Years at Sea, we see this loner in all seasons, beautifully recorded in black-and-white cinemascope. There are days when Jake saws branches, surrounded by derelict cars and broken equipment. There are days when he builds a raft to float on a loch. At other moments, he focuses on strange projects, such as building a tree hut by hanging his caravan in the treetops. During his daily strolls, he whistles as he walks among the fir trees; Jake doesnt need words any more. In Rivers portraits, intangible phenomena such as shifts in light and darkness are more important than explanations. In 2008, the director won a Tiger Award for Short Film in Rotterdam with Ah, Liberty! (2008). Two Years at Sea won the FIPRESCI Prize in Venice. Rivers latest short film, Sack Barrow, can also be seen this year in Rotterdam.
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Lena
Christophe Van Rompaey
The second feature by the Belgian director Christophe Van Rompaey is a Dutch-language production, situated in Rotterdam. The working-class Ghent dialect of Moscow, Belgium (2008) has been exchanged for a pronounced Dutch Metropolitan accent. And the feel-good humour with a dash of tragedy has made way for a serious dramatic tone with a comic note. This is a powerful debut by the actress Emma Levie who plays Lena, a 17-yearold girl wrestling with her chubby body and a Polish mother who keeps belittling her. Her only pleasures are line dancing and casual sex until she meets the popular Daan, who seems genuinely interested in her. Lena is all too eager to move in with him, but isnt Daan hiding something from her? And what about his father, who lives as a hermit? The camera does not lose sight of Lena for a moment in this tender coming-ofage story. Van Rompaey gets right inside the world of the insecure adolescent who is learning to defend herself and discovering what self-respect is.
Matire grise
grey Matter Kivu Ruhorahoza
Grey Matter is the very first fulllength fiction film by a director from Rwanda produced in that country. It provides a glimpse from the inside of the traumas of genocide. This partially autobiographical debut starts as a film-within-the-film in which a young director describes the faltering production of The Cycle of the Cockroach (Tutsis were called cockroaches). Not without a critical note, this introduction shows that it is basically impossible to make an artistic film in Rwanda. A funding committee only wants to give the director money if he makes films that promote educational government projects such as AIDS prevention. The filmmaker does pursue his idiosyncratic plan, however. He wants to make an experimental film about a brother and sister who take up arms against the demons of genocide. Wearing a crash helmet, the brother fights alone against the insanity that is nestling in his brain: grey matter that can create, destroy and raze itself.
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eurOPeAN PreMiere
A Cloud in a glass of Water Srinath C. Samarasinghe A curious collection of styles and genres focussed on an Egyptian film operator who passes his old age in a small apartment in Paris. A Cloud in a Glass of Water starts as a documentary: the grandson of Monsieur Noun films while the old man talks about his deceased lover and the days when he screened films during the British rule in Cairo. Then Anna, the woman next door played by Anamaria Marinca from 4 Months, 3 Weeks & 2 Days (Cristian Mungiu, 2007) becomes involved in the project. From then on, the film ricochets in different directions. Fiction, biography, animation, mystery, detective story the life of Monsieur Noun has too many stories in it to be captured in one form. Samarasinghes debut, loosely based on the life of his grandpa, who was a film operator in Sri Lanka, playfully explores the possibilities of the medium. A Cloud in a Glass of Water is a bitter-sweet ode to friendship and precious memories that on occasion can be intensely moving.
gaamer
Oleg Sentsov
WOrLD PreMiere
The boys name is Alex, but in the world of gamers where he spends most of his time, he is known as Koss. The enormous amount of time he spends at the computer screen starts to pay off: in the games clubs in his small Ukrainian village, he is the undisputed king of the shooting game Quake, admired by the noobs the younger and less experienced players he defeats digitally. But there is also a different side. The endless games are getting in the way of his study at technical college, to the great dismay of his single mother. She sees her son growing up into a good-fornothing, just like his absent father. In a realistic style, filmed at a real game tournament with real gamers in the leading roles, debuting director Oleg Sentsov shows the rise of Koss. Because Alex has plans: hes going to be the greatest and that will solve everything. Step-by-step, he approaches his goal: to be world champion. But will success bring him what he wants? And what if he doesnt win?
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Bright Future
As hiper mulheres
iNterNAtiONAL PreMiere
Because he fears that his spouse does not have much longer to live, an old Indian asks his cousin whether his wife would like to perform the Jamurikumalu one more time. Its the ritual dance of the native population of the Upper Xingu, who live in the centre of Brazil. The sick wife wants nothing more than to sing along with the women of the village one more time. The preparations are started, but the only woman who knows all the lyrics is far from healthy too. Several old cassette tapes also dont offer a way out. An ethnographic documentary about a tribe that seems to live in a different age, The Hyperwomen is soberly shot but the intelligent cutting helps make it gripping. The Indians live in reed huts, usually walk around naked apart from a few cords and daubs of paint but they seem completely at ease in front of the camera. Their conversations are very openhearted with extremely sexual overtones. The complicated singing is beautiful, just like the equally complicated dance steps that accompany it.
Lhiver dernier
Last Winter John Shank
Press & Industry SCREENINGS Tue 31-1 18:30 CI2 e.s. Thu 2-2 17:45 CI2 e.s.
This land has given me so much, according to Johann, a headstrong young farmer in a remote region of France who pursues the tradition of his father and grandfather. He feels very close to the earth, the animals and other inhabitants of this small community. He occasionally sleeps with a girlfriend and sometimes he visits his sister who lives in an institution. He has such strong roots that he is the only member of the farmers cooperative who refuses to succumb to the economic malaise. But as winter approaches, a fresh tragedy will destroy Johanns last handhold and force him to make a radical choice. Last Winter, a project set up at CineMart 2009 that had its premiere at the Venice Festival, is the first full-length feature by the US-born but Belgian resident John Shank. In calm shots and with sparse dialogue, he shows the beauty of the landscape as it contrasts with gripping personal drama.
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Bright Future
iNterNAtiONAL PreMiere
Shot in the corridors and rooms of a small retirement home somewhere in America, The Patron Saints shows fragments from the lives of the needy and often senile inhabitants. The old lady who keeps wondering why she is here; the man who repeatedly tries to escape; the physically and mentally handicapped woman who has been abused for years by her brother. We see them in the surroundings where they spend their latter years, in disconcerting and nerve-wracking, but also moving and humorous scenes. Brian M. Cassidy and Melanie Shatzky altogether spent about four years in the retirement home for this meticulously constructed, hyperrealistic lament about the latter days of human life. Our guide is Jim, the youngest inhabitant of the home and a real gossip of the purest kind. While his body is paralysed, that does nothing to reduce his vitality and he has a story to fit with every inhabitant.
Alms for the Blind horse Gurvinder Singh In a refined balladic manner, this atmosphere-driven film tackles the fate of a repressed family in a village in the Punjab. The old and ill father joins a villagers protest against a landlord responsible for demolishing a house. His son Melu, a rickshaw driver in a nearby town who was injured during a labour strike, takes to drinking and wandering the streets. On the night of the lunar eclipse, some gunshots are heard and the village is impregnated with tension. Poor and marginalized, the characters silently but emphatically emanate restlessness and discontent. The director creatively uses space as the silent witness of events. The successfully chosen cast of mostly authentic villagers contribute with their minimalistic performances to the contemplative atmosphere of the film. This was the last project of the late great Indian cineaste Mani Kaul, who acted as creative producer in this remarkable debut.
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Papirosen
Gastn Solnicki
On 23 October 2000, immediately after the birth of his nephew Mateo, Gastn Solnicki started filming his relatives. Mateo is the first grandchild of Gastns father Victor, a sweet, generous but also rather dominant pater familias. The strong bond between grandfather and grandson forms the main theme in the fragmentary family portrait Papirosen, which portrays four generations of Solnickis, all encumbered and occasionally imprisoned by the past. Grandmother Pola and grandfather Janek, born in Poland, lost many of their relatives in Hitlers concentration camps. After the war, they ended up via Prague in Argentina, where the family was financially successful. For 10 years, the director continued to follow his parents and the family of his sister as it fell apart, despite regular protests. The result is a surprisingly open-hearted and moving film that, thanks to the daring editing and the beautiful, sometimes impressionistic camerawork, transcends the genre of the autobiographical documentary.
Valley of Saints
Musa Syeed
iNterNAtiONAL PreMiere
This compelling human drama is situated in Srinagar, at the Dal Lake in conflict-ridden Kashmir. The young boatman Gulzar (played by a real boatman) tries to escape the violence in Kashmir, but is caught because of a military curfew and must return to the lake. Plotting his next attempt at leaving, Gulzar and his friend Afzal meet a young woman scientist (played by a local TV actress) who is investigating the extreme pollution in the lake, on which the community depends. In their reaction to the violence and environmental degradation they find a common ground. They become close and develop a relationship. Focusing respectively on the human aspect, the love story, the environment and the ordeal of the Kashmiri people, who have been living for decades in a politically turbulent zone, this lyrical film successfully and excitingly merges documentary and fiction.
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Bright Future
On the eve of his discharge from an addiction clinic, 34-year-old Anders gets one days leave to have a job interview. He takes advantage of the opportunity to look up old friends and to roam apparently aimlessly through his Oslo, coloured by the last light of summer. But the failed suicide he attempted at the beginning of the film taints everything that follows: the subject of suicide is never far away in the conversations he has. Oslo, August 31st is (loosely) based on the novel Le feu follet (1931) by Pierre Drieu La Rochelle, which was filmed in 1963 by Louis Malle. That doesnt seem to be a coincidence: In his film, Trier (a distant cousin of Lars Von Trier) refers openly to the French nouvelle vague with a deceptive light-footedness, an underlying melancholy and several stylistic elements... but then with the penetrating clarity of Norwegian light and a thoroughly contemporary approach.
Wavumba
Jeroen van Velzen
WOrLD PreMiere
In his teenage years, Jeroen van Velzen moved back and forth between a British public school and a Kenyan beach paradise. A culture clash between eating sausages at fixed times, standing neatly in line and using the words Sir or Madam and magic stories about a man who talks to fish, seahorses that dance on the waves and the dream of capturing a giant shark. As an adult, Van Velzen has lost his faith in the supernatural. Yet he has a nostalgic desire for the magic of his childhood. With a film crew, he returns to Kenya, where on a coral island he meets the old fisherman Masoud who teaches his grandson Juma the tricks of the trade. The two hunt for lightning-quick sea snakes, poisonous fish and of course the giant shark, while Masoud describes his brave deeds with great imagination. In this way, just as in Van Velzens childhood, the world of people and the world of spirits meet. In his poetic, contemplative voiceover, the maker also lifts the film to a spiritual level.
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Bright Future
Lhypothse du Mokl-Mbemb
Kill List
Ben Wheatley
Ben Wheatly is the new wonder boy of British cinema. He made his debut in 2009 with Down Terrace, a violent gangster comedy he financed himself. The sequel, the horror film Kill List, has the same qualities as his debut: a quasidocumentary style, naturalistic acting, partly improvised dialogues and a large dose of black humour. Wheatly based the last half of Kill List on the nightmares he had as a child. The sensitive and unemployed Jay, a troubled veteran who served in Iraq and Afghanistan, takes on a new job with his Irish mate Gal. But who is really the mysterious client of the two hitmen? With a kill list in their hands, they travel through England. During the day they do their work stoically, at night they stay in cheerless hotels. Halfway through Kill List, the social realism changes into worrying supernatural horror. The strangest film of the year also has an ending which gives you plenty to talk about.
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Bright Future
iNterNAtiONAL PreMiere
In a bare film studio, a director is standing ready with his crew for an interview with a prostitute. Shot in classic black & white, the documentary maker in Black & White & Sex interviews her at length, with various cameras and a barrage of questions. Eight different actresses portray one and the same woman: Angie, the eloquent prostitute. While the ladies are very different in their appearance, age and clothing, they are the same person with the same text. Yet each new woman heralds a new phase in the conversation between Angie and her interviewer who has to bare all, literally and metaphorically. This film-within-a-film makes one suspect a classic Hollywood casting couch, but turns out primarily to be a confrontational, erotic and intellectual cinematographic striptease partially inspired by Andy Warhols Screen Tests. A joy to watch thanks to the stylish camera work, the clever cutting, the well-thought-out dialogue and powerful actresses.
Sentimental Animal
Wu Quan
iNterNAtiONAL PreMiere
The fact that there are now signs of growing diversity in style, theme and approach in Chinese independent fiction film is clear from the first film by the versatile Wu Quan. In contrasty, very sharp black-and-white (shot by cameraman Zhang Yuedong, who directed the minimalist-absurdist Mid-Afternoon Barks), Sentimental Animal is a meticulously styled, occasionally sensitive and sometimes shocking allegory that will not easily be forgotten. Wu has made a film about the latter days of a Chinese patriarch. This former soldier and owner of the fish farm where the events take place became physically handicapped after a heroic deed. Although he can no longer speak and needs help from his nurse for virtually all his actions, he is still the respected leader of his clan. But now he is approaching his end and takes on his last, difficult task.
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hikari no oto
the Sound of Light Yamasaki Juichiro
iNterNAtiONAL PreMiere
Yusuke returns from Tokyo to the rural village in Okayama where his parents have a dairy farm. The enterprise has been in the family for generations. While Yusuke would most love to be a musician, he feels the family duty pressing on him; his father has had an accident and as eldest son he has to help out. The Kariya family farm is hemmed in between motorways and it turns out to be difficult to run a small-scale farm in an era of mass production and globalisation. In this very realistic, honest drama, we follow Yusuke in the uncertain period as he wrestles with his dreams for the future and his relationship with Yoko, who has a child with a man who was once going to be a dairy farmer if he hadnt had a fatal accident. In the run-up to the annual family tradition, standing together to watch the first sunrise in the New Year, the modest young man tries to make a decision about the rest of his life.
the river used to Be a Man Jan Zabeil In his feature debut, the young German Jan Zabeil follows in the footsteps of Werner Herzog. He travels with a tiny crew an actor, a cameraman and a sound man to Africa in order to seek adventure in the wilderness. His film is half documentary, half staged and largely improvised. Real and imagined events intertwine, and the result is like a nightmare about alienation and disorientation. A white young man, played by Alexander Fehling, slowly loses any sense of logic. He is a guest in Africa in the territory of all kinds of animals and can be consumed at any moment. When the old fisherman who takes him upstream disappears without trace, he is left on his own. A confrontation with his own fears and observations follows. But what exactly goes on inside him remains a closed book. Zabeil leaves most questions unanswered. A hellish journey through darkest Africa without the exoticism being exploited.
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SPeCtruM
Spectrum
Dernire sance
Laurent Achard
With his pale face, penetrating gaze and inscrutable expression, which is both sad and scary, he could have walked straight out of one of the old classics of the silver screen. Sylvain is the cinephile operator of a small neighbourhood cinema. French Cancan (1954) by Jean Renoir is one of his favourites. But his love for film also has a darker side. At night, he turns into a chilling murderer who preys on women who wear earrings. We are worried sick about the young actress who is about to make her debut in the play Phdre by Jean Racine and innocently falls in love with Sylvain. Laurent Achard, who was given a Tiger Award in 1999 for Plus quhier, moins que demain, brings an ode to cinema with Dernire sance in the form of a modest yet no less exciting and nerve-wracking horror film. He supplely adapts genre conventions for instance, there is a complete absence of thriller music, so the icy screams are even more devastating.
mercado de futuros
Futures market Mercedes lvarez
The Greek poet Simonides of Ceos is remembered for his fabulous memory and as the founder of mnemonics. In Futures Market, Simonides reflections constitute the backbone of the commentary-free shots, which in a well-paced edit reflect on the past, present and future. The film shows an old house being divested of its valuable contents, which then end up at a second-hand market as a collection of random items. The footage of the trade in objects from the past alternates with futures trading. At the real estate exchange, men in suits sell houses that havent even been built yet and at the stock exchange, abstract numbers change owners during nervous phone calls. In the meantime, Simonides, timeless works of art and energetic market trader Jsus Castro comment on our increasingly hectic society.
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Spectrum
the comedy
Rick Alverson
On the first day of shooting for The Comedy, director Rick Alverson (of the band Spokane) tweeted that his film was an atrocity of cinema. However, given the nature of the film, it is probable that his tongue was lodged firmly in cheek. Because, even if the main characters in The Comedy are played by the crme de la crme of American underground comedy, with Tim Heidecker (Tim and Eric Awesome Show, Great Job!) in the lead role, the film is primarily a sardonic look at the vacuousness of todays allconsuming irony. Nothing is sacred for the almost apathetic Swanson (Heidecker) and his group of practically identically-clad friends: tennis shoes and polo shirts that fail to hide the beer guts emerging from underneath their pathetic blond beards. Seemingly emotionlessly, they deeply insult one another and others with jokes about any taboo that comes to mind. These men drift aimlessly just as Swanson does on the yacht that serves as his home.
INterNAtIONAL premIere
Wuthering Heights
Andrea Arnold
Andrea Arnold filmed Emily Bronts Wuthering Heights as the story was intended: dark and sensual. Words are barely audible, eyes see eyes, skin touches skin when no one is looking and the seething rain batters the windows. The heath outside is like an unknown land, where the mansions from Bronts original story have been replaced by derelict farms, closed off from the world. This eighteenth adaptation of the novel turns Heathcliff into even more of an outsider than he already was, as a result of casting the black actors Solomon Glave and James Howson as the young and older Heathcliff. The mood is more hostile than ever: the first time the kid appears, he gets spat in the face. Wuthering Heights was never about romantic love, Arnold stated in interviews, but about obsession. She managed to capture that obsession, that uninhibited, destructive energy.
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Spectrum
Febre do rato
rat Fever Cludio Assis
Rat Fever is the alcohol-drenched story of an unrequited love. The poet Zizo, a pure-bred anarchist, is lost as soon as he meets the sober Eneida. She doesnt mind being his muse, but she wont go any further than that whereas in Zizos circle of friends, made up of social losers, Bohemians and other proud outsiders, everyone goes to bed with everyone else. Meanwhile, Zizo is busy with his dubious battle against the system, using his self-published newsletter Febre do rato and a series of subversive street performances that primarily seem to reach his own friends. Once again, Tiger-Award winner Cludio Assis (Bog of Beasts, 2007) films in his own region, north-eastern Brazil. He portrays Recife as a clammy, stupefying city filled with filthy slums. But Rat Fever has more optimism and humour than the raw Bog of Beasts. Zizo and his friends make the best of it; their high-spirited battle for freedom, anarchy and sex turns Rat Fever into a feverish, erotic manifesto.
INterNAtIONAL premIere
INterNAtIONAL premIere
A Womans revenge Rita Azevedo Gomes The 19th-century dandy-writer Jules Barbey dAurevilly was specialised in short stories about monarchist aristocracy who had lost their power but not their money and who of course surrendered to morally irresponsible behaviour. Recently, Catherine Breillat also based the film Une vieille maitresse on the work of Barbey dAurevilly, and A Womans Revenge has already been filmed in 1921 by Robert Wiene. Several stories from the anthology Les diaboliques, which was immediately confiscated in 1874, have the structure of a story in a story also this one. Rita Azevedo Gomes sticks fairly close to the original text in a solemn, theatrical yet also picturesquely beautiful style reminiscent of De Oliveira or Eugne Green. Roberto is a handsome, wealthy man of the world. He is arrogant and easily bored. Yet one evening his attention is attracted by a prostitute who turns out to be a missing noblewoman. She tells her story: a marriage without passion, an affair, a shocking murder and ultimate revenge.
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Spectrum
Vorbitor
eurOpeAN premIere
38 tmoins
38 Witnesses Lucas Belvaux
WOrLD premIere
Outside an apartment complex in the French port city of Le Havre, a female student is gruesomely murdered in the middle of the night. The complexs 38 inhabitants say they heard or saw nothing. Until one of them, the introverted pilot Pierre (Yvan Attal), decides to break the silence. He admits to the police that he was awakened by a desperate, primeval cry. A cry that cannot have escaped his neighbours attention. But why did they, just like Pierre, not come to the victims aid? Why do they collectively deny having witnessed the murder? Due to cowardice, shame or fear? These questions haunt the traumatised Pierre, and director Belvaux (The Trilogy) states them openly. His book adaptation (the opening film at IFFR 2012) is an unbiased investigation. Why do people tend to want to hush up certain events? 38 Witnesses is a thorough, psychological study and a claustrophobic murder mystery in one. The understated cinematography and subdued soundtrack subtly increase the tension.
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Spectrum
small roads
James Benning
The ne plus ultra of road movies, small roads is precisely what its title indicates. James Benning claims his film is best described by making a list of the 47 roads in question and the cars that drive on them, which together denote a circular journey through Americas west and south over the seasons. But lets speak in grander terms: small roads is digital cinema as virtuoso landscape painting, depicting each two-lane blacktop from a central perspective, each 16:9 countryside highway glistening under the hot sun, shrouded in fog, or coated with a dusting of mid-winter snow. In its execution, small roads most resembles Bennings final 16mm masterpiece RR, in that the action (or here, stasis) inside the frame determines the length of each shot; but with each shot being a careful, invisible digital composite, the suddenly prolific Benning is up to more than just looking and listening.
eurOpeAN premIere
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Spectrum
rua Aperana 52
Jlio Bressane
In his film Rua Aperana 52 Jlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressanes parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means wrong road. Rua Aperana 52 is autobiographical, as it is a landscape from Bressanes youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction.
WOrLD premIere
Way of passion
Joerg Burger
Trapani, Sicily. The men of the town prepare for the Easter procession. Clothes are remodelled and the immense statues that have to be carried on their shoulders through the narrow streets of the town during the procession have to be repaired. This annual procession has taken place for 400 years, a tradition that is cherished. Its a great honour to be chosen as one of the bearers, be it a heavy and emotional task. Joerg Burger follows the preparations and the procession itself, that lasts all night. His floating camera follows the events without commentary: not only is there no narrator, but in the film itself barely a word is said. The film focuses on the extreme devotion and worship that grips Trapani for 24 hours, both for Christ as for the bearers who now briefly have to take his place.
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Spectrum
A Shape of error
Abigail Child
WOrLD premIere
Abigail Child uses home-movie aesthetics to reconstruct a life in a time when film still had to be invented. Based on diary notes by Mary Shelley (1797-1851) and her stepsister Claire, she filmed the problems of love, pregnancies, babies who died and the written work of these women, who were very emancipated for their day. Child focuses primarily on Marys intense love affair with Percy Shelley in the years when she was also writing her classic gothic novel, Frankenstein (1818). The form of A Shape of Error is playful and adventurous, with split screen shots filled with doublings and mirrors, chronological facts in inter-titles and Marys poetic voiceover. For Child, the authenticity of the home video is a way to create intimacy. At the same time, her film is a self-reflective investigation of this authenticity, as she previously did in The Future Is Behind You. A Shape of Error is the first part of a trilogy about women and ideology, in which Shelleys biography tackles Romanticism.
A Dangerous method
David Cronenberg
The Canadian David Cronenberg, known from horror films such as Videodrome (1983) and The Fly (1986) and violence studies such as A History of Violence (2005) and Eastern Promises (2007), provides a surprise with a modest adaptation of the play The Talking Cure by Christopher Hampton, who personally rewrote it as a screenplay just as he did with his Oscar-winning screenplay for Stephen Frears Dangerous Liaisons (1988). A Dangerous Method looks at the early period of psychoanalysis and the fruitful clash between Sigmund Freud (played by Cronenberg regular Mortensen) and his critical follower Carl Gustav Jung (a controlled Fassbender). The story focuses on the hysterical Sabina Spielrein (Knightley), who is treated successfully by Jung using Freuds insights, then embarks on a secret relationship with her married doctor and later becomes a famous feminist psychoanalyst herself. With great attention for the early 20thcentury settings in Jungs Zurich and Freuds Vienna.
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mondomanila
Khavn De La Cruz
INterNAtIONAL premIere
Life in the slums of large Third World cities has been filmed in many different ways, but never before was a musical made about it. Khavn De La Cruz has been involved since 2003 with a unique celebration of the lives of losers in the ghettos of Manila, the Filipino capital. Characters like the teenager Tony D and his depraved friends. Theres Lovely Loanshark, the gambling addict, a slum milker whos always screaming. Sgt. Pepper is a policeman and (to his great dismay) the father of only daughters and a gay son. Theres Steve Banners, the old white pederast, and Ogo X, the misformed rapper. Mondomanila got support from HBF a long time ago and was finally made with mainly private money. The film shows a colourful, occasionally almost glamorous but also violent, rancid and perverse society in the gutter, in flashy, fast-cut scenes, with absurd dialogues and bizarre events. Khavn shakes up film styles to his hearts content: exuberant video clips, grubby film noir, hyper-realistic documentary and even slapstick linked by an original story and rousing music.
Siglo ng pagluluwal
century of Birthing Lav Diaz
The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, theres another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. By telling the stories in parallel, similarities become visible between Homers struggle with cinema and Turbicos struggle with faith.
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WOrLD premIere
monsieur Lazhar
Philippe Falardeau
A primary-school class is horrified by a most unpleasant event. Simon finds his teacher Martine after she has hung herself in the classroom. Her replacement, the strict yet fair Algerian immigrant Bachir Lazhar, first tries to teach the children the literature of Honor de Balzac. In vain, as they have other things on their mind. The suicide left a deep wound, especially on Simon and Alice. Bachir is himself in the meantime wrestling with family problems and can be thrown out of the country at any moment. Even if the serious themes of loss, death, guilt and innocence make one think otherwise, this film based on a play by Evelyne de la Chenelire is charming, tender and at times even strikingly humorous. The good-natured Bachir is played subtly and movingly by Mohamed Fellag. Falardeau manages to stimulate milien Nron (Simon) and Sophie Nlisse (Alice) to play very profound roles, as he had done previously with the child actors in Its not me, I swear! The result is a loving, warm audience film like tre et avoir.
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Nick
Fow Pyng Hu
WOrLD premIere
Im just here for the ride, I dont mean anything I say, says intelligent, elusive, conceited, cynical Nick to the beautiful Monie during a date that again gets completely out of hand. Just get lost, she snarls at him. Go back to your mother. Nick works as a sous-chef in a restaurant; he is good and he knows it. He thinks all the others are useless, and has hardly any respect for his boss, Wim. One day, an argument gets hopelessly out of hand in the kitchen, and Nick runs off with pretty young Croatian waitress Kristina, heading south to look for white truffles in the vast Croatian forests. And to find himself. The third feature by Fow Pyng Hu ( Jacky, Paradise Girls) is an intriguing combination of character study and road movie, with powerful performances by Merijn de Jong (Nick) and Marcel Hensema (Wim). The beautiful photography by Benito Strangio, especially the curious dream sequences, contribute to the special mood, as do the sound design and music.
In the first half of this intimate study of everyday life on the outskirts of a small provincial town, we follow the sisters Ara and Marian and their girlfriend Beln with her dog Lulu. The lyrically photographed Today I Felt No Fear emerges as a collection of impressions and moods. Journeys on mopeds along sandy tracks, work, hanging out with friends, family photos, dancing, preparations for Christmas. A jacket found in a second-hand shop will lead the two sisters to meet their father again. Ivn Funds specific style poetic and impressionistic can be seen even more clearly in the second part, in which he plays with documentary and fiction. A womans visit to a psychiatrist is juxtaposed with a flood of images workers, landscapes and above all many parties. A film crew appears on screen and we even catch a glimpse of the actresses from the first half. This is Funds first solo direction. The film he directed with Santiago Loza, The Lips, was screened in Rotterdam last year.
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un amour de jeunesse
Goodbye First Love Mia Hansen-Lve
Camille (15) and Sullivan (19) have a passionate affair, overshadowed by her fatalistic insecurity and his need for freedom. Sullivan travels to South America in an attempt to discover himself and the initially regular flow of letters comes to an abrupt end, just like the relationship. The film follows the hopelessly romantic Camille (Love is everything to me, its my only reason to live) in the following years, when she throws herself successfully into her study of architecture in Paris. She doesnt have a serious relationship and doesnt seem to want one until she falls in love with her teacher. The love based on mutual interest and admiration results in a stable and hopeful relationship and the two even move in together. But then Sullivan turns up and the old, confusing feelings come back to the surface. Mia Hansen-Lve (All Is Forgiven, Le pre de mes enfants) records the overpowering, illogical, uncontrollable and finally impossible love.
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WOrLD premIere
Buk-chon-bang-hyang
the Day He Arrives Hong Sang-Soo
Hong Sang-Soo makes films about filmmakers who make films, but also about filmmakers who dont make films. After Woman on the Beach and Like You Know It All, his The Day He Arrives also slots into this category. In charming black-and-white, Hong follows the young director Seongjun, who after making four films has decided to work as a teacher. Hes not sure if he has stopped filming or whether he just cant do it any more. Thats barely relevant: Hongs film about Seongjun also surreptitiously turns into his own new film. The Day He Arrives is a kind of Groundhog Day, in which Seongjun bumps into several actresses and his ex-girlfriend, drinks himself stupid and experiences plenty of sexual excesses. Its not really clear whether he keeps living through the same event, or that events are completely new to him each time. Hong shows his most self reflective side here. Even though he makes consistent films about the construction of films, he gives them a fresh twist every time.
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Lacan palestine
Mike Hoolboom
WOrLD premIere
The foundation of Palestine has a long and difficult history, characterised by a continuing battle for the right to exist. In this cinematographic essay, entirely composed of found-footage material, the history of a land without land is sketched, with its painful relationship with its neighbour Israel. Epic scenes from features, iconic news footage of historic moments, the ever-changing map of Israel, video art by Velcrow Ripper, Elle Flanders and Dani Leventhal, but also very personal recordings of everyday survival, are linked together by the psychoanalytic reflections of filmmaker Mike Cartmell, based on his own painful personal history. From his background as an adopted child, he wonders when you become someone, and how society can emerge from individuals; he compares the functioning of a complex society with that of John Coltranes jazz combo, in which even five super-egos managed to achieve harmony. In Mike Hoolbooms view of Palestine, love and violence exist side-by-side, as a matter of course.
Im Still Alive
Peter van Houten
WOrLD premIere
A poetic and visual portrait of the old Polish woman Jadwiga Kubis Waslicka. Her life coincided with the 20th century. The great movements of history, such as communism, capitalism and fascism, meant she had to roam Europe from Poland via Germany and the United Kingdom to Holland. Now shes back in her homeland, in Warsaw. She is old. Her body is decaying and shes basically waiting until the angels come to fetch her. The filmmaker is aware of Jadwigas old age and approaching demise, but he also sees much beauty in her appearance. He juxtaposes her wrinkled face with the guilty Polish landscape. At the most intimate of moments, he does not look away and continues to seek beauty in fragility. The woman no longer leaves her house, but the filmmaker does. He brings images and sounds back that tell us things about her life, but without words. Images that mix the suffering from the past with the suffering now.
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tao jie
Bunohan
eurOpeAN premIere
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punk in Africa
Keith Jones, Deon Maas
eurOpeAN premIere
While young people in the West started to free themselves from traditional authoritarian power relations in the early 1960s and to make the acquaintance of rock n roll and later long hair and punk, in South Africa the institutionalised racism of Apartheid still existed. With the advent of punk music in the mid-1970s, for the first time there was a home-grown youth culture and an opportunity to resist oppressive regimes. Punk in Africa tells the story of punk in South Africa and how it spread to Zimbabwe, Mozambique and Kenya and played a role there in the political struggle. We get to see the most important bands and the legendary venues where they played, but also the evolution of punk music and the influence it had on modern South African bands. In the wings of the many tumultuous concerts, the documentary tells an alternative history of South Africa in the last 40 years, a story unknown to many.
A better life beckons the young couple Yann and Nadine. In an impulse, the thirty-somethings have bought some real estate by a lake where they want to start a restaurant. Hes a chef, shes a waitress; a dream comes true. But they did not keep their eyes open when they took out their loans and French catering regulations do not prove very cooperative. The project gets delayed, as a result of which Yann and Nadine sink deeper and deeper into money problems. As an extreme stopgap measure, Nadine takes a lucrative job in Canada. Yann stays behind in his mobile home and looks after Nadines nine-yearold son Slimane. When Nadine suddenly doesnt get in touch anymore, Yann is on his own. Kahn, who had primarily made thrillers in the past, now presents the despair and nerve-wracking situation of the protagonists cleverly and briskly, while skilfully avoiding the pitfalls of sentiment. The powerful acting achievements, especially of Guillaume Canet as Yann, turn A Better Life into a beautiful and realistic drama.
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Le Havre
Aki Kaurismki
While his Finnish wife is in hospital, the selfish old shoeshine Marcel Marx living in the French port of Le Havre, takes an interest in an African kid who was in a container on his way to his mother in London when the immigration service caught up with him. The hand of the master is immediately apparent in Aki Kaurismkis touching, comforting and wryly comic drama Le Havre. With meticulously framed long shots and the sparse, slightly absurd dialogues. And thanks to his characteristic bitter humour and the special characters, played by Kaurismki regulars such as Andr Wilms and Kati Outinen. At the Cannes Festival last year, this stylish, mildly committed film won the FIPRESCI Award, the prize of the international film critics. Laka, Kaurismkis dog, received a special mention from the Palm Dog jury.
Serdca bumerang
Hearts Boomerang Nikolay Khomeriki
In the opening scene, Kostya (23) is confronted with bad news: the doctor tells him that he is suffering from incurable heart disease. In theory, he could drop dead at any moment. Kostya then proceeds to share the news with no one. Not even with his mother, who seems so close. Not with the colleague he shares his metro journey with every day. And not with his girlfriend, with whom he has a difficult relationship. What is Kostya really going through? Is he trying to come to terms with his ticking time bomb? Is he reflecting on the radically changed meaning of his life? Russian director Nikolay Khomeriki builds up the mystery around Kostyas psychological state subtly and patiently. The picturesque black-andwhite photography of St Petersburg in winter is by Shandor Berkeshi (Koktebel ), whose camera remains at a distance and hence gives the viewer plenty of space to penetrate Kostyas soul.
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tatsumi
Eric Khoo
e.s. e.s.
Eric Khoo previously came to Rotterdam with a few Singapore features and now pays tribute to the Japanese manga author Tatsumi Yoshihiro in his first animation film. Tatsumi is known as a pioneer of the gekiga, the comic-strip genre aimed at adults that is regarded as the more serious form of manga. The film is based on A Drifting Life, Tatsumis autobiographical manga, through which Khoo has intertwined several of his short stories as independent episodes. At the age of 12, Tatsumi is already a passionate illustrator. He makes many attempts to build up a career as a manga artist, fed by his admiration for the manga grandmaster Tezuka Osamu. Impressions of post-war Japan can be seen in the background of this melancholy story. This last theme is above all powerfully present in the much grimmer short stories by Tatsumi, with their tragic characters and bizarre turns. The simple animation style remains close to the work of Tatsumi himself.
Jultak dongshi
Stateless things Kim Kyung-Mook
Jun has fled from North Korea and tries to manage without money or family in the South Korean capital, Seoul. It briefly looks as if a romance will develop with Sun-Hee, a colleague at the filling station where Jun has a job. But Sun-Hee, who comes from a Korean family in China, is too confused and afraid. In a different, more wealthy part of town, the young, handsome Hyeon looks at the night-time lights of Seoul. He lives in a chic apartment registered in the name of his older lover, who is so jealous that he would most like to lock Hyeon up. Slowly but surely, the stories of Jun and Hyeon, two lost souls, come together in the poetic and stylish Stateless Things. Despite his young age, Kim Kyung-Mook (b. 1985) has long been regarded as one of South Koreas greatest talents; he has made a name for himself with short and mid-length films such as A Cheonggyecheon Dog (2008) and the controversial Faceless Things (2005). The positioning of the opening titles is enough to show Kims idiosyncrasy: they only appear on screen after 90 min.
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Girigiri no onnatachi
Women on the edge Kobayashi Masahiro
Women on the Edge has four leads: three actresses and a house. A house in a beautiful rural location, the countryside tarnished by the disaster which struck Japan in March 2011. However, in the houses immediate surroundings everything seems normal. The three actresses play the sisters Takako (Watanabe Makiko), Nobuko (Nakamura Yuko) and Satomi (Fujima Miho). The three have a frosty relationship and the reunion is unplanned. They havent seen each other for ten years. They all accidentally return to the family home for different reasons, which leads to tensions, and the desolate landscape after the disaster just exacerbates the mood. Kobayashi (The Rebirth) has previously shot films in this area that he loves, which led him to purchase the house that the film is set in and around. Initially he doubted whether shooting in the disaster area was appropriate, but those who live there encouraged him.
INterNAtIONAL premIere
Kiseki
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Deool
eurOpeAN premIere
The French writer and artist Franois Augiras (1925-1971) loved adventure, grand gestures and mystification. He once made a series of enormous frescoes in a bunker in the desert of Mali, which he then allowed to be swallowed up by the advancing sand dunes. Later generations would have to try and find this grand masterpiece: the Sistine Chapel of the desert. Miquel Barcel, one of todays leading Spanish artists, is fascinated by the work and life story of Augiras. He also often works in Mali, where he finds inspiration for his sculptures and paintings. The Catalan director Isaki Lacuesta made a documentary about Barcel, The Clay Diaries, and simultaneously made the fiction film The Double Steps: a complex, enchanting mix of fantasy and reality in a plethora of narrative lines, inspired by Barcel (who also plays a role in the film), Augiras, and the narrative tradition of the Mali Dogon people. Amateur actors play most roles in this film that won the Golden Shell in San Sebastin.
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el cuaderno de barro
the clay Diaries Isaki Lacuesta
Who would bring clay to Mali? the inhabitants of the Dogon region wonder when a truck arrives from Spain with four tons of wet clay. It is raw material for a performance by Spanish artist Miquel Barcel and French dancer and choreographer Josef Nadj. The performance is called Paso doble, to be performed atop the famous Cliff at Bandiagara. Its a beautiful, humorous choreography for two men in black suits using clubs and their hands to attack the clay, creating a work of art that fits in beautifully with the surroundings. It is immediately obvious why Miquel Barcel, undisputedly one of todays greatest artists, feel so at home in Mali, a country where he has regularly worked for 20 years. He just gets more inspired, even when the wind prevents him painting and termites eat his work. The cooperation between Isaki Lacuesta and Barcel not only yielded this beautiful documentary, but also the fiction film The Double Steps, which also screens at the festival.
Les gants
the Giants Bouli Lanners
Smoking weed, joyriding, stealing food: the giants from the title are full of mischief. Its a languid summer vacation in the Ardennes mountains of Belgium and the three teenage boys Zak, Seth and Dany have been left to their own devices by their parents. Without a penny in their pocket, they have to fend for themselves. The ideal recipe for an exciting boys book: a series of fairytale adventures in woodlands and over meandering rivers in which not only the local drug dealer and Danys crazy brother, but also three pigs, angry wolves and a good fairy turn up. The worlds of the Belgian actor/director Bouli Lanners are always populated by colourful, eccentric characters. Just as in Ultranova (2005) and Eldorado (2008), Lanners creates a universe of his own that is perched between magic realism and wry-comic absurdity. The painter in Lanners betrays himself in the majestic CinemaScope images. The Giants (SACD Prize in Cannes) is a modern, poetic, bittersweet fairytale about fragile family bonds and pure friendships.
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Alpeis
Demain?
Christine Laurent
WOrLD premIere
Tragic artists lives are always a thankful subject for films. Certainly if they end the same way as Shakespeares Romeo & Juliet. In this subtle, supercooled biography, the French director/ scriptwriter/actress Christine Laurent filmed the life of Delmira Agustini (1886-1914), a famous name within female poetry in Latin America. As a member of the Uruguayan aristocratic class, Agustini lived her short life in luxurious mansions, stylishly depicted by Laurent. Here she had all the room she needed to write her titillating, erotic poems. Laurent focuses primarily on the fickle love life on which Agustinis work was based. Her relationship with the possessive Enrique Job Reyes had its ups and downs. He wants to marry her, but she has her doubts and also has to come to terms with her dominant mother. Spoken in French, Demain? turns into a portrait of a young woman who, despite growing up in relative freedom, has to fight for her independence.
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This backpackers adventure is a loose adaptation of Tim Bissells Expensive Trips Nowhere, a series of stories about rich Westerners travelling in poor, beautiful parts of the world. In this case, Alex (Gael Garca Bernal) and Nica (Hani Furstenberg) have decided to go trekking in the Caucasus a few months before their wedding, led by local guide Dato (Bidzina Gujabidze). They walk for hours, sometimes talking or singing, but usually surrounded by the intoxicating silence of the rugged mountains. An unexpected event sorely tests their relationship. Julia Loktevs second feature film deals with relationships disrupted by misunderstandings, but is also a masterful example of repetition and duration in cinema. Gujabidze, who makes his debut in this film, works as a real-life guide, enabling him to give an authentic performance, while Bernal and Furstenberg manage to create an alienating chemistry. The title is a playful reference to the popular publisher of travel guides.
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WOrLD premIere
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eurOpeAN premIere
Gyakuten Saiban
Ace Attorney Miike Takashi
WOrLD premIere
Miike Takashi made a film adaptation of the popular Nintendo game Ace Attorney, about the young, rather clumsy lawyer Phoenix Wright, who was also the protagonist of the first three Capcom games. Wright, assisted by old school friends Miles Edgeworth and Larry Butz, has to win several court cases in this story in order to solve a 15-year-old mystery. Among all the comedy and sci-fi gadgets of the lawyers, the film provides a caricature of the show-business character of Japanese law. Through the immense pressure on the legal system, in the near future of Ace Attorney a case will only be allowed to last three days before the judge takes a decision. Under the enormous pressure of time, it is increasingly important for lawyers to intimidate the other party and give a smooth presentation, even though they say that success is determined by strong evidence. Miikes typical cartoon style, combined with dynamic game visuals, results in a playful crossover between live-action, game and manga.
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miss Bala
Gerardo Naranjo Gonzalez
Gerardo Naranjo delivers a narcotics thriller with Hollywood pretensions. Entertaining, exciting, rapid, dark, and filled with action and violence. Like Steven Soderberghs Traffic, Miss Bala is situated around the drug wars on the Mexican-American border. Stephanie Sigman plays Laura Guerrero, a young, attractive but also poor woman who would like to be Miss Universe. When she decides to take part in a local beauty contest, she is blackmailed by the drug baron Lino: he promises her she will win, and in exchange she does a few jobs for him. The dream comes true, but the price is high, as Laura becomes increasingly entangled in the criminal circuit. Inspired by a true story, Naranjo stays close to reality. Just like the modern classic Gomorrah, he provides a raw glimpse of the drug world and packages it as a bloodcurdling, sensational thriller. Making her debut, Sigman presents Laura more as a fearful animal in distress than a thoughtless girl. And as a result, she sinks even deeper into the quagmire.
the Hunter
Daniel Nettheim
eurOpeAN premIere
The Australian bush attracts and frightens. That also goes for Martin, who treks into the wilderness of Tasmania in this exciting psychological adventure drama. Via a mysterious biotechnological company, he has been commissioned to track down the last Tasmanian tiger. Not an easy commission, that much is clear. The tiger is sought at length, but without success. Martin hears from the local guide that the previous hunter has been missing for months. He also finds his traps are sabotaged and hes being tracked on his quest. The Hunter, based on the debut novel by Julia Leigh, is both a literal journey and a metaphorical one: Martin, a layered role by Willem Dafoe, has to change his own opinions and behaviour because of his mission. The majestic, breathtaking shots were filmed entirely on location. Rough plateaux, desolate mountains, thick forests: their emptiness and deserted nature underlines the isolation, loneliness and urge for survival of the protagonist. Closing Film of the festival.
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mata tertutup
the Blindfold Garin Nugroho
WOrLD premIere
In contemporary Indonesia, religious radicalisation is playing an increasingly important role. The banned Indonesian Islamic State (NII) successfully recruits among young people who dont have any prospects of training or work. Nugroho tells three different stories: that of the girl Rima, who emerges as a valuable staff member of the NII; Jabir, who quits school for lack of money and returns to his parents, and Asimah, the mother of Ainsi, who has been kidnapped by the NII. Rima does so well that she acquires a leading role, but then it soon becomes apparent that there is no room for her ambitions in Islamic conventions. Jabir joins the radical Muslims out of frustration about the lives of his parents, who have no prospects. Asimah walks all over the city looking for her daughter. Nugroho (Leaf on a Pillow, Opera Jawa) made the film on a small budget (less than 100,000 Euros) with primarily non-professional actors.
Le reste du monde
the rest of the World Damien Odoul
WOrLD premIere
Eve is a young woman who lives in the South of France. One evening, her boyfriend commits suicide and soon after she turns out to be pregnant. It is the start of a drama that (primarily) investigates the role of parenthood. During a family dinner, the new wife of Eves father brings up an old family secret. As a result, Judith, one of Eves two sisters, becomes convinced that her father is not her biological father, and she goes looking for him. In the meantime, Eve wonders whether she wants to keep the child. Damien Odoul is a wayward outsider in the French film industry and based his film, made for television, on an autobiographical detail, using this as a starting point for his story about identity, origins, family bonds and mourning. The French actress Emmanuelle Bart stars as the alcoholic new mother-in-law. Also with minor roles for Mathieu Amalric and Charles Berling.
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WOrLD premIere
play
Ruben stlund
Three white boys aged about 12 are surrounded in a large shopping mall by five black kids, just a little older. Do they know the time? When one of them takes out his mobile phone, the game starts: that phone belongs to the younger brother of one of the attackers, he argues loudly. Lets just go and ask him. And that is the start of an apparently endless journey, filmed in real time from the centre to the suburbs, driven by the constantly shifting group dynamics. Director and scriptwriter Ruben stlund (Involuntary) based his film on true events: a group of kids managed to rob about 40 other children between 2006 and 2008 in stlunds home town of Gteborg in the roundabout yet non-violent way shown in the film in long, distant takes. stlund was allowed to study the legal documents surrounding the case and spoke to culprits and victims in order to build up his powerful analysis layer by layer.
Press & Industry SCREENINGS Sun 29-1 14:15 CI2 e.s. Thu 2-2 15:30 CI2 e.s.
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Rithy Panh Duch is the nickname of Kaing Guek Eav. In 2009 he was the first leader of the Khmer Rouge to be tried by an international war tribunal. Between 1975 and 1979, he was part of the horrific regime that had Cambodia in its grip, first as administrator of the M13 prison and later of the S21 camp, a murder machine in which the remaining archives suggest that 12,380 people lost their lives and probably many more were destroyed. Rithy Panh has for years chronicled the Khmer Rouge and allows Duch to tell his own story frankly and unhindered, in a dialogue. But where Duch paints a picture of himself as only a cog in the machine, archive footage and eyewitness accounts provide a very clear picture of that hellish machine which led to the death of almost 2,000,000 Cambodians about a quarter of the population. Panh lays bare the mechanisms of a system that left no space for humanity.
the Descendants
Alexander Payne
Thorough and subtle analyses of emotionally stranded men are a recurring theme in the work of Alexander Payne: the characters of Matthew Broderick in Election, Jack Nicholson in About Schmidt, Paul Giamatti in Sideways and now George Clooney all wrestle with their own selves. Payne chooses his projects with care and also avoids clichs and melodramatic pitfalls in this new comedy drama. The Descendants, based on the debut novel by Kaui Hart Hemmings, follows a man in Hawaii who is at a turning point in his life. His wife has gone into a coma after an accident and he is forced to look at himself. Until then he had been the back-up parent, but now this self-appointed understudy has to take full responsibility as a parent for his two daughters. In addition, he wrestles with the painful discovery that his wife had an extramarital affair, and with the question of whether he should sell his land for a large sum of money.
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roman Diary
Michael Pilz
WOrLD premIere
In a long, slow, silent procession, they pass by the viewer: the stone-hewn witnesses of a battle that took place more than a century and a half ago in Rome. In 1849 the city, where the advocates of the democratic republic had entrenched themselves, was besieged by French troops who wanted to restore the Papal States. Led by the legendary Giuseppe Garibaldi, the freedom fighters resisted for a long time. Film artist Michael Pilz shows the silent and tranquil remains in a Roman park, with music and sounds from the present in the background. Life around the statues goes in slow motion, but occasionally the noisy, warm, bubbling present breaks through: people relaxing outside a restaurant, the remains of a meal. In between we see pictures of the city on which the heroes of yore looked out: a city filled with life in hard-fought freedom.
Daniel Paul Schreber had spent nine years in a psychiatric clinic when, in 1903, he published Denkwrdigkeiten eines Nervenkranken. His book is still regarded as the most famous autobiography written from the inside about schizophrenia, paranoia and megalomania. Schreber believed that he was in contact with God through the Writing-Down Machine, a precursor to the typewriter, and that only his transformation into a woman could save the world. Schrebers notes are the most important source for this experimental portrait of the British crossover filmmaker Simon Pummell (Bodysong) who, in an original, challenging way, mixes documentary, fiction and animation. Interviews with psychoanalysts, dressed in fin de sicle suits, are juxtaposed with fragments from Schrebers prose, his typewriter floating through space like a glowing planet, and performances by the Dutch actor Hugo Koolschijn, who portrays Schreber as crazy and tormented and equally convinced of himself.
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WOrLD premIere
For more than 20 years, the Ugandan government has been fighting the Lords Resistance Army (LRA) led by Joseph Kony. In the meantime, this army of child soldiers roams Sudan and Congo. The International Criminal Court (ICC) in The Hague hopes to try Kony, but locals mainly want peace and their children back. This layered documentary about complex moral issues shows that, even though deep down everyone wants the same, cultural differences get in the way of solving the problem. For years, Quirijns followed prominent Ugandans involved in peace negotiations with the LRA, when the ICC actively started hunting Kony. They experienced this as a new form of Western colonialism. Quirijns also visited ICC staff trying to stop the rebel leader using an international arrest warrant in the Netherlands. Quirijns (The Dictator Hunter) filmed crucial moments in the occasionally painful process and managed to lay his hands on rare recordings of the peace negotiations with Kony in the jungle.
B omid didar
Goodbye Mohammad Rasoulof
Together with Jafar Panahi, director Mohammad Rasoulof was sentenced on 20 December 2010 to six years in jail for alleging having endangered the security of the state of Iran. In October 2011, Rasoulofs sentence was reduced to one year, while Panahis was kept at six. Goodbye is a sober, frightening portrait of a society that is stooping under the continual control and threats of its religious regime. Noora, a young, pregnant lawyer in Tehran whose husband has been sent to work in the desert because of his critical journalistic activities, continually faces opposition from the regime and decides to leave the country. That turns out to be very difficult. Because Rasoulof was already banned from making films, Goodbye was shot partly in secret in the winter of 2010/2011. The result is a disquieting film that makes impotence and the desire for freedom painfully tangible in all its simplicity. At Cannes it won the Un Certain Regard Directing Prize.
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Black Dove
Roh Gyeong-Tae
Visually less radical than The Last Dining Table but narratively just as challenging, South Korean filmmaker Roh Gyeong-Tae brings together four characters in the tragic Black Dove whose lives are changed by a severe car accident. While present and past mingle imperceptibly and later the lives of the characters become more and more entangled, it becomes clear how differently these people react to what happens to them. The artist Lee Jon-Hoo wrestles with work for an exhibition while gallery owner and mistress Min-Hee wonders why their relationship suddenly cools so much. More severely damaged is the marriage between Professor Lee Jun-Gu and his subservient wife Sun-Mi. It soon becomes apparent that they were directly involved in the accident in which Lee Jon-Hoos wife and daughter died. But the filmmaker is not interested in a whodunit. Black Dove doesnt want to know what the Ministry of Justice does with guilt and punishment, but focuses on the question of how those involved come to terms with themselves.
INterNAtIONAL premIere
WOrLD premIere
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Spectrum
Die unsichtbare
cracks in the Shell Christian Schwochow
Maybe its her shyness, possibly it something else, but drama student Fine seems invisible in groups. That is also what she is told by her mentor at drama school just before to everyones surprise she is given the demanding leading role of Camille in a play by the celebrity director Kaspar Friedmann, who is determined to work with students this time. Friedmann was looking for a sheep rather than a wolf for the role is one of the many destructive remarks that Fine hears. And Friedmann does want to destroy her, break her down until she almost disappears and then build her up again so she can play Camille. In the meanwhile,the fairly vague boundary between Fines turbulent private life and her work on stage becomes even more vague la Aronofskys Black Swan and Cassavetes Opening Night. Just as in his debut November Child, Christian Schwochow shows that he can make young, talented actresses perform painfully probing and convincing roles.
Catalonian Albert Serras career has been a curious one. He studied literature, but ended up becoming a film director reluctantly, he once said, as he considers literature a higher form of art. This may explain why his films Honour of the Knights and Birdsong (IFFR 2009) were based on the literary classic Don Quichotte and the biblical story of the Three Wise Men respectively, but rendered in an unconventional manner. Serra pays more attention to cinematic atmosphere than to plot, thereby underlining the problems facing film adaptations of books. In this sense, this experimental 14part series sums up his entire oeuvre. The Names of Christ deals with the challenges of the translation process, from literature to film and from film to museum and from museum to television. The majority of the series, shot in Serras unfettered, slow style and over three hours in length, has been incorporated into the Barcelona Museum of Contemporary Arts collection.
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Spectrum
ctyri slunce
Four Suns Bohdan Slma
eurOpeAN premIere
Bohdan Slma, who won a Tiger Award in Rotterdam in 2002 with his feature debut Wild Bees, continues to build up a refined, unmistakably personal oeuvre. His fourth feature, Four Suns, is set in a small Czech village; the protagonists are not so successful in life and only just manage to keep their heads above water. But alongside setbacks and poverty (and alcohol) there is always friendship and solidarity (and alcohol). Jra lives with his wife Jana, their young daughter and his teenage son Vna from a previous marriage. There are problems with Vna: hes not getting on well at school and is hanging around with a group of losers. Basically hes a lot like Jra, who has just been sacked again. Jra decides to work with his friend Karel, who is very spiritually inclined. But will Karels talents be of any value? Slma again reveals himself to be a gifted narrator with much understanding for the weaknesses of his characters. Four Suns is a loving, almost magical story about growing up, believing and letting go.
Damsels in Distress
Whit Stillman
With Metropolitan (Oscar nomination), Barcelona and The Last Days of Disco, director/scriptwriter/producer Whit Stillman had three of the most important American independent films of the 1990s to his name. After an absence of 13 years, he returns with this comedy. Again the succinct dialogues are most striking in his always rather bizarre characters. Stillman lets us take a look into the soul of rich American adolescents. Three attractive young female students, led by the dominant Violet, take the newcomer Lily under their wing. They teach her how to behave, who to date and, strikingly, how to prevent suicide on campus. But then men turn up on the scene. This summary hardly does justice to a plot filled with strange turns. Stillman adds another tragicomic chapter to the subgenre of girlfriend clique films that took off with Clueless, helped by a cast with TV stars Analeigh Tipton, Adam Brody and Megalyn Echikunwoke.
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Verano
Khyi rgan
Old Dog Pema Tseden
The writer and director Pema Tseden is regarded as the inventor of Tibetan cinema. His third feature is both a humorous and tragic allegory in which he manages to record in a pure and naturalistic way the extensive cultural changes in the Buddhist mountain state, with non-professional actors and grainy shots of the majestic Himalayas. The story is told from the perspective of a Tibetan mastiff. This race of dogs is very popular among rich Chinese. Thats why so many get stolen in a village that is hemmed in between the mountaintops. In order to beat the thieves to it, Gonpo decides to sell his mastiff. His father is not happy about this and decides to buy the animal back. This leads to a bizarre series of events that ends in a sad apotheosis. The mastiff keeps changing owner, time and again, and the father-son relationship is put to the test. But Tseden uses the story to show how Tibetans are becoming increasingly assimilated into the dominant Han culture.
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Spectrum
Adikos Kosmos
unfair World Filippos Tsitos
Sotiris is a policeman nearing retirement. His work consists of interrogating suspects. One day, he decides he only wants to be just a decision which means all his interviewees are let off and which leads him to make a fatal mistake during a corruption hearing. Dora, an opportunistic cleaning lady, who just like everyone else is desperately trying to keep her head above water in a bankrupt country, is the only person who can help him. The tired policeman trusts her and they even seem to be falling in love. However, time and again, Sotiris desire for and faith in honesty is invalidated. Filippos Tsitos follow-up to Platos Academy, in which Antonis Kafetzopoulos also played the lead, is another GreekGerman co-production. The phlegmatic characters, the deadpan humour and the stylised, minimalist scenes are reminiscent of both the work of Aki Kaurismki and Jacques Tati as well as that of Tsitos countryman Yorgos Lanthimos (Dogtooth).
Kotoko
Tsukamoto Shinya
Kotoko is a confused single mother who sees terrifying people and situations everywhere. The only way she can control her fears is by singing. Because she is afraid she will hurt her baby during psychotic nightmares, she cuts herself to prove she is still experiencing reality. In one of her delusory moments, she stands on the roof with her helpless child in her arms. What if she lets go? It isnt long before she is forced to give up her child. During her contact with a writer, Kotokos crises increasingly lead to violent scenes, leaving us wondering whether they are real or part of her gruesome nightmares. This psychological horror drives you mad and, with themes such as alienation and loss of control, fits perfectly in the oeuvre of the Japanese cult director Tsukamoto (Tetsuo). Although this consciously chaoticallyfilmed drama is not suitable for the tender at heart, Kotoko with the powerful Japanese singer-songwriter Cocco in the title role is not only terrifiying but heart-rendingly tragic.
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Spectrum
Iceberg
Gabriel Velzquez
INterNAtIONAL premIere
Everyone knows that the tip of the iceberg only shows a fraction of a larger picture. The same applies to the emotions of the teenagers in this subdued coming-of-age film. Its motto is the telling comment by Jean-Jacques Rousseau: Adolescence is like a second birth. In the first a child is born, in the second, a man or a woman. And its always painful. In Iceberg, we follow several teenagers during a cold winter in a small town by the river. Mauri (13) is mourning his father who died in an accident. Rebecca (12) tries to survive during her first year at boarding school and two boys aged 17 and 18 lead an apparently carefree life in a small hut by the river. Little is said in this fragile, beautifully filmed drama, but the feelings of these struggling children are revealing. Sometimes their stories brush against each other, but they are all wrestling with their own demons.
11 Flowers
Wang Xiaoshuai
Wang Han is 11 years old and is growing up during the Cultural Revolution in the countryside of China. His calm, everyday life in which adults work in the factory and children go to school is disrupted. While he is playing, Wangs new shirt, which has been made with great difficulty, is stolen. The culprit is a man suspected of murder who has escaped and asks the boy to help him. Apart from the story of Wang Han and his ward, 11 Flowers sketches a portrait of a society under a harsh regime. The consequences of the Cultural Revolution are noticeable for everyone in everyday life. There is poverty and violence: Wang Hans father, an intellectual, is forced to do manual labour and has a harsh confrontation with the Red Army. The film has many autobiographical elements: for instance, Wang Xiaoshuai was born in the same year and the same region as the protagonist.
119
Spectrum SHOrtS
121
SPECtRUM SHORtS
Un luogo a venire
A Place to Come Flatform
The enigmatic A Place to Come veers between a description of an action in a landscape and showing what is described. Shrouds of mist divide the various scenes that are always first announced and then shown. That leads to a new build-up of suspense.
Italy, 2011 | colour, video, 7 min, Italian
Prod/Sc/Cam: Flatform | Ed: Flatform, Marco Forni | Sound Des: Flatform | Print/Sales: Light Cone Distribution | www.flatform.it
A kangaroo escapes, a conductor plays clarinet. A cellist in tears and a violin in lingerie, while a composer becomes increasingly entangled in his patterns. These are only a few of the passionate elements of this film work, which has its origins in a composition by Morton Feldman (1926-1987).
WORLD PREMIERE
7 Peaks
Anna Abrahams
Would it be possible to survey our complex existence on a mountain? Do angels fly around? Or do you have to fight off dragons? This timeless journey over the summits of Europe is the last part of a trilogy about the cultural significance of the landscape, after Desert 79: 3 Journeys Beyond the Known World and 5 Walks.
WORLD PREMIERE
122
SPECtRUM SHORtS
Viento sur
Paz Encina
Life along the banks of the Rio Paraguay is defined by the river. A Wind from the South shows the river and lets us listen to a stream of thoughts and memories of two brothers, both fishermen. They reflect on their lives and future and wait for the right moment to leave and flee their lives.
WORLD PREMIERE
Glucose
Mihai Grecu, Thibault Gleize
A calmly meandering work filled with surprising symbols and delightful compositions with elements including fish, water and giant food. At the same time, the viewers observations are stimulated in an unorthodox way.
WORLD PREMIERE
The idea and screenplay are by James Benning: a day in the life of a young woman (a beautiful role by Amy Seimetz). We see her successively survey her surroundings in a coffee house, become emotional at a tram stop, deep in thought on the tram and attentive in a museum. She looks and listens and takes in the world.
WORLD PREMIERE
123
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Zima
Katarina Stankovic
When Michael announces he is returning home after a lengthy absence, all those who love him come together. The promise of his arrival puts everyone in a blissful state of mind. This situation of splendid limbo seems to last for ever. Beauty is nothing other than the promise of happiness. (Stendhal )
WORLD PREMIERE
Chromotherapeutic Strips
Colour and light therapy in one. Film as the stuff that dreams are made of.
PUBLIC SCREENINGS Sat 28-1 17:00 LantarenVenster 6 Sun 29-1 17:00 LantarenVenster 6
Compound Eyes
Paul Clipson
Compound Eyes shows a macromenagerie of natural life-forms that are introduced in a forests tapestry of earth, water and air: spiders, slugs, flies, bees, and ants navigate their lives in darkness and light. First film in a series of five short film studies, commissioned by the San Francisco Exploratorium.
INtERNAtIONAL PREMIERE
Fish and crustaceans appear to swim within an ether of natural and unnatural energies. Fifth film in a series of five short film studies, commissioned by the San Francisco Exploratorium, studying aspects of insect and animal life, viewed within a succession of environments in unexpected ways.
INtERNAtIONAL PREMIERE
124
SPECtRUM SHORtS
Deep Red
Esther Urlus
Esther Urlus fervently runs the WORM. filmwerkplaats in Rotterdam. She herself does not lag behind in exploring new territories in processing film material. Deep Red is an investigation into additive colour mixing (a kind of silkscreen technique) but also a successful poetic work that evokes experiences from childhood.
WORLD PREMIERE
Reflect
Hsu Tsen-Chu
This film is about the changes in time, light and reflection that I have observed in the place where I live. The intimacy comes not only from this personal space and the subtle things that happen in it, but also from my direct involvement in every aspect: shooting, hand-processing and editing. (HT)
USA/Taiwan, 2010 | colour, 16mm, 1:1.37, 4 min, silent
Prod: Hsu Tsen-Chu | Cam: Hsu Tsen-Chu, Brad Hoffarth | Ed: Hsu Tsen-Chu | Print/Sales: Hsu Tsen-Chu
A short fragment from a 35mm copy of an old Kungfu film has been developed into a picturesque work with sliding patterns and colours. The film acquires a polymetric structure thanks to overlapping 16mm double projection, accentuated by a hypnotic soundtrack by Malcolm Goldstein on violin.
WORLD PREMIERE
99 Clerkenwell Road
Sophie Michael
Filmed in an empty shop, the remaining features of the space are used to create a film focused on light. Ceiling lamps become coloured spheres and circles that sweep across the frame. Pillars provide wipes and fades, window shutters are hole-punched stencils, passing buses shoot beams of light.
EUROPEAN PREMIERE
125
SPECtRUM SHORtS
Curious Light
Charlotte Pryce
Charlotte Pryce explores protocinematic structures of reverie, juxtaposing the real and the imagined to create deeply saturated, fleeting illuminations that hover on the periphery of vision. Curious Light is an entirely hand-processed illumination, an elusive story revisited.
USA, 2011 | colour, 16mm, 1:1.37, 4 min, no dialogue
Prod/Cam/Ed/Print/Sales: Charlotte Pryce | www.charlottepryce.net
CinemaScope reflection on the power of the sea, shot on a beach near a nuclear complex and then developed, using that specific water. A reaction to the disaster in Fukushima from across the Pacific and the apocalypse predicted by Christian fundamentalists on 21 May 2011.
EUROPEAN PREMIERE
Standards
Maxime Pistorio, Julie Jaroszewski
A jazz quartet performs at a Belgian banquet for rich businessmen. Behind the scenes, they discuss how they feel about it. The scene in which the host forgets their names is hilarious. Light and enjoyable, voyeuristic documentary with many familiar situations.
Belgium, 2010 | colour, video, 17 min, French
Prod: Maxime Pistorio, Julie Jaroszewski | Sound Des: Benjamin Pasternak | Print/Sales: Maxime Pistorio | www.standards-docu.tumblr.com
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SPECtRUM SHORtS
Dublin-raised photographer Seamus Murphy created short films for all 12 of the songs on PJ Harveys album Let England Shake (2011). In this road journey, Murphy opens himself up to England, the country he lives in, but rarely gets to shoot. An unscripted and unstaged marriage of Murphys visuals and PJ Harveys songs.
United Kingdom, 2011 | colour, video, 53 min, English
Prod/Cam: Seamus Murphy | Ed: Sebastian Gollek | Music: PJ Harvey | Print: Principle Management | Sales: Island Records | www.seamusmurphy.com
Closer Reading
Not close to the skin, but close to the soul. Three intimate contacts with film.
PUBLIC SCREENINGS Sat 28-1 19:45 LantarenVenster 6 Sun 29-1 12:00 LantarenVenster 6
Villatalla
Jeannette Muoz
The world in Villatalla is not showcased but simply lived. Muoz shoots film and records sounds but does not work with the illusion of the synchronisation of image and sound. According to her, these two dimensions do exist as realities independent of each other, and as such do in fact emerge in our consciousness.
EUROPEAN PREMIERE
Three intimate portraits. Paulina Buda and Franz von Lucke are godchildren of the director, Ute Aurand, who has filmed them from childhood. They are now 15 and 26 years old. She also follows Maria Lang, a good friend of Aurands, who lives in the countryside of Southern Germany. We see her gardening and visiting an exhibition.
EUROPEAN PREMIERE
127
SPECtRUM SHORtS
the Return
Nathaniel Dorsky
Nathaniel Dorsky, theres no harm in repeating it, makes unique films. Meticulous in their camerawork, editing and concentration. In silence, a dark universe unfolds, a measured structure that emerges from, but has nothing to do with, the visible world. Like a memory already gone, this place of life. (ND)
USA, 2011 | colour, 16mm, 1:1.37, 27 min, silent
Prod/Cam/Ed: Nathaniel Dorsky | Print/Sales: Light Cone Distribution
Sangre de Cristo
Marcy Saude
Marcy Saudes odyssey through highway towns, historical societies, communes, roadside attractions and mountain trails results in a stunning film where embedded layers of oppositional history converge and are revealed in the landscape of Colorado and New Mexico.
INtERNAtIONAL PREMIERE
Palcios de Pena
Palaces of Pity Gabriel Abrantes, Daniel Schmidt
Pre-adolescence meets the forest fires of globalisation, product placement, UNESCO world heritage and fearinflamed legacies of oppression. A post-dubbed, post, post, post wonder of cinematic imagination-in-heat from Abrantes & Schmidt, the inspirational partnership which brought the IFFR 2011s succulently subversive A History of Mutual Respect.
Portugal, 2011 | colour, video, 55 min, Portuguese
Prod: Gabriel Abrantes, Daniel Schmidt | Prod Comp: A Mutual Respect Productions | Print/Sales: A Mutual Respect Productions
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SPECtRUM SHORtS
Inquire Within
Jay Rosenblatt
The grand master of found-footage film is back with a challenging and also hypnotic new work that uses heartrending archive footage, while we are subtly encouraged to make a series of choices that may be improper.
WORLD PREMIERE
1879: General Rocas army walks to the great South to build the nation of Argentina. 1979: the military junta organises a National History Conference to celebrate the Conquest. 2011: another reenactment. We want to talk of history, but we end up bogged down in these little stories which emerge from reality and take over.
INtERNAtIONAL PREMIERE
Watashi no konseki
traces of Other Nagaoka Daisuke
Nagaoka Daisuke creates video work using the process of pencil drawing as a part of his drawing method. On a single sheet of paper he draws one image, erases it and draws the next scene. Traces of Other features ordinary people during an ordinary coffee break in an ordinary office.
Japan, 2010 | colour, video, 6 min, no dialogue
Prod: Nagaoka Daisuke | Music: Yukiko Watanabe | Print/Sales: Nagaoka Daisuke
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SPECtRUM SHORtS
Isla Alta
Violence after a violent act has ended. Theres fire in a clay oven; a pair of sunglasses is broken. Peasants from the Isla Alta village are near the ranch, observing, while a wealthy family searches for the missing Paraguayan rancher. High Island is set in the current atmosphere of life in Paraguay.
EUROPEAN PREMIERE
Ghaliz-tar az tiner
Babak Afrassiabi
Based on a true story in which Hossein, a revolutionary and former junkie, set fire to a cinema and killed nearly 400 people a few months before the end of the revolution in 1979. At the moment of the fire, the film being screened was The Deer. Afrassiabi made use of Hosseins original confession.
Netherlands, 2011 | colour, video, 29 min, Farsi
Prod/Sc: Babak Afrassiabi | Cam: Claire Pijman | Ed/Prod Des: Babak Afrassiabi | Sound Des: Babak Afrassiabi, Ludo Keeris | Music: Morteza Mahjoubi | With: Ayat Najafi | Print/Sales: Babak Afrassiabi
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SPECtRUM SHORtS
Excitement of Stealing
Stealing can be big-time or small. Shoplifting can be just as exciting as a robbery. You also have films about stealing in different sizes.
PUBLIC SCREENINGS Mon 30-1 22:00 LantarenVenster 5 Tue 31-1 12:45 Cinerama 6
Kyojima is a district in the centre of Tokyo. It is the area where the teenage girl Sachi lives. A sweet and well-behaved girl, it seems. She goes shopping for her mother in a local store but is caught shoplifting. Maybe the girl isnt that well-behaved, after all.
Japan, 2010 | colour, video, 30 min, Japanese
Prod: Kimura Yumiko | Prod Comp: Tachibanakan Executive Committee | Sc: Yoshida Kota | Cam: Seki Masafumi | Ed: Yoshida Kota | Sound Des: Shimazu Mikisuke | Music: Ikenaga Shouji | With: Ikenoue Mana, Serizawa Tateto, Kawata Nozomi, Yoshida Yuka | Print/Sales: Tachibanakan Executive Committee
They are friends or at least they were. Together they traffic in drugs. One also works for himself by stealing from the big boss. You dont have to have seen many gangster films to know that this tends to be fatal. Genre films are about variations and the filmmaker is well aware of that.
Japan, 2011 | colour, video, 23 min, Japanese
Prod/Sc/Cam/Ed: Shoji Hiroshi | With: Nomura Tatsuya, Maiguma Katsuya | Print: Short Shorts Film Festival Asia | Sales: Shoji Hiroshi
Ninifuni
Tetsuya Mariko
Tanaka is a young man from the countryside. Not a professional criminal, but with a friend he robs a pachinko gambling hall. He escapes in the owners car. Days later, the car with Tanaka is found by the makers of a music video. They decide to finish the video anyway.
Japan, 2011 | colour, video, 42 min, Japanese
Prod: Nishigaya Toshikazu, Nishimiya Yuki, Kino Yoshihisa | Sc: Mariko Tetsuya | Cam: Tsukinaga Yuta | Ed: Mariko Tetsuya | Prod Des: Sagae Yoko | Sound Des: Takata Shinya | With: Miyazaki Masaru, Yamanaka Takashi, Clover Moimoro | Print/Sales: Nikkatsu Corporation | www.ninifuni.net
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SPECtRUM SHORtS
Incndio
Fire Miguel Seabra Lopes, Karen Akerman
Almost baroque in its ambition and detail, Akerman and Seabra Lopes mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schuberts steely Opus 1, which is itself based on the no less terrifying legend of Goethes Erlknig, their film is a revelation.
Portugal, 2011 | colour, video, 23 min, Portuguese/German
Prod: Joo Matos, Joana Gusmo | Sc: Miguel Seabra Lopes, Karen Akerman | Cam: Paulo Menezes | Ed: Karen Akerman | Prod Des: Cypress Cook | Sound Des: Ricardo Leal | Music: Franz Schubert | With: Antnio Moniz Pereira, Antnio Seabra, Joana Craveiro, Joana Gama, Lus Duque | Print/Sales: Terratreme Filmes | www.terratreme.pt
Sonchidi
Amit Dutta
Two travellers are in search of a flying craft that would take them to another dimension and possibly enable them to escape from the cycle of births. This intriguing philosophical piece evokes many memories and challenges various interpretations. The film is truly cinematic, a connoisseurs piece.
India, 2011 | colour, video, 55 min, Hindi
Prod: Pranav Ashar | Prod Comp: Enlighten | Sc: Amit Dutta | Cam: Prahalad Gopakumar | Ed: Amit Dutta | Prod Des: Dhanajai Singh | Sound Des: Amit Dutta, Ajit Singh Rathore | With: Nitin Goe, Gagan Singh Sethi | Print/Sales: Enlighten | www.enlighten.co.in
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SPECtRUM SHORtS
the Bunker the Habituation the Wait the Light Jonas Staal
Sober portrayal of the control society in which people are conditioned to serve order, efficiency and productivity, but are also watched to shape everyone into a model citizen. A society that doesnt need prisons any more, but has itself become a prison, according to Staal.
INtERNAtIONAL PREMIERE
Rise Again
Katarina Zdjelar
Zdjelar focuses on a number of asylum seekers from Afghanistan discovering the woods next to their asylum center. By combining allegorical imagery with martial arts elements, acted and documentary scenes, Rise Again develops a narrative structure in which the men appear in various roles and guises.
INtERNAtIONAL PREMIERE
Zamach
Yael Bartanas trilogy deals with the activities of the Jewish Renaissance Movement in Poland (JRMiP), a political group that calls for the return of 3,300,000 Jews; and with Zionist dreams, anti-Semitism, the Holocaust and the Palestinian right of return. Zamach revolves around the funeral ceremony of the assassinated leader of the JRMiP.
Poland/Netherlands/Israel, 2011 | colour, video, 35 min, Polish/Hebrew/English
Prod: Naama Pyritz | Sc/Cam/Ed: Yael Bartana | Prod Des: Naama Pyritz | Sound Des: Daniel Meir | Print/Sales: Annet Gelink Gallery
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SPECtRUM SHORtS
Remember
Elonore de Montesquiou
January 2010. For the first time in my life, I am taking part in a demonstration... Until now, as a reporter, I could feel sympathy or rejection for the demonstrators. One way or the other however, there was a distance between us that I did not want to shrink. Tonight there is no distance. (Andrei Loshak, Moscow journalist)
WORLD PREMIERE
Homelandsssss
Two extraordinary films from Portugal one a debut, one from a seasoned master and both very different; dichotomies almost, but at the same time and both in their own way, dealing with home.
PUBLIC SCREENINGS Thu 26-1 15:00 LantarenVenster 2 Fri 27-1 22:30 LantarenVenster 3
O nosso homem
Our Man Pedro Costa
Is there space for a green garden? Not even for a house. We revisit Fontainhas, thinking of Cape Verde, the country to which Jos Alberto Silva will be deported but which hes never seen before. This is controlled, hypnotic cinema, moving between life and death, reality and fiction.
Portugal, 2011 | colour, video, 24 min, Portuguese
Prod: Pedro Costa | Sc: Jos Alberto Silva, Lucinda Tavares, Alfredo Mendes, Ventura, Antnio Semedo, Pedro Costa | Cam: Pedro Costa | Ed: Patricia Saramago, Joo Diao | Sound Des: Olivier Blanc | Music: NToni Denti dOuro | With: Jos Alberto Silva, Lucinda Tavares, Alfredo Mendes, Ventura, Antnio Semedo | Print/Sales: Pedro Costa
Yama no anata
Aya Koretzky
A lyrical ode to what lies beyond, given texture from inky letters and the pixels of home video but sung by goats and crows, Aya Koretzkys extraordinary debut, submerges us in the Mondego River, invoking spirits and interrogating memories to ask pertinent questions about coming and going and home.
INtERNAtIONAL PREMIERE
134
SPECtRUM SHORtS
In Dreams
Deep underwater, deep in the forest, high in the sky or far away in the land of dreams. Films with a powerful cinematographic consciousness.
PUBLIC SCREENINGS Sun 29-1 20:15 LantarenVenster 2 Mon 30-1 12:15 LantarenVenster 5
A brand new blurry, goofy, hallucinatory pop concoction squeezed from poisonous berries, but what is it? Theres interpretative dance, party-time apparitions of Buffalo Bill channelled through southern gothic voiceovers... Im talking to my mom, leave me alone.
INtERNAtIONAL PREMIERE
Piattaforma luna
Platform Moon Yuri Ancarani
For three weeks, six scuba divers stayed alternately in the recompression chamber on board the platform Luna or were at work on the bottom of the ocean. All that time, they breathed oxygen mixed with helium and all their actions were tied to very strict protocols. Yuri Ancarani spent three days with them and meticulously recorded all their actions.
INtERNAtIONAL PREMIERE
Moving Stories
Nicolas Provost
Stock footage is cheaper than shooting new material and is mainly used as illustrative material in a very sober way. Provost (Plot Point, The Invader) shows that it can have esthetic and cinematic value in itself and can tell a story. In this film, he uses nothing but stock footage of a Boeing plane, flying towards a sunset.
Belgium, 2011 | colour, DCP, 7 min, no dialogue
Prod: Nicolas Provost | Print/Sales: Argos Centre for Art and Media
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SPECtRUM SHORtS
Dark North. Clarity upon waking. Beneath an expanse of sky, a night of flesh absorbed in fever. Second instalment in a film tetralogy that explores a statement made by existential writer Sadeq Hedayat: In life it is possible to become angelic, human, or animal. I have become none of these things.
Norway/USA, 2011 | colour, video, 17 min, no dialogue
Prod/Sc/Cam/Ed: Devin Horan | Prod Des: Elena Perez Guembe, Devin Horan | Sound Des: Sanford Livingston | Print/Sales: Devin Horan | www.devinhoran.carbonmade.com
Its Immaterial
Seven productions from the analogue film culture, using Super-8, 16mm or a pinhole camera; if necessary also hand-developed. By makers who consciously choose for traditional means.
PUBLIC SCREENINGS Fri 27-1 12:00 LantarenVenster 6 Sun 29-1 14:30 LantarenVenster 6
Made with a rudimentary pinhole technique, traces of a mountain landscape are captured in black and white. The structures of our thought filter what we see, and in fact there is no seeing apart from those structures. This film is part of an ongoing project to show where I am in a natural landscape in a way that reflects those structures of thought. (RS)
INtERNAtIONAL PREMIERE
I Swim Now
Sarah Jane Biagini
I Swim Now challenges the visual intelligibility of landscape aesthetics by imagining the experiences of one Violet Jessop, a stewardess on board all three sister ships of the White Star Line the Olympic, the Titanic, and the Britannic while each suffered varying degrees of collision and wreckage at sea. (SB)
EUROPEAN PREMIERE
136
SPECtRUM SHORtS
Pilgrimage
Marc Pelletier
A simple walk in the park can become a spiritual experience, a moment of discovery, a pilgrimage. This film explores the meditative nighttime allure of the Parc Lafontaine in Montreal, Canada, turning this public space into a form of sanctuary. (MP)
WORLD PREMIERE
Etiennes Hand
Richard Tuohy
A 16mm movement study of a restless hand, made from a single five-second film shot. The sound is constructed from an old French folk tune played on a hand-cranked musical box.
WORLD PREMIERE
Resonance
Karen Johannesen
Resonance is the tendency of a system to oscillate with larger amplitudes at some frequencies than at others. These are known as the systems resonant frequencies. At these frequencies, even small periodic forces can produce large amplitude oscillations, because the system stores vibrational energy.
EUROPEAN PREMIERE
(k)now (t)here
Jang Hey-Yeun
A train journey to nowhere; time passes differently when youre on your way. (k)now (t)here is about what is already there, what isnt and what still has to come.
INtERNAtIONAL PREMIERE
137
SPECtRUM SHORtS
Emblem
Hayama Rei
Not a documentary, but an enchantment. Processed sequences of threatened bird species in an investigation into the relationship between what is portrayed and the observer. I think of an image as a standstill moment and each of these essentially includes the whole; a single image already includes beginning and end. (HR)
WORLD PREMIERE
Meteor
Christoph Girardet, Matthias Mller
Meteor empathises with childlike realms of imagination, accompanying a boys stages of development towards individuation. The boy sets out on a phantasmatic journey. Conditions of detachment emerge visually against an emotionally charged aria expressing a desperate and futile longing for proximity. Voice-over by John Smith.
Germany, 2011 | colour/b&w, 35mm, 1:1.66, 15 min, English
Prod/Sc/Ed/Sound Des: Christoph Girardet, Matthias Mller | Music: Giacomo Puccini | With: voice of John Smith | Print/Sales: Christoph Girardet
Sound of Life
Hirayama Shiho
We make our way through life to the sounds of our surroundings; we all have our own sound. The poetic Sound of Life visualises this music with a stunning hybrid drawing and clay animation technique. The head gets filled with small piles of coloured clay.
Japan, 2011 | colour, video, 5 min, no dialogue
Prod/Sc/Cam/Ed/Prod Des/Sound Des/Music/ Print/Sales: Hirayama Shiho | 18maru.moo.jp
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An urban portrait through which polite and fickle sea breezes blow: the quasimusical Walt Disney Square throws an elegant light on urban surroundings. Starting from a real square in the Brazilian city of Recife, we catch a glimpse of the kind of everyday life we all too often overlook.
Brazil, 2011 | colour, 35mm, 1:1.85, 21 min, no dialogue
Prod: Sergio Oliveira | Prod Comp: Aroma Filmes | Sc: Renata Pinheiro, Sergio Oliveira | Cam: Pedro Urano | Ed: Misha Warhmann | Prod Des: Ana Lu, Thales Junqueira | Sound Des: Guga Rocha | Music: Paul Dukas, Joo do Cello, Bernardo Viera | Print/Sales: FiGa Films
Dellammazzare il maiale
About Killing the Pig Simone Massi
The men enter the pigs sty and tie his snout. While he is being dragged out to be killed, the animal has the chance to see the sky and the things of the world. Beautiful, handmade drawing animation by award-winning filmmaker Simone Massi about the treatment of animals by human beings.
INtERNAtIONAL PREMIERE
Spun-out film with wall-to-wall image comprising a doubled progressive loop of a piece of square dance footage. The layered audio consists of station announcements that emphasise alienation and a police radio with live pursuit of a fleeing woman. No escape possible.
WORLD PREMIERE
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NL International
Exeptional Dutch film and video works from the last year, which we dont want you to miss.
PUBLIC SCREENINGS Thu 26-1 17:00 LantarenVenster 6 Mon 30-1 19:30 LantarenVenster 6
544/544 (up/down)
Thomas Mohr
The music of Hanne Darboven (19412009), which is based on the conversion of calender dates into musical notes, inspired the filmmaker. Because the music was partly recorded at St. Peters Church (Hamburg), he made pictures of the church, processed frame by frame in a system of expanding cycles approaching infinity.
Netherlands, 2011 | colour, video, 10 min, no dialogue
Prod/Sales: Thomas Mohr | Distr NL: Nederlands Instituut voor Mediakunst (NIMk)
Inspired by the lives of the former neighbours of the filmmaker, who named one of their dogs after her. The fairytale-like story and romantic pictures are based on daily experience, combined with fictive elements, and her own ideas about the relationship between humans and dogs.
Netherlands, 2011 | colour, video, 18 min, Japanese/English
Prod/Sc: Toshie Takeuchi | Cam: Manu Tau, Thomas Vroege | Ed/Prod Des: Toshie Takeuchi | Sound Des: Toshie Takeuchi, Rick Harring | Music: Lars Kynde, Nikolaj Kynde | With: Hilko de Vries, Janneke van der Putten, Ed van der Putten, Toshie Takeuchi | Sales: Toshie Takeuchi | Distr NL: EYE Film Institute Netherlands | www.filmbank.nl/film/4178
Dochters
Daughters Marta Jurkiewicz
Elzbieta took care of her mother until she passed away. The filmmaker and only daughter of Elzbieta, who has been living in the Netherlands for 10 years, returns to her home country of Poland to help clear away grandmothers home. Apparently the demand for care has shifted to the next generation.
