Intervju z Flex Blur-om, eklektinim producentom elektronske glasbe iz Francije

enough space for the talented ones who have something new to show. "Can you say something about HjrnaLigg? Is it still active?" Oh... HjrnaLigg! The time I used to think I could run a netlabel at 16 years old with my mate Sheldon Fung (aka 09xx)**, haha! My aim was to gather electronic musicians who needed exposure from around the world, not because they had 9837948723487 fans, but because I loved their music and, because I wanted for all of us to collaborate altogether, bringing something new to the musical universe. The main thing we did was that opening compilation (that is worth listening!***). We had a certain amount of great electronic musicians, and I'm really glad I met them! Sometimes I miss the times I talked with them. I kept contact with 09xx, a bit with Boonk, cozi the end of stream, GabbaVoodoo and Rhythmic Disorder. I was the only one to run the netlabel, sometimes making the artworks but mostly uploading the albums on Jamendo and also on Megaupload and stuff, and that was already too much for me. I ran out of time, so the netlabel died. But my wish of broadcasting unknown talented artists didn't die yet, so I kept on promoting them through a webradio show I'm hosting since last year, formerly dedicated to "electronic music and unknown artists", but there again it was hard to keep on browsing the internet, searching for such thing.

"How old are you? When did you start making music?" O hai! I am 20 years old at the moment. I started making electronic music at the age of 9 or 10, when I was trying to make something out of Music 2000, a nice basic music maker on PlayStation. "When do you plan to release a new album? Will it also be on Jamendo?" I don't really know when I will release a new album yet, but I can tell that I already have the concept and the title in mind at the moment, as well as 3 or 4 tracks ready for the album. And it might be...creepier. And of course, it will be available on Jamendo! "Why did you change the name from DJ Burn? Or is it dj_burn?" Neither of them do matter anymore! I changed my alias (from dj_burn to Flex Blur) because I felt that my music had to change. I wanted to take it to a higher level, plus I wanted the letter "x" in my alias 'cause it looks nice to me. And I'm no DJ, even though I'm trying myself at mixing sometimes! "How big is DJ Burn's (dj_burn's) opus?" I know that my "dj_burn" releases have known a certain success on Jamendo for example, and I was much less shy to show my works to my friends and mates, that may explain my success. Now it has got different: I prefer not to put too much of my music on the Internet. Once a track is finished, polished and available on here, what's the point to hear it again, once released? "Why Jamendo? Why not Archive.org?" I am not familiar with Archive.org. The website is not user-friendly and good-looking enough for people to come on here, I guess! But I may be wrong about this. Jamendo* has got better, but still the artists who have made this website famous (tryAd, David TMX, Professor Kliq) are still promoted here and there, on the first page too, and this doesn't let

"Did you release some CDs physically too?" Well, I have the habit to burn my albums into CDs once I have them all made and finished. And I have succeeded in selling a few of them physically, even in South Korea! I am really proud of this. There are some that I sent in Japan too, as a gift for fans. "Can you say something about your track Swedish House Mafia?" Oh yes. When I dug deeper in SHM's works, I was enjoying their music more and more, so much that I would really have loved to make a track like them. But I couldn't do that and say "this is my track", because it was THEIR style, not mine. So I turned this into an exercise, and tried to do it anyway, and put the title "Swedish House Mafia" as a tribute to them and their great songs. This way, no one can say I stole them, 'cause you know, now it's so easy to copy each other. Everyone does this, lack of originality/creativity, money and success appeal, no matter the reason.

my Aira Mitsuki's Parameter remix: I have three slightly different versions, and I wanted to use greek letters, just to make it look cool (I know, it's a shame). So there you are! "Can you say something about Capsule? How was it to remix Capsule?" capsule is one of my favourite bands ever. Even though capsule is more the work of Yasutaka Nakata than the female vocalist, they bring a fresh wave in the Japanese electronic landscape, continuously evolving (not that much, but still trying things). They've gone a bit messy in their last albums, but the last last one is a really good work, and I feel that they're back! I was listening to their album "WORLD OF FANTASY". But I was interested in the opening track, named "OPEN THE GATE". There are some beautiful chords in it, but they didn't make anything out of it: why? So I decided to take this charge, and build something around it, maybe trying to keep the capsule style somehow. When I hear it now, I realise that there is nothing much special about it. I mean, it's cool to hear, to dance on, but there might be plenty of tracks like that in the world. "Can you describe the process of remixing a track?" The main trigger was the inspiration for the few remixes I have remixed. The moment you hear a song, but you feel that something is missing, something is wrong in that song. You just want to edit it and make it your way. Then the ideas come! When I remix a track, I like to keep an element of it all along. A theme/melody most likely, its key, whatever. And I just build around it, fill what is missing until I think it's enough. I am putting my style on it but I still want the original track recognizable. I don't remix many tracks though, but it's the thing that works the best at the moment. "What is the software that you use to produce music? How did you record your voice?" I've been using Ableton Live most of the time last years, but since I realised that Propellerhead Reason was making such clean sound quality, I decided to re-use it and I feel quite comfortable with it. It's hard getting back to Live! I also use Native Instrument VSTs. One "good" thing with

