Mu 786.3 WOLFF. c THE LITTLE PISCHNA. PIANO. 1.00+BNG A.

5fX,''VB'-l<;

;?

LIBRARY

THE BRANCH LIBRARIES

MY

3 3333 07078 2772

THE NEW YORK PUBLIC LIBRARY. AT LINCOLN CENTER ^-_,

111 Amsterdam Avenue

MY *
'*

New York, N. Y.

10023

Records may be borrowed free for two weeks. No renewals are allowed.

fine of ten cents

charged Records must be returned to the branch from which tliey were borrowed.
t*tm isjil

for each

per calendar day overdue album.

will

be

CARL FISCHER'S MUSIC LIBRARY

No.

475

THE LITTLE
PISCHNA
FORTY-EIGHT EXERCISES

FOR PIANO
Price

LOO

Carl Fischer
INC.

62 Cooper Square, New York 3 BOSTON CHICAGO DAllAS tOS ANGELES

ir^r--

--,

_^,

wj

ii.

IflftlT*!''

CARL FISCHERS MUSIC LIBRARY

N9 475

B.WOLFF
The
Little Pischna
Forty- Eight Exercises
for

PIANO

Carl Fischer NEW YORK

inc.

\>
"1

>.

The

little

Pischna.

Der kleine Pischna

Vorubung-en zu

Preparatory Exercises to

PISCHNA'S
60 Daily Studies.

PISCHNA'S
60 TUgliihen Studien.

Mo d Prat o.
Each
iiicasurf'

B.WOLFF.
4 times
Jcder Takt 4 mal.

^
^>^"r

iijJJ^'^JjI pS J
i

^a m
^
^^^H^

k-^^^'W^,

'f

B i^

F=i

^^ ^ ^^^ a
^
^eif: r"rrrf r

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tf r

-,.!>

c^caLLi;

r'rT r '

li

^^^=^

^E*

te*s grrrrm
^
I"

^r

^J

Moderate

^
5S*

fsempre

legato

1
a.)

m
l.'ist

2M1

a)
i/nt

fe
a7ider->vfirts gebrnucht,
-

The small sliir_h<Te and clsp\vhcro_indioatcs a

kgato connection bet'ween the

ppr-

Drr kleive Bogen mird hier und

fcrt

note of one meas-

ure and the first note of the following bar.

die goniiic legato Verbindiing zwischen dcr letzten Note des ci)ieu mid der ersteii Note des folgenden Tak-

tes a7tziizeigen.

11081- 47

Copyright MCMVII

'n/

Cnrl Fischer, Xeii^-York.

3
.-4r7-f.

')

*f=f

j?^

Ei

Iff:

r'

Vp

f #

Moderato.
Each measure 4 times
Jr-der

Tnkt 4 mnl.

2
"'

f sempre
'
4^3
2

*M=^
legato

u
4

au. [Us

'^^

e
^"

fetei

^5

^
a
^
S!^ ^=

*t=^

t^

ifJ

?^^
'

^^^
^#
11081- 47

.a:

fetetei

TyrTCC5

^
^^

;i=

^^
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^^ff-tt

4 Moderate.

^^

i
r. tt^tir^''^

S
^

Y^^f^PffffrffPff^

Moderato.
Each measure 4 times
-4-

Jeder Tnkt 4
-4-

7nal.

5.

^5 f
r
3

*^ lUU^ Jig ^^US ^J^

sempre legato

5^^
i

'''^
3

'

't

^'^
8

"r

11081-47

rji:m JJ]'ji

.JlJ^
1^

nnnJJi mt^ ajaj^j E^SS

ZJC

i^
pfefe
Moderate

iht

i&

^g

gjlXl? ^j^ ^^lltf ^Cf

^y
,

^mtf CILC/
^'
r

e^

#-^

^^

11081-47

Moderato

^T>v

rrrrtr ^m^.

^^m
^

"^^Ca-^EJEj-"

Moderato.
Each measure 4 times

Jeder Tnkt 4 nud.

i ^
8.
>j:
^..

aempre legato

\^

"^

J
'
i

^
C!d' ^XE/

rp^

'^

L^/kfff^^

11081-47

i^-i

^^

^ii

=^
mk

^^ ^

^
t<

'^ll^hZlfJ^Z

^m
fti==fe

ii.vyyrp. ^^^

0-r0-

4 J'
>

J
r
iTp

'

>:yrBrVVTfrie
Moderato.
3.

r V''

tf

fef^ F^^^fXj^ i

9.