Netherlands, 2011 | colour/b&w, video, 23 min, Polish/Dutch
Prod: Judith de Weert | Prod Comp: Netherlands Film and Television Academy | Cam: Alex Wuijts | Ed: Leonie Hoever | Sound Des: Lars Blakenburg | Sales: Netherlands Film and Television Academy | Distr NL: EYE Film Institute Netherlands | www.dochters.filmacademie.nl
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Natural Beauty
Lernert & Sander
The filmmakers investigate the urge for cosmetic overkill by having makeup artist Ferry van der Nat and his assistant Vanessa Chan apply 365 layers of make-up on supermodel Hannelore Knuts in one day to see how much is needed to go from a natural look to an outrageous one.
Netherlands, 2011 | colour, video, 3 min, no dialogue
Prod: Jennifer Byrne | Prod Comp: Blinkart | Cam: Ram van Meel | Ed: Mathijs Kok | Music: All Shall Be Well | With: Hannelore Knuts | Sales/Distr. NL: Nederlands Instituut voor Mediakunst (NIMk) | www.lernertandsander.com
Printed Matter
Sirah Foighel Brutmann, Eitan Efrat
The father of one of the filmmakers was a press photographer who followed the news in the Middle East for two decades. The photographs change the common picture people have about the Israeli-Palestinian conflict. The film consists entirely of contact prints and photographic negatives from the photographers archive.
Netherlands/Belgium, 2011 | colour, 16mm, 1:1.37, 29 min, English
Prod: Marie Logie | Prod Comp: Auguste Orts | Sc: Sirah Foighel Brutmann, Eitan Efrat | Cam: Sbastien Koeppel | Ed: Sirah Foighel Brutmann, Eitan Efrat | Sound Des: Laszlo Umbreit | Sales: Auguste Orts | Distr NL: EYE Film Institute Netherlands | www.tilfar.com/printedmatter.html
After Dark
John Hsu
Mu-shih is a young woman who works as a masseuse. She had a blind daughter who died three years ago. Mu-shih obviously still has not yet overcome her sorrow, and when she herself slowly becomes blind, she refuses to have an operation. She wants to live on in the dark, because her child was not able to.
INtERNAtIONAL PREMIERE
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I Want to Remember
Sherman Ong
An elderly man and a young woman in an interrogation room. He has often told his story. A story about a land torn in two: Malaysia and Singapore. And a story about the mans lover who left for Singapore with her family while he stayed behind in Malaysia.
INtERNAtIONAL PREMIERE
5f-2
Chung Lee
With little sign of concealment, a scriptwriter for B-films plays the lead in his own story. The world of the imagination starts in the adjacent home of his neighbour and landlord. As detective Fay, he penetrates the bizarre erotic world of Duckie Pete.
INtERNAtIONAL PREMIERE
twenty Dollars
Lam See Chit
Its usually boys who like to show they can make an action movie. Show that they know how a gangster should look. How he talks and frowns and makes it clear he wont put up with something. How he casually decides on life and death. But this is a film by a promising girl.
Hong Kong, 2011 | colour, video, 15 min, Cantonese
Prod: Lok Ting Ho | Prod Comp: Academy of Film, Hong Kong Baptist University | Sc: Lam See Chit | Cam: Li Yin Tao | Ed/Sound Des: Lam See Chit | With: Ng Kam Pui, Tsang Ying Lin, Wong Pui Ying, Cheng Ka Wai Cari, Ng Kai Ho | Print/Sales: Lam See Chit
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On the Move
Memories are formed by everything that surrounds us. Sometimes showing it is enough. Sometimes words are needed.
PUBLIC SCREENINGS Thu 26-1 22:00 LantarenVenster 5 Sat 28-1 12:15 LantarenVenster 3
A Free Moment
Nir Evron
A Free Moment pans around the site of an uncompleted palace, inviting us not to see Jerusalem as the Jordanian king once hoped to see it, nor as many Israelis now hope to see it, a united Jerusalem to remain under Israeli control. Instead, we are invited to loosen our ways of looking at architecture and landscape and to turn them on their head.
Israel, 2011 | b&w, video, 5 min, no dialogue
Prod: Eyal Vexler | Cam: Ziv Berkovich | Ed: Nir Evron | Print/ Sales: Nir Evron | www.nirevron.com
Polvo
Dust Angela Reginato
An essay about corruption and political disappearances in Mexico City under President Jos Lpez Portillo in the late 1970s, told using archive footage, old family photos and other, apparently random images. The main theme is the son of an acquaintance who went missing. A story about memory and recollection.
WORLD PREMIERE
Le songe de poliphile
the Strife of Love in a Dream Camille Henrot
Inspired by Sudhir Kakars idea of India as the unconscious of the West, The Strife of Love in a Dream is composed in a braided structure, interweaving a pilgrimage, the production of anti-anxiety medication and the extraction of snake venom, all of which are linked to human strategies to ward off fear.
INtERNAtIONAL PREMIERE
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Kreis Wr.Neustadt
A to A Johann Lurf
Johann Lurf once again reveals his striking talent and his sense of humour. A to A is an extensive catalogue of mediocre architectural objects on roundabouts, competing for attention in the few seconds as they are passed. A unique artists impression, shot from a spluttering Vespa.
INtERNAtIONAL PREMIERE
With beautiful camerawork, the maker very visually and minutely follows the flow of the drainage system in, through and under Singapore: what it carries along with it, and how this lifeline and the fine mesh of the network can apparently no longer be controlled by man. Special mention at the Venice film festival.
Singapore, 2011 | colour, DCP, 21 min, no dialogue
Prod: Wee Li Lin, Leon Cheo | Prod Comp: Bobbing Buoy Films | Sc/Cam/Ed/ Prod Des: Charles Lim Yi Yong | Sound Des: Evan Tan | Music: Williamette | With: Ali Apriadi, James Khoo | Print/Sales: Bobbing Buoy Films | www.charleslim.org
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Ordinary Madness
And now for something different, a rather unsettling observation: the ordinary is, in fact, laced with the contradictory, uncanny, and surreal. On the other hand, the absurd sometimes has a logic and truth of its own.
PUBLIC SCREENINGS Thu 26-1 17:15 LantarenVenster 3 Sat 28-1 22:30 LantarenVenster 3
The private atmosphere of a Dutch living room is interrupted by the disturbing presence of a large oak tree that slowly enters the room. Being both realistic and absurd, the confrontation between the tree and the home raises questions about the meaning and symbolism of the tree and the private domain.
Netherlands, 2011 | colour, video, 9 min, no dialogue
Prod/Sc: Roderick Hietbrink | Cam: Jeroen Simons | Ed: Roderick Hietbrink | Prod Des: Fenna Stapel | Sound Des: Gregoor van de Kamp | Print/Sales: Roderick Hietbrink | www.roderickhietbrink.nl
Rigid Regime
Erkka Nissinen
A pornographic monologue about sense certainty in Hegelian sense with a strong home-made look and feel. In Rigid Regime, the protagonist has two arms chopped off in order to stigmatize himself and is being buried alive. He accepts the situation, goes through the history of mankind and stammers farewell to life.
WORLD PREMIERE
Modern No.2
Mirai Mizue
In this apparently simple animation, consisting only of straight lines drawn with a pencil on a sheet of squared paper, architectural details and patterns that closely resemble optical illusions come to life in a special way. A short and sweet work that is propelled along by a powerful soundtrack.
Japan, 2011 | colour, DCP, 4 min, no dialogue
Prod/Sc/Ed: Mirai Mizue | Sound Des/Music: twoth | Animation: Mirai Mizue | Print/Sales: CaRTe bLaNChe
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Commission
Erik van Lieshout
Erik van Lieshout opened a temporary shop in an abandoned unit in the Zuidplein mall in Rotterdam South, a working class district home to several large immigrant communities. The film is both a portrait of a place and of an artists half-sceptical, half-hopeful attempt to become an agent of social good.
Netherlands, 2011 | colour, video, 49 min, Dutch
Prod: Suzanne Weenink | Prod Comp: Sculpture International Rotterdam | Sc/Cam: Erik van Lieshout | Ed: Core van der Hoeven | Prod Des: Suzanne Weenink | Sound Des: Core van der Hoeven | Print/Sales: Suzanne Weenink | www.erikvanlieshout.com
Aishas Song
Orlando von Einsiedel
It might have become a sad film about the girl Aisha Sani Abdullahi, who almost went blind as a child and pined away in the streets of Nigeria. But the film is fairly optimistic and above all beautifully shot. Not many filmmakers are making beautiful films in Africa, so this is already quite a change.
Nigeria/United Kingdom, 2011 | colour, video, 10 min, Hausa
Prod: Orlando von Einsiedel | Cam: Franklin Dow | Ed: Peta Ridley, Katie Bryer | Sound Des/ Music: Patrick Jonsson | With: Aisha Sani Abdullahi | Print/Sales: Orlando von Einsiedel
My Name Is Feker
Orlando von Einsiedel
A girl might end up in prostitution anywhere in the world, but the chance of this happening to a poor Ethiopian girl is greater. The filmmaker made a portrait of Feker, who meanwhile has managed to escape from prostitution, by allowing three young prostitutes to tell their stories.
Ethiopia, 2011 | colour, video, 12 min, Amharic
Prod: Orlando von Einsiedel | Cam: Franklin Dow | Ed: Peta Ridley | Sound Des/ Music: Patrick Jonsson | Print/Sales: Orlando von Einsiedel
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Mama
Mother Jean Bosco Nshimiyimana
Many films have been made about the traumatic genocide in Rwanda, but maybe not yet enough by Rwandan filmmakers themselves. Its an ordinary story in Rwanda: a woman who has to live alongside her husbands murderer. The children are the first to attempt reconciliation.
WORLD PREMIERE
Gangster Project
Teboho Edkins
A young white filmmaker wants to make a film in a dangerous neighbourhood in Cape Town a film about real gangsters. He looks for his protagonists and finds them and from a comic documentary, the film changes into a realistic short feature. A feature in which home truths about South Africa are again real.
Germany/South Africa, 2011 | colour, video, 55 min, Afrikaans/English
Prod: Andreas Louis, Anna Guddat | Prod Comp: Deutsche Film- und Fernsehakademie Berlin | Sc: Franois Xavier Drouet, Teboho Edkins | Cam: Tom Akinleminu | Ed: Rune Schweitzer | Sound Des: Thomas Wallmann, Niklas Kammertoens | Music: Alan Mensah | With: Teboho Edkins, Thurston Moses, Tammy Miosha Rass, Ralf Jackals Peterson | Print/Sales: Deutsche Film- und Fernsehakademie Berlin | www.dffb.de/filminfo/264
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Puzzled
These monumental works were produced by a brilliant and simple intervention or by skillfully juggling an endless number of jigsaw pieces.
PUBLIC SCREENINGS Fri 27-1 17:30 LantarenVenster 2 Sat 28-1 14:45 LantarenVenster 5
River Rites
Ben Russell
A trance dance water implosion, a newer line drawn between secular possession and religious phenomena. Filmed in one shot at a sacred site on the Upper Suriname River, the minor secrets of a Saramaccan animist are revealed every day as time itself is undone. Rites are the new trypps; embodiment is our eternal everything. (BR)
USA/Suriname, 2011 | colour, video, 12 min, no dialogue
Prod: Ben Russell | Cam: Chris Fawcett | Ed/Sound Des: Ben Russell | Music: Mindflayer | Print/Sales: Ben Russell | www.dimeshow.com
A list of 254 shots, divided over 15 scenes. The script is not so much intended as instructions for directing, but more as a musical composition: open to more than one interpretation. The spiritual father of the project is the musician/composer John Zorn. The director is the winner of a Tiger Award for Short Films 2010, Lewis Klahr.
EUROPEAN PREMIERE
Arcana
Henry Hills
The treatment for this project was written by musician John Zorn. It concists of 254 scenes bundled in 15 sequences. Hills has collected takes for each of the 254 script directions and funneled them into a complex stream of associations, underscored or rather, interlocked by pieces from the John Zorn composition The Bribe (1986). (C. Hller)
INtERNAtIONAL PREMIERE
148
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Secret Codes
If our world disintegrates into particles, is there any way to understand it? Each particle has its own story, and if that story doesnt exist, then we create it ourselves.
PUBLIC SCREENINGS Sat 28-1 20:00 LantarenVenster 3 Mon 30-1 14:45 LantarenVenster 5
#29
Jos Miguel Biscaya
#29 belongs to a series of video works and researches the relationship between landscape representation, perception and the unconscious. The techniques applied to the footage are a mix between hacking of the MPEG information and faulty encoding settings. Crucial data is removed, forcing software to re-interpret the visual information.
WORLD PREMIERE
Remote
Jesse McLean
There is a presence lingering in the dark woods, just under the surface of a placid lake and at the end of dreary basement corridor. Its not easy to locate because its outside, but also inside. It doesnt just crawl in on your wires because its not a thing. Its a shocking eruption of electrical energy.
WORLD PREMIERE
Short animation of Bradley Manning, the whistleblower who leaked secret files to WikiLeaks, portraying him as a young US soldier going through a crisis of conscience and gender identity, as revealed in his chat logs. The style of pixel minimalism is used in a serious and provocative way.
INtERNAtIONAL PREMIERE
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Joule
Nadia Ranocchi, David Zamagni
The joule is a unit of energy, work or heat. The term is adapted here as a sort of prayer, an exercise in devotion and the act of letting go. In the sequential frames of Joule, a daily practice manifests itself in the form of worship, of liturgy; an expression of tensions straddling the realms of the political and the sacred.
Italy/Austria, 2010 | colour/b&w, video, 23 min, Italian
Prod: Nadia Ranocchi, David Zamagni, Leonardo Monti | Prod Comp: Zapruder, Steirischer Herbs Festival, LM Cineservice | Sc: David Zamagni, Nadia Ranocchi | Cam: Monaldo Moretti, David Zamagni | Ed/Prod Des: David Zamagni, Nadia Ranocchi | Sound Des: Francesco Brasini, Mattia Dallara | Print/Sales: Zapruder | www.zapruderie.com
Vexed
Telcosystems
While scientists get closer and closer to revealing that one particle that confirms our understanding of the universe, Telcosystems shows a much less unambiguous particle theory: a recalcitrant and unstable digital world that is only visible at speeds faster than light.
WORLD PREMIERE
Short Circuit
Two magical films with a leading role for the camera, which breathes new life into the world.
PUBLIC SCREENINGS Thu 26-1 20:15 LantarenVenster 2 Sat 28-1 17:30 LantarenVenster 2
Lighthouse
Wouter Venema
With a special feeling for time and space, Venema manages to create a magical, almost hushed world. We follow the protagonist closely in a labyrinth of corridors, stairs and rooms. Here he comes across an old man who is sitting in a chair gazing quietly into the distance. Something seems to be getting in the way of the course of events.
WORLD PREMIERE
150
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Kaspar Film
Florence Pezon
The intriguing stories of the wolf child Kaspar Hauser, found in Neurenberg in 1833, and the lesser-known Genie Susan Wiley, found in Los Angeles in 1970, have been interwoven into a very authentic and poetic film. The striking camerawork portrays the world as if it is being seen for the first time.
France, 2011 | colour/b&w, video, 55 min, French/German
Prod/Sc: Florence Pezon | Cam: Thomas Favel | Ed/Prod Des: Florence Pezon | Sound Des: Vincent Villa | Music: Jean-Christophe Marti | With: Axel Bogousslavsky, Vincent Lacoste, Laurent Lacotte, Jean-Christophe Marti | Print/Sales: Florence Pezon
Lov na race
Duck Hunting Rok Bicek
Two brothers wait for their father by the jail where he has been imprisoned for years. They are going hunting again, just like the old days. Emotional and yet soberly shot film about very difficult family relationships that erupt into violence. A very powerful student film from Slovenia.
Slovenia, 2010 | colour, video, 23 min, Slovene
Prod: Jozica Blatnik | Prod Comp: University of Ljubljana Academy of Theatre, Radio, Film and Television | Sc: Rok Bicek | Cam: Simon Tansek | Ed: Janez Bricelj | Prod Des: Niko Novak | Sound Des: Joze Trtnik, Vlado Popovic | With: Jernej Sugman, Jure Henigman, Blaz Setnikar, Mateja Koleznik, Rok Strucelj, Jost Strucelj | Print/ Sales: University of Ljubljana Academy of Theatre, Radio, Film and Television
Mila Caos
Simon Paetau
Warm, human and in view of the subject exceptionally unhysterical: in an illegal transvestite show in Havana, 17-year-old Sebastin turns into the singing diva Mila Caos every weekend. He dreams that his mother will see him onstage one day, but she has no desire to know about it yet.
Cuba/Germany, 2011 | colour, 35mm, 1:1.66, 18 min, Spanish
Prod: Ute Dilger | Prod Comp: Academy of Media Arts | Sc: Fbian Surez, Simon Jaikiriuma Paetau | Cam: Charlotte Michel | Ed: Ilka M. Valds | Prod Des: Alicia Estrella | Sound Des: Raynier Hinojosa, Vincent Ribaud | Music: Juan Formell | With: Yaniel Castillo, Paula Ali, Rebeca Rodriguez, Jaime Reyes Nomi, Felipe Reyes, Betsy Padrn | Print/Sales: Academy of Media Arts | www.simonpaetau.blogspot.com
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Apnoe
Harald Hund, Paul Horn
A day in the life of an apparently normal family, which however has to live without gravity and this makes their everyday activities considerably more difficult. Brilliant and absurd third part of the Living Space series by Hund and Horn about human life in bizarre circumstances. IFFR has also screened parts 1 and 2.
INtERNAtIONAL PREMIERE
Cerro negro
Joo Salaviza
A young woman visits her husband in prison. Both are Brazilian immigrants in Lisbon. Her son is left behind. Powerfully acted, sober and gripping fiction in grey-blue tints by Joo Salaviza, who won a Golden Palm in Cannes in 2009 for his short film Arena.
WORLD PREMIERE
Le marais sauvage
the Wild Swamp Martin Drouot
What do you do if the world is against you? The 10-year-old girl Fiona and her depressed neighbour Benjamin make friends on holiday. When Fiona has to leave again, the two decide to turn their backs on the world and to set off a perfect, timeless moment ensues. But it cant last for long.
WORLD PREMIERE
152
SPECtRUM SHORtS
Everything Will Be OK
Jonas Matzow Gulbrandsen
Two Polish friends work illegally in the Norwegian timber industry. They stay up all night at a party nearby and this has enormous consequences next day. Excellently acted gripping fiction with a powerful build-up of tension. Director Jonas Matzow Gulbrandsen studied at the Polish film school in Lodz.
INtERNAtIONAL PREMIERE
Ausreichend
Average Isabel Prahl
A new, young and ambitious teacher does his best to appeal to his pupils and this almost leads to his demise. During a trial lesson, the situation escalates. Exquisite German drama that is reminiscent of Entre les murs. A student film from the Kunsthochschule fr Medien, Cologne.
EUROPEAN PREMIERE
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SPECtRUM SHORtS
A boy and a girl walk together through the jungle for a long time, until their ways part. By then, their lives have changed for good. A subtle drama on the border between reality and fantasy, based on a short story by Joo Gilberto Noll. Selected for the student competition at the Cannes film festival 2011.
Brazil, 2011 | colour, 35mm, 1:1.85, 20 min, Portuguese
Prod: Alice Furtado | Prod Comp: Raio Verde Filmes | Sc: Alice Furtado, Calac Nogueira | Cam: Tiago Rios | Ed: Alice Furtado | Prod Des: Jlia Vanini, Laura Shalders | Sound Des: Joice Scavone | With: Ana Vitria Frana, Chico Vitti, Ricardo Rodrigues | Print/Sales: Raio Verde Filmes
Everything is surprising in this condensed narrative from the favela: the narrator, Doa Sonia herself, her son, the neighbour and the gun. An eye for an eye, a tooth for a tooth.
INtERNAtIONAL PREMIERE
Bahari
Ahmed Ghoneimy
One night, Amr wanders alone in the streets of Bahari, the marginalized eastern shore of Alexandria. While collecting material for an art project, he is allured into filming a playful group of children. Two locals are provoked by Amrs actions. (AG)
EUROPEAN PREMIERE
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The title refers to the Chinese government policy by which dissidents are executed in order to frighten off others. In a breathtakingly beautiful opening scene, we see the gruesome conclusion of a series of apparently chance events. In eight powerful scenes, the fateful story is told of someone who just happened to be passing.
Sweden/Thailand, 2011 | colour, 35mm, 1:2.35, 25 min, Mandarin
Prod: Jens Assur | Prod Comp: Studio Jens Assur | Sc: Jens Assur | Cam: Marek Septimus Wieser | Ed: Fredrik Morheden, sa Mossberg | Prod Des: Sudamol Chaban | Sound Des: Wille Peterson-Berger, Niclas Merits | Print/Sales: Studio Jens Assur | www.studiojensassur.se
A man returns from hunting. His lover is waiting for him in an empty swimming pool in quiet woodland surroundings. Theres a conversation about a suicide in the mans family. The second short film by the Chilean Felipe Glvez Haberle is a mysterious, atmospheric drama with a surprising denouement.
INtERNAtIONAL PREMIERE
Domicile
Maeva Ranaivojaona
What if your everyday routine, arriving home after your work, is disrupted by the presence of well, of what? Youd rather find a crocodile under your bed. Powerful form experiment. Without using digital means, fear acquires a very physical and overpowering form here.
WORLD PREMIERE
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Cross
Cross: a race over uneven terrain. In this case, that terrain is the microcosm of a boy who has to quick-shift between violence and summer boredom. Maryna Vroda: Is it more important to live or to observe life? Winner of the Golden Palm for short film at the 2011 Cannes Film Festival.
INtERNAtIONAL PREMIERE
Snow Canon
Mati Diop
Her parents have gone to a funeral and Vanina has the chalets in the picturesque yet godforsaken village in the French Alps to herself. The boredom is only broken by the Skype sessions with her friend Elose. Then the babysitter Mary Jane arrives. Their love-hate relationship comes to a surprising conclusion. Mati Diops Big in Vietnam screens in the compilation programme Tiger Awards Competition for Short Films 1.
France, 2011 | colour, 35mm, 1:1.66, 33 min, French/English
Prod: Charlotte Vincent | Prod Comp: Aurora Films | Sc: Mati Diop, Judith Lvy | Cam: Jordane Chouzenoux | Ed: Ael Dallier Vga | Sound Des: Sylvain Copans, Delphine Malaussena | With: Nilaya Bal, Nour Mobarak, Alban Guyon, Chan Coc | Print/Sales: Aurora Films | www.aurorafilms.fr/film.php?id=72
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Hors saison
Off Season Victoria Saez
A woman returns from Paris to the island where she grew up. Her mother has died, after her father. It is some time before she comes to terms with her past. A serene and humorous fiction about identity, beautifully shot and with a wonderful leading role by the French-Spanish director Victoria Saez.
INtERNAtIONAL PREMIERE
Le marin masqu
the Shady Sailor Sophie Letourneur
Delightful girly chatter in black-andwhite by the maker of La vie au Ranch. During a weekend in Laetitias Breton birthplace, she and her girlfriend Sophie find all kinds of things: the best pancake bakery, the beach and the local disco. With a revival of F.R. Davids Words Dont Come Easy.
France, 2011 | b&w, video, 36 min, French
Prod: Emmanuel Chaumet | Prod Comp: Ecce Films | Sc: Sophie Letourneur | Cam: Ludivine Renard | Ed: Carole Le Page | Prod Des: Yannig Willmann | Sound Des: Laure Arto | With: Sophie Letourneur, Laetitia Goffi, Johann Libreau | Print/Sales: Ecce Films
fancy-fair
Christophe Hermans
A rather unstable woman visits her family when she is allowed out of the clinic for a day. Shed love to see her daughters school performance, but apart from her son, no-one really wants to see her. A painfully beautiful drama about fragility and family relationships, beautifully acted.
Belgium, 2011 | colour, 35mm, 1:1.85, 20 min, French
Prod: Marie Besson | Prod Comp: Eklektik Productions | Sc: Christophe Hermans, Franois Verjans | Cam: Frdric Noirhomme | Ed: Jol Mann | Prod Des: Laurence Goemine | Sound Des: Jean-Franois Levillain | Music: Clare Lousie | With: Dominique Baeyens, Kris Cuppens, Jrmie Sgard | Print: Ministre de la Communaut Franaise de Belgique | Sales: La Luna Productions | www.eklektik.be
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Loss
David Ferrando-Giraut
Loss reflects on the processes of image recording be they psychological or technological. It expresses a feeling of longing for lost realities that are accessible just through images, and for those aspects of lived realities that have been stranded during their transformation into images. (DFG)
United Kingdom, 2011 | colour/b&w, video, 17 min, English
Prod: David Ferrando-Giraut | Print/Sales: LUX | www.davidferrandogiraut.com/LOSS.php
Space Is the Place is the latest video animation by the Japanese Eriko Sonoda, whose meticulous lo-fi explorations of flattened space use sheets of paper to transcend finitude. A corner wall in the artists room is transmuted through a staccato of origami exchanges.
EUROPEAN PREMIERE
Landfill 16
Jennifer Reeves
This ultimate film-recycling project about the end of 16mm is made up of material left over from Reeves earlier work When It Was Blue; first buried for several months in a rubbish tip where the enzymes and moulds provided beautiful patterns. Then Reeves meticulously painted the 16mm film material again by hand.
INtERNAtIONAL PREMIERE
158
SPECtRUM SHORtS
did i?
Sawa Hiraki
did i? explores the phenomenon of amnesia through a series of abstract visual sequences. A boy closes his eyes and wakes up to discover the world behind his thoughts gone missing. His mind is like an emptied lake, unable to contain the depth of it all, the bottomless, fathomless wealth of the things he lost in his sleep.
United Kingdom/Mexico/Japan, 2011 | b&w, video, 9 min, no dialogue
Prod: Abigail Addison | Prod Comp: Animate Projects Limited | Ed: Hiraki Sawa | Print: Animate Projects Limited | Sales: Jessica Lin Cox | www.animateprojects.org
Radiotehnika
Elonore de Montesquiou
The camera first roams for some time around a deserted industrial site. We see a group of women approach the Radiotehnika building, where once the production line stood for high quality hi-fi radio equipment. While the picture traces the surroundings, we hear eyewitness reports by former employees.
WORLD PREMIERE
20 Hz
Semiconductor
Geo-magnetic storm data collected from the CARISMA radio array is interpreted as audio. The sound generates tangible and sculptural forms suggestive of scientific visualisations. As different frequencies interact both visually and aurally, complex patterns emerge to create interference phenomena.
WORLD PREMIERE
159
SPECtRUM SHORtS
Sound Bites
Fifteen DINAMO distributors of experimental film and video art will show unexpected examples of sound bites or else of sound that bites.
PUBLIC SCREENINGS Sun 29-1 19:45 LantarenVenster 6
De magische tol
the Magic top Joost van Veen
A spinning top performs on stage, and while it turns enthusiastically, it brings images of a circus acrobat and his donkey to life. A very short and charming film by Joost van Veen, made for children as part of the project Big Art for Small People (Grote Kunst voor Kleine Kinderen) by Cut-n-Paste and KRO TV.
Netherlands, 2007 | b&w, video, 2 min, no dialogue
Prod/Sc/Cam/Ed/Prod Des: Joost van Veen | Sound Des/Music: Matt Hulse | Sales/Distr. NL: EYE Film Institute Netherlands | www.international.eyefilm.nl
Pipeline
Liv Strand
Filmmaker Liv Strand placed a camera in a pneumatic pipe system in the University Hospital at Stockholm. While the camera navigates the piping at varying speeds, Strand studies both the portrayal of speed and the way movement sounds with her video.
Sweden, 2007 | colour, video, 6 min, no dialogue
Prod: Liv Strand | Cam: Micke Hglund, Liv Strand | Ed/Prod Des/ Sound Des: Liv Strand | Print/Sales: Filmform | www.filmform.com
Superimposed Sad
Chris Newman
Newman is reflecting on the effects of happiness and sorrow. How does sadness weigh up against happiness? Accompanied by an atmospheric jazzy soundtrack, he gazes with his contemplative look at what directly brings him happiness. Humorous report on a vision of happiness and the deception of grief.
Germany, 2009 | colour, video, 3 min, English
Prod: Bill Dietz | Sc/Cam: Chris Newman | Ed: Bill Dietz | Sound Des: Chris Newman | Music: Glenn Miller Big Band | Print/Sales: inter media art institute (imai) | www.imaionline.de
160
SPECtRUM SHORtS
The camera follows the electric charge of the music through an empty complex, alternating between static and moving modes and with unexpected changes of speed. Animated graffiti on the walls give significance to the empty space. A short, futuristic and explosively powerful social commentary.
EUROPEAN PREMIERE
Composer/filmmaker Erik Bnger combines two musical narratives about the sinking of the Titanic, with 70 years in between: that by Celine Dion and by Blind Willie Johnson (1929). In a hilarious way, the new context of both versions permanently changes the way we think about the well-known tearjerker My Heart Will Go On.
Germany, 2008 | colour, video, 3 min, English
Prod: Erik Bnger | Print/Sales: Argos Centre for Art and Media | www.argosarts.org
Working for the National Film Board of Canada, Arthur Lipsett collected discarded sound material in order to edit it into a new creation. With a combination of archive footage and old photos, he created a unique portrait of an era when sound told the story.
Canada, 1961 | b&w, video, 6 min, English
Prod: Colin Low, Tom Daly | Prod Comp: National Film Board of Canada | Sc/Cam/Ed/ Sound Des: Arthur Lipsett | Print/Sales: Light Cone Distribution | www.lightcone.org
161
SPECtRUM SHORtS
Surface Noise
Paul Rowley, David Philips, Tim Blue
By isolating and processing archive films affected by dirt and scratches, the makers created an interesting symphonic experiment. With the aid of images of political unrest and intense red colours, interesting parallels are drawn between the mechanics of cinema and the patterns of social unrest.
USA, 2010 | colour, video, 7 min, no dialogue
Prod/Sc/Cam/Ed/Sound Des: Paul Rowley, David Philips, Tim Blue | Print/Sales: Arsenal Institut fr Film und Videokunst e.V. | www.arsenal-berlin.de
taste test
Andrew Lampert
Three home-movie scenes form an inane symphony to a ballad by James Brown. A familiar work within the oeuvre of film archivist Andrew Lampert, who focuses on coincidences in the changing meaning of private visual material in the public domain of cinema.
INtERNAtIONAL PREMIERE
Liberty Kids
Moira Tierney
Primary school project in Dublin in which the children chose the Super-8 images and the soundtrack that were incorporated into this film by Moira Tierney. The enthusiasm of the children and the grainy quality of the film material create a charming and carefree picture of a school with not very many means at hand.
Ireland, 2006 | colour, 16mm, 1:1.37, 5 min, English
Prod: Moira Tierney | Print/Sales: Collectif Jeune Cinma (CJC) | www.cjcinema.org
Do I Belong?
Joel Gibb
A man is confronted with a question of identity. While he gets ready for work, he is waylaid by a festive gang of acquaintances from the gay scene in Toronto. A lipdub music video by the queer church folk group The Hidden Cameras that was largely made in a single take.
EUROPEAN PREMIERE
162
SPECtRUM SHORtS
Kaivo
Well Juha Mki-Jussila
The camera pulls us along, as it were, down the tunnel deep into our thoughts. Here we find ourselves in a transcendental world where memories come to us like bubbles. A hypnotic animation about the distinction between our conscious and unconscious selves and the symbolism of water.
WORLD PREMIERE
Hands
Bob Kohn
In a fast cut of existing close-up shots of hands, Bob Kohn juxtaposes everyday, religious and sexual activities, accompanied by a rhythmic and exciting soundtrack. Not only are we confronted by human actions, but also with the nature of our existence.
EUROPEAN PREMIERE
Woodcarver
Ehren BEARwitness Thomas
In a confrontation in the street, a policeman shoots the innocent John T. Williams dead. The incident resounds on the radio, while we watch through the windscreen of a police patrol car. The hectic nature of the incident becomes even more convincing thanks to the driving dub-step soundtrack.
INtERNAtIONAL PREMIERE
163
SPECtRUM SHORtS
Elektrotechnique
Lernert & Sander
A vacuum cleaner and a rotating office chair have never looked so sexy. The tension builds subtly while the household objects in various installations start moving, as if theyre dancing excitedly to the music. Winner of the Dutch Design Award in the category Best Motion Design.
Netherlands, 2011 | colour, video, 3 min, no dialogue
Prod: Macha Rousakov | Prod Comp: suikerdept | Ed: Derek van Egmond | Prod Des: Lernert & Sander | Music: De Jeugd Van Tegenwoordig | Sales/ Distr. NL: Nederlands Instituut voor Mediakunst (NIMk) | www.nimk.nl
German Song
Sadie Benning
A lyrical short film to the sombre tones of the number by the indie rock band Come. A girl roams and enjoys herself in the apparently grimy atmosphere of a town. The black-and-white film German Song , shot on Super-8 with chance images of people and situations, exudes a special homemovie feel.
USA, 1995 | b&w, video, 6 min, English
Prod: Sadie Benning | Print/Sales: V tape | www.vdb.org
Structural Principles
Film is made from material, just like the rest of the world for that matter. The filmmaker is Lord and Master over this material. For as long as it lasts.
PUBLIC SCREENINGS Fri 27-1 19:45 LantarenVenster 6 Sat 28-1 12:00 LantarenVenster 6
tape Generations
Johan Rijpma
Countless rolls of tape go through a process of development and degeneration. In the extremely slowpaced life of these objects, everything starts out the same. But deviations and differences slowly become visible through the force of gravity, resulting in unpredictable shapes and movements that somehow feel familiar. (JR)
EUROPEAN PREMIERE
164
SPECtRUM SHORtS
Stepping aside from his adventures in psychedelic insurrection under the CARTUNE XPREZ and HOOLIGANSHIP monikers, Peter Burr creates instead a slow, liminal illusion in black-and-white, switching perspectives and matrices and crescendoing in time with Christopher Doulgeris portentously pulsating soundtrack.
WORLD PREMIERE
Arrastre
Nicholas Brooks
Through virtuoso camera work, editing and sound, Nicholas Brooks creates a universe from plexiglass, paper and stone where things and non-things come into relation with each other as protagonists in an intriguing drama of indeterminate parameters and force.
EUROPEAN PREMIERE
Sack Barrow
Ben Rivers
With a look of love, Rivers returns with a mineral-encrusted portrait of Servex Ltd, an eight-decades-old factory, fallen out of time and space. A chill falls with only easy listening music, pin-ups and tea breaks to keep us warm in this crystalline cavern.
United Kingdom, 2011 | colour, 16mm, 1:1.37, 21 min, English
Prod/Cam/Ed/Sound Des: Ben Rivers | Print/Sales: LUX | www.benrivers.com
Jardin du sel
Salt Garden Rose Lowder
The production of sea salt flower is a process of concentration and saturation of sea water in order to form salt crystals. The agricultural character of the activity is evoked by the term salt garden. Six poetic pictures, five based on the sun, the wind and the sea, while the last lingers on a small park left fallow.
WORLD PREMIERE
165
SPECtRUM SHORtS
Afrikka
Africa Matti Harju
Nerve-wracking and frayed experimental fiction that shows a psychotic man and his direct surroundings in a totally uncompromising way. Our interaction with others is based on the idea that we all share the same reality. That turns out not always to be the case. (MH)
WORLD PREMIERE
tjelesna funkcija
Bodily Function Dane Komljen
A young man goes into town in a van to sell vegetables at the market. He gets in touch with a childhood friend. The low-budget Bodily Function has a completely self-sufficient form and breathes a calm that betrays a great talent. In 2011, the IFFR screened Van Dane Komljens I Already Am Everything I Want to Have.
INtERNAtIONAL PREMIERE
Radioactive City
Richard Sandler
The mood in Los Angeles was apocalyptic in the spring of 2011. A meticulous diary report about the city dominated by two important events: the disaster at the nuclear power station in Fukushima and the serious assault on a Giants fan outside the Dodger Stadium.
WORLD PREMIERE
166
SPECtRUM SHORtS
traces
In these two films, the makers go looking for traces from the past, as silent witnesses of battle and human suffering.
PUBLIC SCREENINGS Sun 29-1 20:00 LantarenVenster 3 Mon 30-1 17:15 LantarenVenster 3
War Is Over
Roy Villevoye, Jan Dietvorst
The search for the unknown soldiers on the battlefield of the First World War often has very different motives that can also be contradictory. The culture of remembrance turns out to be a combination of mythomania, enterprise, psychopathology and poetic urges. Kaleidoscopic documentary about the aftermath of war.
Netherlands, 2011 | colour, video, 29 min, French/Dutch
Prod/Sc/Cam/Ed/Prod Des/Sound Des: Jan Dietvorst, Roy Villevoye | With: Denis Martin, Oswald Gryson | Print/Sales: Jan Dietvorst
Mrtva trat
Into Oblivion imon pidla
With a single pencil stroke, Stalin indicated the line where he wanted a railway through the inhospitable frozen landscape. For four years, 80.000 Gulag prisoners were put to work in horrendous conditions. pidla goes looking for The death of Stalin was their liberation. S witnesses from that period.
INtERNAtIONAL PREMIERE
167
SPECtRUM SHORtS
Opener is a suitable description for a short film that starts a festival and can also work as an eye-opener. Just how simple is it to make a film these days? Even the filmmakers grandma can do it with a modern photo camera. Apt.
INtERNAtIONAL PREMIERE
Of all filmmakers in Southeast Asia, the Malaysians may be the least politically committed, but that is changing rapidly. They are also maintaining their sense of humour. A factory that processes rareearth metals (with radioactive effects) threatens the surroundings on the coast of eastern Malaysia.
INtERNAtIONAL PREMIERE
168
SPECtRUM SHORtS
Made as part of a collaborative project set up by the Danish CPH: Dox. A Scandinavian filmmaker and a Malaysian one made a film together in Malaysia with Scandinavian finance. The Malaysian showed the Dane that he knows the way along the coast of his own country.
INtERNAtIONAL PREMIERE
The maker calls his film a cinematic poem, which can serve to explain the unexplainable. A young boy in Malaysia goes shopping for his sick mother, while a girl in distant Japan tries to photograph an incredibly beautiful snow landscape. She finds an antique watch.
EUROPEAN PREMIERE
169
SPEcTRUM ShORTS
Preludes
Short films screened before a variety of feature length films during the festival.
Shelter
Ismail Basbeth
Apparently a simple film. One single long shot. Thats what it looks like. Under the superficial boredom, there are grand feelings, however. Loneliness. Lost love. Fear of death. And all the while we look at a sleepy couple in an empty bus. Screened before Parts of the Heart.
EUROPEAN PREMIERE
Gerays
Halil (55) lives in a remote mountainous region and hasnt heard from his son for a long time. He has a powerful bond with his horse, but he also loses that. A beautiful, intimate portrait of the relationship between a man and an animal. The first short film by the Kurdish Zaza (Iranian) Baskin. Screened before He Was a Giant with Brown Eyes.
WORLD PREMIERE
170
SPEcTRUM ShORTS
A young Egyptian couple has an honest conversation in public about their relationship. Recorded in a bar with real customers, with amateur actors who play their own lives. Taboo-breaking, humorous fiction about male-female relationships in modern Cairo. Ritesh Batra alternates between living in Mumbai and New York. Screened before Night #1.
EUROPEAN PREMIERE
Sacha lours
Sacha the Bear Henri Desaunay
A hunter is after a bear in the forest. The bear hides in the house of the little girl Goldilocks, who gives him food and plays with him. But then everything changes. The first short film by Desaunay is a wayward, ironic adaptation of the British fairytale Goldilocks and the Three Bears. Screened before Electra, for Instance.
WORLD PREMIERE
Documentary by an Egyptian film student about the big city is told and shot entirely from the perspective of a stray dog. Beautiful camerawork in a very powerful and urgent film, in which the political metaphor about finding and defending your own space is clear. Screened before The Three Disappearances of Soad Hosni.
EUROPEAN PREMIERE
171
SPEcTRUM ShORTS
A secret story is stored in a reel of tape and is unfolded by a mother to her child, inside an organic house that commands the characters. Two babies sleep while hearing the story; however, their world of dreams casts other mysteries deeper than those of our own. Fine fiction with a marvellous soundtrack. Screened before Swirl.
INTERNATIONAL PREMIERE
Moxie
Stephen Irwin
Moxie is a film instilled with verve, safety matches and smudgy, misanthropic bear heartbreak. This is bear life, way beyond the territories mapped out in nature documentaries. Beautifully imaginative *&^%ed up animation, featuring a doubly *&^%ed up bear. Screened before Kotoko.
United Kingdom, 2011 | b&w, video, 6 min, English
Prod: Stephen Irwin | Sound Des: Zhe Wu | With: voice of Ragga Gudrun | Print/Sales: Stephen Irwin | www.smalltimeinc.com PUBLIC SCREENINGS Mon 30-1 22:152 Oude Luxor Fri 3-2 16:452 Oude Luxor
Designer Olympia Le-Tans embroidered clutch bags spring to life in Spike Jonzes tragicomic stop motion animation. On a shelf in a famed Parisian bookstore, the star-crossed love story of a klutzy skeleton and his flame-haired amour plays out amidst Le-Tans illustrations of iconic first edition book covers. Screened before The Pettifogger.
France, 2011 | colour, video, 6 min, English
Prod: Gregory Bernard, Diane Jassem | Prod Comp: Realitism Films | Sc: Olympia LeTan, Spike Jonze, Simon Cahn | Cam: Jean-Louis Padis, Stephen Barcello | Ed: Simon Cahn | Prod Des: Sylvain Derosne, Leonard Cohen, Fabien Feintrenie | Sound Des: David Amsalem, Jocelyn Robert | Music: Sam Spiegel, Koool G Murder, Soko | With: Pierre Le-Tan and with voices of Spike Jonze and Soko | Print/Sales: Realitism Films PUBLIC SCREENINGS Thu 2-2 15:002 Cinerama 4 Fri 3-2 16:302 Path 4
172
SPEcTRUM ShORTS
Tamino
Eveline Ketterings
This film is a stop-motion opera scene from Die Zauberflte: Paminas Ach, ich fhls, es ist verschwunden! Since her beloved Tamino doesnt want to speak to her anymore, she prefers to die. This film is dedicated to the one who knows how to keep silent (EK) Screened before Nana.
WORLD PREMIERE
Dans le cadre
In the Frame Philippe Lasry
The actress Karine (Norah Krief) is taking an audition for the first time in ages. Showing emotions, switching, staying in the frame and crying. Crying is easier said than done. Her opposite number gives her a helping hand. An impressive display of competence that should not be missing at any film festival. Screened before Louise Wimmer.
EUROPEAN PREMIERE
Patlang
Blank Jet Leyco
The film opens with images of a sorrowful young woman. The film concludes with images of a desperate young man fleeing into a jungle. In between, images that comprise a wealth of information, but there is still no clarity. Only the despair of the disappearance. Screened before Mondomanila.
INTERNATIONAL PREMIERE
173
SPEcTRUM ShORTS
Raya Martin loves old silent films and knows better than anyone how to use old moods and techniques in his own films. You could say that he loves experimental films and that he manages to revitalise the old techniques. Here he looks at boxers, even though we hardly see them. Screened before Buenas noches, Espaa.
Philippines, 2011 | colour/b&w, video, 7 min, no dialogue
Prod: Arleen Cuevas, Raya Martin | Prod Comp: Cinematografica | Sc: Raya Martin | Ed: Lawrence Ang | Print/Sales: Cinematografica PUBLIC SCREENINGS Fri 27-1 22:452 Path 7 Sat 28-1 09:302 Path 7 Sun 29-1 22:302 Cinerama 1 Fri 3-2 20:152 LantarenVenster 3
Van Oldenborghs practice explores social relations through an investigation of gesture in the public sphere. Bete & Deise brings about a meeting between veteran telenovela actress and political activist Bete Mendes and Deise Tigrona, one of the most powerful voices in Baile funk, whose song Injeo was the basis for M.I.A.s Bucky Done Gun. World premiere at 22:00 hours in the WORMyWOOD: Friday 27 compilation programme.
WORLD PREMIERE
hope
Pedro Pires
Director and visual effects artist Pedro Pires explores the moments just before death. Intense and haunting, Hope relays the terrors of war through the eyes of a dying army general. Indelible images of a battlefield, a barber shop and brutality define the generals last moments of consciousness. Screened before Shock Head Soul.
EUROPEAN PREMIERE
174
SPEcTRUM ShORTS
Standards
Maxime Pistorio, Julie Jaroszewski
A jazz quartet performs at a Belgian banquet for rich businessmen. Behind the scenes, they discuss how they feel about it. The scene in which the host forgets their names is hilarious. Light and enjoyable, voyeuristic documentary with many familiar situations. Screened before Grandma Lo-fi: The Basement Tapes of Sigrdur Nelsdttir.
Belgium, 2010 | colour, video, 17 min, French
Prod: Maxime Pistorio, Julie Jaroszewski | Sound Des: Benjamin Pasternak | Print/Sales: Maxime Pistorio | www.standards-docu.tumblr.com PUBLIC SCREENINGS Fri 27-1 21:152 Path 6 Sun 29-1 09:452 Path 5
Naach Ganesh
Dance of Ganesha Bikas Ranjan Mishra
Beautifully shot fiction without dialogue about the harsh life of a man who maintains his family and father by working as a welder and, in his little free time dances. He portrays Ganesha, the God of the elephants, a family tradition. Simple yet striking drama about the battle to survive. Screened before Carnival.
EUROPEAN PREMIERE
Dois
Two Thiago Ricarte
A boy and a girl spend the day in the park, where they do maths homework and meet their friends. Then theres a problem with her brother. Moving fiction about the confrontation with real life and about the relationship between rationality and feelings, shot very naturally with excellent teenage actors. Screened before Rnia.
WORLD PREMIERE
175
SPEcTRUM ShORTS
Dimanches
Sundays Valery Rosier
Sundays is made up of 30 static shots, still lifes really, in which we see people who do or dont do something on a Sunday. Mildly humorous fiction about boredom, the passing of time and the pointless nature of existence. With several delightfully absurd tragicomic situations. Screened before The Giants.
Belgium, 2011 | colour, 35mm, 1:1.66, 15 min, no dialogue
Prod: Nicolas Guiot | Prod Comp: Ultime razzia productions | Sc: Valry Rosier | Cam: Olivier Boonjing | Ed: Nicolas Rumpl | Prod Des: Juliette Fassin, Fred De Loof | Sound Des: Arnaud Calvar | Music: Jurgen Biller | With: Andr Caron, Germaine Dervaux, Jonathan Masure, Fernande Delcroix | Print/Sales: Ultime razzia productions PUBLIC SCREENINGS Fri 27-1 16:002 Oude Luxor Sat 28-1 09:152 Path 6 Mon 30-1 09:302 LantarenVenster 6
Romance
Georges Schwizgebel
A grand romantic saga set to Rachmaninoffs Sonata for Cello and Piano, Op. 19; we are transported into a travellers labyrinthine thoughts. Animated with pencil, pastels and acrylics by the Swiss maestro Georges Schwizgebel, Romance is a dazzling visual transcription of this Rachmaninoff scherzo. Screened before Goodbye First Love.
Switzerland/Canada, 2011 | colour/b&w, 35mm, 1:1.66, 7 min, no dialogue
Prod: Georges Schwizgebel | Prod Comp: Studio GDS | Sc/Cam/Ed/Prod Des: Georges Schwizgebel | Sound Des: Olivier Calvert | With: Katja Pahor, Nicolas Bigler | Print: Dellers Film | Sales: National Film Board of Canada | www.studio-gds.ch PUBLIC SCREENINGS Thu 2-2 10:152 Path 3 Fri 3-2 21:302 Path 7 Sat 4-2 15:302 Path 7
hurdy Gurdy
Daniel Seideneder, Daniel Pfeiffer
A hurdy gurdy is a musical instrument that you play by turning the handle. They often keep playing the same tune over and over again, just like the people, cars, ships and trains that are continuously moving in this miniature film. An investigation into degrees of reality with the aid of special lenses that were designed for architecture photography. Screened before Oslo, August 31st.
Germany, 2011 | colour, 35mm, 1:1.85, 3 min, no dialogue
Prod: Susanne May | Prod Comp: Dropout Films | Sc: Daniel Seideneder | Cam: Daniel Seideneder, Daniel Pfeiffer, Uwe Winter | Ed/Sound Des: Fred Schuler | Music: Aphex Twin | Print/Sales: Daniel Seideneder PUBLIC SCREENINGS Mon 30-1 16:302 Oude Luxor Tue 31-1 19:152 Schouwburg Grote Zaal
176
SPEcTRUM ShORTS
chefu
On her return from Bucharest, the neighbours welcome Neli with stories about the trouble caused by the wild party her 17-year-old son Dan organised in her absence. Dan, however, has a different version. Neli didnt know her neighbours as well as she thought. Excellently acted fiction from Romania. Screened before Visiting Room.
WORLD PREMIERE
Bonz
Shohei Tada
A ball. According to the maker, its an iron ball. It floats around like a balloon and appears to be looking for a destination. It seems to find where it belongs with a man whose life is far from spectacular. A joke, but also a mystery. And evidence that special effects can be enjoyable. And simple. Screened before About the Pink Sky.
INTERNATIONAL PREMIERE
My Big-Assed Mother
Tekla Taidelli
For the first time as an actor on the big screen: Abel Ferrara in the role of Charles Bukowski, while he fervently tells his unmistakable stories to a packed bar. Those present hang on his every word. At the end, Abel shuts the book; the applause surprises him. Screened before Black & White & Sex.
WORLD PREMIERE
177
SPEcTRUM ShORTS
Dreams
Keiichi Tanaami, Aihara Nobuhiro
As a duo, Keiichi Tanaami and Aihara Nobuhiro made a series of masterly surrealistic hand-drawn animation films. Many have also been screened at this festival. Unfortunately, Keiichi Tanaami will have to carry on alone, because Aihara Nobuhiro died in 2011. One last dream by and for him. Screened before Tatsumi.
EUROPEAN PREMIERE
Deux inconnus
The Strange Ones Lauren Wolkstein, Christopher Radcliff
A man and a boy with a broken-down car find a motel with a swimming pool. They soon start talking to the woman who works there. When the boy confides in her, we have to start wondering what kind of relationship they really have. Disturbing and powerfully acted fiction. Screened before Rough.
France, 2011 | colour, video, 14 min, English
Prod: Sebastien Aubert | Prod Comp: Ad Astra Films | Sc: Lauren Wolkstein, Christopher Radcliff | Cam: Drew Innis | Ed: Lauren Wolkstein, Christopher Radcliff | Prod Des: Juliet Lashinsky-Revene | Sound Des: Anthony Thompson | Music: Saunder Jurriaans, Danny Bensi | With: David Call, Tobias Campbell, Merritt Wever | Print/Sales: Ad Astra Films | www.thestrangeones.com PUBLIC SCREENINGS Tue 31-1 11:452 Cinerama 1 Thu 2-2 22:152 Path 4 Fri 3-2 21:452 LantarenVenster 1
Within a future community in Kenya, a group of people have decided to free themselves from years of oppression and no longer follow the usual customs. From now on, they will organise their lives according to rules imposed by the magnetic fields of the Earth. Screened before The Clay Diaries.
INTERNATIONAL PREMIERE
178
SPEcTRUM ShORTS
WORMyWOOD
Late-night programme in WORM draped around themes from the festival with live music, films, performances and DJs.
WORMyWOOD: Fri 27
Special programme presented by If I Cant Dance, structured around the world premiere of Wendelien van Oldenborghs latest work, Bete & Deise. Preceded by a screening of Cncer (Glauber Rocha, 1972, 86) and followed by a response from art historian Eric de Bruyn, a Q&A with Van Oldenborgh, and a concert from one of the films two protagonists: Baile funk singer Deise Tigrona supported by DJ Lonely & Bb Electronica and Kuduro DJs Marfox and Nervoso. Location: WORM, Fri 27, 20:00 till late.
WORMyWOOD: Sat 28
Variety evening starting with two 16mm solo performances: the poetic Quelques minutes de soleil aprs minuit by Xavier Qurel (Metamkine) and the compact Sounddefect by Riojim (MTK). Then a music performance by the Spanish Internet2 (pure-bred weirdo Carlos Carbonell), just as ridiculous and intriguing as the name. Also tonight: the eccentric Kollywood video compilation Play That Beat Mr. Raja by and with DJ Arc de Triomphe. Location: WORM, Sat 28, 22:00 till late.
WORMyWOOD: Sun 29
Two sound artists from the Soundtrackcity project. Francisco Lpez created deep sonic universes in the dark and Lee Patterson opens up an auditive world by using contact mics. The images this evening are by film alchemist Alex MacKenzie with the intimate 16mm set-up of Logbook and the immersive Emaki/Light by Ishida Takashi and Tiger Short nominee Makino Takashi, with live improvisation by cellist Okkyung Lee. Location: WORM, Sun 29, 22:00 till late.
WORMyWOOD: Mon 30
Awards ceremony for the Tiger Awards for Short Films as the finale of the short film weekend and also the opening of the topical Signals: Power Cut Middle East programme. With music and visuals by Swiss/Lebanese duo Praed (Raed Yassin, Paed Conca), a concert by the North African band BooDooRoo, plus a special Sounds of the Middle East set by DJ Arc de Triomphe. Location: WORM, Mon 30, 22:00 till late.
41ST INTERNATIONAL FILM FESTIVAL ROTTERDAM
179
SPEcTRUM ShORTS
WORMyWOOD: Tue 31
Two one-off performances. Rutger Zuydervelt (Machinefabriek), Roel Meelkop and Marco Douma present Pierdrie, a visual and auditory experience in Rotterdams Waalhaven. Karl Lemieux makes short films and film performances and created the live visuals (on 16mm) for bands like Godspeed You! Black Emperor and The Black Keys. This evening, a long dreamt-of collaborative venture between Lemieux and the prominent electronic and field recordings musician BJNilsen. Location: WORM, Tue 31, 22:00 till late.
WORMyWOOD: Wed 1
Dronywood triple bill night with Nunatak, a spiritual and icy Nordic performance. Aestuarium makes beautiful, spectral, minimalist music, inspired by Gaelic psalmery and the microtonality of the tetrachord. Phurpa is a Russian group led by artist Aleksei Tegin, which reinterprets an old form of Tibetan ritual music. Two acts by Stephen OMalleys label Ideologic Organ. Location: WORM, Wed 1, 22:00 till late.
WORMyWOOD: Thu 2
Home-made dim sum. A varied evening programme, in which the Chinese zeal for imitation is zealously imitated. With I Did It My Wei Wei (Chinese hotchpotch) and DadaMachinima avant-gardist videogame modification, in a WORMyWOOD surprise night compiled by the chef de mission of WORM: Hajo Doorn. Location: WORM, Thu 2, 22:00 till late.
WORMyWOOD: Fri 3
Dance night. Hieroglyphic Being aka Jamal Moss is a house & techno veteran from Chicago, producer, DJ and promoter. He is linked to Ron Hardy (Music Box), the Powerplant in Chicago, Steve Poindexter and labels like 6277, Spectral Sound, Crme Organization and Klang Elektronik. His own productions are independent, electronic pearls that are difficult to categorise. In addition, the official release party for Social Disturbance 001 by I Tekno. Location: WORM, Fri 3, 21:00 till late.
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SPEcTRUM ShORTS
Finland, 2012 | colour, video, 8 min, no dialogue Prod: Pink Twins Print/Sales: AV-arkki
Japan, Germany, 2011 | colour, video, 3 min, Japanese Prod: Aki Nakazawa, Jan Verbeek Print/Sales: imai
Finland,2012 | colour, video, 13 min, no dialogue Prod: Maarit Suomi-Vnnen Print/Sales: AV-arkki
[]
Sunjha Kim
Germany, 2011 | b&w, video, 12 min, no dialogue Prod: Sunjha Kim Print/Sales: imai
heure Exquise !
The Beautiful Language
Mounir Fatmi
Land of Neon
Aki Nakazawa
France, 2010 | colour, video, 16 min, no dialogue Prod: Mounir Fatmi Print/Sales: Heure Exquise !
Japan, Germany, 2011 | colour, video, 5 min, Japanese Prod: Aki Nakazawa Print/Sales: imai
1862
Philippe Rouy
France, 2011 | colour, video, 7 min, no dialogue Prod: Philippe Rouy Print/Sales: Heure Exquise !
Brler la mer
Sabine Massenet
Germany, Israel, 2010 | colour, video, 13 min, English, Hebrew Prod: Keren Cytter Print/Sales: NIMk
France, 2011 | colour, video, 9 min, no dialogue Prod: Sabine Massenet Print/Sales: Heure Exquise !
Sans-titre
Neil Beloufa
France, 2010 | colour, video, 15 min, Arabic, French Prod: Neil Beloufa, Natalia Trebik Print/Sales: NIMk
USA, 1989 | colour, 16mm, 1:1.33, 22 min, no dialogue Prod: Warren Sonbert Print/Sales: Light Cone Distribution, Gartenberg Media Enterprises
USA, 1986 | colour, b&w, video, 21 min, no dialogue Prod: David Wojnarowicz Print/Sales: EAI
USA, 2012 | colour, video, 5 min, silent Prod: Ken Jacobs, Jon A. Gartenberg Print/Sales: Gartenberg Media Enterprises
41ST INTERNATIONAL FILM FESTIVAL ROTTERDAM
181
SPeCtruM ShOrtS
Belgium, 2010 | colour, b&w, video, 26 min, Dutch Prod: Harald Thys, Jos de Gruyter Print/Sales: Arsenal
Parole la femme
Elonore de Montesquiou
Relocation
Pieter Geenen
Estonia, Germany, 2010 | b&w, video, 8 min, French Prod: Elonore de Montesquiou Print/Sales: Arsenal
Belgium, 2011 | colour, video, 23 min, no dialogue Prod: Pieter Geenen Print/Sales: Argos
USA, 2011 | colour, video, 5 min, English Prod: Dani Leventhal Print/Sales: VDB
Mauritania, Ireland, 2010 | b&w, video, 19 min, no dialogue Prod: Moira Tierney Print/Sales: CJC
USA, 2011 | colour, video, 7 min, English Prod: Evan Meaney Print/Sales: VDB
Schip
Tanatchai Bandasak
Jem Cohen USA, 2011 | colour, video, 7 min, English Prod: Jem Cohen Print/Sales: VDB
Thailand, 2010 | colour, video, 2 min, no dialogue Prod: Tanatchai Bandasak Print/Sales: CJC
Back + Forth
Clint Enns
Canada, 2009 | colour, video, 3 min, no dialogue Prod: Clint Enns Print/Sales: CJC
Jenn E Norton Canada, 2010 | colour, video, 7 min, English Prod: Jenn E Norton Print/Sales: V tape
Gold
Scott Treleaven USA, Canada, 2006 | colour, video, 5 min, English Prod: Scott Treleaven Print/Sales: V tape
Canada, 2011 | colour, 35mm, 1:1.37, 5 min, no dialogue Prod: Kelly Egan Print/Sales: CFMDC
Republic of God
MIMO Canada, 2011 | colour, video, 11 min, English Prod: MIMO Print/Sales: V tape
Canada, 2011 | colour, 35mm, 1:1.85, 8 min, no dialogue Prod: Louise Bourque Print/Sales: CFMDC
John Greyson Canada, 2011 | colour, video, 6 min, English Prod: John Greyson Print/Sales: V tape
Peter Dudar Canada, 2010 | colour, video, 8 min, no dialogue Print/Sales: CFMDC
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MADe IN rOtterDAM
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MADe IN rOtterDAM
Made in rotterdam 1
A sample of talent from Rotterdam, compiled by the IFFR and the Rotterdam Media Fund and comprising animation, dance film, fiction and documentary, the latter sometimes experimental.
PUBLIC SCREENINGS Thu 2-2 22:15 Cinerama 5 Sat 4-2 17:30 LantarenVenster 3
Jays taste
Hans Lein
Jay has finished his prison term and has started a restaurant. Full of good intentions, he attempts to encourage his stepson not to make the same mistakes he did. The kid takes no notice and dreams of power, money and cars. Hans Lein combined film and animation with the palpable directness of theatre.
WOrLD PreMIere
Kta
Katya Francisca Toetenel
With a mentally ill mother and a father who ran away, Katya is forced to behave more maturely than her actual age. Despite the fact that her mother denies the existence of Katyas father, she decides to go looking for him. That leads to both disappointment and new insight.
Netherlands, 2011 | colour, video, 15 min, Czech
Prod: Francisca Toetenel | Prod Comp: Cisca films | Sc: Francisca Toetenel | Cam: Nisha Jurairatanaporn, Dimo Popov | Ed: Francisca Toetenel | Sound Des: Casey Contreary | With: Michaela Patockov, Veronika Bellov, Michal Bregant, Eva Leimbergerov | Print/Sales: Cisca films
Motor
Simone Bennett
An experimental film about seven inhabitants of an apartment block who all live separate lives, but who are linked in a strange way. They share fear and gossip accompanied by the violin and cello sounds of Simon Lenski. The violin was designed especially for this film by Yuri Landman.
WOrLD PreMIere
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MADe IN rOtterDAM
Sobota
Saturday Anna Okrasko
To use the filmmakers own words to describe her work, Saturday is a nonexistent portable public monument, dedicated to the migrant workers in the Netherlands. The film is made up of a collection of contemporary black-and-white shots of Rotterdam, combined with a Polish documentary soundtrack from the 1950s.
WOrLD PreMIere
Letting Go
Gerco de Ruijter
The filmmaker attached a tiny camera to the back of a young homing pigeon and released the bird from the top of a tall building in Delft. We follow it on its flight home to the old city centre of Rotterdam. The maker was inspired by his neighbour who has over two hundred homing pigeons.
WOrLD PreMIere
untitled/tithed
Vicente Fita Botet
The maker travels in three days from his birthplace Cuenca (in Spain) to Rotterdam. On the way, he not only takes photographs of the road, landscape and travellers, but also of filling stations, traffic and receipts. He edited the images to the music of Johann Strauss.
WOrLD PreMIere
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MADe IN rOtterDAM
the rocketeer
Richard Raaphorst
Marc is an obsessive Star Wars collector; his marriage has failed because of it. On eBay he finds an ad for the ultimate collectors item The Bobafett Rocketeer for a couple of thousand euros. Marcs furious attempts to scrape together enough cash culminate in him becoming an organ donor.
WOrLD PreMIere
Made in rotterdam 2
For an explanation of the content, see the compilation programme Made in Rotterdam 1.
PUBLIC SCREENINGS Thu 2-2 19:30 Path 4 Sat 4-2 15:00 LantarenVenster 3
Third dance film by director Noud Heerkens and choreographer Ton Lutgerink about the last intimate performance by former dancer Nol King Ruter. Over the course of the day it becomes apparent that the body cant dance forever. Almost without dialogue, his story is expressed entirely through dance.
WOrLD PreMIere
With a melancholy expression, a man shuffles through a park. He collects some coins from the fountain and uses the money to go bowling. Then he unburdens himself in front of the camera in a poetic monologue. An exceptionally joyous musical story about the melancholia of an urban cowboy.
WOrLD PreMIere
186
MADe IN rOtterDAM
Ning
Lichun Tseng
By juxtaposing film positives and film negatives on 16mm, filmmaker and visual artist Lichun Tseng creates an unusual depth that seems to mislead the eye. The calm, almost hypnotic soundtrack turns the film into a poetic form of cinema.
WOrLD PreMIere
Jules Deelder is accompanied on his trip to Medellin, Colombia for the worlds largest poetry festival. His comic performances are alternated with his fascination for the life of drug lord Pablo Escobar. Deelder and Columbia is a tastefully presented, unusual, but convincing combination.
WOrLD PreMIere
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signals
Peter von Bagh
Helsinki, Forever
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story of Helsinki, Forever (2008), a vision of the nations capital made from myriads of film scenes, photographs and popular tunes, has changed that for good. Without too much promotion, it managed to chalk up a remarkable number of festival screenings. Jonathan Rosenbaums featuring of Helsinki, Forever as one of the Noughties Ten Best was the icing on the cake. Yet, language was probably not the only barrier here. Culture in general had even more to do with it, as almost all of Von Baghs films talk about history vue par Finlande. Lets be honest: How much do we really know about Finland? Which key dates of Finnish history could we name? What personalities come readily to mind? Hey, would we really be able to find the country on a map? If were honest with ourselves, we have to admit that we know very little about Finland, and that what little we (think we) know is but clichs. It doesnt matter that many of them are as true as reality gets, including the rampant alcoholism, sisu, the discrete warmth and kindness of its people, the stabs of sudden violence, the gut-wrenching beauty of its landscapes, the insane number of suicides. In this world of information, a light grey spot on our data-scape such as Finland, its history and culture, should provoke at least some unease. And mind you, its a European nation, and a wealthy, economically more stable one at that. Kind of embarrassing, isnt it, to know so little about a people so close and not exactly unimportant for our continents well-being. So, yes, theres a lot to learn here. But not only that. Its nice that we will get a sense of the nations becoming and development, thanks to a series of works dealing with key years in Finnish history: 1939 (1993), The Last Summer 1944 (1992), 1952 (1980). Nice to be able to fathom the complexities of opaque figures like the Communist politician Otto Wille Kuusinen (Man in the Shadows,1994; codirectors: Elina Katainen & Iikka Vehkalahti) or modernist AVbard Mikko Niskanen (The Story of Mikko Niskanen, 2010). To know more about and probably even start to love popular Finnish music after seeing Blue Sky Journey into the Land of Memories (1978). But thats not all there is to them, for Von Baghs films are never simple history lessons: theyre meditations on the nature of history. Few are the films by Peter von Bagh in which Finns learn something truly new about their history and culture (Man in the Shadows is probably the most important of those). What they can get out of them is how to consider these dates and names anew what could this, their own history, all mean and be, not only now but in the future, for all the morrows to come? How could these long-gone presences be our contemporaries, possibly even our children and grand-children? How can we give birth to the bygone Finland that Von Bagh finds in newsreels and features, records and recordings from the nations past, its cultural production? History as science fiction, the Steam-Tango variety? That, too. Because, you see, Von Baghs films do not solely deal with the facts. They talk about the once and future dream called Finland, the vision of an easy and comfortable communal life, well-distributed wealth, the promise of beauty and love we find in the voice of the incomparable Olavi Virta (Olavi Virta, 1972), the running of the one and only Paavo Nurmi (Paavo Nurmi The Man and His Times, 1978; co-director: Markku Koski), the words of Juhani Aho and the paintings of his wife Venny Soldan-Brofeldt and the documentaries of his sons Heikki Aho and Bjrn Soldan and the photographs of his grand-daughter Claire Aho (Splinters A Century of an Artistic Family, 2011), or places like the Midnight Sun Film Festival in Sodankyl (Sodankyl Forever: The Century of Cinema, 2010) or Karl Marxs grave
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in London (A Day at Karl Marxs Grave, 1983). For hark: Von Baghs Finland is, in the final analysis, a state of mind to which places and times are but apropos matter just look at Helsinki, Forever, how he shuttles between years, periods, eras, ages. Its telling, really, that Von Baghs first major credit as a screenwriter is on a film about a historian obsessed with bringing the past back to life: late-60s icon Risto Jarvas A Time of Roses (1968), ostensibly Finlands first science fiction film, and an always somewhat underestimated work in this gone-too-young-masters corpus. Around the time of Jarvas demise, Von Baghs Finland ends. He only ever so rarely ventures beyond the early 1970s, the same way he almost never goes further back in time than the mid 1860s, and even that is the rarest of exceptions; most of his films are devoted to the period from the mid 1930s to the late 1960s the time shortly before he was born (August 29, 1943), whose objects and sounds still lingered around when he was little, until the moment he got really serious about filmmaking himself, therewith entering his own time. Almost all films by Von Bagh are made mainly from archive materials; some use shot-for-the-production interviews, many benefit from commentaries spoken often (at least in part) by Von Bagh himself. While the main ingredients remain the same, films like Yrj Nortas SF-paraati (1939/40) have an almost totemic meaning for him. Von Bagh constantly reconsiders and invents the compilation film form, occasionally in one and the same work. For instance, the mid-segment of The Story of Mikko Niskanen which is devoted solely to what many consider the best Finnish film ever, Niskanens Eight Deadly Shots (1972) differs markedly from the two flanking it. Some, like Blue Sky Journey into the Land of Memories or Helsinki, Forever, resemble a prose poem, others, like The Last Summer 1944 (1992), an oratory; others again, like Man in the Shadows, an investigation, and so on. The one thing they all have in common is an almost impossibly perfect sense of rhythm and pacing, pitch and cadence. In the end, what Peter von Baghs cinema feels like is a surprising, invigorating, enlightening and mightily empowering, yet above all else deeply moving, mix of the romantic eternal in Chris Marker and the proto-modernist undertow in post-WWII John Ford, with a will to tell of ones own nation that sometimes resembles Andrzej Wajda and sometimes Hou Hsiao-hsien. Or put more simply: Its la comdie humaine in all its greatness, suomeksi.
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international PreMiere
Over the last quarter of a century, many of the best and the brightest have come to the Midnight Sun Night Film Festival in Sodankyl to talk about their art. Out of literally hundreds of hours of taped public discussions with Samuel Fuller, Marlen Huciev, Jacques Demy, Michael Powell, Jancs Mikls, Dino Risi, Jerzy Skolimowski, Andrej Smirnov, Ivan Passer, Joseph H. Lewis, Aleksej German, Mario Monicelli, Francis Ford Coppola, Claude Sautet and others, Von Bagh has carved and chiselled a forceful, fast-paced, often melancholic while time and again unexpectedly funny essay about cinema as the essence of the 20th century. A splendid work half elegy, half rallying cry that sees the programming of films as the art of building a community, and festivals as a utopia that, perplexingly enough, is within our reach if we chose to embark upon the journey.
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international PreMiere
helsinki, ikuisesti
helsinki, Forever Peter von Bagh
Peter von Baghs international breakthrough: a portrait of Finlands capital made with material taken from all eras and sources, with newsreel footage finding a place as easily as scenes from feature films. Certain locales are contemplated throughout the years, if not always in chronological order as every so often, Von Baghs montage follows an emotional logic that questions real historical developments. The Helsinki he creates is different from the slightly hilly city one can stroll through so pleasurably in summer its a mythical place haunted by ghosts of ever-changing stories and buildings never seen. Von Bagh once casually said: People think I like Helsinki because I made that film; theyre mistaken. Or maybe hes just in denial, for something this beautiful is always made from some kind of love.
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Mies varjossa
Man in the shadows Peter von Bagh, Elina Katainen, Iikka Vehkalahti
Otto Wille Kuusinen remains among the most disputed characters in Finnish history. He was one of the young nations leading Communists, turned traitor to his people by selling out to Stalin, and until he died remained a powerful man as a member of the USSRs Politburo, among other things who was so afraid of power that he did everything he could to protect those close to him from its wrath. That he was known for being vengeful and unforgiving is but the coins flip-side. As a man of contradictions, Kuusinen is as much an enigma as an archetype of the 20thcentury man. Man in the Shadows is a prime example of serious, investigative political filmmaking with an uncommon philosophical edge.
vuosi 1939
the Year 1939 Peter von Bagh
Helsinki was scheduled to host the 1940 Summer Olympics, which didnt happen, for historical reasons well known. 1939 was a year of anticipation but of what exactly? Judging by the years key films, a violent clash with the neighbouring leviathan, the USSR, was as much in the air as track-and-field glory. When the Winter War broke out on November 30th, the ambiguous waiting ended. In its utter, almost absurd schizophrenia, The Year 1939 is an exemplary reconstruction of an historical turning point. Time and again, the images and the remembered stories, the songs and the faces of actors, politicians and millions like us, just refuse to add up to a vision that is whole and clear here, something is always askew. History is the abyss staring back, and looking none too happy. A profound meditation on doubt and sorrow.
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Finland won the Winter War, and fast. The Continuation War was something else: the fighting went on for more than three years (June 41 September 44) and the nation was slowly bleeding dry; in the end, it took a political ruse to get Finland out of this mess. Even more than The Year 1939 (1993) and The Year 1952 (1980), The Last Summer 1944 is a work of collective remembrance an oratory, really, a memorial mass for a time and people long gone. Von Bagh uses comparatively little archival material here instead, with love and compassion, worry and scepticism, he gazes long and hard into the faces of elderly people trying to talk about those last months of tired drudgery: of time slowing down more and more until that standstill became capitulation. A monument to unknown oral history.
vuosi 1952
the Year 1952 Peter von Bagh
It took a dozen years, but in 1952 the greatest dream of sports-crazy Finland finally came true: the Helsinki Olympics took place. The nation had recovered, risen from the ashes of two wars and regained its economic footing. For the first time in a long time, the future looked like a lazy stroll down easy street. The Year 1952 is certainly the lightest work in Von Baghs cycle on decisive moments in Finnish history more like a slightly up-beat tango, perhaps, than a piece of modern classical music. The Year 1952 sways through the days and months of 1952, aware of the bleakness behind as well as the brightness ahead, of a bygone gravitas and a looming flimsiness, of stories left untold back then and a history twisted and distorted ever since. A masterpiece of deft, multi-layered, polyphonic storytelling.
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Finland is the greatest tango nation on this planet, save Argentina. The dance pavilion is accordingly a key place in communal life. To quote Von Bagh: It is at the nexus of nature and civilization, town and country, dream and reality. Tenderness, toughness, seriousness bordering on moroseness, and joy derived from a flask ingeniously concealed in a jacket or a trouser pocket. Tensions coming to a dramatic head in the sense of smell: perfume, tobacco, spirits and beer sanitised with breath mints, and sweat. Blue Sky Journey Into the Land of Memories was made in praise of that locuss common magic and its heart, the iskelm (Finnish schmaltzy song). The film itself resembles a popular song, and if at the end one doesnt walk out enchanted and willing to immediately fall in love for all the pain it will bring then surely one is just too stunned by its formal virtuosity.
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Kahdeksan surmanluotia
international PreMiere
eight Deadly shots Mikko Niskanen Peter von Bagh was always joking that Martin Scorseses World Cinema Foundation should handle the restoration of this Zola-esque monument, as it was obviously made in a Third World country. And true, its difficult to imagine that the downtrodden, poverty-stricken, backwoods hole we see here is situated somewhere in 1960s Finland. The real-life story on which Eight Deadly Shots is informally based happened in 1969. In a moment of sheer hopelessness, a certain Tauno Veikko Pasanen shoots four police officers. Tauno is called Pasi here and played by scenario-writer Niskanen himself. Pasi ekes out a meagre living for himself and his family. Times grow increasingly harder. One thing slowly leads to another. In the end, theres blood. A raw, grim, uncompromising, unrelenting, unforgiving and nonconsoling masterpiece which will be shown in its five-hour-plus original version. A very, very rare opportunity!
Kreivi
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ruusujen aika
2012: Raimo Lappalainen is wary of his society, which believes in science as the answer to everything, even the imponderables of history. He begins to investigate the life of a certain Saara who died in the mid-1970s in a car accident and whod made a living from appearing in films and on stage, sometimes dressed and often not. He finds a girl called Kisse to play Saara this, as everybody knows whos ever read Georges Rodenbachs Bruges-la-Morte (1892) and/or seen Alfred Hitchcocks Vertigo (1958), will end in despair. Yes, this is now the year of A Time of Roses, and its terrifying to see how precisely Risto Jarva, Jaakko Pakkasvirta and Peter von Bagh predicted all our failings and stupidities not of our everyday lives, but of the body politic, not to mention the soul. A gem of science fiction cinema which takes its philosophicalsociopolitical dimension more seriously than most exercises in this particular genre.
sF Paraati
Yrj Norta
An x-ray of Finland in 1939. The storys simple: singing cabby meets singing tourist guide in a blindingly white and sunny Northern capital. The subtext is more complex: theres unemployment, authoritarianism, a nation in all kinds of uniforms rattled by a certain sense of general unrest something is going to happen. That something should have been the Helsinki Olympics instead, it became the Winter War. To make things even more interesting: although this axiomatic musical comedy (the songs in which by now are part of Finnish pop-cultural DNA) was shot before the outbreak of war, it got released only afterwards which makes one wonder how certain lines played then. A must-see for every Von Bagh-ian, as this is one of the films he quotes most often throughout his oeuvre. Besides, as the first revue film in Finland, its a mighty fine example of assembly-line art.
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Preludes
Short films screened before feature length films in this section.
Faaraoiden maa
land of the Pharaohs Peter von Bagh
Excerpts from Mika Waltaris classic of popular historical fiction, Sinuhe egyptilinen (1945), considered as comments on postwar Finland. A lean work, clear in its conception, straight-forward in its execution, muscular in its movement, and deep in its thoughts. Splendid. Screened before Blue Sky Journey Into the Land of Memories.
Finland, 1988 | b&w, video, 29 min, Finnish
Prod Comp: YLE | Ed: Pentti Kauranen, Risto Salo | Print: YLE PUBLIC SCREENINGS Sat 28-1 09:302 LantarenVenster 6 Wed 1-2 19:452 LantarenVenster 6
ajan draama
Drama of time Peter von Bagh
While Von Bagh was on holiday in the countryside, a hostage crisis kept the capital on its toes till it all ended in bloodshed. Von Bagh took the materials detailing this media (non-)event to craft a concise essay on the slippery reality of time. Screened before A Time of Roses.
Finland, 1986 | colour, video, 15 min, Finnish
Prod Comp: YLE | Ed: Heikki Salo | With: voice of Peter von Bagh | Print: YLE PUBLIC SCREENINGS Wed 1-2 21:152 Path 6 Fri 3-2 10:002 LantarenVenster 3
People from some twenty nations meet at the grave of Karl Marx in Londons Highgate Cemetery, a century after the philosophers death. The name Marx stands for a hope shared by people from all over the world. A finely wrought essay on hope. Screened before Sodankyl Forever: The Century of Cinema.
Finland, 1983 | colour, 16mm, 1:1.37, 16 min, English/Finnish
Prod: Peter von Bagh | Prod Comp: Nosferatu Oy | Cam: Tony Chapman | Ed: Elina Katainen | Music: Tapio Tamminen | Print: Finnish National Audiovisual Archive KAVA PUBLIC SCREENINGS Sun 29-1 09:302 LantarenVenster 6 Thu 2-2 15:302 Path 2
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olavi virta
Peter von Bagh
Portrait of a national icon as an old, lost and lonely man. When Olavi Virta was screened for the first time, people all over Finland went ballistic they couldnt take that sad sight of their tangos greatest voice, the incarnation of postwar wealth and glory in ruins. A masterpiece. Screened before Paavo Nurmi The Man and His Times.
Finland, 1972 | colour, video, 30 min, Finnish
Prod Comp: YLE | Sc: Peter von Bagh | Cam: Lassa Naukarinen | Ed: Jyrki Rapp | Sound Des: Paul Jyrl | Print: YLE PUBLIC SCREENINGS Sun 29-1 22:152 LantarenVenster 6 Fri 3-2 15:302 Path 2
201
MOVIE
The opportunities to watch African films in Africa are limited, even though this is important for African cultural awareness. Thanks to the support of the DOEN Foundation, SOON S.A. is able to distribute African films to a widespread local population in Senegal and Mali by mobiCINES: motorcycles with a trailer containing all necessities to build a digital cinema. The mobiCINEs also show several films made by filmmakers supported by Hubert Bals Fund.
AFRICAN
signals
Regained
signals: REgainEd
Regained
Edwin Carels
Over the past decade, the programme section Regained has become a popular oasis for cinephiles and film explorers wanting to reconnect with cinemas history. Restorations, remakes and homages have been and remain the primary vehicle for taking a fresh look at the past. This year, however, the scope of Regained is being expanded. In addition to documentaries, found-footage experiments and other metamusings, our selection now includes installations, flip books, a documentary salon full of eye candy and even a comic book. Another way of broadening the scope of Regained is by embracing mainstream Hollywood cinema and accentuating the way some directors ascribe their work to a long tradition. And finally, we are also opening up the section to practices other than narrative cinema and beyond the Western canon. Our ambition is to demonstrate how cinemas traditions (narrative, documentary and experimental) are still more than relevant to an understanding of contemporary film, media and visual culture at large. Enjoy!
Babeldom
Paul Bush
As a science fiction documentary, this portrait of a futuristic city is narrated by one of its inhabitants. The twist is that all the images in this found-footage film come from architecture, science and technology of the present day. The future is already here. Thu 26-1 to Sun 29-1, 10:00-17:00, Friday until 20:00 and Sunday from 11:00, Netherlands Architecture Institute, Museumpark 2.
United Kingdom, 2011 | colour/b&w, video, 80 min, English
Prod: Paul Bush | Prod Comp: Ancient Mariner Productions Ltd | Sc: Paul Bush | Cam: Paul Bush | Ed: Lawrence Huck | Sound Des: Zhe Wu | Music: Andy Cowton, Stuart Earl | With: Youla Boudali | Print/Sales: Ancient Mariner Productions Ltd | www.babeldom.com
Celluloid Brushes
This growing anthology of films and posters focuses on the filmic representation of the artist, from 1267 till the present. Contemporary artists are invited to create new poster designs for each biographical title; by now there are already more than 50 graphic reinterpretations. Wed 1-2 to Sun 5-2, 11:00-18:00, Witte de With, Witte de Withstraat 50.
Recent documentaries such as Vivement le cinma (Jrme Prieur, 2011) and The First Interview (Denis Tupicoff, 2011) recreate pioneering French contributions to the art of cinema. This setting pays homage to the great film magician Georges Mlis, who ended up as a shopkeeper in a railway station. Free admission. Wed 25-1 to Sat 4-2 (except Sunday) 09:00-18:00, Saturdays until 13:00. Alliance Franaise, Westersingel 14.
Confiseries et jouets
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signals: REgainEd
Inspired by Indian film stars on glass plate negatives from the 1930s, this video installation is an attempt to draw upon the cultural memory of cinemas. The scanning of such rare negatives is like excavating a forgotten archaeological site and traversing through the tracks of history and a range of collective narratives. Mukherjee also presents her first feature, Carnival, at this festival. Wed 25-1 to Fri 27-1 and Tue 31-1 to Fri 3-2, 11:00-18:00, Nieuwe Oogst, Maashavenzuidzijde 20.
This group show introduces several young artists who use the playful format of the flip book for surprisingly serious, documentary purposes. With the premires of new works by Esther Urlus, Masha Krasnova-Shabaeva, Sarah Vanagt and Katrien Vermeire. Wed 1-2 to Sun 5-2, 12:00-18:00, PrintRoom, Schietbaanstraat 17.
From the waste-paper basket of film history, comic book artist Blutch digs out his favorite quotes and images. The protagonists flashbacks, nightmares and daydreams are populated by film legends: Hayworth, Deneuve, Piccoli, Visconti, Bardot, and above all Burt Lancaster. But what about about this image of Godard catching dead fish? Blutch paradoxically celebrates his cinephilia by establishing an iconoclast pantheon. Daily, 18:00-19:00, on the video wall in the Rotterdamse Schouwburg.
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signals: REgainEd
France, 1951 | b&w, 35mm, 1:1.37, 120 min, French Prod: Marco, Leon Vickman | Prod Comp: Films M.-G. Guillemin | Sc: Jean Isidore Isou | Cam: Nat. Saufer | Ed: Suzanne Cabon | Music: Daniel Garrigue | Print/ Sales: Pip Chodorov
Public SCREENINGS Thu 26-1 19:30 LV6 Sat 28-1 17:30 LV3
anna
Alberto Grifi, Massimo Sarchielli
Italy, 1975 | b&w, DCP, 225 min, Italian Prod: Alberto Grifi, Massimo Sarchielli | Sc: Massimo Sarchielli, Roland Knauss | Cam: Alberto Grifi, Mario Gianni, Raoul Calabr | Prod Des: Alberto Grifi, Massimo Sarchielli | Sound Des: Raoul Calabr, Agostini, Ponchia | With: Massimo Sarchielli, Vincenzo Mazza, Stefano Cattarossi, Louis Waldon, Jane Fonda, Ivano Urban | Print/Sales: Cineteca Nazionale | www.albertogrifi.com
Public SCREENINGS Thu 26-1 15:30 CI6 Sat 28-1 09:15 LV1
In the early 1970s, two Italian filmmakers met pregnant, 16-year-old Anna, a junky, on the Piazza Navone in Rome. One of them took her under his wing, partly out of pity, partly due to opportunism thinking theres a great film in this. They film her slow recovery from feral homeless person to human being, initially using a film camera and later on video which, at the time, was a novelty. Alberto Grifi turned the 11 hours of material shot by the duo into a four-hour film and transferred the video onto 16mm film. Anna is more than cinema vrit, it is a reflection on the cameras role in documentary filmmaking whereby the crew also have their say. The long takes create a fascinating portrait of the dynamic between filmmaker and subject, and the work also documents a society very similar to todays rife with political and social discontent. Anna was recently restored by film lab LImmagine Ritrovata and can now be seen with subtitles outside Italy for the first time.