"What does -Form mean?" I see you're thinking about my Aira Mitsuki remix here! This is related to those tracks with a number at the end, like Fenixfunk 5 for Aphex Twin, chenc9 for Autechre, something like that. I've always been wondering why there were here. Maybe it's telling the number of takes of a track, when recorded in real time. Maybe it's also telling the number of edits they had to make until they had what they wanted. I chose the last solution for

Reason is that you can't use VSTs with it: it has its own instruments and effects, a few ones, so you feel limitated. But you can combine them, edit them. Of course you have presets, but the instruments' graphics are simple to understand and to handle, and you're most likely invited to create new sounds and effects, rather than using them as in VSTs. I've learned a few about recording a voice, or at least processing it. You can't just record a voice directly from your microphone, and put it over a track: you have to adjust the EQ, add some reverb and it is REALLY IMPORTANT since a voice without reverb (even at less than -30dB) sounds dry as hell. I don't use the Autotune though, I like my voice to be natural. I don't claim to be a singer even if I try to sing correctly, but using a pitch correcting software doesn't make us any better at singing. "You are a multistyle producer. How come you don't produce only one style of music? Like deep house for example." The reason is simple: I like my music evolving with time. I always want to try myself at new styles. I'm interested in global electronic music, and this field is really vast! There are so much things waiting to be created. I also want to be able to make any kind of electronic music if I'm ever asked to. "You like to dance. Why? Can you say something about your style of dancing?" Dance is, just like music or painting and many others, a way to express ourselves. I've learned a few styles in my life, mostly urban: 2-Step, HipHop, Melbourne Shuffle (which is quite poor, therefore calling for one's imagination), C-Walk, House, and even Dance Dance Revolution! I try to combine all of them, that's what makes my style. One tip to all dancers: once you got a move that you like, keep on practising it and never give up even though it looks like shit at the beginning! "You also play drums. Did you play in a rock band?" I used to play in a band, as a drummer indeed. We were making some Post-Rock music. Much of the members were influenced by bands such as Radiohead, Porcupine Tree, Nine Inch Nails, Oceansize, Envy. We tried to meet once per week and we actually could record a couple of tracks!

Our band name was Kuvastin Reuna**** (actually "Kuvastimen Reuna" would be more correct), which means "the mirror's edge" in Finnish. Does it remind you any video game? "You also make photos. Can you send one?" Of course! I recently bought a digital Reflex camera. AT LAST!!! It's a Sony NEX-5, I just love it. I took this picture a few days ago (May 13th, 2012). I kinda like it, because it tells a bit about me. Maybe you can find out? "You speak Japanese? Where did you learn it?" I can speak and write Japanese a little bit. I've learned it on the Internet, there are some French websites that have well-written Japanese lessons. I've even printed a lot of these lessons and filed them in a binder- that was very useful! But it is hard to find Japanese people to talk with. Tokyo sleeps when it's 7PM in France...

"You released an EP on Krep Productions. How do you feel about that?" I didn't have much feedback about that, so I can't know if people liked it or not. But I am really glad that my name is known at least by a few people outside my country. It's always nice to have some recognition, and it motivates me not to stop