-f sempre legato

^\\

W^

'

^i

K
iitfWa'E^

^^^^^^^^
s

IW^^?^^

te=p

rr-ry

11081-47

Moderato.
Each measure 2 times
Z
i'
'I

i
J

J
legato

is:

^ ^

Jeder Takt 2 mal. 4

10.

f sempre
''

f%

^U
is:

iiJ

J-

'

* tertau iLss rjsjyi^^^

^S
Jnii

iiJ

ii

Moderato.

2
11.

^
legato

^^
^P=f

k:

*^
ZP

^^

^ sempre

^B

S
i

w-r

f*^

^J

fJ

^^

11081-47

i ^ffi

)jj

tfjj

p =itefev
Moderato.

^ T-n ^^

11081-47

10

Moderate.
Each measure 2 times
Jedcr Tnkt 2 mid.

hB

'

TJjjjT,

ig

1;

m
4

"^^M^
4

i^^-^
'5

13.

^ ^
^^

^sejnpre legato

^ ^
E

^
;J

Si^
y?
"rttr

cte'^cxr^

^ ^ ^ ^ H ^ f^ &LL Tija-mj^
^^
g
^

Cllhrr^'
^Imi

fr

s
14.

-Y^
Moderate.

:i^

tiff

j^4

1 i^ji

J^ sempre

legato

S V
iinKi-47

in.

"r

ii

^f .

11

i
!

^S
i
fel

^ E^^
^Jqt

15.

^ ^
Moderate.
Eiach

measure 4 times

Jcder Tnkt i mnl.

^Au^ -d
tool

i ^S

^'f sempre legato

^ F^S s^
s

*y
^
^

r r

Lr

r^
:

^ (^''^ ^'^

^j:?t3 jt7"^
r

^^ ^^
,]yffl73;Tp
^ s
r:

^
^
^

fei
^

r ^r

\r

^^ ^^ ^ ^
:^=

^^ ^^
iil^^tlf

"H

I,.

, -

.^^

^^ ^^ ^^^B^gs ^
.

rrrr r r r r r

j*

a) This number fingering:

is

also to be practised with the following

a) Diese Ninmner tnitss nuch sntz ffeiibt werdcn: ^

mit dem folgenden Fi7iger-

f
11081-47

[71]

rrp

p,

imrrn ;tt^ gT7i

p ^m

12

Moderate
3

16

.<

^^^^^^ ^*?
^^

UMiii^
^
4-

f
aSaSfe
-m^w^wf

^r^^n^^ ^ p
ttff

W- ^rrf rf r

i-F f

'Tf r

i^

^
I-

imzsm^JMt

Eg

*JJ^J *

^
d^
.

S^b^i^
p

'm'^'^iiL:^

^CT.^^15^J3!P--?]gJ31Vro ?am^

a)

Practise also with the following

finseriiif;;:
,

a)
.')

Man
'
.'i

iibc (inch iiiit

dctn folffcndcii

Fmgcrsutz:

'

r>

'

4 5
I

'i

r>

r>

4 5
I

'

r.

h.

h*
-5

I'-''-

1.

h.a
'I

.1

13
/i
T)
I

I
.-,

>i

'

r.

''I

etc

Moderate.
Earh measure
'i

times. _ Jcdcr Takt 2 mal.

Hold down
U081-47

'

all

the left-hand fingers.

Alle Finger dcr Ihiken Hitnd licgcn Itinscn.

li

u*.-^i

-^u

IS

^
(

^ pTH^ ui^ :ir-^^^ di'fn

13

1^

^^^^^^

^m ^
^

^rjLTj'
"

^fe

t [rts
I

r-r^

r r

M ^^-Wrri
')

f_r r

^4r^Crj>jLrCr^^c:^Tj:f>jif^

T[^T sfrr
Moderate

18.

<

Hold down

all the

left-hand timbers.

Ai/c Fh/ficr dcr linlccn

Hand

/iCfiTii l/fsacii

11081-47

14

Moderate.
i

Each measure 2 times

E t^
19.