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Jouer Ponette
Playing Ponette Jeanne Crpeau
inTERnaTiOnal PREMiERE
Canada, 2007 | colour/b&w, DCP, 92 min, French Prod: Jeanne Crpeau | Prod Comp: Box Film | Sc: Jeanne Crpeau | Ed: Jeanne Crpeau | Print/Sales: Box Film | www.boxfilm.ca
Public SCREENINGS Tue 31-1 17:30 CI6 Wed 1-2 22:30 CI5 Press & Industry SCREENING Tue 31-1 09:30 PA5
In 1996, four-year-old Victoire Thivisol was for many the surprise winner of the best actress award at the Venice Film Festival for her leading role in Jacques Doillons Ponette. How could an infant run off with this award? The documentary Playing Ponette shows how patiently Doillon worked with her, from the first disastrous day of shooting, up to the triumph in Venice. Playing Ponette consists almost entirely of material that was filmed with the black-and-white camera of the video assist on the set of Ponette. The quality is not up to much, but in all that raw material rehearsals, several takes and footage in between the shots we can discern a meditation about the mystery of acting. One moment Thivisol is romping playfully on the set, less than a minute later she is highly concentrated and embodies very convincingly the role of the girl who has to learn to cope with the recent death of her mother, while she doesnt understand the concept of death.
Retour de flamme
saved from the Flames Serge Bromberg
France, 2011 | colour/b&w, DCP, 90 min, French Prod: Serge Bromberg | Prod Comp: Lobster Films S.A. | Print/Sales: Lobster Films S.A. | www.lobsterfilms.com
Public SCREENING Sat 28-1 19:00 PA4
Since 1985, Bromberg has been bringing a wild variety of short films, commercials and animations back in circulation, either in the cinema, on television or via the Lobster DVD label. This collection of cartoons however, can only be experienced in a cinema with the proper set of anaglyph (red-green) or polarised glasses. From behind his piano, Bromberg demonstrates how the film industry has been developing 3D techniques throughout the entire 20th century. Besides American examples from the Fleischers, Disney and Charley Bowers, there is also a Soviet Parade of Attractions. As a climax, Bromberg has joined two film prints by Mlis together, to obtain a bizar 3D effect. Frustrated by all the plagiarism, Mlis decided to shoot his films with two synchronised cameras. Having two negatives of the same action, he could then release the same title concurrently in Europe and the USA, and thus be ahead of any bootleg copies.
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France, 2011 | colour/b&w, video, 74 min, Japanese/French Prod: Annick Lemonnier | Prod Comp: EPILEPTIC | Sc: Philippe Grandrieux | Cam: Philippe Grandrieux | Ed: Philippe Grandrieux | Prod Des: Philippe Grandrieux | Sound Des: Philippe Grandrieux | Music: Ferdinand Grandrieux | Print/Sales: EPILEPTIC | www.grandrieux.com
Public SCREENINGS Wed 1-2 17:30 CI4 Thu 2-2 09:45 CI7 Fri 3-2 20:15 LV2 Press & Industry SCREENING Sat 28-1 11:45 DJZ
Philippe Grandrieux French director Philippe Grandrieux (Sombre, 1999; A Lake, 2009) wants to make a series of portraits of politically committed filmmakers. His film about Japanese avant-gardist Masao Adachi (1939) is the first in this series. In the 1960s and 1970s, Adachi was a prominent film critic and underground filmmaker, with experimental films such as Sain (1963) to his name. He often collaborated with his contemporary and ally Nagisa Oshima, wrote scripts for Koji Wakamatsu and made films in the pink genre. Disappointment with the political direction of Japan made him join the the extreme left-wing Japanese Red Army in the early 1970s and he started making films in Beirut. Grandieux engages in sometimes cryptic conversations with him about film, art and politics and films him in his characteristic style: sometimes out of focus, sometimes under or overexposed. With a few clips from Adachis work, such as The Red Army/PFLP: Declaration of World War from 1971.
Hugo
Martin Scorsese
USA, 2011 | colour, DCP, 126 min, English Prod: Graham King, Martin Scorsese | Prod Comp: GK Films, Paramount Pictures | Sc: John Logan, based on the book The Invention of Hugo Cabret by Brian Selznick | Cam: Robert Richardson | Ed: Thelma Schoonmaker | Prod Des: Dante Ferretti | Sound Des: John Midgley | Music: Howard Shore | With: Asa Butterfield, Ben Kingsley, Sacha Baron Cohen, Chloe Grace Moretz, Ray Winstone, Emily Mortimer | Sales: Paramount Pictures | Distr NL: Universal Pictures International Netherlands BV
Public SCREENINGS Fri 27-1 19:00 PA1 Sun 29-1 10:15 PA3 Wed 1-2 15:00 PA4 Sat 4-2 16:15 PA3
With his 12-year-old daughter in mind, Scorsese translates Brian Selznicks childrens book into an initiation into the art of cinema. He does this both in a literal and a metaphorical sense: with an evocation of the both glorious and tragic career of Georges Mlis as well as a playful conceptualisation of filmic parameters such as the notion of time, mechanised movement and the illusion of depth. Leafing through an old note-pad leads to the discovery of a flip book, and a panoramic view over Paris suddenly becomes one big festival of light. While conceiving a homage to analogue film, Scorsese manifests himself a master of digital cinema. And yet the actors always remain his central concern. The film also contains some hints of a larger historical perspective. One of the most stunning and memorable archival documents is the tinted footage of traumatised soldiers returning from the front in the First World War.
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Fragments of Kubelka
Martina Kudlc ek
WORld PREMiERE
Austria, 2012 | colour, video, 232 min, English Prod: Martina Kudlc ek | Sc: Martina Kudlc ek | Cam: Martina Kudlc ek | Ed: Henry Hills | Print/Sales: sixpackfilm
Public SCREENINGS Sun 29-1 11:45 LV1 Fri 3-2 20:00 CI4
This epic documentary subtly introduces the complex worldview of iconic filmmaker and theoretician Peter Kubelka (b. 1934, Vienna). While Kubelkas radical and pioneering body of films is a highly condensed work of little more than an hour, his lectures are legendary for their extended length. These drawn-out presentations on what is cinema and cooking as an art form are frequently illuminated by archaeological objects from Kubelkas eclectic collection. He considers his ongoing collecting to be an expanded film practice that explores the evolution of humanity. Martina Kudlc ek has carefully woven an open-ended portrait that contains a wealth of biographical materials, and yet always remains focused on the essence of cinema.
Pablo
Richard Goldgewicht
WORld PREMiERE
USA, 2012 | colour, video, 103 min, English Prod: Jeremy Goldscheider | Prod Comp: Goldstreet Films | Sc: Richard Goldgewicht, Neil Katcher, Adam Trunell | Ed: Richard Goldgewicht | Music: Lior Ron | Print/ Sales: Shoreline Entertainment | www.pablothemovie.com
Public SCREENINGS Mon 30-1 19:30 PA4 Tue 31-1 09:15 CI1 Fri 3-2 21:30 SGZ Sat 4-2 10:00 CI6 Press & Industry SCREENING Wed 1-2 11:30 CI3
In the opulently designed, largely animated documentary Pablo, the Brazilian director Richard Goldgewicht sketches a lively portrait of the renowned title designer, artist and bohemian Pablo Ferro. Ferro was born in Cuba in 1935, moved to the United States in 1947 and later worked for a design studio where he continued developing his unique style focusing on typography (including handwriting) and high-speed editing. The breakthrough came when Stanley Kubrick asked him to make a trailer and title sequence for Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Ferro made countless iconic opening credits, from Bullit and The Thomas Crown Affair to Stop Making Sense and Men in Black. Jeff Bridges is the narrator of the documentary. A cartload of famous names praises the creative spirit, but his children, exes, wives and girlfriends do not fail to mention the darker side of this exponent of the 1960s; he certainly wasnt a traditional father.
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Combined Programme
A playful documentary on the restoration of Mlis A Trip to the Moon, followed by the restored classic itself.
PUBLIC SCREENINGS Sun 29-1 13:152 Path 3 Sat 4-2 16:302 Path 4
le voyage extraordinaire
The Extraordinary Voyage Serge Bromberg, Eric Lange
One of the most inventive manifestations of early cinema, Georges Mlis A Trip to the Moon, is now honoured by one of the most expensive and sophisticated restorations in film history. Beyond an introduction to this fantasy-imbued universe (with lots of stunning fragments from old Mlis films), this film is also a case-study of state-of-the-art digital restoration. Jean-Pierre Jeunet, Michel Gondry and others demonstrate their admiration and put Mlis achievements into perspective. Screened together with A Trip to the Moon.
France, 2011 | colour, DCP, 65 min, French/English
Prod: Serge Bromberg | Sc: Serge Bromberg | Music: Bruno Alexiu | Print/Sales: MK2
From the extensive oeuvre of the film pioneer Georges Mlis, A Trip to the Moon (1902) is by far the best-known work. Mlis based the story on two popular novels from his time, The First Men in the Moon (1901) by H.G. Wells and Jules Vernes De la terre la lune (1865). The recently restored film can now be seen in colour. Screened together with The Extraordinary Voyage.
France, 1902 | colour, 35mm, 1:1.33, 14 min, no dialogue
Prod: Georges Mlis | Sc: Georges Mlis | Cam: Michaut, Lucien Tainguy | Ed: Georges Mlis | Prod Des: Georges Mlis | Music: AIR | With: Bleuette Bernon, Henri Delannoy, Georges Mlis, Jeanne dAlcy, Victor Andr | Print/Sales: MK2
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Combined Programme
The enchantment of incomplete digital images complements Bill Morrisons celebration of decaying film stock.
PUBLIC SCREENINGS Thu 26-1 16:152 Path 6 Sat 28-1 19:302 LantarenVenster 5 Sun 29-1 17:302 LantarenVenster 2
Tributes Pulse
Bill Morrison
In music, a pulse is the heartbeat of a composition, but a pulse does not necessarily have to be regular. The Danish composer Simon Christensen studied the use of the pulse by four modern American composers: Charles Ives, Conlon Nancarrow, Steve Reich and Trent Reznor. Tributes Pulse is his homage to these composers. Bill Morrison is responsible for the visuals: damaged found-footage shots that have their own pulse (and beauty).
Denmark/USA, 2011 | colour, video, 65 min, no dialogue
Prod: Klaus Ib Jrgensen | Prod Comp: Edition S | Sc: Bill Morrison, Simon Christensen | Ed: Bill Morrison | Prod Des: Bill Morrison | Sound Des: Simon Christensen | Music: Simon Christensen | Print/Sales: Edition S | www.tributes-pulse.com
lyrische data
lyrical data Elias Heuninck
Just like old nitrate films, digital files are vulnerable. For instance, data files can be corrupted and the download can fail as a result. This result can generate its own beauty. In his short film Lyrical Data, Elias Heuninck uses an incomplete download of Peter Delpeuts found-footage film Lyrical Nitrate (1991) for a reflection on the power of images. Screened before Tributes Pulse.
Belgium, 2010 | colour, video, 5 min, no dialogue
Prod: Elias Heuninck | Cam: Elias Heuninck | Ed: Elias Heuninck | Print/ Sales: Elias Heuninck | www.eliasheuninck.be/lyrische_data
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Combined Programme
A portrait of French filmmaker Jean Epstein filming in Brittany, followed by his film The Tempest: Poem on the Sea.
PUBLIC SCREENINGS Tue 31-1 15:152 LantarenVenster 3 Wed 1-2 10:002 Cinerama 5
This portrait of the French film theorist and avant-garde director Jean Epstein (1897-1953) concentrates on the period when he filmed in Brittany, the spot where he became inspired by the sea. Using rare archive footage, Jean Epstein, Young Oceans of Cinema also looks at Epsteins views on the specificity of the film medium. Screened together with The Tempest: Poem on the Sea.
France, 2011 | colour/b&w, video, 68 min, French
Prod: Nicolas Anthom | Prod Comp: Bathysphere Productions | Sc: James Schneider | Cam: James Schneider, Benjamin Echazarreta | Ed: James Schneider, Mathias Bouffier | Sound Des: Nicolas Leborgne, Florent Klockenbrig | Print/Sales: Bathysphere Productions | www.bathysphere.fr
le tempestaire
Jean Epstein
The Tempest: Poem on the Sea (1947) was filmed in Brittany, the region where Jean Epstein found much inspiration. He gave the rough sea and the howling wind an important place in this short film, both in sound and image. It is a mystical story about a woman who senses that something will happen to her boyfriend, a fisherman, when he sets sail. With thanks to La Cinmathque Franaise. Screened together with Jean Epstein, Young Oceans of Cinema.
France, 1947 | b&w, 35mm, 1:1.37, 22 min, French
Prod: Jean Epstein | Cam: Albert Militon | Music: Yves Baudrier | Print: Cinmathque Franaise
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Combined Programme
As a homage to Ral Ruiz, the festival is screening two of his films: his first, and one of his last.
PUBLIC SCREENINGS Tue 31-1 20:002 Schouwburg Kleine Zaal Wed 1-2 22:452 Cinerama 4
la maleta
Ral Ruiz
Ruiz always considered this beginning of his exceptionally rich filmography (113 titles) unfinished, and the original print was lost for a long time. In 2008, it resurfaced in a mis-labelled film can in Chile, and typically the director then edited a shorter version, so turned it into one of his last films. Screened before Ballet aquatique.
Chile, 1963 | b&w, video, 19 min, no dialogue
Prod: Ral Ruiz | Prod Comp: Cine Experimental de la Universidad de Chile | Sc: Ral Ruiz | Cam: Enrique Urteaga | Ed: Ral Ruiz | Music: Jorge Arriagada | With: Gastn Duvauchelle, Hector Duvauchelle, Orieta Escamez, Gonzalo Palta | Print: Festival Internacional de Cine de Valdivia | www.lecinemaderaoulruiz.com
Ballet aquatique
Ral Ruiz
Why it is so difficult to count fish in an aquarium? Ruiz, his loyal actor Melvil Poupaud and his producer Franois Margolin come up with a wide range of hypotheses. With their bone-dry wit, they keep up the tradition of the French pataphysics: the science of imaginary solutions.
inTERnaTiOnal PREMiERE
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Empire of Evil
George Kuchar
Students of the San Francisco Art Institute clearly enjoy acting out Kuchars idiosynchratic film noir satire. Combining a love triangle with homoerotic subculture, the story gradually slides into outlandish orgies. An exuberant celebration of creative freedom in the face of death.
EUROPEan PREMiERE
Hotspell
George Kuchar
In this iconic series, some of which will be included in the Whitney Biennial film programme in 2012, Kuchar enjoyed mixing the meteorological with the corporeal, and his solipsism with the desire for social interaction. His eccentric journalistic escapades ended with a visit to Norman, Oklahoma.
WORld PREMiERE
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Kubelka Films
Peter Kubelka (1934) is an artist, anthropologist, cook and teacher. During the five decades he has been active as a filmmaker, he has produced a grand total of 62 minutes of film, in which he explores the essential qualities of cinema. The IFFR will be screening 39 minutes of film, and Kubelka will be present to explain his work.
PUBLIC SCREENINGS Mon 30-1 21:30 LantarenVenser 6 Sat 4-2 12:00 LantarenVenser 6
adebar
Peter Kubelka
Only certain predetermined shot lenghts are used. The visual material in the film is combined according to certain rules and there is a consistent alternation of positive and negative. Originally commissioned as a commercial, Adebar became Kubelkas first metric film.
Austria, 1957 | b&w, 35mm, 1:1.37, 1 min, no dialogue
Prod: Peter Kubelka | Cam: Peter Kubelka | Ed: Peter Kubelka | Print/ Sales: sixpackfilm | www.sixpackfilm.com/en/catalogue/show/1026
schwechater
Peter Kubelka
Kubelka returns to the individual still frame as the essence of cinema. The fact that a projected film consists of 24 still images per second serves as the basis of his metric art. At the same time, he subverts the supposed power of subliminal messages, by pushing these to the extreme. A deliriously dense ode to consumption.
Austria, 1958 | colour, 35mm, 1:1.37, 2 min, no dialogue
Prod: Peter Kubelka | Cam: Peter Kubelka | Ed: Peter Kubelka | Print/ Sales: sixpackfilm | www.sixpackfilm.com/en/catalogue/show/1027
arnulf Rainer
Peter Kubelka
One of the most absolute films ever conceived, this metric film derives its title from the friendship (and sponsorship) of fellow artist Arnulf Rainer. The same radical reduction was also pursued in the Flicker films made by Tony Conrad, Paul Sharits and others. With a very different outcome each time.
Austria, 1960 | b&w, 35mm, 1:1.37, 7 min, no dialogue
Prod: Peter Kubelka | Cam: Peter Kubelka | Ed: Peter Kubelka | Print/ Sales: sixpackfilm | www.sixpackfilm.com/en/catalogue/show/1028
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Unsere afrikareise
Our Trip to africa Peter Kubelka
The intensely concentrated quality stems in part from the multitude of connections between image and image, sound and sound and image and sound, orchestrated into a unified whole. (Fred Camper) The film is like a monument erected as a record of civilisation, not as a statement but as a kind of totem.
Austria, 1966 | b&w, 16mm, 1:1.37, 13 min, English
Prod: Peter Kubelka | Cam: Peter Kubelka | Ed: Peter Kubelka | Print/ Sales: sixpackfilm | www.sixpackfilm.com/de/catalogue/show/1029
Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s, she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.
WORld PREMiERE
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il silenzio di Pelesjan
The silence of Peleshian Pietro Marcello
This homage to Armenian director Artavazd Peleshian (1938) juxtaposes lyrical scenes from some of his films with contemporary images of Peleshian in Moscow, where he went in the early 1960s to study at the famous VGIK film school. His ideas about editing (distance montage) are reflected in The Silence of Peleshian.
inTERnaTiOnal PREMiERE
REVERBERaTiOns
Three short films that appeal as much to our sense of imagination as to our notion of (film) history. A search for the trail of Mlis in the Texas mountains is followed by a nightly visit to a museum and a sombre monologue about Camerons Avatar.
PUBLIC SCREENINGS Fri 27-1 22:15 LantarenVenser 6 Sat 28-1 22:15 LantarenVenser 6
Besides being an unsuccesful businessman, the mysterious Gaston Mlis was also a filmmaker with anthropological interests. Mlis (2011) and Grand Paris Texas (2009) are the first two installations in Hubbard/Birchlers trilogy exploring the social and physical locations of cinema.
WORld PREMiERE
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Artefacts from the Near Eastern, African and Oceanic collections are filmed in the depths of darkness in the Metropolitan Museum of Art in New York. The flashing strobe light used in the filming allows the viewer to see the objects as if in animation. The viewer is only granted a fleeting glimpse of a series of artefacts, which, with any detail removed, reduces their status to an icon without a narrative.
United Kingdom, 2006 | colour, 16mm, 1:1.37, 3 min, silent
Prod: Rosalind Nashashibi, Lucy Skaer | Print/Sales: LUX
speech act
Herman Asselberghs
The epic sci-fi genre inspires a teacher to question our visual culture. His film studies class gradually transforms into a theatrical interior monologue, elaborating on the Godard quote: If you really want to see the world, shut your eyes. An apology for the black image.
WORld PREMiERE
Very short and formal film by the multidisciplinary artist Peter Struycken, one of the founders of computer art in the Netherlands.
Netherlands, 1971 | b&w, 16mm, 1:1.37, 1 min, silent
Prod: Peter Struycken | Cam: Peter Struycken | Ed: Peter Struycken | Print/Sales: EYE Film Institute Netherlands
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Ponskaart polonaise
Matthijs Blonk
Rhythmic play of light and shadow via holes in the roll of film awakes the suggestion of punch card holes dancing across the image. Formal investigation of rhythm in light and darkness with a powerful visual effect.
Netherlands, 1976 | b&w, 16mm, 1:1.37, 3 min, no dialogue
Prod: Matthijs Blonk | Cam: Matthijs Blonk | Ed: Matthijs Blonk | Music: Frans Krijger | Print/Sales: EYE Film Institute Netherlands | www.matthijsblonk.nl
Horizontalen
Bart Vegter
A film without an outer subject. Only light and motion. Like sunlight, reflected by waves of water on a white wall. By moving a surface vertically in front of the camera and using an eightfold exposure of the film, an image emerges of horizontal stripes in various tints of grey.
Netherlands, 1981 | b&w, 16mm, 1:1.37, 6 min, silent
Prod: Bart Vegter | Cam: Bart Vegter | Ed: Bart Vegter | Print: EYE Film Institute Netherlands | www.longcanalfilm.nl
in need of space
Bart Vegter
In Need of Space is inspired by the minimal music of Steve Reich and consists of moving vertical lines and colour surfaces; the ribs and surfaces of a rotating cube with the format of a film frame. By tilting the object in the frame, a totally different dynamic emerges in three dimensions.
Netherlands, 1982 | colour, 16mm, 1:1.37, 6 min, no dialogue
Prod: Bart Vegter | Music: Steve Reich | Print/Sales: EYE Film Institute Netherlands | www.longcanalfilm.nl
Kalah
Dora Maurer
The rules of an old Arab game, Kalah, played by two players with 36-36 stones, works as a ready-found system for generating the film. The filmstrip registers the moves of a game based on their notation in a diagram, converting the elements into 72 colour forms and 72 sounds of a chromatic scale in rapid sequences.
Hungary, 1980 | colour, 35mm, 1:1.37, 10 min, no dialogue
Prod: Dora Maurer | Cam: Dora Maurer | Ed: Dora Maurer | Music: Zoltan Jeney | Print/ Sales: Hungarian National Film Archive | www.sixpackfilm.com/de/catalogue/show/426
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space-Modulation
Bart Vegter
The point of departure in SpaceModulation is the discovery of the moment when a two-dimensional image transforms into a three-dimensional space. Vegter shows this using a pattern of 196 points that move in relation to each other. By zooming in and out, he seeks the moment when the depth becomes visible.
Netherlands, 1994 | b&w, 16mm, 1:1.37, 1 min, silent
Prod: Bart Vegter | Cam: Bart Vegter | Ed: Bart Vegter | Print: EYE Film Institute Netherlands | www.longcanalfilm.nl
Ecosystems is an extended series of films that work with abstract patterns of extraordinary density and complexity; it is inspired by the elaborate chaos systems present in nature. Ecosystem-6 will be presented in the original Super-8 format, accompanied by Japanese traditional flute played by Koike Teruo.
Japan, 1989 | colour, 1:1.37, 21 min, silent
Prod: Koike Teruo | Cam: Koike Teruo | Ed: Koike Teruo | Print/Sales: Koike Teruo
nacht-licht
Bart Vegter
A computer-generated film in three parts, whereby each part has its own, formal starting point. The images consist of 8 to 14 independent elements. On this formal basis, variations are executed continuously by means of gradual changes in the position, direction, movement, velocity and colour of the elements.
Netherlands, 2011 | colour, 16mm, 1:1.37, 13 min, no dialogue
Prod: Bart Vegter | Cam: Bart Vegter | Ed: Bart Vegter | Music: Kees van der Knaap | Print: EYE Film Institute Netherlands | www.longcanalfilm.nl
#3
Joost Rekveld
#3 is a film with pure light. The images were created by recording the movements of a tiny light source using extremely long exposures, so that it draws traces on the emulsion. The light is part of a simple mechanical system that exhibits chaotic behaviour.
Netherlands, 1994 | colour, 16mm, 1:1.37, 4 min, no dialogue
Prod: Joost Rekveld | Cam: Joost Rekveld | Ed: Joost Rekveld | Print/ Sales: EYE Film Institute Netherlands | www.lumen.nu/rekveld
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de tijd
Bart Vegter
A flat, monochrome image slowly evolves into a dramatic spectacle; colour allows lines and conical forms to subtly dissolve and solidify. In the end, the colours lose their intensity, leaving only the basic structure of the image, the skeleton. Vegter used the Fourier transformation, in three dimensions, to create De tijd.
Netherlands, 2008 | colour, 35mm, 1:1.33, 9 min, silent
Prod: Noud Heerkens | Prod Comp: Stichting Picos de Europa | Cam: Bart Vegter | Ed: Bart Vegter | Print: EYE Film Institute Netherlands | Sales: Stichting Picos de Europa | www.longcanalfilm.nl
Reversals
Jacques Verbeek, Karin Wiertz
The earliest work by Jacques Verbeek and Karin Wiertz was an important source of inspiration for Bart Vegter when he became interested in making film. Reversals is a geometric animation and comprises continuous movements of tipping, turning and sliding blocks and surfaces.
Netherlands, 1972 | b&w, 16mm, 1:1.37, 3 min, no dialogue
Prod: Jacques Verbeek, Karin Wiertz | Cam: Jacques Verbeek, Karin Wiertz | Ed: Jacques Verbeek, Karin Wiertz | Music: Bertus Borgers | Print/Sales: EYE Film Institute Netherlands
de hemel is vierkant
square shape of Heaven Bart Vegter
Exposed to light several times, the images of this abstract film are compiled from basic elements that emerge when a cube is cut equidistant from its three main axes. The surfaces move independently of and in reaction to each other. The rotations and shifts evoke a change in form and composition.
Netherlands, 1985 | colour, 16mm, 1:1.37, 12 min, no dialogue
Prod: Bart Vegter | Cam: Bart Vegter | Ed: Bart Vegter | Music: Ruud Spetter | Print: EYE Film Institute Netherlands | www.longcanalfilm.nl
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Four Moves
Bart Vegter
...Four ways to leave home, four ways to hold time... Four Moves consists of four parts, each of which depicts its own abstract variation on the theme of colour and movement. The only shapes used are squares, which move back and forth over each other in different tempos and colours.
Netherlands, 1987 | colour, 16mm, 1:1.37, 7 min, no dialogue
Prod: Bart Vegter, Jan Ketelaars | Cam: Bart Vegter | Ed: Bart Vegter | Music: Floris Kolvenbach | Print: EYE Film Institute Netherlands | www.longcanalfilm.nl
luma nocturna
nighttime light Sky-David
Nighttime Light uses overlapping dissolves of hand-drawn images to capture the luminescent magic of light strewn across the black city at night, from the majestic convergences of great boulevards to ephemeral, amorphous supple reflections.
USA, 1974 | colour, 16mm, 1:1.37, 4 min, no dialogue
Prod: Sky-David | Cam: Sky-David | Ed: Sky-David | Print courtesy: iotaCenter | Print/Sales: Academy Film Archive | www.skydavid.com
Classic meditative collage film created entirely without the use of a camera by pasting montane zone vegetation such as petals, grasses and leaves onto strips of clear film leader. As the title suggests, it is a homage to (but also an argument with) Hieronymous Bosch.
USA, 1981 | colour, 16mm, 1:1.37, 3 min, no dialogue
Prod: Stan Brakhage | Cam: Stan Brakhage | Ed: Stan Brakhage | Print/Sales: Light Cone Distribution
Forest-Views
Bart Vegter
The astonishingly delicate, computergenerated Forest-Views suggests the processes not only of blossoming and decay, but also, ironically, of the chemical laboratory. The screen itself seems to sprout organic forms, like a magnified Petrie dish. (Sundance Film Festival Catalogue 2001).
Netherlands, 1999 | colour, 16mm, 1:1.37, 17 min, silent
Prod: Gerard Holthuis | Cam: Bart Vegter | Ed: Bart Vegter | Print: EYE Film Institute Netherlands | Sales: Filmstad Producties bv | www.longcanalfilm.nl
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interlude
Joost van Veen
A short meditation inspired by the track Interlude by the British band Manyfingers, a Chris Cole project. The film shows a group of Lookdown Fish (Selene Vomer) swimming through chemical layers of high-contrast black-and-white film stock. Winner of Tiger Short Award at IFFR 2005.
Netherlands, 2005 | b&w, 16mm, 1:1.37, 3 min, no dialogue
Prod: Esther Urlus | Prod Comp: WORM | Cam: Joost van Veen | Ed: Joost van Veen | Music: Manyfingers | Print/Sales: Joost van Veen | www.archefilm.nl
Monologue exterieur
Francien van Everdingen
Fragments of an interior appear from the dark like pieces of a puzzle that just dont seem to fit. The walls do talk, from whispering to buzzing to a lively conversation about a world outside this tiny room. A botanical kaleidoscope of treetops, green leaves and blossoms with a neurotic claustrophobic taste.
Netherlands, 2003 | colour, 16mm, 1:1.37, 3 min, silent
Prod: Francien van Everdingen | Cam: Francien van Everdingen | Ed: Francien van Everdingen | Print/Sales: EYE Film Institute Netherlands
Zwerk
Bart Vegter
Zwerk is an abstract film that depicts an illusionary world. The film was made with the purpose of creating an opportunity to view something as it is. What remains is a visual experience. When making the film I let myself be inspired by the words at the edge of emptiness and by my interest in the field between chaos and order. (BV )
Netherlands, 2004 | colour, 35mm, 1:1.66, 8 min, silent
Prod: Gerard Holthuis | Prod Comp: Filmstad Producties bv | Cam: Bart Vegter | Ed: Bart Vegter | Print: EYE Film Institute Netherlands | Sales: Filmstad Producties bv | www.longcanalfilm.nl
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Waving Back
An eclectic compilation of experimental short films, each communicating a sense of threat. The artists share a fascination for looming violence, inviting us to reflect on the return of the repressed, in both nature and human history.
PUBLIC SCREENINGS Thu 26-1 17:15 LantarenVenser 5 Sun 29-1 19:30 LantarenVenser 5
Jump cuts, tinting and sudden changes in aspect ratio make for a pulsating spectacle. At once an archeologist and an innovator, Jacobs keeps on adapting old or inventing new technologies for exploring the potential of the illusion of depth and motion.
USA, 2011 | colour/b&w, video, 5 min, silent
Prod: Ken Jacobs | Cam: Ken Jacobs | Ed: Ken Jacobs | Print/Sales: Ken Jacobs
goose Weather
Stephen Sutcliffe
Film images, poems and archive material, manipulated by means of collage, editing and cheap effects: this is the strategy Sutcliffe has been applying for almost a decade. In old samples of no more than a few enigmatic minutes, he points us back to the pre-MTV era of British culture and television.
EUROPEan PREMiERE
night Hunter
Stacey Steers
The young Lillian Gish who had a career spanning 75 years is appropriated from silent-era cinema and plunged into a new and haunting role. She finds herself amidst a riot of Freudian imagery in a stream of nightmarish images. Steers style and technique strongly recall the collage novels of Surrealist Max Ernst.
EUROPEan PREMiERE
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Everson appeals to the filmic notion of the traditional cowboy, yet here all the performers are black. With a sense of place and history, Everson investigates the gestures or tasks caused by certain conditions in the lives of working-class African Americans and other people of African descent. Trilogy consisting of The Mayberry Practice Calf, Second Place and The Wooden Calf.
WORld PREMiERE
Pfaffenbichler revisits and reworks film history in a systematic way, to address our fascination with power, iconic faces and the aesthetics of violence.
WORld PREMiERE
Maurice
Patrick Kack-Brice
All the features and attributes of the last cinema in Paris (and possibly the entire world) still screening porn films on 35mm are fetishised and celebrated on the brink of their disappearance: the box office, the posters, the film reels, the pink(!) seats, and of course the mythic seclusion of the projection booth.
inTERnaTiOnal PREMiERE
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Village, silenced
Deborah Stratman
The footage comes from the 1943 docudrama The Silent Village (Humphrey Jennings). Welsh coal miners reenact the Nazi invasion and annihilation of a Czech mining village. Labour, power, industrialisation and historical relevance are the larger themes behind this simple but efficient treatment of forgotten material.
inTERnaTiOnal PREMiERE
This bizarre conference illustrates our tireless fascination with evil. The expressive modulations of the iconic faces provide an increasingly comic tone. The soundtrack throughout is a degraded vocal sample of Chaplins nonsense language from The Great Dictator, with constant applause abstracted to static.
Austria, 2011 | b&w, 35mm, 1:1.37, 8 min, no dialogue
Prod: Norbert Pfaffenbichler | Sc: Norbert Pfaffenbichler | Ed: Norbert Pfaffenbichler | Sound Des: Bernhard Lang | Music: Bernhard Lang | Print/ Sales: sixpackfilm | www.sixpackfilm.com/en/catalogue/show/1921
Jacobs uses the stereoscopic effect he patented as eternalism to create a hypnotising rhythm. Since the 1960s, he has been extending the teachings of the painter Hans Hofman to the realm of the cinema. His resolutely original visual forms are the result of equally radical social views.
USA, 2011 | colour, video, 3 min, silent
Prod: Ken Jacobs | Cam: Ken Jacobs | Ed: Ken Jacobs | Computer Technical Assistance: Jason Drakeford | Print/Sales: Ken Jacobs
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The Mouth of garbage
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The Boca do Lixo (Mouth of Garbage) is first and foremost a physical place in the center of So Paulo, covering a few blocks of the Santa Ifignia neighborhood behind the citys main railway terminal. The prevalence of banditry and prostitution in the area earned it its namesake in the film world (by the late 1980s, the area was better known as Crackland). Unglamorous in the absolute, the Boca was a place for young producers to set up shop on little to no budget. The working-class ethos of the neighborhood provided a production infrastructure: construction materials for sets, props, food, costumes, etc., were all furnished cheaply and locally. A restaurant owner could cater for a film shoot with the promise of earning back-end profits. Its proximity to central railway lines also brought added convenience for shipping films to cinemas all over Brazil. In the early 1950s, distributors and small production outfits had already installed themselves on the Bocas main arterial pathway: Triunfo Street (the subject of two affectionate short essay films by Ozualdo Candeias, included in the programme). The Given Word (1962), the first (and only) Palme dOr in Cannes for a Brazilian film, was in fact, a Boca do Lixo product. Oswaldo Massaini, who founded Cinidistri in 1949, had recruited studio talent and suave leading man Anselmo Duarte to direct a series of features, thereby legitimizing the Boca as a production center almost overnight. By the end of the decade, Triunfo Street was a hangout for aspiring filmmakers, starlets, journalists, students, and many others. Business meetings happened unceremoniously in local bars, where a pitch from a confident first-timer could result in a production deal. Studio exiles and young intellectuals congregated in the Boca; its peculiarity as a quick-and-dirty production center meant producers were more likely to take risks on unconventional material, such as twenty-one year-old film critic Rogrio Sganzerlas debut and paean to cinema, The Red Light Bandit. Twenty-somethings Joo Callegaro (The Pornographer) and Joo S. Treivsan (Orgy: or the Man Who Gave Birth) also made their first (and regrettably only) features in much the same vein: one a highly inventive noir riff, the other a violent repudiation of Cinema Novo. For better or worse (mainly worse), these types of productions became scarcer by the minute as it dawned on Boca producers that to survive they had to find a way to squeeze into a distribution landscape monopolized by American product. When Sganzerla, Callegaro and Trevisan were making these first forays, the number of filmmakers actively working under the patronage of the Boca could be counted on two hands. Only 12 films were produced in the neighborhood in 1969 (compared to the 44 per year that would be produced a decade later, and the 55 produced in 1981 alone). Massaini was still knocking out sertanejo films (adventure yarns set in the Brazilian badlands) at the rate of two a year, and independent producers like Ozualdo Candeias and Jos Mojica Marins who had already crafted his on-screen alter-ego Coffin Joe as early as 1964 were successful enough with At Midnight Ill Take Your Soul to find financing for
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roughly one feature every twelve months. Carlos Reichenbach, Antnio Lima and Callegaro, young students of one of Brazils first cinema schools, the short-lived Escola Superior de Cinema So Luis, initiated a production company in the Boca, but only managed to produce a single film: the portmanteau As libertinas (1968). Producers and filmmakers were still testing out the contours of a system that hadnt yet proved a worthwhile alternative to the bankrupt So Paulo-based studios Vera Cruz, Maristela and Multifilmes. These titans of prestige flourished briefly in the 1950s, but failed to justify their means highend production modeled on American studios when national audiences still preferred imports. The new production model was therefore a no-brainer: hire resourceful, hungry youngsters to cheaply turn around a wide range of genre films starring secondrate starlets and heart-throbs in a short period of time. Presto! By 1973, the Boca do Lixo had entered its golden era. Experimenters such as Sganzerla, Callegaro, Trevisan and others migrated elsewhere (Trevisan briefly returned as a screenwriter), while populists like A.P. Galante, Antonio Palacios, Tony Viera and David Cardoso were firmly installing themselves. Burgeoning filmmakers now played it by the book the risks were minimal, and the system had generated a steady audience. Movie-theater owners began to take note. A producer like Galante could now find production funds by negotiating upfront cash from theater executives, covering his production expenses before the cameras had even been loaded with film. Others like Viera and Cardoso were expert marketers, who starred in their own films and worked largely on the branding of their own charismatic personalities. Under this more straightforwardly commercial enterprise, production apprentices were promoted and became reliable directors-for-hire: Ody Fraga, Jean Garret, Alfredo Sternheim, among others. Reichenbach, an avid cinema-lover who mingled in both lowbrow and highbrow circles, found work in the Boca in virtually every skill-set he had: screenwriter, cinematographer, lighting technician, actor and eventually as sought-after director. A major issue looming over national production at the time was the military dictatorship. By the late 1960s, censorship had reached Soviet levels and producers who proposed any political discourse or wanted to push narrative norms (to say nothing of even vaguely explicit on-screen depictions of sex, drug use and violence) could find their films shelved for years (as was the case with three films included in the programme: Orgy; Awakening of the Beast and Vereda
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tropical). Often arbitrary and nonsensical, a military veto could be a decisive nail in the coffin for an emerging producer. But in the 1970s, the military authorities loosened their policies as films of an erotic nature became hugely popular with audiences. Sex was in; politics, however, was still out. A new category of film emerged from the changing tide, pejoratively (or affectionately, depending on who you ask) dubbed pornochanchada. Chanchadas, popular musical comedies that proliferated in the 1930s, were reconfigured as soft-core romps, promoting a similar sense of escapism, only this time catering to a generation that had lived through the sexual politics of the 1960s. In the periphery of the Boca do Lixo, space remained for the socially conscientious and intellectually minded participants. Jairo Ferreira, a film critic and theorist, was one of these, producing no-budget Super 8 essays shown outside of the commercial circuit and below the militarys radar. Ozualdo Candeias, whose widely praised The Margin (1967) brought plenty of initial attention to the Boca, also remained active, directing short and medium-length films and working on film sets while searching for financing for the more ambitious feature film projects he would eventually return to. Ferreira and Candeias were notable exceptions; most who stayed in the Boca got with the programme or fled the scene. Often, working within the confines of pornochanchadas was the more attractive option for directing and writing talent, as state film financing through government body Embrafilme imposed an entirely different set of exigencies. Navigating the politics of Brazilian art house production could prove infinitely more demoralizing, whereas active involvement in Boca filmmaking at least offered the luxury of a steady paycheck and a wide release. Adding to the incentives, cultural laws instigated by Brazils national cinema agency made it compulsory for movie theaters to devote screens to national product (known as the Lei da Obrigatoriedade or Mandatory Law). In 1980, Oshima Nagisas notorious In the Realm of the Senses (1976) became an unexpected art house sensation in Brazil, selling five million tickets and setting an allowing precedent for hardcore production. Censors stepped aside, obliging Boca producers to tackle the hitherto unconquered sexual extremities of pornochanchada. Triple X-rated movie theaters soon proliferated. Many Boca filmmakers were reluctant to adapt, often using pseudonyms (David Cardoso became Roberto Fedegoso, Jean Garret switched to J.A. Nunes), while others embraced explicit sex wholeheartedly (Ody Fraga was an eager and playful contributor, with films such as Sit on Mine and I Will Enter Yours). The whopping number of hardcore films produced in the Boca
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reached nearly 500; even filmmakers like Marins and Candeias were absorbed by the trend. In spite of the boom set off by Oshimas film, Boca production began to decelerate at an alarming pace in the late 1980s, however. A low-budget feature cost producers the equivalent of 35-40,000 Euros back in the day, whereas licensing the rights to an American or European film for Brazilian distribution usually cost 1,500 Euros or less. When the exhibitor Servian Ribeiro negotiated a deal to release fifty North American hardcore films in his theaters, demand for Boca films just about dried up. The starlets and heartthrobs quietly withdrew, producers redistributed their small fortunes into more stable enterprises, and a handful of directors attempted to navigate the subsequent recovery period of Brazilian cinema, most of them unsuccessfully. Although the Boca do Lixo comprises the most prolific and financially solvent production phase in the entire history of Brazilian cinema, its memory has never been recovered from the ruins. Overshadowed by state-funded art films and middlebrow studio product, the Boca is a heroic example of how a low-budget filmmaking movement prevailed over government oppression and American hegemony, cultivating millions of spectators and yielding some of contemporary cinemas most distinguished talents along the way. Thank you to Incio Arajo, Gabriel Carneiro, Alfredo Sternheim and Matheus Trunk.
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a margem
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festa na boca
Party at the boca
Ozualdo R. Candeias
Brazil, 1970/1971/1976 | b&w, 35mm, 11/10/12 min, Portuguese
Prod/Cam: Ozualdo R. Candeias | Ed: Ozualdo R. Candeias, Luiz Elias | Music: Vidal Frana | Print: Cinemateca Brasileira | Sales: Heco Produes
Party at the Boca will be screened before The Option (or: The Roses on the Highway).
Fri Tue 27-1 19:152 SGZ 31-1 20:302 CI7
The first two are intimate essays on the communities inhabiting the Santa Ifignia area in So Paulo from filmmakers to shop-owners and the homeless. Edited largely from the filmmakers own extensive photo documentation of the neighbourhood (he was a long-time resident), these episodes may be described as bittersweet, nostalgic, quietly personal while also retaining a newsreel appearance indicative of Candeias experience as an industrial filmmaker. In the third short, Party at the Boca, Candeias submits a report on a lively party thrown on New Years Eve, 1976, reflecting the camaraderie among So Paulos low-budget filmmaking community. These three films helped to mythologise the Boca as a vital centre of production while also capturing the distinctive humanity of the place.
o porngrafo
The Pornographer Joo Callegaro
Things arent easy for Miguel Metralha. Boredom and his affinity for the easy life have made him switch roles, from run-of-the-mill journalist to editor of porno mags. But Metralha quickly discovers that the world of pinups and sex bombs brings its own ups and downs. Surrounded by underworld figures, he finds himself dropped into a meta-narrative resembling the American crime films he and the filmmakers, evidently admires. Taking as its departure point the nihilistic, Godardian style of The Red Light Bandit, the sole feature by Joo Callegaro is a traditional genre piece transformed into a carnival of mockery and the grotesque. Attempting to craft a myth for the Brazilian gangster by skillfully inverting film noir tendencies, The Pornographer is an unjustly forgotten landmark from the energetic first period of Boca do Lixo production.
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o despertar da besta
awakening of the beast Jos Mojica Marins
Originally titled Sadists Ritual and marketed as a ghastly haunted house film, Awakening of the Beast was directed by Brazils horror maestro Jos Mojica Marins and promised a scream-filled romp much like the filmmakers earlier This Night Ill Possess Your Corpse (1967); however, this film ended up going far beyond its genre parameters and became one of the key political films of Brazils era of military repression. A tongue-in-cheek commentary on 1960s counterculture, the plot begins in pseudo-documentary style with a series of experts on TV played by notable Boca do Lixo figures like Carlos Reichenbach and Jairo Ferreira debating the possible link between the use of psychedelic drugs and violent and sexually deviant behavior. An experiment involving four volunteers, LSD and Marins on-screen alter ego Coffin Joe ensues, playfully debunking the drug-related hysteria that dominated the mainstream discourse of the time. Censors did not take the film lightly; it was banned for 14 years.
orgy (or: The Man Who gave birth) Joo Silvrio Trevisan The sole film by celebrated novelist Joo Silvrio Trevisan is an anarchic repudiation of the Cinema Novo, a cannibalisation of mainstream cultural tendencies, clichd tropicalist ideas and worn-out Brazilian literary myths about the serto (the backwoods), all in one highly irreverent package that infuriated censors (it was immediately banned) and exasperated left intellectuals trying to find the tools to describe it. Ostensibly about a group of allegorical creations that slowly come together in search of a country, the film expresses the alternating sense of euphoria (economic miracle! football glories!) and fear (secret police squads! media control!) that dominated Brazil at the end of the 1960s. Orgy may have been designed as a provocation, and the immediate rupture that it provoked is a testament to that, but its also a seductively crafted piece of sculptural cinema, inventing unprecedented moments of sensuality even as it attempts to destroy everything else in its path.
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lilian M.: Confidential report Carlos Reichenbach A wife and mother from the provinces travels to the big city to get away from her oppressive domestic life and begins to explore her newfound freedom, starting by changing her name from Maria to Lilian. The idea of the sexually liberated woman in 1960s and 1970s Brazil had certainly not been treated extensively in film (the exoticised and much too simplistic Dona Flor and Her Two Husbands came the following year). Reichenbach doesnt approach a taboo subject didactically or exploitatively, his tragicomedy of adventures recalling Joaquim Pedro de Andrades Macunama (1968) in its liberal assortment of stories and colourful personalities that veer in and out of the film. At its centre, Lilian M. is about the awakening of different forms of consciousness: from simple family life to a multiplicity of relationships, from agrarian politics to urban politics, and the complex nature of survival in all its shades.
o vampiro da cinemateca
The Vampire of the Cinematheque
o insigne ficante
The insig nificant
Jairo Ferreira
In the margins of the Boca was a subversive diarist, a fly on the wall whose free-flowing Super-8 works cast Rogrio Sganzerla, Carlos Reichenbach, Jos Mojica Marins and dozens of others from So Paulos film communities; sometimes straightforwardly documenting bar conversations with these luminaries and sometimes launching off into more digressive, even fictive pathways inspired by those same conversations. Remaining invisible Ferreiras Super-8 films were always shown clandestinely The Vampire of the Cinematheque and The Insig Nificant suggest cine-clubism as its own art of invention, not to mention a subversive response to military oppression. As a cheeky homage to pornochanchada, for example, The Vampire shows us a close-up of a man masturbating. And in another part, an inaudible piece of recited poetry by Orlando Parolini is interrupted with Ferreira informing the audience in voice-over that Kodak is cheapening the sound quality of its Super-8 stock. Honest and intimate, Ferreira offers a secret history of the Boca.
The Vampire of the Cinematheque screens in combination with The Insig Nificant. Each film is 60 minutes long (120 combined).
Thu Sat Sat 26-1 17:002 CI4 28-1 15:002 CI7 4-2 14:302 CI5
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Snuff Victims of Pleasure Cludio Francisco Cunha Two shady producers out to make a snuff film concoct a bizarre plan to trick a crew of technicians and actors by pretending to be well-todo Americans producing high-end porn in Brazil. With a clever script by Carlos Reichenbach, Snuff plays like an exploitation version of Fassbinders Beware of the Holy Whore. Director and producer Cludio Cunha devised several William Castle-like marketing tactics such as parking an ambulance outside the screening room and paying audience members to scream at the films premiere and Snuff ended up becoming an unprecedented hit (four million tickets sold). Embodying both the commercial and artistic aspirations of Boca do Lixo filmmaking, the film looked forward to the uncertain decade that would follow, when censorship norms loosened and producers became eager to take flashier directions.
Vereda tropical
Tropical Path Joaquim Pedro de Andrade
Testing the contours of censorship (it was immediately banned), Andrades small erotic milestone, and one of the funniest Brazilian films of the 1970s, centres on a man whose objects of desire are fresh fruits and vegetables the riper the better! Made as part of an omnibus project of short stories adapted from Brazils mens magazine Status, Andrade described his film as a fantasy whose lead character is cultured and speaks about his personal life in a lucid and healthy way. Theres no nudity or bad words, Andrade said to the press, discouraged, as he received news of the military veto. Evidently the film suggests a liberated form of consciousness that the new regime feared. The outlandishness of fruit-fucking is beside the point, unless the censors were worried people would waste the food supply? Screened before Awakening of the Beast.
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o convite ao prazer
invitation to Pleasure Walter Hugo Khouri
Narrating the extra-marital adventures of Luciano, a middle-class dentist, and Marcelo, a wealthy businessman, who renew their curious friendship after a lengthy hiatus, Invitation to Pleasure is a not-so-distant sister piece to Walter Hugo Khouris better-known 1960s films about alienated big city dwellers. Touching on similar existential dread this time largely through the lens of pathologically sex-obsessed white males Luciano leeches off Marcelo, whose luxurious lifestyle attracts a vast array of beautiful women. Parallel to this, the mens wives Anita and Ana contemplate a radical course of action in the light of their husbands betrayals. Drawing from Antonioni and Bergman, while also folding in uniquely Brazilian themes, Invitation to Pleasure is a complex look at the male psyche, underlining ambivalence even as it relishes the exquisite physiques of its Boca starlets.
Ozualdo R. Candeias
Combining documentary and staged action, Candeias delves into the profoundly quotidian reality of a group of rural women who cut sugar cane and live modestly in ramshackle neighborhoods along the highway. For many, the only escape (or option, as the title implies) to potentially better their lives is through prostitution. Candeias, a former truck driver, offers a deeply felt vision of these communities based on firsthand experiences. Shot in stark black-and-white at a time when most Boca do Lixo production had turned to colour, The Option unravels powerfully in a few nearly wordless movements. A culmination of Candeias preoccupation with marginality and his craft as a filmmaker (in addition to directing, he also shot, edited, wrote, and acted in the film), The Option received an unexpected plaudit in the form of a Bronze Leopard from the Locarno Film Festival.
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o imprio do desejo
The empire of Desire/Sensual anarchy Carlos Reichenbach
A widow named Sandra is on a trip from the city to reclaim her remote beach house from squatters. She picks up a hippie couple along the way, eventually inviting them to become house-sitters at her coastal getaway. Aided by a shyster named Doctor Carvalho, she successfully evicts the home-invaders and an erotic mnage is suddenly sparked when Sandras boyfriend arrives. Parallel to this, Sandra is horrified as she hears stories of a vindictive angel living in the area, out to kill uncultured loafers, adding a violent counterpoint to the mood of euphoria. The Empire of Desire/Sensual Anarchy was the first Brazilian film to be designated by the loosening military censors as pornographic spectacle and released in cinemas freely as such, setting an important precedent for 1980s Brazilian film culture. Originally programmed by Hubert Bals for the IFFR in the mid-1980s, the film never showed up due to various complications. Unavailable and nearly forgotten for 30 years, the festival presents Sensual Anarchy in a brand new 35mm print.
oh! rebuceteio
Cludio Francisco Cunha
Okay, lets first attempt to tackle that strange, unspeakable title. The Oh! is obviously a tribute to Kenneth Tynans groundbreaking Broadway sex farce Oh! Calcutta. Rebu in Portuguese means a very confusing situation. Rebuceteio is a conjugation of rebu with buceta (vulgar name for the female organ) and the suffix io, which implies collectivity. So, perhaps, knowing all that, you can make up your own title! Oh! Rebuceteio centres on a group of young thesps cast in an experimental theatre production desperate to please their egomaniacal director (played by director Cludio Cunha himself). Early on, they improvise bizarre, unsimulated sexual acts as part of the rehearsal process, playing aggressive one-upmanship to see who can send their boss into the highest state of elation. This hard-core Chorus Line parody is one of the most unexpectedly heady and complex explicit sex films ever made in Brazil wittily breaking down established notions of pornographic spectatorship.
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A clever diptych about odd genital protractions, as it were: Hello, Pussy and The Unicorn, written and directed by one of the Boca do Lixos most audacious voices, Ody Fraga. In the first, a married but sexually loose woman discovers her vagina has the ability to communicate with passersby. Naturally, she obliges her genitalias naughty demands whenever and with whomever she can. In the second, a man wakes up one day with an odd penile outgrowth in his hair, finding that he has to satiate the primordial urges of having not one but two opportunely situated phalluses. A perfect satire on the breaking down of sexual norms with its dialectical approach to inward/outward, discreet/ indiscreet, liberation/repression, autonomy/dependence, it captures a transitional moment in Brazil deploying witty puns and hilarious visuals every step of the way. Radley Metzger and John Waters would approve.
A class conflict satire thinly veiled as pornochanchada, Fuk Fuk Brazilian Style is one of the strangest works to come out of the Boca do Lixos hardcore phase. Mixing slapstick comedy and surrealism, the film stars prolific dwarf actor Chumbinho as Siri, a domesticservant-cum-slave who escapes captivity from a wealthy couple to go on a dream-like journey through a subterranean world of repressed sexual yearning. Dragging a crate of dildos behind him, Siris episodic adventures include a flophouse rub from a horny couple and a chance meeting with a talking horse on a beach. Eventually, the character finds himself a servant again, this time in a brothel, where he discovers a spaceship shaped like a giant penis.
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SignalS
Power Cut Middle east
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Flashback to IFFR 2011: On the same day that the film festival in Rotterdam started, the first demonstrators made their way to Tahrir Square in Cairo and never left. Naturally, we had already seen the astounding events in Tunisia. On 17 December 2010, the 26-year-old Tunisian fruit seller Mohamed Bouazizi set fire to himself and this led to demonstrations and riots against the 23-year regime of dictator Ben Ali. In less than a month, the unheard-of happened: the dictator gave in and fled. At the time, however, no one expected there would be such an immense knock-on effect. For the first time in decades, cracks both large and small appeared in regimes around the Arab world. That Hosni Mubarak would resign only a few weeks later in Egypt; that Saudi women would ignore the ban on female driving en masse; that the people of Syria would revolt; and that, after a prolonged struggle, freedom fighters in Libia would pose next to the lifeless body of Muammar Gaddafi in early February 2011 all this was still unthinkable. Naturally, this edition of the IFFR will pay attention to the Arab revolutions, whatever their outcome. As the IFFR has demonstrated for decades, filmmakers are the first to draw outside attention to the injustices in their countries whether openly or concealed by metaphor. Moreover, these contemporary revolutions are supported and fed by moving images. Thanks to the omnipresent cameras, such major historic events can now be, for the first time, experienced almost live at street level. The moving image the raw material for a film festival plays an essential role. The filmmakers both record and participate in the protests. Egyptian artist Hala
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Elkoussy sent the following e-mail when she did not turn up for the premire of her short film Mount of Forgetfulness. I didnt make it to the screening because I was busy making revolution. And there are many others like her. Power Cut Middle East intends to understand these moving images by turning them inside out. Because what are we really looking at? Not just the moving images that spread the Arab revolutions to neighbouring countries, or even farther afield, over the past year. But also the images of what went on behind the news cameras: the video footage filmmakers have been using to show the sentiments of Arab populations for quite some time. Because one thing becomes abundantly clear from the films and installations that are part of Power Cut Middle East: this is not a sudden, Facebook or Twitter revolution. The new social media played an important part as did, for that matter, the rapid dissemination of news images, but large groups of demonstrators did not use the internet. Moreover: revolutions dont develop due to 140-character slogans. There was a much longer run-up to these revolutions, as there will be a longer aftermath. Spring even an Arab one passes, and true democratic change takes time. Peoples dissatisfaction does not dissipate overnight. This is precisely the time at which a new, complex reality develops, which entails intense scrutiny of the new rulers. Power Cut Middle East does not focus on the entire Arab world, but on two countries in particular: Syria and Egypt. Syria, because in spite of continuous massive demonstrations the regime is the only one in the Arab world to refuse to see that things have to change. Egypt, because the revolution seemed te be over; until violence erupted once more.
ViSual aRtS FEStiVal DaMaSCuS in ExilE
Syrian film is often referred to as the best kept secret of Arab cinema, even though national film production was, until only recently, entirely government funded. However, you cannot see this by looking at the works of pioneers such as Omar Amiralay, Mohamad Malas and Oussama Mohammad. Precisely because of the stringent censorship, Syrian filmmakers often developed extremely personal visual idioms in order to be able to still express themselves critically on social and political matters. The first edition of the Damascus Visuals Arts Festival took place in 2010 and featured exhibitions, film screenings, multimedia performances, lectures and debates which sought to create a dialogue between contemporary visual culture in the Middle East and that elsewhere in the world. The odds of another edition of the festival taking place in Damascus in 2012 are slim, however. This is why the festival will now take place in exile: at the IFFR. Suspended Dreams will screen documentaries by sociallycommitted makers who artfully managed to avoid censorship. The restrictions stimulated the development of a rich visual language full of metaphors and symbols which enabled them to deal with subjects that would otherwise have been off-limits. Young filmmakers in particular have, since 2000, employed an idiosyncratic mix of fiction and documentary. Their films will
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be screened alongside the Syrian classic Dreams of a the City by Mohamad Malas, which dates back to 1983 and which inspired many young directors to invent the new, camouflaged style of film. A debate will be held on developments in Syrian cinema entitled: The Road to Damascus. Shifting Shores presents recent video works by Arab artists in which memory, identity and transformation are key concepts in individual quests for the manner in which historic background, collective memory and the transmitted images and stories influence the constantly changing Arab reality. Traditional views are critiqued; new perspectives are presented issuing a challenge to reconsider ideas based on the media reality from before the Arab revolutions. The programme also comprises four installations at the Ai Weiwei Caf/Power Cut Installations building located at Karel Doormanstraat 278. Over the past twelve months, a mass of images were sent into the world from Tahrir Square in Cairo that all spelled r-e-v-o-lu-t-i-o-n. But the essence of all the unrest and discontent, i.e. the demonstrators real motives for being on the enormous square, can be found in the films from before 25 January 2011. This socio-historical, visual and cultural context can be found in the Egyptian Timelines programme. A number of filmmakers also juxtaposed their own film with another Egyptian production which had inspired them. Their choices are films which have almost never been screened abroad. Egyptian Timelines is an impressive selection of styles and subjects: from the dreamy, poetic walk through Cairo in which Hala Elkoussy makes the citys torn core tangible in In Search of a City (in the Papers of Sein) to the astounding banality of the executioner who explains how he cut short hundreds of lives in Dina Hamzas documentary In/Out of the Room. From Abwab al khouf: el naddaha, an episode of the worlds first Arab horror series, to an exploration of silence in Emad Mahers Neon Lamp. In the sobering Back to the Square, Petr Lom shows how the systematic use of violence from the Mubarak era continues to this day. Another exceptional film is the tragedy The Three Disappearances of Soad Hosni about the imagined life of the famous Egyptian actress Soad Hosni. Edited together, excerpts
EgyPtian tiMElinES
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Remarks on a Square
from Hosnis films (on VHS) illustrate a remarkable social move: whilst Arab women first became increasingly modern in the eyes of the outside world, their rights were increasingly being eroded by conservative social movements. Besides screening films from outside of official Egyptian cinema, Egyptian Timelines also reveals a complex daily reality which the old regime preferred to keep under wraps. Stories of cultural repression; national identity pressured by internationalisation; poverty, prostitution and the abuse of power; but above all stories concerning the transitoriness of the city as a metaphor for cultural and economic decline, the arena for all frustrations.
REaDing tHE aRaB iMagE
During an evening of debate, Power Cut Middle East will comment on all these images utilising two lectures and a performance. What are the effects of the omnipresence of moving images? How do these influence the course of events? Has this put us in a constant, global loop of action and reaction? Which images do we or dont we trust? The speakers will be Dutch journalist Ferry Biedermann, former Middle East correspondent of Dutch daily de Volkskrant who nowadays writes for The National and Elsevier Magazine; the Lebanese artist and musician Raed Yassin, with his new performance; and Jasmina Metwaly, artist, activist and one of the founders of Mosireen, a new, independent filmmakers collective in Cairo which developed on Tahrir Square and aims to record the revolution and use the power and emancipatory strength of those images. The English newspaper The Times named Tunisian fruit-seller Mohamed Bouazizi the most influential person of 2011. The American weekly TIME opted to name not an individual, but the demonstrator in general as its Person of the Year 2011. Over the course of a single year, a desperate, brave individual became a movement, a fearless mass. Power Cut Middle East demonstrates in images, films, artworks and in visual culture that this mass had been coming to the boil for some time. Visual Arts Festival Damascus in Exile is curated by Delphine Leccas (Shifting Shores) and Charlotte Bank (Suspended Dreams and Shifting Shores). Nat Muller is co-curator for Egyptian Timelines.
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Suspended dreams
The programme Suspended Dreams gathers films by Syrian filmmakers that explore alternative and experimental means of storytelling through the use of documentary. From very personal angles they offer a variety of readings of different issues of Syrian society and concerns of the region.
ahlam al-Madinah
dreams of the City Mohamad Malas
A young widow and her two sons are forced to move from their native Quneitra to Damascus to find shelter in her fathers house, only to be met with cruelty and rejection. The youngest son is sent to an orphanage, while the oldest boy, Dib, is forced to take responsibility for himself and his family. Against the background of the turbulent 1950s in Syria with its succession of military coups, Dib comes of age as he learns to support himself and tries to understand the complex realities of Damascene society with its political changes, communal strife and multiple facets. The film is an early example of Syrian auteur cinema; of fiction that borrows strongly from documentary. Filmed from the perspective of a boy, it is at once a document of Syrian recent history and a compelling coming-ofage story.
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Behind walls
Two critical documentaries about how the prison system has been exploited in the recent past to suppress the protests in Syria.
PUBLIC SCREENING Mon 30-1 10:00 Cinerama 4
ibn al am
Cousin Mohammad Ali Atassi
The Syrian dissident Riad al-Turk is a prominent critic of the Baath regime in Syria and has spent over 17 years in prison. The film reveals a man of deep humanism who, faced with extreme harshness, also managed to keep his ideals.
Syria, 2001 | colour/b&w, video, 50 min, Syrian
Prod: Mohammad Ali Atassi | Print/Sales: Visual Arts Damascus
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Crack
Reem Ghazzi
The film tells the story of an elderly tailor who has chosen to withdraw from the world after a traumatic incident. He now observes his surroundings from behind the safety of the closed door of his shop.
Syria, 2007 | colour, video, 4 min, Arabic
Prod: Reem Ghazzi | Print/Sales: Visual Arts Damascus
Madeenatain wa sijn
two Cities and a Prison Soudade Kaadan
The filmmaker follows an experimental theatre project in Syria on its tour through rural Syria and in a prison for young delinquents. Through interactive plays, they attempt to question traditional social rules and achieve a re-thinking of role models.
Syria, 2008 | colour, video, 39 min, Arabic
Prod/Sc: Soudade Kaadan | Cam: Soudade Kaadan, Raed Sandid | Ed: Soudade Kaadan | Print/Sales: Video Arts Festival Damascus
Zabad
Foam Reem Ali
Foam presents a sensitive and multilayered portrait of a Syrian couple as they strive to balance their care for a mentally disabled family member with work, memories of political prison and a longing for change and emigration.
Syria, 2006 | colour, video, 46 min, Arabic
Prod Comp: Arab Institute of Film | Print/Sales: Visual Arts Damascus
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Before Vanishing
Joude Gorani
This film revolves around the Barada river that runs through Damascus and used to be the traditional source of its wealth. Nowadays, the river is polluted and on the point of drying out. and only runs through the city as a poor trickle.
Syria/France, 2005 | colour, video, 14 min, Syrian
Prod Comp: La Fmis | Cam: Joude Gorani | Ed: Delphine Dumont | Print/Sales: Video Arts Festival Damascus
Madinat al faragh
City of emptiness Ali Sheikh Khudr
In this experimental short documentary, the filmmaker revisits the city of his youth and presents a searching look back to another time, but seems only to find emptiness and escape as the sole final solution.
Syria, 2008 | colour, video, 8 min, no dialogue
Prod/Sc/Cam/Ed/Prod Des/Sound Des/Music: Ali Sheikh Khudr | Print/Sales: Visual Arts Damascus
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Samt
Jibal alsawan
Flint Mountains Nidal Hassan
Abu Beram is a sculptor and architect who collects stones from the mountains surrounding his native village and creates artworks from them. The film presents the protagonist with his circle of friends and their life, filled with friendship and simple joys.
Syria, 2009 | colour, video, 46 min, Arabic
Prod: Shadi Abo Fagher | Print/Sales: Visual Arts Damascus
Stone Bird
Hazem Alhamwi
Stone Bird follows the eccentric Abu Hajar, who has chosen a life apart from society to escape an intractable personal conflict. The film is a reflection on society with its rigid rules and its crippling effects on humans.
Syria, 2006 | colour, video, 35 min, Syrian
Prod: Hazem Alhamwi | Print/Sales: Video Arts Festival Damascus
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Shifting Shores 1
Recent video works by artists from different Arab countries. Centring on a net of meaning around the concepts of memory, identity and change, the works represent individual investigations into how history, collective memory and transmitted images and narratives are closely linked to contemporary, fast-changing realities.
PUBLIC SCREENINGS Tue 31-1 20:00 LantarenVenster 5 Wed 1-2 12:30 LantarenVenster 2
transparent evil
Roy Samaha
In early 2011, the filmmaker set out together with a friend to undertake a commissioned project to follow in the footsteps of James Bruce and document the Nile river from Alexandria to Aswan, but he got caught up in the events of the Egyptian revolution.
international PreMiere
Hadinat al shams
the Suns incubator Ammar Al-Beik
The life of a young family as it is interwoven with the stories of the past year; of protests, change, revolutions and martyrs. The birth of a baby, the death of a child who became iconic: hope and misery are closely linked.
Syria, 2011 | colour, video, 11 min, Arabic/French
Prod/Sc/Cam/Ed/Prod Des/Sound Des: Ammar Al-Beik | With: Sofia Shams Al-Beik, Myriam Jakiche Al-Beik, Ammar Al-Beik | Print/Sales: Ammar Al-Beik
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Shifting Shores 2
For an explanation of the content, see the compilation programme Shifting Shores 1.
PUBLIC SCREENINGS Wed 1-2 15:00 Cinerama 6 Thu 2-2 16:45 LantarenVenster 5
adam
Ali Heraize
In this portrait of Egyptian youth, a young man moves through the streets of Cairo, with their many facets and contrasts. At once familiar, yet at odds with the surroundings, he seems to struggle for a place to be and be heard.
international PreMiere
253
e.d.l.
Siska
The video portrays Lebanons national electricity building, shot on Super-8 and accompanied by droning noises reminiscent of experimental electronic sounds of the 1950s and 1960s. It presents an homage to a modernist project linked to the very construction of Lebanons modern state.
international PreMiere
Master-Slave dialectic
Paul Hage Boutros
The video presents an encounter between a self-conscious being and a non-selfconscious object, where the director is engaged in a struggle with the camera in order to enslave it, only to find that this does not give him the expected control over the machine.
international PreMiere
Bombes
Bombs Sandra Ghosn
The artist imitates a succession of profile pictures of Facebook users in a reflection on the social networking site as a breeding ground for narcissism. With its audio track evolving from bomb sounds to entertaining J-pop, the piece evokes an evolution from harsh reality to denial.
international PreMiere
254
Pipe dreams
Ali Cherri
In a face-to-face encounter between a PVM monitor and a pocket projector, the installation combines archival images, images from the current Syrian uprising and constructed images. Two moments in the history of contemporary Syria that echo the situation across all Arab countries: a memorable phone call between the Syrian cosmonaut Muhammed Faris, who was part of the Russian mission to the Mir Space Station, and the late president Hafez al-Assad, and the removal of the statue of Assad by the Syrian government to prevent its destruction by the demonstrators. Location: Ai Weiwei Caf/Power Cut Installations, Thu 26 - Sat 4, 12:00 - 20:00.
Lebanon/France, 2011 | colour, video, 5 min, Arabic
Prod: Imane Fars | Prod Comp: Imane Fars Galerie | Print/ Sales: Video Arts Festival Damascus | www.acherri.com
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out of Focus
Salah Saouli
This installation presents a vision of a city at a crucial moment of transition. Four videos, each of which presents images from the centre of Beirut in the early 1990s, convey the impression of a panoramic view of the streets of Beirut as the city seems to hold its breath and regain its strength after the end of the Civil War. Located somewhere between fantasy and reality, real and virtual, the images move in an interaction between past and present and draw the observer into an almost physical engagement. Location: Ai Weiwei Caf/Power Cut Installations, Thu 26 - Sat 4, 12:00 - 20:00.
Lebanon, 2011 | colour, video, 60 min
Prod: Salah Saouli | Sales: Video Arts Festival Damascus | www.salahsaouli.com
remarks on a Square
Jasmina Metwaly
A series of videos shot in Tahrir Square during and after the uprising in Cairo, Egypt, in 2011. Here, everything happens in a circle. We may enter as a viewer. Moving towards it, the edge of the circle expands. Remarks on a Square is situated somewhere between the moment and the memory. Remarks are like reminders that were once developed and now turn into mirrors of themselves. They are not about the revolution. Location: Ai Weiwei Caf/Power Cut Installations, Thu 26 - Sat 4, 12:00 - 20:00.
Egypt, 2011 | 53 min
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egyptian timelines 1
The revolution did not happen overnight - it was foreshadowed in Egyptian films, visual pamphlets, artworks and documents in recent years. In Egyptian Timelines, current events are placed in a larger socio-historical, visual and cultural context. In addition, some of the filmmakers show, beside their own work, a film of choice: influential or clarifying, but rarely shown abroad.
PUBLIC SCREENINGS Mon 30-1 17:00 LantarenVenster 1 Thu 2-2 19:30 LantarenVenster 5
Two women, housemaids abused by their employers and male family members, decide to make new lives for themselves, starting a friendship which invents a whole new relationship, a sisterhood unusual in Arab cinema.
Egypt, 1989 | colour, video, 5 min, Arabic
Prod: Hussein M. Kalla | Prod Comp: Al-Alamiya | Sc: Mohamed Khan, Mustapha Gomaa | Cam: Mohsen Nasr | Ed: Nadia Shoukry | Music: Ammar Al-Chere | With: Naglaa Fathy, Aida Reyad, Ahmed Zaki
Sturm: ahmonseto
Philip Rizk
In 2002, Mohamed Khamis a business tycoon close to the Mubarak regime tried to become a partner in the Ahmonseto textile factory. Shortly after owner Adel Agha rejected the offer, he was accused of fraud charges and imprisoned. After his release, Agha fled the country. Caught in the middle of this business dispute were the 2,000 workers employed at the Ahmonseto complex.
Egypt, 2010 | colour, video, 6 min, Arabic
Prod/Print/Sales: Philip Rizk
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Sturm: Fayoum
Philip Rizk
In Abuxa, the water no longer reaches the fields. One of the reasons is that those who oversee the water distribution do so for their personal benefit. Not only are many of these agri-businesses owned by former members of parliament, but government policy actually encourages food export. Increased exports are said to strengthen the economy. In 2011, food prices increased by 18%.
Egypt, 2010 | colour, video, 5 min, Arabic
Prod: Philip Rizk | Print/Sales: Philip Rizk
egyptian timelines 2
For an explanation of the content, see the compilation programme Egyptian Timelines 1.
PUBLIC SCREENINGS Tue 31-1 15:00 Cinerama 5 Wed 1-2 17:00 LantarenVenster 6
Maydoum
Omar Robert Hamilton
When he hears his cousin is about to sell their grandmothers land, Sharif gets on the first plane to Cairo. On arrival, he finds himself faced with old arguments and new decisions in a changing country. Shot over 2009 in Cairo and London, Maydoum stars Khalid Abdalla (The Kite Runner, Green Zone) in an original screenplay by best-selling novelist Ahdaf Soueif.
Egypt/United Kingdom, 2010 | colour, video, 13 min, Arabic/English
Prod: Omar Robert Hamilton | Sc: Ahdaf Soueif, Omar Robert Hamilton | Cam: Mahmoud Lotfi, Brian Fawcett | Ed: Ahmad Abdalla, Colin Campbell | Prod Des: Daniel Nussbaumer | Music: Omar Fadel | With: Khalid Abdalla, Salma Said, Mahmoud Hamdy | Print/Sales: Omar Robert Hamilton | www.orhamilton.com
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Blue dive
Mostafa Youssef
The sea is a source of life, but at the same time a destructive power. Alexandria: three people who meet each other in the corridors of a hospital have experienced the dangers of the beautiful blue sea. Developed with the aid of the Berlinale Talent Campus, Mostafa Youssef investigates death in todays Egypt.
international PreMiere
eshk akhar
Heba Yossry
another Passion
Another Passion is about a dialogue between a mother and a daughter, in which the formers dream of becoming an actress is dismissed by the latter as dangerous and haram, playing out the potential conflict of art and religion until the father bursts in and puts an end to the dream.
Egypt, 2006 | colour, 35mm, 1:1.85, 20 min, Arabic
Prod: Heba Yossry | Prod Comp: High Institute of Cinema | Sc: Heba Yossry | Cam: Ahmad Yacoub | Ed: Haitham El Hall | Prod Des: Marwa Waheed | Sound Des: Ahmad Gamal | With: Heba Yossry, Salah Rashwan, Fatima Akawi, Maryam Akawi, Azziza Rashed | Print/Sales: High Institute of Cinema
nosskha shabeyya
local Copy Islam Kamal
The prostitute Marwa and her friend agree to meet a regular customer, the student Adel, and his friend. The public nature of the spot she choses, the square in front of the Bibliotheca Alexandria, irritates him. A beautiful play unfolds in front of bystanders.
international PreMiere
neon lamp
Emad Maher
Quietness as it is actually defined, including the non-existence of sound waves and pressure and all of that, exists only in outer space. Neon Lamp is a journey into quietness. What does it mean? How is it interpreted? An exploration of apparent human (and inhuman) silence: clocks ticking, lamps buzzing or street noise.
international PreMiere
259
egyptian timelines 3
For an explanation of the content, see the compilation programme Egyptian Timelines 1.
PUBLIC SCREENINGS Tue 31-1 17:00 LantarenVenster 6 Wed 1-2 12:30 Cinerama 4
rant
Hassan Khan
This piece uses a minimalist form of expression. The subject, actress Roba El Shamy, is sitting in front of the camera, behind a table. Over a period of roughly six minutes she utters ten phrases. Her gestures and facial expressions are accompanied by a piano composition by the artist.
Egypt, 2009 | b&w, video, 7 min, no dialogue
Prod: Graham Waite | Print/Sales: Galerie Chantal Crousel
rice City
Sherif El Azma
The fi lm mainly borrows its aesthetics from 1930s-1940s fi lm noir and melodrama: to build tension through the craft of narrative fi lmmaking (with all its conventions regarding the use of cinematography, art direction and blocking) without succumbing to its tendency to gravitate towards an ultimate, humanistic meaning. Desires float, suspend and frustrate themselves without generating any obvious emotional climax.
Egypt, 2010 | b&w, video, 20 min, Arabic
Prod/Sc: Sherif El Azma | Cam: Sherif Galal | Ed: Mariam Mikiwi | Music: Nahla Mattar | With: Count Federio di Wardal, Mona Gamil, Santo Walle | Print/Sales: Sherif El Azma
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This episode of the unique and first Arab horror series revolves around Adam Yassin (played by Amr Waked), a clairvoyant journalist who writes about unsolved mysteries with details that are only known to him and the people he writes about. He has a gift that enables him to contact another realm to find out things about these unsolved cases. This gift, however, plagues him in his personal life as he struggles with his visions and reality.
international PreMiere
revolution
Khaled Hafez
We learn throughout the four minutes of this work that what remains of the broken promises are the social equity of the military gun, the pseudo-liberty of the multinational transcontinental corporations and the unity of chopping off heads, representing the global rise of right-wing religious fundamentalism.
Egypt, 2006 | colour, video, 3 min, no dialogue
Prod: Khaled Hafez | Prod Comp: Anubis Productions | Sc: Khaled Hafez | Cam: Haysam Hosny | Ed: Mohamad el Sahrkawi | With: Bassem Wadie | Print/ Sales: Anubis Productions | www.khaledhafez.net/videos/revolution.htm
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The Egyptian Soad Hosni was born in 1943 and committed suicide in 2001. Hosni, one of the most celebrated Arab actresses, played in 82 features. Rania Stephan reconstructed her life, just using fragments on VHS films in which Hosni was a shining star. The film is divided into three acts, a prologue and epilogue, and not only tells the life story of the versatile film star, but also of Egyptian cinema and society. In the first part, we see the actress sing and dance and a cheerful gathering of boys, girls and family. In the second part, we see Hosni who in reality had countless affairs as a desirable woman in sometimes complex relationships. Act three runs parallel to a change in the mood of society: there is violence against and oppression of women. It isnt only the body of Hosni that disappeared; this form of cinema and VHS as a medium also disappeared three disappearances.
world PreMiere
What have the sacrifices on Tahrir Square at the start of 2011 yielded? Unfortunately, not a great deal: this much is apparent from the stories of five Egyptians involved, about six months after the historic revolution. A young horse herdsman tells how he drove to the square to ask for the pyramids to be opened again; he only just managed to survive that day. A taxi driver talks about his six years in prison, the torture, and how the police now behave worse than ever. A young woman talks about intimidation and unjust arrests, which according to human rights lawyers are happening continuously. The young Salwa describes how she met her first love during the demonstrations. And then the brother of Michael Nabil: a blogger who was arrested because of his internet comments and is now on hunger strike he is followed on Tahrir Square during the protests that still continue against the ongoing violations of human rights.
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SignalS
Hidden Histories
Hidden Histories
the independent Chinese documentary makers and the documentary works of ai Weiwei
gerwin tamsma, gertjan Zuilhof
The most independent documentary films coming out of China can hardly be described as political at all. And if any criticism is aimed at those in positions of authority, those targeted are always people on the lower rungs of the power ladder, or from far-flung provinces. The carryings-on of those at the top of the political tree are never discussed the political decisions taken in Beijing are unassailable. The situation was no different 20 years ago, when Wu Wengguang made Bumming in Beijing: The Last Dreamers (1990). This documentary portrays five artists, illegally staying in Beijing during the period immediately following the bloodbath around Tiananmen Square in 1989. With this film, Wu laid the foundation for the current generation of independent documentary filmmakers. The next milestone appeared more than ten years later: Wang Bings nine-plus-hour masterpiece Tie Xi Qu: West of the Tracks a report, in minute detail, of the consequences for the common man of the macroeconomic course being set in the New China. The filmmakers in this programme also feel a commitment to the lot of the common man, and the poorest of the poor people who are usually overlooked, or who dont want to be seen. To film them, it is often necessary to undertake long journeys to places far away from the capital; often, to the provinces where they themselves were born. It is for this reason that their presence can go unremarked: they know the way, and they speak the language. Several of these filmmakers could be described as ethnographers or anthropologists in their own country. Filmmaker Cong Feng, for example, spent more than four years in a small community in Gansu province, in the northwest of China. He became so settled there that no one remembered what he had originally come to do. This allowed him to record everyday life, unaffected by the camera. He finally made two films: Doctor Mas Country Clinic and The Unfinished History of Life. Filmmaker Xu Tong, a guest in Rotterdam last year with Fortune Teller, gave rise to controversy by the way he portrays the shadowy dealings of the flamboyant female brothel keeper and entrepreneur Tang Caifeng in Shattered. Not only was he accused of being too close to Tang, but more seriously he remained completely aloof from her at times highly dubious moral practices. Another remarkable aspect of these filmmakers working methods is the length of time they take to record their subjects. Time that proves an effective judge, jury and executioner: the lies inherent in the propaganda of progress are remorselessly exposed by its passing. The camera, however, is also trained on Beijing itself: Born in Beijing by Ma Li and When the Bough Breaks by Ji Dan painstakingly document various homeless communities on the periphery of
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the city. These films provide irrefutable proof that the economic growth of todays China by no means benefits all. Born in Beijing also tells another story. That of the petitioners people in Beijing who have wanted to lodge a complaint against their local authorities. The old women in the film living under bridges were originally petitioners, or in some cases even their children. The other side of the petitioners story is revealed in one of the most exceptional films in this programme: Zhang Zanbos The Interceptor from My Hometown. An interceptor is an official hired by the authorities, authorised to do anything and everything to intercept petitioners from the provinces. He is even authorised to forcibly return them to their place of residence, if necessary. Zhang happened to meet a former classmate of his, who had become an interceptor, and who was prepared to tell his story in front of the camera, allowing Zhang to expose one of the perverse cogs in the power machine.
ai WEiWEi
On Sunday evening, 3 April 2011, world-famous artist Ai Weiwei was arrested at the airport in Beijing. He was confined for 81 days without any clear charge, at a location that was initially kept secret. After being released, he was held under house arrest, suspected of tax evasion and bigamy. Ai Weiwei is Chinas best-known political activist after Liu Xiaobo the writer and human rights activist who received a Nobel Peace Prize in prison in 2010. The Chinese authorities became alarmed when Ai Weiwei garnered a huge army of followers on Twitter-style website Weibo. Not only students and activists, but also artists and filmmakers followed Ai Weiweis activities on this social network. Ai Weiwei has now been removed from Weibo. The arrest of Ai Weiwei made a big impression in China, in particular on independent documentary makers, whose work exposes them to similar risks. In recent years, many activists and their lawyers have been locked up, or have even disappeared;
Born in Beijing
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So Sorry
nevertheless, the fact that such a famous figure as Ai Weiwei could be arrested just like that was an extremely worrying development. During the months after his arrest, many less well-known artists and filmmakers came into conflict with the authorities. Film festivals were postponed or forbidden and their organisers advised to leave their jobs or return to their home towns or villages to reconsider. Paradoxically, the year in which Ai Weiwei was arrested a year in the shadow of repression proved to be a good, productive year for the independent film scene. Not all independent filmmakers in China have undergone professional film training. Many of the filmmakers included in the Hidden Histories programme are autodidacts. Cong Feng, for example, was a newspaper weatherman, Ji Dan a teacher, He Yuan an anthropologist and Yu Guangyi a wood carver. Only a few people realise that versatile artist and architect Ai Weiwei did receive professional film training, at the film academy in Beijing no less, where he was in the same year as Zhang Yimou and Chen Kaige. Nevertheless, his films display few academic trademarks; his art videos are far removed from traditional filmmaking and his social documentaries often seem to be more about him than made by him. It is remarkable for an artist-filmmaker of his status that his works have hardly been available to the public until now. Opportunities for exhibition in China were minimal, and are now completely non-existent. Previously, Ai Weiwei would give out his films on free DVDs at public appearances, but this option is now closed, too. Of the five documentary films included in this programme (Fairytale; Disturbing the Peace; One Recluse; Ordos 100; So Sorry), only two had subtitles, and Ordos 100 and So Sorry were not even finished. This has now been taken care of, specially for the IFFR.
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Shattered
Ai Weiwei is not a filmmaker in the usual sense of the word. All of his films are part of larger social, architectural or visual art projects. Some are reports on political activities, such as the entertaining, in fact comical Disturbing the Peace in which Ai Weiwei is plucked from his hotel bed in the pitch darkness one night by the police and some are art projects. But on a grand scale: in Ordos 100, one hundred international architects are invited to realise a huge project in Inner Mongolia; in Fairytale, a thousand Chinese attend the documenta event in Kassel, Germany. Ai Weiwei is the artist who had millions of hand-painted porcelain sunflower seeds made and shipped to London, as well as the tireless demonstrator who leaves hundreds of messages on the internet, night after night (twitter.com/#!/aiww). He is never limited by scale, duration or length. The art video Beijing 2003, for example, is no less than 150 hours long. Maybe no one will ever see the film in its entirety, but its the idea that counts : recording all the streets in the centre of Beijing from a moving car.
ai WEiWEi CaF
The films in this programme cannot be seen in the cinemas in China. This is not always the fault of the censors. Some of the films can be shown without problems in museums and at festivals. Sometimes, these festivals encounter difficulties, and may even have to go underground. But not always. Whatever the case, these films are shown in China often in small, at times almost living-room settings. To give visitors to the IFFR a feel of what this is like, during the festival a special caf will be set up and we will call this the Ai Weiwei Caf not only because many of these films require an informal screening and the possibility to speak to the makers, or because Ai Weiweis installation-style art videos need a space, but above all because one very important festival guest cannot be present this year.
