Input

Gain Tape Gain Phantom Power- If you are using a condenser microphone to record you w ill need a condenser mic. If a line input is plugged into the stage box eg. A jack lead, guitar, bass. Phase if 2 microphones are pointing towards each other the phase button will reverse the diaphragm of one mic, making them not cancel each other out. This switch places a wide bandpass filter into the mix and below you can use the knob to select the frequency.

Low Cut Takes out the low frequencies when recording.

Flip Range
Channel this send it down towards the mix This turns this section on/ off

This knob controls the threshold This controls the release This allows you to hold the release for longer rather than it just cutting out

This sends the mix straight to the monitors

This knob allows you to place a shelving EQ that boosts of reduces the frequency 12kHz This knob allows you to place a shelving EQ that boosts of reduces the frequency 60Hz

If this is switched on you can adjust the level by using the mix fader

These are an auxiliary send. Which enables you to send the mix to the outboard equipment to add reverb or compression and to other units such as headphone amps so if you are recording and there is too much sound in the headphone you can adjust how much it is sending to the headphones from here.

Pan enables you to pan a recording from left to right Pre-fader level Mute

Send to the stereo mix bus Enables you to send the same thing to different grouping outputs

When pressed it sends the mix to a grouping signal.

Reverses the faders. Allows you to use the mix fader rather than the recording fader Recording fader

Pan enables you to pan a recording from left to right

Solo mutes all other signals mute

Mix fader

Master mute Allows you to send multiple signals to a master mute.