^
.s

Jeder Tnkt 2 mal

d 9 d d

:s
j|

empre legato

Jtt

* ti* J ^ ^

J >

g^ * i J

i^

pp

in^'fj^ink

^
j^

-r^-m

CT
f

r?!.?l?^ g:g! .^ r?i^j^n7^, >P'*''''V:

tie

^ ^,t?3ro
.

L^'-^

Lr-s

^"

f r

11081-47

15

W~^

11081- 47

16

Lento,
Each measure 2 times. Jedcr Takt 2
mtil.

S
20.<

1^
J
senipre legato

^^

llOSl-47

17

\l

^T

=P=^

IS
Introductory Exercise to

N? SI

Vorijbung zu
Fu7' die rechte

N9 21.
allein.

For the right hand alone.

Hand

^
Moderate.
Each measure
4
2
.->

4m4\,-^m s a j M

* > j;^,b ^
[>

?
i.

K
1

7^ t4,|J^ W ^
b
1

;.

{through
'

all the keys. diirch (die Tonartcn.

times.

Jcder Takt i mul.

Z

t-^"

o
f sempre
legato

Wn^ii^i MVf^ ^

h-i

ii

fcn;m

-rr

3 P^3^
?^

21.

^^

I
a

^
4
3

r^

;j4^t^i

^^JCT3I3
I |

/jii

OT^

-y-^r

H^n

^
lit

]I^W .\^i^
I

i-tf

^
-o-

V-

^S^:
(

l^H^^i t^t^t

.^lUl
i:

^^

lie

fe
For the
left

ii^ g
N9 33.
hand alone.

|g4
Vorubung
Fiir die linke

Introductory Exercise to

zu

N9

33.

Hand

allein.

^
Moderate.

^
Jeder Takt 2 4
itial

J
jy^

(through through all the keys. durrh a lie Tonarten.

I

Each measure % times.

E
22.
/*
1

^
sempre legato
12X1

^
,ib'>
3
5

^
^^^^\^^^^^^^^

i ^

ffi^
3 5

I t P P i
2

W
I

^^B

11081-47

19

i ^P
JzOl.

g
^it^i>qpifi>r

fe^
i

r*r r

gl

^
^i

N^

'^^""^^^gmr

$
9'-

i.^^

^
<

^
^
i

^^ ^^^g
fefe
tls

; ^ll

lt
4
I

tif^

iiii i
ti^

^^

%^ iM 77 prp
i
Moderate.
z
1

i#

#lke

m. P
i

23.

/"

sempre legato

)!:=<?.

Moderate.
it

^ J.

*'

jp^ ci:!a
/*

24.

S^S
Moderate.
4

sempre legato

^ ^
3
1

^
1

I
f*

^
Ma/.

^ f*^
.

H times

<?

ettee

,.3

^'m
^^J.
,.
I
.

=i3i

i^tt

'

j^iijjjjjrTO^^
8 times
.

^
8 mat.

'^L-A

..4'

u^

J^it^C^
25,

^
.

-^^

ttpr

rP^Pf- .

rrrr

.TH]

/* setup re legato

d=^ ???
.

rfejpi
4
1

kS
4
J

*J

8-

Moderate

,^

it

'

--= > ^f f
>#^'

##-_

i>i

""F^

26.

sempre legato

^
14
4 times

8 times

^
.

8 mat.

14

^ f
.

,4

^14

**?
^
//w/.

11081-47

20
4
'

^1

Moderate.

^<^ jT^^^-^ 27
/*

^
^*
irr, pJI^zi
4
^<

sempre legato

Se

-^

1?

*
1

times.

///ff/.

Moderato,

t^T^j
28/
/*

^IliillMiM^^^^ ^feJ^
^

sempre legato

^
I

^<

^^^ agx^
_

*=PC

rr^' J
I

=E
-f

times,

////.

^^^^M ^^^p^ E^^

29.
/*

Moderate.

(8i^

*
..

^
1

sempre legato

7>2^8^r* faf]^

;-:, j *'
'

"

g>;
4 mal. '

times.

Moderato.

?w^^^^j5*jE|yi|->f;
30.