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eUroPean PreMiere
Kong shan yi
lost in the Mountain Gao Zipeng
eUroPean PreMiere
This film is an exception within the Hidden Histories programme; it is the only fiction film in the programme one with a hidden story that is told indirectly. Bie Lei has disappeared in a mountainous region and hasnt been found, even after lengthy searches. Part of his family still lives on the mountain a hollow mountain. Hollowed out by large-scale and intensive mining that has now stopped and left the villages in a desolate state. Six months later, four friends of the missing Bie Lie decide to head up the mountain to look for him. Not that they think they will find him, but the journey and the ritual are important for them. The journey through the deserted mining region shows a special side of China. A side in which people just disappear without trace, but also where whole areas are sacrificed to another vested interest.
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apuda de shouhou
apuda He Yuan
eUroPean PreMiere
In a sensitive and balanced way, He Yuan portrays two men who live in bitter poverty. Apuda is a simple man, who almost thinks like a child a good child, because he dedicates himself to caring for his sick old father. Even though the film focuses on these two men specifically, it also provides a picture of a China in which millions of people still live in deprived circumstances. Like other Chinese independent filmmakers, He Yuan has an ethnographic and anthropological background and also a fascination with the lives of ordinary Chinese citizens outside the modern urban centres. But he does not observe in the way a social scientist would. He prefers to compare himself with painters from olden times who went out into nature to capture reality as it revealed itself to them. While Apuda worries about the health of his father and lovingly nurses him, the filmmaker observes the inevitable end no less lovingly.
Wei chao
international PreMiere
269
Jing sheng
Born in Beijing Ma Li
international PreMiere
For years, Ma Li has made documentaries for television. After a film about Tibetan celestial burials, Mirror of Emptiness, she has now made an equally gripping work that has been shot in crystal clear black-and-white. Born in Beijing tells the story of petitioners: citizens who feel themselves wrongfully treated by the local authorities and seek settlement in the capital. There are thought to be more than 100,000 petitioners in Beijing. These people, harassed by interceptors (see the film Interceptor from My Hometown), brave terrible conditions in their battle against injustice and corruption. For six years, Ma Li followed the efforts and suffering of a group of homeless petitioners in the south of Beijing. The original title, Jing sheng (born in Beijing), refers to a woman in the film who was born in Beijing more than thirty years ago; her mother came there looking for justice.
Tang Xixin is a retired railway official who has lost little of his outspoken character at the age of 80. He does not like to receive his adult children in his ramshackle home, but he makes an exception for his daughter Caifeng (who was a guest in Rotterdam last year). She runs a brothel and is involved in equally illegal mining practices. In other words, a woman of the world who tries energetically to keep out of the hands of the law. Xu Tong films the family the way it is. The old Tang, with his flood of words, is an ideal witness to the 20th century; his daughter is a colourful symbol of the new China. Even though in the views of the state she is undoubtedly far from being a role model. Xu Tongs intimate, occasionally raw style of filming fits in well with that. He does not make any moral judgement and that makes him controversial in China. The result is nevertheless sincere and authentic.
270
guanggun
eUroPean PreMiere
international PreMiere
Zhang Zanbo The versatile and productive documentary maker Zhang Zanbo is just as much at ease making a wellconstructed and beautifully composed film like Falling from the Sky (2010) as a spontaneous film, when the opportunity arises. He is a filmmaker with his camera always at the ready. At the end of 2010, Zhang received a phone call from an old classmate. The two, who had not seen each other for twelve years, turned out to have taken very different paths in life. He is the critical, independent filmmaker while his classmate had made a career for himself within the Communist Party he was about to become mayor of their home town. The classmate turns out to be very talkative and tells revealing stories about his activities for the government. He explains what an interceptor is: a civil servant who has to do everything he can to prevent citizens from seeking justice. The classmate is just such a man. A unique document.
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ordos 100
Ai Weiwei
World PreMiere
Ordos 100 is a construction project curated by Herzog & de Meuron and Ai Weiwei. One hundred architects from 27 countries were chosen to participate and each design a 1000-square-meter villa to be built in a new community in Inner Mongolia. The 100 villas would be designed to fit a master plan designed by Ai Weiwei. On January 25, 2008, the 100 architects gathered in Ordos for a first visit to the site. The film Ordos 100 documents a total of three site visits, during which time the master plan and design of each villa was completed. As of this date, the Ordos 100 project remains unrealised (Ai Weiwei Studio). Screened together with So Sorry.
So Sorry
Ai Weiwei
World PreMiere
As a sequel to Ai Weiweis film Disturbing the Peace, the film So Sorry (named after the artists 2009 exhibition in Munich, Germany) shows the beginnings of the tension between Ai Weiwei and the Chinese government. In Disturbing the Peace, Ai Weiwei travels to Chengdu, China to attend the trial of the civil rights advocate Tan Zuoren, as a witness. In So Sorry, we see the investigation led by Ai Weiweis studio to identify the students who died during the Sichuan earthquake as a result of corruption and poor building construction, leading to a confrontation between Ai Weiwei and the Chengdu police. After being beaten by the police, Ai Weiwei traveled to Munich, Germany to prepare his exhibition at the Haus der Kunst museum. The result of his beating led to intense headaches caused by a brain hemorrhage, which was treated by emergency surgery. These events mark the beginning of Ai Weiweis struggle against and surveillance by state police (Ai Weiwei Studio). Screened together with Ordos 100.
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one recluse
Ai Weiwei
In June 2008, Yang Jia carried a knife, a hammer, a gas mask, pepper spray, gloves and Molotov cocktails to the Zhabei Public Security Branch Bureau and killed six police officers, injuring another police officer and a guard. He was arrested on the scene and subsequently charged with intentional homicide. In the following six months, while Yang Jia was detained and trials were being held, his mother mysteriously disappeared. One Recluse is a documentary that traces the reasons and motivations behind the tragedy and investigates a trial process filled with shady cover-ups and questionable decisions. The film provides a glimpse into the realities of a government-controlled judicial system and its impact on the lives of citizens. (Ai Weiwei Studio).
Disturbing the Peace is a documentary on an incident during Tan Zuorens trial on August 12, 2009. The civil rights advocate was charged with inciting subversion of state power. During his trial, Chengdu police violently detained witnesses, which is an obstruction of justice. Tan Zuoren was arrested as a result of his questions regarding the casualties among 512 Wenchuan students and corruption resulting in poor building construction. He was sentenced to five years in prison. (Ai Weiwei Studio)
273
Fairytale
Ai Weiwei
Fairytale documents Ai Weiweis project of the same name for Europes most innovative five-year art event, documenta 12, in Kassel, Germany in 2007. Ai Weiwei invited 1,001 Chinese citizens of different ages and from various backgrounds to Germany to experience their own fairytale for 28 days. It was the most sensational artwork at documenta 12. The 152-minute film documents the whole process, from the preparations for the project to the challenges the participants had to face before actually travelling to Germany as well as the artists ideas behind the work. (Ai Weiwei Studio)
274
Changan Boulevard
Ai Weiwei
This film is a record of Changan Boulevard, captured in a sequence of measured distances along its entire 45 kilometers. At each measured increment, the artist records a single, one-minutelong frame. The whole film is composed of 608 one-minute segments. The length of the film is 10 hours and 13 minutes. Beijing, the capital of China for over 600 years, has a prime architectural orientation and order to its urban fabric. The structure of the city is bisected by Changan Boulevard along its east-west axis. After 1949, this boulevard and the heart of the city, Tiananmen Square, became Chinas main cultural political center and landmark. The film records the city through the transformation of its urban landscape. The work reveals Beijing as an organic whole, capturing the citys rhythms, social structure, cityscape, socialist planned economy, capitalist market and political power center as pieces of a multi-layered urban collage. (Ai Weiwei Studio) Location: Ai Weiwei Caf/Power Cut Installations, Thu 26 - Sat 4, 12:00 - 20:00.
275
Beijing 2003
Ai Weiwei
Beijing 2003 is a video about the city that the artist lives in, and its people. Participants include assistants Liang Ye and Yang Zhichao, and driver Wu. The piece took 16 days to complete, starting on October 18, 2003. Beginning below the Dabeiyao highway interchange, the vehicle from which the video is shot travels every street within the Fourth Ring of Beijing, one by one. Approximately 2,400 kilometers and 150 hours of footage later, it ends where it began: below the Dabeiyao highway interchange. Through the windshield, the camera objectively investigates all visual information that appears before the vehicle the spatial state of the citys streets, the endlessly changing times, scenery, movements, behavior and other aspects thoroughly, meticulously, and calmly recording the megacity of Beijing through a single lens. The sum of the entire process becomes the meaning of the work (Ai Weiwei Studio). Location: Ai Weiwei Caf/Power Cut Installations, Thu 26 - Sat 4, 12:00 - 20:00.
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Preludes
Short films screened before feature length films in this section.
Whose eyes
Tan Tan
Four fake surveillance videos, mixed with violent outbursts that are recorded on real security cameras and apparently random shots from everyday Chinese reality: the image of Whose Eyes. Which reality is the most real, and who sees what? Screened before Shattered.
international PreMiere
277
Een rijke landeigenaar probeert de relatie met zijn dochters weer nieuw leven in te blazen.
PAC
2 februari in de bioscoop
3 februari
muSiC
The Chemical Brothers - Dont Think is als een magisch, psychedelische trip, waarbij deeen bioscoopThe Chemical Brothers - Dont Think is als magisch, bezoeker de show niet alleen en hoort, psychedelische trip, waarbij deziet bioscoopbezoeker de maar niet ook alleen voelt. ziet en hoort, maar ook voelt. show
WAgNEr - gTTErDmmEruNg
Deborah Voight speelt Brnnhilde en Gary Lehman is Siegfried; de verdoemde geliefden die door het lot uit elkaar worden gedreven.
oPErA
VErDi - ErNANi
Angela Meade speelt de hoofdrol in een van Verdis juweeltjes; Salvatore Licitra speelt de geliefde die niet bij haar past. De cast is compleet met Dmitri Hvorostovsky en Ferruccio Furlanetto.
oPErA
278
www.pathe.nl/specials
SignalS
For real
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For Real
Reality is the whole world around us, not just that thing in front of us. Kevin Slavin In For Real, the boundaries of cinema are stretched and a relatively uncultivated area emerges somewhere between film and reality where the power of the audiences imagination plays the leading role. As early as 2001, media pundit Lev Manovich posited in his Language of New Media that the rules shaping cinema are fixed in a set of specific cultural conventions the mobile camera, representation of space and editing techniques its all laid down. Manovich points out that these conventions are not restricted to cinema. The visual language of other media, such as internet, is based on these cultural conventions. With the advent of smartphones and mobile internet, moving pictures have penetrated deeply into our everyday lives. We are constantly exposed to them. As a result, a cinematographic gaze has become second nature. More and more, we spontaneously interpret the world around us according to cinematographic conventions. In other words, reality is increasingly becoming film. Not only is the moving image always within reach these days, but the interaction between virtual and physical space has become considerably more intense. This means that the mingling of film and reality is a fact of life the start of a new era for cinema; an era
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in which cinema partly takes place within reality, and partly in our heads. This also changes the role of the audience, who no longer sit passively in the cinema, but participate as an actor, or even director. Not only are the boundaries between film and reality fading, but the boundaries between professional filmmaker and film-lover are too, while the frontiers between film studio and exhibition space, between script and spontaneous improvisation, are also being stretched. This is the central theme of the For Real programme. The most appealing cinematographic conventions such as framing, script, set design and sound are superimposed upon reality, transforming the festival locations into a huge potential film set. Together with several subtle interventions in reality and a few new technologies, this turns each For Real project into a special cinematographic experience. The rectangular cinema screen makes its appearance in several For Real projects, but each time its a little different. For Eye Trap, Germaine Kruip uses the view from the Cruise Terminal by the river (Nieuwe Maas) as a cinema screen. The Metropole Orchestra will perform a soundtrack specially composed by the Multimedia Music Institute, briefly making reality seem very different. Wouter Huis will be framing the public space by placing a huge disclaimer sign, with the proportions of a cinema screen. Everyone who reads this sign immediately experiences reality as a film set in which he himself is playing a leading role.
SCRiPting REality SCREEn WitH a ViEW
The script the basis of most fiction films is used precisely in For Real to orchestrate reality. The results are clear: the Finnish artist Pilvi Takala, for instance, prefers nothing more than disrupting everyday reality with actions that do not fit in with social conventions. For instance, in Real Snow White (to be seen in Among Others) she visits Disneyland dressed as Snow White. Of course, she is thrown out of Disneyland, because she looks too much like the real Snow White; Disney is afraid of the new and unknown reality she brings with her. In 100 Meters Behind the Future by American artist duo eteam, reality is scripted in a very subtle way. Passers-by and everyday actions are filmed and put on the screen ten seconds later. In this case, two screens are used a car windscreen and a tablet so real reality runs 100 metres ahead of filmed reality. Production design determines the style and mood of a film. One section of this that appeals to the imagination is the film set. All the film sets in For Real require interaction with the audience. Whether the backdrops in Michel Gondrys Home Movie Factory or Meet Your Stranger, all these sets depend on active participation by the audience. In Home Movie Factory, the audience is challenged to make its own short film in ready-made film sets in just three hours, no more is necessary. The Schouwburgplein and a partial virtual space form the set for Dutch project Meet Your Stranger. In this exciting mobile film, you can join in the action with the smartphone acting as your prompter. Do you want to know more about the link between reality as experience and design? Then go to Designed Realities, in which Professor Timo de Rijk talks to production designer Carol Spier. She is best known for her inventive set design on films by David Cronenberg, such as Videodrome, Eastern Promises and eXistenZ.
tHE SEt iS all aROunD yOu
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SOunD ESCaPES
Sound is crucially important for film a soundtrack can completely change our film experience. In the project Soundtrackcity Rotterdam, our experience of reality is transformed by sound into a cinematographic experience. For this project, special soundtracks were composed. The more-thancinematographic backdrop for these is formed by the Kop van Zuid area, which will instantly undergo a real transformation. Sound also plays an essential role in the subtlemob Our Broken Voice, for instance. This happens literally in your head; you hear instructions whispered to you through an MP3 player. If you follow them, the world around you will become an exciting film. During the festival, there will be a special space, a space in which films and events just pop up: it is called Reality Check. A lot will happen here conversations with For Real artists, special film screenings, an exclusive book presentation. Here you can find out all about the various For Real projects, and this is where Meet Your Stranger and Our Broken Voice will start. In addition, the special installation Reframing the Artist by Sascha Pohle can be seen here. And of course you can sit down and enjoy again all the experiences youve had. A visit to Reality Check is a constant cinematographic thrill for the senses. Upon entering, youll immediately be surprised by the newly framed reality, designed by Glamcult Studio. Combine this with the alienating soundscapes by Rotterdam sound designers Daniel Sillem and Enio Ramalho and the experience is complete the perfect starting point for your For Real experience. Look on the website or read the festival Daily for the programme. Youll find Reality Check at Schouwburgplein 54. For Real is a programme by Rutger Wolfson, Edwin Carels and Inge de Leeuw. Soundtrackcity Rotterdam is compiled by Michiel Huijsman and Renate Zentschnig on behalf of the Soundtrackcity Foundation and Peter van Hoof (IFFR). With grateful thanks to Corto Blommaert and Katrien Lamers.
REality CHECK
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eye Trap
Germaine Kruip
On 3 February, the Dutch Metropole Orchestra will perform Eye Trap, conducted by Ernst van Tiel and in cooperation with the Muziekinstituut MultiMedia (MiMM) and artist Germaine Kruip. The musical work is a new soundtrack, but not for a film. It was specially written for one of the most spectacular panoramas in the city: the view from the Cruise Terminal at sunset. In front of the spectators very eyes, lies the Nieuwe Maas river, the Erasmus Bridge and the North Bank of Rotterdam. Germaine Kruip, who has often worked with ingress of light, architecture, composition and the passing of time in her works of art and installations, puts the audience in front of an enormous real-time screen. The viewer allows events to pass by and learns to take a second look at reality.
Home Movie Factory Michel Gondry In Michel Gondrys Home Movie Factory, amateurs make a short film at high speed. In this amateur film factory, anyone can set to work. Talent, experience and training are not relevant, but enthusiasm is. With several ready-made film sets and pieces of equipment, teams start work after an introductory workshop and, in three hours, they make a short film together (including their own design for the DVD cover). The team is given a DVD of the film to take home. In addition, a copy is put in the video library, where clients can watch the film. The basis for Home Movie Factory can be found in Gondrys film Be Kind Rewind (2008), in which the protagonists play out well-known films with their own homemade props and sets. The do-it-yourself film style was called sweding in the film, based on the self-invented Swedish origins of the strange works. For instance on the YouTube Channel Be Kind Rewind, countless sweded films can now be seen. Wed 25 Jan to Sun 4 March, Roodkapje ROTTTERDAM, reservations recommended.
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among others
Pilvi Takala
Staging social situations that run counter to some unspoken societal convention is Pilvi Takalas favorite game. By breaking the rules implicit in pseudo-public contexts and situations, the artist (usually performing herself) exposes the closed systems at work, from office spaces to shopping malls and dance-halls. Continuous screening, point of departure Reality Check.
Finland, 2001-2010
Prod: Pilvi Takala | Print/Sales: Pilvi Takala
Bla Bla
Vincent Morisset
This physical version of BLA BLA, originally an interactive web project, creates an experience in which the audience takes over directing. The animated story in six chapters shows various aspects of communication between people. Morisset previously made interactive video clips for bands such as the Arctic Monkeys. Continuous screening in the Rotterdamse Schouwburg.
Canada, 2012
Prod: Hugues Sweeney | Prod Comp: National Film Board of Canada | Prod Des: Caroline Robert | Sound Des: Philippe Lambert | Programming: Edouard Lanctt-Benoit | Sales: National Film Board of Canada | nfb.ca/blabla
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imagined Cinemas
This symposium is a follow-up to the Piet Zwart Institutes 2011 conference Imagine an Audience: Filmmaking Post-cinema and TV. Speakers: Pip Chodorov, Paolo Cirio, Ulrich Schreiber, Paolo Davanzo and Lisa Marr, Michiel Huijsman and Renate Zentschnig, and others. Moderators: Simon Pummell and Edwin Carels. Mon 30, 10:00 - 17:00, Piet Zwart Institute.
Netherlands, 2012
Prod: Florian Cramer | Prod Comp: Piet Zwart Institute, Postgraduate Studies and Research, Willem de Kooning Academy
Map
Aram Bartholl
Bartholl explores the power structures, social systems, cultural innovations, inner dynamics and the products that are shaping our digital age. Map is also the cover image of The Speed Book, his brand new first monograph, introducing an oeuvre in which space and cyberspace mingle and mangle each other. Location: Schouwburgplein.
Germany, 2012
Prod: Aram Bartholl | http://datenform.de/map.html
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Prod Comp: Stichting Soundtrackcities | Sound Des: Katarina Zdjelar, Maziar Afrassiabi
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In this soundwalk, the listener is guided by the voices of famous people from foreign countries, talking about catastrophes that shocked their world. A soundwalk about how listening and sound can mediate the bodys movemement and behaviour in an architecturally defined environment at the Kop van Zuid, as well as on the other side of the world. Thu 26 - Mon 30, 12:30 and Tue 31 - Sat 4, 14:30, point of departure t s tra a e l la n d LantarenVenster. d d i M 1e
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A seminar on the metamorphosis of the weg city under the influence of sound. How is Binnen it that sound changes our perception of reality in a cinematic experience? And if our experience of reality has long since been turned into a film, what film are we in? When we leave the cinema and go into town, are we playing a role, or are we directing the film? Are we in a soap, a thriller or a wellmade documentary? Just like in the cinema, it is the soundtrack that G.J. d e Jo determines. Fri 27, 14:00 - 17:00, LantarenVenster.
Netherlands, 2012 | 120 min
Speakers: Justin Bennett, Kees Hin, Raviv Ganchrow, Marcel Cobussen, Jacqueline Oskamp
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The title is a term indicating the relationship between the visionary or insane, and the communication technologies that structure the contemporary world. In 1957, within days of the launch of the first satellite, patients were displaying psychotic delusions of being seen by or receiving messages from the Sputnik PS-1. Location: TENT, 11:00 - 18:00.
United Kingdom, 2012
Prod: Simon Pummell | Ed: Simon Pummell | Prod Des: Simon Pummell
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aCCREDitatiOnS
For the 2012 edition, the International Film Festival Rotterdam is providing four different types of accreditations.
Accreditation assignment is at the discretion of the Festival. Badges and delegate bags can be collected from the Accreditation Desk on the third floor of Festival Center de Doelen. An administration fee or accreditation fee may be applicable. For more information, please visit the Accreditation Desk or Guest Desk.
1. CineMart accreditation ( for professionals taking part in CineMart) Access to all CineMart events and CineMart Meeting Request Service Access to all Festival and Industry activities and main events Free admission to Public Screenings (ticket via internet or guest box-office required) Free admission to Press & Industry Screenings (ticket not necessary) Use of the Video Library and other Film Office services Listing in the Industry Manual Access to the Industry Club 2. Industry accreditation ( for professionals active in the international film industry) Access to all Festival and Industry activities and main events Free admission to Public Screenings (ticket via internet or guest box-office required) Free admission to Press & Industry Screenings (ticket not necessary) Use of the Video Library and other Film Office services Listing in the Industry Manual Access to the Industry Club 3. Director accreditation ( for filmmakers with a film in the Festival ) Access to all Festival and Industry activities and main events Free admission to Public Screenings (ticket via internet or guest box-office required) Free admission to Press & Industry Screenings (subject to availability of seats) 4. Press accreditation ( for journalists and media representatives seeking coverage of the Festival ) Access to all Festival and Industry activities and main events
Free admission to Public Screenings (ticket via internet or guest box-office required) Free admission to Press & Industry Screenings (ticket not necessary) Use of the Video Library and Press Desk services
DESK
All desks are located on the third floor of de Doelen. The members of the desk teams will assist you in finding your way through the Festival.
Opening hours:
Accreditation Desk
09:00 - 20:00, Wed Jan 25 - Sat Feb 4
CineMart Desk
09:00 - 20:00, Wed Jan 25 - Wed Feb 1
Guest Desk
09:00 - 20:00, Wed 25 Jan - Sat 4 Feb
Press Desk
09:00 - 20:00, Wed 25 Jan - Wed 1 Feb 09:00 - 18:00, Thu 2 Feb - Sat 4 Feb
Tickets are only available for Public Screenings on the day before and the day of the screening up until
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two hours before the screening begins and can be booked via MyIFFR, on the festival website or via the Guest Box Office in de Doelen.
Central Box Office The Central Box Office is located on the ground floor of de Doelen (entrance Willem Burgerkwartier, Kruisplein 40). Open to the public and badge holders.
Opening hours: 09:00 - 21:00, Wed Jan 25 09:00 - 23:00, Thu Jan 26 - Fri Feb 3 09:00 - 18:00, Sat Feb 5 From Sat 5 February 18:00, the Central Box Office will move to Path.
Video Library Accredited industry guests are welcome to use the Video Library on the fourth floor of de Doelen to view festival titles. Please note that demand can be high, especially during CineMart (Sun Jan 29 Wed Feb 1), and certain restrictions may apply.
Opening hours: 09:00 - 23:00, Thu Jan 26 - Fri Feb 3 09:00 - 20:00, Sat Feb 4 Coordinator: Samanta Telleri videolibrary@filmfestivalrotterdam.com
Consultancy Meetings & Panels As part of the Film Offices services, a time slot can be pre-booked with our Industry Consultants. They assist filmmakers and buyers in making the right contacts at the IFFR and can give information about the selected films, the attending industry guests, film market developments and the international festival circuit. The Film Office also sets up a number of industry panels aimed at filmmaker and industry guests. Information on the panels and meetings will be available separately. These both take place on the fourth floor of Festival Center de Doelen in the Industry Club. Industry Consultants: Hayet Benkara, Mary Davies, Jannie Langbroek, Marina Kozul and Aneta Lesnikovska. Coordinator: Nikolas Montaldi and Inke Van Loocke consultancy@filmfestivalrotterdam.com Industry Club This year, we are pleased to once again invite buyers and sellers to take advantage of the Industry Club. This facility is exclusive for buyers, sellers (who will automatically have access) and invited guests and includes:
Comfortable, private meeting areas Information stands Reading table with industry periodicals Coffee counter Wi-Fi connection The Industry Club aims to be an efficient and relaxing work environment, centrally located on the fourth floor of Festival Center de Doelen, directly opposite the Video Library.
Opening hours: 10:00 - 17:00, Wed Jan 25 - Fri Feb 3 filmoffice@filmfestivalrotterdam.com
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Mailboxes Mailboxes are located behind the desks on the third floor. You can find the Press, CineMart and Guest mailboxes behind the corresponding desks. You are kindly asked to regularly check and collect your mail. Please ask the staff behind the desks for assistance. Print Facilities Professional guests will find print and photo copying facilities to use at their own expense in de Doelen behind the Guest Desk.
PRESS
Press Office Contacts: Bert-Jan Zoet, Head of Media Relations & International PR Nancy van Oorschot, Press Officer & Trainee Project Manager Edwige Leblay, Press Accreditations & Press Desk Manager Albert Hidding, Press Office Intern press@filmfestivalrotterdam.com Press Desk The Press Desk team can answer questions about the attending guests and arrange interviews with them. As each of the members of the Press Desk is specialized in a group of festival titles and associated attending talent, please do not hesitate to ask for more information. Interview requests and interpreters Press badge holders are invited to contact the Press Desk for arranging their interview requests with attending talent. If possible, interviews take place on a one-to-one basis; there is a possibility in agreement with the filmmaker of a photo call and an interview room. We ask for your understanding if the attendance period of talent does not allow for all interview requests to be honored. For interview schedules with directors from films acquired for distribution within the Netherlands, the Press Desk collaborates with the distributors representatives. In case an interpreter is needed during the interview session, the Press Desk will arrange for this. During the Festival the Press Desk is reachable for any further information. pressdesk@filmfestivalrotterdam.com. Press Materials Upon request, the Press Desk will provide additional information about feature films and documentaries within the Festival programme. Hi-res stills from films in the programme selection
are also available for download on the press page of the Festival website: http://professionals.filmfestivalrotterdam.com/eng/press.aspx We advise all press to use the information available online. For the purpose of television broadcast, the Press Office provides free use of clips from a select number of 2011 titles on Betacam SP tapes. Please call the Press Desk first to ask if a DVD, EPK or Betacam tape is available. The tapes are available for copying at own cost and have to be returned to the Press Office the same day. The Festival does not provide copying or editing services. For copying purposes, the Press Office Intern Tim Vijgen, can provide addresses and contact information of nearby Rotterdam-based companies.
MERCHanDiSE
Festival T-shirts, bags, sweaters and other souvenirs can be purchased in the Festival Shops on the ground floor of de Doelen, Path Cinema and LantarenVenster, along with the catalogue and DVDs from the Festivals own Tiger Releases label. You can also purchase various products from the Festivals webshop by visiting: www.filmfestivalrotterdam.com/webshop
Opening hours:
PuBliCatiOnS / SOuRCES
The following list comprises the main points of reference published in English by the Festival in print and/or online as well as official documents sent out to film representatives before and after the Festival.
Festival Catalogue The IFFR Catalogue is the complete and essential guide to all festival films and events, including all industry, sales and print information. The catalogue is also a practical guide to the festival, it includes a concise programme overview and schedule. Festival Website All practical information and the latest Festival news can be found on our website. There is a public part (in Dutch and English) for the general audience and a professional part (in English) for our international Industry and Press guests: professionals.filmfestivalrotterdam.com
294 24
ST ST INTERNATIONAL FILM FESTIVAL ROTTERDAM ST 41 41 INTERNATIONAL FILM FESTIVAL ROTTERDAM 41 INTERNATIONAL FILM FESTIVAL ROTTERDAM
Daily Tiger The bilingual (Dutch and English) Festival newspaper, written by professionals, published daily, available at all festival locations and online, and containing the latest news, announcements, programme changes, interviews and more. Daily Tiger Topics E-newsletter During the Festival, a daily version of the monthly digital Tiger Topics newsletter is sent out to international relations of the Festival, informing them about festival highlights. Events List An overview of all official Festival events, both those which are open to all badge-holders as well as those events which are accessible by invitation only. Delegates List The quick reference manual to all Festival and CineMart guests attending, including the dates of their stay and where to find them. Industry Manual The quick reference guide to all Industry companies and representatives attending CineMart and the Festival. There is an online version available prior and during the Festival for CineMart and Industry badge holders. Sales and Distribution Letter The Sales Letter is sent out several times prior to the festival and available during the Festival, details all feature length films not currently represented by an international sales agent. The Distributor Letter lists all feature films in the festival with full contact information. CineMart Dossier The CineMart Dossier has detailed information for all CineMart projects including synopses, directors biographies and filmographies, production company background, budget and technical specifications, and more. The CineMart Dossier is also available online for all CineMart badge holders prior to and during the Festival. The printed version is distributed to CineMart guests upon arrival. Screening Report Press & Industry Screenings All accredited guests who attend a Press & Industry Screening will have their badge scanned. This data is compiled and sent out to the contact person for each film.
Screening Report Video Library Viewings The Video Library staff keeps detailed records of viewings in the Video Library and provides this information to the contact person for each film.
FEStiVal VEnuES
Rotterdamse Schouwburg Schouwburgplein 25 Screens: 1 Capacity: 600 www.schouwburg.rotterdam.nl Path Schouwburgplein Schouwburgplein 101 Screens: 7 Capacity: 205 - 760 www.pathe.nl/schouwburgplein Cinerama Filmtheater Westblaak 18 Screens: 7 Capacity: 103 - 291 www.cineramabios.nl LantarenVenster Otto Reuchlinweg 996 Screens: 5 Capacity: 91 - 240 www.lantarenvenster.nl Oude Luxor Theater Kruiskade 10 Screens: 1 Capacity: 850 www.luxortheater.nl
ST ST INTERNATIONAL FILM FESTIVAL ROTTERDAM ST 41 41 INTERNATIONAL FILM FESTIVAL ROTTERDAM 41 INTERNATIONAL FILM FESTIVAL ROTTERDAM
295 25
_Pearl.indd 1
21-12-201
see nl
the magazine on dutCh Cinema for international film professionals
www.filmfonds.nl
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11 12:30:59
297
DuTch DISTRIbuToRS
A-Film Distribution
ABC - Cinemien
Lumire
13 Little Pictures
13littlepictures@gmail.com www.13littlepictures.com
4 Proof Film
bfd-nederland@bfdfilm.com www.bfdfilm.com
Cinart Netherlands
OBrother Distribution
Cinema Delicatessen
info@cinemadelicatessen.nl www.cinemadelicatessen.nl
Topkapi Films
info@eyefilm.nl www.international.eyefilm.nl
production@absentwithoutleave.org www.absentwithoutleave.org
Filmfreak Distribution
1313 North Vine Street CA 90028,Los Angeles USA T: +1 310 2473016 F: +1 310 2473032
filmarchive@oscars.org www.oscars.org/filmarchive
www.universalpictures.nl
hbf@filmfestivalrotterdam.com www.filmfestivalrotterdam.com
Peter Welter Platz 2 50676,Cologne Germany T: +49 221 20189330 F: +49 221 20189117
Dilger@khm.de www.khm.de
Ad Astra Films
Imagine Nederland
Adentro Cine
Santiago 1333 casi Brasilia Barrio Jara 1425,Asuncion Paraguay T: +595 21 296115
adentro.cine@gmail.com
Afrassiabi, Babak
Ai Weiwei StudioBeijing
aiweiwei.fake@gmail.com
298
Alhamwi, Hazem
T: +963 11 46 10 444
alkarma
18 Nawal Street 12311,Cairo Egypt T: +20 23748 8756 F: +20 23748 8693
info@alkarma.com www.alkarma.com
Bldg 61, Suite 228, FSA # 40 Fox Studios Australia, Driver Av. NSW 2021,Moore Park, Sidney Australia T: +61 2 83532440 F: +61 2 83532437
info@arclightfilms.com www.arclightfilms.com
Authentic Boys
mail@aaikestuart.com www.authentic-boys.com
All At Once
Bonner Str. 486 / 303 50968,Cologne Germany T: +49 221 67774797 F: +49 322 29980627
info@arepomedia.de www.arepomedia.de
Trappelgasse 4/17 1040,Vienna Austria T: +43 6645 105552 F: +43 720 553572
festival@autlookfilms.com www.autlookfilms.com
AV-arkki
melissa@allatonce.com.au www.allatonce.com.au
info@almondtreefilms.com www.almondtreefilms.com
Avenue B Productions
info@argosarts.org www.argosarts.org
Arimage Productions
7 bis, rue Geoffroy Marie 75009,Paris France T: +33 1 48000235 F: +33 1 48000380
contact@avenuebprod.com www.avenuebprod.com
Azma, Sherif El
films@paulbushfilms.com www.paulbushfilms.com
clara@arimageproductions.com www.arimageproductions.com
shelazmaa@hotmail.com
Andar Filmes
af.festivals@gmail.com www.andarfilmes.com
88, rue de la Folie Mricourt 75011,Paris France T: +33 1 53535252 F: +33 1 53530670
sales@bacfilms.fr www.bacfilms.com
Andergraun Films
Plaa Narcs Oller, 6 Local 3 08006,Barcelona Spain T: +34 93 1843427 F: +34 93 4511231
info@andergraun.com www.andergraun.com
ArteEast
Baskin, Resit
1 Pierrepont Plaza, 15th floor 300 Cadman Plaza West NY 11201,Brooklyn USA T: +1 718 5173666 F: +1 718 8326564
info@arteeast.org www.arteeast.org
Deryadil sok. Tolga apt. 5/1 Besiktas 34357,Istanbul Turkey T: +90 505 8811348
cetinbaskin@yahoo.com
Bathysphere Productions
Ashkal Alwan
distribution@animateprojects.org www.animateprojects.org
Anna-Zharkov-Film
contact@bathysphere.fr www.bathysphere.fr
christine@ashkalalwan.org www.ashkalalwan.org
Batra, Ritesh
Auguste Orts
info@anna-zharkov-film.com www.anna-zharkov-film.com
Laurierstraat 187 - 189 1016 PL,Amsterdam Netherlands T: +31 20 3302066 F: +31 20 3302065
info@annetgelink.com www.annetgelink.com
40, Aram Nagar Part 1, J.P. Road Versova, Andheri (West) 400061 (Maharashtra),Mumbai India T: +91 88 98629610
riteshbatra@gmail.com
info@augusteorts.be www.augusteorts.be
Baudelaire, Eric
Aurand, Ute
AnotherFilm
Beben Films
Aurora Films
Anubis Productions
35, Dervenion Street 106 81,Athens Greece T: +30 69 44757339 F: +30 21 06100109
amanda@bebenfilms.com www.bebenfilms.com
contact@aurorafilms.fr www.aurorafilms.fr
khaledhafez@gmail.com www.anubisproductions.com
ammarbeik@gmail.com
299
Benning, James
DQ-19, CalArts, 24700 McBean Pkwy CA91355,Valencia USA T: +1 661 2537825 F: +1 661 2537824
Biagini, Sarah Jane
Burr, Peter
Chodorov, Pip
digital_peat@hotmail.com www.peterburr.org
23, rue du Buisson St Louis 75010,Paris France T: +33 1 40226082 F: +33 1 40226083
info@re-voir.com www.re-voir.com/pip
Butcher, Adam
sarah.biagini@gmail.com www.seejanefilm.com
Cinedafne
adamjbutcher@gmail.com www.adam-butcher.co.uk
anajperera@gmail.com
C.R.I.M.
Av. Almirante Reis 194 / 3esq 1000-055,Lisbon Portugal T: +351 2 18446102 F: +351 2 18463284
crim@netcabo.pt www.crim-productions.com
room514film@gmail.com www.room514.com
BlueLight
231 Portobello Road W11 1LT,London United Kingdom T: +44 20 77929791 F: +44 207 7929871
mata@bluelight.co.uk www.bluelight.co.uk
Cinemascpio Produes
Camera Club
Rue Jos Moreira leal 207, Apt.102 51030-380,Recife Brazil T: +55 81 91323538 F: +55 813 30324972
cinemascopiofilmes@gmail.com www.cinemascopio.com.br
Cinemateca Brasileira
lilin@bobbingbuoyfilms.com www.bobbingbuoyfilms.com
Bonnet, Marion
Room 301,Courtyard 2 Building 6 Suite 2, LingXiu XinGuiGu,West Road Xi ErQi , 100085,Haidian District China T: +86 10 82431373
401 Richmond St. West, Suite 119 M5V 3A8,Toronto, ON Canada T: +1 416 5880725 F: +1 416 5887956
cfmdc@cfmdc.org www.cfmdc.org
Largo Senador Raul Cardoso, 207 Vila Clementino 04021-070,So Paulo Brazil T: +55 11 3512 6111 F: +55 11 3512 6114
contato@cinemateca.org.br www.cinemateca.com.br
Cao Fei
marion.bonnet8@gmail.com www.tibetmovie@126.com
Cinmathque Franaise
Box Film
diffusion@cinematheque.fr www.cinematheque.fr
CaRTe bLaNChe
Cinematografica
Bressane, Jlio
hello@c-a-r-t-e-blanche.com www.c-a-r-t-e-blanche.com
r.maria.dias@gmail.com
Muse National dArt Moderne, Service Nouveaux Mdias 75191,Paris France T: +33 1 44781233 F: +33 1 44781203
info@centrepompidou.fr www.centrepompidou.fr
Cineteca Nazionale
nja_brooks@hotmail.com www.nickbrooks.info
Child, Abigail
Brown, Allan
2289 Marie Anne est H2H 1N4,Montreal Canada T: +01 514 5215318
303 East 8th Street, Apt. 6F NY 11211,New York USA T: +1 212 6731608 F: +1 212 6731608
achild@mindspring.com www.abigailchild.com
framebruiser@gmail.com www.volatileworks.org
YGSD 9-2-102 Chaoyang District 100015,Beijing China T: +86 13 601242887 F: +86 10 59789037
printempsfilms@qq.com www.cidfa.com
300
Clipson, Paul
1055 Fell St. #6 CA 94117,San Francisco USA T: +1 415 4748653 F: +1 415 3574158
paulclipson@yahoo.com www.withinmirrors.org
Devisha Films
El Sobky Film
Dietvorst, Jan
1, rue Charles Garnier Mains dOeuvres - Atelier 11 93400,Paris France T: +33 1 40118447
admin@cjcinema.org www.cjcinema.org
179/7 Supalai Place Sukhumvit 39, Klongton, Wattana 10110,Bangkok Thailand T: +66 86 8623284
info@electriceelfilms.com www.electriceelfilms.com
Diluvio
Cong Feng
Room 501, 30th BLDG, Beiwaxili Haidian District 100089,Beijing China T: +86 010 60514643
535 West 22nd Street, 5th Floor NY 10011,New York USA T: +1 212 3370680 F: +1 212 3370679
info@eai.org www.eai.org
congfeng72@gmail.com
Distribution Workshop
Coproduction Office
Unit 215, 2/F 72 Tat Chee Road Kowloon Tong,Kowloon Hong Kong T: +852 2 7688678
dw@distributionworkshop.com www.distributionworkshop.com
info@coproductionoffice.eu www.coproductionoffice.eu
Dovfilm
Cosmic
Elkoussy, Hala
elkoussyhala@hotmail.com www.halaelkoussy.com
Dunia Film
Costa, Pedro
Enlighten
Duque, Andrs
pranavaashar@gmail.com www.enlighten.co.in
Calle Aribau 228 4to 1era 08006,Barcelona Spain T: +34 92 2093992 F: + 34 90 2325536
aduque@me.com www.andresduque.com
175 Bloor Street East Suite 1400, North Tower M4W 3R8,Toronto, ON Canada T: +1 416 6462400 F: +1 416 6462399
internationalsales@ entonegroup.com
Ecce Films
EPILEPTIC
Edition - S
annicklemonnier@free.fr
rosenfeld.daniel@gmail.com
de Montesquiou, Elonore
ezequielerriquez@hotmail.com www.alacantabrica.blogspot.com/
Dellers Film
City of the Arts, Pyramids rd. 12111,Giza Egypt T: +20 2 35851613 F: +20 2 35854701
egyptianfilmcenter@hotmail.com
Grain Media, Unit 1, Gladiator Works Gladiator St SE23 1NA,London United Kingdom T: +44 208 6901010
orlando@grainmedia.co.uk www.grainmedia.co.uk
301
Escorado Produccion
Figleaf Studios
Filmy Wiktora
Ciudad de la Paz 561 2 31 1426,Buenos Aires Argentina T: +54 911 52298541 F: +54 911 52298541
pablochernov@gmail.com www.filmywiktora.com
eteamNew York
USA
eteam@meineigenheim.org www.meineigenheim.org
Figueiredo, Rita
Evolution Films
ritazuzarte@gmail.com
4F Incline Bldg., 89137 Daechi-dong Gangnam-gu 135-280,Seoul South Korea T: +82 2 5698777 F: +82 2 5699466
cineinfo@finecut.co.kr www.finecut.co.kr
pbercik@evolutionfilms.cz www.evolutionfilms.cz
Evron, Nir
Rua dos Arcos, 24/3 andar CEP 20230-060,Rio de Janeiro Brazil T: +55 21 25322128
contato@filmesdoserro.com.br www.filmesdoserro.com.br
mihnea.mircan@gmail.com www.extracity.org/
Filmes do Tejo II
filmesdotejo@filmesdotejo.pt www.filmesdotejo.pt
Filmform
info@eyefilm.nl www.international.eyefilm.nl
Faber Film
7F, No. 358, Zhonghe Road Zhonghe Distrct 23574,New Taipei City Taiwan T: +886 2 29262839 F: +886 2 29262834
info@ffe.com.tw www.ffe.com.tw
Fortissimo Films
paolobenzi@faberfilm.it www.faberfilm.it
Fandango Portobello
12 Addison Avenue W11 4QR,London United Kingdom T: +44 20 76051396 F: +44 20 976051391
Van Diemenstraat 100 1013 CN,Amsterdam Netherlands T: +31 20 6273215 F: +31 20 6261155
info@fortissimo.nl www.fortissimofilms.com
szymanska.agata@gmail.com
sales@fandangoportobello.com www.portobellopictures.com
Fast, Omer
Twentieth Century House 31/32 Soho Square W1D 3AP,London United Kingdom T: +44 207 7537104 F: +44 207 7530112
Free Stone Productions
info@filmsboutique.com www.filmsboutique.com
oliverfunk@hotmail.com
Films Distribution
Pedro de Valdivia 2057 depto 204 Providencia Santiago 0000,Santiago de Chile Chile T: +56 9 90979982
erick.gonzalez@ficv.cl www.australab.cl
info@filmsdistribution.com www.filmsdistribution.com
FreibeuterFilm
252 Boulevard Gouin Est. H3L 1A8,Montral Canada T: +1 514 8443358 F: +1 514 8447298
jan@filmstransit.com www.filmstransit.com
Kellermanngasse 1-3/1/6 1070,Vienna Austria T: +43 720 346510 F: +43 720 346510-99
welcome@freibeuterfilm.at www.freibeuterfilm.at
Frutacine
3madmaher@gmail.com www.emadmaher.com
Filmstad Producties bv
FiGa Films
3925 Cazador St. CA 90065,Los Angeles USA T: +1 323 2299816 F: +1 323 2585241
contact@figafilms.com www.figafilms.com
Guardia Vieja 3821 1192,Ciudad Autonoma de Buenos Aires Argentina T: +54 11 48653696
frutacine@hotmail.com
Flat F,19/F Block 2,the Pinnacle, 8 Wan Hang Road,Tseung Kwan O Hong Kong T: +86 13 701223375 F: +86 10 80532999
whw7009@126.com
302
Gaijin
NR Bldg.3F 5-5 Kamiyama-cho Shibuya-ku 150-0047,Tokyo Japan T: +81 3 53472501 F: +81 3 53472505
kiyo@goldview.co.jp www.goldview.co.jp
He Yuan
22 Dong 2-401 Room, 94# Renmingxilu 650034,Kunming China T: +86 871 5361521
Heco Produes
heyuanwang@hotmail.com
Rua 276 n105 s/601 88.220.000,Itapema, Santa Catarina Brazil T: +55 47 3268 0345
Grecu, Mihai
galantefilmes@ibest.com.br
c/o Fargier, 112 rue ordener 75018,paris France T: +33 616 605746
m_f_grecu@yahoo.fr www.mihaigrecu.org
Rua Capito Tefilo Marcondes da Silva 28 05026-010,Pompia, So Paulo Brazil T: +55 11 38710019
heco@heco.com.br www.heco.com.br
Greyshack Films
Heraize, Ali
galerie@crousel.com www.crousel.com
Galleria Zero
43-01 21st St. #320 Long Island City NY 11101,New York USA T: +1 718 7061156
Egypt
ali.hrzy@hotmail.com
Heuninck, Elias
greyshack@earthlink.net www.greyshackfilms.com
eliasheuninck@gmail.com www.eliasheuninck.be
Heure Exquise!
Yuntong Garden 1112D, Jiaowang Zhuang Tongzhou District 101101,Beijing China T: +86 10 69599159
haifengbo828@sina.com
Rue de Normandie Le Fort - Court Sud 1th floor 59370,Mons En Baroeul France T: +33 3 20432432 F: +33 3 20432433
contact@exquise.org www.heure-exquise.org
office@wilfriedlentz.com www.wilfriedlentz.com
Ghoneimy, Ahmed
Pge. Marqus de Sta. Isabel 40 08018,Barcelona Spain T: +34 93 3033996 F: +34 93 303431
info@hamacaonline.net www.hamacaonline.net
suryoadhi.wiyogo@gmail.com www.hideprojectindonesia.com
Hietbrink, Roderick
Rijksakademie van beeldende kunsten / Studio A75 Sarphatistraat 470 1018GW,Amsterdam Netherlands
roderick.hietbrink@gmail.com
o.r.hamilton@gmail.com www.orhamilton.com
Hamza, Dina
Girardet, Christoph
dinahamza20@yahoo.com
9 Amal El Deen Arghany Street, Pyramids RoadCairo Egypt T: +20 2 537703 F: +20 2 5611034
Hirayama Shiho
24 Hanway Street W1T 1UH,London United Kingdom T: +44 20 76362251 F: +44 20 72900751
info@hanwayfilms.com www.hanwayfilms.com
1-24-26 #402 Kitaurawa Saitama-shi kitaurawa Saitama-shi 330-0074,Saitama-Ken Japan T: +81 90 61280608
18maru@nk.moo.jp www.18maru.moo.jp/
Harju, Matti
glasseyepix@gmail.com www.glasseyepix.com
Gleize, Thibault
mattiharju@hotmail.com www.mattiharju.com
Hayama Rei
thibault.gleize@hotmail.fr
Nakasato 2-16-6 Meko Heights 401 114-0015,Kita-ku Japan T: +81 090 41353962
info@hollandharbour.nl www.hollandharbour.nl
Hoolboom, Mike
i2ei@nifty.com www.marei.web.fc2.com/
680 Queens Quay West apt. 521 M5V 2Y9,Toronto, ON Canada T: +1 416 2605702
fringe@interlog.com www.mikehoolboom.com
HBO Romania
62-64 Buzesti Street Sector 1 021452,Bucharest Romania T: +40 21 3077777 F: +40 21 3077788
andrei.cretulescu@hbo.ro www.hbo.ro
Horan, Devin
303
Hsu Tsen-Chu
Influenz Films
Jurubeba Produes
bambooboohsu@gmail.com
influenz@videotron.ca
Rua lvaro Alvim 24 sl 1004, Centro 20031-010,Rio de Janeiro Brazil T: +55 21 25244027
info@hubbardbirchler.net www.hubbardbirchler.net
Huis, Wouter
Intercinema Agency
KADMOS Produktion
Intramovies Srl
www.filmintezet.hu/uj/english
info@kadmos-produktion.de www.kadmos-produktion.de
Kamias Road
Irwin, Stephen
info@icelandicfilmcentre.is www.icelandicfilmcentre.is
51 Hargrave Mansions N19 5SR,London United Kingdom T: +44 20 5020640 F: +44 17 08705447
oracafe@rocketmail.com www.khavndelacruz.org
Kampong Radioaktif
Ikon
2-2 Okazaki Tennocho Sakyoku, Kyotoshi 606 8335,Kyoto Japan T: +81 80 31009862
ikon@ikoneatsart.com www.ikoneatsart.com
stephen@smalltimeinc.com www.smalltimeinc.com
41, Jalan K.P. 2/19, Kajang Prima 43000,Kajang Malaysia T: +60 1 92728629
Karin Kleibel PR
Isabella Films
thienseechua@gmail.com
Illume Ltd
lilian.pfeuffer@karin-kleibel.de www.karin-kleibel.de
Island Records
64-366 Kensington High Street W14 8NS,London United Kingdom T: +44 20 74715183
Keller, Florence
Imaginary Line
58/125, Prince Anwar Shah Road Basanti Apt. flat- 4A 700045,Kolkata West Bengal India T: +91 33 24301059
imaginarylinefreecinema@ gmail.com
chris.scott@umusic.com www.islandtunes.co.uk
Jacobs, Ken
94, Chambers Street NY 10007,New York USA T: +1 212 2273144 F: +1 212 2273144
praxkerberus@gmail.com
nervousken@aol.com www.starspangledtodeath.com
Jang Hey-Yeun
galerie@ifgalerie.com www.ifgalerie.com
eefje@sheep-entertainment.nl www.sheep-entertainment.nl
Imovision
Ji Dan
KineKuma Pictures
Rua Tumiaru 138 Vila Mariana 04008050,Sao Paulo Brazil T: +55 11 32940720 F: +55 11 3051 5512
atendimento@imovision.com.br www.imovision.com.br
Johannesen, Karen
Apartemen Permata Senayan #308 Jl. Palmerah Selatan Kav 20-21A 1020,Jakarta Indonesia T: +62 857 14643129 F: +62 215 364018
Indie Workshop
20th F., Maple Center, 32 Xizhimen North Road, 100081,Beijing China T: +86 10 62275859 F: +86 10 8204 8847
frankzxm@yahoo.com.cn
furiousroses@gmail.com www.kinekuma.com
Kinesis Film
johannesenkaren@hotmail.com www.web.mac.com/kjohannesen
JOUN FILMS
116A Via dei Volsci 00185,Rome Italy T: +39 06 94426686 F: +39 06 94426687
info@kinesisfilm.it www.kinesisfilm.it
ranrounjoun@rocketmail.com
304
Klahr, Lewis
1938 N. Commonwealth Avenue CA 90027,Los Angeles USA T: +1 323 9061734 F: +1 323 9061736
engram66@sbcglobal.net
Le Pacte
Lira Cinematografica
contact@le-pacte.com www.le-pacte.com
Kodeih, Lynn
7th floor, Al-Ayyash bldg. Kamar St. 0000,Beirut Lebanon T: +961 1706801
lynnkodeih@gmail.com
Lee, Chung
Jinjiang St. No.96-1. 2nd floor 100,Taipei city Taiwan T: +886 981 911194
cl2319@gmail.com www.thechunglee.com
Koike Teruo
lobster@lobsterfilms.com www.lobsterfilms.com
LUX
tettteru3802@nifty.com
lesfilmsdeslucioles@gmail.com
3rd Floor, 18 Shacklewell Lane E8 2EZ,London United Kingdom T: +44 20 75033980 F: +44 20 75031606
info@lux.org.uk www.lux.org.uk
22, avenue Pierre 1er de Serbie 75016,Paris France T: +33 1 44438728 F: +33 1 49520640
a.valentin@filmsdulosange.fr www.filmsdulosange.fr
m-appeal
Peter Welter Platz 2 D 50676,Cologne Germany T: +49 221 201890 F: +49 221 2018917
ute.dilger@khm.de www.khm.de
berlinoffice@m-appeal.com www.m-appeal.com
M-Line distribution
minadriouch@hotmail.com www.balthazarprod.com
Leve Productora SL
Lge dor
6F Samhwa Bldg. 536 Shinsa-dong, Gangnam-gu 135-889,Seoul South Korea T: +82 2 7962426 F: +82 2 7962429
sales@mline-distribution.com www.mline-distribution.com
M16
La Ferida Produccions
LevelK Aps
#103, Sinwoo Bldg, Habjeong-dong, 121-879,Seoul South Korea T: +82 2 3249016 F: +82 2 3249016
MacKenzie, Alex
icarus0809@naver.com
La Luna Productions
Li Shanshan
sebastien@lunaprod.fr www.lunaprod.fr
Room 301, Unit 10, Building 2, Yard 50, Anzhenyuan 100029,Beijing China T: +86 150 11549060
2-1435 Commercial Drive V5L 3X8,Vancouver Canada T: +1 604 2554162 F: +1 604 2554162
alexgmackenzie@gmail.com www.alexmackenzie.ca
shan87524@hotmail.com
Maharaja Films
41, bis Quai de Loire 75019,Paris France T: +33 1 46590153 F: +33 1 46590312
mathilde@maharajafilms.com
info@lavieestbellefilms.fr www.lavieestbellefilms.fr
lightcone@lightcone.org www.lightcone.org
Flat5, 13/F, Block E Garden Vista, Sha Tin, N.T.Hong Kong Hong Kong T: +852 6425 6607 F: +852 2686 8696
seechitlam@gmail.com
No 46, Jalan PU 8/1A, Taman Puchong Utama 47100,Selangor Malaysia T: +60 1 23310400 F: +60 3 79579046
Lin Cox, Jessica
4612 Norwich Avenue CA 91403,Sherman Oaks USA T: +1 818 4611340 F: +1 661 2537824
Makino Takashi
charlottelim527@gmail.com
Le Fresnoy
James Cohan 533 West 26th Street 10001,New York USA T: +12 12 7149500
jcox@jamescohan.com jamescohan.com
Nakasato 2-16-6 Meko Haitsu 401 Kita-ku 114-0015,Tokyo Japan T: +81 3 35761363
makinotakashi@gmail.com www13.ocn.ne.jp/~makinokn/
communication@lefresnoy.net www.lefresnoy.net
Martins, Gabriel
305
Massi, Simone
MK2
nuvole@simonemassi.it www.simonemassi.it
McCormick, Matt
6th flr., Nehru Centre Worli 400018,Mumbai India T: +91 22 24951455 F: +91 22 24951455
exports@nfdcindia.com www.nfdcindia.com
Mohr, Thomas
McLean, Jesse
Neon Productions
mec film
Moro Filmes
Media MVMT
atendimento@morocom.com.br www.morofilmes.com
terence@mvmt.com www.media.mvmt.com
Netherlands Film and Television Academy 1011 MV,Amsterdam Netherlands T: +31 20 52277392
marion.slewe@ahk.nl
Memento Films
17, Rue Julien Lacroix 75020,Paris France T: +33 1 58535710 F: +33 1 42814250
info@mpmfilm.com www.mpmfilm.com
sales@memento-films.com www.memento-films.com
Muoz, Jeannette
anja@neweuropefilmsales.com www.neweuropefilmsales.com
Men at Work
Nikkatsu Corporation
jeannette.munoz@bluewin.ch
Michael, Sophie
Nagaoka Daisuke
sophie2km@aol.com www.sophiemichael.co.uk/
Asano Residence #201 Todoroki 2-29-7, Setagaya-ku 158-0082,Tokyo Japan T: +81 3 37049272
gatt@qf7.so-net.ne.jp
Nippon Television Network 1-6-1 Higashi Shimbashi, Minato-ku 105-7444,Tokyo Japan T: +81 3 62153028 F: +81 3 62153029
kimura-a.stf@ntv.co.jp www.ntv.co.jp
Michaelgion Inc.
East Plus 008 2-22-3 Higashi, Shibuya-ku 150-0011,Tokyo Japan T: +81 3 34980728
brian@michaelgion.jp
Narfilm
Noir Production
Caferaga Mah. Sarraf Ali Sok. No:25/3 Kadiky/Istanbul 34710,Istanbul Turkey T: +90 216 4184206 F: +90 216 3362634
info@narfilm.com www.narfilm.com
noirproduction@no-log.org
Narkevicius, Deimantas
P.O. Box 485 Sentrum N - 0105,Oslo Norway T: +47 2 2478045 F: +47 2 2474599
int@nfi.no www.nfi.no/english
Mirovision Inc.
deimantasn@gmail.com
O Som e a Fria
6Fl. Shinhwa Bldg 635-1 Hannam-dong, Yongsan-gu 140-887,Seoul South Korea T: +82 2 34432553 F: +82 2 34434842
sales@mirovision.com www.mirovision.com
3155 Cote de Liesse H4N 2N4,Ville SaintLaurent, Qubec Canada T: +1 514 2833690 F: +1 514 4964372
festivals@nfb.ca www.nfb.ca
Av. Almirante Reis, 113, 5, sala 505 1150-014,Lisbon Portugal T: +351 2 13582518 F: +351 2 13582520
sales@osomeafuria.com www.osomeafuria.com
306
Zelenih Beretki 12 71000,Sarajevo Bosnia and Herzegovina T: +387 33 209411 F: +387 71 664547
ivana.pekusic@sff.ba www.sff.ba
Pezon, Florence
Proaction Film
guevara@proactionfilm.com www.proactionfilm.com
Okrasko, Anna
aniaokrasko@gmail.com www.okrasko.art.pl
356 Le Moyne street, suite 100 H2Y1Y3,Montreal, Quebec Canada T: +1 514 2122316
info@phi-montreal.com www.hope-movie.com
Protagonist Pictures
4th floor, Waverley House 7 - 12 Noel Street W1F 8GQ,London United Kingdom T: +44 207 7349000 F: +44 207 3068044
PO Box 645 Prince Street Station NY 10012,New York USA T: +1 212 2523187
info@protagonistpictures.com www.protagonistpictures.com
Pryce, Charlotte
picturepalacesale@yahoo.com www.picturepalacepictures.com
R. Cajaba, 475 cj. 13 05025-000,Sao Paulo Brazil T: +55 11 38733126 F: +55 11 38733126
olhosdecao@olhosdecao.com.br www.olhosdecao.com.br
1003-3-H, Horiuchi, Hayama, Miura 240-0112,Kanagawa Japan T: +81 80 12465869 F: +81 3 37059876
Organic Films
festival-entry@picturesdept.com www.picturesdept.com
6th F, No.100, Lane 75, Sect. 3, Kang Ning Rd. 114,Taipei Taiwan T: +886 2 26301125 F: +886 2 26301895
PTSFestival@gmail.com www.eng.pts.org.tw
Pythagoras Film
Pantalla Partida
delta@pythagorasfilm.com www.pythagorasfilm.com
Pigeon Projects
RabbitBandini@me.com www.rabbitbandinifilms.com
Paramount Pictures
5555 Melrose Ave, Sturges Bldg, Rm111 CA 90038,Los Angeles USA T: +1 323 9565000
info@paramount.com www.paramount.com
Pilz, Michael
RAMONDAParis
Peerwar Pictures
99 Vandam St. 6th Floor West NY 10013,New York USA T: +1 646 7270573
Piraya Film AS
info@valleyofsaints.com www.ppls.tv
pascale@pascaleramonda.com
Pelletier, Marc
Pistorio, Maxime
marcapelletier@hotmail.com
maeva.ranaivojaona@gmail.com
maximepistorio@gmail.com www.maximepistorio.com
Pohle, Sascha
direccion@peninsulagroup.eu www.peninsula.eu
info@realitism.com www.realitismfilms.com
saschapohle@yahoo.com
Reginato, Angela
Perisan Film
Kemankes Mah. Mumhane Cd. No: 39/1 34425,Istanbul Turkey T: +90 212 2438976 F: +90 212 2438976
info@perisanfilm.com www.perisanfilm.com
Principle Management
angela.reginato@gmail.com
contact@rendezvouspictures.com www.rendezvouspictures.com
307
Rua Viva Lacerda 104 Humait 22261050,Rio de janeiro Brazil T: +55 21 25400609 F: +55 21 25400609
Russell, Ben
Seideneder, Daniel
ludwigmaia@gmail.com www.republicapureza.com.br
Rezo
29, rue du Faubourg Poissonire 75009,Paris France T: +33 1 42464630 F: +33 1 42464082
infosrezo@rezofilms.com www.rezofilms.com
Said, Tamer El
Jl.Bambu Kuning no.8 Blok. A Kebayoran Baru 12130,Jakarta Selatan Indonesia T: +62 21 72799227 F: +62 21 7229638
setworkshop_film@yahoo.com
Rijpma, Johan
Sette, Leonardo
tamer@zeroproduction.org
johanrijpma@hotmail.com www.johanrijpma.nl
Riverpark Film
info@shadylaneproductions.co.uk www.shadylaneproductions.co.uk
Sherif, Adham El
adham.elsherif@ymail.com
Rivers, Ben
Shoreline Entertainment
Rizk, Philip
ohstop@bway.net www.richardsandler.com
Sansour, Larissa
rizkphilip@gmail.com www.tabulagaza.blogspot.com
1875 Century Park east, Ste.600 CA 90067,Los Angeles USA T: +1 310 5512060 F: +1 310 2010729
info@shorelineentertainment.com www.slefilms.com
Robinson, Michael
Lsansour@hotmail.com www.larissasansour.com
Saouli, Salah
2F Hirakawacho Urban Bldg., 2-4-8 Hirakawacho 102-0093,Chiyoda-ku Tokyo Japan T: +81 3 54748844 F: +81 3 52141956
look@shortshorts.org www.shortshorts.org
salahsaouli02@hotmail.com www.salahsaouli.com
Rohfilm GmbH
Saude, Marcy
marcysaude@gmail.com www.threecolorsallblack.org
Unit 307, Alicante Towers, Marquinton Residences, Sto. Nino 1800,Marikina City Philippines T: +63 920 2314708
lavrente@yahoo.com www.rebolusyonaryo.com
SC Films International
Rosenblatt, Jay
4159 20th Street CA 94114,San Francisco USA T: +1 415 6418220 F: +1 415 6418220
info@scfilmsinternational.com www.scfilmsinternational.com
jayr@jayrosenblattfilms.com www.jayrosenblattfilms.com
Schaller, Robert
Ruijter, Gerco de
office@sixpackfilm.com www.sixpackfilm.com
robert@ontosmedia.com www.robertschaller.org
gcderuijter@orange.nl www.gercoderuijter.nl
308
SNG Film BV
jens@assur.se www.studiojensassur.com
Soda Pictures
Sunn Productions
louise.johansen@gmail.com
info@sodapictures.com www.sodapictures.com
Balthasarstrasse 79-81 50670,Cologne Germany T: +49 221 5397090 F: +49 221 53970910
Sonoda, Eriko
Rua Simo lvares, 784 / Casa 2 05417-020,Sao Paulo Brazil T: +55 11 30315522 F: +55 11 38159474
info@matchfactory.de www.the-match-factory.com
Topkapi Films
eriko_sonoda@yahoo.co.jp www.erikosonoda.com/
super@superfilmes.com.br www.superfilmes.com.br
550 Madison Avenue, 8th Floor NY 10022,New York USA T: +1 212 8338833 F: +1 212 8338844
sony_classics@spe.sony.com www.sonyclassics.com
Taidelli, Tekla
Sparky Pictures
teklataidelli@gmail.com www.teklataidelli.com
26 Sukhumvit 31, Sukhunvit road, 10110,Bangkok Thailand T: +66 2 6622777 F: +66 2 6622666
pump@tritonfilm.com www.tritonfilm..com
Takala, Pilvi
TrustNordisk
info@trustnordisk.com www.trustnordisk.com
info@spatialmedialabs.org www.spatialmedialabs.org
Takeuchi, Toshie
Netherlands
Tan Tan
Tseng, Lichun
Square Medium
toshietakeuchi@hotmail.com
Staal, Jonas
No.38 Yumin Street, Shun Yi District, Room 905,Building No.1,Xiang Miwan Residential Quater 101300,Beijing China T: +86 10 80478290
sww56@126.com
Tuohy, Richard
richard@nanolab.com.au
Tasaka Naoko
Steers, Stacey
Terratreme Filmes
stacey.steers@colorado.edu www.staceysteers.com
urzzia@gmail.com www.facebook.com/ultimerazzia
United Star
Thamrongrattanarit, Nawapol
Suite 11, 5/F, 37 Hung to RoadKwun Tong Hong Kong T: +852 6 1872119 F: +852 3 0173946
stichtingpicos@planet.nl www.cineboards.nl/2007/
Stichting Rongwrong
29/9 Soi Intamara 26/1 Suthisarn Rd. Dindaeng 10400,Bangkok Thailand T: +66 2 6916770 F: +66 2 6916771
unitedstar@rocketmail.com
nawee4@hotmail.com www.pop-pictures-ltd.com
418 Bamboo Lane, Suite A CA 90012,Los Angeles USA T: +1 323 2078323 F: +1 323 4663536
orly@thefilmcollaborative.org www.thefilmcollaborative.org
Upstream Gallery
info@upstreamgallery.nl www.upstreamgallery.nl
309
Yellow-Green Pi
14, rue du 18 Aot 93100,Montreuil sous Bois France T: +33 1 48707307 F: +33 1 49720421
contact@urbandistrib.com www.urbandistrib.com
Unit1, Rm151, No.4 Yunheyuan 101100,Beijing China T: +86 10 89520242 F: +86 10 89520242
ryujiotsuka@hotmail.com www.ygpi.org
Urlus, Esther
Yeo, Edmund
1-21-2, Wakeijuku, Tatsumi Ryo, Room 317, Mejirodai, Bunkyo-ku 112-0015,Tokyo Japan T: +81 80 32495378
eswiftfire@gmail.com www.edmundyeo.com
V tape
401 Richmond Street West, Suite 452 M5V 3A8,Toronto, ON Canada T: +1 416 3511317 F: +1 416 3511509
info@vtape.org www.vtape.org
YLE
Valday
Str. Pertrozavodskaya house 15 building 5 apartment 211 125502,Moscow Russia T: +7 495 7674952
apocref@gmail.com www.valdayfilms.com
Youkou Project
Yu Guangyi
Xin cun2-32-1-401 Daqing city Heilongjing Province 163000,DaQing China T: +86 4596361050
yuguangyi61@126.com
School of the Art Institute of Chicago 112 S. Michigan avenue IL 60603,Chicago USA T: +1 312 3453550 F: +1 312 5418073
distro@vdb.org www.vdb.org
Zapruder
ZBR Productions
Syria
associationin@gmail.com
Weenink, Suzanne
Zdjelar, Katarina
Wide Management
zdjelar.k@gmail.com www.katarinazdjelar.net
infos@widemanagement.com www.eyeonfilms.org
Wild Bunch
Zhao Yantao
distribution@wildbunch.eu www.wildbunch-distribution.com
Room 302, Unit 1, Building No.1 Fenjiu Group Xinhuacun communityFenyang city, Shanxi Province China T: +86 0358 7220599
zytwenger@yahoo.com
Wintertime Films
Zhurzhenko, Olga
winterj@bigpond.net.au
olga.zhurzhenko@gmail.com
310
Argentina
A La Cantbrica Abrir puertas y ventanas Cornelia frente al espejo Corta Historia del mal HISTRIAS que s existem quando lembradas Hoy no tuve miedo Papirosen
Australia
Black & White & Sex Etiennes Hand Hail The Hunter Matire grise
Austria
Adebar Apnoe Arcana Arnulf Rainer Conference (Notes on Film 05) Fragments of Kubelka Im Freien Intermezzo (Notes on Film 04) Joule Kreis Wr.Neustadt Low Definition Control - Malfunctions #0 Mosaik im Vertrauen Postcard from Somova, Romania Roman Diary Schwechater Stillleben Unsere Afrikareise Way of Passion
Azerbaijan
Girimunho HISTRIAS que s existem quando lembradas The Hyperwomen O imprio do desejo O insigne ficante Lilian M.: Relatrio confidencial A margem Neighbouring Sounds Oh! Rebuceteio A opo (ou: As rosas da estrada) Orgia (ou: O homem que deu cria) Ovos de dinossauro na sala de estar O porngrafo Praa Walt Disney Rnia Rat Fever Rua Aperana 52 Uma rua chamada triumpho (1969-1970) Uma rua chamada triumpho (1970-1971) Senta no meu, que eu entro na tua Snuff - Vitmas do prazer Sudoeste O vampiro da cinemateca Vereda tropical
Canada
Egg and Stone Fairytale Hello, Mr. Tree! The Interceptor from My Hometown Lost in the Mountain Old Dog One Old Man One Recluse Ordos 100 Rigid Regime The Road Toward Jokhang Sentimental Animal Shadow Life Shattered So Sorry The Unfinished History of Life When the Bough Breaks Whose Eyes
Colombia
Mila Caos
Czech Republic
38 tmoins Dimanches Lestate di Giacomo fancy-fair Les gants Histoire de mes cheveux Lhiver dernier The Invader Lyrische data Moving Stories Printed Matter Speech Act Standards
Bosnia and Herzegovina
Back to the Square BLA BLA A Dangerous Method Do I Belong? Hope Jouer Ponette Lacan Palestine Logbook Monsieur Lazhar Never a Foot Too Far, Even Un nuage dans un verre deau Nuit #1 The Patron Saints Pilgrimage Romance Sea Series #10 Square Dance Hypnotist The Ultimate Pranx Case Very Nice, Very Nice Une vie meilleure Woodcarver
Chile
Dolls: A Woman from Damascus Girl in the Water Grandma Lo-fi: The Basement Tapes of Sigrdur Nelsdttir Play Scene Shifts, in Six Movements Tributes - Pulse
Egypt
Bodily Function
Brazil
A arca do den O bandido da luz vermelha Bete & Deise O convite ao prazer O despertar da besta Dois Doa Sonia Borrowed a Gun from Her Neighbor Alcides Duelo antes da noite Festa na Boca Fuk Fuk Brasileira
11 Flowers Apuda Bachelor Mountain Beijing 2003 Beijing: The Second Ring Beijing: The Third Ring Born in Beijing Changan Boulevard Disturbing the Peace
The A77A Project Adam Another Passion Bahari Blue Dive Caf Regular, Cairo Doors of Fear: El Naddaha Dreams of Hind and Camilia (Fragment) In Search of a City (in the Papers of Sein) In the Last Days of the City (Trailer) In/Out of the Room Kit Kat (Fragment) Local Copy Maydoum Neon Lamp One Eye Open Rant Remarks on a Square A Resident of the City Revolution Rice City Sturm: Ahmonseto Sturm: Fayoum
Ethiopia
My Name Is Feker
312
Finland
Africa Among Others Blue Sky - Journey Into the Land of Memories The Count A Day at Karl Marxs Grave Drama of Time Eight Deadly Shots Helsinki, Forever Land of the Pharaohs The Last Summer 1944 Le Havre Man in the Shadows Olavi Virta Paavo Nurmi - The Man and His Times Pockpicket - Recollections of a Helsinki Bourgeois Youth Scene Shifts, in Six Movements SF - Paraati Sodankyl Forever: The Century of Cinema Splinters - A Century of an Artistic Family The Story of Mikko Niskanen A Time of Roses Well The Year 1939 The Year 1952
France
Jardin du sel Jean Epstein, Young Oceans of Cinema Kaspar Film Louise Wimmer La maladie blanche Manque de preuves Le marais sauvage Le marin masqu Maurice Mourir auprs de toi Nana Un nuage dans un verre deau Par exemple, Electre Pipe Dreams Play Le reste du monde Retour de flamme Sacha lours Skoonheid Snow Canon Le songe de poliphile Sur la planche Le tempestaire Trait de bave et dternit Une vie meilleure Le voyage dans la lune Le voyage extraordinaire
Germany
Iceland
Alms for the Blind Horse Carnival Dance of Ganesha The Golden Bird A Temple Valley of Saints
Indonesia
Goodbye
Ireland
11 Flowers 38 tmoins 5000 Feet Is the Best Un amour de jeunesse Lanabase LApollonide - Souvenirs de la maison close Ballet aquatique Before Vanishing Big in Vietnam Bombes Corta Cross A Dangerous Method Dans le cadre Demain? Dernire sance Deux inconnus Domicile Duch, le matre des forges de lenfer Les clats (Ma gueule, ma rvolte, mon nom) Lestate di Giacomo Future Lasts Forever Les gants Glucose Hands Historia del mal HISTRIAS que s existem quando lembradas Lhiver dernier Home Movie Factory Hors saison Lhypothse du Mokl-Mbemb I Am the One Who Carries Flowers to Her Grave Il se peut que la beaut ait renforc notre rsolution - Masao Adachi
Ausreichend Bad Luck City A Dangerous Method Der Fluss war einst ein Mensch Future Lasts Forever Gangster Project Girimunho God Moves on the Water Hurdy Gurdy I Met Heine on the Rue Frstenberg The Loneliest Planet Map Mlis (Single Screen) Meteor Mila Caos Mondomanila Paulina, Franz & Maria Die Ruberin Scene Shifts, in Six Movements Superimposed Sad Totem Transparent Evil Unfair World Die Unsichtbare Voice of My Father Zima
Greece
Anna A arca do den Dellammazzare il maiale Lestate di Giacomo Joule La leggenda di Kaspar Hauser Un luogo a venire My Big-Assed Mother Piattaforma luna A Shape of Error Il silenzio di Pelesjan Lultimo terrestre
Japan
About the Pink Sky Ace Attorney Bonz did i? Dreams Ecosystem-6-A Sort of Mycelium Emblem Generator I Wish Ken and Kazu Kotoko Kyojima 3rd St., Sumida City Last Fragments of Winter Modern No.2 Ninifuni Sound of Life The Sound of Light Space Is the Place Tokyo Playboy Club Traces of Other Women on the Edge
Kenya
Kalah
313
Latvia
Radiotehnika
Lebanon
Bombes E.D.L. Master-Slave Dialectic Of Heroes, Football and All That Remains of My Childhood Out of Focus Pipe Dreams The Story of Milk and Honey The Three Disappearances of Soad Hosni Transparent Evil Trespass the Salt
Lithuania
Restricted Sensation
Luxembourg
Les gants
Malaysia
Bunohan Girl in the Water I Want To Remember Im Lisa Last Fragments of Winter the meaning of style Survival Guide for Radioactive Village
Mexico
did i? Malaventura Miss Bala Polvo Los ltimos cristeros Who the Hell Is Juliette?