making music. "What do you think about Myspace?" And there is the clich: "Myspace is dead". What killed MySpace is MySpace itself, allowing anyone to post his/her music freely. Everyone thought that it was possible, so we suddenly got thousands and thousands of new so-called artists who could barely hold a guitar and play 3 chords, using automatic friend adders and message senders to tell the rest of the world about their music. A large amount of people, a few artists: that's what Myspace has become. Sadly, Soundcloud is heading the same way: people are promoting their stuff in inboxes or by commenting a track. Is there any future for music on the Internet? But I liked the way we could edit our profiles on MySpace: we could build a whole universe, make our own banners and put them, select our own colours, cursors, etc... having our own space, like it says. "You have 42 links to you music on various sites, on your blog! Is the promotion successful?" Oh well, this? True that I've made an account on several music websites, unfortunately I don't have time to care about all of them. Sometimes I feel nostalgic so I go to see how they look like, I even have the feeling of uploading a track or two, but the laziness comes quickly. REALLY QUICKLY, because I say "if I can do it for one website, I can do it for the rest of them...ugh no I can't". MUHAHAHA. "Can you tell us what does demo mean in electronic music?" A demo is an unfinished piece of music that you send to music labels, so they can evaluate your creativity. It is not limited to the electronic music genre. I post "demos" sometimes on my Soundcloud account, but what I call "demo" is just a sketch of a song that I want to show to my followers, to tease them a little bit, and to make them wait until I release a track or anything. *Jamendo: http://www.jamendo.com/ **09xx: http://soundcloud.com/09xx *** HjrnaLigg netlabel opening compilation: http://www.jamendo.com/fr/list/a29416/hjl001-

hjaernaligg ****Kuvastin Reuna: http://www.myspace.com/kuvastinreuna

Krep recenzije:
Gradska
Blo je tm, no mogl je bit tm 2005. Po sliani plati sm jih hotu vidt v ivo. Pa sm u, sploh ne vem s kom so pilal ali kdo je e el. No bli so v Gromki. Bili so slabi. Kot bi bili neuigrani. Po moje je blo krivo to, da niso bili dobri muziari. Dari na bobnih je bil kot malo prehlajen. Zdene na basu je bil slab, zvok je bil slab. Verjetno sm slial njihov mali hiti Seljaina. No nism bil navduen.

Mother Superior
e sm prov gledal je blo 10. 3. 2006 v Orto Klubu. S koncerta se ne spomn n, razen da je bla za predskupino ena udna slovenska grupa, k je bla preve oitno navduena nad Nirvano. Clo majco od Nirvane je mel pevc in kitarist. No li so dalj v svoji zanesenosti na grungeom. Zdi se mi, da so naredl preseek, ej ne spomn se kako je blo bendu ime. koda. Ni pasal k Mother Superior prav ni. Bolj bi pasali kakni Metropolis. Sam oni se majo za prevelke za predskupino. Majo al so mel vsak let v Ortu solo koncert. Mother Superior se spomnm sam prek posluanih plat, k sm jih na R-u poslual. Ne vem, men njihov rock ni bil kul. Monika jih je delala od FV. Njej je ve rock. Clo moj bend je bil najprej povabljen za predskupino, kar sm si tel za ast. Nismo li. Kmal sm nehal.

PAS (Post Abortion Stress) so experimentatorji iz NYC-ja. Delujejo e od leta 1995 in tukaj Vam predstavljamo nekaj njihovih zgodnjih del.

Slii se takole: http://archive.org/details/KP0094-PAS-EarlyWorks

Interview with Jaras Ramnas

What does Endiche Vis. Sat mean? Or is it just Endiche? Endiche Vis. Sat must be written like this: ENDICHE VIS. SAT. It is great to see this name here. Good times were spent with ENDICHE VIS. SAT. It was intended to be a music band. But appeared that this is only me, working on everything starting from music creation ending in drums carrying. So, seems that ENDICHE VIS. SAT is my pseudonym now. And ENDICHE is just short form of ENDICHE VIS. SAT. What does Ramnas Yaras mean? It is my earlier name written with Lithuanian (pronounced like oo in moon) and surname with transliterated Y to keep English reading people pronouncing my surname correctly. Or is it Ramnas Jaras? This is my earlier name written entirely in Lithuanian. So my surname is pronounced as Yaras. But you can pronounce it with English or Spanish pronounciation. Or is it Jaras Ramnas? This is my nowdays name written in Lithuanian. Since I am not Ramnas Jaras, I am Jaras Ramnas. Or is it Ramno Jaro? This is my earlier name written in Lithuanian with some declension. Or only Ramunas Yaras? This is my earlier name written in English. Or Jaras Ramunas? This is my present name written in English. Can you tell us something about Singing Revolution? Were you involved? It was something unforgettable. The spirit, the power. And solidarity that is not popular in LT now. Yes, I was involved a bit. I am not ready to

talk about this now This is connected with some loss. When did you start Endiche Vis. Sat? 1996. Before that I started other band called Echidna auktyn. When did you start Ramnas Yaras? I think I decided to reincarnate around 1969. What is the connection between Ramnas Yaras and Endiche Vis Sat? Now both are my pseudonyms. Can you say something about your latest performance? It was a presentation of my newest album Bta vandens. For some press I told the intention of this performance is to encourage Lithuanian people to be more united. I crawled the bridge. What was your latest release? Bta vandens realeased in 2011. You are multistyle artist. Why? Not interesting to be on one road, much more attractive to jump from one pass to another.