^^^yi^
4

13

f sempre

lea-ato

trr

^rr L
1

4 ^

:t

'

'

'

'

:t

'

,',

5^
\

~jf^
I

timrs.

4 inn/.

Moderato.

.i

Vkl ^tett^,\>%l

I
'

f^l
tinii's.

i/inl.

IIOM-W

21

Introductory Exercises to
a
I

N9

33.
Hand

Vorlibungen zu
itllein.

N9 33

for

tlie risjht

4 5

^^^ ^^^ ^^^

j3

hand alone:

a) //// die rcchtc

4
b)

fiz

JJJ J,

J *J * J J ^

[t>

9 sempre legato ^

WTj J Jj|=^=^ = ^
*
"

,in all the

^

''[^

//^

alien

T on a r ten

keys.

for the left

hand alone:

bi fiirdir

linke

Hand

ulleiii.

Tf^

in all the

keys.

\i)L

alien

Tonarten

Moderate.
Each measure 2 times.
4
1

Jedcr Takt 2

nial.

5
-i

^1

4
I
I I

^
b

rf*'
32.

j
/*

jl^
LLd-

b^

2=^

^*

^ *

J 4

m-^

#
F; fc p c Ir f N> :
i
I
I

sempre legato
''#^

HPPPPC

F
i-

.->

4 It H r1^rP 1
ri:

^M
%lfltfi

S
i

Z%tf^.^%l%Z

^
g
^i

"J.J I ^fpf5p r?i

J J J

:;!

r-

tff:ffF7p#tf cn^7f^'ffr^f
-

U^l.

tJ

t^

3 P

i l^s^

!?^

wgljj ^^

ti

r^ W

^^
L

3X1

11081-47

oo

Introductory Exercises to

N9
'

33.

For the right hand alone.

Voriibungen zu N9 33 Fiir die revhte Hand allein.

5

^^

:43s

g?^'

^r f 'If^^^f^/^ffrrrrr^' 'Tfrfrrr

,,

i,

m'^i^^i^ ^w^i^.m
^

em.

Moderate,

i
5t=i
33.

^^^

C ^'F P P P

'

^ sempre legato
V(^
F
3

F F F F

^^

^6!3zfee

^
Nt
'

pg^^^ ^ ^g
lr=^

fe

vj^

^p

CVfr-

J"^^^

f F

rii

"Ff Ff^r f

ijjj^ ^7[jEf L[ffTfe' gfhf?^'

'^

'y-l^^^fffUrf

^^V* m

y^fyffi,.f. ff^^ffff^ f ^ ^ ^

e'~l>,#f.^p ^,ff^g~Tfr je

iiosi-47

Introductory Exercises to
For the
left

N9 34.

hand alone.

Voriibungen zu N? 34. Fiir die linke Hand allein.

a)

'Yo

iTT3JJ3JJJJJJJJJ|J ?^J^,jr
i

itc,

^
54
t

:i
*

Moderate,

^-^

"
!

^ J /J

3
^

^:

:^'

-^'

>

I"*

^a ^p^
^

SS

^^
tt

i
^M:
fP

E
^
'

i^^ I
If^
tei
=E

^f
fei

^
I

e
y

r. Z=K
i>

r prp"Tr te i t

fe

:^

^
g
,

fe4
ti> r r

^f?=

"Tf

i
b>
[^^

i
^ # ^ ^ ^ ^ ^

'Tp ijf I2=K

-

a ^^
^ft.tif p

p^itg p

11081-47

24

Introductory Exercise to
(Right hand alone.)

N9

35.
\
1

Vorubung
(Rechte
\
1

zu

N9

35.

Hand

allein.)

Moderate.

,,

35.

<

^
1^

jr

sempre legato

^3
S times
A'

?
:i
I

i
/

//.

l^gffM'l^
j

*
:i;g=qg

M
,

'

'

-I

4
i

:i..

i"'"vr r
t
I

>-

5*

v. ii

^^

^
S fcEE^
-^IS^
ti

pf!f5ti:^r^r'"zjj

JK^t

4^-^-^

Se

^
.

ii

'it*'*

' s^^^r^^a^ r r ^ r gfe

fct.