Morocco
Sur la planche
Myanmar
Return to Burma
Netherlands
#29 #3 544/544 (up/down) 7 Peaks Abrir puertas y ventanas El arca Bad Luck City Bete & Deise Commission De Bunker - Het Wennen Het Wachten - Het Licht De jueves a domingo Deep Red Designed Realities: Production Designer Carol Spier Dochters Elektrotechnique Eye Trap Field Notes from a Mine Forest-Views Four Moves De hemel is vierkant Horizontalen Im Still Alive Imagined Cinemas In Need of Space Interlude Jays Taste
Katya Kikkerdril Lena Letting Go Lighthouse The Living Room De magische tol Meet Your Stranger Monologue exterieur Motor Nacht-Licht Natural Beauty Nick Ning Nol King Ruter Pablo & Pozie Panman, Rhytm of the Palms Peace versus Justice Performance #1 & Disclaimer Ponskaart polonaise Printed Matter Reframing the Artist Reversals Rise Again The Rocketeer Saturday Shock Head Soul Soundtrackcity Rotterdam: Francisco Lpez Soundtrackcity Rotterdam: Jeroen Stout Soundtrackcity Rotterdam: Katarina Zdjelar & Maziar Afrassiabi Soundtrackcity Rotterdam: Lee Patterson Soundtrackcity Rotterdam: The City As Sound Space-Modulation Springtime Structuurverschillen van tijd en plaats Tamino Tampopo Head and the Name of the Dogs Tape Generations Thicker Than Paint Thinner De tijd Los ltimos cristeros Untitled/Tithed Vexed War Is Over Wavumba Zamach Zwerk
Netherlands Antilles
Paraguay
Blank Boxing in the Philippine Islands Buenas noches, Espaa Century of Birthing Ex Press Florentina Hubaldo, CTE Mondomanila
Poland
A arca do den Beyond the Mountains Cerro negro Demain? Incndio O nosso homem As ondas Palcios de Pena Silncio de dois sons A Womans Revenge
Romania
Chapiteau-show Hearts Boomerang Histoire de mes cheveux The Hunter Living Remember Twilight Portrait
Rwanda
Clip
Singapore
Duck Hunting
South Africa
Aishas Song
Norway
Back to the Square Everything Will Be OK King Curling Late and Deep Oslo, August 31st
Palestine
Black Dove The Day He Arrives A Fish Romance Joe Stateless Things
Spain
Buenas noches, Espaa El cuaderno de barro Dress Rehearsal for Utopia Girimunho Hors saison Iceberg
314
Maya Deren, Take Zero Mercado de futuros Els noms de Crist Los pasos dobles Restricted Sensation Ruled by Dead People Soundtrackcity Rotterdam: Francisco Lpez
Suriname Sweden
United Kingdom
River Rites Applied Theories of Expanding Minds Killing the Chickens to Scare the Monkeys Pipeline Play
Switzerland
Abrir puertas y ventanas El cuaderno de barro He Was a Giant with Brown Eyes Mlis (Single Screen) Los pasos dobles Romance Villatalla
Syria
Before Vanishing City of Emptiness Cousin Crack Dolls: A Woman from Damascus Dreams of the City Flint Mountains Foam I Am the One Who Carries Flowers to Her Grave On the Sand, Under the Sun The Right Side of That Road Silence Stone Bird The Suns Incubator They Were Here Two Cities and a Prison
Taiwan
20 Hz 99 Clerkenwell Road Africa Agatha Aishas Song Arrastre Babeldom Bobby Yeah Bradley Manning Had Secrets A Dangerous Method did i? Flash in the Metropolitan Goose Weather In Search of a City (in the Papers of Sein) Kill List Let England Shake Loss Maydoum Moxie Our Broken Voice Patience (After Sebald) Rise Again Sack Barrow Shame Shock Head Soul Soundtrackcity Rotterdam: Lee Patterson The Sputnik Effect Trespass the Salt Two Years at Sea Weekend When the Lights Went Out Wuthering Heights
USA
My Big-Assed Mother Night Hunter Now, Forager: A Film About Love & Fungi An Oversimplification of Her Beauty Pablo Papirosen The Patron Saints The Pettifogger Polvo Radioactive City Reflect Remote Resonance The Return River Rites The Rodeo Trilogy Sangre de Cristo A Shape of Error small roads Surface Noise Taste Test Tributes - Pulse Under the Shadow of Marcus Mountain Valley of Saints Village, Silenced Well Then There Now The Whirlpool
15th Thai Short Film and Video Festival: Opener I Carried You Home In April the Following Year, There Was a Fire Killing the Chickens to Scare the Monkeys
Turkey
Gaamer
100 Meters Behind the Future 5000 Feet Is the Best All That She Surveys Alone with the Moon Arcana Caridea and Ichthyes The Comedy Compound Eyes Curious Light Damsels in Distress Day and Night The Descendants Empire of Evil Francophrenia (or: Dont Kill Me, I Know Where the Baby Is) The Garden of Earthly Delights German Song The Great Northwest The Green Wave HotSpell Hugo I Swim Now Inquire Within It Looks Pretty from a Distance (k)now (t)here Landfill 16 Late and Deep Light Escapes Through the Intervals Line Describing Your Mom The Loneliest Planet Luma nocturna Mlis (Single Screen)
315
AMPCO FLASHLIGHT
CREATIEVE OPLOSSINGEN IN
LICHT, GELUID, VIDEO EN RIGGING
www.ampco-ashlight.com
LIST of PREmIERES
317
LIST of PREmIERES
fEATuRE LENgTh
WoRLD PREmIERE
38 tmoins
Lucas Belvaux (France, Belgium)
Rua Aperana 52
A Shape of Error
skar Thr Axelsson (Iceland) Garin Nugroho (Indonesia) Madhuja Mukherjee (India) Maja Milo (Serbia)
INTERNATIoNAL PREmIERE
Black & White & Sex
John Winter (Australia)
Corta
Black Dove
Ma Li (China)
Fragments of Kubelka
Martina Kudlc ek (Austria)
Ex Press A Fish
Francophrenia (or: Dont Kill Me, I Know Where the Baby Is)
Ian Olds, James Franco (USA)
Gaamer
Grandma Lo-fi: The Basement Tapes of Sigrdur Nelsdttir The Hyperwomen Iceberg
Orri Jnsson, Kristn Bjrk Kristjnsdttir, Ingibjrg Birgisdttir (Iceland, Denmark) Carlos Fausto, Leonardo Sette, Takuma Kuikuro (Brazil) Gabriel Velzquez (Spain)
Im Still Alive
Lacan Palestine
Davide Manuli (Italy)
Malaventura
Mondomanila
Rat Fever
Die Ruberin
Romance Joe
Wu Quan (China)
318
LIST of PREmIERES
Big in Vietnam
Mati Diop (France)
Domicile
EuRoPEAN PREmIERE
About the Pink Sky Apuda
He Yuan (China) Kobayashi Keiichi (Japan)
Emblem
Etiennes Hand
Bachelor Mountain
Yu Guangyi (China)
Martijn van Boven, Tom Tlalim (Netherlands) Mihai Grecu, Thibault Gleize (France, Romania)
Bunohan
Four Suns
HotSpell
House Party
Srinath C. Samarasinghe (France, Canada) Keith Jones, Deon Maas (South Africa, Czech Republic)
Midi Z (Taiwan, Myanmar) James Benning (USA) Eduardo Nunes (Brazil) Umesh Vinayak Kulkarni (India)
Lighthouse Mama
Le marais sauvage
Martin Drouot (France)
Teresa Hubbard, Alexander Birchler (USA, Switzerland, Germany) Simone Bennett (Netherlands)
ShoRT fILmS
WoRLD PREmIERE
100 Meters Behind the Future
eteam (USA)
My Big-Assed Mother
Tekla Taidelli (USA, Italy) Dachi Sato (Canada)
20 Hz #29
7 Peaks Africa
Leo Verheul (Colombia, Netherlands) Marc Pelletier (Canada) Angela Reginato (USA, Mexico)
Agatha
319
LIST of PREmIERES
Richard Sandler (USA) Elonore de Montesquiou (Latvia) Elonore de Montesquiou (Russia) Jesse McLean (USA)
Blank
Blue Dive
Dane Komljen (Bosnia and Herzegovina) Sandra Ghosn (France, Lebanon) Shohei Tada (Japan)
Rigid Regime
The Rocketeer
Kevin Jerome Everson (USA) Henri Desaunay (France) Anna Okrasko (Netherlands, Poland)
Dellammazzare il maiale Doa Sonia Borrowed a Gun from Her Neighbor Alcides
Gabriel Martins (Brazil) Ahmed Khaled (Egypt)
Woo Ming Jin, Jeppe Rnde (Denmark, Malaysia) Benjamin Naishtat (Argentina, France) Victoria Saez (France, Spain)
Tamino
Larissa Sansour, Youmna Chlala (Lebanon, Palestine, United Kingdom) Vicente Fita Botet (Netherlands) Telcosystems (Netherlands)
Into Oblivion
(k)now (t)here
Zima
Kreis Wr.Neustadt
Johann Lurf (Austria)
INTERNATIoNAL PREmIERE
15th Thai Short Film and Video Festival: Opener 5f-2
Chung Lee (Taiwan) Nawapol Thamrongrattanarit (Thailand)
Landfill 16
Local Copy
Adam
La maladie blanche
Master-Slave Dialectic
Paul Hage Boutros (Lebanon)
Maurice
Neon Lamp
Hai Bo (China)
Arcana
Ballet aquatique
Ral Ruiz (France)
Rise Again
320
LIST of PREmIERES
Shadow Life
Cao Fei (China)
Shelter
Le songe de poliphile
Camille Henrot (France) Eriko Sonoda (Japan)
Taste Test
Transparent Evil
Woodcarver
EuRoPEAN PREmIERE
99 Clerkenwell Road Arrastre
Sophie Michael (United Kingdom) Nicholas Brooks (United Kingdom)
Ausreichend Bahari
Empire of Evil
Isla Alta
Logbook
Night Hunter
Resonance
321
322
INDEx DIREcToRS
323
INDEx DIREcToRS
bdel Sayed, Daoud 261 Abrahams, Anna 122 Abrantes, Gabriel 128 Achard, Laurent 84 Adorno, Federico 130 Afrassiabi, Babak 130 Afrassiabi, Maziar 288 Agusta, Paul 48 Ai Weiwei 272 276 Aihara Nobuhiro 178 Akerman, Karen 132 Alabdalla, Hala 247, 248 Alhamwi, Hazem 250, 251 Ali, Reem 249 Alper, zcan 49 Alsharif, Basma 252 lvarez, Mercedes 84 Alverson, Rick 85 Ancarani, Yuri 135 Arnold, Andrea 85 Asselberghs, Herman 218 Assis, Cludio 86 Assur, Jens 155 Atassi, Mohammad Ali 248 Aurand, Ute 127 Axelsson, skar Thr 24 Azevedo Gomes, Rita 86 Azma, Sherif El 260
Circumstance 286 Clipson, Paul 124 Cocia, Joaqun 44 Collins, Phil 40 Comodin, Alessandro 53 Cong Feng 268 Cortlund, Jason 54 Costa, Pedro 134 Courtin-Wilson, Amiel 54 Crpeau, Jeanne 207 Cronenberg, David 90 Cunha, Cludio Francisco 236, 238
Grifi, Alberto 206 Guerrero, Felipe 58 Gulbrandsen, Jonas Matzow 153 afez, Khaled 261 Hage Boutros, Paul 254 Hai Bo 277 Haigh, Andrew 58 Halperin, Julia 54 Hamilton, Omar Robert 258 Hamza, Dina 257 Han Jie 59 Hansen-Lve, Mia 94 Harju, Matti 166 Hassan, Nidal 251 Hayama Rei 138 He Yuan 269 Heerkens, Noud 186 Henrot, Camille 143 Heraize, Ali 253 Hermans, Christophe 157 Hermanus, Oliver 59 Heuninck, Elias 211 Hietbrink, Roderick 145 Hills, Henry 148 Hirayama Shiho 138 Hofer, Eileen 60 Holden, Pat 95 Hong Sang-Soo 95 Hoolboom, Mike 96 Horan, Devin 136 Horn, Paul 152 Horvath, Andreas 46 Houten, Peter van 96 Hsu Tsen-Chu 125 Hsu, John 141 Huang Ji 26 Hubbard, Teresa 217 Hui, Ann 97 Huis, Wouter 286 Hund, Harald 152 kon 253 Irwin, Stephen 172 Iskandar Said, Dain 97 Isou, Isidore 206
De La Cruz, Khavn 91
de Montesquiou, Elonore 134,159 Delacrew 161 Desaunay, Henri 171 Diaz, Lav 91, 92 Dietvorst, Jan 167 Diop, Mati 40, 156 Dogan, Zeynel 25 Dorsky, Nathaniel 128 Drouot, Martin 152 Duque, Andrs 55 Dutta, Amit 132
Bagh, Peter von 193 201 Bakuradze, Bakur 49 Balibar, Jeanne 50 Ballada Larrasa, Jaime 216 Bar-Ziv, Sharon 50 Bartana, Yael 133 Bartholl, Aram 285 Basbeth, Ismail 170 Baskin, Resit 170 Batra, Ritesh 171 Baudelaire, Eric 51 Beik, Ammar Al- 247, 250, 252 Belvaux, Lucas 87 Bennett, Simone 184 Benning, James 88 Benning, Sadie 164 Bergendahl, Lena 178 Biagini, Sarah Jane 136 Bicek, Rok 151 Birchler, Alexander 217 Birgisdttir, Ingibjrg 60 Biscaya, Jos Miguel 149 Blonk, Matthijs 219 Blue, Tim 162 Blutch 205 Boisier Olave, Jairo 51 Bonello, Bertrand 88 Boven, Martijn van 43 Brakhage, Stan 222 Bressane, Jlio 89 Bromberg, Serge 207, 210 Brooks, Nicholas 165 Brown, Allan 139 Bnger, Erik 161 Burger, Joerg 89 Burr, Peter 165 Busch, Markus 52 Bush, Paul 204 Butcher, Adam 149 ahn, Simon 172 Callegaro, Joo 233 Campolina, Clarissa 65 Candeias, Ozualdo R. 232, 233, 237 Cao Fei 41 Case, Alvin 52 Cassidy, Brian M. 76 Chantarangkul, Tongpong 53 Cherri, Ali 255 Child, Abigail 90 Chlala, Youmna 255
Baciu, Alexandru 87
Efrat, Eitan 141 Einsiedel, Orlando von 146 Eisinga, Jeroen 41 Elkoussy, Hala 43, 260 mond, Anne 55 Encina, Paz 123 Endresen, Ole 56 Epstein, Jean 212 Erriquez, Ezequiel 56 Eskiky, Orhan 25 eteam 284 Everdingen, Francien van 223 Everson, Kevin Jerome 225 Evron, Nir 143
Farah, Rami 251 Fast, Omer 46 Fausto, Carlos 75 Felix, Marcelo 57 Ferrando-Giraut, David 158 Ferreira, Jairo 235 Figueiredo, Rita 172 Fita Botet, Vicente 185 Flatform 122 Foighel Brutmann, Sirah 141 Fonseca, Miguel 41 Fow Pyng Hu 93 Fraga, Ody 239 Franco, James 110 Freyssen, Andr 285 Fund, Ivn 93 Furtado, Alice 154
Falardeau, Philippe 92
Jang Hey-Yeun 137 Jaroszewski, Julie 126, 177 Jarva, Risto 199 Jeiroudi, Diana El 247 Ji Dan 269 Johannesen, Karen 137 Jones, Keith 98 Jnsson, Orri 60 Jonze, Spike 172 Jurkiewicz, Marta 140
Glvez Haberle,
Felipe 155 Gao Zipeng 268 Garret, Jean 239 Gee, Grant 94 George, Sylvain 57 Ghazzi, Reem 249 Ghoneimy, Ahmed 154 Ghosn, Sandra 254 Gibb, Joel 162 Gibson, Beatrice 45 Gil Fargas, Gerard 216 Girardet, Christoph 138 Gleize, Thibault 123 Goldgewicht, Richard 209 Gondry, Michel 283 Gorani, Joude 250 Grandrieux, Philippe 208 Grecu, Mihai 123
aadan, Soudade 249 Kack-Brice, Patrick 225 Kahn, Cdric 98 Kamal, Islam 259 Katainen, Elina 195 Kaurismki, Aki 99 Keiichi Tanaami 178 KEN, JOSEph S 61 Ketterings, Eveline 173 Khaled, Ahmed 261 Khan, Hassan 260 Khan, Mohammed 257 Khomeriki, Nikolay 99 Khoo, Eric 100 Khouri, Walter Hugo 237 Kilani, Lela 61 Kim Kyung-Mook 100 Kimura, Yumiko 131 Klahr, Lewis 62, 148 Kobayashi Keiichi 62 Kobayashi Masahiro 101 Kodeih, Lynn 253 Kohn, Bob 163 Koike Teruo 220
324
INDEx DIREcToRS
Komljen, Dane 166 Kore-eda Hirokazu 101 Koretzky, Aya 134 Koski, Markku 197 Kristjnsdttir, Kristn Bjrk 60 Kruip, Germaine 283 Krummacher, Jessica 63 Kubelka, Peter 215, 216 Kuchar, George 214 Kudlc ek, Martina 209 Kuikuro, Takuma 75 Kulkarni, Umesh Vinayak 102 Kwon, Hayoun 44
Morisset, Vincent 284 Morrison, Bill 211 Mukherjee, Madhuja 68, 205 Mller, Matthias 138 Mumenthaler, Milagros 69 Muoz, Jeannette 127 Muntean, Radu 87 Murat, Julia 69 Murphy, Seamus 127 agaoka Daisuke 129 Naishtat, Benjamin 129 Nance, Terence 70 Naranjo Gonzalez, Gerardo 108 Narkevicius, Deimantas 44 Nashashibi, Rosalind 218 Nettheim, Daniel 108 Newman, Chris 160 Nikonova, Angelina 70 Niskanen, Mikko 198 Nissinen, Erkka 145 Norta, Yrj 199 Nshimiyimana, Jean Bosco 147 Nugroho, Garin 109 Nunes, Eduardo 32 doul, Damien 109 Okrasko, Anna 185 Okuda Yosuke 33 Oldenborgh, Wendelien van 174 Olds, Ian 110 Oliveira, Sergio 139 Ong, Sherman 142 stlund, Ruben 110
Rompaey, Christophe Van 73 Rosenblatt, Jay 129 Rosenfeld, Daniel 114 Rosier, Valery 176 Rowley, Paul 162 Rnde, Jeppe 169 Ruhorahoza, Kivu 73 Ruijter, Gerco de 185 Ruiz, Ral 213 Ruscica, Jani 42 Russell, Ben 148
Sackl, Albert 40
Lam See Chit 142 Lampert, Andrew 162 Lange, Eric 210 Lanners, Bouli 103 Lanthimos, Yorgos 104 Lasry, Philippe 173 Laurent, Christine 104 Lee Kwang-Kuk 27 Lee, Chung 142 Lehman, Boris 105 Lein, Hans 184 Len, Cristbal 44 Lon, Pierre 50 Lernert & Sander 141, 164 Letourneur, Sophie 157 Leyco, Jet 63, 173 Lheureux, Christelle 45 Lieshout, Erik van 146 Liew Seng Tat 168 Lim Lay Kuen, Charlotte 43 Lim Yi Yong, Charles 144 Lipkes, Michel 64 Lipsett, Arthur 161 Loban, Sergey 64 Loktev, Julia 105 Lom, Petr 262 Lopes, Miguel Seabra 132 Lpez, Fransisco 287 Lowder, Rose 165 Lurf, Johann 144 a Li 270 Maas, Deon 98 Maher, Emad 259 Mairs, Gary 123 Maisala, Pertti 201 Mki-Jussila, Juha 163 Makino Takashi 42 Makridis, Babis 28 Malas, Mohamad 246, 248 Manuli, Davide 106 Marcello, Pietro 217 Mariko, Tetsuya 131 Marins Jr., Helvcio 65 Marques, Roberta 65 Martin, Raya 106, 174 Martins, Gabriel 154 Massadian, Valrie 66 Massi, Simone 139 Maurer, Dora 219 McCormick, Matt 66 McLean, Jesse 149 McQueen, Steve 67 Meise, Sebastian 67 Mlis, Georges 210 Mendona Filho, Kleber 29 Mennegun, Cyril 68 Metwaly, Jasmina 256 Meyer, Matas 107 Michael, Sophie 125 Midi Z 30 Miike Takashi 107 Milo , Maja 31 Mishra, Bikas Ranjan 175 Mizue, Mirai 145 Mohr, Thomas 140 Mojica Marins, Jos 234 Morgan, Robert 46
Pacinotti, Gianni 71
Paetau, Simon 151 Palm, Michael 71 Panh, Rithy 111 Park Hong-Min 34 Patterson, Lee 287 Payne, Alexander 111 Pedro de Andrade, Joaquim 236 Pelletier, Marc 137 Pezon, Florence 151 Pfaffenbichler, Norbert 225, 226 Pfeiffer, Daniel 176 Philips, David 162 Pilz, Michael 112 Pinheiro, Renata 139 Pires, Pedro 174 Pistorio, Maxime 126, 177 Pohle, Sascha 286 Prahl, Isabel 153 Price, John 126 Provost, Nicolas 72, 135 Pryce, Charlotte 126 Pummell, Simon 112, 288
Radcliff, Christopher 178 Rainsford, Jennifer 178 Ranaivojaona, Maeva 155 Ranocchi, Nadia 150 Rasoulof, Mohammad 113 Reeves, Jennifer 158 Reginato, Angela 143 Reichenbach, Carlos 235, 238 Rekveld, Joost 220 Ricarte, Thiago 175 Rijpma, Johan 164 Rivers, Ben 72, 165 Rizk, Philip 257, 258 Robinson, Michael 135 Rochholl, Andreas 122 Roh Gyeong-Tae 114
Saez, Victoria 157 Said, Tamer El 258 Sato, Dachi 125 Salaviza, Joo 152 Samaha, Roy 252 Samarasinghe, Srinath C. 74 Sandler, Richard 166 Sansour, Larissa 255 Saouli, Salah 256 Sarchielli, Massimo 206 Sasnal, Anka 35 Sasnal, Wilhelm 35 Saude, Marcy 128 Sawa Hiraki 159 Schaller, Robert 136 Schmidt, Daniel 128 Schneider, James June 212 Schwizgebel, Georges 176 Schwochow, Christian 115 Scorsese, Martin 208 Seideneder, Daniel 176 Semiconductor 159 Sentsov, Oleg 74 Serra, Albert 115 Sette, Leonardo 75 Sganzerla, Rogrio 232 Shank, John 75 Shatzky, Melanie 76 Sheikh Khudr, Ali 250 Sherif, Adham El 171 Shohei Tada 177 Shoji Hiroshi 131 Sigarev, Vasily 36 Singh, Gurvinder 76 Siska 254 Sitaru, Adrian 177 Skaer, Lucy 218 Sky-David 222 Slma, Bohdan 116 Solnicki, Gastn 77 Somumjarn, Wichanon 37 Sonoda, Eriko 158 Sotomayor, Dominga 38 pidla, Simon 167 Staal, Jonas 133 Stankovic, Katarina 124 Steers, Stacey 224 Stephan, Rania 262 Stillman, Whit 116 Stout, Jeroen 287 Strand, Liv 160 Stratman, Deborah 226 Struycken, Peter 218 Stuart, Aaike 186 Sutcliffe, Stephen 224 Syeed, Musa 77
aidelli, Tekla 177 Takala, Pilvi 284 Takeuchi, Toshie 140 Tan Chui Mui 168 Tan Tan 277 Tasaka Naoko 45 Telcosystems 150 Thamrongrattanarit, Nawapol 168 Thomas, Ehren BEARwitness 163 Tierney, Moira 162 Tlalim, Tom 43
325
INDEx DIREcToRS
Toetenel, Francisca 184 Torres Leiva, Jos Luis 117 Trevisan, Joo Silvrio 234 Trier, Joachim 78 Tseden, Pema 117 Tseng, Lichun 187 Tsitos, Filippos 118 Tsukamoto Shinya 118 Tuohy, Richard 137
ang Xiaoshuai 119 Wheatley, Ben 79 Wiertz, Karin 221 Winter, John 80 Wolkstein, Lauren 178 Woo Ming Jin 168, 169 Wu Quan 80
Urban, Rafael 42
Urlus, Esther 125 Veenhof, Sander 285 Vegter, Bart 219 223 Vehkalahti, Iikka 195 Velzquez, Gabriel 119 Velzen, Jeroen van 78 Venema, Wouter 150 Verbeek, Jacques 221 Verheul, Leo 187 Villevoye, Roy 167 Voignier, Marie 79 Vroda, Maryna 156
Zabeil, Jan 81
Zamagni, David 150 Zdjelar, Katarina 133, 288 Zettergren, Rut Karin 178 Zhang Zanbo 271 Zhao Yantao 277
adv IFFR:Opmaak 1
05-01-2012
14:38
Pagina 1
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326
100 Meters Behind the Future 284 11 Flowers 119 15th Thai Short Film and Video Festival: Opener 168 20 Hz 159 38 Witnesses 87 38 tmoins 87 5000 Feet Is the Best 46 544/544 (up/down) 140 5f-2 142 7 Peaks 122 99 Clerkenwell Road 125 #29 149 #3 220
A La Cantbrica 56
A to A 144 A77A Project, The 261 About Killing the Pig 139 About the Pink Sky 62 Abrir puertas y ventanas 69 Abwab al khouf: El Naddaha 261 Ace Attorney 107 Adam 253 Adebar 215 Adikos Kosmos 118 Africa 166 Afrikka 166 After Dark 141 Agatha 45 Ahlam Hind we Kamilia (Fragment) 257 Ahlam al-Madinah 246 Aishas Song 146 Ajan draama 200 Akataka 61 Akhtifaat Soad Hosni ath-thalathat 262 Al bahth an madina - fi awraaq Sein 43, 260 All That She Surveys 123 All the Lines Flow Out 144 Alms for the Blind Horse 76 Alone with the Moon 165 Alpeis 104 Alps 104 Amma Lo-fi 60 Among Others 284 amour de jeunesse, Un 94 Ana alati tahmol azouhour ila qabriha 247 Anabase, L 51 Anabasis of May and Fusako Shigenobu, Masao Adachi and the 27 Years Without Images, The 51 Anhey ghorhey da daan 76 Anna 206 Another Passion 259 Apnoe 152 Apollonide - Souvenirs de la maison close, L 88 Applied Theories of Expanding Minds 178 Apuda 269 Apuda de shouhou 269 arca do den, A 57 Arca, El 44 Arcana 148 Ark, The 44 Arnulf Rainer 215 Arrastre 165 Assassination 133 Ausreichend 153 Average 153 Awakening of the Beast 234
BLA BLA 284 Black & White & Sex 80 Black Dove 114 Blacks Game 24 Blank 173 Blindfold, The 109 Blue Dive 259 Blue Sky - Journey Into the Land of Memories 197 Bobby Yeah 46 Bodily Function 166 Bombes 254 Bombs 254 Bonz 177 Born in Beijing 270 Boxing in the Philippine Islands 174 Bradley Manning Had Secrets 149 Buenas noches, Espaa 106 Buk-chon-bang-hyang 95 Bunker - The Habituation - The Wait - The Light, The 133 Bunohan 97 B omid didar 113 af Regular, Cairo 171 Caridea and Ichthyes 124 Carnival 68 Celluloid Brushes 204 Century of Birthing 91 Cerro negro 152 Changan Boulevard 275 Chapiteau-show 64 Chefu 177 Chromotherapeutic Strips 124 Cinematic Tributes to Musicians 126 City of Emptiness 250 Clay Diaries, The 103 Clip 31 Closer Reading 127 Cloud in a Glass of Water, A 74 Comedy, The 85 Commission 146 Compound Eyes 124 Conference (Notes on Film 05) 226 Confiseries et jouets 204 convite ao prazer, O 237 Cornelia at Her Mirror 114 Cornelia frente al espejo 114 Corta 58 Count, The 198 Cousin 248 Crack 249 Cracks in the Shell 115 Cross 156 Cross Country 156 Crumbled Papers, Fragments of Cinema 205 Ctyri slunce 116 cuaderno de barro, El 103 Curious Light 126
abamin sesi 25 Babeldom 204 Bachelor Mountain 271 Back to Stay 69 Back to the Square 262 Bad Luck City 186 Bahari 154 Ballet aquatique 213 bandido da luz vermelha, O 232 Beauty 59 Before Vanishing 250 Behind Walls 248 Behind the Scenes 122 Beijing 2003 276 Beijing: The Second Ring 274 Beijing: The Third Ring 275 Bete & Deise 174 Better Life, A 98 Beyond the Mountains 134 Big in Vietnam 40 Bitter Sweet and Golden 123
Damsels in Distress 116 Dance of Ganesha 175 Dangerous Method, A 90 Dans le cadre 173 Daughters 140 Day He Arrives, The 95 Day and Night 226 Day at Karl Marxs Grave, A 200 De Bunker - Het Wennen - Het Wachten - Het Licht 133 De jueves a domingo 38 Deep Red 125 Dellammazzare il maiale 139 Demain? 104 Deool 102 Dernire sance 84 Descendants, The 111 Designed Realities: Production Designer Carol Spier 285 despertar da besta, O 234 Deux inconnus 178 Did i? 159 Dig! Dig! Dig! 128 Dig! Dig! Dig! 181 Dimanches 176 Dinosaur Eggs in the Living Room 42 Disturbing the Peace 273 Do I Belong? 162 Dochters 140 Dois 175
328
Dolls: A Woman from Damascus 247 Domicile 155 Dong tian zui hou de sui pian 169 Doors of Fear: El Naddaha 261 Double Steps, The 102 Doa Sonia Borrowed a Gun from Her Neighbor Alcides 154 Drama of Time 200 Draud iami jausmai 44 Dreams 178 Dreams of Hind and Camilia (Fragment) 257 Dreams of the City 246 Dress Rehearsal for Utopia 55 Duch, Master of the Forges of Hell 111 Duch, le matre des forges de lenfer 111 Duck Hunting 151 Duel Before Nightfall 154 Duelo antes da noite 154 Dust 143 .D.L. 254 Echoes from the Past 129 clats (Ma gueule, ma rvolte, mon nom), Les 57 Ecosystem-6-A Sort of Mycelium 220 Edens Ark 57 Egg and Stone 26 Egyptian Timelines 1 257 Egyptian Timelines 2 258 Egyptian Timelines 3 260 Eight Deadly Shots 198 Electra, for Instance 50 Elektrotechnique 164 Emblem 138 Empire of Desire/Sensual Anarchy, The 238 Empire of Evil 214 Ensayo final para utopia 55 Eshk akhar 259 estate di Giacomo, L 53 Etiennes Hand 137 Everything Will Be OK 153 Ex Press 63 Excitement of Stealing 131 Extraordinary Voyage, The 210 Eye Trap 283 aaraoiden maa 200 Fairytale 274 Fancy-fair 157 Fawqa al-raml, tahta al-shams 248 Febre do rato 86 Festa na Boca 233 Field Notes from a Mine 43 Fire 132 Fish, A 34 Flash in the Metropolitan 218 Flint Mountains 251 Flip Collection II, The 205 Florentina Hubaldo, CTE 92 Fluss war einst ein Mensch, Der 81 Foam 249 Follow the Path 132 For a Better World 133 Forest-Views 222 Four Moves 222 Four Suns 116 Fragments (My Mouth, My Revolt, My Name), The 57 Fragments of Kubelka 209 Francophrenia (or: Dont Kill Me, I Know Where the Baby Is) 110 Free Moment, A 143 Fuk Fuk Brazilian Style 239 Fuk Fuk Brasileira 239 Future Lasts Forever 49 Futures Market 84
Golden Bird, The 132 Goodbye 113 Goodbye First Love 94 Goose Weather 224 Grandma Lo-fi: The Basement Tapes of Sigrdur Nelsdttir 60 Great Northwest, The 66 Green Wave, The 224 Grey Matter 73 Guanggun 271 Gui lai de ren 30 Gyakuten Saiban 107 gants, Les 103 adinat al shams 252 Hail 54 Hands 163 He Was a Giant with Brown Eyes 60 Hearts Boomerang 99 Hello, Mr. Tree! 59 Hello, Shu Xian Sheng! 59 Helsinki, Forever 194 Helsinki, ikuisesti 194 hemel is vierkant, De 221 High Island 130 Hikari no oto 81 hiper mulheres, As 75 Histoire de mes cheveux 105 Historia del mal 129 HISTRIAS que s existem quando lembradas 69 hiver dernier, L 75 Home Movie Factory 283 Homelandsssss 134 Hope 174 Horizontalen 219 Hors saison 157 HotSpell 214 House Party 177 House of Tolerance 88 Hoy no tuve miedo 93 Hugo 208 Hunter, The 108 Hunter, The 49 Hurdy Gurdy 176 Hyperwomen, The 75 hypothse du Mokl-Mbemb, L 79 Am Always Looking from Here 155 I Am the One Who Carries Flowers to Her Grave 247 I Carried You Home 53 I Met Heine on the Rue Frstenberg 122 I Swim Now 136 I Want To Remember 142 I Wish 101 Im Lisa 43 Im Still Alive 96 Ibn al am 248 Iceberg 119 Il se peut que la beaut ait renforc notre rsolution - Masao Adachi 208 Im Freien 40 Imagined Cinemas 285 Imprio do desejo, O 238 In April the Following Year, There Was a Fire 37 In Dreams 135 In Memoriam Bart Vegter 205 In Need of Space 219 In Search of a City (in the Papers of Sein) 43, 260 In the Frame 173 In the Last Days of the City (Trailer) 258 In the Open 40 In/Out of the Room 257 Incndio 132 Innahum kanu hun 250 Inquire Within 129 Insig Nificant, The 235 insigne ficante, O 235 Interceptor from My Hometown, The 271 Interlude 223 Intermezzo (Notes on Film 04) 225 Into Oblivion 167 Invader, The 72 Invitation to Pleasure 237 Isla Alta 130 It Looks Pretty from a Distance 35
Gaamer 74
Gangster Project 147 Garden of Earthly Delights, The 222 Gelecek uzun srer 49 Generator 42 George Kuchar: Wrap Party 214 Gerays 170 German Song 164 Ghaliz-tar az tiner 130 Giants, The 103 Girigiri no onnatachi 101 Girimunho 65 Girl in the Water 169 Glucose 123 God Moves on the Water 161
329
It May Be That Beauty Has Strengthened Our Resolve - Masao Adachi 208 Its Immaterial 136
Jays Taste 184 Jean Epstein, Young Oceans of Cinema 212 Jibal alsawan 251 Jidan he shitou 26 Jing sheng 270 Jouer Ponette 207 Joule 150 jubilada, La 51 Jultak dongshi 100 Kaivo 163 Kalah 219 Kaspar Film 151 Katya 184 Ken and Kazu 131 Khyi rgan 117 Kill List 79 Killing the Chickens to Scare the Monkeys 155 King Curling 56 Kiseki 101 Kit Kat (Fragment) 261 Klip 31 Kong Curling 56 Kong shan yi 268 Kotoko 118 Kreis Wr.Neustadt 144 Kreivi 198 Kubelka Films 215 Kyojima 3rd St., Sumida City 131 Kta 184 (k)now (t)here 137
marais sauvage, Le 152 margem, A 232 Margin, The 232 marin masqu, Le 157 Master-Slave Dialectic 254 Masters Voice, The 216 Mata tertutup 109 Matire grise 73 Maurice 225 Maya Deren, Take Zero 216 Maydoum 258 meaning of style, the 40 Meet Your Stranger 285 Mercado de futuros 84 Meteor 138 Mies varjossa 195 Mikko Niskanen - Ohjaaja matkalla ihmiseksi 194 Mila Caos 151 Miss Bala 108 Modern No.2 145 Mokele-Mbembe Hypothesis, The 79 Momoiro sorawo 62 Mondomanila 91 Monologue exterieur 223 Monsieur Lazhar 92 Mother 147 Motor 184 Mourir auprs de toi 172 Moving Stories 135 Moxie 172 Mrtva trat 167 Mulgogi 34 My Big-Assed Mother 177 My Name Is Feker 146 Mlis (Single Screen) 217
NL International 140
Lacan Palestine 96 Lack of Evidence 44 Land of the Pharaohs 200 Landfill 16 158 Lao Tang tou 270 Last Christeros, The 107 Last Fragments of Winter 169 Last Man on Earth, The 71 Last Summer 1944, The 196 Last Winter 75 Lastuja - Taiteilijasuvun vuosisata 193 Late and Deep 136 Le Havre 99 Legend of Kaspar Hauser, The 106 leggenda di Kaspar Hauser, La 106 Lena 73 Let England Shake 127 Letting Go 185 Liberty Kids 162 Lifes Full of Wonders 138 Light Escapes Through the Intervals 45 Lighthouse 150 Lilian M.: Confidential Report 235 Lilian M.: Relatrio confidencial 235 Line Describing Your Mom 135 Living 36 Living Room, The 145 Local Copy 259 Loneliest Planet, The 105 Loss 158 Lost in the Mountain 268 Louise Wimmer 68 Lov na race 151 Low Definition Control - Malfunctions #0 71 Luma nocturna 222 luogo a venire, Un 122 Lyrical Data 211 Lyrische data 211
L 28
Naach Ganesh 175 Nacht-Licht 220 Names of Christ, The 115 Nana 66 Natural Beauty 141 Neighbouring Sounds 29 Neon Lamp 259 Never a Foot Too Far, Even 125 Nick 93 Night #1 55 Night Hunter 224 Nighttime Light 222 Ning 187 Ninifuni 131 Nol King Ruter 186 noms de Crist, Els 115 Nosskha shabeyya 259 Nothing Without a Woman or a Girl 141 Now, Forager: A Film About Love & Fungi 54 nuage dans un verre deau, Un 74 Nuit #1 55
nosso homem 134 O som ao redor 29 Of Heroes, Football and All That Remains of My Childhood 253 Off Season 157 Oh! Rebuceteio 238 Okhotnik 49 Olavi Virta 201 Old Dog 117 On Venom and Eternity 206 On the Edge 61 On the Move 143 On the Sand, Under the Sun 248 ondas, As 41 One Eye Open 253 One Old Man 277 One Recluse 273 Option (or: The Roses on the Highway), The 237 opo (ou: As rosas da estrada), A 237 Ordinary Madness 145 Ordos 100 272 Orgia (ou: O homem que deu cria) 234 Orgy (or: The Man Who Gave Birth) 234 Oslo, 31. august 78 Oslo, August 31st 78 Our Broken Voice 286 Our Man 134 Our Trip to Africa 216 Out and About Africa 146 Out of Focus 256 Oversimplification of Her Beauty, An 70 Ovos de dinossauro na sala de estar 42
330
Paavo Nurmi - The Man and His Times 197 Pablo 209 Pablo & Pozie 187 Pablo and Poetry 187 Padang besar 53 Palaces of Pity 128 Palcios de Pena 128 Papirosen 77 Par exemple, Electre 50 Parts of the Heart 48 Party at the Boca 233 pasos dobles, Los 102 Patience (After Sebald) 94 Patlang 173 Patron Saints, The 76 Paulina, Franz & Maria 127 Peace versus Justice 113 Performance #1 & Disclaimer 286 Pettifogger, The 62 Piattaforma luna 135 Pilgrimage 137 Pipe Dreams 255 Pipeline 160 Place to Come, A 122 Platform Moon 135 Play 110 Playing Ponette 207 Pockpicket - Recollections of a Helsinki Bourgeois Youth 201 Pockpicket eli katkelmia helsinkilisen porvarisnuoren elmst 201 Polvo 143 Ponskaart polonaise 219 Pornographer, The 233 porngrafo, O 233 Portret v sumerkakh 70 Postcard from Somova, Romania 46 Pour en finir avec le cinma 205 Praa Walt Disney 139 Preludes 170 Printed Matter 141 Punk in Africa 98 Puzzled 148 Piv Karl Marxin haudalla 200 adioactive City 166 Radiotehnika 159 Rant 260 Rat Fever 86 Red Light Bandit, The 232 Reflect 125 Reframing the Artist 286 Remarks on a Square 256 Remember 134 Remote 149 Resident of the City, A 171 Resonance 137 Rest of the World, The 109 reste du monde, Le 109 Restricted Sensation 44 Retired, The 51 Retour de flamme 207 Return to Burma 30 Return to Murder 97 Return, The 128 REVERBERATIONS 217 Reversals 221 Revolution 261 Rice City 260 Right Side of That Road, The 250 Rigid Regime 145 Rise Again 133 River Rites 148 River Used to Be a Man, The 81 Ro-men-seu Jo 27 Road Toward Jokhang, The 277 Rocketeer, The 186 Rodeo Trilogy, The 225 Roman Diary 112 Romance 176 Romance Joe 27 Room 514 50 Rough 52 Rua Aperana 52 89 rua chamada triumpho (1969-1970), Uma 233 rua chamada triumpho (1970-1971), Uma 233 Ruled by Dead People 161 Ruusujen aika 199 Rnia 65 Ruberin, Die 52
SF - Paraati 199
Sacha lours 171 Sacha the Bear 171 Sack Barrow 165 Salt Garden 165 Samt 251 Sangre de Cristo 128 Saturday 185 Saved from the Flames 207 Scene Shifts, in Six Movements 42 Schwechater 215 Sea Series #10 126 Search, The 170 Secret Codes 149 Senta no meu, que eu entro na tua 239 Sentimental Animal 80 Serdca bumerang 99 Shadow Life 41 Shady Sailor, The 157 Shame 67 Shape of Error, A 90 Shapito-shou 64 Shattered 270 Shelter 170 Shifting Shores 1 252 Shifting Shores 2 253 Shock Head Soul 112 Short Circuit 150 Short Stories: Family Ties 151 Short Stories: Friend or Foe 152 Short Stories: Power and Politics 154 Short Stories: Surprising Mysteries 155 Short Stories: Womens Destiny 157 Short Syrian Documentaries 1 249 Short Syrian Documentaries 2 250 Short Syrian Documentaries 3 251 Siglo ng pagluluwal 91 Signal Lost and Found 158 Silence 251 Silence of Peleshian, The 217 Silence of Two Sounds 172 silenzio di Pelesjan, Il 217 Silncio de dois sons 172 Simple Life, A 97 Sin maysar fon tok ma proi proi 37 Sinitaivas - Matka muistojen maisemaan 197 Sit on Mine and I Will Enter Yours 239 Skoonheid 59 Small roads 88 Snow Canon 156 Snuff - Victims of Pleasure 236 Snuff - Vitmas do prazer 236 So Sorry 272 Sobota 185 Sodankyl Forever: The Century of Cinema 193 Sodankyl ikuisesti: Elokuvan vuosisata 193 Sonchidi 132 songe de poliphile, Le 143 Sound Bites 160 Sound of Life 138 Sound of Light, The 81 Soundtrackcity Rotterdam: Francisco Lpez 287 Soundtrackcity Rotterdam: Jeroen Stout 287 Soundtrackcity Rotterdam: Katarina Zdjelar & Maziar Afrassiabi 288 Soundtrackcity Rotterdam: Lee Patterson 287 Soundtrackcity Rotterdam: The City As Sound 288 Southwest 32 Space Is the Place 158 Space and Time: The Abstract Films of Bart Vegter 1 218 Space and Time: The Abstract Films of Bart Vegter 2 221 Space-Modulation 220 Speech Act 218 Splinters - A Century of an Artistic Family 193 Springtime 41 Sputnik Effect, The 288 Square Dance Hypnotist 139 Square Shape of Heaven 221 Standards 126, 177 Stateless Things 100 Still Life 67 Stillleben 67 Stone Bird 251 STORIES Only Exist When Remembered 69 Story of Mikko Niskanen, The 194 Story of Milk and Honey, The 252 Story of My Hair 105
331
Strange Ones, The 178 Street Called Triumph (1969-1970), A 233 Street Called Triumph (1970-1971), A 233 Strife of Love in a Dream, The 143 Structural Principles 164 Structuurverschillen van tijd en plaats 218 Sturm: Ahmonseto 257 Sturm: Fayoum 258 Sudoeste 32 Sumidaku Kyojima San-chome 131 Summer of Giacomo 53 Summertime 117 Suns Incubator, The 252 Sundays 176 Superimposed Sad 160 Sur la planche 61 Surface Noise 162 Survival Guide for Radioactive Village 168 Survival Guide untuk Kampong Radioaktif 168 Svartur leik 24 Swirl 65 ales and Two Cities 166 Tamino 173 Tampopo Head and the Name of the Dogs 140 Tao jie 97 Tape Generations 164 Taste Test 162 Tatsumi 100 Tempest: Poem on the Sea, The 212 tempestaire, Le 212 Temple, A 102 That Small Piece 61 They Were Here 250 Thicker Than Paint Thinner 130 Three Disappearances of Soad Hosni, The 262 Thursday Till Sunday 38 Tiger Awards Competition for Short Films 1 40 Tiger Awards Competition for Short Films 2 41 Tiger Awards Competition for Short Films 3 42 Tiger Awards Competition for Short Films 4 44 Tiger Awards Competition for Short Films 5 45 Tiger Awards Competition for Short Films 6 46 Tijd, De 221 Time of Roses, A 199 Tjelesna funkcija 166 To Die By Your Side 172 To La Cantbrica 56 Today I Felt no Fear 93 Tokyo Playboy Club 33 Totem 63 Traces 167 Traces of Other 129 Trait de bave et dternit 206 Transparent Evil 252 Trespass the Salt 255 Tributes - Pulse 211 Trip to the Moon, A 210 Tropical Path 236 Twenty Dollars 142 Twilight Portrait 70 Two 175 Two Cities and a Prison 249 Two Years at Sea 72 ltimate Pranx Case, The 48 ultimo terrestre, L 71 ltimos cristeros, Los 107 Under the Shadow of Marcus Mountain 136 Unfair World 118 Unfinished History of Life, The 268 Unsere Afrikareise 216 Unsichtbare, Die 115 Untitled/Tithed 185 usine de films amateurs, L 283
Vorbitor 87 voyage dans la lune, Le 210 voyage extraordinaire, Le 210 Vuosi 1939 195 Vuosi 1952 196 aiting for Snow in My Kampong 168 Walt Disney Square 139 War Is Over 167 Watashi no konseki 129 Waves, The 41 Waving Back 224 Wavumba 78 Way of Passion 89 Weekend 58 Wei chao 269 Well 163 Well Then There Now 148 When the Bough Breaks 269 When the Lights Went Out 95 Whirlpool, The 52 White Disease, The 45 Whose Eyes 277 Wild Swamp, The 152 Wind from the South, A 123 Womans Revenge, A 86 Women on the Edge 101 Woodcarver 163 WORMyWOOD 179 WORMyWOOD: Friday 27 179 WORMyWOOD: Friday 3 180 WORMyWOOD: Monday 30 179 WORMyWOOD: Saturday 28 179 WORMyWOOD: Sunday 29 179 WORMyWOOD: Thursday 2 180 WORMyWOOD: Tuesday 31 180 WORMyWOOD: Wednesday 1 180 Wuthering Heights 85
Year 1939, The 195 Year 1952, The 196 Yo de aqu te estoy mirando 155 You yi zhong jing jiao zhuang yan 271 Zabad 249 Zamach 133 Zhit 36 Zima 124 Zwerk 223
Valley of Saints 77
Vampire of the Cinematheque, The 235 vampiro da cinemateca, O 235 Verano 117 Vereda tropical 236 Very Nice, Very Nice 161 Vexed 150 vie meilleure, Une 98 Viento sur 123 Viimeinen kes 1944 196 Village, Silenced 226 Villatalla 127 vingana de uma mulher, A 86 Visiting Room 87 Voice of My Father 25
332
333
BrighT FuTure pc
BF
Vers bloed. Eerste of tweede film van filmmakers waarvan het festival in de toekomst nog veel goeds verwacht.
334
24:00
21:00
BF
75
09:00
specTrum hh
Path 1
Rotterdam op zijn breedst. Het festival selecteerde actueel, krachtig en vernieuwend werk uit alle windstreken, van veteranen tot minder bekende regisseurs.
10:00
11:00
12:00
13:00
14:00
15:00
sp
16:00
Het dagelijkse bombardement van beelden van de volksrevoluties in het Midden-Oosten wekt de suggestie dat de Arabische Lente een vlam in de pan was. Power Cut Middle East onderzoekt wat die beelden nu preces zeggen en laat, aan de hand van eerder werk van filmmakers, zien dat de revolte al tijden in de lucht hing. 17:00 18:00 19:00 20:00 21:00 22:00 23:00
specTrum shorTs
sh
Public Screenings Wednesday 25 January De kracht van kort: films van n tot 59 minuten lang, uit alle windstreken. Ze worden als bij lange films vertoond, of gebundeld in compilation prog.s. 09:00 voorfilm 10:00 11:00 12:00 13:00 14:00 15:00 Public Screenings Thursday 26 January
21:00
Speelfilms en documentaires uit China die een beeld schetsen van de Chinese realiteit dat haaks staat op dat uit de partijpropaganda, met onderwerpen als armoede, corruptie, ontworteling en wanbestuur. Naast films bevat Hidden Histories ook een bijzondere ontmoetingsplek: het Ai Weiwei Caf.18:00 17:00 19:00 20:00 21:00 22:00 23:00
24:00 24:00
810
14:00
15:00
pB
16:00
Oude Luxor
10:00
VPRO Previewdag
Fr23:00
Geen films, maar het echte leven. Met een scala aan activiteiten en evenementen wordt de alledaagse realiteit tot filmische ervaring getransformeerd.
Path 1
18:30
BF
76
Dankzij het oeuvre van Peter von Bagh (filmmaker, festivaldirecteur en wandelende filmencyclopedie) kunt u binnen n festival Finland-kenner worden. Zijn documentaires hebben 10:00 VPRO Previewdag cinema en de woelige Finse geschiedenis als onderwerp. Het retrospectief wordt aangevuld met bijzondere historische speelfilms uit Finland.
810
10:00
10:00
Future Lasts Forever zcan Alper
11:00
12:00
13:00
14:00
15:00
16:00
21:30
19:00
20:00
21:00
BF
108
BF
22:00
77
23:00
22:15 HISTRIAS que s
24:00
existem quando lembradas
BF
10:00
VPRO Previewdag
Julia Murat
810
98
4 Path 1
18:30 18:30
BF
76 480
10:00 10:00
5 Path 2
RG
10:00
BF
105
21:30 21:30
BF
77
SP
110
Path 6 3
70
for Utopia
75
BF que s 22:15 HISTRIAS Matire grise BF Kivu Ruhorahoza existem quando lembradas
108
Julia Murat
104
98
7 Path 4
Stateless Things Kim Kyung-Mook
18:30
10:00
VPRO Previewdag
15:30
BF
21:30
BF
99 810
17:00
10:00
11:00
12:00
13:00
14:00
15:00
16:00
19:00
20:00 105
21:00
for Utopia
SP
22:00
Andrs Duque
18:30
120 75
23:00 110
21:15 Matire grise When the Bough Breaks 21:00 BF King Curling HH Ji Dan Kivu Ruhorahoza Ole Endresen
BF Les gants Bouli Lanners
123
24:00
BF
144 75 104
Cinerama 4 Path 6 1
95
da cinemateca 17:00 O vampiro MG 16:15 Lyrische data 18:15 Dress Rehearsal RG BF 19:45
Cinerama 5 Path 7
15:30
O insigne ficante Tributes Pulse Bill Morrison Jairo Ferreira 70 17:00 BF The Hunter The Invader Bakur Bakuradze Nicolas Provost
MG
109
15:30
Anna
17:00
SP
15:30
17:00 BF The Hunter The Invader Alberto Grifi / Massimo Sarchielli Kim Kyung-Mook Bakur Bakuradze Nicolas Provost
BF Les gants Bouli Lanners 225 115 MG 19:15 RG
122
MG
15:30
10:00
20:15 Short Circuit tropical 19:45 Vereda
SH MG 21:45
75 111
11:00
Bakur Bakuradze O insigne Michaelficante Palm 17:00 18:00 Jairo Ferreira
20:00 20:00 Mondomanila 20:15 tropical Short Circuit 19:45 Vereda Competition for
SH MG
95 123 120
12:00 19:00
Tiger Awards
TS SP BF 19:45 When the Totem Bough Breaks compilation prog. O despertar da besta Jessica Krummacher Ji Dan Jos Mojica Marins 86
13:00 20:00
22:30 George Kuchar: 22:15 Full of 22:15 Lifes Wrap Party SH Snuff: Vitmas do
14:00 21:00
prazer
MG
79 109
15:00
22:15 Full of SH 22:15 Lifes Snuff: Vitmas do prazer BF Hail HH Wonders Cludio Francisco Cunha Amiel Courtin-Wilson compilation prog. 69
Anna O insigne ficante Alberto Grifi / Massimo Sarchielli Kim Kyung-Mook 16:00 17:00 18:00 Jairo Ferreira
19:45 Vereda tropical 22:15 Snuff: Vitmas do prazer MGSkoonheid 21:30 SP BF Khavn De da La Cruz Ivn Fund O despertar besta 75 Oliver Hermanus Cludio Francisco Cunha 122 Jos 111 84Mojica Marins 99 21:45 Hail BF BF 19:45 When the Bough Totem HH Breaks RG 19:45 20:00 Mondomanila SP Amiel Courtin-Wilson Hoy no tuve miedo SP Jessica Krummacher Ji Dan Khavn De La Cruz Ivn Fund 19:00 20:00 86 21:00 22:00 23:00 104 120 144
10:00
15:00
SH
Definition BF BF 17:00 17:15 Low Hunter O vampiro da cinemateca 17:00 The Control Malfunctions #0 MG 19:15
09:00
RG
10:00
17:15 Waving Back 17:15 Ordinary
11:00
Michael Palm
80
12:00
Stories: BF SH RG 19:15 19:30 Short 18:30 BF 20:00 20:00 Tiger Awards SH Wavumba Totem
13:00
Khavn De da La 1 Cruz compilation prog. Short Films O despertar besta Jos Mojica Marins
7580
14:00
Wonders compilation prog. Cludio Francisco Cunha
69 810 810
10:00 10:00
15:00
85
Ordinary Definition BF SH 17:00 17:15 Surprising Mysteries Madness The Low Hunter Alberto Grifi / Massimo Sarchielli Control Malfunctions #0 compilation Bakur Bakuradze compilation prog. prog. compilation prog. 85 80
85
85
10:00 10:00
14:45 Waiting for Snow in SH 14:45 Short Stories: 15:30 Anna SH My Kampong
10:00
22:00 On the Move SH BF 21:30 21:45 Hail 22:30 George BF Stilleben TS RG SP Power and Politics Mondomanila compilation prog. Kuchar: Jessica Krummacher Amiel Courtin-Wilson Jeroen van Velzen Sebastian Meise Competition for Wrap Party Surprising Mysteries Alberto Grifi /89 Massimo Sarchielli Madness 480 Khavn compilation prog. compilation prog.De La Cruz 79 86 74 86 76 77 Short Films 1 compilation prog. 104 compilation prog. compilation prog. 85 80 79 225 7580 810 17:00 17:15 19:30 Trait de 22:00 22:15 Cinematic RG SH SH 15:00 Homelandsssss 20:15 NL International bave et dternit Short Circuit Lifes Full of Low Definition SH BF SH SH 19:30 Future HISTRIAS que BF BF 14:45 Waiting for Snow in SH 17:15 Waving Back 22:00 22:15 Lasts Forever the Move Short Stories: RG SH s 19:15 19:30 BF SH prog. 21:30 21:45 BF Tributes toBF Musicians 18:30 Totem HailOn compilation prog. Isidore Isou BF Wonders Control Malfunctions #0 Wavumba Stilleben compilation compilation prog. existem quando lembradas zcan Alper My Kampong Power and Politics compilation prog. compilation prog.
SH
120 108 75
compilation prog.
89
85
VPRO Previewdag
compilation prog. Control Malfunctions #0 compilation prog. 80
86
76
86 77
86
120 108 75
compilation prog. compilation prog.prog. Amiel Courtin-Wilson compilation Sebastian Meise Julia Murat
72 69 74 104
98
22:30 George Kuchar: 22:00 22:15 Cinematic SH SH Lifes Full of 22:15 HISTRIAS que s Wrap Party
RG
85
85
Tiger Awards TS RG 20:15 Trait bave et dternit Short Circuit BF SH Competition for Futurede Lasts Forever Isidore Isou compilation Short Films 1 prog. zcan Alper 80
21:30
98
10:00
09:00
for Utopia
86 86 Duque Andrs 79
10:00
compilation prog. 105
11:00
12:00
13:00
14:00
compilation prog.
15:00
compilation prog. Tributes Pulse Press & Industry Screenings Wednesday 25 January Bill Morrison
My Kampong
SH
16:00
89 85
19:30 Short Stories: SH BF Portrait 20:00 Tiger Awards Politics Angelina Nikonova Power and Competition for
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10:00
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compilation prog.
15:30 15:00
89
19:00 20:00et dternit 21:00 22:00 23:00 Cinematic 21:15 RG BF SH Matire22:00 grise 22:00 On the Move SH SH 21:30 SP Tributes to Musicians Flowers Isidore Kivu 11 Ruhorahoza PowerIsou and Politics compilation compilation prog. prog. 104 72 Angelina Nikonova 75 Wang Xiaoshuai 120
Short Films 1
22:00 On the Move SH SP 11 Flowers 22:30 George Kuchar: compilation prog. Wang Xiaoshuai Wrap Party
RG
compilation prog.
74 110
810
79
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MG SP
120 115
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18:30 Les gants 21:30 Skoonheid 16:00 18:00 19:00 Trait 21:00 22:00 23:00 SP BF BF 17:00 The Invader 17:00 22:00 Cinematic 16:15 Lyrische data 18:15 SH 21:15 RG NLRG International de20:00 bave et dternit Dress Rehearsal 19:30 BF SH Matire grise Nicolas ProvostTributes Pulse Bouli Lanners BF Isidore Isou Oliver Hermanus Tributes to Musicians compilation prog. for Utopia Kivu Ruhorahoza 95 84 compilation prog. 104 99 86 120 72 Andrs Duque Bill Morrison 70 75 17:00 Stateless Things 19:45 Hoy no tuve miedo SP SP 18:30 Les gants 21:30 Skoonheid SP BF BF The Invader Kim Kyung-Mook Ivn Fund Nicolas Provost Bouli Lanners Oliver Hermanus 115 122 19:45 19:45
99
Cinerama 1 4 Cinerama
17:00
BF MG BF
123 120 113
When the Bough Breaks Hoy no tuve miedo Ji Dan Ivn Fund
SP
HH
144
09:00
O insigne ficante Kobayashi Keiichi Jairo Ferreira
BF
BF
123 225
10:00
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11:00 19:00
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122
11:30
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SP
17:00 The Hunter 17:00 O vampiro da cinemateca 17:00 Bakur Bakuradze About the Pink Sky
MG
111
HH
22:15
22:00 21:00
Snuff: Vitmas do prazer Cludio Francisco Cunha Breaks O despertar da besta Ji Dan Jos Mojica Marins
MG
23:00
MG
24:00 22:00
144 109
Press & IndustryVerano Screenings Thursday 26 January Ace Attorney Jos Luis Torres Leiva Miike Takashi
Kobayashi Keiichi
RG
105
10:00
19:15 113
11:00
12:00
93 13:00
14:00
15:00 15:30
135
23:00
Khavn De da La Cruz O despertar besta Jos Mojica Marins
75
10:30
11:30
TG
SP
13:30
SP
17:00 18:00 Anna 16:00 17:00 The Hunter 16:15/ Massimo TG A Fish 17:00 Alberto Grifi Sarchielli SP Park Hong-Min Bakur Bakuradze About the Pink Sky
MG
111
24:00
21:45
109
BF
11:30
93
Cornelia frente 14:00 Ace Attorney al espejo Miike Takashi Daniel Rosenfeld
100
BF
15:30
135
Andrs Duque
Lestate di TG Giacomo
13:30
Alessandro Comodin
SP BF
11:30
11:45
100
78
SP
16:00 Totem Anna BF 16:15/ Massimo AKrummacher Fish Sarchielli Alberto Grifi Jessica
BF
104
BF
Daniel Rosenfeld
14:00
21:45
75
Andrs Duque
75
81
SH BF
69 104
Alessandro Comodin
78
80
225 Park Hong-Min 86 15:00 Homelandsssss 17:15 Low Definition 20:15 Short Circuit 100 105 BF SH 19:15 Totem BF 16:30 The Whirlpool 18:30 Grandma 20:00 Lanabase BF BF Malfunctions BF BF Sentimental Animal Control #0 compilation prog. compilation prog. 16:00 Totem BF Jessica Krummacher Lo-fi 95 Wu Quan Eric Baudelaire Michael Palm 85 Alvin Case Jessica Krummacher 86 various directors 118 74 62 66
Cinerama 5 de Doelen Cinerama 4 Jurriaanse Zaal 09:00 Cinerama 6 Cinerama 5 3 de Path Doelen Jurriaanse Zaal 09:30 LantarenVenster 1 Cinerama 6 Path Path 5 3 09:30 LantarenVenster 1 2 09:30 LantarenVenster Cinerama 3 Path 5 09:30 LantarenVenster 2 3 LantarenVenster Cinerama 3
Michael Palm
Le reste du monde
Madness
SP
11:45
BF
14:00
Surprising Mysteries
SH
BF Madness 16:30 The Whirlpool 18:30 Grandma BF Malfunctions Control #0 compilation prog. 85 80
335
85 Alvin Case
Lo-fi 95
20:00 Tiger Awards TS 20:15 Short Circuit SH Competition for 20:00 Lanabase BF compilation prog.
Eric Baudelaire
Short Films 1
RG
75
compilation prog.
TS
79 80
69
79
Damien Odoul
81
80
compilation prog.
compilation prog.
Competition for compilation prog. Short Films 1
86 80
LantarenVenster LantarenVenster 5 3
compilation prog.
89 85
Wrap Party
RG
LantarenVenster 6
SH
17:00
compilation prog.
SH RG
compilation prog.
19:30 Trait de bave 19:30 Short Stories:
74
79
compilation prog.
Isidore Isou
et dternit SH
RG
BrighT FuTure
BF
Vers bloed. Eerste of tweede film van filmmakers waarvan het festival in de toekomst nog veel goeds verwacht.
pc
336
SP SP
99 99
09:00
19:30 Big Talk Talk 19:30 Big
SP SP
12:00
Le Havre Aki Kaurismki
13:00
14:00
15:00
sp
21:00
113 113
16:00
Une vie meilleure Cdric Kahn
Rotterdam op zijn breedst. Het festival selecteerde actueel, krachtig en vernieuwend werk uit Screenings Friday 27 January Oude Luxor Public alle windstreken, van veteranen tot minder bekende regisseurs.
Het dagelijkse bombardement van beelden van de volksrevoluties in het Midden-Oosten wekt de suggestie dat de Arabische Lente een vlam in de pan was. Power Cut Middle East onderzoekt wat die beelden nu preces zeggen en laat, aan de hand van eerder werk van filmmakers, zien 17:00 18:00 19:00 20:00 21:00 22:00 23:00 dat de revolte al tijden in de lucht hing.
09:00
10:00
11:00
12:00
13:00
14:00
15:00
16:00
hh
specTrum shorTs
sh
de Doelen Jurriaanse Zaal Oude Luxor Schouwburg Grote Zaal de Doelen Jurriaanse Zaal Path 1 Path 1 Schouwburg Schouwburg Grote Zaal Grote Zaal Path 2 2 Path
pB
Fr
9:30 9:30
23:00 24:00 BF Kill BF Kill List List Ben Ben Wheatley Wheatley Talk 16:00 Dimanches 19:30 22:00 Dimanches Big Talk SP SP SP 16:00 19:30 22:00 Speelfilms en documentaires uit China dieBig een beeld schetsen van de realiteit dat Une meilleure 94 SP SP Chinese SP Une vie vie meilleure 94 Les gants Le Havre Cdric Kahn Les gants Le Havre Cdric Kahn na Boca 14:00 16:45 19:15 Festa Festa na Boca SP SP MG Demain? 14:00 Hoy 16:45 haaks 19:15 Aki Kaurismki staat op de partijpropaganda, met onderwerpen corruptie, ontwor99dat uit 113 110 SP Bouli SP MG als armoede, Hoy no no tuve tuve miedo miedo Demain? Bouli Lanners Lanners Aki Kaurismki 99 113 110 A opo Ivn Fund Christine Laurent A opo Ivn Fund Ze worden als Christine Laurent De kracht van kort: films van n tot 59 minuten lang, uit alle windstreken. 22:30 Ozualdo Ribeiro Candeias BF teling en wanbestuur. Naast films bevat Hidden Histories bijzondere ontmoetingsplek: 122 95 99 22:30 Kill Ozualdo Ribeiro Candeias ook een BF 122 95 99 Kill List List Ben voorfilm films of Ben Wheatley Wheatley het Ai Weiwei Caf. 10:15 bij 15:45 Ace Attorney 19:00 22:00 voorfilm bij lange films vertoond, vertoond, SP of gebundeld gebundeld in in compilation compilation prog.s. prog.s. SP RG SP 11 lange Flowers Miss Bala Bala 10:15 15:45 19:00 Hugo 22:00 Miss SP SP RG SP 94 11 Flowers Ace Attorney het Ai Weiwei Caf. Hugo 94 Wang Xiaoshuai Miike Takashi Martin Scorsese Gerardo Naranjo Gonzalez Wang Xiaoshuai Miike Takashi Martin Scorsese Gerardo Naranjo Gonzalez Festa na Boca 14:00 16:45 19:15 110 135 126 113 SP SP MG Demain? 14:00 Hoy 16:45 Demain? 19:15 Festa na Boca 110 135 126 113 SP SP MG Hoy no no tuve tuve miedo miedo A opo SP Ivn Fund Laurent Whose Eyes Eyes opo 12:30 15:30 Now, Forager: A Film Christine 18:30 A Dangerous A 21:30 Whose Ivn Fund Christine Laurent Method BF HH Bachelor Mountain Mountain HH 12:30 Bachelor 15:30 18:30 21:30 Now, Forager: A Film BF A Dangerous Ozualdo MethodRibeiro HH SP HH Candeias 122 95 99 Ozualdo Ribeiro Candeias About 122 & 95 David Cronenberg 99 Shattered Yu Guangyi Guangyi About Love Love & Fungi Fungi Shattered David Cronenberg Yu Jason Cortlund / Xu Tong Tong 95 93 115 10:15 11 Flowers 15:45 19:00 22:00 JasonAce Cortlund / Julia Julia Halperin Halperin 93 Xu SP RG SP 95 93 93 Attorney Hugo Miss Bala 10:15 15:45 19:00 Hugo 22:00 Miss SP het echte leven. RG SP SP 11oeuvre Flowers Attorney Bala Dankzij van (filmmaker, festivaldirecteur filmenGeen films, maar maar Met een scala aan aan activiteiten en evenementen wordt de Gonzalez 115 SP Dankzij het het oeuvre van Peter Peter von von Bagh Bagh (filmmaker, 13:15 festivaldirecteur en en wandelende wandelende filmen- Ace Geen films, een scala activiteiten wordt de My Big-Assed Mother Wang Xiaoshuai Miike Takashi Martin Scorsese Gerardo Naranjo 16:15 19:15 22:15 BF BF het echte leven. Met BF en evenementen BF My Big-Assed Mother Skoonheid Twilight Portrait Wang Xiaoshuai Miike Takashi Martin Scorsese Gerardo Naranjo Gonzalez 13:15 Totem 16:15 19:15 22:15 BF BF BF BF Totem Zijn documentaires Skoonheid Twilight Portrait 110 135 126 113 cyclopedie) kunt u binnen n festival Finland-kenner worden. hebben Black & White & Sex alledaagse realiteit tot filmische ervaring getransformeerd. Jessica Krummacher Oliver Hermanus Angelina Nikonova 110 135 126 113 cyclopedie) kunt u binnen n festival Finland-kenner worden. Zijn documentaires hebben Black & White & Sex alledaagse realiteit tot filmische ervaring getransformeerd. Jessica Krummacher Oliver Hermanus Angelina Nikonova John Winter 86 99 104 105 Eyes 12:30 15:30 Now, 18:30 John Winter 86 aangevuld 99 104 21:30 Whose 105 Forager: A Film A Dangerous Method BF SP HH HH Bachelor Mountain Whose Eyes cinema en de woelige Finse geschiedenis als onderwerp. Het retrospectief wordt met 12:30 15:30 18:30 21:30 Now, Forager: A Film A Dangerous Method BF SP HH HH Bachelor Mountain cinema en de woelige Finse geschiedenis als onderwerp. Het retrospectief wordt aangevuld met Love & About Fungi 13:30 16:30 19:30 A Fish 22:30 HISTRIAS que Shattered David Cronenberg Yu Guangyi The Day He Cornelia frente al espejo SP SP TG BF About Love & Fungi 13:30 16:30 19:30 22:30 Shattered David Cronenberg A Fish HISTRIAS que Yu Guangyi The Day He Cornelia frente al espejo SP SP TG BF bijzondere historische speelfilms uit Finland. Jason Cortlund / Julia Halperin s existem quando Xu Tong Arrives 95 93 93 115 Daniel Rosenfeld Park Hong-Min bijzondere historische speelfilms uit Finland. Jason Cortlund / JuliaDaniel Halperin s existem quando Xu Tong Arrives 95 93 93 115 Rosenfeld Park Hong-Min lembradas Julia Murat Hong Sang-Soo 79 104 105 98 lembradas Julia Murat BF Hong Sang-Soo Big-Assed Mother 79 104 105 98 13:15 Totem 16:15 Skoonheid 19:15 My 22:15 Twilight BF BF BF 13:15 Totem 16:15 Skoonheid 19:15 My Big-Assed Mother 22:15 Twilight Portrait BF BF BF Portrait SP BF 15:45 18:45 21:45 BF SP & & du Things Jessica Oliver Hermanus Angelina Nikonova 15:45 Lestate 18:45 Le 21:45 Stateless Lestate di di BF SP Black & White White & Sex Sex Le reste reste Black du Winter Stateless Things Jessica Krummacher Krummacher Angelina Nikonova SP GiacomoOliver Hermanus monde John Kim Kyung-Mook 86 99 104 105 Giacomo mondeOdoul John Winter Kim Kyung-Mook 86 99 104 105 Alessandro Comodin Damien 78 81 115 Alessandro Comodin Damien Odoul 78 81 115 13:30 The Day He 16:30 19:30 A Fish 22:30 HISTRIAS que frente SP TG BF SP 13:30 The Day He 16:30 Cornelia 19:30 A Fish 22:30 HISTRIAS que Cornelia frente al al espejo espejo 18:15 SP Sacha lours TG Standards BF SP 9:45 Wavumba 15:30 21:15 BF BF BF Hong-Min BF s existem quando Piece Arrives Daniel Rosenfeld Park 9:45 Wavumba 15:30 That 18:15 Sacha lours 21:15 Standards BF BF BF Hong-Min BF s existem quando That Small Small Piece Arrives Daniel Rosenfeld Par exemple, Electre Park Grandma Lo-fi lembradas Julia Murat Jeroen van van Velzen Velzen JOSEph Hong 79 104 105 98 Par exemple, Electre Grandma Lo-fi Julia Murat lembradas Jeroen JOSEph S S KEN KEN Hong Sang-Soo Sang-Soo 79 104 105 98 Jeanne Balibar / Pierre Lon 91 76 90 79 various directors Jeanne Balibar / Pierre Lon 91 76 90 79 various directors 15:45 Lestate di 18:45 Le reste du 21:45 SP SP BF Stateless Things Things 18:45 Le reste du 21:45 BF 12:30 Future Lasts Forever 15:30 15:45 Lestate di 20:00 22:45 Boxing in the SP SP BF Stateless BF BF TG SP Stilleben Boxing in the Islands 12:30 Future Lasts Forever 15:30 Clip 20:00 Lena 22:45 Philippine monde Kim Kyung-Mook BF BF TG BF SP Stilleben Clip Giacomo Lena Philippine Islands Giacomo monde Kim Kyung-Mook Sebastian Meise zcan Alper Maja Milos Christophe Van Rompaey Buenas noches, Espaa Alessandro Comodin Damien Odoul 78 81 115 Sebastian Meise zcan Alper MajaAlessandro Milos Christophe Van Rompaey Buenas noches, Espaa Comodin 77 108 119 76 Damien Odoul 78 100 81 115 Raya Martin
Black Dove Black Dove Roh Gyeong-Tae
Jeanne Balibar / Pierre Lon 120 Jeanne Balibar / Pierre Lon 120
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Lena A Temple Lena A Temple Christophe Van Rompaey Umesh Vinayak Kulkarni Christophe Van Rompaey Umesh Vinayak Kulkarni
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Philippine Islands Buenas noches, Espaa Buenas noches, Espaa Raya Martin
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SP Verano A Temple Verano A Temple Jos Luis Torres Leiva Umesh Vinayak Kulkarni SP Jos Luis Torres Leiva Umesh Vinayak Kulkarni 20:00 21:00
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Ai Weiwei 17:30 Puzzled The Hunter SH compila17:30 17:30 Puzzled Theprog. Hunter compilation BakuradzeSH 17:30 Bakur The Hunter compila66 66 66
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Wu Quan Khavn De La Cruz Mondomanila Wu Quan Khavn De La Cruz Public Screenings Thursday Khavn De La Cruz 26 January Public Screenings Thursday 26 January Public 10:00 Screenings Thursday 26 January 11:00 12:00 13:00 14:00 15:00
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compilation Ji Dan prog. SH Short Stories: Short Awards Stories: Friend or Foe Tiger TS SH
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Confidencial 17:00 Bakur 18:00 tion prog. compilation prog. 16:00 Bakuradze Carlos Reichenbach 120 Confidencial tion prog. compilation prog. Bakur Bakuradze 15:00 16:00 17:00 18:00 Tiger Awards TS Carlos Reichenbach 120 17:15 Out and About Africa 15:00 16:00 17:00 18:00 Carlos Reichenbach 16:45 120 Tiger Awards SH TS Competition BF for Out and About The17:15 Whirlpool compilation prog. Africa Tiger Awards TS Out and About 16:45 The17:15 Competition for Short Films BF 1 Whirlpool compilation prog. Africa SH 100 Alvin Case 16:45 The Whirlpool Competition BF for compilation prog. 100 Alvin CaseShort Films 1 74
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Isaki Lacuesta for Short Films 20:15 22:15 87 Bitter Sweet2 and 71 SH 87 20:15 20:30 22:15 Bitter Sweet the and Bough SH Golden When Breaks 20:15 20:30 22:15 Bitter Sweet the and Bough SH Golden When compilation Ji Dan prog. 73 Breaks 20:30 Golden When the Bough Breaks
barro Isaki Lacuesta Kivu Ruhorahoza 87 El cuaderno de 104 barro Isaki Lacuesta 104 Nothing Without a SH barro Isaki Lacuesta HH Nothing Without SH Woman or a Girl a Nothing Without SH HH Woman or a Girl a compilation HH Woman or prog. a Girl compilation prog.
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compilation prog. 22:30 22:00 144 23:00 Homelandsssss 22:00 144 23:00 22:30 BF Homelandsssss Matire grise compilation prog. 22:30 Homelandsssss BF Matire grise compilation prog. Kivu Ruhorahoza BF Matire grise compilation prog. Kivu Ruhorahoza 104 810 Kivu Short Ruhorahoza Stories: SH 104 810
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14:45 Helsinki, PB 14:45 15:00 Helsinki, Forever PB Echoes from the SH 14:45 Helsinki, PB Forever 15:00 Peter von Bagh Echoes from the 74 Past SH Forever 15:00 Echoes from the 74 SH Peter Past von Bagh
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89 89 89 76 Future Lasts Forever Future Lasts zcan Alper Future Lasts Forever Forever zcan zcan Alper Alper
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Public Public Screenings Screenings Saturday Saturday 28 28 January January Peter von Bagh 09:00 10:00 11:00 12:00 14:00 15:00 Its Immaterial 13:00
compilation prog. compilation prog. Julia Murat
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Structural 20:00 SH Principles Structural 20:00 SH SH Structural 20:00 19:15 Principles compilation prog. Principles Big Talk 19:15 Attorney compilation Big Talk 19:15 Ace compilation prog. prog. Miike Takashi
98 compilation prog. Julia Murat 22:15 98 RG 85 22:15 REVERBERATIONS RG 22:15 RG 22:30 compilation prog. Miss Bala 67 810 REVERBERATIONS REVERBERATIONS 22:30 Gerardo Naranjo67 Gonzalez compilation prog. Miss Bala 22:30
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LantarenVenster 5 Path 3 LantarenVenster 5 Path LantarenVenster 5 Path 3 3 LantarenVenster 6 Path 4 LantarenVenster 6 Path 4 LantarenVenster 6 Path 4 Oude Path Luxor 4 Oude Path Luxor 4 Oude Path Luxor 4 Path 5 de Path Doelen 5 Path 5 de Jurriaanse Zaal de Doelen Doelen Jurriaanse Zaal Jurriaanse Zaal Path 6 Schouwburg Path 6 Path 6 Schouwburg Grote Zaal Schouwburg Grote Zaal Grote Zaal Oude Luxor 4 Path 7 Oude Path Luxor 4 7 Path 1 1 de Path Doelen Cinerama 1 de Path Doelen Jurriaanse Zaal 2 Cinerama 1 Jurriaanse Zaal de Path Doelen 2 Schouwburg Jurriaanse Zaal Cinerama 4 Schouwburg de Path Doelen Grote Zaal 3 4 de Path Doelen Grote Zaal WillemCinerama Burgerzaal 3 WillemCinerama Burgerzaal Path 1 5 Path 4 5 Path 1 Cinerama 5 Path Path 4 5 Path 2 Cinerama 6 Path 5 Cinerama Path Cinerama 6 Path 2 5 Cinerama 2 Path 3 LantarenVenster 1 Path 6 Cinerama 3 Path LantarenVenster 1 Path 3 6 Cinerama 3 Path LantarenVenster 2 Path 4 7 LantarenVenster 2 Path LantarenVenster 2 Path 4 7 LantarenVenster 2 Path 5 Cinerama 1 LantarenVenster 3 LantarenVenster 5 Path 5 Cinerama 1 LantarenVenster 3 LantarenVenster 5 Cinerama 2 Path 6 LantarenVenster 6 5 LantarenVenster Cinerama 2 Path 6 LantarenVenster 5 LantarenVenster 6 Cinerama 3 Path 7 LantarenVenster 6 Cinerama 3 Path 7 LantarenVenster 6
SP SP compilation prog. Miss Bala 155 113 SP 11 Flowers Gerardo Gerardo Naranjo Naranjo Gonzalez Gonzalez 155 113 SP Wang Xiaoshuai 11 155 113 SP 11 Flowers Flowers SP 110 Wang Xiaoshuai Wang Xiaoshuai SP SP 110 105 110 120 16:15 Lyrische data 18:15 Dress Rehearsal BF 21:15 Matire grise RG BF Roh Roh Gyeong-Tae Gyeong-Tae Lyrische data 120 for Utopia 16:15 18:15 21:15 Tributes Pulse Dress Rehearsal Rehearsal Kivu Ruhorahoza RG BF BF Lyrische Matire grise 120 16:15 18:15 21:15 14:15 16:45data 19:15 22:00 Dress O despertar da besta MG The Day He BF RG BF SP BF SP Matire grise Lo-fi The Blindfold Lena 09:00 10:00 11:00 11:45 Grandma 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 24:00 Andrs Duque 19:15 Bill Morrison 70 75 104 for Utopia Utopia Tributes Pulse Pulse Kivu Ruhorahoza Ruhorahoza Arrives for 11:45 various 14:15 16:45 Garin 22:00 The Tributes Jos Mojica Marins Nugroho Christophe Van20:00 Rompaey directors Kivu O da besta Day SP BF SP Grandma Lo-fi The Lena 09:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 21:00 22:00 23:00 24:00 14:15 16:45 19:15 22:00 O despertar despertar da besta MG The Day He He MG SP BF SP Grandma Lo-fi The Blindfold Blindfold Lena 09:00 10:00 11:00 11:45 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 24:00 Andrs Duque 19:15 Bill Morrison Morrison 70 75 104 Big Talk Hong Sang-Soo 79 93 102 Duque 119 79 Andrs 16:45 Valley 22:30 Bill Arrives 70 75 104 Jos 18:30 21:30 BF SP SP Garin Christophe various directors directors of Saints Miss Bala Arrives SP Van BF BF Nugroho Les gants Skoonheid Jos Mojica Mojica Marins Marins 15:30 The Invader Garin Nugroho Christophe Van Rompaey Rompaey various Big Talk Hong Sang-Soo 79 93 102 119 79 16:45 Musa 19:15 Ace 22:30 Attorney Gerardo Naranjo Gonzalez SP 15:30 18:30 102 21:30 Big Talk Hong Sang-Soo BF SP Hermanus SP 79 93 Provost 119 BF 79 Valley of Saints Saints Miss Bala 10:15 Future Lasts Forever 13:00 A 20:00 Abrir puertas y Nicolas Bouli Lanners Oliver 19:15 22:30 SP BF BF Syeed Dangerous Method SP The16:00 Invader Les gants gants Skoonheid 15:30 The 18:30 21:30 BF BF BF SP SP Lultimo16:45 terrestre Unfair World Valley of Miss Bala SP BF BF Invader Les Skoonheid Miike Takashi 82 155 113 Ace Attorney Attorney 95 84 ventanas 99 Musa Syeed Gerardo Naranjo Gonzalez David Cronenberg 10:15 13:00 A 16:00 20:00 22:30 Gerardo Ace Nicolas Provost Bouli Lanners Oliver Hermanus zcan Alper Gianni Pacinotti Filippos Tsitos Musa Syeed Naranjo Gonzalez Dangerous Method Abrir puertas y SP BF BF SP BF Lasts Forever Lultimo terrestre Unfair World 10:15 Future 13:00 16:00 20:00 22:30 Nicolas Provost Bouli Lanners Oliver Hermanus A Dangerous Method Abrir puertas y SP BF SP BF 12:00 Future Lasts11:00 Forever Lultimo terrestre 09:00 10:00 13:00 14:00 15:00 16:00Pacinotti 17:00 18:00 19:00 20:00 21:00BF 98 SP 23:00 24:00 Miike Takashi 82 155 22:00 Unfair World 113 Mumenthaler 108 93 96 107 95 84 Milagros 99 Miike Takashi 82 155 113 ventanas David 20:00 95 84 99 zcan Gianni Pacinotti Filippos Tsitos Tsitos ventanas 17:00 Stateless 19:45 David Cronenberg Cronenberg Black Dove SP zcan Alper Alper 11:00 Gianni Filippos Things18:00 Hoy no tuve miedo 21:00 SP 09:00 10:00 12:00 13:00 14:00 15:00 16:00 17:00 19:00 20:00 22:00 23:00 24:00 Milagros Mumenthaler 108 93 96 98 107 Milagros Mumenthaler 20:00 108 12:30 Duch, le matre des 14:00 SP 93 96 98 SP 107 9:30 A Fish 18:30 The 21:30 Splinters Roh Gyeong-Tae 17:00 Stateless 19:45 16:15 Tokyo Great BF Playboy BF PB TG Kim Kyung-Mook Ivn Fund Black Dove SP SP TG 17:00 19:45 20:00 Things Hoy no tuve miedo Rua Aperana 52 SP15:30 Papirosen Club Black Dove SP SP SP Stateless Things Hoy no tuve miedo 120 forgesle de lenfer Northwest 115 122 9:30 A 12:30 Duch, 15:30 18:30 21:30 Park Hong-Min Gastn Solnicki Peter von Bagh Roh Gyeong-Tae 14:00 16:15 matre des The Great SP BF BF PB TG Jlio Bressane Okuda Yosuke Kim Kyung-Mook Ivn Fund 9:30 12:30 15:30 18:30 21:30 Fish Papirosen Splinters Roh Gyeong-Tae SP TG 16:15 Tokyo Duch, le matre des 14:00 SP The Great Rua Aperana Tokyo Playboy Club BF Playboy BF PB TG Kim Kyung-Mook Ivn Fund A Fish Splinters TG Rua Aperana 52 52 SP 80 Papirosen Club Rithy Panh Matt McCormick 105 103 74 70 74 120 forges de Northwest 97 115 122 120 Park Gastn Solnicki Peter von Bagh forges de lenfer lenfer Northwest 11:45 Grandma Lo-fi 14:15 16:45 19:15 Lena 22:00 O vampiro da cinemateca 122 Jlio Bressane Okuda Yosuke O despertar da besta The Day He 17:00 19:45 When the Bough Breaks Park Hong-Min Hong-Min Gastn Solnicki Peter von Bagh MG SP BF SP The Blindfold Jlio Bressane Okuda Yosuke MG115 HH Rithy Matt 105 103 74 70 74 Rithy Panh Panh Matt McCormick McCormick 80 97 105 11:45 103 74 70 You 74 10:15 Low Definition Control 13:15 Cornelia frente 16:15 16:30 22:15 Arrives Jos Mojica Marins al espejo 80 97 14:15 16:45 19:15 I 22:00 SP SPda BF BF BF12:00 O vampiro cinemateca Garin Nugroho Christophe Rompaey 09:45 I Carried 20:15 O insigne ficante various directors 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Unfair World SP 20:15 The Hunter YouDefinition Home It Looks Pretty Pretty BF SP TG SP SP Michael Palm 95 104 84 113 123 Malfunctions #0 Hong Sang-Soo A. Sasnal / W. Sasnal 79 93 102 119 79 113 84 77 118 101 Daniel Rosenfeld Malfunctions #0 Jairo Ferreira 120 144 79 93 102 119 BF 79 Gabriel Velzquez Tongpong Chantarangkul Bakur Bakuradze 10:15 13:00 A 16:00 22:30 Vereda tropical 120 144 Tongpong Chantarangkul Daniel Nettheim Dangerous Method from Abrir puertas y 17:00Tsitos 19:45 20:00 22:15 SP a Distance BF SP BF Gabriel Velzquez Filippos Future Lasts Forever Lultimo terrestre Unfair World MG MG BF The Hunter Snuff: Vitmas do prazer Michael Palm 95 104 84 113 123 Caf Regular, Cairo 95 104 84 113 123 11:00 CJP Serveert 19:00 Retour de flamme 22:30 Filippos A. Sasnal / W.BF Sasnal 113 84 77 16:00 Gianni Pacinotti 118 101 BF RG ventanas 113 BF 84 77 118 101 David Cronenberg 09:30 De jueves 11:45 14:00 10:15 13:00 20:00 22:30 zcan Alper Tsitos Vereda tropical O despertar da besta TG Forever TG A Dangerous Method Abrir puertas y 17:00 19:45 22:15 Bakur Bakuradze Cludio Francisco Cunha 10:15 13:00 16:00 20:00 22:30 SP BF BF SP Vereda tropical a domingo Clip Corta Future Lasts Lultimo terrestre Unfair World 17:00 The Hunter 19:45 22:15 Snuff: Vitmas do prazer MG MG MG SP BF SP BF BF BF MG BF Nuit #1 Caf Regular, Regular, Cairo Serge Bromberg Milagros Mumenthaler 11:00 19:00 22:30 108 93 96 98 107 Caf Cairo Jos Mojica Marins 11:00 19:00 22:30 BF RG 123 111 109 ventanas CJP Serveert Retour de flamme David Dominga Sotomayor Maja Milo Felipe Guerrero BF BF RG da besta zcan AlperTG O despertar 09:30 De 11:45 Clip 14:00 Corta TG TGCronenberg BF Gianni Pacinotti Bakur Bakuradze 420 Filippos Tsitos jueves a domingo TG Cludio Francisco Cunha Anne mond 90 102 Nuit #1 96 100 69 108 12:30 93 96 98 107 Serge Bromberg Milagros Mumenthaler 21:30 Splinters Jos Mojica Marins 108 93 96 98 123 111 109 9:30 Dominga 15:30 Papirosen 18:30 The Great Sotomayor Felipe Guerrero 123 111 109 107 Duch, le matre des 20:00 Maja Milo SP BF BF PB TG A Fish SP RG Anna Mondomanila 420 90 102 Anne mond 420 90 102 9:45 My Big-Assed Mother 12:45 18:45 Tokyo Playboy Club 21:45 Demain? SP TG SP 6915:30 15:45 Une vie meilleure Four Suns 96 BF 100 forges de lenfer 12:00 Nana 13:30 Park Hong-Min Solnicki Peter von Bagh 9:30 09:45 12:30 Duch, 18:30 Northwest BF BF BF Two Years at Sea Louise Wimmer Hello, Mr. Tree! Alberto Grifi / Massimo Sarchielli SP 17:45 Abrir puertas Khavn De La Cruz SP 21:30 Splinters le matre des 15:30 Gastn TG A Fish The Great 20:00 Mondomanila SP BF BF BF PB Papirosen RG Black & White & SexBF Anna Cdric Kahn Bohdan Slma Okuda Yosuke Laurent My Big-Assed Mother 9:45 Ben 12:45 15:45 18:45 21:45 Christine RithyUne Panh Matt McCormick 105 103 SP 74 70 74 BF SP TG SP meilleure 225 75 y ventanas forges devie lenfer Four Suns Tokyo Playboy Club Khavn Rivers Valrie Massadian Cyril Mennegun Jie Northwest 09:45 13:30 15:30 Han 17:45 Park Two Hong-Min PeterDemain? von Bagh Gastn Solnicki Years at Sea BF BF BF John Winter 104 12:00 Nana 105 97 95 Louise Wimmer 110 Hello, Mr. Tree! Abrir puertas Alberto Grifi / Massimo BF Sarchielli De La Cruz Black & White & SexBF 88 Kahn Milagros Mumenthaler 68 80 88 98 Bohdan Slma Yosuke Christine Laurent 74 RithyCdric Panh 105 70 Matt Okuda McCormick 103 74 Ben Rivers 10:15 13:15 16:15 19:15 22:15 225 75 y ventanas Valrie Massadian Cyril Mennegun Han Jie Low Definition Control Cornelia frente al espejo 21:45 SP SP BF BF BF Iceberg I Carried You Home The Hunter BF John Winter Totem SP Hail 95 104 110 105 97BF 9:15 Dimanches 12:15 15:15 Corta 18:15 small roads 21:15 Clip du SP SP BF TG 88 68 Daniel Milagros Mumenthaler 80 88 98 09:30 Ex Press 11:30 Papirosen Le reste 18:30 Lost in the Malfunctions #0 Rosenfeld BF BF 13:00 13:15 SP HH Gabriel Velzquez Tongpong Chantarangkul Bakur Bakuradze BF Florentina Hubaldo, CTE Jessica Krummacher Amiel Courtin-Wilson 16:15 Iceberg 19:15 Mountain 22:15 Definition Control 21:45 Cornelia frente al espejo monde SP 15:15 Felipe Guerrero SP BF BF BF gants 10:15 Low I Carried You HomeBF The Hunter Benning Maja Milos Totem Hail Dimanches 18:15 James 21:15 9:15 Les 12:15 Le reste du Lav Diaz SP SP BF SP TG Michael Palm 95 104 84 113 Clip 123 Corta small roads Jet Leyco Solnicki Gao Zipeng 86 104 Malfunctions 09:30 11:30 Gastn 13:00 Florentina 18:30 Damien Daniel 81 Rosenfeld Bouli Lanners 69 103 100 BF99 #0 BF Odoul SP HH Ex Press Hubaldo, CTE Gabriel Velzquez Tongpong Chantarangkul Bakur Bakuradze Papirosen Lost in the Mountain Jessica Krummacher Amiel Courtin-Wilson monde Les gants Felipe Guerrero James Benning Maja Milos 90 74 300 95 Michael Palm 84 Caf Regular, Cairo 95 104 113 123 Jet Leyco Lav Diaz 86 11:00 19:00 22:30 Gastn Solnicki Gao Zipeng 104 15:00 17:15 20:15 22:15 BF Retour de flamme in the Short Circuit Lifes Full ofTG Damien Low Definition 18:30 Rat Bouli Lanners BF Fever SH De jueves a domingo SH SH 69 TG 99 CJP Serveert 81 103 SP RG 100 9:30 Boxing 12:30 15:30 It Looks Pretty 21:30 Homelandsssss SP SP Le Odoul Havre Philippine Islands 90 300 74 95 10:00 Four Nuit #1 SP Wonders Control Malfunctions #019:00Assis Suns Serge Bromberg Caf Regular, Cairo compilation prog. 21:30 from a Distance compilation prog. 11:00 CJP Serveert 22:30 20:15 15:00 Homelandsssss 17:15 Low 22:15 AkiHavre Kaurismki Dominga Sotomayor BF RG noches, Espaa Boxing in the Short Circuit Definition Retour de flamme Lifes Full of BF SH SH SH 15:30 It 9:30 Buenas 12:30 Le 18:30 Cludio Looks Pretty SP SP TG SP TG De jueves a domingo Rat Fever Anne #1 mond 420 102 Philippine Islands Slma compilation prog.96 Bohdan Michael Palm 85 95 75 69 Anka &Distance Wilhelm Sasnal 10:00 93 77 110 90 Raya Martin Nuit SP Control Malfunctions #0 Wonders Four Suns Serge Bromberg compilation prog. from a compilation prog. Aki Kaurismki Dominga Sotomayor Buenas noches, Espaa Cludio Assis 105 Anne mond My Big-Assed Mother 102 Bohdan Slma compilation prog. Palm 420 PB 9:45 12:45 Une 15:45 21:45 95 75 85 69 RG AnkaFour & Wilhelm Sasnal 20:00 77 17:15 Michael 110 90 96 BF SP14:45 Short Stories: SP TG Awards SP Raya Martin 9:15 Now, 13:15 19:45Club 22:30 vie meilleure Playboy Demain? Tiger George Kuchar: Ordinary SH18:45 Tokyo TS SH Suns Forager: A Film BF MG BF Eight Deadly93 Shots Weekend Oh! Rebuceteio 105 09:30 BF & Sex Black & White Malaventura Competition for Wrap Party Surprising Mysteries Madness About Love Fungi Cdric Kahn Bohdan Slma Okuda Yosuke19:45Club Christine22:30 Laurent My & Big-Assed Mother 9:45 15:45 Four 21:45 Demain? Mikko Andrew Haigh Cludio Francisco Cunha 12:45 Une 17:15 Ordinary 20:00 BF SP14:45 Short SP TG SP 9:15 Now, 13:15 vie meilleure Tiger George Kuchar: Stories: SH18:45 Tokyo Playboy TS RG SH Suns Forager: A Film BF PB BF MG Eight Niskanen Deadly Shots Oh! 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My Kampong Felipe Guerrero Maja Milos compilation prog. 100 74 Power and Politics compilation prog. James Benning 87 Screenings 1 lembradas Julia Murat 98 Damien Bouli Lanners 20:00 103 in the 99 81 100 compilation prog. 9:30 Boxing 12:30 15:30 18:30 Rat BF 21:30 prog. 86 79 Fever 19:30 compilation The Whirlpool It Looks Pretty89 69 TG 17:00 NL International 22:00 Cinematic SP SP SP Le Odoul Havre a domingo TG RG De jueves SH 74 SH Trait de bave et dternit Philippine compilation Islands prog. 87 a Distance Case Tributes to Musicians AkiHavre Kaurismki Assis 19:30 Isidore Dominga 20:00 Alvin noches, Espaa Boxing in the compilation prog. 9:30 Buenas 12:30 Le 15:30 from 18:30 Cludio BF 21:30 The It Looks Pretty 22:00 Sotomayor SP SP TG 17:00 NL SP Whirlpool TG Rat Fever Cinematic RG De jueves SH a domingo SH International Trait Isou de bave et dternit 74 Philippine Islands Anka &Distance Wilhelm Sasnal 93 77 110 96 72 Raya Martin compilation prog. 86 120 from a Alvin Case Tributes to Musicians Cludio Assis Aki Kaurismki Dominga Sotomayor Buenas noches, Espaa compilation prog. Isidore Isou 74 10:00 12:30 Bachelor 17:30 Lost in the Mountain HH 20:15 Ex 22:30 Anka & Wilhelm Sasnal 77 Cinematic Tributes BF HH 93 BF SH MG 96 72 Sentimental Mountain compilation prog. 110Press 9:15 Now, 13:15 19:45 Weekend 22:30 Oh! Raya Martin 120 Forager: A Film BF Animal PB 86 BF Eight Deadly Shots Rebuceteio
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REVERBERATIONS 22:30 Homelandsssss
LantarenVenster 6 LantarenVenster 3
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71
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83
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24:00
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PB
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19:15 Big Big Talk Talk 19:15
74 74
24:00
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67 67
82 82
09:00 LantarenVenster 6
Ace Attorney
155 155
12:00
SH SH 13:00
14:30 14:00
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Gerardo Naranjo Gonzalez
RG RG
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84 84
Het17:15 dagelijkse bombardement van beelden van de volksrevoluties in het Midden-Oosten wekt SH 22:00 Short Stories: Waiting for Snow SH Surprising Mysteries in My Kampong de suggestie dat de Arabische Lente een vlam in de pan was. Power Cut Middle East onderzoekt 89 85 compilation prog. compilation prog. 89 85 wat die beelden nu preces zeggen en laat, aan de hand van eerder werk van filmmakers, zien 17:00 Signal Lost and SH 22:15 SH SH RG RG 17:00 18:00 19:00 19:45 Structural 20:00 SH 21:00 22:00 23:00 dat de revolte al tijden in de lucht hing. Found Principles REVERBERATIONS
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82 82
80 80 Rotterdam op zijn breedst. Het festival selecteerde actueel, krachtig en vernieuwend werk uit alle windstreken, van veteranen tot minder bekende regisseurs.