How is it for classical educated musician to create pop music? Great. Easy. Funny. Joke. Can you say something about Echidna Aukstyn?

Ansamble Echidna auktyn was intended to play uunderstandable music, contrary to ENDICHE VIS.SAT. Can you say something about Didelis Pasaulis and Sumirimas? Was any slovenian artist ever included? Those are fests that I did from 1996 to 2003. I will do more of them. I tried to include anybody from SLO. Too expensive to transportate anybody from SLO. But everything is not lost. What's the connections meditation and music? between

Prose is bliss, music is bless. They are connected. Where do we find the list of your complete discography? With 7'' and all? Can you send a list? Demo (1992) Paskutin poemi muzika (1993) Apsakyms ap pradi ir gal pasauls (1994) Neklausomi echidnos gabalai (1995) Ramybs studija (1996) Her Closed Eyes (1996) Ar (1997) The Cry (1997) Letvos valstib (1997) Kernav (1998) Few from ENDICHE VIS.SAT (1999) The Best of ENDICHE VIS.SAT (2000) Transformacija (2000) iauliai (2001) Diana (Solanum Tuberosum) (2002) Koncertas ibui g. (2003) Music in Poland (2004) Eanas uen Colectives (2005) Nine Grass-snakes (2006) Grojimas Paberje (2007) Nida! ir Tomas! (2007) Dzen dzen (2008) Gumowa Ra (2009)

Very concrete. Meditation is art and science, the same as music. What's the connection between psychedelic drugs and music in your case? No drugs, sorry Was any of your classical peaces ever performed by an orchestra? Yes, few times. Last time on 14th May 2012.

You've got some albums in your discography. Were they ever pressed or just CD-Rs? What about DVD? Some albums were pressed. But this is too expensive. No DVD yet. How do prose and poetry go with the music? Are they connected?

2001: A Cosmic Odyssey (2010) Bta vandens (2011) What was the story about your record deal? Did you release something official? Some stuff is released officially: Apsakyms ap pradi ir gal pasauls (Puke), Neklausomi echidnos gabalai (Bianco), Ramybs studija

(Tundra (Zona)), Her Closed Eyes (Wreck Age Recordings), Ar (Ar music), The Cry (AZBI), Letvos valstib (M.E.G.A.), Kernav (Wreck Age Recordings), Few from ENDICHE VIS.SAT (Black Orchid) , Grojimas Paberje (Kitos knygos), Dzen dzen (Kitos knygos). Did you relesae any music cassettes? Yes. They are: Demo (1992), Paskutin poemi muzika (1993), Apsakyms ap pradi ir gal pasauls (1994), Neklausomi echidnos gabalai (1995), Ramybs studija (1996), Her Closed Eyes (1996), Ar (1997), The Cry (1997), Letvos valstib (1997), Kernav (1998), Few from ENDICHE VIS.SAT (1999) Would you be interested in releasing limited edition mini CD-R EP with my fanzine? No problem. You've been to Slovenia how many times? No idea. I would like to count. 10 times maybe? I love this country somehow. I would like to talk about this more in person with somebody from SLO. When will you come back? When there will be any places to play Can you say something about AZBI label? This is some presently not existing LT label. It released my shortest album The Cry that last 55 secs.

prosila, e ji dam en tobak. Dal sm ji tistga ful starga, najdenga. Ko je zaela kaditi, me je tko udn pogledala, kot da je vidla, da je s tobakom nekaj narobe. Franclni so bli dobri. Ful hud zvok, ful dobri muziari. Spejsi. Bi jih dal k Intimn Frizurn. Pri Gogi so izdal album. Ne vem e niso li pol k Kapi.