Df

iir

^r

= r

ife

bt

41,' 4

'4

4U

'4

iU^^i^^^*JL^=L

110Hl-'7

Introductory Exercise to
(Left hand alone.)

N9 36,
---__1

Voriibung-_i_
1

zu

N9

36,

35

(LinAe

Hand

allein.)

Moderato.

K
36
.<

*
/*

''

^U

ji-J

sempre legato

H times. 8 mid.

m- li^

"^
^J

'

^^

^
^J

3E3

9-

'
\,.

' \^

'

r4-

m^
'

^
I

!'!

iEi

1*

:^
3
Sac

p
.tt tt'j,*'r

;pa
1^

^.

ii

^
i-J

^
1

'^
=f^
r
b
ti

"

iZBI

1^

^-^
i
1

^1^^^

11081-47

26

Moderate.

S times

}niil

fe ^a*2
')

'41
ttf

4
^

'fflf^hF^;'^fi'''"^r.??1 3 13 13
'*

y T

nr

^r

^^

^
1

l*^^ti^*^
I

^^T^f rf^^

:*=
3

^"^3

t?

s it
.,
i

fe

^
*

*t.

^^
4 14
1

j-mrriT^
i.

.^r'

rd!i^'rrrv

^
r

^
fe
EE
Fff,
4
3
.

^ fi

g:b'rf^'^

..l,.^

.
1

>_^

"~1^^^i

^?
,.

4141

^ ^^
^^

^ M 'Ju^Xlx
,

l>.

tf

b*

b*

"g

ff^ V-+* ^^^^

1;*

^g ^ t,

i^
f g

11081-47

B^
4

Moderato,
3

Ibid

4 I

W
i
I

S7

38.

<

I
se?npre legato

ag

"r

<jf=

!>#

!.>

^?:

t
55? s

ti^

^fe

^^

t^r

-f

s
i
^
b#-

^
U081-47

.jHar-ijiai.aa-^
1

P
te

rffl^ii^ iirVrr'r^,^

I'*

hjL

IjA

g
*

*''

''

frf ffrf

S rrf
fc

rrrrrr

P
i

ZH

Moderate.
Each measurt- 2 times
Jcdcr Takt 2
niiil.

vm

./J

*)Practise this number also legatissimo:

liosi- 47

Moderate.
Each measure 2 times
32m:

Jcder

Titkt

innl.

^^g
*i

^
1
!

29

1^ it^*

40.
*)

i^

n^rrTTT

setup j-e legato

^^m ^

^
!.
i

f^
;^

?i

I**
f

s^ i^

^ ^ a i^ ^
l.^

f;

^fe.

^^ ^ ^E^^
fe
r

ttrjffrj

^ vJ f
r
r.

r^

Ljrfr,^lf,|

*aP^it^

*
* a1so
)

/^/r'7 f /.ss I'rn o

pt:

^ ^ ^^ f^^'I.J^ ^
^
fe

^^p3

jr^^jT^
i

te
-''-

~*

*)Ebc)iso Icgatissimo:

#^

"f rf J
i

rCr-.

11081-47

30

Moderato.
1

41.

^W

-F sempre legato

4 times

4 tual.

.l>-*l'f ''fsk

>tts^e*

ettitt

t;M,rf^ri::ci^tf.:!f

*) The fingering shown in brackets is to be used the scales are practised consecutively.
11081-4?

when

*)Der eijigeklnmmerte Ftngersatz ist zu nehmen, wenn die To7ileitern hinteremander gei'tbt werden.

Mkfi

S^teii*ii^

l\^^Mkt%t

.1..

'gSel^e

S
\

\?.

'^^^

\?^

-^

^^
^r>p^ g^^

l^r^:}^l^^
s
it^
ttj^

M
^#

,.

Up

i^f^
Ilis

(i

<5

^^
11081-47

^g

33

Moderate.

i2
42.<
fsempre

legato

^
_3
I

4 times.

w^/

^
^^^f^ ''^
f^S^P'i'^?

^
P

Mr^^^

C^^g^J

Iti

*=*
(a)

*)

The

finffering

shown

in

brarktts

is to

be used

when

*)Dpr cinffcklammcrlc Fi7i<Tfrsnfz

fsf z// 7ichmen,tve)ni dip

the scales are practised cousecuti%'eIy.