16:45 16:45
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09:00
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155 155
11:45 11:45
Grandma Lo-fi
13:00
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93 93
16:45 16:45
10:15 10:15
24:00 24:00
Future Lasts Lasts Forever Forever Future zcan Alper Alper zcan
BF BF
David Cronenberg
SP SP
16:00 16:00
Roh Gyeong-Tae Gyeong-Tae Speelfilms en documentaires uit China die een beeld schetsen van de Chinese realiteit dat Roh 120 120 17:00 18:00 19:00 20:00 21:00 22:00ontwor23:00 24:00 haaks staat op dat uit de partijpropaganda, armoede, corruptie, 19:15 Lena met onderwerpen alsBF 22:00 The Day He SP SP 19:15 22:00 The Blindfold Blindfold The Day He SP BF SP The Lena Arrives Big Talk Garin Nugroho Christophe Van Rompaey 19:15 22:30 teling en wanbestuur. Naast films bevat Hidden Histories ook een bijzondere ontmoetingsplek: Arrives Big Talk BF SP SP Garin Nugroho Valley of Saints Saints BF Miss Bala Bala 19:15 Christophe Van Rompaey 22:30 Miss SP SP Valley of Hong Sang-Soo 102 119 79 Hong Sang-Soo Ace Attorney Attorney 102 119 79 Musa Syeed Gerardo Naranjo Naranjo Gonzalez Ace het Ai Weiwei Caf. Caf. Musa Syeed Gerardo Gonzalez het Ai Weiwei Miike Takashi
SP SP
113 113
107 107
24:00 24:00
BF BF SP SP 123 BF BF
123 107 107
102 102
24:00 24:00
SP SP
SP David Cronenberg Path 1 Black Dove Dove Filippos Tsitos 20:00 Black SP 1 Milagros Mumenthaler de Path Doelen 108 93 96 98 Milagros Mumenthaler de Doelen 108 93 96 98 Roh Gyeong-Tae Gyeong-Tae Roh Jurriaanse Zaal Zaal 120 9:30 12:30 15:30 Papirosen 18:30 21:30 peTer von Bagh pB Jurriaanse 120 signals: For Fr Duch, le le matre matre des des Great TG SP BF BF PB Asignals: Fish Splinters 9:30 A 12:30 15:30 18:30 The 21:30 Splinters Duch, Thereal Great TG SP BF BF PB Fish Papirosen forges de lenfer Northwest Park Hong-Min Hong-Min Gastn Solnicki 16:45 Peter von Bagh Bagh 11:45 Grandma Lo-fi 14:15 O despertar da besta Gastn 16:45 The Blindfold 19:15 Lena 22:00 forges de lenfer Northwest The Day Day He He Path 2 2 09:00 Park MG SP BF SP Solnicki Peter von 11:45 14:15 19:15 22:00 O despertar da besta MG The Path SP BF SP het Peter von Bagh (filmmaker, festivaldirecteur en wandelende filmenLo-fi The Blindfold Lena Geen films, maar maar het het echte leven. Met een scala scala aan activiteiten en en evenementen wordt de Rithy Panh Panh Matt McCormick Schouwburg 105 103 74 70 74 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 Dankzij het oeuvre oeuvre van van Peter vonGrandma Bagh (filmmaker, festivaldirecteur en wandelende filmenGeen films, echte leven. Met een aan activiteiten evenementen wordt de Arrives Rithy Matt McCormick Jos Mojica Marins Schouwburg 105 103 74 70 Van 74 09:00 Dankzij 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 Garin Nugroho Christophe Rompaey various directors Arrives Jos Mojica Marins Garin Nugroho Christophe Van Rompaey various directors Hong Sang-Soo Sang-Soo Grote Zaal Zaal 79 CorneliaZijn 93 16:15 102 119 79 cyclopedie) kunt u n festival documentaires hebben alledaagse realiteit tot filmische filmische ervaring getransformeerd. 10:15 Low 13:15 19:15 22:15 Hong Definition Control frente al espejo espejo Grote BF SP SP BF 79 worden. 93 16:15 Iceberg alledaagse 102 119 79 I Carried Carried You Home Home The Hunter cyclopedie) kunt u binnen binnen n BF festival Finland-kenner Finland-kenner worden. Zijn documentaires hebben 14:00 realiteit tot ervaring getransformeerd. 10:15 13:15 19:15 I 22:15 SP TG Low Definition Control Cornelia frente al SP SP BF Rua Aperana 52 Tokyo Playboy Club Iceberg You The Hunter 14:00 16:15 SP TG Rua Aperana 52 Tokyo Playboy Club Malfunctions Malfunctions #0 #0 de Path Doelen Daniel Rosenfeld Gabriel Velzquez BF Tongpong Chantarangkul Bakur Bakuradze 10:15 13:00 A Dangerous 16:00 Lultimo 20:00 22:30 Method Abrir puertas puertas y y Path 3 SP BF BF de Doelen Daniel Rosenfeld Jlio Bressane Bressane Okuda Yosuke cinema en de geschiedenis als Het retrospectief met Future Lasts Finse Forever terrestre Unfair World Gabriel Velzquez Tongpong Chantarangkul Bakur Bakuradze 10:15 13:00 16:00 20:00 22:30 A Dangerous Method Abrir 3 SPwordt BF 84 BF BF Jlio Okuda Yosuke cinema en de woelige woelige Finse geschiedenis als onderwerp. onderwerp. Het retrospectief wordt aangevuld aangevuld met Future Lasts Forever Lultimo terrestre Unfair World Michael Palm 95 104 113 ventanas Jurriaanse Zaal 80 97 Michael Palm David Cronenberg 95 104 84 113 zcan Alper Gianni Pacinotti Filippos Tsitos ventanas Path 1 Jurriaanse Zaal 80 97 David Cronenberg zcan Alper Gianni Pacinotti Filippos Tsitos Path 1 bijzondere historische speelfilms uit Finland. Milagros Mumenthaler 108 93 96 98 Caf Regular, Cairo bijzondere historische speelfilms uit Finland. 11:00 CJP 19:00 Retour de flamme 22:30 RG Milagros 108 93 Pretty 96 98 Serveert 09:45 12:00 14:15 It Looks 16:30 20:15 11:00 CJP 19:00 Retour 22:30 Caf Regular, Cairo BF SP TG SP SP I Carried Carried You You Home TheMumenthaler Hunter Serveert de flamme 09:45 I 12:00 Iceberg 14:15 It 16:30 Unfair 20:15 RG Looks Pretty BF SP TG SP SP Home Iceberg Unfair World World The Hunter de Path Doelen Nuit #1 #1 Serge Bromberg Bromberg from a a Distance Distance 15:30 9:30 A Fish 12:30 15:30 Papirosen 18:30 The Great 4 Duch, le le matre matre des des Tongpong Chantarangkul Chantarangkul Gabriel Velzquez Filippos Daniel Nettheim Nettheim 21:30 SP from BF BF PB TG de Doelen Nuit Splinters Serge 9:30 A Fish 12:30 18:30 The Great 21:30 Splinters Path 4 Duch, Tongpong Gabriel Velzquez Filippos Tsitos Tsitos Daniel SP BF BF PB TG Papirosen Anne mond mond 420 90 A. Sasnal Sasnal / / W. W. Sasnal Sasnal Willem Burgerzaal Burgerzaal 113 84 77 118 101 forges de de lenfer lenfer Northwest Anne 420 90 Park Hong-Min Hong-Min Gastn Solnicki Peter von von Bagh A. Willem Path 2 2 113 84 77 118 101 forges Northwest Park Gastn Solnicki Peter Bagh Path Rithy Panh Matt McCormick 105 103 74 70 74 My Big-Assed Mother
15:45 15:45
21:45 21:45
9:45 My Big-Assed Mother TG BF 11:45 09:30 De 105 9:45 jueves a domingo domingo TG BF 11:45 Clip 09:30 De jueves a Clip Black & White & Sex Sex Control 10:15 Dominga Sotomayor Low Definition BF Maja Milo Black & White & Dominga Sotomayor Low Definition Control John10:15 Winter 104BF Maja Milo
BF BF
12:45 SP 14:00 Corta RithyUne Panh vie Une vie meilleure 103 SP TG BF 12:45 14:00 Corta meilleure TG BF Cdric Kahn 13:15 Felipe Guerrero Cornelia frente al espejo SP Cdric Kahn 13:15 Felipe Guerrero Cornelia frente al espejo 110 SP
110
18:45 Matt Tokyo McCormick Tokyo Playboy 70 Club TG 18:45 TG Playboy Club Okuda Yosuke 19:15 I Carried Carried You You Home Home Okuda Yosuke 19:15 I 97
BF BF
80 80
Four Suns Suns 74 Four Bohdan 16:15Slma Iceberg Bohdan 16:15Slma Iceberg 69 Gabriel Velzquez Velzquez 69 Gabriel 104 15:15 Corta BF BF 104 Hello, Mr. 15:15 15:30 BF 15:30 Corta BF Hello, Mr. Tree! Tree! Felipe Guerrero Han Jie Felipe Guerrero Han Jie 69 88
SP Demain? 74 SP Demain? Christine 22:15 Laurent The Hunter Hunter Christine 22:15 Laurent The Bakur Bakuradze Bakuradze Bakur
95 95
BF BF
69
TG TG
123 123
BF BF
102 102
15:30 It Looks Pretty TG 15:30 It Looks Pretty TG from a Distance 15:45 from Four a Distance Suns 15:45 Anka & Wilhelm Sasnal 77 Four Suns
SP SP
105 105
110 110
Bohdan Slma
77
15:15 15:15
Corta Corta Felipe Guerrero Felipe Guerrero Rat Fever Rat Fever Cludio Assis Cludio Assis
BF BF
69 69
100 Rosenfeld Malfunctions96 #0 Daniel John Winter 104 100 Rosenfeld Malfunctions96 #0 Daniel Michael SP Palm 95 12:15 Le reste du SP 12:00 13:30 Michael Palm BF 95 12:15 Years at Sea Sea Nana Wimmer Le reste du BF SP SP Louise 12:00 13:30 BF BF Years at Nana Louise Wimmer monde Les gants 11:00 Ben Rivers Valrie Massadian Cyril Mennegun monde Les gants CJP Serveert Serveert Valrie 11:00 Ben Rivers Massadian Cyril Damien Odoul 68 Bouli Lanners 99 CJP 81 Mennegun 88 Damien Odoul 68 Bouli Lanners 99 81 88 Boxing in the 9:30 Ex 12:30 BF 09:30 11:30 13:00 SP SP Le Havre BF Press Papirosen Florentina Hubaldo, CTE Boxing in the Philippine Islands 9:30 Ex 09:30 11:30 Papirosen 12:30 BF 13:00 Florentina Hubaldo, SP BF SP Le Press CTE Philippine Islands AkiHavre Kaurismki Buenas Espaa My noches, Big-Assed Mother Jet Leyco Lav Diaz 9:45 12:45 BF Gastn Solnicki SP UneLav vieDiaz meilleure 93 SP Aki Kaurismki Buenas Espaa My noches, Big-Assed Mother Jet Leyco 9:45 12:45 BF Gastn Solnicki Raya Martin Une vie meilleure 90 74 Black & White & Sex90 Cdric Kahn 93 Raya Black Martin & 74 White & Sex Cdric Kahn John Four Winter 104 9:15 Now, Forager: 13:15 Eight Deadly Shots 10:00 A Film BF SP Suns John Four Winter 104 9:15 Now, Forager: 13:15 Eight Deadly Shots 10:00 A Film BF SP Suns About Love & Fungi Mikko Bohdan Slma 9:15 Dimanches 12:15 Le reste du SP SP Niskanen Love &/ Fungi Mikko Bohdan Slma Dimanches 9:15 About Jason Cortlund Julia Halperin Le reste du SP93 SP Niskanen 105 12:15 monde Les gants Jason Cortlund / Julia Halperin 93 105 monde Les gants Damien Odoul Bouli Lanners 99 81 09:30 BF Malaventura Damien Odoul BouliMalaventura Lanners 99 81 09:30 BF Boxing Lipkes in the 9:30 Michel 12:30 Le Havre SP SP Lipkes Philippine Islands Boxing in the 9:30 Michel 12:30 Le Havre SP 73 SP Philippine Islands Aki Kaurismki Buenas noches, Espaa73 Aki Kaurismki Buenas noches, Espaa 93 Raya10:00 Martin DINAMO P&I SH
Public 25 January Public Screenings Screenings Wednesday Wednesday 25 January Eight Deadly Shots Eight Deadly Shots Mikko Niskanen
17:00 17:30 17:00 17:30
SP SP
146 146
BF BF
13:15 13:15
93
TG TG
BF s existem quando 21:30 De jueves a domingo TG SP s existem Julia quando Murat 21:30 De lembradas 98jueves a domingo TG SP Julia Murat lembradas Dominga Sotomayor
Nuit #1 #1 100 Nuit Anne mond mond 21:30 De jueves a domingo TG Anne 21:30 De jueves a domingo TG Dominga Sotomayor 21:45 SP Demain? Dominga Sotomayor 21:45 SP 96 Demain? Christine Laurent 96 Christine22:30 Laurent 95 BF MG Rebuceteio 95 22:30 Oh! BF MG Oh! Rebuceteio Cludio 21:15 TG Francisco Cunha Cludio 21:15 Clip 96 TG Francisco Cunha Clip Maja 96 Milos Maja Milos 100 BF
100
84 84
77 77
12:00 12:00
118 118
13:00 14:00 Mikko Niskanen HH 14:00 Bachelor Mountain 13:00 Bachelor Yu GuangyiMountain HH Yu Guangyi 95
15:00 15:00
16:00 16:00
316 Lost in the Mountain 18:00 316 Lost in the Mountain Gao Zipeng Gao Zipeng
18:00
19:00 19:00
95 95
19:45 19:45
20:00 20:00
95
Hoy no tuve miedo Hoy no tuve miedo Ivn Fund Ivn Fund
17:30 17:30 17:30 17:30
SP SP
14:45 14:45
122 122
MG MG
Path 6 6 Cinerama 2 Path Cinerama 2 Path 4 4 Path Path 7 7 Cinerama 3 Path Cinerama 3 Path 5 5 Path Cinerama 1 LantarenVenster 2 Cinerama 2 1 LantarenVenster Path 6 6 Path LantarenVenster 5 Cinerama 2 LantarenVenster Cinerama 5 2 Path 7 7 Path Raya10:00 Martin DINAMO P&I SH Screenings 1 LantarenVenster 6 9:15 Cinerama 3 Now, Forager: A Film BF Screenings 1 compilation prog. LantarenVenster 87 9:15 Now, Forager: Cinerama 6 3 A Film BF About Love &compilation Fungi prog. 87 Cinerama 1 About Love & Fungi 09:00 10:00 11:00 Jason Cortlund Julia Halperin 93 Cinerama 1 09:00 10:00 / Sentimental Animal 10:00 11:00 Jason Cortlund Julia Halperin 93 10:00 / Sentimental Animal Wu Quan Cinerama 4 Wu Quan Cinerama 4 Cinerama 2 Path 1 1 9:30 Lestate di Cinerama 2 Path BF 9:30 Lestate di BF Giacomo Cinerama 5 Giacomo Alessandro Comodin 78 Cinerama 5 Alessandro Comodin 78 Cinerama 3 10:00 Matire grise Cinerama 3 BF 10:00 Matire grise BF Kivu Ruhorahoza Cinerama 6 10:00 Sentimental Animal Ruhorahoza Cinerama 4 6 10:00 Kivu Sentimental Animal Wu Quan Cinerama
Joo Silvrio Trevisan
90 90
104 BF 104
BF
That Small Piece That Small Piece JOSEph S KEN Bachelor Mountain JOSEph S KEN Bachelor Yu GuangyiMountain
BF BF HH HH90
15:00 15:00
BF BF
90
86 86
Malaventura BF BF Malaventura Michel Lipkes HH Lost in the Mountain Michel Lipkes 73 HH Lost in the Mountain Gao Zipeng 73
98 Dominga Sotomayor 110 96 BF The Whirlpool 110 96 BF The AlvinWhirlpool Case 22:30 Oh! Rebuceteio BF MG Weekend Alvin Case 22:30 Oh! Rebuceteio 74 BF MG Weekend Andrew Haigh Cludio Francisco Cunha 74 20:00 21:00 22:00 23:00 Andrew Haigh Cludio Francisco Cunha 96 BF 84 24:00 20:15 22:30 Cinematic Tributes SH Ex Press 20:00 21:00 22:00 23:00 96 84 24:00 20:15 22:30 Cinematic Tributes SH BF Ex Press to Musicians Jet Leyco 20:00 HISTRIAS 21:00 King Curling que BF BF to Musiciansprog. compilation Jet Leyco 90 72 20:00 HISTRIAS 21:00 que BF BF King Curling s existem quando Ole Endresen 90 compilation prog. 72 s existem quando Julia Murat lembradas Ole Endresen rua chamada triumpho 98 20:30 Uma 22:45 Two Years at Sea 75 MG BF Juliarua Murat lembradas chamada triumpho 98 20:30 Uma 22:45 Two Years at Sea 75 MG BF O porngrafo Ben Rivers 20:00 The Whirlpool BF O porngrafo Ben Rivers Joo Callegaro 98 88 20:00 The Whirlpool BF Alvin CaseJoo Callegaro 98 88 AlvinLanabase Case 74 20:15 22:30 Sacha lours BF BF Sacha lours 74 20:15 Lanabase 22:30 Par BF exemple, Electre BF Eric Baudelaire 20:15 Ex Press 22:30 Par Cinematic Tributes BF SHLon exemple, Electre Eric Baudelaire Jeanne Balibar / Pierre 67 91 20:15 Ex Press 22:30 Cinematic Tributes BF SHLon to Musicians Jet Leyco Jeanne Balibar / Pierre 67 91
Competition
75
95 SP 95 SP 90
Wu Quan Yu Guangyi Mondomanila Wu Quan Public Screenings Thursday So Sorry + Ordos 100 Mondomanila O insigne ficante Khavn De La Cruz 26 January Hoy no tuve miedo A Temple Public Screenings Thursday 26 So Sorry + Ordos 100 Mondomanila O insigne Ai Weiwei Khavn De La Cruz Jairo Ferreiraficante Public Screenings Thursday 26 January January Hoy no tuve miedo A Temple Ivn Fund Umesh Vinayak Kulkarni Ai Weiwei Khavn De La Cruz Jairo Ferreira 09:00 10:00 11:00 12:00 13:00 14:00 15:00 Ivn Fund Umesh Vinayak Kulkarni 16:00
Joerg Burger Toward Jokhang 9:45 The Road for Utopia 9:45 The Road Toward Jokhang Andrs Duque 9:30 Lestate di BF 9:30 Lestate di BF Giacomo
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Musicians Alvin Case 17:45 Kivu Ruhorahoza compilation prog. Applied Theories of ... Gao Zipeng 15:00 O vampiro da cinemateca 20:00 WayJet 22:30 to 95 90 Dress Rehearsal El cuaderno de BF 72 MG SP SP ofLeyco Passion So Sorry + Ordos 100 Isaki Lacuesta for Short Films 2 compilation prog. 74 Theories of ... 71 104 72 Applied 15:00 O vampiro da cinemateca 17:45 El 20:00 Way 22:30 Dress 95 90 Rehearsal MG SP SP BF cuaderno de of Passion for Utopia Isaki Lacuesta barro Joerg Burger Ai Weiwei 118 135 87 89 Uma rua chamada triumpho 14:45 18:00 20:30 22:45 Orgia ou o homem SP MG MG BF Two Years Sea El cuaderno de for Utopia barro Isaki Lacuesta Joerg Burger 20:15 22:15 Nothing Andrs Duque 120 17:30 Puzzled 89 75 Bitter Sweet Without a at Uma ruaand chamada SH SH SH triumpho 14:45 15:00 Echoes from the 18:00 Orgia 20:30 22:45 oucria o homem 89 SP MG MG BF que deu Two Years atSH Sea O porngrafo Isaki Lacuesta barro Ben Rivers 14:45 17:30 20:30 Andrs Duque Lilian M.: Relatrio 135 120 89BF 89 Breaks 75 HH MG Wonders Past Golden The Hunter When the Bough Woman or a Girl compilaque deu cria O porngrafo Ben Rivers Joo Silvrio Trevisan 13:30 15:30 20:00 22:00 Joo Callegaro 122 146 90 98 88 Tiger Awards Tiger Awards Tiger Awards RG TS TS TS Confidencial Los compilation pasos dobles tion prog. compilation prog. compilation prog. compilation prog. prog. SP Bakur Bakuradze Ji Dan 69 76 66 73 90 Joo Silvrio Trevisan 13:30 Tiger 15:30 20:00 22:00 Joo Callegaro 122 146 90 98 88 Awards Tiger Awards Tiger Awards RG TS TS TS SP Competition Competition for Competition for Los pasos dobles Isaki22:30 Lacuesta Carlos Reichenbach 120 123 144 Sacha lours 12:30 15:00 17:30 20:15 BF BF BF BF BF That Small Piece Totem Malaventura Lanabase Competition Competition 12:15 Short Stories: 20:00 Competition 22:30 for Short Films 2 14:4571 Short Films SH 3for Films 4for Tiger Awards Short Stories: TS SH SH SH Isaki22:30 Lacuesta 225 78 17:15 17:30 75 87 Out Totem and About Africa Homelandsssss Sacha lours 12:30 That 15:00 20:15 Par exemple, Electre BF BF BF BF BF Small Piece Malaventura Lanabase JOSEph S 225 KEN Jessica Krummacher Michel Eric Baudelaire 16:45 The 20:00 Short 21:45 Matire grise for Short Films 2 Short Films 3 Films 4 Power and Politics Competition for Friend or Foe Tiger Awards BFLipkes TS BF 87 71compilation 78 75 Whirlpool prog. compilation prog. Par exemple, Electre Jeanne Balibar / Pierre Lon 12:30 15:00 17:30 20:15 22:15 JOSEph S KEN Jessica Krummacher Michel Lipkes Eric Baudelaire 90 86 67 810 SH 85 91 Bitter Sweet and SH 86 Tales and Two Short Circuit For a Better Short Films 1 SH SH Competition Out and About Africa compilation prog. compilation prog. World SH 100 80 73 83 Alvin Case Kivu22:15 Ruhorahoza Jeanne Balibar / Pierre 12:30 Bitter 15:00 Tales 17:30 Short 20:15 Short 90 86 67 91 810Lon Sweet and SH and Two Circuit For a Films Betterprog. World71SH Golden Cities SH SH 73 SH Out and About compilation compilation 2 compilation prog. Africa 89 74 prog. 104 Blank O vampiro da cinemateca Applied Theories of ... 810 12:45 17:45 for 20:00 for 22:30 Dress Rehearsal SP MG 17:15 Waiting SP 14:45 15:00 Waycompilation of Passion Helsinki, Snow Stories: SH 75 PB Golden Cities compilation prog. prog. SP 75 22:00 Short compilation compilation prog. compilation prog. SH BF 73 100 Blank prog. O vampiro da cinemateca72 Applied Theories 15:00 17:45 20:00 20:15 22:30 El cuaderno deof ... Dress Rehearsal SP MG SP SP BF for Utopia O insigne ficante Way of Passion Forever in My Kampong Surprising Mysteries JoergBitter Burger 12:30 12:45 15:00 17:30 22:15 compilation compilation prog. LifesMondomanila Full ofprog. SH 73 Echoes from the Puzzled Sweet and SH Nothing Without a SH 72 SH SH 75 75 100 El cuaderno de Isaki Lacuesta barro for Utopia Mondomanila insigne 12:15 15:00 20:00 Joerg 22:30 Andrs Duque Khavn DeSH La Cruz Jairo Ferreiraficante 135 90 120 17:30 89 89 Burger Peter O von Bagh compilation prog. compilation prog. On the Move Ordinary SP RG SH SH75 74 89 85810 Wonders Past Golden 11 Flowers Trait de bave et dternit Secret Codes Woman or a Girl compilaIsaki Lacuesta barro 12:15 15:00 11 20:00 Secret 22:30 Ordinary Andrs Duque Khavn DeSH La Cruz69 Jairo Ferreira 135 90 120 17:30 Trait 89 89 810 On the Move Madness SP RG SH SH75 compilation prog.prog. Flowers de bave et dternit Codes tion prog. Wang Xiaoshuai Isidore Isou compilation prog. compilation compilation prog. compilation prog. prog. 76 66 73 90 15:30 22:00 22:15 14:30 TS 19:45 Tiger Awards Tiger Tiger Awards Space and Time: Structural RG TS 17:00 Signal Lost and SH 18:30 Wavumba TS 21:30 Stilleben SP 810 RG Awards SH RG BF 20:00 BF Los compilation pasos dobles Its Immaterial Madness compilation prog.SH13:30 compilation prog. 110 120 82 80 Wang Xiaoshuai Isidore Isou 18:30 compilation prog. 13:30 74 15:30 22:00 Los 21:30 The Abstract Films of Found Principles Competition Competition for TS 110 17:15 Competition for TSSH Tiger Awards Tiger Awards Tiger Awards RG TS SP BF 20:00 BF pasos dobles prog. REVERBERATIONS Wavumba compilation prog. Isaki Lacuesta Jeroen van Velzen 120 Sebastian Meise 12:15 14:45 22:30 Short Stories: Tiger Awards Short Stories: 18:30 21:30 compilation SH SH TS Wavumba SH80 74 82 Stilleben Out and Africa Homelandsssss BF 20:00data BF Stilleben Bart 1 About for Short Films 2 14:45 Short 3for Short Films 4for compilation prog. compilation prog. compilation Competition Competition Competition 12:15 Power 19:30 Lyrische 22:00 Isaki 80 84 67 6787 225 71Vegter 78 17:15 75 480 76 77prog. Puzzled Short Stories: Lacuesta Short Stories: van Velzen Sebastian Meise SH Films RG SH SH Follow the Path and Politics Competition for 71 SH Jeroen Friend or Foe compilation prog. compilation prog. Jeroen van Velzen Sebastian Meise Stories: Lyrische for Short Films 2 14:4571Puzzled Short Short 4 12:15 Short 19:30 Tributes 22:00 Short PulseFilms Family Ties 225 78 17:15 Follow 75 83 87 Friend or Foe 480 76 data 77 Stories: SH Films 3 100 SH 80 RG prog. SH SH compilaShort Films 1 the Path compilation prog. compilation prog. compilation 86 85 480 76 20:15 For a Better World 77 que s 12:30 Bitter Sweet and SH 15:00 Tales and Two 17:30 Short Circuit 19:30 Tributes 22:15 SH SH SH HISTRIAS BF BF SH Out and About Africa Future Lasts Forever Pulse tion prog. Family Ties Friend or Foe Bill Morrison compilation prog. compilation prog. compila83 66 80 70 77 compilation prog. 12:30 Bitter 20:15 For 19:30 Future 22:15 HISTRIAS Golden Citiesand Two PB SH Sweet Tales Short Circuit a Better World existem quando SH SH compilation prog. SH compilation prog. quelembradas s BF BF SH Out and About Africa compilation prog. Lasts Forever zcan Alper 14:45 15:00 17:15 17:30 22:00 22:15 tion prog. Morrison Helsinki, Waiting for Snow Short Stories: 19:30 Bill compilation prog. SH compilation prog. and SH83 66 80 70 77 HISTRIAS que s BF BF Future Lasts Forever 14:30 Space 17:00 Chromo19:45 22:15 compilation compilation existem quando lembradas 98 Julia Murat andCities Time: RG prog. compilation compilation 73 72 75 100 StructuralGolden Closer Reading 108 75 SH prog. SH prog. SH prog. RG compilation prog. zcan Alper Forever in My Kampong Surprising Mysteries existem quando lembradas zcan AlperReading SH 14:30 Space 17:00 Chromo19:45 22:15 The Abstract Principlescompilation theracompilation peutic Strips Julia andcompilation Time: 73 75 100 Structural Closer 108 75 98 compilaSH prog. RG prog. 74 72 SH RG 85 REVERBERATIONS Peter von Bagh compilation prog. 89 Julia Murat Murat 12:15 On the Move 15:00 17:30 Trait prog. 20:00 22:30 Ordinary SH SP RG SH 98 11 Flowers de bave et dternit Secret Codes65 SH 108 Films of Bart Vegter 2 69 The Abstract tion prog. Principles t hera peutic prog. Strips compilation prog. compilation compilation prog. compila67 66 67 REVERBERATIONS 12:15 On 15:00 17:30 Madness the Move compilation prog. SH SP17:00 Signal SH SH Wang Xiaoshuai Isidore compilation prog. 11 Flowers Trait de bave et dternit RG 19:45 20:00 Secret Codes 14:30 Films 22:15 22:30 Ordinary of Bart Vegter 2 tion prog. Space and Time: Lost and Isou Structural
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Press Press & & Industry Industry Screenings Screenings Saturday Saturday 28 28 January January
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Madness compilation prog. 810 110 Found 120 82 80 Isidore Isou compilation prog. Principles REVERBERATIONS compilation prog.67 810 19:15 Big Talk 22:30 110 compilation 120 82 80 SP22:00 SP prog. BF 71 compilation prog. compilation prog. Valley ofFollow Saints Miss Bala 67 data 810 17:15 19:30 Lyrische 21:30 11 Short Stories: SH Twilight Portrait RG SH BF SP the Path18:30 Flowers Ace Tributes Attorney Musa Syeed Gerardo Naranjo Gonzalez Lyrische data Pulse Family Ties 17:15 19:30 22:00 18:30 21:30 Short Stories: SH RG SH BF SP compilation Angelina Nikonova Wang Xiaoshuai Follow theprog. Path Portrait Flowers 21:30 11 Miike Takashi 82 18:30 Twilight 155 113 BF SP Twilight Portrait 11 Flowers tion prog. Bill Morrison compilation prog. Tributes Pulse compilation prog. Family Ties Friend or Foe 83 66 80 70 77 105 110 compilacompilation prog. Angelina Nikonova Wang Xiaoshuai Angelina Nikonova Wang Xiaoshuai 20:00 tion prog. Bill Morrison compilation prog. SP compilation prog. 83 66 80 70 77 105 110 Black 105 Dove 9:30 Land of the Pharaohs 12:00 Structural 14:30 Space and Time: RG 17:00 Chromo22:15 16:15 Lyrische data 18:15 Dress Rehearsal BF 19:45 Closer Reading 21:15 Matire grise PB SH SH SH RG 110 RG BF Roh Gyeong-Tae Land Sky of the Pharaohs Lyrische data The Abstract Principles t hera peutic Strips 9:30 Blue 12:00 14:30 17:00 19:45 22:15 for Utopia 16:15 18:15 21:15 compila Pulse Space and Time: RG Journey into the PB Structural ChromoCloser Reading SH REVERBERATIONS SH SH RG Kivu Ruhorahoza RG BF Lyrische data grise 120 16:15 Tributes 18:15 Dress 21:15 Matire Dress Rehearsal Rehearsal BF RG BF BF Matire grise Films of Bart Vegter 2 69 tion prog. compilation prog. compilation compilation prog. The Abstract von Bagh 100 Land Sky of Memories Andrs Duque Principles t herapeutic Strips 66 for 67 65 67 Bill Morrison 70 prog. 75 104 Utopia compilaTributes Blue Journey Peter into the REVERBERATIONS Kivu for Utopia Tributes Pulse Pulse Kivu Ruhorahoza Ruhorahoza 11:45 Grandma 14:15 16:45 The 19:15 22:00 The O despertar da besta Day He SP Films of Bart Vegter 2 MG Lo-fiprog. 13:00 Blindfold Lena 09:00 Land of Memories 10:00 Peter von Bagh 11:00 12:00 14:00 15:00 16:00 17:0070 19:00 20:00 21:00 22:00 23:00 24:00 tion prog. compilation compilation prog. 18:00 compilation prog. Andrs Duque 100 67 69 66 SP 65 BF 67 Bill Morrison 75 104 Andrs Duque 70 75 SP 104 18:30 21:30 Skoonheid Arrives BF BF Nugroho Les gants Christophe Jos Mojica Marins 15:30 The Invader Bill Morrison Garin Van Rompaey various directors 15:30 21:30 Hong Sang-Soo 79 93 Provost 119 79 Nicolas Bouligants Lanners Oliver 16:45 Valley 19:15 Big Talk SP 22:30 BF BF Invader Les Skoonheid 15:30 The 18:30 102 21:30 SP Hermanus SP of Saints BF 18:30 Miss Bala SP BF BF The Invader Les gants Skoonheid 95 84 99 Ace Attorney Nicolas Provost Bouli Lanners Oliver Hermanus Musa Syeed Gerardo Naranjo Gonzalez 10:15 Future Lasts Forever 13:00 16:00 20:00 22:30 Nicolas Provost Bouli Lanners Oliver Hermanus A Dangerous Method SP Abrir puertas y BF SP BF Lultimo terrestre 95 BF Unfair World 84 99 Miike Takashi 82 155 113 95 84 99 ventanas 17:00 Stateless 19:45 David Cronenberg SP SP zcan Alper Gianni Pacinotti Filippos Tsitos Things Hoy no tuve miedo 09:00 10:00 11:00 12:00 13:00 14:00 93 15:00 16:00 17:00 18:00 SP 19:00 19:45 20:00 21:00 SP 22:00 23:00 24:00 Milagros Mumenthaler 108 96 98 107 17:00 Kim Kyung-Mook Ivn Fund 17:00 Stateless 19:45 20:00 Things Hoy no miedo Black Dove SP SP SP Stateless Things Hoy no tuve tuve miedo 115 122 Kim Kyung-Mook Ivn Fund 9:30 A Fish 12:30 15:30 18:30 21:30 Roh Gyeong-Tae 16:15 Tokyo Duch, le matre des 14:00 SP The Great BF Playboy BF PB TG Kim Kyung-Mook Ivn Fund Papirosen Splinters TG Rua Aperana 52 SP Club 115 120 forges de lenfer Northwest 122 17:00 O vampiro da cinemateca 19:45 When the Bough Breaks Park Hong-Min Gastn Solnicki Peter 122 von Bagh Jlio Bressane Okuda Yosuke MG115 HH Rithy Panh Matt McCormick 105 70 74 80 97 O da cinemateca insigne ficante 17:00 19:45 Ji Dan the Bough Breaks 11:45 Grandma Lo-fi 14:15 103 16:45 74 22:00 O vampiro vampiro da cinemateca MG HH O despertar da besta The Day He 17:00 19:45 When MG SP BF SP The O Blindfold MG 19:15 Lena HH Jairo Ferreira 120 144 10:15 13:15 16:15 19:15 22:15 Arrives O insigne ficante Jos Mojica Marins Low Control Cornelia frente al It espejo SP SP BF BF Dan Garin Nugroho Christophe Van Rompaey 14:15 16:30 20:15 various directors Iceberg I CarriedJiYou Home The Hunter 23:00 Looks Pretty BF BF12:00 SP TG SP SP YouDefinition Home 11:00 Iceberg Unfair World The Hunter 09:00 09:45 I Carried 10:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 24:00 Malfunctions #0 Hong Sang-Soo Jairo Ferreira 120 144 79 Daniel Rosenfeld 93 102 119 Gabriel Velzquez Tongpong Chantarangkul Bakuradze tropical 144Bakur from a Distance 17:00Tsitos 19:45 Vereda 22:15 Tongpong Chantarangkul Gabriel Velzquez 13:00 Filippos Daniel Nettheim MG BF 120 The Hunter Snuff: Vitmas do79 prazer MG 24:00 09:00 10:00 11:00 12:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 Michael Palm 104 84 113 123 Sasnal / W. Sasnal 113 Il 95 84 118 101 09:30 A La Cantbrica 11:45 14:00 Egg A. Vereda tropical O despertar da besta BF RG A Dangerous TG77 16:00 16:15 SP Hunter se peut que la 17:00 19:45 22:15 Bakur Bakuradze Cludio Francisco Cunha 10:15 Future 13:00 Visiting Vereda tropical Method and Abrir puertas y 17:00 The 19:45 20:00 22:15 22:30 MG BF SP Stone BF BF BF Snuff: Vitmas do prazer MG Lasts Forever Lultimo terrestre Unfair World MG MG SP BF Caf Regular, Cairo Jos Mojica Marins 11:00 19:00 22:30 beaut ait renforc notre 123 111 109 Room Ezequiel Erriquez Huang Ji 09:30 11:45 14:00 16:15 BF RG da besta ventanas Retour de flamme O despertar RG David TG SP 09:30 A 11:45 Il 14:00 Egg se peut que la zcan BF AlperTG CJP Serveert Gianni Pacinotti Bakur Filippos Tsitos Bakuradze Cludio Francisco Cunha La Cantbrica and StoneBF Visiting TGCronenberg De jueves a domingo Clip Corta rsolution Grandrieux Baciu / Muntean 60 80 97 Nuit #1 Serge Bromberg Milagros Mumenthaler Jos Mojica Marins beaut ait renforc notre 74 108 96 98 123 111 109 Room Ezequiel Erriquez Huang Ji 93 123 111 109 107 15:30 Anna 20:00 Dominga Sotomayor Maja Milo Felipe Guerrero SP RG Mondomanila Anne mond 420 90 102 rsolution12:30 Grandrieux Baciu / Muntean 80 74 97 60 96 100 6915:30 Los 17:45 Skoonheid TG TG SP Living ltimos Alberto Grifi / Massimo Khavn De La Cruz SP 21:30 Splinters 9:30 09:45 12:30 Sudoeste 18:30 The Great 15:30 Anna 20:00 Mondomanila Duch, le matre des SP BF Sarchielli PB TG RG BF BF A Fish Papirosen My Big-Assed Mother 9:45 Vasily 15:45 18:45 21:45 Demain? cristeros BF TG 12:00 SP SP 17:45 TG SP 225 75 Sigarevat Eduardo Nunes Oliver Hermanus Une vie meilleure Four Suns Tokyo BF Playboy Club Khavn 09:45 12:30 12:45 15:30 forges de lenfer Northwest 09:45 13:30 15:30 Alberto 17:45 Skoonheid TG BF SP BF Sudoeste Los ltimos Park Living Hong-Min Gastn Solnicki Peter von Bagh Grifi / Massimo BF Sarchielli De La Cruz BF Two Years Sea Nana Louise Wimmer Hello, Mr. Tree! 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Gaamer #0 The22:30 Sound of LightSH Control Malfunctions Caf Regular, Cairo compilation prog. 21:30 11:00 CJP Serveert 15:00 17:15 Low 20:15 RG 22:15 BF Lifes Full ofTG Definition Retour de flamme BF19:00 SH De jueves SH Homelandsssss 9:30 Boxing in the 12:30 versus 15:30 It Looks Pretty SP SP TG SP Short Circuit Justice Le Havre Rat Fever a domingo the Square Michael Fow Oleg18:30 Sentsov Yamasaki Juichiro Philippine Islands compilation prog. Michael 85Pyng Hu 95 75 09:30 Roman 12:30 Peace 14:30 Back 16:15 Nick 18:00 22:00 The 10:00Pilz SP Palm BF BF 69 SP SP SP PCa Distance Nuit #1 Wonders Diary to Gaamer Sound of Light Control Malfunctions #0 Four Suns Serge Bromberg compilation prog. from compilation prog. Aki Kaurismki Cludio Assis Dominga Sotomayor Buenas noches, Espaa Klaartje Quirijns Petr Lom 124 64 83 84 92 89 versus Justice the Square Anne mond Michael Pilz Fow Oleg Sentsov Yamasaki Juichiro 102 compilation prog. Bohdan Slma Palm 420 85Pyng Hu 95 75 69 RG Anka & Wilhelm Sasnal 14:45 20:00 Tiger Awards 22:30 93 77 17:15 Michael 110 90 96 Raya Martin George Kuchar: Short Stories: Ordinary SH TS SH Klaartje Quirijns Petr 15:00 Lom 124 105 64 83 84 92 89 TG Romance Joe Competition for Wrap Party SP Surprising Mysteries Madness My Big-Assed Mother 9:45 12:45 Une 15:45 21:45 Demain? 17:15 Ordinary 20:00 22:30 George BF SP14:45 Short SP TG 9:15 Now, 13:15 19:45Club vie meilleure Four Tiger Kuchar: Stories: SH18:45 Tokyo Playboy TS RG SH Suns Forager: A Film BF PB BF MG Eight Deadly Shots Weekend Oh! Rebuceteio Lee Kwang-Kuk ShortAwards Films 1 compilation prog. compilation prog. compilation prog. 15:00 85 80 80 79 09:30 TG BF & Sex Romance Joe Black & White Malaventura Competition for Wrap Party About Love & Fungi Surprising Mysteries Madness Cdric Kahn Bohdan Slma Okuda Yosuke Christine Laurent Mikko Niskanen Andrew Haigh Cludio Francisco Cunha 115 Lee Kwang-Kuk John Winter Short Films 1 Lipkes 104 110 compilation 105 97 95 JasonMichel Cortlund / Julia Halperin 93 compilation prog. prog. prog. 96 80 80 7984 14:45 17:15 compilation 19:30 Short Stories: 22:00 On the Move Waving Back Waiting for Snow in SH 85 RG 316 SH SH
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LantarenVenster 1 Cinerama Cinerama 4 6 Cinerama 7 Cinerama 7 Cinerama 5 LantarenVenster 2 Cinerama 7 5 Cinerama LantarenVenster 1 LantarenVenster 1 Cinerama 6 Oude Luxor LantarenVenster 3 Cinerama 6 Oude Luxor LantarenVenster 1 Oude Luxor LantarenVenster 2 LantarenVenster 2 Cinerama 7 Path 1 LantarenVenster 5 Cinerama 7 Path LantarenVenster 2 Path 1 1 LantarenVenster 3 LantarenVenster 3 6 LantarenVenster 1 Path 2 LantarenVenster 1 Path LantarenVenster 3 Path 2 2 LantarenVenster 5 LantarenVenster 5 LantarenVenster 2 Path 3 LantarenVenster 2 Path LantarenVenster 5 Path 3 3 LantarenVenster 6 LantarenVenster 6 LantarenVenster 3 Path 4 LantarenVenster 3 Path 6 Path 4 4 Oude Path Luxor 4 LantarenVenster Path 5 LantarenVenster Path Path 5 5 de Doelen Jurriaanse Zaal LantarenVenster Path 6 LantarenVenster Path Path 6 6 Schouwburg Grote Zaal Path 7 Path 7 Oude Luxor 4 Path 1 Cinerama 1 de Doelen Cinerama 1 Jurriaanse Zaal de Path Doelen 2 Jurriaanse Zaal Cinerama 4 Schouwburg Cinerama 4 de Path Doelen Grote Zaal 3 WillemCinerama Burgerzaal 5 de Doelen 1 Cinerama 5 de Path Doelen Jurriaanse Zaal Path 4 Path 5 Jurriaanse Zaal Cinerama 6 de Doelen Path 2 Cinerama 6 Willem Burgerzaal de Path Doelen 5 2 WillemCinerama Burgerzaal LantarenVenster 1 Cinerama 2 Path 3 LantarenVenster 1 Path 6 Cinerama 2 3 LantarenVenster 2 Cinerama 3 Path LantarenVenster 2 Path 4 7 Cinerama 3 LantarenVenster 2 LantarenVenster 3 Cinerama 4 Path 5 Cinerama 1 LantarenVenster 3 Cinerama 4 LantarenVenster 5 LantarenVenster 2 5 LantarenVenster Cinerama 2 Path 6 LantarenVenster 5 6 LantarenVenster 2 LantarenVenster 6 Cinerama 3 Path 7 LantarenVenster 6
compilation prog.
Philippine Islands
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prog. 21:15 Clip TG 22:00 compilation BF On the Move SH compilation prog. 86 74 s existem quando Maja Milos compilation prog. Power and Politics lembradas Julia Murat 98 103 100 compilation prog. et dternit 86 22:00 Cinematic RG SH 74 Trait de bave Tributes to Musicians 20:00 Isidore Isou 18:30 21:30 BF The SP Whirlpool TG 22:00 Cinematic Rat Fever 19:30 Trait de De jueves a domingo SH bave et dternit RG 120 compilation prog. SH 72 86 Alvin Case Cludio Assis Dominga Sotomayor Tributes to Musicians Isidore Isou 74 110 96 72 compilation prog. 86 120
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Vers bloed. Eerste of tweede film van filmmakers waarvan het festival in de toekomst nog veel goeds verwacht.
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Het dagelijkse bombardement van beelden van de volksrevoluties in het Midden-Oosten wekt de suggestie dat de Arabische Lente een vlam in de pan was. Power Cut Middle East onderzoekt wat die beelden nu preces zeggen en laat, aan de hand van eerder werk van filmmakers, zien 17:00 18:00 19:00 20:00 21:00 22:00 23:00 dat de revolte al tijden in de lucht hing.
Rotterdam op zijn breedst. Het festival selecteerde actueel, krachtig en Day vernieuwend werk uit 14:00 The He SP alle windstreken, van veteranen tot minder bekende regisseurs. Arrives Hong Sang-Soo 79
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Lultimo terrestre Gianni Speelfilms en documentaires uit China die een beeld schetsen van de Chinese realiteit datPacinotti
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24:00
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of Passion Ace Attorney De kracht van kort: films van nWay tot 59 minuten lang, uit alle windstreken. Ze worden als 14:00 Miike Joerg Burger Takashi The Day He SP 89 Arrives voorfilm bij lange films vertoond, of gebundeld in compilation prog.s.
16:15
1 de Path Doelen Jurriaanse Zaal Path 2 Schouwburg Grote Zaal Path 3 Path 1
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17:15 The Loneliest Planet 19:45 Rnia 22:15 The Ultimate SP BF BF teling en wanbestuur. Naast films19:15 bevat Hidden Histories ook een bijzondere ontmoetingsplek: Big Talk Roberta Dreams 22:30 Pranx Case Julia Loktev Marques SP SP SP Four Suns 135 113 Wuthering Heights 85 80 Tatsumi Bohdan Slma het Ai Weiwei Caf. Hong Sang-Soo Eric Khoo 79 105 150 13:00 A Simple Life 16:00 Room 514 19:00 NickAndrea Arnold SP 22:00 SP BF BF Sur la planche 22:15 Ann Hui Sharon Bar-Ziv Fow Pyng Hu Lela Lultimo Kilani terrestre BF 117 87 84 106 Gianni Pacinotti 96 10:00 Kids Only 18:30 Lena 21:30 My Big-Assed Mother BF BF Black &22:15 White & Ultimate Sex 11:45 Way of Passion 14:00 Ace Attorney 17:15 The Loneliest PlanetChristophe 19:45 Rnia SP SP SP Van Rompaey BF BF The Dankzij het oeuvre van Peter vonJoerg Bagh (filmmaker, festivaldirecteur en wandelende filmenGeen films, maar het echte leven. Met een scala aan activiteiten en evenementen wordt de Case 104 John Winter 119 400 Pranx Burger Miike Takashi Julia Loktev Roberta Marques 89 113 Tamino 85 80 cyclopedie) kunt u binnen n festival RG Finland-kenner Zijn documentaires hebben alledaagse realiteit tot filmische ervaring getransformeerd. 10:15 Hugo 13:15worden. 16:15 135 19:15 22:15 Dans le cadre RG BF BF BF Le voyage extraWeekend Louise Wimmer ordinaire 13:00 A Simple 16:00 Room 19:00 NickNana 22:00 Sur la Scorsese Andrew BF SP BF SP aangevuld met LifeSerge Bromberg 514 Haigh planche cinema enMartin de woelige Finse geschiedenis als onderwerp. Het retrospectief wordt + Le voyage dans la lune 79 Valrie Massadian Mennegun 126 96 73 94 Ann Hui Sharon Bar-Ziv Fow Pyng Hu Lela Cyril Kilani bijzondere historische speelfilms uit Finland. 117 84 106 10:30 Demain? 13:30 Tokyo Playboy Club 16:30 Egg and Stone 87 19:30 Los ltimos cristeros 22:30 Iceberg SP TG TG SP SP My Big-Assed Mother Matas Meyer 18:30 21:30 10:00 Kids Only Christine Laurent Okuda Yosuke Huang Ji Gabriel Velzquez BF BF Lena 95 97 97 90 84 Black & White & Sex Christophe Van Rompaey John Winter 119 104 9:45 Standards 12:45 Old Dog 15:45 Wereldsneak! 400 BF 18:45 Romance Joe 21:45 BF SP TG SP Punk in Africa Grandma Lo-fi Dans le cadre Pema Tseden Lee Kwang-Kuk Keith Jones / Deon Maas 10:15 Hugo 13:15 16:15 Weekend 19:15 Tamino 22:15 BF BF BF RG Le voyage extra- RG 88 115 82 various directors Nana Louise Wimmer ordinaire Serge Bromberg Martin Scorsese79 Andrew Haigh 80 + Le voyage dans la lune 79 Valrie Massadian Cyril Mennegun 96 18:15 73 94 12:15 It 126 15:15 Peace versus SP 21:15 Back to the Looks Pretty A Shape of TG SP PC De jueves a domingo TG Justice from a Distance 13:30 Error Square Dominga Sotomayor 10:30 Demain? 16:30 Egg and Stone 19:30 Los ltimos cristeros SP 22:30 Iceberg TG TG SP SP Tokyo Playboy Club Klaartje Quirijns Anka & Wilhelm Sasnal Okuda Abigail Child Petr Lom 96 77 64 70 Matas Meyer 83 Christine Laurent Yosuke Huang Ji Gabriel Velzquez 95 12:30 97 15:30 97 18:30 90 84 9:30 I Carried You Home 21:30 Abrir puertas y BF SP TG SP BF Rat Fever Sudoeste Verano ventanas Tongpong Chantarangkul BF Cludio Assis Eduardo Nunes Jos Luis Torres Leiva 9:45 Standards 12:45 15:45 18:45 21:45 SP BF TG SP Old Dog Wereldsneak! Romance Joe Punk in Africa Milagros Mumenthaler 113 110 128 93 98 Grandma Lo-fi Pema Tseden Lee Kwang-Kuk Keith Jones / Deon Maas 79 80 115 82 11:45 The Blindfold 14:15 88 17:00 Women 19:45 A la Cantbrica 22:30 Boxing in the SP SP BF SP Le reste various du directors Rua Aperana 52 SP on the Edge SP Philippine Islands monde Garin Nugroho Jlio Bressane 15:15 Peace versus SP Kobayashi Masahiro Ezequiel Erriquez Buenas noches, Espaa 12:15 18:15 A Shape of 21:15 Back to the It Looks Pretty TG SP PC De jueves a domingo TG Damien Odoul 81 102 80 101 80 Raya Martin Justice from a Distance Error Square Dominga Sotomayor 20:00 Pockpicket
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BF 66 Andrs Duque 104 SP SP91 Oslo, August 31st Alps Kotoko Oude Luxor 15:30 The Invader 18:30 Les gants 21:30 Skoonheid SP Lanthimos BF BF Joachim Trier Yorgos Tsukamoto Shinya 98 113 97 Nicolas Provost Bouli Lanners Oliver Hermanus Path 7 20:00 22:30 I Carried You 95 84 Sur la planche 99 Home BF BF de Doelen Lela Kilani Tongpong Chantarangkul 17:00 Stateless Things 19:45 Hoy no tuve miedo SP 106 SP Jurriaanse Zaal 113 Kim Kyung-Mook Ivn Fund Cinerama 1 09:00 10:00 11:00 12:00 13:00 14:00 15:00 SP 16:00 16:45 Die Ruberin 17:00 18:00 19:00 20:00 21:00 21:45 O 22:00 23:00 24:00 11:45 19:15 115 122imprio do desejo BF SP MG Old Dog The Loneliest Planet Schouwburg Pema Tseden Markus Busch da cinemateca Julia19:45 Loktev Carlos Reichenbach Gurdy Big Talk Moxie O vampiro 16:30 Hurdy 19:30 22:15 17:00 BF SP SP MG HH When the Bough Breaks Grote Zaal 88 92 113 110 Oslo, August 31st ficante AlpsJi Dan Kotoko O insigne Oude Luxor Cinerama 4 13:00 38 tmoins 16:00 Dois 19:00 120 22:00 Damsels Joachim Trier Yorgos Lanthimos Shinya SP 98 113 97 Jairo Ferreira BF SP SP 144Tsukamoto La leggenda di in Distress 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 19:45 20:00 21:00 22:00 23:00 24:00 Rnia Kaspar Hauser Lucas Belvaux Whit Stillman Path 1 09:00 Vereda tropical 20:00 17:00 The Hunter 22:15 22:30 BF MG BF MG BF Sur la planche I Carried You Snuff: Vitmas do Home prazer Roberta Marques 104 101 90 92 Davide Manuli de Doelen 09:30 A Temple 12:30 Girimunho O despertar da besta Lela Kilani Tongpong Chantarangkul Bakur Bakuradze Cludio Francisco Cunha SP BF Cinerama 5 de Doelen 16:00 Punk in Africa 18:30 Chapiteau-show 13:30 Jurriaanse Zaal 106 113 Jos Mojica Marins BF SP 123 111 BF 109 Par exemple, Umesh Vinayak Kulkarni Helvcio Marins Jr. / Clarissa Campolina Electre 11:45 Jurriaanse Zaal Keith Jones / Deon Maas Sergey Loban 146 90 Path 2 16:45 19:15 21:45 O imprio do desejo 15:30 SP 20:00 Mondomanila BF SPSP MG RG The Loneliest Old Dog 80 Die Ruberin Planet Anna 82 207 J. 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Samarasinghe 90 86 101 10:00 DINAMO P&I vermelha SH Competition for Party Surprising Mysteries Madness Matas Meyer Jos Luis Torres Leiva Maja Milos Park Wrap Hong-Min Path 3 LantarenVenster Screenings 3 15:15 Snuff: 18:15 Tokyo Short Films 1 92 21:15 It80 Looks Pretty RogrioTG Sganzerla TG compilation prog. TG compilation prog. Vitmas 85 compilation prog. 93 12:15 Sudoeste 90 100 do prazer MG 80Playboy Club 79 105 LantarenVenster 2 compilation prog. from a Distance 91 Eduardo Nunes 13:30 Cludio Francisco Cunha Okuda Yosuke Path 6 Silncio de dois sons 10:30 Nick 17:00 22:30 14:45 17:15 19:30 22:00 TG BF SP On the Move Waiting for Snow in SH Short RG BF SH RG Anka & Wilhelm SH Egg and Stone PabloStories: Hail Sasnal 128 109 Waving Back 97 77 My Kampong Power Politics Girimunho compilation prog. compilation prog.Courtin-Wilson Fow Pyng Hu Huang Ji Richardand Goldgewicht Amiel Path 4 LantarenVenster 5 9:30 Wuthering Heights 12:30 Romance Joe 18:30 Voice 21:30 The Invader H. 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Vers bloed. nog veel Two YearsEerste at Seaof tweede film van filmmakers waarvan het festival in de toekomst Dig! Dig! Dig! Tales and Public Screenings Monday 30 January signals: pc Two Cities power cuT middle easT Ben Rivers compilation prog. Vers bloed. Eerste of tweede film van filmmakers waarvan het festival in deIts toekomst nog veel goeds verwacht. Het dagelijkse bombardement van beelden van de volksrevoluties in het Midden-Oosten wekt Immaterial Sound Bites Public Screenings Monday 30 January Paavo Nurmi compilation prog. compilation prog. Power goeds verwacht. Het dagelijkse bombardement van beelden van de volksrevoluties in het Midden-Oosten wekt de suggestie dat de Arabische Lente een vlam in de pan was. Cut Middle East onderzoekt 09:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 Its Immaterial Sound Bites Peter von Bagh Public Screenings Wednesday 114:00 February Peter Von Bagh /23:00 Markku Koski Paavo Nurmi23:00 compilation prog. compilation prog. de suggestie dat nu de preces Arabische Lente een vlam panvan was. Power Cut Middle East onderzoekt 09:00 10:00 Peter von Bagh 11:00 12:00 13:00 15:00 16:00 17:00 18:00 zeggen 19:00 20:00 21:00 22:00 wat die beelden en laat, aanin dede hand eerder werk van filmmakers, zien Peter Von Bagh / Markku Koski specTrum sp 09:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 Oslo, 17:00 18:00 19:00 20:00 22:00 August 31st al nu Kotoko wat die beelden preces zeggen en laat, Alps aan de hand van eerder21:00 werk van filmmakers, zien 23:00 dat de revolte tijden in de lucht hing. Press & Industry Screenings Sunday 29werk January Joachim Trier Yorgos Lanthimos Tsukamoto Shinya specTrum sp Oslo, August 31st al tijden in de lucht hing. Alps Kotoko dat de revolte Rotterdam op zijn breedst. HetScreenings festival selecteerde actueel, krachtig en vernieuwend uit Public Screenings Monday 30 January Die Unsichtbare Alms for the Blind Horse Press & Industry Sunday 29 January Joachim Trier Yorgos Lanthimos Tsukamoto Shinya Sur la planche I Carried You Home Gurvinder Singh op zijnvan breedst. Het festival selecteerde actueel, krachtig en vernieuwend werk uit alle windstreken, veteranen totMonday minder bekende regisseurs. 09:00 Rotterdam 10:00 11:00 12:00 13:00 14:00 15:00 16:00 Christian Schwochow 17:00 18:00 19:00 Shame 20:00 21:00 22:00 Public Screenings 30 January Lela Kilani Tongpong23:00 Chantarangkul Steve McQueen Sur la planche 21:00 I Carried You Home 09:00 alle windstreken, 10:00 11:00 12:00 bekende13:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 22:00 23:00 signals: hidden hisTories hh van veteranen tot minder regisseurs. 09:00 10:00 11:00 12:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 Lela Invader Kilani Tongpong Chantarangkul A Temple Girimunho Press & Industry Screenings Tuesday 31 January The Public Screenings Wednesday 1 February signals: hidden hisTories hh23:00 09:00 Umesh Vinayak 10:00 11:00 12:00 Helvcio Marins 13:00 14:00 15:00 16:00 17:00 en documentaires 18:00 19:00 20:00 21:00 22:00do Kulkarni Jr. / Old Dog Die Ruberin The Loneliest Planet O realiteit imprio desejo Speelfilms uit China die een beeld schetsen dat Nicolas Provost van de Chinese
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Public Screenings Wednesday 25 January Public Public Screenings Screenings Wednesday Wednesday 25 25 January January
113 117 Lucas Belvaux Stillman Future Lasts Forever Invader13:00 Play Sur la planche 16:00 Damsels in Distress 19:00 Lultimo terrestre 22:00 Whit Lela Kilani Tongpong Chantarangkul BF SP BF SP Lhiver Goodbye voorfilm bijBF lange films vertoond, of The gebundeld in compilation het Ai Weiwei Caf. 16:00 Roberta 18:30 13:30dernier Marques 11:30 Bunohan 14:15 Sudoeste 17:30 Miss 20:15 L ultimo 104 101 90 92 Provost stlund Lela Kilani Davide Manuli SP BF BF TG in SP BF Punk Africa Par prog.s. exemple, 11:45 16:45 19:15 21:45 Oslo, August 31st Alper Bala terrestre 106 113 BF BF Chapiteau-show SP SP 09:45 zcan 12:00 Nicolas 14:15 Ruben 16:45 Old Dog Die Ruberin The Loneliest Planet O imprio do desejo BF BF SP 20:00 22:30 Whit Stillman Gianni Pacinotti Mohammad Rasoulof Future Lasts Forever The Invader SPJohn Shank Play Sur la planche La leggenda diMG BF SP Invader 108 Iskandar 95 113 Jones / Deon 106 Maas Sergey Loban Julia Loktev The Gianni Joachim Trier zcan Alper Dain Said Eduardo Nunes Naranjo Gonzalez Pacinotti Pema Tseden Markus Busch Gerardo Carlos Reichenbach 16:00 Keith 18:30 13:30 Electre 103 92 96 104 Nicolas Provost Ruben stlund Lela Kilani SP BF BF Kaspar Hauser Punk in Africa Chapiteau-show Par exemple, 11:45 16:45 19:15 21:45 Nicolas Provost BF SP MG SP Old Dog Die Ruberin The Loneliest Planet O imprio do desejo 82 207 80 95 11:00 97 113 96 J.95 Balibar / Pierre Lon 88 Joe 113 128 92 110 13:15 15:15 Romance 18:15 Room 108 106 Lacan SP SP TG TG BF 20:00 Shock Head Soul 113 SP Im Still Alive Return to Burma 514 Davide Manuli Electre Keith Jones / Deon Maas Sergey Loban 95 90 House Party 12:30 The Sound of Light BF 15:30 The Comedy 18:30 Back to the Square 21:30 Pema Tseden Markus Busch Julia Loktev Carlos Reichenbach SP PC SP Palestine 10:15 Verano SP Peter van Houten 16:15 19:15 O bandido 22:15 A Fish 09:30 Monsieur 82 207 80 Midiltimos ZBalibarcristeros Kwang-Kuk Bar-Ziv Pummell Los daSimon luz SP J. / Pierre Lon SP SP MG Dois Clip 13:00 13:15 16:00 19:00 22:00Room 92 113 11:00 Im Still Alive 13:15 15:15 Lee 18:15 Sharon Visiting BF TG SP 38 tmoins di Damsels in Distress SP 110 TG Lacan SP Lazhar SP TG BF 20:00 SP Lom La leggenda Return to Burma Romance Joe Room 514 Shock Head Soul Juichiro Rick88 Alverson 14:15 17:00TG SPPetr SP Mike Hoolboom 70 86Yamasakifestivaldirecteur 84 115 87 aan 86 Bunohan Dankzij het oeuvre van Peter von Bagh (filmmaker, enPlay wandelende filmenvermelha Geen films, maar het het echte leven. Met een scala activiteiten en evenementen wordt de Matas Jos Luis Torres Leiva Maja Milos Park Hong-Min Philippe Falardeau Dankzij het oeuvre van Peter von festivaldirecteur filmenRnia Palestine Geen films, maar leven. Met een scala aan activiteiten wordt de A. Baciu R. Muntean Kaspar Hauser 10:15 Lucas Belvaux Whit Stillman 89 en wandelende 95 83 78 Peter van Houten Midi Z Meyer cristeros Lee Kwang-Kuk Sharon Bar-Ziv Simon Pummell en evenementen Los ltimos O bandido da luz SP Bagh (filmmaker, SP TG Dois Clip Verano A Fish 13:00 13:15 16:00 16:15 19:00 19:15 22:00/22:15 Ruben stlund Dain Iskandar Said echte BF TG SP MG 92 SP SP Rogrio Sganzerla 93 90 105 38 tmoins La leggenda di Damsels in Distress 94 Roberta Marques 10:00 DINAMO 101 100 90 92 Mike Hoolboom 70 86 84104 115 87 aan activiteiten 86 Davide Manuli P&I Dankzij het oeuvre van Peter von Bagh (filmmaker, festivaldirecteur en wandelende filmenvermelha SH Geen films, maar het echte leven. Met een scala en evenementen wordt de cyclopedie) kunt u binnen n festival Finland-kenner worden. Zijn documentaires hebben Matas Meyer alledaagse realiteit tot filmische ervaring getransformeerd. Jos Luis Torres Leiva Maja Milos Park Hong-Min 113 97 Rnia cyclopedie) kuntWorld u binnen n festival worden. Zijn documentaires hebben 16:00 UPCinema-dag Kaspar Hauser Lucas Belvaux Whit Stillman 10:15 13:15 22:15 alledaagse realiteit tot filmische ervaring getransformeerd. He Was a Giant SPFinland-kenner BF SP Unfair Ace Attorney Screenings 3 10:30 13:30 17:00 Silncio de dois sons 19:30 22:30 Rogrio Sganzerla 11:30 The 09:30 Jouer 93 90 TG 92 RG 105 SP BF BF Hyperwomen RG BF Nick Egg and Stone Pablo Hail Ponette 16:00 Roberta 13:30 Marques 10:00 101 100tot 18:30 90 92 Davide Manuli BF BF104 aangevuld SP DINAMO P&I SH with Brown Eyes Punk in Africa Chapiteau-show Par exemple, cyclopedie) kunt u binnen n festival Finland-kenner worden. Zijn documentaires hebben alledaagse realiteit filmische ervaring getransformeerd. cinema en de woelige Finse geschiedenis als onderwerp. Het retrospectief wordt met Filippos Tsitos Miike Takashi 13:00 16:00 19:00 22:00 compilation prog. 91 SP BF SP BF Lhiver dernier Damsels in Distress Lultimo terrestre Goodbye cinema en de woelige Finse geschiedenis als onderwerp. Het retrospectief wordt aangevuld met Keith Girimunho various directors Fow3 Pyng Hu Huang Ji Richard Goldgewicht Amiel Courtin-Wilson Jeanne Crpeau Screenings Silncio de dois sons Electre 10:30 Nick 13:30 17:00 19:30 22:30 Jones / Deon Maas Sergey Loban Eileen Hofer 118 85 135 350 SP TG BF RG BF Egg and Stone Pablo Hail 16:00 Whit 18:30 Chapiteau-show 13:30 Marins Jr. / C. Campolina Shank Stillman Gianni Pacinotti Mohammad Rasoulof BF BF aangevuld SP 84 Finland. 97 104 103 104 Punk in Africa H. Par exemple, 80 John 92 cinema en de woelige Finse geschiedenis als onderwerp. Het retrospectief wordt met bijzondere historische speelfilms uit compilation prog. 82 207 80 91 J. Balibar / Pierre Lon Girimunho bijzondere historische speelfilms uit Finland. Fow Pyng Hu Huang Ji Richard Amiel Courtin-Wilson 104 103 92 Electre Keith Jones / Deon Maas Sergey Loban 15:00 Hugo 17:30 The 20:00Goldgewicht 22:15 A Simple SP BF 21:45 SP 104 Descendants Hello, Mr.96 Tree! Life SP H. Jr. / C. Campolina 15:45 Un 19:15 09:45 12:00 14:30 Hearts Boomerang 16:45 18:30 L hiver 84 Finland. 97 104 dernier 103 Looks Pretty nuage dans unIt RG BFMarins BF cristeros SP TG BF Shock Head Soul Women on the Edge The10:15 Invader for the Blind Horse bijzondere historische BF speelfilms 13:15 16:15 Clip 19:15 O 22:15 A 82 207 80 Los ltimos bandido da luz Jie SP J. Balibar / Pierre Lon SP TG MG TG SP uit Alms Verano Fish House Party Martin Scorsese Alexander Payne Han Ann Hui 12:30 The Sound of 15:30 18:30 21:30 Back to the Square SP a Distance PC SP BF from deau Light The verre Comedy Simon Pummell KobayashiPark Masahiro Nicolas Provost Gurvinder Singh Nikolay Khomeriki 15:45 John Shank vermelha Matas Meyer 21:45 Luis Torres Leiva Milos Hong-Min 126 115 88 117 Un nuage dans unA. Sasnal BF Shock Head Women on the Edge SP 101 TG Visiting Room 10:15 Jos 16:15 19:15 O 22:15 A Petr Lom 19:15 / W. Sasnal Los ltimos cristeros bandido da Soul luz103 SP Srinath C. Maja Samarasinghe SP TG MG SP Yamasaki13:15 Juichiro Rick Alverson 90 86 95 117 96 77 Verano Clip Fish Rogrio Sganzerla 93 90 100 92 105 verre deau Simon Pummell Kobayashi Masahiro A. Baciu / R. Muntean vermelha 95 83 78 Matas Meyer 89 Jos Luis Torres Leiva Park Hong-Min 15:45 I Wish Maja Milos 18:45 Blacks Game 21:45 Francophrenia SP TG SP 18:15 Tokyo Playboy 09:30 A Simple Life 12:00 12:15 14:00 Black 16:15 19:00 Verano 21:00 21:15 22:30 Srinath C. Samarasinghe 90 de dois 86 101 BF It Looks Pretty TG & White MG TG TG Par SP BF BF MG SP SP 22:30 Sudoeste Vitmas do prazer Club sons &15:15 SexSnuff: O convite aoSilncio prazer Mondomanila Rogrio Sganzerla 10:30 Nick 13:30 Egg 17:00 19:30 93 La jubilada 90 TG 100 92 RG 105 BF BF SP and Stone Pablo Hail Ian Olds / Kore-eda Hirokazu skar Thor Axelsson 13:15 He Was a Giant 16:00 22:15 Ace exemple, from a Distance BF SP SP World UPCinema-dag Attorney Electre Ann Hui 10:15 Unfair Jairo Eduardo Boisier Olave John Winter Walter Hugo Khouri Jos Luis Torres Leiva Khavn De La Cruz Nunes Francisco Cunha Yosuke 12:15 15:15 Cludio 18:15 Okuda 21:15 James Franco Fow Pyng Hu Huang JiEyes Richard Goldgewicht It Looks Pretty TG MG Girimunho TG TG Amiel Courtin-Wilson 128 100 69 Sudoeste Snuff: Silncio de dois sons 10:30 13:30 17:00 19:30 Pablo 22:30 with Brown TG BF Playboy Club RG Anka & Wilhelm Sasnal J. Balibar / P. Lon 117 SP 83 Egg 94 Vitmas do prazer 109 Tokyo 93 75 80 BF 128 109 97 77 Filippos Tsitos Miike Takashi Nick and Stone Hail H. Marins Jr. / C. Campolina 84 97 Cludio Francisco Cunha 104 103 104 from a Distance Eduardo Nunes Okuda Yosuke Eileen Hofer Ji TG 85 350 135 Girimunho Drama of Time Fow Pyng11:15 Hu Huang Goldgewicht Courtin-Wilson 12:15 118 15:15 15:30 18:15 18:30 21:15 21:30 In April the Following TG Patience (After SPRichard PB Living Anka & Wilhelm Sasnal Amiel 09:30 9:30 Splinters 12:30 109 77 - A Heights PB SP SP TG 128 TG TG97 BF Demain? Wuthering Romance Joe Return to Burma Voice of My Father The Invader H. Marins Jr. / C. Campolina 19:15 21:45 84 97 Year,15:45 104 103 104 Un nuage dans un SP SP BF There Was a Shock Head Soul Women on the Edge Sebald) A Time of Roses Vasily Sigarev 15:00 Hugo 17:30 The Descendants 20:00 Hello, 22:15 A Century of an Artistic SP BF SP RG Mr. Tree! Simple BF Life Christine Laurent 12:30 Andrea Arnold Lee Kwang-Kuk Midi verre Z Somumjarn Orhan / Nicolas Provost Fire Wichanon 9:30 Family 15:30 18:30 21:30 Simon Pummell Kobayashi Masahiro Grant Gee Eskiky SP TG TG TG Risto Jarva 119 80 82 123 Wuthering Heights Romance Joe Return todeau Burma Voice of My Father The Invader Ann Peter von Bagh 74 15:45 19:15 21:45 Un nuage dans un Zeynel Dogan 95 SP 130 115 84 BF 87 95 SP Martin Scorsese Alexander Payne Han Jie Hui Shock Head Soul Women on the Edge Srinath C. Samarasinghe 90 86 101 Andrea Arnold Lee Kwang-Kuk Midi verre Z Orhan Eskiky Simon / 115 Pummell Nicolas Provost Masahiro deau 117 Kobayashi 9:30 Monsieur 12:30 L 15:30 Neighbouring 18:30 Hearts 21:30 88 SP TG TG 126 TG SP Lazhar Sounds Boomerang Miss Bala 22:30 10:00 Parts 12:00 9:15 The 14:45 House Party 17:00 19:45 130 115 84 87 BF 11:45 SP BFof the Heart BF SP BF Zeynel Dogan BF 11 514 Flowers Whirlpool Room Gaamer Totem 95SP 101 BF Srinath C. Samarasinghe 12:15 15:15 Snuff: Vitmas 18:15 Tokyo 21:15 It Looks Pretty 86 TG TG Sudoeste do prazer Playboy Club TGLa jubilada Philippe Babis Makridis Kleber Mendona Filho MG Oleg90 Nikolay Khomeriki Gerardo Naranjo Gonzalez Visiting Room 15:45 18:45 21:45 Francophrenia TG Olave SP Krummacher Paul Agusta Wang Xiaoshuai Case Falardeau Bar-Ziv SentsovSP Boisier I SP Wish Blacks Game from a Distance 9:15 Alvin 11:45 Sharon 14:45 House Party 17:00 Gaamer 19:45 Jairo 22:30 Jessica Eduardo Nunes Cludio Francisco Cunha Okuda Yosuke BF BF BF BF 94 86 TG 100 124 96 113 The Whirlpool BF 74 Room 514 La jubilada Totem 12:15 15:15 18:15 21:15 A. Baciu / R. Muntean It Looks Pretty 90 110 Ian Olds / 87 78 92 83 86 MG TG TG Sudoeste Snuff: Vitmas do prazer Tokyo Playboy Club Kore-eda Hirokazu skar Thor Axelsson Anka & Wilhelm Sasnal Jessica Visiting Room 128 109 Sentsov 97 Boisier Olave 77 Alvin Case Sharon Bar-Ziv Oleg Jairo Krummacher James Franco from a Distance 128 100 69 Eduardo Nunes Cludio Francisco Cunha Okuda Yosuke 9:15 Bonz 11:45 14:15 Chapiteau-show 19:45 The20:15 22:30 Gaamer Hyperwomen BF BF 83 BF86 A. Baciu / R. Muntean 10:00 Behind 74 12:15 Roman Diary 87 15:00 17:30 BF 78 92 Lacan An Oversimplification SP MG BF BF Walls BF PC SP Hail O convite ao prazer Papirosen AnkaThe & Wilhelm Sasnal 22:45 9:30 Wuthering 12:30 Romance Joe 15:30 Return SP 18:30 21:30 109 97 77 TG 128 TG BF Heights to Burma TG Voice of My Father Invader About the Pink Sky prog. various directors of Time Amiel Courtin-Wilson Oleg Sentsov Palestine of Her Beauty 12:15 15:15 18:15Khouri 21:15 Drama In April the Following TG Patience (After SP PB TG Sergey Loban compilation Michael Pilz Walter Hugo Gastn Solnicki BF 10:00 12:15 Living 15:00 Lacan Midi Z SP 17:30 O 20:15 An Oversimplification 22:45 Papirosen Arnold Lee Kwang-Kuk Orhan Eskiky Nicolas Provost PC SP MG / BF Behind Walls Roman Diary convite ao prazer Kobayashi Keiichi 119 84 104 207 80 92 9:30 Andrea 12:30 15:30 18:30 21:30 Year, There Was a Mike Hoolboom Terence Nance 70 109 93Roses 74 Sebald) TG124 TG TG BF SP A Time Wuthering Heights Romance Joe Return to Burma Voice of My Father Theof Invader Vasily Sigarev Zeynel Dogan 130 115 84 87 95 Palestine of Her Beauty compilation prog. Michael Pilz Walter Hugo Khouri Gastn Solnicki Fire Wichanon Gee Eskiky / RistoNicolas Jarva93 Provost 22:45 23:00 119 80 82 123 Andrea Arnold Lee Kwang-Kuk Midi Z Somumjarn Orhan La maleta 10:00 12:30 Egyptian 17:30 Il se peut que la Grant 20:15 Parts Lhypothse du Tamino BF PC BF BF RG Timelines 3 Patron of the Heart 15:00 15:15 17:00 Rua Mike Hoolboom Terence Nance 84 124 70 74 Lilian M.: Relatrio BF MG BF AParty la The Cantbrica Aperana 52 SP BF RG 9:15 The Whirlpool 11:45 14:45 House 17:00 22:30 Totem Zeynel Dogan 109 19:45 20:00 130 115 84 Gaamer 87 95aquatique BF SP BF BF BF Room 514 La jubilada Mokl-Mbemb Ballet beaut ait renforc Saints compilation prog. Paul Agusta Confidencial Nana 9:30 Monsieur Lazhar 12:30 L 15:30 Erriquez 18:30 Hearts Boomerang SP 21:30 Miss Bala Ezequiel Jlio Bressane TG TG SP SP Neighbouring Sounds Visiting Room Tamino 17:00TG 20:00 23:00 Case Oleg Sentsov Jairo Lilian BoisierReichenbach Olave Jessica Krummacher M.: Relatrio BF MG BF notre rsolution Grandrieux AParty la Cantbrica Aperana 52 SP Marie Voignier Ral Ruiz M. Shatzky SP B. Cassidy House 78 11:45 Sharon Bar-Ziv 121 15:00 72 74 90 9:15 Alvin 14:45 17:00 Rua Carlos Valrie Massadian 80 Filho 80 Nikolay 120 22:30 73 BF BF BF 69 BF The Philippe Whirlpool Room 514 Babis Makridis Gaamer Totem Falardeau Kleber/Mendona Khomeriki 19:45 La jubilada Gerardo Naranjo Gonzalez A. Baciu / R. Muntean 74 87 78 92 86 Confidencial BF 83 Nana Ezequiel Jlio Bressane Visiting RoomErriquez Alvin Case Sharon Bar-Ziv Sentsov Jairo Carlos Boisier Olavedo desejo Jessica Krummacher Silncio de dois sonsOleg 94 RG 86 100 124 96 113 16:00 PB 20:00 10:00 Epstein, Young BF MG RG 10:00 Jean 12:30 small roads 15:00 17:30 Reichenbach O imprio Valrie 80 80 120 22:30 Jouer Ponette 73 Peace versus SP SP SP Massadian Splinters Century ofao Birthing A. Baciu / R. Muntean SP 10:00 Oceans 12:15 Roman 15:00 17:30 O 20:15 An Oversimplification 22:45 Papirosen 74 87 78 92 83 Lacan SP MG BF BF 86 PC Behind Walls Diary convite prazer of Cinema Girimunho Carlos Reichenbach Crpeau Justice 9:15 Bonz 11:45 Hail 14:15 Chapiteau-show 19:45 The Hyperwomen 22:30 Jeanne James BenningBF Peter von Bagh Lav Diaz BF BF BF BF Gaamer Palestine of Her Beauty 10:00 Peace 12:30 15:00 17:30 versus compilation prog. Michael Pilz Walter Hugo Khouri Gastn Solnicki SP SP PB SP H. Marins Jr. / C. Campolina small roads Splinters ofao Birthing 90 104 110 92 J. Schneider + Le tempestaire 10:00 12:15 Roman 15:00 Lacan 17:30 Century 20:15 22:45 Klaartje Quirijns 64 PC 74 An Oversimplification SP103 SP MG Behind Walls Diary O convite prazer About the Pink Sky various directors Amiel Courtin-Wilson Sergey Loban Sentsov 09:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 23:00355 BF 74 24:00 Mike Hoolboom Terence Nance 21:00 BF 93 22:00 Oleg Papirosen 84 124 70 109 Justice James Benning Peter von Bagh Lav Diaz Palestine of Her Beauty 09:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 24:00 compilation prog. Michael Pilz Walter Hugo Khouri Gastn Solnicki Kobayashi Keiichi One Old Man 119 104 207 80 92 10:00 12:30 15:00 17:30 20:15 Dans le cadre Shape of When the Lights BF SP PC SP HH 12:15 Oh! A 14:45 LostShifting 17:15 20:00 Lultimo terrestre 22:30 Senta Klaartje Quirijns 64 SP 103 355 Im Still Alive no 23:00 meu, que BF HH74 BF MG 24:00 Rebuceteio in the Mountain Tamino 09:00 9:45 Lanabase 10:00 11:00 12:00 Error 13:00MG 14:00 15:00 16:00 17:00 19:00 20:00 21:00 22:00 Hoolboom Terence Nance 15:00 Mike 17:00 Rua 20:00 Lilian 23:00 84 124 70 109 93 74 M.: Relatrio 21:00 King BF SP MG BF A la Cantbrica Aperana 52 18:00 BF Shores 2 Went Out Curling Apuda eu entro na tua Peter van Houten La maleta Louise Wimmer Eric Baudelaire Cludio Francisco Cunha Zipeng Gianni Pacinotti Lhypothse du se peut que la PC 14:45 Gao 15:15 BF RG BF DansIlle cadre Timelines 3 The Patron Parts of21:00 the Heart BF 22:30 22:45 Confidencial 9:45 10:00 12:15 12:30 17:15 20:00 20:15 King Curling Nana Senta no meu, que RG Ezequiel Erriquez Jlio17:30 Bressane BF MG 70 BF BF BF MG prog. 58 HH Lanabase Oh! Egyptian Rebuceteio Lostcompilation in the Mountain Lultimo terrestre Ole Endresen Abigail Child Pat Holden Tamino He Yuan 86 164 15:00 17:00 Rua 20:00 Lilian Ody 23:00 Fraga Cyril Mennegun 67 84 94 85 96 MG BF 88 M.: Relatrio 21:00 Ole BF 95 SP A la Cantbrica Aperana 52 Mokl-Mbemb Ballet aquatique beaut ait renforc Saints King Curling compilation Paul Agusta Carlos Reichenbach Valrie Endresen eu entro na tua Massadian BF 73 80 80 120 75 Louise Wimmer Eric Baudelaire Cludio Franciscoprog. Cunha Gao Zipeng Gianni Pacinotti Confidencial Nana notre rsolution Grandrieux Ezequiel Erriquez Jlio Bressane Marie Voignier Ral Ruiz Dance of Ganesha M. Shatzky / B. Cassidy 78 121 7494 19:15 69 Endresen 9:45 Century of Birthing 22:30 75 A Dangerous 15:15 Tiger 17:00 17:15 21:45 Ody Fraga TG Method SP SP Awards BF SP Cyril Mennegun 67 84 95 72 96 90 88 Rua 52 Ole Egyptian TS PC BFAperana Corta 20:00 Carlos De jueves Reichenbach 10:00 Peace versus SP 12:30 small roads 15:00 Splinters 17:30 Century Valrie 80 80 120 75 a domingo 73 SP PB SP Massadian of Birthing Carnival David Cronenberg 1 Competition Lav Diaz Jlio Bressane Silncio de dois sonsTimelines Guerrero Sotomayor 10:00 16:00 for 22:30 Jean Epstein, Young BF MG Dominga RG RG do desejo 80 21:45 Jouer Ponette Justice 15:15 19:15 Felipe Awards PC BF TG James Benning PeterTiger von Bagh Lav Diaz Corta 20:00 O imprio De jueves a domingo Short Films 5PB TS 74 17:00 Egyptian Madhuja Mukherjee 355 76 93 compilation prog. 10:00 Oceans 12:30 small 15:00 Splinters 17:30 72 69 Peace SP SP 96 SP roads of Birthing of Cinema Girimunho Carlos Reichenbach Jeanne Crpeau Klaartje versus Quirijns Timelines Century 1 Competition for 64 103 74 355 Felipe Guerrero Dominga Sotomayor Justice Jr. / C. Campolina James Benning PC von Bagh Diaz 90dans un 104 110 la planche J. Schneider + Le tempestaire 11:00 15:30 19:00 Hope 21:45 Short Films 5H. Marins compilation prog. 12:15 Back 15:00 Peter 17:30 Lav 20:15 Nothing 22:30 Ex Press Un nuage BF PB SP BF SP 74 72Voice RG 69 96 to the Stories: Masters Without a Old Dog 9:45 Splinters SH SH Sur BF 92 le cadre Klaartje Quirijns 12:15 Oh! Rebuceteio 14:45 LostShort 17:15 DansThe 20:00 Lultimo 22:30 Senta no meu, que 64 103 355 MG HH74 BF BF MG BF Lanabase in the Mountain terrestre verre deau Shock Head Soul Square Womens Destiny Woman or a Girl Pema Tseden 10:00 Peter von Bagh Lela Kilani compilation prog. One Old Man 15:00 17:30 20:15 Ato Shape When the Lights SP PC SP HH na tua SP 12:15 12:30 15:00 Shifting 17:30 20:15 Nothing 22:30 Jet eu Leyco entro Im Still88 Alive Srinath Louise Wimmer the of Short Stories: Masters Voice RG Without PC SH SH Cludio Pacinotti le cadre C. Samarasinghe 90 Francisco Cunha 74 97 106 BF 90 Petr Lom compilation prog. compilation prog. a 9:45 Eric Baudelaire 12:15 Back 14:45 Gao Zipeng 17:15 DansThe 20:00 Gianni 22:30 Ex Press 83 84 84 Simon Pummell 90