Mara'akate
Mogl je bit tam 2004. Ne najdem ve podatka. Mam nek na kaseti e neki posnet, k sm snemal z diktafonom po moje, sam ne najdem kasete. Mogoe jo mam v MKC. En komad je na KP 27. Sm kupu tud en 7 iner od njih, ga mam v MKC po moje. Wolfenstein 3D. Kr kul komad mi je ratal. Vsekakor del zgodovinskega spomina. Dokument asa. Sm jih e kontaktiral, e lahk objavm, pa so dovolil. Sm jim poslal e ostale komade, k sm snemal cel koncert po moje. Set je bil dolg 20 minut. Kr kul screamo band iz ZDA. Emo HC. Noizrockerji, kakor se je zapisalo nekomu na R sajtu. Ni ve povezave do tja. Men je bil po moje kul koncert. Dobr HC. Moderen. Mal na power violence. Ko sem imel drugo epizodo svoje bolezni, sm jih poslual, sam sm mislu, da so iz Nemije, k so v komadu na KP 27 rekl: 'This is a song from German discos.' Sploh nism pokapal, da so Ameriani. Naenkrat sm vrtel njih in Road Kill Zombies in se je slial, k da rakete po zraku letijo. Sm hotu it na en power violence v Roga mal nazaj, pa nism u. Sm hotu tud snemat k Mara'akate. koda. Po moje bi blo kul, pa tko malkrat pride dobr HC k nam v vas.

Krep Recenzije pt. 2:

Od Franclna Mogani
Blo je 09. 11. 2006, e sm prav videl. Promocijski koncert ob izdaji plate Pofrancljevanje. Sm u sam pogledat. Sm bil prej v Menzi, pa sm mel panini napad. To je blo malo pred mojo odisejo v Polju. Nek na tudenti sm najdu en zelo star tobak. Pa sm mislu, da zarad njega nism dobr. Pa ni blo to. No u sm v Menzo, ej ne vem e nism bil zadet. Lahk da je blo takrat, ko mi je Miha dal za kadit, pa sm mu pol moril, e ni e noben od trave umru. No notr nism zdral. Not je bla tud Nea, pa me je

Intervju s Progetto Migala iz Italije

Progetto migala so world band iz Italije. Pogovarjali smo se z njihovim bobnarjem Davideom Robertom. What does Migala mean? The name MIGALA is closely related to the name of Pino Zimba: famous musician in traditional folk music of Salento. This wonderful spokesperson, for traditional folk music of Salento, with his voice and tamburello, died in 2008. Zimba is the pseudonym of Giuseppe Mighali. Mighaliderived from the language of Greca Salentina: "Migala," which indicates a type of tarantula. Can you introduce yourself? You are influenced by the music from all over the world. Why not just italian folk music? Migala combining ethnic music (Afro-Mediterranean, Balkan, Latin and Irish) with the sounds of traditional folk music of Southern Italy, looking for a personal interpretation of folk music and world music, in a world that is increasingly considered a "Global Village". The group was founded in the spring of 2008. Brainchild of Davide Roberto and Emilio Quaglieri, students in Musicology at the University of Tor Vergata in Rome. The group initially created with the intention to reinterpreting traditional folk music of Southern Italy, shifts his interest in World Music and the creative possibilities given by the contamination of different ethnic musical styles. In this way we were able to combine the different artistic backgrounds of the group,combining different styles, cultures and music. So, our band also gives a modern interpretation of traditional folk music of southern Italy. Our intent is a continuous research and experimentation in combining these different sonority. Migala tries to be a bridge between different musical cultures. The explanation is to be found in the same historical and cultural Italian roots. The peninsula was land of great rulers: Greeks, Turkish, Spanish, French... It is a land reached by: Balkan, African, Arab... These processes have led to cultural exchanges and interactions between different cultures. This obviously - did not happen only in Italy but also in the rest of the world. The Mediterranean Basin and the nations that surround it, have in terms of culture and music a lot of similarities. The combination of these different musical styles, allows us to express musically these similarities that unite humanity. Within the social-economic system in which we live, is much important rediscover the unity between different cultures and the wealth given by the culture and respect for nature. We can not just think about globalization in financial and economic terms without paying attention to local communities, to humanity, and the real wealth (which is certainly not made by banks, financial giants and multinational). What is your lineup?

Our first line-up (2008 - 2010) was: Davide Roberto (Percussions and Vocals), Emilio Quaglieri (Guitar and Saz) Pasqualino Ubaldini (Guitar, Saz and Bouzoki); Mario Peperoni (Violin), Francesca Palombo (Accordion and Vocals) and Emanuele Lituri (Bass Guitar). From 2011, we are in 5, without Francesca Palombo (http://www.myspace.com/pepalopezdeleon), who is pursuing an artistic way different and equally fascinating.