Tonlcitern hintereijiandcr geiibt n^erdcn.

U081-47

33

^
m^m
^r^rJd

V r^^'tVff

11081

47

34

Moderato.

!!f_

f ffer
i

r^

4 f^

f^ ^ttf
Z%

fuJiiffi^etf
;: r
ii

'^r

ii

Am

g!

when

The fingering shown

in brackets is to be the scales are practised consecutively.

used

Der et7igcklammerte Fiiigersatzist zunchmen,wenn die To7iletter7i hintereinander geiibt werden.

**

11081- 47

35

^^^^^^

...

a.,. I

i>...a.a 9

*^^^^B

fe
i

it

tr

r^

^^ ^
^

f rttr p ;;
tt

-te.

^
tefe
''g=ift

^^

J*

^^rf^f^f^f^-

:!'**
^b^p.bj.l'g'lg^g:

''jl'ffl'iJ:

^5teste*i| g ^i''i^i8f I

s-

^ w
^
11081

^ .^'^i

j^
^f:

--4

feH
1

:t#|..

it^^

4-

fe m
f

-=
-

^=

47

36

Moderate
4

*''

The fingering shown

in brackets is to be

used when

*-'

the scales are practised consecutively. 11081 - 47

Dcr euiffcklainmertc FinfLxrsatz ist zii nchmen, wenn. die Toiilcitcrti hititcrcuiaitdcr gciibt wcrden.

11081

47

38

Moderate.
1

Lt.^P%f,l

iie:%*

|^

Jfch^gf/Efif

gt^mi^jrM

11081-47

40

Moderate
4

Et7.

#^

'\jrmf)f'Trf7Tij jrUii-ni'i;rrr7riiiP|

ftUi

einf

'gt

^P

O^j^LffTy^^r^J
11081-47

8-

^^^
Si

jJ g^,iJ^^

'^

^TJ^
w^'f^

^^^
:

^-^ w^ ^

fei

^^

^^m
1

^?

Y^ff-ff

^^'

11081-47

43

Moderate. ivioueraio.

!'? ^ P
47.
'>

J
''-

sempre legato

^r '^ U4^

OjJ^aiT^&j^

b-ff
;:

i^^i^^^^^'^
"c^^'>U/jTr-JD:inu:i'rrj^
E

jj^^

^^
St

JJJ^E^

1^

4
11081-47

43

^I^C^ ^^^t^
r

n^t

S.

^^^^^^^^^^^^^
,8'

*4

#^p^
11081-47

p, r f ifrrirr^^ ^lrji:jf
^ i^ijjj^
I

'f
i

^ji,ji'^oi':j^j,/j.ni;j
1

jrJ
1

44

Moderate,

48.'

11081-47

45

n^..i

ife
.

s
te
4

ylf
;

I^H?"

F^14LL^

11081-47

46
A)

Scales.
Major Scales.
Bur-Tovleitern.
B)

Tonleitern.
Melodic Minor Scales.
Melodische Moll-Tonleitem
einc Octave
tiefer.

Left hand octave lower. Die li7ike

Hand

^mm^^^^^
G major.
Gdi/r.
1

major. C dm:

A minor.

Amoll.

E minor. E moll.
1 1
,

J^jjjjrn^'il
D major. D dnr.

Tf liLa'

^ jjjj^r
J

rrmter ^ ^^
i

minor.

H moll.

A major. A dur.

Fjl

minor. Fis moll.

3
4

E major. E dur.

Ct minor.

Cis moll.

f-'
ftrr

^.,^ .n n}i
i

major.

H dur.

Gi minor. Gis

moll.

FH major. Fis

dur.

ll

DjI

minor. Dis moll.

Db major. Des dur.

Bb minor.

moll.

m
j

2 3 1

jjfflprr

-*-

>

J*.

F minor.

Fmoll.

g^ifl^- ^:
dur.
,

Et major. Es

minor.

C moll.

-^

--

11081-47

47
Bb major.

B dur.

..-/EllTYeFb:iiOniEW\ G G
minor.
moll.

F major. F dur.

3S

^PP^
E minor.
Emoll.

^^
4

C)

Harmonic Minor Scales.

Harmonische Moll-Tonleitern.

A
-4

minor.
1

moll.