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Senta no meu, que MG 88 BF BF Burger Lanabase Joerg Oh! Rebuceteio MG 84 LostWomens in the Mountain Lultimo terrestre Competition Alvin CaseCyril compilation Ody Fraga Square Destiny HH 95 Woman or a Girl Mennegun 67 96 Kivu Ruhorahoza prog.100 BF 94 1 Jet Leyco El de for Utopia LantarenVenster 2 Mondomanila So Sorry + Ordos eucuaderno entro na tua Wu Quan Isaki Lacuesta Louise Wimmer for Short Films 2 Eric Baudelaire Cludio Francisco Cunha Zipeng Gianni Pacinotti Cinerama 6 89 74 71 104 7 10:00 12:15 14:45 Gao 17:15 Traces 20:15 Petr Lom compilation prog. compilation 83 84 84 90 90 A Shape of Tiger Awards TS SP SH PB SP Isaki Lacuesta barro Play The Story prog. of Mikko Niskanen Andrs Duque Khavn De La Cruz Ai Weiwei 75 90 118 135 89 Ody Fraga 15:15 Tiger Awards 17:00 Egyptian 21:45 Cyril Mennegun 67 84 95 94 19:15 Corta 96 87 88 PC BF TG TS De jueves a domingo Error Competition 17:30 20:15 22:15 Nothing Without a Ruben stlund compilation prog. SH Peter von Bagh Lifes Fullfor of TS SH Echoes from the for Puzzled Bitter Sweet and SH SH SH LantarenVenster 3 10:00 A Shape of 12:15 12:30 14:45 15:00 17:15 20:15 20:30 Timelines 1 Competition Tiger Awards SP SH PB SP Felipe Guerrero Dominga Sotomayor Play Traces The Story of Mikko Niskanen 14:45 17:30 Short Films 6 LantarenVenster 1 Abigail Child Lilian M.:Tiger Relatrio 15:15 17:00 Egyptian compila19:15 Corta 21:45 BF HH 70 73 113 83 178 Wonders for Past Golden The Hunter When the Bough Breaks Woman or a Girl Awards PC BF TG TS MG De jueves a domingo Short Films 5 16:00 09:00 10:00 11:00 12:00 13:00 14:00 15:00 17:00 18:00 19:00 20:00 22:00 23:00 24:00 compilation prog. LantarenVenster 2 Error Competition 74 72 69 von Bagh 21:00 96 Ruben stlund compilation prog. Peter Confidencial LantarenVenster 3 Timelines tion 1 prog. Competition compilation prog. compilation prog. for 76 compilation compilation prog. Bakur Bakuradze Ji Dan prog. 69 66 73 90 Felipe Guerrero Dominga Sotomayor Cinerama 7 Short Films 6SH LantarenVenster 1 09:00 9:15 A Temple 12:15 17:15 19:30 22:00 Abigail 70 73 113 83 178 SH In Dreams Behindprog. the Excitement of Stealing SH SH SH SP Secret Codes Dig! Dig! 10:00Child 11:00 12:00 14:00 14:45 15:00 15:00 17:00 18:00 19:00 20:00 21:00 22:00 24:00 Carlos Reichenbach Short Films 5 16:00 120 123 Dig! 144 23:00 compilation 12:15 17:30 The 20:15 22:30 Ex Press 74 72Voice RG 69 96 to the 13:00PC Short Stories: Masters Nothing Without a 10:00 VPRO Previewdag SH SH BF 12:15 Back 14:45 compilation 17:15 Scenes 20:00 Short 22:30 Homelandsssss verzamelcompilation prog. Stories: Awards Stories: SH TS SH SH SH Umesh Vinayak Kulkarni prog. compilation prog. and About Africa LantarenVenster 5 9:15 A 12:15 Short 14:45 Out 17:15 Tiger 19:30 Dig! 22:00 Excitement Square Womens Destiny Woman or a Girl In Dreams Behind the of Stealing compilation prog. SH SH SH SH SH SP Jet Leyco Temple Secret Codes Dig! Dig! 10:30 Way of Passion 16:45 The Whirlpool 20:00 20:15 21:45 Matire22:30 programma LantarenVenster 2 compilation prog. and Competition for Voice Friend or Foe Tiger Awards 10:00 15:00 17:30 146 59 PC 82 70 83TS 98 BF SP 12:15 Power BF Oude Luxor grise compilation prog. compilation Back to thePolitics Short Stories: The BF Masters Nothing Without 10:00 VPRO SH RG Previewdag Ex Press prog. LantarenVenster 3 Scenes Petr Lom compilation prog. compilation prog. a 83 SH 90 verzamel83 84 84 90 Umesh Vinayak Kulkarni compilation prog. compilation prog. 810 Films 1 prog. LantarenVenster 5 Competition compilation compilation prog. 86 100 80 85 Square prog. Womens Destiny Woman or a Girl 21:30 Joerg Burger Alvin CaseShort Kivu compilation Ruhorahozaprog. compilation LantarenVenster 1 programma Oude Luxor 2 compilation 9:30 Dimanches 12:00 Follow 14:30 A Resident of the City PC 17:00 Signal 19:30 NL International 146 82 70 98 Lost and prog. Kubelka Films RG Jet Leyco SP SH SH83 the Path SH59 for Short Films 2 89 74 71 104 Petr Lom compilation prog. compilation prog. 10:00 A Shape of 12:15 14:45 17:15 20:15 83 84 84 90 90 Tiger Awards SP TS SP 810 Play Traces The Story of Mikko Niskanen 14:45 17:15 22:00 VPRO Previewdag Found Helsinki, Waiting for Snow SH Short Stories: PB SH 810 SH PB The Three Disappearances Les10:00 gants prog. for compilation prog. A Resident of the City PC LantarenVenster 6 9:30 Dimanches 12:00 compilation 14:30 17:00 19:30 21:30 Error Competition Signal Lost and Kubelka Films SP SH SH SH RG Follow the Path NL International Ruben stlund compilation Peter von Bagh Forever in My Kampong Surprising Mysteries 12:30 15:00 17:30 20:15 Bitter 22:15 LantarenVenster 3 compilation prog. prog. 71 SH R. Stephan of Soad Hosni Bouli Lanners Lifes Full of Echoes from the 83 SH Puzzled Sweet and Nothing Without 80SH 88Mikko 12:15 14:45 17:15 SH Niskanen SH Path 1 A Shape of Tiger Awards 10:00 SP 99 SP SH PB a LantarenVenster 5 VPRO Previewdag Play Traces The Story of Short Films Found The Three Disappearances Abigail Child Les10:00 gants 70 113 83 89 compilation prog. 6for TS 73 compilation prog. Peter Past von Bagh compilation prog. compilation prog. 74 LantarenVenster 6 Wonders Golden Woman or a Girl 178 85810 compilaError Competition Ruben stlund compilation prog. Peter von Bagh LantarenVenster 2 Path 1 3 9:15 compilation prog. R. Stephan 83 of Soad Hosni Bouli Lanners 99 80 71 88 tion prog. compilation prog. compilation compilation compilation prog. RG Short Films 6SH 76 66 Child Film Course 19:30 19:45 22:00 22:15 810 70 73 69 113 83 178 SH In Dreams Behind the Excitement 10:00 Abigail 18:30 Wavumba 14:30 14:45 17:00 17:15 SP 12:00 12:15 SH prog. 21:30 73 810 90 A Temple Secret Codes prog. Dig! Dig! Dig! Space and Time: Signal Lost and RG SH SH SH SH SH BF Structural BFof Stealing Its Immaterial Rotterdam Stilleben Scenes verzamelThe Abstract Films of Found Principles compilation prog. Umesh Vinayak Kulkarni compilation prog. compilation prog. REVERBERATIONS compilation prog. SH Jeroen van Velzen Sebastian Meise 12:15 14:45 17:15 20:00 22:30 LantarenVenster 5 Short Stories: Tiger Awards 10:00 18:30 21:30 19:30 Dig! 22:00 Excitement 6 9:15 A SH SH TS Wavumba SH Path 2 Out and About Africa Homelandsssss In Dreams Behind the prog. SH BF BF 10:00 Rotterdam Film Course SP 18:30 21:30 Stilleben SH SH SH SH Temple Secret Dig!Short Dig! Stories: BF compilation BFof Stealing programma Bart Vegter 1 Codes compilation compilation prog. prog. compilation 146 59 80 70 83 98 84 82 71 67 67 480 76 77prog. Power and Politics Competition for Friend or Foe Scenes compilation prog. compilation prog. verzamelcompilation prog. Jeroen van Velzen compilation prog. Sebastian Meise Umesh Vinayak Kulkarni LantarenVenster 3 Path 2 5 Short 1 compilation prog.SH59 compilation prog. 86 100 83 Kubelka Films 85 programma compilation 9:30 Dimanches 12:00 Follow 14:30 A Resident of the City PC 17:00 Signal 19:30 480 76 77 146 82 70 80 98 Lost Films and prog. 19:30 Future 22:15 HISTRIAS SP SH SH83 BF 21:30 RG 480 76 Lasts Forever 77 que s the Path NL International BF Found The Three Disappearances Les gants existem quando lembradas prog. SH compilation prog. zcan Alper 14:45 17:15 22:00 Films A Resident of the City PC LantarenVenster 6 Helsinki, Waiting for Snow Short Stories: 19:30 22:15 9:30 Dimanches 12:00 compilation 14:30 17:00 21:30 PB SH SH Path 3 Signal Lost and Kubelka HISTRIAS que s BF BF 19:30 22:15 SP SH SH RG Future Lasts Forever 88 BF 108 Follow the Path NL International BF compilation prog. of Soad Hosni R. Stephan 83 Bouli Lanners 99 80 71 Julia Murat 98 Forever in My Kampong Surprising Mysteries Found existem quando lembradas The Three Disappearances Les gants zcan Alper prog. compilation prog. compilation LantarenVenster 5 Path 3 6 Peter von Bagh compilation compilation prog. 89 85 compilation prog.prog. 71 Julia Murat R. Stephan 83 74 of Soad Hosni Bouli Lanners 108 98 80 88 10:00 108 98 VPRO Previewdag 99 12:00 Its 14:30 Space and 17:00 Signal 22:15 Time: Lost and SH 10:00 10:00Previewdag 11:00 12:00 14:00 15:00 16:00 17:00 18:00 19:00 19:45 Structural 20:00 SH 21:00 22:00 23:00 24:00 SH RG RG Path 4 09:00 Immaterial 13:00 10:00 VPRO 810 The Abstract Films of Found Principles REVERBERATIONS compilation prog. LantarenVenster 6 Path 4 Big Talk 16:45 19:15 22:30 Bart Vegter 1 SP SP compilation prog. BF 71 compilation prog. compilation prog. Valley of Saints Miss Bala 80 84 67 67 810 18:30 Twilight Portrait 21:30 11 810 BF SP Flowers Ace Attorney Musa Syeed Gerardo Naranjo Gonzalez Oude Path Luxor 4 Xiaoshuai 21:30 Path 5 Miike Takashi BF 82 18:30 155 113 SP 18:30 Angelina 21:30 Wang TwilightNikonova Portrait 11 Flowers BF SP 105 110 Angelina Nikonova Wang Xiaoshuai Path 5 20:00 Black Dove SP 105 110 16:15 Lyrische data 18:15 Dress Rehearsal BF 21:15 Matire grise 105 110 de Doelen RG BF Roh Gyeong-Tae for Utopia Tributes Pulse Kivu Ruhorahoza Jurriaanse Zaal 120 16:15 18:15 21:15 Lyrische data data Path 6 RG BF 16:15 Lyrische 18:15 Dress Rehearsal BF 21:15 Matire grise RG BF BF Andrs Duque 19:00 Bill Morrison 70 75 104 09:00 10:00 11:00 11:45 Grandma 12:00 13:00 14:00 15:00 16:00 17:00 18:00 20:00 21:00 22:00 23:00 24:00 for Utopia Tributes Pulse Kivu Ruhorahoza 14:15 16:45 The 19:15 22:00 The Path 6 09:00 O despertar da besta MG Day He SP BF SP Lo-fi Blindfold Lena 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 24:00 Andrs Duque Bill Morrison 70 75 104 Schouwburg 09:00 15:30 The Invader 18:30 21:30 Skoonheid 70 75 SP Van20:00 104 Arrives BF BF 17:00 Les gants Jos Mojica Marins 10:00 BF 11:00 11:45 In 12:00 13:00 14:00 15:00 16:00 18:00 19:00 21:00 22:00 23:00 24:00 Garin Nugroho Christophe Rompaey various directors 09:30 The Great 14:00 Francophrenia 16:15 April the When the Lights TG SP SP Hong Sang-Soo Grote Zaal 79 93 Provost 119 79 Nicolas Bouligants Lanners Oliver 16:45 19:15 Big Talk SP 22:30 de Path Doelen 15:30 21:30 SP Hermanus SP 7 Valley of Saints BF 18:30 Miss Bala Following Year, There 15:30 The 18:30 102 21:30 BF BF Northwest Went Out Ian Olds / Invader Les Skoonheid SP BF BF 09:30 The Great 11:45 Was 14:00 Francophrenia 16:15 When the 95 84 99 In April the W. Somumjarn Lights BF TG SP SP a Fire JamesSP Franco Musa Syeed Naranjo Gonzalez SP Matt McCormick Pat Holden Jurriaanse Zaal 10:15 13:00 16:00 20:00 Abrir puertas y 22:30 Gerardo Nicolas Provost Bouli Lanners Ace Attorney Oliver Hermanus 70 76 69 85 Oude Luxor 4 A Dangerous Method BF BF BF 7 Lultimo terrestre Unfair World de Path Doelen Path Following Year, There Northwest Future Lasts Forever Went Out Ian Olds / Miike Takashi 82 155 113 95 84 99 17:00 Stateless 19:45 95 84 ventanas 99 David Cronenberg James Franco 15:00 SP SP zcan Alper Gianni Pacinotti Filippos Tsitos Things Hoy no tuve miedo Was a Fire W. Somumjarn 76 Path 1 09:00 09:45 12:00 18:30 21:00 Matt Le McCormick Pat Holden Jurriaanse Zaal 70 69 85 SP TG SP SP TG Havre Living Rat Fever 38 tmoins L 10:00 11:00 12:00 13:00 14:00 93 15:00 16:00 17:00 18:00 19:00 19:45 20:00 20:00Dove 21:00 98 SP 22:00 23:00 24:00 Milagros Mumenthaler 108 96 107 Kim Kyung-Mook Ivn Fund de Doelen 17:00 Stateless Cinerama 1 Black 17:00 19:45 Hoy SP SP Things 18:30 Lucas no tuve miedo Aki Kaurismki Vasily Sigarev Cludio Assis Babis Makridis SP SPBelvaux 09:45 Le 12:00 Living 15:00 Rat 21:00 L de Doelen 115 122 SP TG SP SP TG Havre Fever 38 tmoins 9:30 12:30 15:30 18:30 21:30 Roh Gyeong-Tae WillemCinerama Burgerzaal 110 Kim 104 87 16:15 Tokyo Duch, le matre des 14:00 119 The Great SP BF Playboy BF PB TG 93 Kyung-Mook Ivn Fund A Fish Papirosen Splinters SP TG Rua Aperana 52 Cludio Club de Doelen 1 Kaurismki Vasily Sigarev Assis Lucas Belvaux Babis Makridis Jurriaanse Zaal 120 de Path Doelen forges de lenfer Northwest 115 122 17:00 O vampiro da cinemateca 19:45 When the Bough Breaks Park Aki Hong-Min Gastn Solnicki Peter 122 von Bagh 87 Jlio Bressane Okuda Yosuke MG115 HH 2 09:15 A Fish Willem Burgerzaal 93 119 110 104 TG Rithy Panh Matt McCormick 105 70 74 Jurriaanse Zaal 80 97 insigne ficante Dan 11:45 Grandma Lo-fi 14:15 103 16:45 74 19:15 Lena 22:00 O da cinemateca O despertar da besta The Day He 17:00 19:45 MG BF SP O vampiro vampiro da cinemateca SP Cinerama 4 09:15 Park Hong-Min The O Blindfold MG 17:00 19:45 Ji HH MG HH When the Bough Breaks Path 2 Schouwburg Jairo Ferreira TG 120 144 A Fish 10:15 13:15 16:15 19:15 22:15 Arrives Jos Mojica Marins TG Low Cornelia frente al It espejo SP SP ficante BF BF Garin Nugroho Christophe Van Rompaey 09:45 I Carried 14:15 16:30 20:15 O insigne various directors Iceberg I CarriedJiYou Home The Hunter Dan Looks Pretty BF BF12:00 SP SP SP YouDefinition Home 105Control Iceberg Unfair World The Hunter Cinerama 4 Park Hong-Min Malfunctions #0 de Path Doelen Hong Sang-Soo Grote Zaal 79 Daniel Rosenfeld 93 102 119 Path 2 Gabriel Velzquez Tongpong Chantarangkul Bakur Bakuradze Jairo Ferreira tropical 120 144 from a Distance 17:00Tsitos 19:45 Vereda 22:15 3 120 144Snuff: Tongpong Chantarangkul Gabriel Velzquez Filippos Daniel Nettheim MG BF The Hunter Vitmas do79 prazer MG 10:00 12:00 105 He Was a Giant TG BF Return to Burma Michael Palm 95 104 84 113 123 A. Sasnal / W. Sasnal WillemCinerama Burgerzaal 84 77 16:00 118 101 O despertar da besta Bakuradze Cludio Francisco Cunha 10:15 13:00 A Dangerous Vereda tropical Method SP Abrir puertas y 17:00 19:45 22:15 BF BF BF with Brown Eyes Vereda tropical 5 Lasts Forever 11312:00 Lultimo terrestre Unfair World Midi Future Z 17:00 Bakur 19:45 20:00 22:15 22:30 MG BF The Hunter Snuff: Vitmas do prazer MG MG MG SP BF Path 5 10:00 Return Caf Regular, Cairo He Was a Giant TG BF Jos Mojica Marins 11:00 19:00 22:30 123 111 109 to Burma BF RG da besta ventanas Retour de flamme David 8411:45 Clip Eileen Hofer 85 09:30 De jueves a domingo 14:00 Corta zcan AlperTG CJP Serveert Gianni Pacinotti Bakur Bakuradze Filippos Tsitos O despertar TGCronenberg BF Cludio Francisco Cunha Path 1 Cinerama 5 with Brown Eyes Midi Z Nuit #1 Serge Bromberg Milagros Mumenthaler 5 108 93 96 98 107 Jos Mojica Marins Path 123 111 109 15:30 20:00 Sotomayor Maja Milo Felipe Guerrero 123 111 109 SP RG Path 4 5 Anna Mondomanila 09:30 Dominga Eileen Hofer 85 Anne mond A Womans Revenge SP 96 84 420 90 102 100 69 Alberto Grifi / Massimo Khavn De La Cruz SP 9:30 Rita 12:30 Duch, le matre des 15:30 18:30 The Great 21:30 Splinters 20:00 SP BF Sarchielli BF PB TG Cinerama Azevedo Gomes Fish 15:30 Papirosen 20:00 Mondomanila RG Anna Path 6 SP RG 09:30 A My Big-Assed Mother 9:45 12:45 15:45 18:45 21:45 Demain? SP A Womans Revenge BF SP TG SP 225 75 Une meilleure Four Suns Tokyo Playboy Club Khavn forges devie lenfer Northwest 100 09:45 12:00 Nana 13:30 15:30 Hello, Park Hong-Min Gastn Solnicki Peter von Bagh BF BF BF Two Years at Sea Louise Wimmer Mr. Tree! Alberto Grifi / Massimo BF Sarchielli SP 17:45 Abrir puertas De La Cruz Path 2 Cinerama 6 Black & White & SexBF 105 Rita Azevedo Gomes Cdric Kahn Cyril Mennegun Bohdan Slma Okuda Yosuke Christine Laurent 74 6 Rithy Panh Matt McCormick Path 5 103 74 70 225 75 y ventanas Ben Rivers Valrie Massadian Han Jie 19:15 21:45 225 75 BF Cinerama 2 09:45 Lena 12:15 A Dangerous 14:30 Les 16:30 Alps 20:15 Abrir Totem Hail 100 John Winter 104 110 gants 105 97BFpuertas y 95 BF SP SP SP BF Milagros Mumenthaler 19:15 Jessica 88 68 80 88 98 ventanas Krummacher Amiel Courtin-Wilson 10:15 Low 13:15 Cornelia frente al espejo 16:15 Iceberg 22:15 Method 21:45 VanDefinition Rompaey Control Lanners LanthimosSP SP BF BF BF LantarenVenster 1 9:15 Dimanches Carried You Home The Hunter 19:15 I 21:45 BF BF Cinerama 2 Totem Hail BF BFpuertas 09:45 Christophe 14:30 Bouli 16:30 Yorgos 12:15 Le 15:15 21:15 y Clip SP SP 18:15 small roads BF reste du SP SP SP 93 BF SP 20:15 Abrir TG Lena Malfunctions A Dangerous Les gants Alps 86 104 Milagros Mumenthaler David Cronenberg 119 84 98 09:30 Ex Press 11:30 BF 13:00 #0 Daniel Rosenfeld BF BF SP 93 18:30 Lost in the Mountain HH Gabriel Velzquez Tongpong Chantarangkul Bakur Bakuradze Papirosen Florentina Hubaldo, CTEBouli Lanners Corta Jessica Krummacher Amiel Courtin-Wilson Path 3 ventanas monde Les gants LantarenVenster 1 Method Felipe Guerrero James Benning Maja Milos Christophe Van Rompaey Yorgos Lanthimos Path 6 Cinerama 2 Michael Palm 95 104 84 113 123 Jet Leyco Gastn Solnicki Lav Diaz Gao Zipeng 86 104 15:00 17:15 20:15 22:15 86 Cinerama 3 Shortgrise Circuit Lifes 09:30 11:45 119 15:45 Now, 18:00 Goodbye Damien Odoul SP Milagros Mumenthaler BouliValley Lanners BF SH BF SH 69 A Film BF Low Definition 81 14:00 David Cronenberg 93 Carnival 84 Forager: 93 98 BF Homelandsssss SP 20:00 103 BF 104 of Saints BF 99 90 The Blindfold Matire The Full of 100 SH 74 300 95 Wonders Control Malfunctions #0 Caf Regular, Cairo compilation prog. 21:30 About Love & Fungi 17:15 compilation prog. 11:00 CJP Serveert 19:00 Retour de flamme Patron Saints Syeed Nugroho Madhuja Rasoulof Kivu Ruhorahoza 15:00 20:15 22:15 22:30 BF RG LantarenVenster 2 Boxing in the Circuit Lifes Full ofTG SH Definition 15:00 17:15 BF SH SH Cinerama 3 9:30 Musa 12:30 Le Havre 15:30 15:45 18:30 Rat 09:30 11:45 Garin 14:00 18:00 Mohammad 22:15 BF Fever SH BF SH SH It Looks Pretty SP Carnival TG SP Short Now, Forager: A Film BF SP BF Homelandsssss BF Low SP 20:00 20:15 BF 69 De jueves a domingo Valley ofIslands Saints SP The Blindfold Goodbye Matire grise The Philippine compilation prog. Michael Palm 85/ Julia 95 75 Jason Cortlund Halperin Mukherjee 82 90 61 93 104 104 72 10:00 M. Shatzky / B.Cassidy Nuit #1 SP Wonders Control Malfunctions #0 Four Suns Serge Bromberg compilation prog. from a Distance compilation prog. Path 4 About Love & Fungi Cludio Assis Dominga Sotomayor Buenas noches, Espaa LantarenVenster 2 Patron Saints Musa Syeed Garin NugrohoAki Kaurismki Madhuja Mohammad Rasoulof Kivu Ruhorahoza Path09:00 7 Cinerama 3 Anne mond 102 compilation Bohdan Slma11:00 Palm 420 85 95 75 69 AnkaJason & Wilhelm Sasnal 14:45 Short 17:15 Michael 20:00 22:30 93 110 90 96 LantarenVenster 2 Mondomanila 85/ Julia77 95 75 69 Raya Martin Cortlund Halperin Mukherjee Tiger Awards George Kuchar: Ordinary 82 That Small Piece 90 61 Stories: 93 104 104 72 RG SH TS SH SP BF M. Shatzky /prog. B.Cassidy 105 Competition for Wrap Party SP Surprising Mysteries Madness My Big-Assed Mother 12:45 Une 15:45 Four 18:45 Tokyo Playboy 21:45 Demain? De 9:45 La Cruz S KEN 17:15 20:00 SP14:45 SP TG 9:15 Now, 13:15 19:45Club 22:30 George LantarenVenster 3 Khavn Cinerama09:00 5 vie meilleure Tiger Kuchar: 14:45 Short Stories: 17:15 Ordinary 20:00 SH TS RG SH Forager: A Film BF 11:00 JOSEph PB BF MG Eight Deadly Shots Weekend Oh! Rebuceteio SH TS RG SH Suns SP BF Mondomanila ThatBF Small Piece ShortAwards Films 1 compilation prog. compilation prog. compilation prog. 85 80 80 79 75 90 09:30 BF & Sex Black & White Malaventura Competition for Wrap Party Surprising Mysteries Madness About Love & Fungi Cdric Kahn Bohdan Slma Okuda Yosuke Christine Laurent Mikko Niskanen Andrew Haigh Cludio Francisco Cunha Path 5 De La Cruz JOSEph S KEN 1 LantarenVenster 3 Khavn Cinerama 5 Short Films 1 John Winter Lipkes 104 110 compilation prog. 105 97 95 JasonMichel Cortlund / Julia Halperin compilation prog. prog. 96 80 80 79 LantarenVenster 5 10:00 14:45 17:15 compilation 19:30 Short Stories: 22:00 On the Move 85 80 80 7984 75 90 Waving Back DINAMO P&I 93 Waiting for Snow in SH 85 SH RG 316 SH SH 73 ScreeningsSP 4 My Kampong Power and Politics que 21:15 Clip compilation prog. compilation prog. SH 12:15 Le reste du 15:15 for 20:00 14:45 17:15 19:30 22:00 HISTRIAS SP SPStories: LantarenVenster 2 BF 5 9:15 Dimanches Corta roads Snow in SH 10:00 DINAMO P&I 14:45 Waiting 17:15 Waving Back 18:15 small 19:30 Short 22:00 On the Move TG RG SH SH RG SH SH SH BF compilation prog. compilation prog. compilation prog. 83 10:00 89 79 86 74 DINAMO P&I SH s existem quando monde Les gants Screenings 4 My Kampong Power and Politics Felipe Guerrero Maja Milos compilation prog. compilation prog. James Benning Cinerama 2 Path 6 5 LantarenVenster 2 Screenings 1 lembradas Julia Murat 98 Damien Odoul Bouli Lanners compilation prog. 99 81 103 prog. 100 compilation prog. LantarenVenster 6 89 79 86 17:00 NL International 19:30 compilation 22:00 Cinematic 83 89 69 79 86 74 RG SH 74 SH Trait de bave et dternit compilation prog. 87 Tributes to Musicians 20:00 prog. Isou 9:30 Boxing in the 12:30 Le Havre 15:30 It Looks Pretty 18:30 Rat Fever 19:30 BF 21:30 The 22:00 SP SP TG 17:00 SP Whirlpool TG LantarenVenster 6 a domingo 17:00 compilation 19:30 Isidore 22:00 Cinematic RG SH SH NL International Trait de bave et dternit Philippine Islands RG De jueves SH compilation prog. SH 72 86 120 from a Distance Alvin Case Tributes to Musicians Aki Kaurismki Cludio Assis Dominga Sotomayor Buenas noches, Espaa Cinerama 3 compilation prog. Isidore Isou Path 7 LantarenVenster 6 74 Anka & Wilhelm Sasnal 77 93 110 96 72 Raya Martin compilation prog. 86 120 86 120 72
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Vers bloed. Eerste of tweede film van filmmakers waarvan het festival in de toekomst nog veel goeds verwacht.
344
SP
122
24:00
19:30 Big Talk
SP
114
09:00
22:30
12:00
13:00
14:00
15:00
sp hh
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80
16:00
Het dagelijkse bombardement van beelden van de volksrevoluties in het Midden-Oosten wekt de suggestie dat de Arabische Lente een vlam in de pan was. Power Cut Middle East onderzoekt wat die beelden nu preces zeggen en laat, aan de hand van eerder werk van filmmakers, zien 17:00 18:00 19:00 20:00 21:00 22:00 23:00 dat de revolte al tijden in de lucht hing.
Oude Luxor
85
24:00
BF
Rotterdam op zijn breedst. Het festival selecteerde actueel, krachtig en vernieuwend werk uit 16:00 alle windstreken, van veteranen tot minder bekende regisseurs.
Bertrand Bonello
09:00
13:00
sh
BF
16:00
22:45 A la Cantbrica BF Rnia Roberta Marquesvan de Chinese realiteit dat Ezequiel Erriquez Speelfilms en documentaires uit China die een beeld schetsen
24:00
16:00
De kracht van kort: films van n tot 59 minuten lang, uit alle windstreken. Ze worden als Louise Wimmer voorfilm bij lange films vertoond, of gebundeld in compilation prog.s. Cyril Mennegun
94
11:45 Dreams
SP
14:15
haaks staat op dat uit de partijpropaganda, als21:00 armoede, corruptie, 17:00 18:00 19:00 met onderwerpen 20:00 22:00ontwor- 23:00 16:45 Nana 19:15 Hurdy Gurdy 21:45 Gaamer BF BF BF teling en wanbestuur. Naast films bevat Hidden ook een bijzondere ontmoetingsplek: Big Talk Histories Oslo, August 31st 19:30 22:30 Dernire sance Valrie Massadian Oleg Sentsov LApollonide Souvenirs de la SP SP Joachim Trier Lazhar 68 98 maison close het Ai Weiwei Caf. Monsieur Laurent Achard92 Bertrand Bonello Philippe Falardeau 122 114
BF
104
pB
Fr
80
1 de Path Doelen Jurriaanse Zaal Path 2 Schouwburg Grote Zaal Path 3 Path 1
BF
113
99
SP
113
Path 4 Path 2
TG
22:00 A Dangerous Method SP SP I Wish David Cronenberg 20:00 Rnia 22:45 A la Cantbrica Kore-eda Hirokazu BF 128 93 Roberta Marques Ezequiel Erriquez 85 12:30 38 tmoins 15:30 About the Pink Sky 18:30 The Patron 21:30 SP BF BF MG O convite ao prazer 14:15 Dans le cadre 21:45 Saints 19:15 Hurdy Gurdy Lucas Belvaux Kobayashi Keiichi 16:45 Nana Walter Hugo Khouri BF BF BF BF Gaamer Dankzij het oeuvre van Peter von Bagh (filmmaker, festivaldirecteur en wandelende filmenGeen films, leven. Met een scala activiteiten en evenementen wordt de Shatzky / B. Oslo, Cassidy 104 113 maar het echteM. 72 aan 109 Louise Wimmer August 31st Valrie Massadian Oleg Sentsov Cyril Mennegun Trier 94 16:15 68 tot filmische ervaring 98 92 cyclopedie) kunt u binnen n festival Finland-kenner Zijn documentaires Pockpicket Hope realiteit getransformeerd. 10:15 Los 13:15worden. 19:15 Joachim 22:15 Shame ltimos cristeros SP PB hebben SP BF Voice ofalledaagse My Father TG Dreams The Count Shock Head Soul Matas Meyer 14:15 19:00 22:00 11:45 Orhan Eskiky / Steve McQueen A Dangerous Method SP SP SP BF Chapiteau-show I Wish cinema en de woelige Finse geschiedenis als onderwerp.Peter Hetvon retrospectief wordt aangevuld met Zeynel Dogan Bagh Simon Pummell 90 87 97 Tatsumi David Cronenberg Sergey Loban 110 Kore-eda Hirokazu bijzondere historische speelfilms uit Finland. Eric Khoo 104 207 128 93 13:30 Goodbye 16:30 Alps 19:30 The Sound of Light BF 22:30 Play SP SP 12:30 38 tmoins 15:30 About the Pink Sky 18:30 The Patron 21:30 O convite ao prazer Mohammad Yorgos Lanthimos Yamasaki Juichiro Ruben stlund BF BF MG SP Rasoulof 104 93 89 Saints Lucas Belvaux Kobayashi Keiichi Walter Hugo Khouri
SP
109
104
Path 5 Path 3
Fire Wichanon Somumjarn
SP
87 18:00
13:15 Pockpicket
Matas Meyer
Francophrenia
SP
PB
M. Shatzky /the B. Cassidy 72 18:45 In April Following TG Year,19:15 There Hope Was a
85
BF
99
90
12:15
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93
15:00
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128
Path 6 Path 4
19:30
18:30
86 Year, There Was a Fire Wichanon Somumjarn 119
80 Shock Head Soul Simon Pummell 97 19:45 A Womans Revenge Azevedo Gomes BF The Rita Sound of Light 69 Yamasaki Juichiro
SP
113
10:30
BF
The Count Bagh TG Egg and Stone Peter von Huang Ji 13:30 Goodbye 97 Mohammad Rasoulof 12:30 Return to Burma TG Midi Z
19:45
Path 7 Path 5
Srinath C. Samarasinghe Ian Olds /90
SP
130 17:30
77
84
My Father Eileen Hofer Orhan Eskiky / 85 110 Wuthering Heights Zeynel DoganSP Andrea Arnold 16:30 Alps SP 130 Yorgos Lanthimos 104 15:30 Living TG Vasily Sigarev 15:45 He Was a Giant BF
9:15
RG
BF
14:15
BF
82
Cinerama 1 Path 6
TG
119 Syrian 17:15 Short
103
106
TG
TG
HH
128
Cinerama 4 Path 7
PC
Mike Hoolboom
70 Sebastian Meise
BF
101
Pat Holden 80 85 22:30 Valley of Saints SP The Blindfold Garin Nugroho Musa Syeed 22:00 Sudoeste A Womans Revenge SP 102 Rita Azevedo Gomes Eduardo Nunes 100 19:45 The Unfinished History of Life Cong Feng 21:00 Abrir puertas y TG BF
ventanas
BF
245
9:30
SP
101
Milagros Mumenthaler 86 of the City PC 19:45 A Resident 22:00 Room 51498 Disappearances SP Sharon Bar-Ziv 19:45 The 22:30 TheThree Blindfold Valley
90
BF
118
RG
19:00
of Saints87
83 Garin Nugroho 20:00 21:00 102 20:15 Old Dog SP Pema Tseden 21:00 King The Unfinished History of Curling Life Cong Feng Ole Endresen 88
BF
Eileen Hofer BF Weekend Andrew Haigh 15:00 Wuthering Heights Andrea Arnold 96 97 12:30 Dolls 15:00 Women on the Edge PC SP El Jeiroudi Kobayashi Masahiro 12:30 Diana 15:30 Living Return to Burma TG 53 Midi Z Vasily Sigarev 77 84 15:00 Egyptian Timelines 2 PC Deux inconnus compilationBF prog. 14:15 Weekend BF Die Ruberin Andrew Haigh 12:00 13:00 14:00 15:00 16:00 Markus Busch 106 96 12:45 Excitement of Stealing SH 15:00 Sentimental Animal HH compilation Quan on the Edge SP 12:30 Dolls 15:00 Wu PC prog. Women 152 98 Diana El Jeiroudi Kobayashi Masahiro
17:30
MG
Cludio Assis 11:45 Cinerama 5 9:15 Pablo RG 110 Richard Goldgewicht Cinerama 1 09:00 10:00 11:00 103 9:30 Fairytale Ai Weiwei 10:00 Lacan Cinerama 6 SP Palestine Cinerama 4 Path 1 Mike Hoolboom 70
9:45
53
SP
Cinerama 7 Cinerama 5
84
9:30
15:00
300
93
9:00 An Oversimplification BF
LantarenVenster 1
Northwest
BF
93
Matt McCormick
HH
70
SH
15:00
ATimelines margem 2 PC Egyptian Ozualdo compilation prog. Ribeiro Candeias 101 16:00 Nick Fow Pyng Hu BF Sentimental Animal
compilation prog.HH Jeanne CrpeauBF 19:45 BF Carnival 92 84 Madhuja Mukherjee 245 SP rua chamada triumpho MG 75 18:15 Uma 61 20:30 Festa na Boca 22:45 Verano MG O porngrafo A City opo Leiva 17:15 Short Syrian 19:45 A Resident of the 22:00 Room 514 Jos Luis Torres PC PC BF Ozualdo Ribeiro Candeias Sharon 107 98 Three Disappearances 99 Documentaries 2 Joo Callegaro The Bar-Ziv compilation prog. of Soad Hosni 89 87 19:15 Malaventura SP BF R. Stephan 83 Michel Lipkes 17:30 Jouer Ponette 20:15 Old Dog 22:45 The Masters Voice RG RG SP
73
Cinerama 6
118 17:15
Ai Weiwei
20:00
MG MG
compilation prog.
Wu Quan
9:45
SP
152 12:15
BF
98 14:45
SP
14:00 PC
300
15:00
16:00
90
Kaurismki Jeroen van Velzen 9:45 Aki LantarenVenster 2 Florentina Hubaldo, CTE 93 76 Lav Diaz Cinerama 7 09:00 10:00 11:00 12:00 13:00 10:00 Punk 12:30 Dreams of SP in Africa the City Keith Jones / Deon 11:15 Maas The Great Mohamad Malas LantarenVenster 9:00 3 An Oversimplification 10:00 VPRO BF BF Previewdag 82 Her Beauty Northwest LantarenVenster 1 of Oude Luxor Terence Nance Matt McCormick 93 70
120
Jeanne Crpeau 92 SP Im Still Alive Peter van Houten 18:15 Uma rua chamada triumpho 86 O porngrafo 17:00 18:00 19:00 Joo Callegaro 107 Le reste du 17:30 monde SP
90
Aki Kaurismki
SP Previewdag
12:15
BF
14:45 La leggenda di
Kaspar Hauser
SP
93
76
PC 90
17:00
10:00
12:30
PC
RG
82
120
J. Schneider + Le tempestaire
20:00 Lasts Shifting Shores 1 Future Forever compilation prog. zcan Alper
90
compilation prog. Pema Tseden 88 SP 84 Roman Diary Michael Festa na Boca 20:30 Pilz 22:45 Verano MG SP 124 A opo Jos Luis Torres Leiva 20:00 21:00 22:00 23:00 24:00 Ribeiro Candeias 98 20:15 93 PB The Ozualdo Story of Mikko Niskanen 99 Damien Odoul Peter von Bagh 19:15 Malaventura SP BF 81 178 Michel Lipkes 84 73 20:00 Shifting Shores 22:00 Romance Joe 810 TG 1 PC prog. Lee Kwang-Kuk 17:15 Im Still Alive 20:00 compilation SP SP Roman Diary 77 115 Peter van Houten Michael Pilz 86 PC 124 22:30 Disturbing the 20:00 The Last Summer 1944 PB 810 HH Egyptian Timelines 3 Peace compilation Peter von Bagh 17:30 Leprog. 20:15 18:30 Wavumba 21:30 Niskanen reste du monde SP BF BF The Story of Mikko Stilleben Ai WeiweiPB 121 105 78 Damien Odoul Peter von Bagh Jeroen van Velzen Sebastian Meise
existem quando lembradas Lee Kwang-Kuk
LantarenVenster 5 Path 3
Julia Murat
LantarenVenster 6 Path 4
121 105
10:00
PC PB
VPRO Previewdag
20:00
Documentaries 1
18:30
BF
105
PC
17:00
HH
810 78
compilation prog.
92
Path 5
SP
110
24:00
24:00
Press & Industry Screenings Tuesday 31 January Public Screenings Wednesday 1 February
24:00
135
345
Lyrische data 17:00 16:15 18:15 21:15 Dress Rehearsal RG BF BF 23:00 09:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 18:00 19:00 20:00 21:00 22:00 24:00 Matire grise for Utopia Tributes Pulse Kivu Ruhorahoza Path 6 Big Talk 16:30 19:30 75 22:15 Alms for the Andrs Duque Bill Morrison 70 104 SP BF Die Unsichtbare Blind Horse BF Shame Christian Schwochow Gurvinder Singh Oude Luxor 15:30 The Invader 18:30 Les gants 21:30 Skoonheid SPMcQueen BF BF Steve 113 119 117 Nicolas Provost Bouli Lanners Oliver Hermanus Path 7 20:00 22:30 La leggenda 95 84 The 99di BF SP 24:00 Invader 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 de Doelen 09:00 Kaspar Hauser Nicolas Provost 17:00 Stateless Things 19:45 Hoy no tuve miedo SP SP Davide Manuli Jurriaanse Zaal 95 90 09:30 12:00 Tokyo Playboy Club 14:30 The Comedy SP TG SP Dove Kim Kyung-Mook 18:00 Ivn Fund de Doelen Cinerama 1 09:00 Black 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 19:00 20:00 21:00 22:00 23:00 24:00 Roh Gyeong-Tae Okuda Yosuke 14:15 17:00 Bunohan 115 122 SP SP PlayRick Alverson Jurriaanse Zaal 120 97 95 Schouwburg Ruben stlund Dain Iskandar Said SP Big Talk O vampiro da cinemateca 16:30 Die 17:00 19:30 19:45 22:15 Alms for the Blind Horse BF HH Unsichtbare When the Bough terrestre BreaksBF Grote Zaal 113 97 MG 09:00 Oslo, August 31st 11:30 Bunohan 14:15 Sudoeste 17:30 Miss Bala 20:15 BF SP TG SP BF L ultimo Shame O insigne ficante Christian Schwochow Gurvinder Singh Ji Dan Gianni Pacinotti de Doelen Oude Luxor Cinerama 4 Joachim Trier Dain Iskandar Said Eduardo Nunes Gerardo Naranjo 113 Gonzalez 13:00 Lhiver dernier 16:00 Damsels in Distress 19:00 120 Steve McQueen BF 119 22:00 Goodbye 117 Jairo Ferreira SP SP BF 144 Lultimo terrestre Willem Burgerzaal 95 97 128 113 96 John Shank Whit Stillman 17:00 Gianni Pacinotti Mohammad Rasoulof Path 1 Vereda tropical 19:45 20:00 22:15 22:30 La Vitmas leggenda di prazer BF SP MG MG BF The Invader The Hunter Snuff: do 09:30 Monsieur Lazhar 103 92 96 104 SP de Doelen Kaspar Hauser O despertar da besta Nicolas Provost Bakur Bakuradze Cludio Francisco Cunha Cinerama 5 Philippe Falardeau House Party Path 2 12:30 The Sound of Light BF 15:30 The Comedy 18:30 Back to the 21:30 95 Davide Manuli Jurriaanse Zaal 90 Jos Mojica Marins SP SP 123Square PC 111 109 94 Visiting Room Petr Lom Yamasaki Juichiro Rick Alverson Path 2 14:15 Play 17:00 Bunohan 15:30 Anna SP 20:00 Mondomanila SP SP RG A. Baciu / R. Muntean 11:30 The Hyperwomen BF 09:30 Jouer Ponette 89 95 83 78 RG Schouwburg Ruben stlund Dain Iskandar Said Alberto Grifi / Massimo Sarchielli Khavn De La Cruz Cinerama 6 various directors Jeanne Crpeau Path 5 10:15 Unfair World 13:15 He Was a Giant 16:00 UPCinema-dag 22:15 Ace Attorney Grote Zaal 113 97 BF SP SP 225 75 80 92 with Brown Eyes Filippos Tsitos Miike Takashi Path 3 13:00 Lhiver dernier 16:00 19:00 19:15 21:45 22:00 SP BF BF SP BF in Distress Lultimo terrestre Totem Hail 09:45 The Invader 12:00 Alms 14:30 BF 16:45 18:30 L hiver Eileen Hofer It Looks Pretty 118 for the Blind 85 350 Goodbye BF BF TG BF Horse Hearts Boomerang SP Damsels dernier John Shank Whit Stillman Gianni Pacinotti Mohammad Rasoulof Jessica Krummacher Amiel Courtin-Wilson from a Distance Path 1 LantarenVenster Nicolas Provost Gurvinder Singh Nikolay Khomeriki John Shank Cinerama 2 15:00 Hugo 17:30 The 20:00 Hello, Mr.96 22:15 A Simple Life 103 92 SP BF 86 104 104 SP Descendants Tree! A.RG Sasnal / W. Sasnal 95 117 96 77 103 Martin Scorsese Alexander Payne Han Jie Ann Hui Path 4 House Party 12:30 The Sound of Light 14:00 15:30 21:30 15:00 Homelandsssss 17:15 Low Definition 18:30 Back 20:15 Short Circuit 22:15 22:30 to the Square SP of BF Full BF19:00 SH 88 SH 09:30 A Simple Life 12:00 La jubilada 16:15SH 21:00 Mondomanila SP BF MG SP SP Lifes BF 126 115 PC 117 Black & White & Sex BF The Comedy O convite SP ao prazer Verano Par Visiting Room Wonders Control Malfunctions #0 Petr Lom compilation prog. Yamasaki Juichiro Rick Alverson compilation prog. Path 2 exemple, Electre Ann Hui Jairo Boisier Olave John Winter Walter Hugo Khouri Jos Luis Torres Leiva Khavn De La Cruz / R. Muntean LantarenVenster Cinerama 3 15:45 I Wish 18:45 Blacks 21:45 A. Baciu Francophrenia compilation prog. TG SP78 Palm 109 89 95 Michael SP 83 85 95 75 Game J. Balibar / P. Lon69 117 83 94 93 75 80 Ian Olds / Kore-eda Hirokazu skar Thor Axelsson Path 5 13:15 22:15 16:00 14:45 17:15 20:00 22:30 He Was a Giant BF SP SP Tiger Awards George Kuchar: Short Stories: Ordinary 09:30 Splinters 10:15 11:15 SH TS RG SH Unfair World UPCinema-dag Ace Attorney James Franco -A PB SP 128 100 69 Demain? with Brown Eyes Competition for Wrap Party Surprising Mysteries Madness Century of an Artistic Filippos Tsitos Miike Takashi Christine Laurent Path 3 LantarenVenster 5 of Time 12:15 118 15:15 In prog. 18:15 Patience 21:15 Drama April the Following Short Films 1 Eileen Hofer TG SP compilationPB prog. Family Peter von Bagh 74 compilation prog. 85 compilation 350 Living 95 85 TG 80 (After 80 79 Year, There Was a Sebald) A Time of Roses Vasily Sigarev Path 6 20:00 14:45 15:00 17:15 17:30 19:30 Short 22:00 22:15 10:00 Parts of the Heart 12:00 11 Flowers SP BF SP RG Waving Back On the Wichanon Fire Waiting for Snow in Somumjarn Stories: RG Gee SH SH SH Hugo The Descendants Hello, Mr. Tree! A Move Simple Life BF SP Grant Risto Jarva 119 80 82 123 My Kampong Power and Politics compilation prog. compilation prog. Martin Scorsese Alexander Payne Han Jie Ann Hui Paul Agusta Wang Xiaoshuai Path 4 LantarenVenster 5 6 9:30 Monsieur Lazhar 12:30 L 15:30 18:30 Hearts 21:30 88 TG110 SP prog. SP SP compilation prog. compilation 115 117 Neighbouring Boomerang Miss Bala 89 Sounds TG 126 TG 79 86 74 90 Philippe Falardeau Babis Makridis Kleber Mendona Filho Nikolay Khomeriki Gerardo Naranjo Gonzalez Path 7 15:45 I Wish 21:45 22:00 17:00 NL Francophrenia SP Cinematic SP SH SH 18:45 Blacks 19:30 Game International Trait de bave 94 86 100 124 96TG et dternit RG 113 Tributes Ian Olds / to Musicians Kore-eda Hirokazu skar Thor Axelsson compilation prog. Isidore Isou Path 5 LantarenVenster 6 9:15 Bonz 11:45 Hail 14:15 Chapiteau-show 19:45 The Hyperwomen 22:30 Gaamer James Franco BF BF BF BF BF compilation prog. 69 128 100 86 120 72
135
BrighT FuTure
PC
105
LantarenVenster 6
121 78
BF
22:30 Disturbing the
PC
17:00
Documentaries 1 Vers bloed. Eerste of tweede film van filmmakers waarvan het festival in de toekomst nog veel compilation prog. goeds verwacht.
92
Egyptian Timelines 3 The Last Summer 1944 signals: easT compilation prog. power cuT middle Peter von Bagh
Peace Ai Weiwei
pc
346
SP SP
113 113
24:00
19:30 Big Big Talk Talk 19:30
09:00
Shame
119 119
12:00
22:15 22:15
13:00
Alms for the Blind Horse Gurvinder Singh
22:30 La La leggenda leggenda di di 22:30
14:00
15:00
sp
The Invader
BF BF
16:00
Het dagelijkse bombardement van beelden van de volksrevoluties in het Midden-Oosten wekt de suggestie dat de Arabische Lente een vlam in de pan was. Power Cut Middle East onderzoekt wat die beelden nu preces zeggen en laat, aan de hand van eerder werk van filmmakers, zien 17:00 18:00 19:00 20:00 21:00 22:00 23:00 dat de revolte al tijden in de lucht hing.
Oude Luxor
Rotterdam op zijn breedst. Het festival selecteerde actueel, krachtig en vernieuwend werk uit alle windstreken, van veteranen tot minder bekende regisseurs.
16:30 16:30
Press & Industry Screenings Tuesday 31 January de Doelen Public Screenings Wednesday 1 February
SP SP
90 90
hh
BF BF
24:00 24:00
Kaspar Hauser Hauser Nicolas Provost van de Chinese realiteit dat Kaspar Speelfilms en documentaires uit China die een beeld schetsen Nicolas Provost Davide Manuli Manuli 95 Davide Jurriaanse Zaal 09:00 specTrum 95 shorTs sh 16:00 10:00 11:00 12:00 13:00 14:00 15:00 17:00 18:00 19:00 20:00 22:00 09:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 met onderwerpen 20:00 21:00 22:00ontwor- 23:00 23:00 haaks staat op dat uit de partijpropaganda, als21:00 armoede, corruptie, 14:15 17:00 SP SP 14:15 17:00 Play Bunohan SP SP Play Bunohan 09:30 Black Dove 12:00 Tokyo Playboy Club 14:30 The Comedy SP TG SP 09:30 12:00 14:30 Schouwburg Big Talk Talk Histories ook een bijzondere SP Black Dove van kort: films SP Playboy Club The Comedy 16:30 Die Unsichtbare 19:30 22:15 Ruben stlund Dain Iskandar Said SP De kracht van n tot Tokyo 59 minuten lang, uit TG alle windstreken. Ze worden als teling en wanbestuur. Naast films bevat Hidden ontmoetingsplek: Big BF Alms for for the the Blind Blind Horse Horse 16:30 19:30 22:15 Alms Ruben stlund Dain Iskandar Said SP BF Die Unsichtbare de Doelen Roh Gyeong-Tae Gyeong-Tae Okuda Yosuke Yosuke Rick Alverson Grote Zaal 113 97 Roh Okuda Rick Alverson Shame 113 97 Christian Schwochow Gurvinder Singh Singh Shame voorfilm bij bij lange lange films films vertoond, vertoond, of gebundeld gebundeld in in compilation compilation prog.s. het Schwochow Ai Weiwei Weiwei Caf. Caf. Christian Gurvinder 120 97 prog.s. 95 voorfilm of Oude Luxor het Ai Jurriaanse Zaal 120 97 95 Steve McQueen 113 119
24:00 24:00
09:00
Oslo, August August 31st 31st Oslo, Joachim Trier Trier Joachim
BF BF
11:30 11:30
95 95
13:00 13:00
14:15 14:15
97 97
BF
16:00 16:00
103
pB
Fr
09:00 de Doelen Path 1 de Doelen 1 de Path Doelen de Doelen Willem Burgerzaal Willem Burgerzaal Jurriaanse Zaal Jurriaanse Zaal Path 2 Path Schouwburg Path 2 2 Schouwburg Grote Zaal Zaal Grote Path 3 3 Path 5 Path Path 5 1 Path 1 Path 4 Path 4 Cinerama 2 Cinerama 2 Path 2 2 Path
135 135
Path 6 6 LantarenVenster 5 Path LantarenVenster 5 Path 4 4 Path Path 7 7 LantarenVenster 6 Path LantarenVenster 6 Path 5 5 Path Cinerama 1 1 Cinerama Path 6 6 Path Cinerama Cinerama 4 4 Path 7 7 Path
135 135
Cinerama Cinerama 5 5 Cinerama Cinerama 1 1 Cinerama 6 Cinerama 6 Cinerama 4 Path 1 Cinerama 4 Path 1 Cinerama 7 Cinerama 7 Cinerama 9:00 5 Cinerama 9:00 5 LantarenVenster 1 LantarenVenster 1 Cinerama 6
117 McQueen BF 19:00 Lultimo Steve 22:00 Goodbye 113 119 22:00 117 SP BF SP Damsels in terrestre 19:00 SP SP Damsels in Distress Distress17:30 Lultimo terrestre Goodbye 17:30 20:15 L ultimo terrestre TG SP BF Miss Bala Bala 20:15 TG SP Miss ultimo terrestre BF 20:00 22:30 Whit Stillman Gianni Pacinotti Mohammad La Rasoulof leggenda di di BF BF SP The L Invader 20:00 The 22:30 La Whit Stillman Mohammad Rasoulof leggenda SP Invader Gerardo Naranjo Gonzalez Gonzalez Gianni Pacinotti Gianni Pacinotti 92 96 104 Gerardo Naranjo Gianni Pacinotti Kaspar Hauser Hauser 92 96 104 Nicolas Provost Kaspar 128 113 96 Nicolas Provost 128 113 96 Davide Manuli Manuli 95 90 House Party 12:30 15:30 The Comedy 18:30 21:30 Davide 95 90 SP SP Party The Sound Sound of of Light Light BF 12:30 The 15:30 18:30 Back 21:30 House Back to to the the Square Square PC BF SP PC SP 09:30 Monsieur Lazhar The Comedy SP 09:30 Visiting Room Room SP Monsieur Lazhar Yamasaki Juichiro Juichiro Rick Alverson Alverson 14:15 Play 17:00 Bunohan Visiting SPPetr SP Petr Lom Lom Yamasaki Rick 14:15 17:00 SP SP Philippe Falardeau Bunohan Dankzij het Peter festivaldirecteur wandelende filmenGeen films, maar het echte echte leven. Met een een scala scala 83 aan activiteiten activiteiten en en evenementen evenementen wordt de 78 A. Baciu Baciu / / R. R. Muntean 89 enPlay 95 83 78 Philippe Falardeau Dankzij het oeuvre oeuvre van van Peter von von Bagh Bagh (filmmaker, (filmmaker, festivaldirecteur wandelende Geen films, maar het leven. Met aan wordt de A. Muntean stlund filmenDain Iskandar Said 89 enRuben 95 94 Ruben stlund Dain Iskandar Said 94 113 97 cyclopedie) kunt u binnen n festival worden. Zijn documentaires hebben 10:15 Unfair 13:15 22:15 16:00 UPCinema-dag alledaagse realiteit realiteit tot tot filmische filmische ervaring getransformeerd. getransformeerd. 113 97 He Giant SPFinland-kenner BF SP World Ace Attorney Attorney cyclopedie) kuntWorld uRG binnen n festival Zijn documentaires hebben 16:00 10:15 13:15worden. 22:15 Ace alledaagse ervaring He Was Was a a Giant 11:30 09:30 Jouer SPFinland-kenner BF SP Unfair UPCinema-dag The BF Ponette 11:30 09:30 The Hyperwomen Hyperwomen BF with Brown Brown Eyes Eyes RG Jouer Ponette Filippos Tsitos Miike Takashi Takashi 13:00 Lhiver 16:00 Damsels in Distress SP 19:00 Lultimo terrestre 22:00 Goodbye BF SP BF with dernier cinema en de Finse als Het retrospectief Tsitos Miike 13:00 16:00 19:00 22:00 various Jeanne Crpeau BF SP BF 85 aangevuld Lhiver dernier Damsels in Distress SP Lultimo terrestre cinema enFilippos de woelige woelige Finse geschiedenis geschiedenis als onderwerp. onderwerp. Het retrospectief wordt wordt aangevuld met met various directors directors Eileen Hofer Jeanne Crpeau 118 350 Goodbye Eileen Hofer John Shank Whit Stillman Gianni Pacinotti 118 85 350 Mohammad Rasoulof 80 John 92 Shank Whit Stillman Gianni Pacinotti Mohammad Rasoulof 80 92speelfilms uit Finland. bijzondere historische 103 92 96 104 15:00 17:30 20:00 22:15 bijzondere historische BF speelfilms uit Finland. RG SP BF 103 92 104 SP Hugo Descendants Hello, Mr. Mr.96 Tree! A Simple Simple Life Life 15:00 Hugo 17:30 The 20:00 BF 22:15 A 09:45 The Invader 12:00 Alms for the Blind Horse 14:30 Hearts 16:45 It RG 18:30 L hiver dernier SP BF SP BF SP TG Descendants Hello, Tree! 09:45 The Invader 12:00 Alms for the Blind Horse 14:30 Hearts Boomerang 16:45 It Looks 18:30 L hiver dernier Looks Pretty Pretty The BF SP TG Payne BF Boomerang Martin Scorsese Alexander Han Jie Jie Ann Hui Hui 12:30 The Sound of Light BF 15:30 18:30 Back to the Square PC 21:30 House Party SP a Distance SP BF from The Martin Scorsese Alexander Payne Han Ann Nicolas Provost Provost Gurvinder Singh Nikolay Shank 12:30 The 15:30 18:30 John 21:30 House Party Back to the Square SP a126 SP from Distance Sound of Light BF The Comedy Comedy Nicolas Gurvinder Singh Nikolay Khomeriki Khomeriki John Shank 115 PC 88 117 Visiting Room Room Petr A. Yamasaki Juichiro Rick 126/ W. Sasnal 115 88 117 95 117 96 77 103 Visiting Petr Lom Lom A. Sasnal Sasnal / W. Sasnal Yamasaki Juichiro Rick Alverson Alverson 95 117 96 77 103 A. Baciu / R. Muntean 89 95 83 78 15:45 I Wish 18:45 Blacks Game 21:45 A. Baciu / R. Muntean SP78 Francophrenia SP TG 95 83 09:30 A Simple Life 12:00 La jubilada 14:00 89 16:15 O convite ao prazer 21:00 Mondomanila 18:45 19:00 21:45 Francophrenia SP BF BF 15:45 I SP 22:30 BF SP MG TGSP SP Black & & White White & & Sex Sex BF Verano Wish Blacks Game 09:30 A Simple Life 12:00 La jubilada 14:00 Black 16:15 Hirokazu 19:00 21:00 Mondomanila 22:30 Par SP BF MG SP SP / BF Ian Olds Olds O convite ao prazer Verano Par Kore-eda skar Thor Axelsson 10:15 13:15 16:00 22:15 He Was a Giant BF SP SP Unfair World UPCinema-dag Ace Attorney Ian / exemple, Electre Ann Hui Hui 10:15 Unfair World Jairo Boisier Boisier Olave Olave 13:15 He Was a Giant John Winter Winter Walter Hugo Hugo Khouri Khouri Jos Luis Torres Leiva Leiva Khavn De De La La Cruz Cruz Kore-eda Hirokazu skar Thor Axelsson 16:00 22:15 BF SP SP James Franco UPCinema-dag Ace Attorney exemple, Ann Jairo John Walter Jos Luis Torres Khavn 128 100 69 Electre with James Franco J.Takashi Balibar / P. P. Lon Lon 117 83 Brown Eyes 94 75 80 Filippos Tsitos Tsitos Miike 128 109 100 93 69 with J. Balibar / 117 83 Brown Eyes 94 109 93 75 80 Filippos Miike Takashi Eileen Hofer TG 118 85 350 Drama of Time 12:15 118 15:15 In April the Following TG 18:15 Patience (After 21:15 Drama SP PB Eileen Hofer Living 85 350 09:30 Splinters - A 11:15 Demain? of Time 12:15 15:15 18:15 21:15 PB SP In April the Following Patience (After TG TG SP PB Living 09:30 Splinters - A 11:15 Demain? Year, There Was a PB SP Sebald) A Time of Roses Vasily Sigarev 15:00 17:30 20:00 22:15 Century of an Artistic Year, There Was a SP BF SP RG Sebald) Hugo The Descendants Descendants Hello, Mr. Tree! A Simple Simple Life Life Christine Laurent Laurent Vasily Sigarev A Time of Roses 15:00 Hugo 17:30 The 22:15 A Century of an Artistic Somumjarn Fire Wichanon SP BF SP RG Grant Gee Christine Risto 119 82 20:00 Hello, Mr. Tree! 123 von Bagh 74 Family Peter Wichanon Somumjarn 80 Fire 95 Martin Scorsese Alexander Payne Payne Han Jie Jie Ann Hui Hui Grant Gee Risto Jarva Jarva 119 80 82 123 Family Peter von Bagh 74 95 Martin Scorsese Alexander Han Ann 126 115 88 117 9:30 Monsieur 12:30 L 15:30 18:30 Hearts Boomerang 21:30 88 SP TG TG 126 SP SP TG Lazhar Sounds Miss Bala Bala 10:00 Parts 12:00 11 Flowers 115 117 BF SP 9:30 Monsieur 12:30 L 15:30 Neighbouring 18:30 Hearts Boomerang 21:30 Miss of the the Heart Heart SP TG TG SP SP TG Lazhar Neighbouring Sounds 10:00 Parts 12:00 11 Flowers BF SP of Philippe Falardeau Babis Makridis Kleber Mendona Filho Nikolay Khomeriki Gerardo Naranjo Gonzalez 15:45 I Wish 18:45 Blacks Game 21:45 Francophrenia TG SP SP Paul Agusta Wang Xiaoshuai Philippe Falardeau Babis Makridis Kleber Mendona Filho Nikolay Khomeriki Gerardo Naranjo Gonzalez 15:45 18:45 21:45 Francophrenia SP SP Paul Agusta Wang Xiaoshuai I Wish Blacks Game 94 86 100 124 96TG 113 90 110 Ian Olds / Kore-eda Hirokazu skar Thor Axelsson 94 86 100 124 96 113 90 110 Ian Olds / Kore-eda Hirokazu skar Thor Axelsson James Franco 128 100 69 9:15 Bonz 11:45 Hail 14:15 Chapiteau-show 19:45 The Hyperwomen 22:30 Gaamer BF BF BF BF BF James Franco 128 100 69 9:15 Bonz 11:45 Hail 14:15 Chapiteau-show 19:45 The Hyperwomen 22:30 Gaamer BF BF BF BF BF About the Pink Sky various directors Amiel Courtin-Wilson Oleg Sentsov 12:15 18:15 Patience (After 21:15 Drama of Time SP PB TG Sergey Loban 15:15 In April the Following TG Living About the Pink Sky various directors Amiel Courtin-Wilson Oleg Sentsov 12:15 18:15 Patience (After 21:15 April the Following TG SP PB TG Sergey Loban 15:15 In Kobayashi Keiichi 119 104 207 80 Drama of Time 92 Living Year, There Was a Sebald) A Time of Roses Vasily Sigarev Kobayashi Keiichi 119 104 207 80 92 Year, There Was a Sebald) A Time of Roses Vasily Sigarev Wichanon Somumjarn 80 Grant Gee Risto Jarva 119 82 123 La maleta 10:00 Lhypothse du 12:30 Egyptian Timelines 3 15:15 Fire 17:30 20:15 22:45 Il se peut que la BF PC BF RG BF RG TheWichanon Patron Somumjarn Parts of the Heart Gee RistoBF Jarva 119 80 82 10:00 Lhypothse du 12:30 Egyptian Timelines 3 15:15 Fire 17:30 Il se peut que la Grant 20:15 Parts 22:45 La maleta 123 PC BF RG RG The Patron of the Heart Mokl-Mbemb BF Ballet SP aquatique beaut ait renforc Saints prog. Paul Agusta 9:30 Monsieur 12:30 compilation 15:30 18:30 Hearts Boomerang 21:30 Miss Bala TG TG TG beaut ait renforc SP SP Lazhar L Neighbouring Sounds Mokl-Mbemb Ballet aquatique Saints compilation prog. Paul Agusta 9:30 Monsieur 12:30 L 15:30 18:30 Hearts 21:30 Miss Marie Voignier SP Ral Ruiz M. Shatzky / B. Cassidy Sounds 78 121 72 74 90Bala 69 TG TG TG notre rsolution Grandrieux SP Lazhar Neighbouring Boomerang SP notre rsolution Grandrieux Philippe Falardeau Babis Makridis Kleber/ Mendona Nikolay Gerardo Marie Voignier Ral Ruiz M. Shatzky B. Cassidy Filho 78 121 72 74 Khomeriki 90 Naranjo Gonzalez 69 Philippe Babis Makridis Kleber Mendona Nikolay Khomeriki Gerardo Naranjo Gonzalez Silncio Filho de dois sons 100 86 124 96 16:00 20:00 O 22:30 10:00 Falardeau Jean Epstein, Young 94 RG BF MG RG imprio do desejo Jouer Ponette 113 86 124 96 16:00 Silncio de dois sons 100 20:00 O 22:30 Jouer 10:00 Jean Epstein, Young 94 RG BF MG RG imprio do desejo Ponette 113 Oceans of Cinema Girimunho Carlos Reichenbach Jeanne Crpeau 9:15 Bonz 11:45 Hail 14:15 Chapiteau-show 19:45 The Hyperwomen 22:30 Gaamer BF BF BF BF BF Oceans of Cinema Girimunho Carlos Reichenbach Crpeau H. Marins Jr. / C. Campolina 9:15 Bonz 11:45 14:15 Chapiteau-show 19:45 The Hyperwomen 22:30 Jeanne 90 104 110 J. Schneider + Le tempestaire BF BF BF BF 92 Hail Gaamer About the Pink Sky + various directors H. Marins Jr. / C. Campolina BF 104 Amiel Courtin-Wilson Sergey Loban Sentsov 110 92 J. Schneider Le tempestaire 90 About the Pink Sky various directors Amiel Courtin-Wilson Sergey Loban OlegHH Sentsov 09:00 10:00 11:00 12:00 13:00 SP 14:00 15:00 16:00 17:00 18:00 19:00 20:00 22:00 Oleg 23:00 24:00 Kobayashi Keiichi One Old Man 21:00 119 104 207 the 80 92 10:00 12:30 A Shape of 15:00 Shifting 17:30 When 20:15 Lights SP PC SP Im Still Alive 11:00 09:00 10:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 22:00 23:00 24:00 Kobayashi Keiichi One Old Man 21:00 119 104 207 the 80 92 10:00 12:30 A 15:00 Shores 17:30 When 20:15 Shifting Shape of Lights SP SP PC SP HH Im Still Alive 2 Error Went Out Apuda Peter van Houten La maleta 10:00 Lhypothse 12:30 Error 15:15 17:30 20:15 22:45 21:00 du Il se peut que la PC BF RG BF RG BF Egyptian Timelines70 3 The Parts of21:00 the Heart BF Shores 2 Patron Went Out King Curling Apuda van Houten compilation prog. 58 BF La maleta Abigail Child Pat Holden 10:00 Peter 12:30 Egyptian 15:15 17:30 beaut 20:15 Parts 22:45 Ballet He Yuan 86 85 164 Lhypothse du Il se peut que la PC RG BF RG BF Timelines 3 The Patron of the Heart BF Mokl-Mbemb King Curling aquatique ait renforc Saints compilation Paul Agusta Ole Endresen compilation prog. 58 Abigail Child prog. Pat Holden He Yuan 86 70 85 164 Mokl-Mbemb Ballet aquatique beaut ait renforc Saints compilation prog. Paul Agusta notre rsolution Grandrieux 74 Endresen 90 Marieof Voignier Ral Ruiz of Ganesha M. Shatzky / B. Cassidy 72 78 121 69 9:45 Century 17:15 Dance 20:00 Rua Aperana 52 Ole 22:30 75 A Dangerous SP BF SP SP Birthing notre rsolution Grandrieux Marieof Voignier Ral Ruiz Method of Ganesha M. Shatzky / B. Cassidy 72 78 121 74 90 69 9:45 Century 17:15 Dance 20:00 Rua Aperana 52 SP 22:30 75 A Dangerous Method SP SP BF Birthing Carnival Lav Diaz Bressane 10:00 16:00 Silncio de dois sons 20:00 Jlio 22:30 David Jean Epstein, Young BF RG RG O imprio do desejo 80 MG JouerCronenberg Ponette Carnival Lav Diaz Bressane Silncio de dois sons Madhuja 355 76 10:00 16:00 Girimunho 20:00 Jlio 22:30 David Jean Epstein, Young BF Mukherjee RG 93 RG O imprio do desejo 80 MG JouerCronenberg Ponette Oceans of Cinema Carlos Reichenbach Jeanne Crpeau Madhuja Mukherjee 355 76 93 Oceans of Cinema Girimunho H. Marins Jr. / C. Campolina Carlos Reichenbach Jeanne CrpeauBF 90dans un 104 110 la planche 92 J. Schneider + Le tempestaire 11:00 15:30 Splinters 19:00 Hope 21:45 Sur Un nuage BF SP SP Old Dog H. Marins PB Jr. / C. Campolina Hope 90dans un 104 110 92 Schneider + Le tempestaire 11:00 15:30 Splinters 19:00 Shock 21:45 Sur Un nuage BF PB SP BF SP Old planche verre deau Head Soul PemaDog Tseden 10:00 J. von Bagh Lela la Kilani 12:30 A Shape of 15:00 Shifting Peter 17:30 When the Lights 20:15 One Old Man SP PC SP HH SPdeau Im Still88 Alive verre Shock Head Soul Pema Tseden 10:00 Im Peter von Bagh Lela Kilani Srinath C. Samarasinghe One Old Man Simon Pummell 90 74 97 106 12:30 15:00 17:30 20:15 Shifting A Shape of When the Lights SP PC SP HH SP Still Alive Srinath Shores 2 Error Went Out Apuda Peter van88 Houten C. Samarasinghe Simon Pummell 90 74 97 106
Competition Shores 2 prog. 58 Went Out Apuda compilation Joerg Burger Alvin CaseThe Interceptor Kivu Ruhorahoza Peter van Houten Abigail Child Pat Holden He Yuan 86 70 85 164 de SP 12:30 Error 14:45 Tamino 17:15 20:15 22:30 El LantarenVenster 1 Cinerama Shifting Shores 1 PC from I Am the One Lacan BF HH PC cuaderno for Utopia Mondomanila So Sorry + Ordos 100 Quan Isaki Lacuesta for Short Films 2 Who compilation prog. Cinerama 6 6 89 74 from 71 104 Tamino Abigail Child Pat Holden He Yuan 86 70 85 164 12:30 Shifting 14:45 Wu 17:15 The 20:15 22:30 barro Shores 1 PC Interceptor I Am the One Who Lacan BF 58 HH PC SP My Hometown Carries Flowers to Her 87 Palestine Isaki Lacuesta Nana compilation prog. Andrs Khavn De La Cruz Weiwei 75 90 118 135 20:00 Dance of Ganesha 9:45 Century 17:15 Ai 22:30 A Dangerous LantarenVenster 2 Method SP 89 BF SP SP ofDuque Birthing Rua Carries Aperana 52 My Hometown Flowers to Her Palestine Nana H. Alabdalla / A. Al-Beik 22:15 Grave Zhang Zanbo Mike Hoolboom 12:30 compilation 15:00 Valrie Massadian 77 90 105 22:30 Dance of Ganesha Lifes Full ofprog. SH Echoes from Puzzled Bitter Sweet andSP Nothing Without aMethod SH SH SH SH70 SP 9:45 Century of Birthing 17:15 17:30 20:00 20:15 LantarenVenster 2 A Dangerous BF SP the 73 Rua Aperana 52 Carnival David Cronenberg Lav Diaz Jlio Bressane H. Alabdalla / A. Al-Beik Grave 14:45 17:30 20:30 Zhang Zanbo Mike Hoolboom Valrie Massadian Cinerama 7 77 90 70 Lilian M.: Relatrio 73 BF HH MG Wonders 13:00 Past Golden The Mukherjee Hunter When the Bough Breaks105 Woman orCronenberg a Girl compila10:00 11:00 12:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 24:00 Carnival David LantarenVenster 2 09:00 Lav Diaz Jlio Bressane Madhuja 355 76 80 93 10:00 15:00 17:30 19:45 21:45 Cinerama 7 TG TG TG HH Confidencial Born in Beijing 11:00 Voice of My Father Return to Burma 66 Egg 20:00 andcompilation Stone Sudoeste tion prog. compilation prog. compilation prog. compilation prog. Bakur Bakuradze Ji Dan prog. 76 73 90 10:00 12:00 13:00 15:00 16:00 17:00 18:00 19:00 19:45 21:00 22:00 23:00 TG 24:00 Cinerama 7 09:00 Madhuja 355 93 10:00 Born 15:00 Voice 17:30 TG TG 80 21:45 Sudoeste TG in Beijing of My Father Return Burma76 TG and 09:00 10:00 11:00 12:00 13:00 69 HH 14:00 14:00 15:00 17:00 18:00 20:00 21:00 22:00 24:00 Ma Li Orhan Eskiky / 16:00 MidiMukherjee Z to Huang Ji Stone Nunes Carlos Reichenbach 120 123 Egg 144 23:00 Hope LantarenVenster 9:00 3 Old 11:00 Un 15:30 19:00 19:00 21:45 Eduardo nuage dans un SP Previewdag BF PB SP BF Dog 10:00 Ma Splinters Sur la planche VPRO 12:15 Short Stories: 14:45 Out Orhan 17:15 Tiger 20:00 22:30 Homelandsssss Awards Short Li Eskiky / Midi Z Huang Ji Stories: SH 87 TS SH 97 21:45 Eduardo Nunes SH 128 SH Zeynel Dogan 240 84 Hope and15:30 About Africa LantarenVenster 3 9:00 11:00 Un 19:00 10:00 VPRO nuage dans un SP BF PB SP BF verre deau Old Dog Splinters Sur la planche Shock Head Soul Previewdag Pema Tseden Peter von Bagh Lela Kilani 10:30 Way of Passion 16:45 The Whirlpool 20:00 Friend Power and Politics Competition or Foe LantarenVenster 1 Zeynel Dogan Tiger Awards 10:00 VPRO 240 87 84 97 21:45 Matire grise 128 SP BF for TS BF Oude Luxor compilation prog. compilation prog. Previewdag LantarenVenster 3 verre deau Shock Head Soul Srinath C. Samarasinghe Pema Tseden Peter von Bagh Lela Kilani Simon Pummell 88 90 74 97 106 9:45 810 Disturbing the HH LantarenVenster 1 Competition compilation prog. compilation prog. Oude 86 100 80 83 85 Joerg Burger Alvin CaseShort Films 1 Kivu Ruhorahoza LantarenVenster 1 Oude Luxor Luxor Simon Pummell for Short Films 88 90 74 97 106 9:45 Disturbing 810 the HH Srinath C. Samarasinghe Peace 2 Who 89 74 from HH 71 104 Tamino LantarenVenster 5 12:30 Shifting Shores 1 PC 14:45 17:15 20:15 I Am the One 22:30 Lacan 810 10:00 Interceptor BF PC Short 14:45 Helsinki, 17:15 The 22:00 VPRO Previewdag Waiting for Snow Stories: SH SH SP Peace PB Ai Weiwei 78 Tamino LantarenVenster 5 12:30 Shifting 14:45 Nana 17:15 The 20:15 I 22:30 Lacan 10:00 VPRO Previewdag Shores 1 Interceptor Am the One Who BF HH PC 22:15 My Hometown Flowers to Her Palestine Forever in My Kampong from Surprising Mysteries 12:30 compilation 15:00 17:30 20:15 Carries Ai Weiwei LantarenVenster 2 Lifes Full ofprog. SHPC Echoes from the Puzzled Bitter Sweet and Nothing Without a SP 10:00 SH SH SH SH 78 Path 1 5 VPRO Previewdag My Hometown Carries Flowers to Her Palestine H. Alabdalla / A. Al-Beik Grave Land of the Pharaohs Nana compilation Zhang Zanbo Mike Hoolboom Valrie Massadian 14:30 Short 17:00 Egyptian 19:45 22:15 77 90 105 Peter von Bagh PC 73 compilation prog. 2 PC 89 compilation prog. Syrian Histoire de PB SP 70 74 85810 LantarenVenster 2 Timelines Wonders prog. Past Golden Woman or ames Girl Path compilaLantarenVenster 2 H.into Alabdalla / A. Al-Beik 22:15 Grave Land of the Pharaohs Path 1 1 Zhang Zanbo Mikede Hoolboom Valrie Massadian 14:30 Short 17:00 Egyptian 19:45 Blue 77 73 105 810 Syrian Histoire mes Documentaries 3 prog. cheveux PC PC66 90 PB SP 7090 Sky Journey Timelines 2 tion prog. compilation prog. compilation prog. compilation compilation prog. TG prog. 69 HH 76 LantarenVenster 6 15:00 17:30 21:45 810 TG 10:00 Rotterdam 18:30 Wavumba 21:30 73 12:00 Its Immaterial 14:30 Space 17:00 Signal 19:45 22:15 compilation TG TG and Time: Lost and Structural Born in Beijing Voice Father Return to Burma Egg and Sudoeste RG SH RG SH BF Blue BF Film Course Stilleben Documentaries 3 My cheveux compilation prog. of Boris Lehman Peter von Bagh the Land of Memories Sky Stone Journey into 83 101 100 90 compilation prog. SH LantarenVenster 6 10:00 Rotterdam 15:00 Voice 17:30 Return 18:30 Wavumba 21:30 21:45 HH TG TG van Velzen 19:45 TG The Abstract Films Found Principles ofof MyAfrica Father Egg and Stone Sudoeste BF 20:00 BF Ma Li in Beijing Orhan Eskiky / 83 SH Midi Z to Burma Huang Ji of Eduardo Nunes REVERBERATIONS Film Course Stilleben compilation prog. Jeroen Sebastian Meise 12:15 14:45 17:15 22:30 LantarenVenster 3 compilation prog. Boris Lehman von Bagh the Land Memories Peter TG Short Stories: Tiger Awards Short Stories: 10:00 Born 18:30 21:30 6 SH TS Wavumba SH SH 101 100 90 Path 2 Out and About Homelandsssss BF BF Rotterdam Film Course Stilleben Bart Vegter 1 compilation prog. compilation compilation Zeynel Dogan 240 87 84 Velzen 97 Sebastian 128 80 71 67 67 Ma Li Orhan Eskiky / 84 Midi Z 480 Huang Ji prog. Eduardo Nunes 76 77prog. Jeroen van Meise LantarenVenster 3 Power and Politics Competition for Friend or Foe Path 2 compilation prog. compilation prog. Jeroen van Velzen Sebastian Meise LantarenVenster 3 Path 2 Zeynel Dogan 240 87 84 97 128 76 77 Short Films 1480 compilation prog. compilation prog. 86 100 80 83 85
480
Public Screenings Thursday 26 January Public Public Screenings Screenings Thursday Thursday 26 26 January January
Peace Ai Weiwei
in My Kampong
PC
101
HH HH
78 78
14:45 Helsinki,
SH
89
108 108 108 PB
PB
74
76 Future Lasts Forever Future Lasts zcan Alper Future Lasts Forever Forever zcan zcan Alper Alper
BF BF BF
77 que s 22:15 HISTRIAS BF 22:15 HISTRIAS existem quando quelembradas s BF 22:00 22:15 Short Stories: SH HISTRIAS que s BF
existem quando lembradas lembradas Julia Murat Surprising Mysteries existem quando
Julia Murat
98 98 98
24:00 17:00
101
09:00
71 18:30
82 18:30
12:00
19:15 Big Talk
compilation prog.