What is your discography? You have 9 songs on Soundcloud, 6 on myspace, 4 on ReverbNation and 2 on Jamendo, EP on Last.fm. Where can a fan get your CDs? What is your latest release? For the moment there is a demo cd released in 2010 with 5 tracks. These are already on social networks (myspace, soundcloud, etc...). The songs are: Pizzingara, Mercanzia, Tarantella Del 1600 e Viaggio Primo. These 5 songs are our first work in progress, which was more oriented to the reinterpretation of traditional folk music of southern Italy with elements of ethnic music (listen Pizzingara, the first part of Viaggio Primo, and the second part in Tarantella 1600 www.myspace.com/progettomigala). In SoundCloud and Youtube there are other tracks like Pietre, Passione Lunatica, Bicicletta and Antro Della Sibilla Cumana, that represent our current musical path. These sounds will be on the official CD, that we started recording. It will contain 10 original tracks in total, which will represent the best of our sound. The CD it will offer through online sales (Itunes, etc...). If there will be some record label interested in our music, is welcome! In fact, we're looking for a distribution. You've got more videos released than songs. Do you have some official videos out? As I said before, the official CD is being prepared. The videos on youtube are part of our official

channel. The presence of many videos is due to the fact, of trying to give visibility to the dimension of group live on stage. Can you say something about your relationship with Pasqualino Ubaldini? I had the pleasure of knowing Pasqualino Ubaldini since 2006. We met in a variety of ethnic and folk music projects. For me and the group is a wonderful person and musician. Musically it has a lot of experience. An open mind. Able to move among many musical styles. You can hear many of his works on Jamendo. Some of these tracks are performed by our group. In our group, his songs and his ideas were very inspiring. This is the url of Pasqualino Ubaldini on Jamendo: www.jamendo.com/it/artist/347938/pasqualinoubaldini.

take into account not only this reinterpretation of traditional folk music, but also the world music, the landscape becomes wide and varied. At first instinct would tell you: Orchestra Di Piazza Vittorio, Antonio Forcione, Banda Adriatica, Daniele Sepe, Enzo Avitabile, etc...It's here that Migala would like to operate. Try as much as possible to combine our musical roots with world music and ethnic music. You are quite active on Facebook. Can you say something about your promotion? Do you have a manager? What about record deal? The management is entrusted to me, Emilio Quaglieri, and in general to the group. For this reason, our selfpromotion is very active online. The web is for many independent artists, a good way to be able to promote, because the official channels (normally devoted to pop music) do not care much to the artistic quality of the proposal. As I have already said our official CD will be distributed online, and during the concerts. A possible distribution through record company, can take place with independent labels. But, we live - and not just in Italy - in an economic and cultural setting in which to reveal the quality and niche sectors is very difficult. In fact, as you can see, the record market is in crisis. Moreover, the artistic proposals of Major, online, are still being oriented towards the music and commercial pop. Were you in Slovenia yet? Do you intend to come? In all these years, we had the pleasure of playing in Italy in important festivals, with prestigious artistic directions (Mimmo Epifani, Franco Battiato...). We have not done dates abroad. We have a lot of desire to play our music outside Italy. We believe that by offering our official CD online, and with the interest of an independent label, we would be able to play our music abroad. We would love to play outside Italy. And playing, even in Slovenia ... it would be great! Play our music for you, it would be a good test for our balkan sound in songs like Saltimbanco or Pizzingara. When will your next show gonna be? And Where? The next show is in Rome, in a club called Le Mura. The club is in a neighborhood of Rome, where you can breathe much of live music. Can you name some etno labels from Italy? Cni, Finisterre, Altipiani, Anima Mundi, Taranta Power, etc... Are there some venues for etno music in Italy? There are: Folkest (Friuli Venezia Giulia), Roma Villa Ada, Suoni Dal Mediterraneo (Puglia), Etnie (Calabria), Carpino Folk Fest (Puglia), Radicazioni (Calabria), Festival Popoli (Salento), La Notte Della Taranta (Salento), Kaulonia Festival (Calabria), etc...