,^3

Q-T^ jfl

^^m
1

B minor

Hmoll.

F| minor. Fis

moll.

i^

Qi%

minor. Cis moll.

G% minor. Gis

moll.

[^l^,NlJill'"
Et minor. Es
moll.
Bl>

^jijii
minor.

B moll.
'*A

^^ T^]l^\\'^^,
F minor.
Fmoll.

^^h]^

C minor. C

moll.

-.*!^?e

^4^
G minor.
Gmoll.
1
1

D minor. D moll.

D)

Chromatic Scale.
Chromatische Tonleitern.

3 1

312 31

^^S^A 12 3 1

13 12
1

12

4 8, 2

'^^\>'i^l\,l.

48

Scales in Thirds.
3
1

Terzentonleitern.
3
1

35434345
1

-i

113
3 5

5 8

153543
3
1

4
X

3 5

^'54!
i^j<Trf-r
i

s|

^3
5

1^
I

S 3

4
2

3
i

854
1

45
2

#
I,.

; 3
5

^
2 4

H i

i bdju 1 o

5 ^i^
23 45
132 854
L *

5 3

^''
3

a
B

4 *

?2 * 4

'T

23 45

132 854
rll:

3
5

3 5

3 5

11 33
f F F
1

trlir-F
3 6

^
3

6 3

P
53
1

ll

-tiJi'.i
3 5

B
2

5 3

? 1

P ;
1

:|

3
5

4443
2

321 6 4 3

2 4

!.

23 45
3 5

3 5

1123 3345
1

ll33 3355
i
*^

It

lit , I

Tff

t
3

r
1

^
1

S3

tot^
3 B
3

233 455
5 3

11233 33455
4
i
2
1

11 S3
1^
1

3
1

3
,

4i^ f^ff T
3
5

3 5

11
3

^^^^
3 B
3 6

:H:by'P ^
2
2

IP
3

&
1

445
r

it

fl-ffffpf
3

:ih

,;iip p

trYff

PM^f #FF

'fYffTffffm

Selected Music for PIANO

from
the

CARL FISCHER MUSIC LIBRARY

The Carl Fischer Music Library
is

universally

accepted

modem
musical

edition of standard compositions,

instructive
classics..

works

and

Library

Library

No.
525
521

No.
SO
Selected

Cramer-Buelow.
Complete Studies Bookl Bookll Booklll Book IV

1.75

522 523 524

371

75 75 75 75

380* Koehler. Op. 157. 12 Little Studies 480* Op. 242. Little School Vel 350* Op. 300. Practical Method.
Vol.
1

60 60
1.50

370
381

Op.

Czerny. Op.

139.

One Hundred

Op.

50. First Studies

75
.60
Vol.
I

190.

Very Easiest Exercises

666
Library

Op.

1.00 Practical Exercises 261. Passage Playing 1.50 Op. 299. School of Velocity

374* Kuhlau.

Sonatinas. (Eckstein) 473* Vol. 11. (Eckstein)

1.25 1.25

No.
304 Bach. 2- and 3-Part Inventions 1.25 75 254 5 2-Part Inventions 75 255 15 3-Part Inventions and ... .75 Short Preludes 5 6 Fugues Inventions 2-Part .75 Bach-Busoni. 897* 75 3-Part Inventions 898 Bach-Carroll. First Lessons 60 917* Book 1 60 9I8 Book II 75 562 Bach Album (Heinze) Beethoven. Sonatas (D'Albert)
1

l.SO 338* Complete 75 339* Book 1 7S 340* Book II 341* Book III 75 342* Book IV 75 465 Op. 553. Six Octave Studies. .60 599. 365* Op. Practical Method. .75 482* Op. 636. Preparatory School of 75 Finger Dexterity 685 Op. 718. Twenty-Four Piano
.
.
.

450

Le Couppey. Op.

17.

The

Al'.

phabet 466 Op. 20. LAgilite 323* Lemoine. Op. 37. Etudes Enfantines

.75

75
75

880 208
343
310'

Lichner. Op.
Sonatinas.

4.

49.

66.

Nine
I.OO

Loeschorn. Op.