16:00 83
2 PC 18:00
19:00
19:45 Land of the Pharaohs Land Sky of the Pharaohs 19:45 Blue Journey into 19:45 Structural SH
PB 20:00 21:00 Peter von Bagh the Land Memories 100 Blue Sky of Journey into
compilation prog. Julia Murat 22:15 Histoire de mes 22:15 Histoire cheveux de mes 22:15
SP
810 90
80
Forever Peter von Bagh PC 14:30 Short Syrian 14:30 Short Documentaries Syrian 14:30 Space and Time: 3 PC 14:00 15:00 RG Documentaries 3of compilation prog. The Abstract Films compilation Bart Vegter prog. 1 REVERBERATIONS
24:00
SP
113
83 84
16:45
RG RG RG
24:00
70
11:45
SP Van Rompaey Les gants Christophe
various directors
BF
16:45
70
18:15 Dress Rehearsal BF Utopia 18:15 Dress Rehearsal BF 18:15 for Dress Rehearsal BF
70 BF Nugroho Garin
for Utopia 19:15 SP Lena 18:00 Andrs Duque Duque 19:00 75 Andrs 75 18:30
75
20:00
24:00
SP
24:00 24:00
Public Screenings Saturday 28 January Tributes Pulse Bill Morrison Tributes Pulse Pulse Tributes Grandma Lo-fi The Blindfold 09:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 Bill Morrison The February Invader Bill Morrison Press & Industry Screenings Wednesday 1 Nicolas Provost The Invader Valley of Saints The Invader Press & Industry Screenings Wednesday 1 February Friday 27 January
BF BF
79
15:30 15:30
93
16:45
18:30 102 Bouligants Lanners 19:15 Big Talk SP Les gants 18:30 SP Les
10:15
Boris Lehman 90 22:30 SP compilation prog. Miss Bala 67 810 810 SP 11 Flowers Gerardo Naranjo Gonzalez 21:30 SP Wang Xiaoshuai 21:30 11 155 SP 11 Flowers Flowers 110 Wang Xiaoshuai Wang Xiaoshuai SP 110 110 21:15 Matire grise BF 21:15 Kivu Ruhorahoza BF Matire grise 120 21:15 Matire BF grise 104 Kivu Ruhorahoza Ruhorahoza Kivu 22:00 The Day He BF SP 21:00 22:00 23:00 104 104 21:30 Skoonheid Arrives BF 21:30 Hong Sang-Soo 119 79 Oliver 22:30 BF Skoonheid 21:30 SP Hermanus Miss Bala BF Skoonheid 99 Oliver Hermanus Gerardo Naranjo Gonzalez 22:30 Oliver Hermanus Unfair World 21:00BF 23:00 99 155 22:00
24:00
347
LantarenVenster 5 Path 3 LantarenVenster 5 Path LantarenVenster 5 Path 3 3 LantarenVenster 6 Path 4 LantarenVenster 6 Path LantarenVenster 6 Path 4 4 Oude Path Luxor 4 Path 5 Path Path 5 5 de Doelen Jurriaanse Zaal Path 6 Path Path 6 6 Schouwburg Grote Zaal Path 7 Path 7 Oude Luxor 4 Path 1 Cinerama 1 de Doelen Cinerama 1 de Path Doelen Jurriaanse Zaal 2 Jurriaanse Zaal Cinerama 4 de Doelen Schouwburg 4 de Path Doelen WillemCinerama Burgerzaal Grote Zaal 3 WillemCinerama Burgerzaal 5 2 Path 1 Cinerama 5 Path Path 4 2 5 Cinerama 6 4 Path 2 Cinerama 6 Path Cinerama 2 Path 5 4 LantarenVenster 1 5 Path 3 LantarenVenster 1 Path 6 Cinerama 3 Path 5 LantarenVenster 2 Cinerama 2 Path LantarenVenster 2 Path 4 7 LantarenVenster Cinerama 2 LantarenVenster 3 Cinerama 3 Path 5 Cinerama 1 LantarenVenster 3 LantarenVenster 5 Cinerama 3 LantarenVenster 5 LantarenVenster 6 Cinerama 2 Path 6 LantarenVenster 5 LantarenVenster 6 LantarenVenster 6 Cinerama 3 Path 7 LantarenVenster 6
120
95 84 Nicolas Provost Bouli Lanners Lanners Ace Attorney Musa Syeed 16:00 20:00 Abrir puertas y Provost Bouli SP BF SP BF Future Lasts11:00 Forever Lultimo 09:00 10:00 12:00 13:00 14:00 15:00 Nicolas 16:00 terrestre 17:00 18:00 19:00 24:00 95 84 20:00 Miike Takashi 82 113 95 84 99 ventanas 17:00 Stateless 19:45 David Cronenberg SP zcan Alper 11:00 Gianni Things18:00 Hoy no tuve miedo 21:00 SP 09:00 10:00 12:00 13:00 14:00 93 15:00 16:00Pacinotti 17:00 19:00 19:45 20:00 22:00 Filippos Tsitos 23:00 24:00 Milagros Mumenthaler 108 96 98 107 17:00 Stateless Kim 17:30 Kyung-Mook Ivn Fund 09:30 In April the 13:15 Blacks Game 15:30 Les clats SP SP 17:00 19:45 20:00 Things Hoy no miedo TG 11:00 small roads SP TG BF Black Dove SP SP SP SP Women Stateless Thingson the Edge Hoy no tuve tuve miedo 115 122 Following Year, There Sylvain George Kim Kyung-Mook Ivn Fund 9:30 In 12:30 18:30 21:30 09:30 11:00 13:15 15:30 17:30 Roh Gyeong-Tae James Benning skar Thr Axelsson Kobayashi Masahiro April the 16:15 Tokyo Duch, le matre des 14:00 The Great SP BF Playboy BF PB TG Kim Kyung-Mook Ivn Fund TG SP TG 52 SP BF SP A Fish Papirosen Splinters small roads Blacks Game Les clats Women on the Edge TG Rua Aperana Club W. Somumjarn Was a FireYear, 115 120 76 103 de lenfer 84 O vampiroKobayashi 101 Following There forges da cinemateca 122 Sylvain 17:00 19:45 When the Bough Breaks Park Hong-Min GastnGeorge Solnicki Peter 122 von Bagh James Benning skar Thr Axelsson MasahiroNorthwest Jlio Bressane 100 Okuda Yosuke MG115 HH Was a Fire W. Somumjarn 76 Rithy Panh Matt McCormick 105 74 84 O 70 74 100 101 80 97 O da cinemateca insigne ficante 17:00 19:45 15:00 18:00 20:30 Ji Dan the 11:45 12:00 14:15 103 16:45 O vampiro vampiro da cinemateca MG HH O despertar da besta The Day He 19:45 When SP SP Blindfold SP MG Souvenirs SP BF Heights 22:00 SP Bough Breaks I Wish LApollonide de 17:00 Rnia Wuthering Grandma Lo-fi 103 The Lena MG 19:15BF HH Jairo Ferreira 120 144 10:15 13:15 16:15 19:15 22:15 Arrives O insigne ficante Jos Mojica Marins la maison close Low Cornelia frente al It espejo 15:00 18:00 Rnia 20:30 SP SP BF BF Dan Kore-eda Hirokazu Roberta Andrea Arnold Nugroho Christophe Van Rompaey 09:45 I Carried 14:15 16:30 20:15 various directors Iceberg I CarriedJiYou Home The Hunter SP SPWorld BF SP Looks Pretty BF BF12:00 SP TG SP Marques I Wish LApollonide Souvenirs de Garin Heights SP YouDefinition Home Control Iceberg Unfair The Wuthering Hunter Malfunctions #0 Hong Sang-Soo Jairo Bertrand Bonello 122 Ferreira 85 130 120 144Bakur 93 102 119 Gabriel Velzquez Chantarangkul Bakuradze tropical 144 17:00Tsitos 19:45 Vereda 22:15 la maison close Kore-eda Hirokazu 79 Daniel Rosenfeld 128from a Distance Roberta Marques Andrea Arnold Tongpong Chantarangkul Gabriel Velzquez Filippos Daniel Nettheim MG BF 120 Tongpong The Hunter Snuff: Vitmas do79 prazer MG Michael Palm 104 84 113 123 Bertrand Bonello 128 A. Sasnal / W. Sasnal 122 85 130 113 95 84 77 16:00 118 101 Vereda tropical O despertar da besta 09:45 De jueves 17:00 19:45 22:15 Bakur Bakuradze Cludio Francisco Cunha 10:15 Future 13:00 A Dangerous Vereda tropical TG Method Abrir puertas y 17:00 The 19:45 20:00 22:15 22:30 MG MG SP BF SP BF BF BF a domingo Hunter Lasts Forever Lultimo terrestre Unfair World MG BF Snuff: Vitmas do prazer MG Caf Regular, Cairo Jos Mojica Marins 11:00 19:00 22:30 123 111 109 BF RG da besta ventanas Retour de flamme O despertar Dominga Sotomayor David 09:30 09:45 11:45 Clip 14:00 Corta zcan AlperTG CJP Gianni Pacinotti Bakur Bakuradze Filippos Tsitos TG Serveert TGCronenberg BF Cludio Francisco Cunha De jueves a domingo De jueves a domingo Nuit #1 96 Serge Bromberg Milagros Mumenthaler Jos Mojica Marins 108 93 96 98 123 111 109 123 111 109 107 15:30 Anna 20:00 Dominga Sotomayor Dominga Sotomayor Maja Milo Felipe Guerrero SP RG Mondomanila Anne mond 420 90 102 96 11:45 96 100 69 Alberto Grifi / Massimo Khavn De La Cruz SP 21:30 Splinters 9:30 A FishSounds 12:30 Duch, le matre 18:30 The Great TG TG SP des 15:30 Papirosen Neighbouring Goodbye 20:00 Mondomanila SP BF Sarchielli BF PB RG Anna Big-Assed Mother 9:45 My Filho 12:45 15:45 18:45 21:45 Demain? BF 11:45 12:00 SP TG SP 225 75 Une meilleure Four Suns Tokyo BF Playboy Club Khavn forges devie lenfer Northwest Kleber Mendona Mohammad 09:45 13:30 15:30 Hello, Park Two Hong-Min Gastn Solnicki Peter von Bagh BF BF TG BF SP Years at Sea Nana Rasoulof Louise Wimmer Mr. Tree! Alberto Grifi / Massimo BF Sarchielli SP 17:45 Abrir puertas De La Cruz Neighbouring Sounds Goodbye Black & White & Sex Bohdan Slma Yosuke Christine Laurent 74 124 105 RithyCdric Panh Kahn 104 Matt Okuda McCormick 103 74 70 225 75 y ventanas Ben Rivers Valrie Massadian Cyril Mennegun Han Jie Kleber Mendona Filho Mohammad Rasoulof 19:15 21:45 BF Totem Hail John Winter 104 110 105 97BF 95 Milagros Mumenthaler 19:15 Jessica 68 80 88 98 124 88 104 09:30 Corta 10:15 Low 11:30 Buenas Un nuage dans un BF SP BF Krummacher Amiel Courtin-Wilson 13:15 13:30 16:15 Iceberg 22:15 21:45 Hail Definition Control Cornelia frente al espejo SP SP BF BF BF I Carried You HomeBF The Hunter BF Totem 9:15 Dimanches 15:15 Corta 18:15 small roads 21:15 Clip Le reste13:00 du SP SP verre deau BF SP TG noches, 12:15 Espaa 86 104 Felipe Guerrero Malfunctions 09:30 Corta 11:30 Buenas 18:30 Lost in the Mountain #0 13:30 Daniel Rosenfeld BF BF SP HH Un nuage dans un Gabriel Velzquez Tongpong Chantarangkul Bakur Bakuradze BF SP BF Ex Press Papirosen Florentina Hubaldo, CTE Jessica Krummacher Amiel Courtin-Wilson monde Les gants Felipe Guerrero James Benning Maja Milos Raya Martin Srinath C. Samarasinghe 69 70 90 Michael Palm 95 104 84 113 123 noches, Espaa verre deau 86 Jet Leyco Gastn Solnicki Lav Diaz Gao Zipeng Felipe Guerrero 15:00 17:15 20:15 22:15 Short Circuit Lifes Full of 100 SH 104 Damien Odoul Low Definition Bouli Lanners BF SH 99 81 103 Homelandsssss SH 69 90 74 300 95 Raya Martin Srinath C. Samarasinghe 69 70 90 09:45 Der Fluss war 12:00 The Day 14:30 Low Definition 17:00 NuitControl 19:30 Los ltimos compilation Wonders Regular, Cairo Malfunctions #019:00 Retour Control BF SP BF BF SP prog. 21:30 #1 Definition Hunter compilation prog. 11:00 20:15 RG 15:00 Homelandsssss 17:15 Low 22:15 22:30 BF CJP Serveert de flamme in the LifesCaf Full ofTG SH BF BF Fever SH The SH 9:30 Boxing 12:30 Le Havre 15:30 18:30 Rat 21:30 SP SP TG SP Short Circuit De jueves a domingo einstIslands ein Mensch Malfunctions #0It Looks Pretty Philippine compilation prog. Michael 85 95 69 He Arrives cristeros AnneControl mondPalm Bakur Bakuradze 10:00 09:45 14:30 Low 17:00 Nuit 19:30 21:30 75 Nuit #1 SP 12:00 The Malfunctions #0 Wonders Der Fluss war Definition Control Four Suns BF SP BF BF SP BF Serge Bromberg compilation prog. Day #1 Los ltimos The Hunter from a Distance compilation prog. Aki Kaurismki 79 Cludio Assis Dominga Sotomayor Buenas Espaa Jan noches, Zabeil Michael Palm Hong Sang-Soo Matas Meyer 83 95 91 90 123 Anne mond ein Mensch Malfunctions #0Anka & Wilhelm 102 compilation prog. Bohdan Slma 95 75 He Arrives cristeros 85 69 RG AnneMichael mondPalm 420 Bakur Bakuradze Sasnal 14:45 20:00 Tiger Awards 22:30 93 77 17:15 110 90 96 Raya einst Martin George Kuchar: Short Stories: Ordinary SH TS SH 105 Jan Zabeil Michael Palm BF Hong Sang-Soo Matas Meyer 83 11:30 79 95 An Oversimplification 91 123 14:00 Die Ruberin 16:15 18:30 18:45 20:30 Punk 22:15 Mercado Competition for in 90 Wrap Party RG BF BF20:00 SP SP Surprising Mysteries Madness My Big-Assed Mother A arca do den Africa de futuros 9:45 12:45 Une 15:45 Four 21:45 17:15 Ordinary BF Pablo SP14:45 Short SP TG Awards SP 9:15 Now, 13:15 19:45Club 22:30 George vie meilleure Tokyo Playboy Demain? Tiger Kuchar: Stories: SH TS RG SH Suns Forager: A Film BF PB BF MG Eight Deadly Shots Weekend Oh! Rebuceteio of Her Beauty Short Films 1 Jones / compilation prog. compilation prog. compilation prog. Goldgewicht Markus Busch Marcelo Felix Keith Deon Mercedes lvarez 85 An 80 80 Maas 79 09:30 11:30 Richard 14:00 16:15 18:30 20:30 22:15 BF & Sex Black & White Malaventura Oversimplification Competition for Wrap Party Surprising Mysteries RG BF BF BF SP SP About Love & Fungi Madness Cdric Kahn Bohdan Slma Okuda Christine Laurent Pablo Die Ruberin A arca do Yosuke den Mercado de futuros Mikko Niskanen Andrew Haigh Punk in Africa Cludio Francisco Cunha Terence Nance 103 92 93 80 82 110 Short Films 1 Jones / Deon John Winter Lipkes 104 110 compilation prog. 105 97 Keith 95 JasonMichel Cortlund / Julia Halperin 93 compilation prog. prog. 96 Maas Richard Goldgewicht Markus Busch Marcelo Felix 19:30 Short Stories: Mercedes lvarez 80 7984 80 14:45 17:15 compilation 22:00 On the Waving Back Move Waiting for Snow in SH 85 of Her Beauty RG 316 SH SH 73 Terence Nance 103 92 93 80and Politics 82 110 09:30 Wavumba 11:30 Weekend BF BF Kampong Power compilation prog. prog. 9:15 Dimanches 12:15 Le reste du 15:15 for 18:15 small 20:00 14:45 My 17:15 Waving 19:30 Short 22:00 compilation HISTRIAS que SP SP SPStories: TG BF Corta roads On the Move Waiting Snow in SH BF Back RG SH 21:15 Clip SH Jeroen van Velzen Andrew Haigh compilation prog. compilation prog. 10:00 89 79 86 74 DINAMO P&I 09:30 11:30 SH s existem quando Les gants BF BF My Kampong Felipe Guerrero Maja Milos compilation prog. Power and Politics Wavumba Weekend monde compilation prog. James Benning 96 176 99 lembradas Julia Murat 98 BouliJeroen Lanners 81 103 100 compilation prog. vanScreenings Velzen Andrew Haigh Damien Odoul prog. et dternit 86 89 69 79 17:00 NL International 19:30 compilation 22:00 Cinematic RG SH 74 SH Trait de bave compilation prog. 87 76 96 to Musicians 20:00 The compilation prog. 9:30 Boxing in the 12:30 Le Havre 15:30 It Looks Pretty 18:30 Rat Fever 19:30 Isidore BF 21:30 22:00 Tributes SP SP TG 17:00 NL SP Whirlpool TG a domingo Cinematic RG De jueves SH SH Philippine Islands International Trait Isou de bave et dternit compilation prog. 86 120 72 from a Distance Alvin Case Tributes to Musicians Aki Kaurismki Cludio Assis Dominga Sotomayor Buenas noches, Espaa compilation prog. Isidore Isou
Raya Martin
93
77
compilation prog.
96 72
BrighT FuTure pc
BF
Vers bloed. Eerste of tweede film van filmmakers waarvan het festival in de toekomst nog veel goeds verwacht.
348
Unfair World Filippos Tsitos
BF
88
09:00
SP
118
12:00
Hello, Mr. Tree! Han Jie
22:15 22:30
13:00
Kill List Ben Wheatley
14:00
15:00
sp hh
BF
16:00
Het dagelijkse bombardement van beelden van de volksrevoluties in het Midden-Oosten wekt de suggestie dat de Arabische Lente een vlam in de pan was. Power Cut Middle East onderzoekt wat die beelden nu preces zeggen en laat, aan de hand van eerder werk van filmmakers, zien 17:00 18:00 19:00 20:00 21:00 22:00 23:00 dat de revolte al tijden in de lucht hing.
Oude Luxor
99
Rotterdam op zijn breedst. Het festival selecteerde actueel, krachtig en vernieuwend werk uit alle windstreken, van veteranen tot minder bekende regisseurs.
17:00
09:00
BF
Alms for the Blind Horse De kracht van kort: films van n tot 59 minuten lang, uit alle windstreken. Ze worden als Gurvinder Singh 117 voorfilm bij lange films vertoond, of gebundeld in compilation prog.s.
13:00 13:30
14:00
15:00
sh
BF
16:00 16:30
maison close
13:00
BF
16:00
haaks staat op dat uit de partijpropaganda, als21:00 armoede, corruptie, 17:00 18:00 19:00 met onderwerpen 20:00 22:00ontwor- 23:00 Bonz 19:15 A Womans Revenge SP 21:45 Caf Regular, Cairo BF BF teling en wanbestuur. Naast films Hidden Histories ontmoetingsplek: About the Pink Sky Nuit #1 Kill List 17:00 19:30 22:15 Rita Azevedo Gomes BFeen bijzondere BF SP bevat Unfair World Hello, Mr. Tree! ook Kobayashi Keiichi Anne mond 119 100 102 Filippos TsitosCaf. Han Jie Ben Wheatley het Ai Weiwei 118 88
113 91
Skoonheid Oliver Hermanus Speelfilms en documentaires uit China die een beeld schetsen van de Chinese realiteit dat
24:00
94
1 de Path Doelen Jurriaanse Zaal Path 2 Schouwburg Grote Zaal Path 3 Path 1
Bertrand Bonello
122
75
pB
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Cinerama 1 Path 6
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Cinerama 5 Cinerama 3
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98 Oliver Hermanus 99 10:00 The Descendants 12:30 The Year 1939 15:30 A Day at Karl Marxs Grave 18:30 Shame 21:30 The Last Summer 1944 PB SP PB PB BF Regular, Cairo Sodankyl Forever 13:30 Alms for the Blind Horse 16:30 Bonz 19:15 A Womans Revenge SP 21:45 Alexander Payne Peter von Bagh Peter Caf von Bagh BF Steve McQueen BF BF Dankzij het oeuvre van Peter von Bagh (filmmaker, festivaldirecteur en107 wandelende filmenGeen maar het echte leven. Met Rita eenAzevedo scala aan activiteiten en evenementen de Peter von Bagh 115 106 Sky 99 105 About the films, Pink Nuit wordt #1 Gurvinder Singh Gomes Kobayashi Keiichi PB Anne mond 117 119 100 102 cyclopedie) kunt u binnen n festival Zijn alledaagse realiteit tot filmische ervaring getransformeerd. 10:15 Romance 13:15worden. 16:15 SF 19:15 Hearts 22:15 SP Finland-kenner TG hebben SP Romance Joedocumentaires Paraati Boomerang SP Monsieur Lazhar de jeunesse 10:15 13:00 King 16:00 Die Unsichtbare 19:00 Kotoko 22:00 HISTRIAS Lee Kwang-Kuk Yrj Norta Nikolay Khomeriki SP Philippe Falardeau BF que LApollonide Souvenirs de la SP als onderwerp. BF SP Curling cinema enUn deamour woelige Finse geschiedenis Het retrospectief wordt aangevuld met Mia Hansen-Lve 117 115 86 96 94 s existem quando maison close Ole Endresen Christian Schwochow Tsukamoto Shinya bijzondere historische lembradas Julia Murat Bertrand Bonello speelfilms uit Finland. 122 75 113 91 98 13:00 The Comedy 15:30 MovieSquad Award + Award-winning film 19:30 Made in Rotterdam 22:15 Deux inconnus SP BF 2 A Day at Karl Marxs Grave Die Ruberin 10:00 The Descendants 12:30 15:30 18:30 21:30 Rick Alverson PB PB BF SP The Year 1939 Shame The Last Summer 1944 PB 95 104 106 180 Sodankyl Forever Alexander Payne Peter von Bagh Steve McQueen Peter von BaghMarkus Busch Peter von Bagh 115 107 106 99 105 15:45 18:45 Duch, le matre des 21:45 When the Lights SP SP SP The Blindfold forges de lenfer Boomerang SP Went Out Garin Nugroho 10:15 Romance 13:15 Romance Joe 16:15 19:15 22:15 SP TG PB SP SF Paraati Hearts Monsieur Lazhar Rithy PanhNikolay Khomeriki Pat Holden 102 103 85 Un amour de jeunesse Lee Kwang-Kuk Yrj Norta Philippe Falardeau Mia Hansen-Lve 115 86 96 21:15 94 12:15 117 15:15 18:15 L An Oversimplification BF TG De jueves a domingo TG Return to Burma TG of Her Beauty Dominga Sotomayor Award + Award-winning film Babis Makridis 19:30 Made in Rotterdam 2 Midi Z 13:00 The Comedy 22:15 Deux inconnus 15:30 BF SP MovieSquad Terence Nance Rick Alverson 93 96 86 84 Die Ruberin Markus Busch 95 104 106 9:30 Lhiver dernier 12:30 Blacks Game 15:45 A Simple Life 19:30 180 21:30 BF TG SP TG TG Neighbouring Sounds Voice of My Father John Shank skar Thor Axelsson Kleber Mendona Filho Orhan Eskiky /Lights 15:45 Ann 18:45 21:45 Duch, le matre des When the SP SP SP The Hui Blindfold Zeynel Dogan 103 100 117 124 87 forges de lenfer Went Out Garin Nugroho Rithy Panh Pat Holden 102 103 85 9:15 Punk in Africa 11:45 Patience (After 14:15 Stateless Things 17:00 One Old Man 21:30 Dernire SP SP SP HH sance SP Sebald) Apuda Keith Jones / Deon Maas Kim Kyung-Mook Laurent Achard TG 12:15 An Oversimplification BF 15:15 De jueves a domingo TG 18:15 L 21:15 Return TG to Burma Grant Gee of Her Beauty 82 He Yuan 82 115 164 81 Dominga Sotomayor Babis Makridis Midi Z Terence Nance 93 96 86 84 20:00 Der Fluss war 22:30 Alps BF SP Mensch Yorgos 9:30 Lhiver dernier 12:30 Blacks Game 15:45 A Simple Life 19:30 Neighbouring Sounds einst ein 21:30 Voice of My Father TG SP TG TG Lanthimos BF Jan Zabeil 83 93 John Shank skar Thor Axelsson Ann Hui Kleber Mendona Filho Orhan Eskiky / 103 100 117 124 87 20:00 Low Definition Control BF Zeynel Dogan 22:30 Iceberg SP Malfunctions #0 Velzquez 9:15 Punk in Africa 11:45 Patience (After 14:15 Stateless Things 17:00 One Old Man 21:30 Dernire sanceGabriel SP SP HH SP SP Michael Palm 95 84 Sebald) Apuda Keith Jones / Deon Maas Kim Kyung-Mook 09:00 10:00 82 from 11:00 13:00 14:00 15:00 16:00 17:00 18:00 BF 19:00 20:00 21:00 Laurent Achard 22:00 22:45 Peace 24:00 Grant12:00 Gee12:30 Lhypothse He Yuan 82 du 164 20:15 81 23:00 10:00 The Interceptor 15:00 Mourir auprs ... 17:30 Les clats (Ma versus SP HH BF BF 115 A arca do den BF The Pettifogger gueule, ma rvolte, My Hometown Mokl-Mbemb Justice Marcelo Felix 20:00 Der Fluss 22:30 Alps 21:00 King war SP BF Curling BF mon nom) Sylvain George 84 Lewis Klahr Zhang Zanbo Marie Voignier Klaartje Quirijns 90 78 71 80 64 einst ein Mensch Ole Endresen Yorgos Lanthimos Zabeil Portrait 83 BF 93 9:30 Fairytale 17:00 Los ltimos cristeros SP 20:00 Jan 22:15 75 HH Twilight Made in Rotterdam 1 Matas Meyer Ai Weiwei Angelina Nikonova 20:00 Low 22:30 Iceberg Definition Control BF SP 152 90 105 109 Malfunctions #0 Gabriel Velzquez Michael Palm 84 12:30 The Search 15:00 The Sound of Light BF 17:30 Short Syrian 20:15 The Hyperwomen BF 95 BF PC Documentaries 1 various directors He Was a Giant with Yamasaki Juichiro Mourir auprs ... 10:00 The Interceptor from HH 12:30 Lhypothse du 15:00 17:30 Les clats (Ma 20:15 A arca do den 22:45 Peace versus SP BF BF BF BF compilation prog. Brown Eyes Eileen Hofer 101 89 92 80
Cinerama 4
gueule, ma rvolte,
84 HH
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Zhang Zanbo 9:45 Il se peut RG que la beaut ait renforc notre rsolution Grandrieux 74
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83 Documentaries 1
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83 110
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Mercado de futuros Mercedes lvarez
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Im Still Alive
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Ai Weiwei 10:00 BF 11:00 The Patron Saints 10:00 VPRO Previewdag M. Shatzky / B. Cassidy 72
compilation prog. of Ganesha 17:15 Dance BF
Whose Eyes 17:15 Carnival HH
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9:45 10:00 RG Il se peut que la VPRO Previewdag beaut ait renforc Shelter notre rsolution Grandrieux 74 10:00
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from a Distance
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Parts ofBF the Heart The10:00 Patron Rotterdam Paul Agusta Film Course Saints
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Timelines 1
22:15 22:30 HISTRIAS s Im Still que Alive
77
72
Documentaries 3
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Madhuja Mukherjee 76 Shattered Playboy Club TG 115 Okuda Yosuke 18:30 Wavumba BF La jubilada 97 Jairo Boisier Olave Jeroen van Velzen
Clip Carlos Reichenbach Year, There Was a Maja Milos 22:00 Mercado 21:30 Stilleben Rotterdam Classics: SP BF de futuros Somumjarn Fire Wichanon 80 Cinma Vrit Sebastian Mercedes Meise lvarez
existem quando lembradas Peter van Houten
SP BF
86 98
compilation prog. PC
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LantarenVenster 2 Cinerama 7 Path 1 LantarenVenster 3 LantarenVenster 1 Path 2 LantarenVenster 5 LantarenVenster 2 Path 3 LantarenVenster 6 LantarenVenster 3 Path 4
BF Future Lasts Forever compilation prog. 72 zcan Alper 19:45 small roads 108 SP James Benning 20:15 In April the Following TG
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cheveux 12:30
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Mohammad Rasoulof
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BF compilation prog. 58 Carnival Madhuja Mukherjee 76 17:00 Wavumba BF Jeroen vanTokyo Velzen Playboy Club 17:30 76 Okuda Yosuke
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Lyrische data 12:00 Histoire 14:30 Short Syrian 17:00 Wavumba 18:15 21:15 SP PC 16:15 BF Dress Rehearsal SP RG BF 19:45 small BF 23:00 roads 09:00 10:00 11:00 12:00 de mes 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 24:00 Matire grise cheveux Documentaries 2 for Utopia Tributes Pulse Jeroen van Velzen James Benning Kivu Ruhorahoza LantarenVenster Path 6 Boris Lehman compilation prog. 16:45 Moxie 19:30 75 22:15 Snuff: Vitmas Andrs Duque 90 89 103 Bill Morrison 70 104 do prazer MG SP SP76 Bunohan Kotoko Dain Iskandar Said Cludio Francisco Cunha Oude Luxor 15:30 The Invader 18:30 Les gants 21:30 Skoonheid SP BF BF Tsukamoto Shinya 97 97 109 Nicolas Provost Bouli Lanners Oliver Hermanus Path 7 20:00 22:30 Louise Wimmer 95 84 Shame 99 BF BF de Doelen Steve McQueen Cyril Mennegun 17:00 Stateless Things 19:45 Hoy no tuve miedo SP SP Jurriaanse Zaal 99 80 Kim Kyung-Mook 18:00 Ivn Fund Cinerama 1 09:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 19:00 Souvenirs 20:00 21:00 22:00 23:00 24:00 dois sons 13:30 Silncio de 16:15 18:45 LApollonide 21:30 Pablo de la SP 115 122 BF SP RG Hearts Boomerang Schouwburg maison close Girimunho Nikolay Richard Goldgewicht Moxie O vampiro da cinemateca 16:45Khomeriki 19:30 19:45 22:15 Snuff: Vitmas do prazer MG 17:00 SP SP MG HH Bunohan When the Bough122 Breaks H. Marins Jr. / C. Campolina Bertrand Bonello Grote Zaal 104 96 103 Kotoko O insigne ficante DainJi Iskandar Cludio Francisco Cunha Dan Said Oude Luxor Cinerama 4 13:00 La jubilada 16:00 King CurlingTsukamoto 18:30 Shinya 97 Miss Bala 97 21:30 Surprise Film 109 Jairo BF Ferreira SP SP BF 120 144 09:00 10:00 11:00 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 24:00 Jairo Boisier Olave Ole Endresen 17:00 Gerardo Naranjo Gonzalez Path 1 Vereda tropical 19:45 20:00 22:15 22:30 BF BF MG BF Shame Louise Wimmer The Hunter Snuff: Vitmas 83 113 90 do prazer MG 09:45 Egg and Stone 12:00 Voice of My Father TG 14:00 Ace Attorney 17:00 Rat 75 de Doelen TG SP SP Fever O despertar da besta Steve McQueen Cyril Mennegun Bakur Bakuradze Cludio Francisco Cunha Cinerama 5 de Doelen Olavi Virta Huang Ji the Edge SP Orhan Eskiky / Miike Takashi 09:30 Women 12:30 15:30 18:30 A Womans 21:30 Hoy Jurriaanse Zaal 99 no tuve miedo 80 Mojica Marins PB PB Cludio Assis SP SP 123 RevengeJos 111 109 on The Year 1952 Zeynel Dogan Jurriaanse Zaal 97 87 135 110 Paavo Nurmi Kobayashi Masahiro Peter von Bagh Rita Azevedo Gomes Ivn Fund Path 2 13:30 Silncio de dois sons 16:15 18:45 20:00 Mondomanila LApollonide Souvenirs de la SP BF 15:30 Anna SP RG SP 21:30 Pablo RG Boomerang 101 120 91 100 122 Peter von BaghHearts / M. Koski 10:00 Sur la planche Schouwburg BF maison close Girimunho Nikolay Khomeriki Richard Goldgewicht Alberto Grifi / Massimo Sarchielli Khavn De La Cruz Cinerama 6 Lela Alms Kilani for the Blind Horse BF H. le Marins Jr. des / C. Campolina 10:15 13:15 Duch, 16:15 The Day He 19:15 Bonello 22:15 La leggenda di 103 Bertrand Grote Zaal Path 4 matre 104 96 122 SP SP SP SP 225 75 The Descendants 106 forges de lenfer Arrives Kaspar Hauser Gurvinder Singh Alexander Payne Path 3 13:00 La jubilada 16:00 King Curling 18:30 Miss Bala 21:30 21:45 19:15 Totem SP SP BF BF BF Surprise Hail Film Rithy Panh Hong Sang-Soo BF Davide Manuli 117 103 79 115 90 09:30 Cornelia frente 12:00 Une SP SP vie meilleure Jairo Boisier Olave Ole Endresen Gerardo Naranjo Gonzalez Jessica Krummacher Amiel Courtin-Wilson Path 1 LantarenVenster al espejo 10:30 Hello, Mr. Tree! 13:30 A Fish 16:30 Mourir auprs ... 19:30 Blacks Game 113 22:30 The Ultimate Path 5 83 75 BF 90 TG TG BF Cdric Kahn 86 104BF Daniel Rosenfeld 100 110 The Pettifogger Pranx Case Han Jie Park Hong-Min skar Thor Axelsson Path 4 09:30 Women on the Edge 12:30 The Year 1952 15:30 Olavi Virta 21:30 15:00 Homelandsssss 17:15 Low Definition 18:30 ABF 20:15 Short Circuit PB SP Full of SH Hoy no 22:15 SHSP SH Womans Revenge SP tuve Lifes miedo LewisPB Klahr 88 105 71 100 80 10:00 TG Wonders Control Malfunctions #0 Azevedo Gomes Paavo compilation prog. KobayashiL Masahiro Peter von Bagh Rita Ivn Fund compilation prog. Nurmi Path 6 2 LantarenVenster Babis Makridis 12:45 Les clats (Ma 15:45 18:45 The 21:45 Path April the / Following compilation prog. SP SP122 BF Michael Palm 101 120 100 PeterIn von Bagh M. 85 Koski TG 91 95 Comedy 75 69 Die Unsichtbare 87 Year, There Was a gueule, ma rvolte, mon Rick19:15 Alverson Christian Schwochow Path 5 10:15 Alms for the Blind Horse 13:15 16:15 22:15 14:45 17:15 20:00 22:30 Duch, le matre des The Day He La leggenda di SP SP SP SP BF Tiger Awards George Kuchar: Short Stories: Ordinary Wichanon Somumjarn Fire SH TS RG SH The Descendants nom) Sylvain George 84 80 95 113 10:00 Girimunho 12:30 A Temple 15:30 Play 17:45 BF SP SP BF forges de lenfer Arrives Kaspar Hauser Competition for Wrap Party Surprising Mysteries MadnessLhiver dernier Gurvinder Singh Alexander Payne Path 3 LantarenVenster Helvcio Marins Jr. / Kulkarni Ruben John Shank Cinerama 2 09:30 House Party 12:15 117 15:15 A prog. 18:15 21:15 Short Films 1 Rithy Panh Davide Manuli prog. The Great SP SP BF Sang-Soo BF BF compilation compilation compilation prog. 103 79 115 90 Los Umesh pasos Vinayak dobles arca do stlund den Malaventura 85 Hong 80 80 79 Clarissa Campolina 90 146 113 103 Visiting Room Northwest Isaki Lacuesta Marcelo Felix Michel Lipkes Path 6 Mourir auprs ... 10:30 13:30 16:30 22:30 14:45 17:15 19:30 22:00 TG for Snow16:00 BF Back BF BF Waving On the Move Waiting in SH Short Stories: RG McCormick SH TG SH Hello, A Fish Blacks Game The Ultimate Baciu / R. Muntean Matt 09:30 A. 13:30 Neighbouring 18:00 Blacks 78 Mr. Tree! 87 80 70 73 BF TG SP TG Chapiteau-show Sounds A ShapeThe Game My Kampong Power andAxelsson Politics Pettifogger compilation prog. compilation prog. Case Pranx Han Jie Park Hong-Min skar Thor Path 4 LantarenVenster 5 of Error Sergey Loban Kleber Mendona Filho skar Thr Axelsson Cinerama 3 09:30 Der Fluss war 12:30 Lhiver dernier 15:30 18:30 Living 21:30 Romance BF TG SP BF LewisBF Klahr 70 compilation compilation prog. 88 105prog. 71 100 80 Nuit #1 Abigail 89 Child 79 86 74 207 124 100 einst ein Mensch Un amour de jeunesse John Shank Anne mond Vasily Sigarev Path 7 12:45 Les clats (Ma 15:45 In April the Following 17:00 19:30 Trait de bave TG 91 SP SP BF Cinematic SH Die Unsichtbare NL International SH 18:45 The Comedy et dternit RG 21:45 Jan Zabeil Mia 22:00 Hansen-Lve 83 103 119 117 Year, There Was a gueule, ma rvolte, mon Tributes to Musicians Rick Alverson Isidore Isou Christian Schwochow compilation prog. Path 5 LantarenVenster 6 11:45 Francophrenia 14:15 17:00 Mercado 20:00 Lestate 22:30 Kill nom) Sylvain George SP BF compilation prog. 84 Now, Forager: A Film BF Fire Wichanon Somumjarn 80 95 di 113 BF de futuros 86 SP List 120 72
Shelter TG TG
76 103
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Clip Maja Milos
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from a Distance 90 Parts of the Heart Mohammad Vers bloed. Eerste of tweede film 106 van filmmakers het festival in de toekomst nogRasoulof veel Anka &waarvan Wilhelm Sasnal Paul Agusta 77 goeds verwacht. 11:45 Short Syrian PC
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Tokyo Playboy Club Year, There Was a signals: power cuT middle easT Okuda Yosuke Fire Wichanon Somumjarn
Documentaries 3
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dagelijkse bombardement van beelden van de volksrevoluties in het Midden-Oosten wekt 16:45 Het 19:30 Egyptian Shifting PC PC Shores 2 Timelines 1 pan was. Power Cut Middle East onderzoekt de suggestie dat de Arabische Lente een vlam in de compilation prog. 58 compilation prog. 72 wat die beelden nu preces zeggen en laat,19:45 aan de hand van eerder werk van filmmakers, zien 17:00 Wavumba BF SP small roads 16:00 17:00 18:00 19:00 20:00 21:00 22:00 23:00 dat de revolte al tijden in de lucht hing. Jeroen van Velzen James Benning
89
Oude Luxor
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Boris Lehman compilation prog. Rotterdam op zijn breedst. Het festival selecteerde actueel, 90 krachtig en vernieuwend werk uit alle windstreken, van veteranen tot minder bekende regisseurs.
16:45 Moxie
09:00
De kracht van kort: films van n tot 59 minuten lang, uit alle windstreken. Ze worden als Girimunho H. Marins Jr. / C. Campolina 104 voorfilm bij lange films vertoond, of gebundeld in compilation prog.s.
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17:00 18:00 19:00 met onderwerpen 20:00 22:00ontwor- 23:00 haaks staat op dat uit de partijpropaganda, als21:00 armoede, corruptie,
24:00
1 de Path Doelen Jurriaanse Zaal Path 2 Schouwburg Grote Zaal Path 3 Path 1
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Path 4 Path 2
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18:45 LApollonide Souvenirs de la SP 21:30 Pablo RG Hearts Boomerang SP maison close teling Naast films bevat Hidden Histories ook een ontmoetingsplek: Moxie en wanbestuur. 16:45Khomeriki 19:30 22:15 Snuff: Vitmas do prazer MG Nikolay Richard Goldgewicht SP SP bijzondere Bunohan Bertrand Bonello 96 122 103 Kotoko Dain Iskandar Said Cludio Francisco Cunha het Ai Weiwei Caf. Shinya 97 97 21:30 109 13:00 La jubilada 16:00 King CurlingTsukamoto 18:30 BF BF SP SP Miss Bala Surprise Film 20:00 Shame 22:30 Louise Wimmer BF Jairo Boisier Olave Ole Endresen Gerardo Naranjo Gonzalez BF 83 75 113 90 Steve McQueen Cyril Mennegun 99 80 12:30 The Year 1952 15:30 Olavi Virta 18:30 A Womans Revenge SP 21:30 Hoy PB PB SP Women on the Edge SP no tuve miedo Paavo Nurmi 13:30 Silncio de dois sons 16:15 Hearts Boomerang SP 18:45 21:30 Ivn Kobayashi Masahiro Peter von Bagh Rita Azevedo Gomes Fund LApollonide Souvenirs de la SP BF RG Pablo Dankzij het oeuvre van Peter von Bagh (filmmaker, festivaldirecteur en wandelende filmenGeen Met een scala aan 100 activiteiten en evenementen wordt de 101 120 91 films, maar het echte leven. 122 Peter von BaghNikolay / M. Koski maison close Girimunho Khomeriki Richard Goldgewicht H. Marins Jr. / C. Campolina Bertrand 104 96 122 cyclopedie) kunt uthe binnen festival documentaires hebben 10:15 Alms 13:15worden. 16:15 The Day He 19:15 Bonello 22:15 La leggenda di 103 alledaagse Duch, le Zijn matre des BF Finland-kenner SP SP realiteit tot filmische ervaring SP SP for Blindn Horse The getransformeerd. Descendants forges de lenfer Arrives Kaspar Hauser Singh 13:00 La jubilada 16:00 King 18:30 Miss Bala Alexander Payne SP 21:30 Surprise Film BF SP BF Curling cinema enGurvinder de woelige Finse geschiedenis als onderwerp. HetPanh retrospectief wordt aangevuld met Rithy Hong Sang-Soo Davide Manuli 117 103 79 115 90 Jairo Boisier Olave Ole Endresen Gerardo Naranjo Gonzalez bijzondere historische speelfilms uit Finland. 83 75 90 10:30 Hello, Mr. Tree! 13:30 A Fish 16:30 Mourir auprs ... 19:30 Blacks Game 113 22:30 The Ultimate BF TG BF TG BF The Pettifogger Olavi Virta Pranx Case Han Jie Park Hong-Min skar Thor Axelsson 12:30 15:30 18:30 21:30 PB PB SP Women on the Edge SP The Year 1952 A Womans Revenge SP Hoy no tuve miedo 88 105 71 100 80 Paavo Nurmi Lewis Klahr Kobayashi Masahiro Peter von Bagh Rita Azevedo Gomes Ivn Fund 101 120 100 122 PeterIn von Bagh M. Koski TG 91 12:45 Les clats (Ma 15:45 18:45 The Comedy 21:45 Die Unsichtbare April the / Following BF SP SP Year, There Was a gueule, ma rvolte, mon Rick19:15 Alverson Christian 10:15 Alms for the Blind Horse 13:15 Duch, le matre des 16:15 The Day He 22:15 Schwochow La leggenda di SP SP SP SP BF The Descendants Fire Wichanon Somumjarn 80 George nom) Sylvain 84 95 113 forges de lenfer Arrives Kaspar Hauser Gurvinder Singh Alexander Payne Rithy Panh Sang-Soo Davide Manuli 103 79 115 90 House Party 12:15 117 15:15 A arca do den Hong 18:15 The Great 21:15 SP SP BF BF Los pasos dobles Malaventura BF Visiting Room10:30 Northwest Isaki Lacuesta Michel Lipkes 13:30 A Fish 16:30 Mourir auprs ... 19:30 Blacks Game 22:30 The Ultimate TG Marcelo Felix BF TG BF BF Hello, Mr. Tree! A. Baciu / R. Muntean Matt McCormick 78 87 80 Pettifogger 70 73 The Pranx Case Han Jie Park Hong-Min skar Thor Axelsson LewisBF Klahr 88 105 71 100 80 12:30 Lhiver dernier 15:30 18:30 Living 21:30 Romance Der Fluss war BF BF TG SP Nuit #1 einst ein Mensch Un amour de jeunesse John Les Shank AnneIn mond Vasily Sigarev 12:45 15:45 18:45 21:45 April the Following TG clats (Ma SP SP BF The Comedy Die Unsichtbare Jan Zabeil Mia Hansen-Lve 83 103 91 119 117 Year, There Was a gueule, ma rvolte, mon Rick Alverson Christian Schwochow nom) Sylvain George 84 Now, Forager: A Film BF Fire Wichanon Somumjarn 80 95 di 113 BF 11:45 Francophrenia 14:15 17:00 Mercado 20:00 Lestate 22:30 Kill List SP SP BF de futuros About Love & Fungi Giacomo Ian Olds House Party Mercedes lvarez 18:15 The Great 12:15 /Los pasos dobles SP 15:15 21:15 Malaventura SP BF BF Ben Wheatley A arca do den BF James Franco Jason Cortlund / Julia Halperin Alessandro Comodin 69 93 110 78 94 Visiting Room Northwest Isaki Lacuesta Marcelo Felix Michel Lipkes A. Baciu / R. Muntean Matt McCormick 78 87 80 70 19:45 Unfair World 22:30 73 SP SP Rat Fever Filippos Tsitos Cludio Assis Romance 12:30 Lhiver dernier 15:30 Nuit #1 18:30 Living 21:30 Der Fluss war BF BF TG SP BF 110 einst ein Mensch Un 118 amour de jeunesse John Shank Anne mond Vasily Sigarev Jan Zabeil Mia Hansen-Lve 83 103 91 119 117 20:00 Dernire 22:30 SF Paraati PB sance SP Laurent Achard Norta 11:45 Francophrenia 14:15 Now, Forager: A Film BF 17:00 Mercado de futuros 20:00 Lestate 22:30 Yrj di SP SP BF BF Kill List 81 86 About Love & Fungi Giacomo Ian Olds / Mercedes lvarez 10:00 11:00 12:00 14:00 15:00 17:00 19:00 20:00 Comodin 21:00 22:00 Ben Wheatley 23:00 RG 24:00 James Franco Jason Cortlund SP / Julia Halperin 93 16:00 69 13:00 78 94 12:00 17:30 Patience 18:00 20:00 Alessandro (After SP 110 Els noms de Crist Fragments of Kubelka Sebald) Albert Serra Martina Kudlcek 19:45 Unfair 21:00 King Curling SP SP World BF 22:30 Rat Fever Grant Gee 193 82 230 Filippos Tsitos Cludio Assis Ole Endresen Hope 118 110 10:00 The Sound of Light BF 12:30 A Shape of 14:30 Cornelia frente al 17:00 Lhypothse du 19:30 A la Cantbrica BF 22:15 75 SP SP BF SP Error espejo Mokl-Mbemb Shock Head Soul Yamasaki Juichiro Ezequiel 20:00 Erriquez 22:30 PB SP Dernire sance SF Paraati Abigail Child Daniel Rosenfeld Marie Voignier Simon Pummell 89 70 100 78 97 Laurent Achard 80 Yrj Norta 81 86 11:00 One Recluse 17:30 Bachelor Mountain 20:30 I Wish HH HH SP Ai Weiwei 12:00 Els noms de Crist Guangyi Kore-eda Hirokazu 17:30 Yu 20:00 Fragments Patience (After SP RG SP of Kubelka 180 95 128
Sebald) Albert Serra Martina Kudlcek Cinerama 4 Grant Gee 82 230 SP 09:45 One Old Man 14:45 Born in193 20:00 Orgia ou o homem 22:30 Four Suns HH HH MG Beijing que deu cria Apuda Ma Lifrente al 10:00 12:30 A Shape of 14:30 Cornelia 17:00 Lhypothse du 19:30 A la Cantbrica BF 22:15 HopeBohdan Slma Cinerama 7 SP SP BF SP BF The Sound of Light Joo Silvrio Trevisan He Yuan 164 240 90 105 Error espejo Mokl-Mbemb Shock Head Soul Yamasaki Juichiro Ezequiel Erriquez Cinerama 5 09:00 10:00 11:00 89 12:00 Abigail Child 13:00 13:4570 Sentimental 14:00 Daniel 15:00 BF 16:00 17:00 18:00 19:00 23:00 inconnus Rosenfeld Marie Voignier Simon Pummell 100 97 24:00 16:45 Gaamer 19:15 BF 78 BF Animal Weekend 20:00 BF 80 21:00 21:45 Deux 22:00 Die Ruberin Wu Quan Oleg Sentsov Andrew Haigh LantarenVenster 1 11:00 One Recluse 17:30 Bachelor Mountain 20:30 I Wish 10:00 VPRO Previewdag HH HH SP Markus Busch 118 92 96 106 Ai Weiwei Yu Guangyi Kore-eda Hirokazu Cinerama 6 Oude Luxor 128 12:15 Une vie meilleure 15:00 The Unfinished History of Life 20:15 Il se peut que la 22:30 Lanabase 810 HH 95 RG BF SP 180 beaut ait renforc Cdric Kahn Cong Feng Eric Baudelaire One Old Man LantarenVenster 2 09:45 10:00 14:45 20:00 22:30 Orgia ou o homem HH HH MG SP Born in Beijing Four Suns VPRO Previewdag notre rsolution Grandrieux 74 110 245 67 que deu cria Apuda Ma Li Bohdan Slma Cinerama 7 Path 1 Drama of Time Boxing Trevisan in... Joo Silvrio He Yuan 10:00 15:15 Rua Aperana 52 SP 17:30 Neighbouring Sounds 20:15 22:15 Corta 164 13:00 The Hyperwomen BF 240 105 810 PB TG SP 90 BF Buenas noches, A Time of Roses various directors JlioBF Bressane Kleber Mendona Filho Felipe Guerrero Deux inconnus LantarenVenster 3 13:45 Sentimental Animal 16:45 Gaamer 19:15 Weekend 10:00 Rotterdam Film Course 21:30 21:45 BF 18:30 Wavumba BF BF BF BF Stilleben Raya Martin Espaa Risto Jarva 123 80 80 124 77 69 Die Ruberin Wu Quan Oleg Sentsov Andrew Haigh Jeroen van Velzen Sebastian Meise LantarenVenster 1 09:15 Path 2 Markus Busch 16:45 Twilight Portrait 19:30 Wuthering 22:30 L 118 92 106 TG 480 76 77 BF SP PB Man in the Shadows Heights 96 various directors Angelina Nikonova Andrea Arnold Babis Makridis BF LantarenVenster 5 12:15 Une vie meilleure 15:00 The Unfinished History of Life 20:15 IlForever 19:30 Future Lasts 22:15 22:30 SP HH se peut que la BF RG HISTRIAS que s Lanabase BF 86 165 105 130 existem lembradas Cdric Kahn Cong Feng Eric quando Baudelaire zcan Alper beaut ait renforc LantarenVenster 2 Path 3 Shelter notre Method rsolution Grandrieux 17:00 Nick 19:45 A Dangerous 22:15 Julia 110 14:30 Histoire de mes 245 67 BF Murat 98 SP SP 108 74 SP cheveux Parts of the Heart David Cronenberg Fow 17:30 Pyng Hu Drama of Time LantarenVenster 6 13:00 The Hyperwomen BF 15:15 20:15 Boxing in... 22:15 Corta 10:00 VPRO PB TG SP BF 52 SP Neighbouring Sounds Previewdag Boris Lehman Rua Aperana Paul Agusta 90 84 93 106 Buenas noches, A Time of Roses various directors Jlio Bressane Kleber Mendona Filho Felipe Guerrero LantarenVenster 3 Path 4 Espaa Raya Martin Risto Jarva 123 80 80 77 69 124
810
LantarenVenster Path 5
105 105 130
PB
16:45
165
TG
86
LantarenVenster Path 6
David Cronenberg
84 Andrs Duque 75
cheveux
BF
95
BF
106
Boris Lehman
18:30
SP
90
Nick RG Tributes Pulse Fow Pyng Hu Bill Morrison 70 Les gants Bouli Lanners
SP
115
22:15 Shelter BF Matire grise Kivu Ruhorahoza Parts of the Heart Paul Agusta 104 93
Path 7
Stateless Things Kim Kyung-Mook
19:45
MG
120
15:30
The Invader Nicolas Provost Hoy no tuve miedo Ivn Fund When the Bough Breaks Ji Dan
MG
BF
99
Cinerama 1
19:45
17:00
Cinerama 4
The Hunter Bakur Bakuradze
BF
123
HH
144
Cinerama 5
RG
225
17:00
22:15
111
MG
109
Cinerama 6
15:30
LantarenVenster 1
17:15 Low Definition
BF
86
21:45
BF
104
15:00
LantarenVenster 2
Michael Palm
17:15 Ordinary
SH
Control Malfunctions #0
BF
95
compilation prog.
20:00 Tiger Awards
80
SH
75
Wonders
TS
SH
85
compilation prog.
Competition for Short Films 1
RG
79
69
LantarenVenster 3
17:15 Waving Back
Surprising Mysteries
SH
Wrap Party
80
RG
compilation prog.
85
compilation prog.
19:30 Short Stories:
79
351
LantarenVenster 5
My Kampong
SH
SH
SH
74
compilation prog.
89
LantarenVenster 6
17:00
19:30
RG
120
22:00 Cinematic
Tributes to Musicians
SH
compilation prog.
72
BrighT FuTure pc
BF
Vers bloed. Eerste of tweede film van filmmakers waarvan het festival in de toekomst nog veel goeds verwacht.
352
La jubilada Jairo Boisier Olave
BF
75
24:00
BF
83
09:00
King Curling Ole Endresen
22:15
12:00
13:00
14:00
15:00
sp hh
16:00
Het dagelijkse bombardement van beelden van de volksrevoluties in het Midden-Oosten wekt de suggestie dat de Arabische Lente een vlam in de pan was. Power Cut Middle East onderzoekt wat die beelden nu preces zeggen en laat, aan de hand van eerder werk van filmmakers, zien 17:00 18:00 19:00 20:00 21:00 22:00 23:00 dat de revolte al tijden in de lucht hing.
Oude Luxor
113
Rotterdam op zijn breedst. Het festival selecteerde actueel, krachtig en14:30 vernieuwend SP Iceberg werk uit Gabriel Velzquez alle windstreken, van veteranen tot minder bekende regisseurs.
A. Baciu / R. Muntean
78 95
17:00
84
Demain? Future Lasts Forever Public Screenings Saturday 4 February Christine Laurent zcan Alper
SP
91
11:45
SP
14:15
BF
16:45
24:00
09:00
De kracht van kort: films van n tot 59 minuten lang, uitMendona alle windstreken. Ze worden als Kleber Filho 14:30 Iceberg 100 124 Gabriel Velzquez voorfilm bij lange films vertoond, of gebundeld in compilation prog.s.
13:00
Neighbouring Sounds
13:00
95
14:00
TG
15:00
sh
16:00
16:00
108
House Party 21:15 The Comedy BF SP SP I Carried You Home Visiting Room Tongpong Chantarangkul Alverson Speelfilms en documentaires uit China die een beeld schetsen van deRick Chinese realiteit dat
haaks staat op dat uit de partijpropaganda, als21:00 armoede, corruptie, 17:00 18:00 19:00 met onderwerpen 20:00 22:00ontwor- 23:00
24:00
100
pB
Fr
SP
105
91
SP
113
Path 4 Path 2
18:45
19:00 Blacks Game 22:00 Nuit #1 TG TG BF L teling wanbestuur. Naast films skar bevat Hidden HistoriesBF ook een bijzondere ontmoetingsplek: 17:00 22:15 Babis Makridis Thor Axelsson AnneThe mond SP BF La en jubilada King Curling Hunter 86 100 Jairo Boisier Olave Ole Endresen Daniel Nettheim het Ai Weiwei Caf. 84 75 10:00 Short Film Marathon Part One 18:00 Short 83 Film Marathon Part Two 11:45 Demain? 14:15 Future Lasts Forever 16:45 I Carried You Home 19:15 House Party 21:15 The Comedy BF BF SP SP SP 350 Visiting Room Christine Laurent zcan Alper Tongpong Chantarangkul Rick Alverson Baciu / R. Muntean 95 108 113 78 95 10:15 Girimunho 13:15 Die 16:15 19:15 A. 22:15 Four Suns BF SP RG SP Unsichtbare Hugo Bunohan Helvcio Marins Jr. / Christian Schwochow Martin Scorsese TG DainGame Iskandar Said 13:00 Neighbouring 19:00 Blacks 22:00 NuitBohdan TG BF TG Sounds #1 Slma Dankzij het oeuvre van Peter von90Bagh (filmmaker, festivaldirecteur en wandelende filmen- 16:00 L Geen films, maar het echte Clarissa Campolina 113 126 leven. Met een scala aan activiteiten 97en evenementen wordt de Kleber Mendona Filho Babis Makridis skar Thor Axelsson Anne mond 100 124 86 100 cyclopedie) kunt binnen n festival Zijn documentaires hebben 10:30 13:30 A Fish 16:30 Le voyage 19:30 getransformeerd. 22:30 Play alledaagse realiteit tot filmische ervaring TG Finland-kenner worden. TG RG TG extraEgguand Stone Living ordinaire Serge Bromberg Huang Ji Finse Park Hong-Min wordt aangevuld met Vasily Sigarev Ruben stlund 10:00 Short 18:00 Short Film Marathon Part Film Marathon geschiedenis Part One Two cinema en de woelige als onderwerp. Het retrospectief + Le voyage dans la lune
97
105
Path 5 Path 3
9:45
Path 6 Path 4
Dominga 10:15 Sotomayor Girimunho Helvcio Marins Jr. / 96 BF Sur la planche Clarissa Campolina Lela Kilani 10:30 Egg and Stone Huang Ji 106
350 TG Romance Joe Lee Kwang-Kuk 16:15 Hugo SP 115 Martin Scorsese 113 15:15 Voice of My Father TG TG Orhan Eskiky / 16:30 Le voyage extra- RG Zeynel Dogan 87 ordinaire Serge Bromberg
15:45
Path 7 Path 5
Cinerama 1 Path 6
Cinerama 3 Path 7
Cinerama 4 Cinerama 1
Cinerama 5 Cinerama 3
21:45 Clip TG Tokyo Playboy Club TG Okuda Yosuke Maja Milos 19:15 22:15 BF RG SP SP Bunohan Four Suns 100 Dain Iskandar Said 97 Bohdan Slma 90 126 97 21:15 105 9:15 12:15 In April the Following TG 18:15 Sudoeste TG SP The Descendants Year, There Was a 13:30 Eduardo Nunes 19:30 Living Alexander Payne 22:30 Play TG SP TG Fish Fire Wichanon Somumjarn A 80 115 Park Hong-Min Vasily Sigarev 128 Ruben stlund + Le voyage dans la lune 97 12:30 It Looks Pretty 105 79 113 Romance 9:30 Dois 15:30 18:30 Shame 21:30 119 Der Fluss war BF TG SP BF BF from a Distance einst ein Mensch Rnia Un amour de jeunesse SteveTokyo McQueen 9:45 De jueves a domingo TG 12:45 15:45 18:45 21:45 TG TG toSasnal Burma77 TG Romance Joe Playboy Club TG Clip AnkaReturn & Wilhelm Jan Zabeil Roberta Marques Mia Hansen-Lve 101 117 99 83 Dominga Sotomayor Midi Z Lee Kwang-Kuk Okuda Yosuke Maja Milos 96 11:45 Un nuage dans un 84 115 97 100 SP 9:15 Les clats (Ma 14:15 17:00 Hail 19:45 Valley of Saints 22:30 Dernire sance BF BF BF BF BF Room 514 ma rvolte, verre deau Sharon Bar-Ziv Amiel Courtin-Wilson Musa Syeed Laurent Achard 9:15 gueule, 12:15 15:15 Voice of My Father TG 18:15 Sudoeste 21:15 The Descendants In April the Following TG TG SP Sur planche Sylvain George 84 BF mon la nom) Srinath C. Year, Samarasinghe 90 87 104 82 81 There Was a Lela Kilani Orhan Eskiky / Eduardo Nunes Alexander Payne Fire Wichanon Somumjarn 80 Zeynel 106 87 128 115 9:45 The Hunter 12:30 17:15 Goodbye 20:00 Monsieur BF SPDogan SP SP Els noms de Crist Lazhar Albert Serra Mohammad Rasoulof Philippe Falardeau Romance 9:30 Dois Bakur Bakuradze 12:30 15:30 18:30 21:30 It Looks Pretty Der Fluss war TG SP BF BF BF Shame 104 123 94 from a Distance einst ein Mensch Rnia Un 193 amour de jeunesse Steve McQueen Anka & Wilhelm Sasnal 77 Jan Zabeil Roberta Marques Mia Hansen-Lve 101 99 83 12:30 Mercado 15:00 A arca do 17:30 117 19:30 Stateless Things 22:30 A Womans The Hyperwomen BF SP BF SP de futuros den Revenge SP various directors Mercedes lvarez Marcelo Felix Kim Kyung-Mook Rita Azevedo Gomes SP 9:15 Les clats (Ma 11:45 Un nuage dans un 14:15 Room 514 17:00 Hail 19:45 Valley of Saints 22:30 Dernire BF BF BF BF BF sance 110 80 80 115 100 gueule, ma rvolte, verre deau Sharon Bar-Ziv Amiel Courtin-Wilson Musa Syeed Laurent Achard mon nom) Sylvain George 84 Srinath C. Samarasinghe 90 104 82 SP 81 9:30 Alms 12:00 14:30 O vampiro da cinemateca87 17:00 Hello, Mr. Tree! 20:00 Alps MG BF for the Blind Horse BF Two Years at Sea BF O insigne ficante Gurvinder Singh Ben 12:30 Rivers Han Jie Lanthimos 9:45 The Hunter 17:15 20:00 Yorgos SP SP SP BF Els noms de Crist Goodbye Monsieur Lazhar Jairo Ferreira 117 88 120 93 Bakur Bakuradze Albert Serra Mohammad Rasoulof 88 Philippe Falardeau 09:00 10:00 11:00 RG 123 12:00 13:00 14:00 15:00 16:00 17:00 18:00 19:00 20:00 21:00 94 22:00 Une 22:00 23:00 SP 24:00 104 10:00 Pablo 12:30 El cuaderno 14:30 Los pasos 17:00 An 19:30 The Search Oversimplification BF SP SP BF dobles 193 vie meilleure barro of Her Beauty Was a Giant with Richard Goldgewicht Isaki15:00 Lacuesta Cdric Kahn 12:30 de 17:30 19:30 He 21:00 King The Hyperwomen BF BF SP Curling SP SP BF 22:30 A Womans Revenge Mercado de futuros A arca do den Stateless Things Isaki Lacuesta Terence Nance Brown Eyes Eileen Hofer 103 60 87 93 101 110 various directors Mercedes lvarez Marcelo Felix Kim Kyung-Mook Rita Azevedo Gomes Ole Endresen 110 80 LApollonide Souvenirs de la SP 80 115 100 9:45 Francophrenia 12:15 One Recluse 16:30 20:00 Hearts Boomerang SP 22:30 75 SP HH MG O convite ao prazer maison Ian Olds / Weiwei Walter Hugo Khouri 9:30 Alms 12:00 Two Ai 14:30 O vampiro da cinemateca 17:00 close 20:00 Nikolay MG BF SP BF for the Blind Horse Years at Sea BF Hello, Mr. Tree! Alps Khomeriki James Franco Bertrand Bonello 69 180 122 96 109 O insigne ficante Gurvinder Singh Ben Rivers Han Jie Yorgos Lanthimos Jairo Ferreira 117 88 120 93 When the Lights 9:15 Patience 11:15 The 13:45 I Wish 16:45 19:15 The Whirlpool BF 21:45 Duch, le matre des SP BF SP SP 88 SP (After Sebald) Pettifogger forges de lenfer Went Out Kore-eda Hirokazu Alvin Case The Search 10:00 Pablo 12:30 El cuaderno SP 14:30 Los pasos dobles SP 17:00 An Oversimplification BF 19:30 22:00 Une vie meilleure BF SP RG Grant Gee Lewis Klahr Rithy Panh Pat Holden 82 65 128 103 74 85
de barro of Her Beauty He Was a Giant with Richard Goldgewicht Isaki Lacuesta Cdric Kahn Cinerama 6 Isaki Lacuesta Terence Nance Brown Eyes Eileen Hofer 60 87 93 101 9:45 Whose Eyes 20:00 22:30 Disturbing The Interceptor HH 103 12:15 Born HH HH HH 110 in Beijing from My Hometown the Peace LiRecluse LantarenVenster 2 9:45 Shattered 12:15 Ma 16:30 LApollonide Souvenirs de la SP 20:00 Hearts Boomerang SP 22:30 O convite ao prazer Francophrenia SP HH MG One Zhang Zanbo Ai Weiwei Xu Tong 115 240 90 78 maison close Ian Olds / Ai Weiwei Nikolay Khomeriki Walter Hugo Khouri Cinerama 7 09:00 10:00 12:00 13:00 SP 14:00 15:00 16:00 17:00 19:00 20:00 20:45 Black 21:00 22:00 SP 23:00 24:00 James Franco 11:30 A Temple 15:00 Made 17:30 Made in 18:00 69 11:00 180 in Rotterdam 122 1 109 2 Bertrand Bonello Rotterdam Dove 96 Kulkarni Roh Gyeong-Tae LantarenVenster 3 9:15 Patience 11:15 The Umesh Vinayak 13:45 I Wish 16:45 Duch, le matre des 19:15 The Whirlpool BF 21:45 When the Lights 10:00 VPROSP BF SP SP SP Previewdag 146 104 109 120 (After Sebald) Pettifogger forges de lenfer Went Out Kore-eda Hirokazu Alvin Case LantarenVenster 1 Oude Luxor Grant Gee Lewis Klahr Rithy Pat Holden 11:45 19:30 Chapiteau-show 82 65 128 103 74 85 810 BF PB Panh Eight Deadly Shots Mikko Niskanen Sergey Loban Whose Eyes LantarenVenster 5 9:45 10:00 12:15 20:00 22:30 Disturbing The Interceptor HH HH HH HH Born in Beijing VPRO Previewdag 316 207 from My Hometown the Peace Shattered Ma Li LantarenVenster 2 Path 1 Zhang Zanbo Ai Weiwei 12:00 Kubelka Films 14:30 The Year 1939 17:15 The Year 1952 19:45 Oslo, Xu Tong 115 90 78 810 PB 240 PB BF RG August 31st compilation prog. Peter von Bagh Peter von Bagh Joachim Trier 20:45 LantarenVenster 6 11:30 A Temple 15:00 17:30 10:00 Rotterdam Film Course 18:30 Wavumba 21:30 Stilleben SP SP BF BF Made in Rotterdam 2107 Made in Rotterdam 1 Black Dove 71 120 95 Umesh Vinayak Kulkarni Roh Gyeong-Tae Jeroen van Velzen Sebastian Meise LantarenVenster 3 Path 2 21:00 Closing Film: 146 104 109 120 480 76 77 SP de Doelen The Hunter 22:15 11:45 Eight Deadly Shots 19:30 Future PB BF que s HISTRIAS BF BF Chapiteau-show Lasts Forever Grote Zaal Daniel Nettheim 100 existem quando lembradas Mikko Niskanen Sergey Alper Loban zcan LantarenVenster 5 Path 3 Julia Murat 207 316
108 98
10:00
PB
120 95
LantarenVenster 6 Path 4
18:30
BF
105
VPRO Previewdag
17:15
BF
compilation prog.
RG
14:30
The Year 1939 Peter von Bagh Twilight Portrait Angelina Nikonova
Daniel Nettheim
21:15
Film: 21:00 Closing 21:30 11
PB
The Year 1952 Peter von Bagh Flowers The Hunter Wang Xiaoshuai
SP
100
71
107
810
Sunday 5 February
18:00
75
SP
110
24:00
for Utopia
SP
84
09:00
70
10:00
Andrs Duque
18:30
95
11:00
BF
12:00
Les gants Bouli Lanners
21:30
SP
13:00
14:00
15:00
16:00
19:00
20:00
BF
23:00
104
24:00
BF
99
10:00
Volkskrantdag
15:30
Sunday 5 February
Stateless Things Kim Kyung-Mook 18:00 17:00
115
The Invader Nicolas Provost Hoy no tuve miedo Ivn Fund 20:00
17:00
24:00
MG
Cinerama 1 09:00
19:45
120
122
24:00
HH
144 720
10:00
Cinerama 5
123
17:00
MG
22:15
MG
111 109
Cinerama 6
225
15:30
20:00
SP
75
LantarenVenster 1
17:15 Low Definition
19:15
BF
21:45
BF
Traditiegetrouw vindt 13:00 op de laatste festivalSunday de Volkskrantdag niet 22:00 10:00 11:00 12:00 14:00 15:00 16:00 19:00 plaats: een 21:00 23:00 Volkskrantdag When the Bough Breaks te missen afsluiter met de vertoning van vijf speelfilms en/of documentaires op rij, O insigne ficante Ji Dan Jairo Ferreira die de dagen daarvoor hoge ogen gooiden bij publiek n professionals. The Hunter Snuff: Vitmas do prazer O despertar da besta Bakur Bakuradze Cludio Francisco Cunha Jos Mojica Marins Traditiegetrouw vindt op de laatste festivalSunday de Volkskrantdag plaats: een niet Anna Mondomanila Alberto Grifi / Massimo Sarchielli Khavn De La Cruz te missen afsluiter met de vertoning van vijf speelfilms en/of documentaires op rij, Totem Hail Jessica Krummacher Amiel Courtin-Wilson die de dagen daarvoor hoge ogen gooiden bij publiek n professionals.
86 104
15:00
LantarenVenster 2
Michael Palm
17:15 Ordinary
SH
Control Malfunctions #0
BF
95
compilation prog.
20:00 Tiger Awards
80
SH
75
Wonders
TS
SH
85
compilation prog.
Competition for Short Films 1
RG
79
69
LantarenVenster 3
17:15 Waving Back
Surprising Mysteries
SH
Wrap Party
80
RG
compilation prog.
85
compilation prog.
19:30 Short Stories:
79
353
LantarenVenster 5
My Kampong
SH
SH
SH
74
compilation prog.
89
LantarenVenster 6
17:00
19:30
RG
120
22:00 Cinematic
Tributes to Musicians
SH
compilation prog.
72
Wednesday 25
09:00 conseries et Jouets Documentaries Vivement le cinma and The First Interview show work by several French pioneers of cinematographic art. Also back in time with a reconstructed version of the candy and toy stall at which the pioneer Georges Mlis spent his last days. 09:00 - 18:00, Free admission, Alliance Franaise. 11:00 crumbled Papers, fragments of cinema Interactive video installation by Madhuja Mukherjee, inspired by glass negatives of Indian film stars from the 1930s. 11:00 18:00, Free admission, Nieuwe Oogst 12:00 In memoriam bart Vegter Compilation of work left by the late Bart Vegter. With several works by fellow artists. 12:00 - 17:00, Free admission, Sub-urban Video Lounge 09:00 conseries et Jouets 09:00 - 18:00, Free admission, Alliance Franaise. 10:00 Rotterdam film course 10:00 - 18:00, College + films for students, Path, 18.50 10:00 babeldom SF documentary in which a futurist city is constructed with found-footage material. 10:00 17:00, Free admission, NAI 11:00 crumbled Papers, fragments of cinema 11:00 - 18:00, Free admission, Nieuwe Oogst 12:00 In memoriam bart Vegter 12:00 - 17:00, Free admission, Suburban Video Lounge 12:00 Ai Weiwei caf / Power cut Installations Meeting place with four installations by Ai Weiwei: Beijing 2003, Beijing: The Second Ring, Beijing: The Third Ring and Changan Boulevard. In the cellar, four Power Cut MiddleEast installations: Pipe Dreams (Ali Cherri), Trespass the Salt (Larissa Sansour & Youmna Chlala), Out of Focus (Salah Saouli) and Remarks on a Square (Jasmina Metwaly). With at 14:00, a video screening or
friday 27
Thursday 26
Saturday 28
09:00 conseries et Jouets 09:00 - 13:00, Free admission, Alliance Franaise 10:00 babeldom 10:00 - 17:00, Free admission, NAI 12:00 In memoriam bart Vegter
354
12:00 - 17:00, Free admission, Sub-urban Video Lounge 12:00 Ai Weiwei caf / Power cut Installations Meeting place with debates and screenings. 12:00 - 20:00, Free admission and wifi. 13:00 Kids on the floor 13:00 - 18:00, Free admission, Foyer Rotterdamse Schouwburg 14:00 Ai Weiwei caf / Power cut Installations Video screening or debate with a filmmaker. Free admission and wifi. 17:00 critics Talk Director Wang Xiaoshuai talks to Jeroen Stout, immediately after the screening of 11 Flowers. 17:00, Free admission, LantarenVenster 19:30 big Talk Miike Takashi talking about his Ace Attorney to journalist Gawie Keyser. Film + Big Talk 13/10.50, Oude Luxor Theater 21:00 Smart Talk Rick de Leeuw takes you back to the early years of cinema; with the British theatre illusionist Paul Kieve and film historian Theodoor van Houten. Free admission, Small Auditorium Rotterdamse Schouwburg 22:00 WoRmyWooD 16mm solo performances: Quelques minutes de soleil aprs minuit (Xavier Qurel) and Sounddefect (Riojim), music by Internet2 and DJ Arc de Triomphe. 11/8.50, WORM 23:00 Party DJs make the Kleine Zaal swing. Free admission for everyone until 23:00, then only on showing a (used) IFFR ticket.
19:15 big Talk Andrea Arnold talking about her Wuthering Heights to Media Fund director Hans Maarten van den Brink. Film + Big Talk 13/10.50, Oude Luxor Theater 21:00 Smart Talk The Real World? Bas Heijne investigates where virtual and physical spaces meet, with eteam and cyber philosopher Jos de Mul. Free admission, Kleine Zaal Rotterdamse Schouwburg 22:00 WoRmyWooD Francisco Lpez and Lee Patterson: Sound artists from the Soundtrackcity project, 16mm setup Logbook (Alex MacKenzie) and Emaki/Light (Ishida Takashi, Makino Takashi) with a live improvisation on cello by Okkyung Lee. 11/8.50, WORM 23:00 Party DJs make the Kleine Zaal swing. Free admission for everyone until 23:00, then only on showing a (used) IFFR ticket.
monday 30
09:00 conseries et Jouets 09:00 - 18:00, Free admission. Alliance Franaise 12:00 In memoriam bart Vegter 12:00 - 17:00, Free admission, Sub-urban Video Lounge 12:00 Ai Weiwei caf / Power cut Installations Meeting place with debates and screenings. 12:00 - 20:00, Free admission and wifi. 14:00 Ai Weiwei caf / Power cut Installations Video screening or debate with a filmmaker. Free admission and wifi. 15:00 Kids on the floor 13:00 - 18:00, Free admission, Foyer Rotterdamse Schouwburg 16:45 critics Talk Ruben stlund talks to reviewer Floortje Smit about his film Play. 16:45, Free admission, LantarenVenster 17:00 Artist Talk Power cut Charlotte Bank debates with Larissa Sansour & Youmna Chlala, Salah Saouli, Ali Cherri and Jasmina Metwaly Free admission, Ai Weiwei Caf / Power Cut Installations 19:30 big Talk Actress Aggeliki Papoulia and producer Maria Hatzakou talks about Alps with journalist and philosopher Anna Luyten. Film + Big Talk 13/10.50, Oude Luxor Theater 21:00 Smart Talk An Audience With: Anna van der Zwaag receives prominent guests such as David Cronenbergs production designers James McAteer and Carol Spier and sequence designer Pablo Ferro. Free admission, Kleine Zaal Rotterdamse Schouwburg
Sunday 29
10:00 babeldom 11:00 - 17:00, Free admission, NAI 10:00 Kids only Film, lunch, workshop. Various prices, Path 12:00 In memoriam bart Vegter 12:00 - 17:00, Free admission, Sub-urban Video Lounge 12:00 Ai Weiwei caf / Power cut Installations Meeting place with debates and screenings. 12:00 - 20:00, Free admission and wifi. 13:00 Kids on the floor 13:00 - 18:00, Free admission, Foyer Rotterdamse Schouwburg 14:00 Ai Weiwei caf / Power cut Installations Video screening or debate with a filmmaker. Free admission and wifi. 17:00 Presentation The mouth of garbage Gabe Klinger provides an introduction to the wonderful world of Brazilian exploitation cinema, receives colourful guests and shows robust fragments. 17:00 - 19:00, Free admission, Kleine Zaal Rotterdamse Schouwburg
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22:00 WoRmyWooD Presentation of the Tiger Awards for Short Films and opening Power Cut with performances by Praed (Raed Yassin & Paed Conca), the band BooDooRoo and DJ Arc de Triomphe. Free admission to the Tiger ceremony, after that 11/8.50, WORM 23:00 Party DJs make the Kleine Zaal swing. Free admission for everyone until 23:00, then only on showing a (used) IFFR ticket.
Tuesday 31
09:00 conseries et Jouets 09:00 - 18:00, Free admission, Alliance Franaise 11:00 crumbled Papers, fragments of cinema 11:00 - 18:00, Free admission, Nieuwe Oogst 12:00 In memoriam bart Vegter 12:00 - 17:00, Free admission, Sub-urban Video Lounge 12:00 Ai Weiwei caf / Power cut Installations Meeting place with debates and screenings. 12:00 - 20:00, Free admission and wifi. 14:00 Ai Weiwei caf / Power cut Installations Video screening or debate with a filmmaker. Free admission and wifi. 15:00 Kids on the floor 15:00 - 18:00, Free admission, Foyer Rotterdamse Schouwburg 16:15 critics Talk Davide Manuli Talking to critic Bor Beekman about The Legend of Kaspar Hauser. 16:15, Free admission, LantarenVenster 19:30 big Talk Philippe Falardeau talks about Monsieur Lazhar to TV presenter Annemiek Schrijver. Film + Big Talk 13/10.50, Oude Luxor Theater 20:00 Smart Talk A tribute to Ral Ruiz. Actors, directors and producers who worked with Ruiz reminisce with actor/director Melvil Poupaud. Free admission, Kleine Zaal Rotterdamse Schouwburg 22:00 WoRmyWooD Rutger Zuydervelt, Roel Meelkop and Marco Douma with Pierdrie and Artist and filmmaker Karl Lemieux with musician BJNilsen. 11/8.50, WORM 23:00 Party DJs make the Kleine Zaal swing. Free admission for everyone until 23:00, then only on showing (used) IFFR ticket.
the door 4, free of charge for Tiger Friends, students and CJP-holders, 11.00 - 18.00, Witte de With 12:00 The flip collection II Collective of young artists use playful flip books for strikingly serious games. 12:00 - 18:00, Free admission, PrintRoom 12:00 In memoriam bart Vegter 12:00 - 17:00, Free admission, Sub-urban Video Lounge 12:00 Ai Weiwei caf / Power cut Installations Meeting place with debates and screenings. 12:00 - 20:00, Free admission and wifi. 13:00 Kids on the floor 13:00 - 18:00, Free admission, Foyer Rotterdamse Schouwburg 14:00 Ai Weiwei caf / Power cut Installations Video screening or debate with a filmmaker. Free admission and wifi. 16:00 critics Talk Valrie Massadian talks to film researcher Gerlinda Heywegen about Nana. Free admission, LantarenVenster 19:30 big Talk Steve McQueen talks about Shame to Corine Koole, well-known for her book Hoe mannen liefhebben (How Men Love). Film + Big Talk 13/10.50, Oude Luxor Theater 19:30 Reading the Arab Image former Dutch daily Volkskrant correspondent Ferry Biedermann, the Lebanese musician Raed Yassin and activist Jasmina Metwaly question and comment on the recent flood of images from the Middle East. Free admission, LantarenVenster 21:00 Smart Talk Chinas Hidden Histories. Bas Heijne reflects with producer Zhu Rikun and sinologist Anne Sytstke Keijser on censorship, propaganda and social activism in Chinese cinema. Free admission, Kleine Zaal Rotterdamse Schouwburg 22:00 WoRmyWooD Dronywood triple-bill night with Nunatak, Aestuarium and the Russian Phurpa. 11/8.50, WORM 23:00 Party DJs make the Kleine Zaal swing. Free admission for everyone until 23:00, then only on showing a (used) IFFR ticket.
Thursday 2
09:00 conseries et Jouets 09:00 - 18:00, Free admission, Alliance Franaise 11:00 crumbled Papers, fragments of cinema 11:00 - 18:00, Free admission, Nieuwe Oogst 11:00 celluloid brushes Tickets at the door 4, Free of charge for Tiger Friends, students and CJP-holders, 11.00 - 18.00, Witte de With 12:00 The flip collection II 12:00 -
Wednesday 1
09:00 conseries et Jouets 09:00 - 18:00, Free admission, Alliance Franaise 11:00 crumbled Papers, fragments of cinema 11:00 - 18:00, Free admission, Nieuwe Oogst 11:00 celluloid brushes Unusual film and poster exhibition. Tickets at
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18:00 uur, Free admission, PrintRoom 12:00 In memoriam bart Vegter 12:00 - 17:00, Free admission, Sub-urban Video Lounge 12:00 Ai Weiwei caf / Power cut Installations Meeting place with debates and screenings. 12:00 - 20:00, Free admission and wifi. 14:00 Ai Weiwei caf / Power cut Installations Video screening or debate with a filmmaker. Free admission and wifi. 15:00 Kids on the floor 15:00 - 18:00, Free admission, Foyer Rotterdamse Schouwburg 16:30 critics Talk Mohammad Rasoulof talks to Filmkrant editorin-chief Dana Linssen about Goodbye. 16:30, Free admission, LantarenVenster 19:30 movieSquad Award awards ceremony followed by a screening of the winning film. 11/ 8.50, Path 21:00 Smart Talk The Road to Damascus. Debate about independent Syrian film with BG curator Charlotte Bank and activist and filmmaker Hala Alabdalla. Free admission, Kleine Zaal Rotterdamse Schouwburg 22:00 WoRmyWooD I Did It My Wei Wei and DadaMachinima avant-garde video-game modification. 11/8.50, WORM 23:00 Party DJs make the Kleine Zaal swing. Free admission for everyone until 23:00, then only on showing a (used) IFFR ticket. 09:00 conseries et Jouets 09:00 - 18:00, Free admission, Alliance Franaise 11:00 crumbled Papers, fragments of cinema 11:00 - 18:00, Free admission, Nieuwe Oogst 11:00 celluloid brushes Tickets at the door 4, Free admission for Tiger Friends, students and CJP-holders, 11.00 - 18.00, Witte de With 12:00 The flip collection II 12:00 18:00 uur, Free admission, PrintRoom 12:00 In memoriam bart Vegter 12:00 - 17:00, Free admission, Sub-urban Video Lounge 12:00 Ai Weiwei caf / Power cut Installations Meeting place with debates and screenings. 12:00 - 20:00, Free admission and wifi. 14:00 Ai Weiwei caf / Power cut Installations video screening or debate with a filmmaker. Free admission and wifi. 15:00 Kids on the floor 15:00 - 18:00, Free admission, Foyer Rotterdamse Schouwburg 20:00 Jameson film Experience facebook.com/jamesonfilmexperience 21:00 WoRmyWooD Dance night with Hieroglyphic Being aka Jamal
Moss and the official release party for Social Disturbance 001 of I Tekno. 11/8.50, WORM 23:00 Party DJs make the Kleine Zaal swing. Free admission for everyone until 23:00, then only on showing a (used) IFFR ticket.
Saturday 4
09:00 conseries et Jouets 09:00 - 18:00, Free admission, Alliance Franaise 11:00 celluloid brushes Tickets at the door 4, Free admission for Tiger Friends, students and CJPholders, 11.00 - 18.00, Witte de With 12:00 The flip collection II 12:00 18:00 uur, Free admission, PrintRoom 12:00 In memoriam bart Vegter 12:00 - 17:00, Free admission, Sub-urban Video Lounge 12:00 Ai Weiwei caf / Power cut Installations Meeting place with debates and screenings. 12:00 - 20:00, Free admission and wifi. 13:00 Kids on the Floor 13:00 - 18:00, Free admission, Foyer Rotterdamse Schouwburg 14:00 Ai Weiwei caf / Power cut Installations Video screening or debate with a filmmaker. Free admission and wifi. 23:00 Party DJs make the Kleine Zaal swing. Free admission for everyone until 23:00, then only on showing a (used) IFFR ticket. 23:00 closing party With Postman, Mikabomb, Sytze & Arnold, DJ Thunderpussy & Dd King among many others. 23:00 - late, 15/12.50, de Doelen
friday 3
Sunday 5
11:00 celluloid brushes Tickets at the door 4, Free admission for Tiger Friends, student and CJP-holders, 11.00 - 18.00, Witte de With 12:00 The flip collection II 12:00 18:00 uur, Free admission, PrintRoom 12:00 In memoriam bart Vegter 12:00 - 17:00, Free admission, Sub-urban Video Lounge
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FRENCH-SPEAKING FRENCH-SPEAKING BELGIAN BELGIAN FILMS FILMS AT AT IFFR IFFR 2012 2012
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