What is the etno movement in Italia like? Can you name some cool etno bands from Italy? When we talking about a "movement of ethnic music," is very difficult to determine the "boundaries". Give the boundaries of ethnic music, folk and world music, would not make sense. In fact, we talk about cultures and musical styles that are constantly in touch. In Italy we must consider the period of the year 60/70 called "folk revival". In this period, there was an interest in rediscovering and reinterpreting, the traditional repertoire of Italian music (especially southern Italy). Many researchers were active, ethnomusicologists, and many musicians who started out a personal approach to traditional folk music of southern Italy. For example: Carnascialia, Canzoniere Del Lazio, Canzoniere Greganico Salentino, Antonio Infantino, Re Niliu... Recently, with Eugenio Bennato, Taranta Power, La Notte Della Taranta, folk revival had again a new wave of interest with the "taranta music". That is another modern reinterpretation of the traditional folk music of southern Italy. If, instead, we

Krep recenzije pt. 3:

Intimn Frizurn
Blo je v sredo, 25. 10. 2006. Po moje je bil to ta pil. Orto je bil nabito poln, tla se se majala. Intimn Frizurn so bli po moje takrat najbolj hud slovenski bend na sceni. Malo za tem so imeli pil v Zerotu, pa ni blo tko polno. Je po moje Jizah recenziral. Sm mel z njimi intervju prej ta dan pri Decibelih. Sm mislu da je tolk folka zato, ker sm jst naredu dobro reklamo. Mel so R hit takrat na Radiu. Orto je bil, kot bi kdo v zrak prel LSD. Love. Ja. Bli so hudi. Hudi komadi, hudi glasbeniki, dobr frontman, dobri pop komadi. Pa lih prav alter. K sm jih vidu na Maratonu v Bazenu, so mi bili brezvezni. Sam tam je bla taka atmosfera, v ta velki dvorani so bli, pa mal folka.

izzveneli zlo nedoiveto. Manjkal jim je fidbek od publike po moje. Men so bli vseen zakon. Sm se ful dru po komadih. Po moje edin. Pa so me po moje opazl. Pa mi je Dule po moje lubka poslal po zraku. Al pa ga je Sabini. Ne vem. Men se je zdel, da je letel nekam prot men. Sm takrat napisal po moje svojo prvo recenzijo. Na Undermuzi. Sm neki spluval MIKK, pa so oni to bral, pa so mi mal zamerl. En mi je reku, naj ne piem recenzij, ko sm tko zagrenjen. V Bazenu je bla ist druga slika. V majhnem prostoru je njihov masten zvok priel res do izraza. Niko je bil velik do stropa. Pod odrom je skakal Dan. Skejter. Blo je fino.

Crazed Farmers
Hm. Kolkrat sm jih vidu. In slial. V Bazenu dvakrat po moje. Pa enkrat na enem rojstnem dnevu Radia v Cvetliarni. Pa enkrat v Zerotu. Pa na R enkrat. Po moje je to vse. Aja v Kamniku. Tam so se mi zdel najbolji bend na svetu. Sam sm bil zadet. Tm so bli skupi z Oberiu in tud Oberiu so se mi zdel dobri. Takrat se mi je kot e parkrat prej zadetmu nardil, da sm se po celem telesu tresel. Zeblo me je do kosti. Ne vem zakaj. Tko je trava delala name. Me je Tina pol vpraala, e me je blo kaj strah, ko sem zael vibrirat s celim telesom, pa sm ji reku da ne, da se mi je e vekrat prej nardil. No CF so bili res dobri. V cvetliarni so bli bl zani. Na radiu so bli kr dobri. So igral tud en nov komad, eno balado, pa ne vem kako je blo naslov. Tud nism vpraal, kaj naj bi reku. Kako je naslov unga komada, k ste ga sred igral, pa ne vem niti kako je u besedil. Takrat sem se ga tud zadel, pol pa nasledn dan nism oddal Razirjamo obzorja. Prvi v bazenu so bli dobri, v mali dvorani. Sm cel koncert snemal na kasetar, David je neki poprkal, da s je snemalo z

MDC
A je blo 2003. Ne vem. Mal zgodi se mi zdi, al lahk bi blo. Igrali so v veliki dvorani Bazena. Po moje so bli e Barackca iz Madarske. Pa ne vem e kdo. Posnel sm del MDC koncerta na diktafon. Sm sedel na robu bazena in gledal dol na njih. Una pika od pevca je bla tetovirana po cel g lav. Kva. MDC so bli zani. Na KP 27 sm objavu en njihov komad s tega pila. Chicken Squawk. Se slabo sli, a ne. Za kao iste legende so se slial zelo razglaeno. Prej sm poznal sam komad John

Wayne Was A Nazi. Niso se mi zdeli tako zani kot v ivo. Bend je bil po moje sestavljen iz pol starih, pol pa novih lanov. Zdi se mi da je bil basist zlo mlad.