65. Progressive

396*
390* 391* 392* 394* 395*

Op, 740. terity. Book

1

Studies for the Left Hand ... 1.00 Art of Finger Dex3.00 Complete
II

Studies for Beginners

Book

.60

Low. Teacher and

Pupil. Vol.

1.00

Mendelssohn. Songs Without

801

802 322

Vol. Vol. 2
1

4.00 4.00

Book

75 75
75 75 75

719 710
711

Words Op. 25. Concerto in

(Ruthardt)

2.00

G
I

Minor
1.00

Booklll

Berens. Op. 61. Newest School

of Velocity.

Book
29.

278 417 279

561

Op. Op.

Bertini. Op. 32. 24 Studies 100. 25 Easy Studies Twelve Preludes and Little Pieces

24 Studies

60 75 75 75

656

60
60

919* Brahms.
(Freed)

Op.

39.

Waltzes

519

Brauer. Op. 15. Twelve Studies for the Development of Velocity

75
75 75 75
1.50 1.50 1.50 1.00 1.25
1.00

324* Burgmuller. Op. 100. 25 Easy and Prog. Exercises 920* Op. 105. (Eckstein)
921

Op.

109 (Eckstein)

889 743* 744 924* 309* 302*

Chopin. Etudes Nocturnes

Polonaises Preludes (Eckstein)

Hundred-Sixty Short Exercises 1.25 487* Op. 849. Studies in Mechanism 1.00 362 Diabelli. Op. 149. Melodious Pieces 75 665 Op. 151. 168. Sonatinas 1.25 361* Duvernoy. Op. 120. School of Mechanism 75 506 Op. 76. Elem. Studies 60 423 Grieg. Up. /. Sonata (in E 1.00 minor) (Eckstein) .50 510 Op. 12. Lyrical Pieces. Vol. 75 737 Op. 24. Ballad (Pinter) 75 3 5 Op. 46. Peer Gynt Suite 1
1 1
1

Book V Book VI Op. 821. One

Mozart. Sonatas. Vol. II

Vol.

712

Complete

2.25 2.25 3.50

484

1.75 Pischna. 60 Dally Studies 1060 Rachmaninoff. 2nd Piano Con2.00 certo. 2-Piano Score 15* Schmitt. Five Finger Elxercises .60

722 922
176'

Schubert. Op.

Symphony
15.

90.

Impromptus
(No. 8)

in

B Minor

1.00 .75

Schulz. Scales

& Chords
9.

60
1.00

689 256
726 690 725 672'
81l<

547

Gurlitt. Op. 83 Easiest Velocity Studies for Beginners Hanon. The Virtuoso Pianist.

75
1.75

Op. Kinderscena Op. Kreisleriana Op. 2 Noveletten Op. Nachutiicke Op. 23. 68. Albuin for the Complete Op. 68. Album for the
16.
1
.

Schumann. Op.

Carnival..

60 60
1.25

60

Young
1.00

Young

Waltzes

dementi. 12 Sonatinas Op. 36-37-38

589* Op. 36. 6 Sonatinas 75 388 Selected Studies 1.75 540 Concone. Op. 24. 25 Melodious Studies (Eckstein) 75 483* Op. 25. 15 Studies in Style and 75 Expression 514 Op. 30. 20 Etudes 75 6% Op. 31.15 Etudes de Style. .75
. .

684* Complete 728* Book 1 729* Bookll 730* Booklll 714 Haydn. 20 Sonatas. Book I ... 327* Heller. Op 45. 25 Mel. Studies 328* Op. 46. 30 Prog. Exercises 329* -Op. 47. 25 Studies for Rhythm
.

60 75 75
1.50 1.00 1.00 1.00

together with Scenes from l.SO Childhood. Op. 15 1.50 509' Sonatina Album (Koehler)
363'
'

Streabbog. Op.
Studies

63. 12

Melodious
75

383

Op.

64.

12

Easy and Mel75

39.

odious Studies

609
75

Tchaikovsky. Op.
for the

Album
75 75

and Elxpression
320* Herz. Scales and Elxercises

Young

475 Wolff. Little Pischna

CARL FISCHER,
BOSTON
P43

Inc.

CHICAGO

COOPER SQUARE, NEW YORK 3, N. Y. LOS ANGELES DALLAS

Lithographed in U.S.A.