Kiks
Dvakrat sm jih mel ast vidt in sliat. Enkrat v mali dvorani Bazena in enkrat na MIKK festivalu. V Murski so nastopl enkrat sred dneva in so

mize, pol se pa kitar sploh ni slial, sam bobni so se. Ta posnetek sm jim dal, pa so rekl, da so ga poslal na R za Maraton. Kao da vsak let polejo na R najslabi posnetek od tistega leta. In takrat je ta ast doletela moj posnetek. Dost sm se tud ukvarjal s tem posnetkom in en komad s tega pila je tud objavljen na KP. Lena Kata na KP 27. Sm ga tud mal poslual pred drugo epizodo in sm mislu, da je komad posveen moji leni sestrici Katji. Je bla takrat nosea. U drugo. Drugi v Bazenu so bli v velki dvorani in so bli predskupina enih Japonk, po moje so ble Dirtrucks. So bli vsi zlo trezni. Tko je tud koncert izpadel. Nedoiveto. Pol sva se s Tino o tem pogovarjala, pa je rekla, da so bli res trezni.

Man In The Shadow

So bli v Jazzu tm enkrat 1997. Skupen koncert z Prulersi. So bli drugi na vrsti. Ko so zaeli igrati, se je pevec vrgel na tla in se zael dreti, da je preglasil kitare. Pol poznej sm kupil en 7 iner od njih. So bli res poseben bend, a ne tko zlo dobri. Ko je kiratristu odjenjala kitara, si jo je sposodu od Prulersov in sliala se je res bolje. Tud kitarist, po mojem je bil to model od Moonlee, se je ful zaudil na zvokom.

after we get them...if we don't close slsk afterward, it retains the original filename, which will fail everytime as that file no longer exists..if you run into this problem, please contact us immediately so we can ensure that you get what you want when you want it....I value all of you on my list as you have all shared with me generously (thank you all) to make it on my userlist I download from you & if the file starts up I instantly add you since I'm userlist only....so please feel free to contact us if you ever have any problems & we will quickly work with you to fix the problem...remember without you soulseek doesn't work...this is important to us that all of you are happy with our relationships with you...especially those in my top 10 favorite users...most of you know who you are (AlienMethod holds the #1 spot, sorry other 9 favs, but he just rules) thank you for tolerating me burning up your valuable time..we love you all [28May12 10:01:48][CRANESFOREVER] Hey thanks [28May12 10:54:51][Zaman Cheh] ni panike

Prulers
Ma takrat so mi bili slabi. Neki neo punk. Premoderni. ele pozneje, ko sm poslual njihov CD sem jih zael ceniti. Bli so dobr bend. Pevc je na koncertu skakal v zrak ko skejtar. To se spomnm.

[28May12 17:18:52][buzzkiller] Greetings friends on my list....It has come to my attention that alot of my files have been failing when you attempt to download them...this is because we rename our files

mia si - PL - RU - brave - RU

Kul albumi, EP-ji in singli ki so izli pred kratkim in se jih da dobit na Soulseek-u

V/A-Slovenian Music Scene 2012 Vol. 22 Part 5

EP-ji: Albumi: [Me]-Another Story High Byrds, The-Preflyte Plus Cursive-I Am Gemini fIREHOSE-lowFLOWs the Columbia Anthology (91-93) Griffith, Nanci-Intersection Hot Water Music-Exister Iggy Pop-Apres Cohen, Leonard-Live In Fredericton EP DMX-The Weigh In EP Enter Shikari-Live In London NW5 2012 EP Fau & Deam-Dream Act EP Forward Strategy Group-Labour Division EP 1 Foxes-Warrior EP Gigamesh-All My Life EP Marteaux-Efluente EP Metallica-The First 30 Years Morrissey-Suedehead Plasmic Shape-Incognito Complex EP V/A-Garage Slovenia Pt. 2 V/A-Warming Shots EP XI-Joy/Fear

Mr. Big Raw Like Sushi Pains Of Being Pure At Heart, The-Acid Reflex Rihanna-Magik Santana-Shape Shifter Spektor, Regina-What We Saw From The Cheap Seats V/A-Slovenian Music Scene 2012 Vol. 22 Part 1 V/A-Slovenian Music Scene 2012 Vol. 22 Part 2 V/A-Slovenian Music Scene 2012 Vol. 22 Part 3 V/A-Slovenian Music Scene 2012 Vol. 22 Part 4 Intelligence, The & Stoltz, Kelley -The Galaxy Modeselektor And Yorke, Thom-This Sonvol-Manija Sonvol-Underground e ivi V EX-YU Useless Eaters-Addicted To The Blade 7'' Singli: