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CONTENTS
INTRODUCTION ........................................................................................................................................................................................................................................................... 3
1-1. Overview .......................................................................................................................................................................................................................................................... 3
3 1-3. Sony Design Criteria for Advanced Digital Signal Processing (ADSP) Cameras 3 1-4. Features of the BVP-900/900P ........................................................................................................................................................................................................ 3 1-5. Features of the BVP-950/950P ........................................................................................................................................................................................................ 4 1-6. Optical Head Block ................................................................................................................................................................................................................................... 5 1-7. Familiar Digital Command System ............................................................................................................................................................................................... 5 1-8. Automated Set-up ..................................................................................................................................................................................................................................... 5
1-2. Advanced Digital Signal Processing (ADSP) using 12-bit A/D Conversion
................................................................................................... .......................................................................................
19 3-8. Excellent Signal-to-Noise Ratio 19 3-9. Super EVS (Enhanced Vertical Definition System) ....................................................................................................................................................... 19 3-10. Clear Scan and ECS (Extended Clear Scan) .................................................................................................................................................................... 19
3-7. Invisible Smear Level
......................................................................................................................................................................................................................... ...................................................................................................................................................................................................
CONTENTS
38 40 ................................................................................................................................................................................................................................................ 6-6. Auto Set-up 40 6-7. Control Priority and Parallel Mode ........................................................................................................................................................................................... 40 6-8. S-Bus Control ........................................................................................................................................................................................................................................... 40
6-4. Remote Control Panels - RCP-700 Series 6-5. File
..........................................................................................................................................................................
System .................................................................................................................................................................................................................................................
7 8 9 10
44 46
SET-UP MENUS ....................................................................................................................................................................................................................................................... 47 Function Comparison Chart ................................................................................................................................................................................................................. 54 Location and Function of Parts and Controls ........................................................................................................................................................... 57
(a) BVP-900/900P ............................................................................................................................................................................................................................................ 57
63 66 .................................................................................................................................................................................................................................... (d) CCU-700A/700AP 71 (e) CCU-550/550P ........................................................................................................................................................................................................................................... 74 (f) CNU-700 .......................................................................................................................................................................................................................................................... 79 (g) CNU-500 ......................................................................................................................................................................................................................................................... 80 (h) VCS-700 ......................................................................................................................................................................................................................................................... 81 (i) MSU-700 ......................................................................................................................................................................................................................................................... 83 (j) RCP-740/741 ................................................................................................................................................................................................................................................ 90 (k) RCP-730/731 ............................................................................................................................................................................................................................................... 97 (l) RCP-720/721 ............................................................................................................................................................................................................................................ 104 (m) RCP-700/701 ......................................................................................................................................................................................................................................... 110 (n) RM-B150 .................................................................................................................................................................................................................................................... 112 (o) BVF-7700/7700P .................................................................................................................................................................................................................................. 119 (p) BVF-77/77CE ........................................................................................................................................................................................................................................... 121 (q) BVF-55/55CE ........................................................................................................................................................................................................................................... 123
(b) BVP-950/950P (c) CA-570/570P
........................................................................................................................................................................................................................................... ...............................................................................................................................................................................................................................................
11
INTRODUCTION
and which are largely immune to physical factors such as temperature changes and time.
1-1. Overview
The BVP-900 full-size studio model color video camera and its companion portable version, the BVP-950, are the flagship models of the Sony CCD camera system. Developed for both studio and outside broadcasting applications, this camera system is based on several independent units, each of which has its own unique function. They include pickup devices, camera heads, camera control units, a video selector, master set-up units and remote control panels. With the appropriate choice of units a wide variety of systems can be implemented - from a single stand-alone camera to installations using a total of 96 studio and portable models. (Note: the BVP-900 and BVP-950 are for operation on 525 lines, 60 fields using the NTSC color standard. The BVP-900P and BVP-950P versions are for operation on 625 lines, 50 fields using the PAL color standard.)
1-2. Advanced Digital Signal Processing (ADSP) using 12bit A/D Conversion
Easy set-up and high reliability: With digital processing, parameters are held in a digital memory and stay constant for long periods of time. As a result the need for operator adjustment is dramatically reduced. A further advantage of using digital processing is that it is much easier to implement this circuitry in ICs and LSIs, achieving benefits in reliability. Precise adjustment: The value of camera set-up parameters can be defined with great precision by digital processing. Moreover, variations between cameras, which are very difficult to avoid in analog models, can be reduced to a minimum with digital processing by simply equalizing parameter values. Flexible signal processing and parameter setting: A significant advantage of digital processing is that it can provide very flexible operation. Many camera parameters can be controlled and each parameter setting can be varied over a wide range of values.
1-3. Sony Design Criteria for Advanced Digital Signal Processing (ADSP) Cameras
DSP cameras have tremendous potential to provide outstanding improvements in camera operational efficiency. So when considering the basic design concepts of its new DSP cameras, Sony laid down the following design criteria. * The BVP-900 Series must provide higher picture quality than conventional 10-bit digital cameras. Operationally, it must be compatible with previous Sony cameras. * Digital system architecture should be consistent with current 10bit digital cameras so that both types can be mixed together without picture matching difficulties. * Camera peripherals should have a consistent design approach. * To take full advantage of 12-bit digitization, as many camera processes as possible should be digital; particularly gamma, detail and so on. Sony has taken these design criteria very seriously, introducing 12bit ADSP cameras with unprecedented performance and reliability,
3
INTRODUCTION
selection with use of the ECS function minimizes horizontal streaking when shooting computer display screens. Dynamic shading compensation function: When the zoom angle is changed with the iris aperture almost completely open, modulation shading can appear. The BVP-900/900P can automatically compensate for this phenomenon to obtain optimum picture quality at any zoom position. (This function is activated only when a lens allowing this function is attached.) Full range of audio features: The BVP-900/900P has two microphone channels and one program audio channel. A switch on the camera side panel changes the microphone inputs to accept line level (-20 dBu) signals. Production and Engineering intercom, and a program audio channel, are provided. Self-diagnostic functions: The BVP-900/900P has self-diagnostics functions to facilitate troubleshooting. Display capability: Characters from a built-in character generator are used by the BVP-900/900P to display zoom position, focus position, the camera set up status and warning messages on the viewfinder screen. A box cursor, center marker, safety zone and zoom position are also displayed on the viewfinder screen. (refer to Section 2) Optional high-resolution 7-inch viewfinders: An optional 7-inch black-and-white viewfinder (BVF-77/77CE) or 7-inch color viewfinder (BVF-7700/7700P) can be used with the BVP-900/900P. For easy-tosee operation, the viewfinder angle can easily be changed and fixed in the desired position. Attaching and detaching the viewfinder does not require any tools. (refer to Section 2) Picture-in-picture capability: The camera picture and the return video picture can be checked simultaneously. With BVF-7700/7700P, both the camera picture and the return video picture can be displayed in color. High-picture-quality return video: Monitoring a high-quality return video picture on a or color viewfinder is possible because of a 3-line adaptive comb filter. (Monitoring on B/W viewfinder is also enabled.) Reliable transmission using triax cable: The BVP-900/900P supplies wideband component video signals (Y, R-Y and B-Y) to a CCU-700A/700AP Camera Control Unit via a triax cable with high transmission reliability. The triax cable simultaneously transmits power, video, audio and control signals between the BVP-900/900P and the CCU-700A/700AP. Higher resolution and picture quality are achieved with this wide bandwidth. (refer to Section 7) Compact, lightweight and power-saving design: The BVP900/900P is a compact, lightweight design with low-power consumption. These are fundamental requirements for outside broadcast operation. Precise, flexible and easy picture adjustment: In addition to conventional camera adjustments, the BVP-900/900P features many new control items. (refer to Section 5)
LSI and a 12-bit A/D converter provide comprehensive control functions and assure a high-quality picture. High signal-to-noise ratio: A high signal-to-noise ratio has been achieved by use of a top-performing Power HAD 1000 CCD, outstanding circuit design and electronic packaging technology. Wide dynamic range: Automatic and manual controls of knee point and knee slope enable high-luminance subjects to be reproduced in up to 600% of normal light. High sensitivity: : A sensitivity of F10.0 at 2000 lux (typical) is achieved with OHB-750WSA/P, OHB-730WS/P and OHB-730/P. For OHB-750A/P, F8.0 at 2000 lux (typical) is achieved. When the video gain is raised by +18 dB, a video level of 100% is obtained with minimum subject illumination of 5 lux. High vertical resolution: The vertical resolution can be improved to 450 lines for the BVP-950 or to 550 lines for the BVP-950P by use of the EVS (Enhanced Vertical Definition System) function. The Super EVS function, available when a FIT CCD block is installed, enables the vertical resolution to be adjusted to a desired value between 350 and 450 lines for the BVP-950 (with an OHB750A/750WSA CCD Unit installed) or between 450 and 550 lines for the BVP-950P (with an OHB-750AP/750WSAP CCD Unit installed). Automatic setup and filing function: Built-in microcomputers allow quick and precise automatic setup, and also reduce the time required for maintenance. The adjusted data can be stored in the camera using a filing function. Electronic shutter: An electronic six-speed shutter (from 1/60 or 1/100 second to 1/2000 second) is provided with the BVP-950/950P. A rapidly moving object can be clearly shot by selecting the optimum shutter speed. The shutter also has an ECS (Extended Clear Scan) function. Using this function, the shutter speed of the BVP-950 can be adjusted in 510 steps (from 1/30 to 1/58.3 and from 1/60 to 1/7000 second), and that of the BVP-950P in 607 steps (from 1/25 to 1/48.7 and from 1/50 to 1/9000 second). Appropriate shutter-speed selection with use of the ECS function minimizes horizontal streaking when shooting computer display screens. Self-diagnostic functions: The BVP-950/950P has self-diagnostic functions to facilitate troubleshooting. Display capability: Characters from a built-in character generator are used by the BVP-950/950P to display zoom position, focus position, the camera set up status and warning messages on the viewfinder screen. A center marker and safety zone are also displayed on the viewfinder screen. (refer to Section 2) Optional 1.5-inch, 2-inch or 5-inch viewfinders: A 1.5-inch black-and-white viewfinder (BVF-10/10CE), 1.5-inch color viewfinder (BVF-C10W) or 2-inch black-and-white viewfinder (BVF20W/20WCE) can be attached to the BVP-950/950P. When a CA530/550/550P/570/570P Camera Adaptor is attached to the camera, a high-resolution 5-inch black-and-white viewfinder (BVF-55/55CE) can also be used. Compact, lightweight and power-saving design: The BVP950/950P is a compact, lightweight and portable design with lowpower consumption. These are fundamental requirements for outside broadcast operation. Precise, flexible and easy picture adjustment: In addition to conventional camera adjustments, the BVP-950/950P features many new control items. (refer to Section 5) Optional camera adaptor: The new CA-570/570P Camera Adaptor
4
INTRODUCTION
provides two independent intercom channels, which is ideal for use in studio and OB systems. The CA-530/530P Camera Adaptor provides an SDI output for portable digital VTRs. The CA-553 50-pin Interface Adaptor provides comprehensive system interfacing, a DNV-5 Betacam SX VTR or BVV-5/5PS Betacam SR VTR can be attached for stand-alone operation. * The previous generation of CCU-370/350 Series Camera Control Units cannot be used with the BVP-950/950P.
A TOTAL SYSTEM
being used as a standalone acquisition camera in combination with Betacam VTRs. Figure 2-2 shows how this interface is provided by the CA-553 50-pin Camera Adaptor. A variety of key peripherals, such as the CNU-700 and CNU-500 Camera Command Network Units help users to easily expand/upgrade their system. These peripherals provide a perfect interface with the growing ranges of Sony digital component equipment, such as Betacam SX and Digital BETACAM products.
1 2
REMOTE CONTROL PANEL RCP-720 RCP-721 RCP-730 RCP-731 RCP-740 RCP-741 CCA-5 CABLE (*2) CCA-5 CABLE (*2)
CCD UNIT OHB-750A/750AP OHB-730/730P 4:3 TRIAX CABLE (*1) 16 : 9 OHB-750WSA/750WSAP OHB-730WS/730WSP COLOR VIDEO CAMERA BVP-900/900P CAMERA CONTROL UNIT CCU-700/700P/700A/700AP
PIX 2 WF 2 VIDEO SELECTOR VCS-700 CCA-5 CABLE (max. 200m) CCA-5 CABLE (max. 200m)
PIX 2(*4) ELECTRONIC VIEWFINDER BVF-55/55CE WF 2(*4) PIX WF CAMERA ADAPTOR CA-570/570P CA-550/1 550P/1 TRIAX CABLE (*1)
RCP-720/721/730 /731/740/741 90 m
RCP-720/721/730 /731/740/741
*1: TRIAX CABLE LENGTH Diamater Maximum length CCU-700 8.5 mm 14.5 mm 1000 m 2000 m CCU-550 700 m 1400 m 8.5 mm 14.5 mm CCU 500 m 1000 m CAM CAM 400 m 800 m CCU Diamater Cable-length limitation for prompter signal transmission
CCU-700
CNU-700
RCP-720/721/730 /731/740/741 45 m
RCP-720/721/730 /731/740/741
RCP-700/701
*3: When the CA-570/570P is connected with the CCU-550/550P, use of intercom transmission channel is limited to only one channel. In this case, use the INCOM 1 connector of the CA-570/570P. *4: When the CCU is connected with the VCS-700, the PIX 2 and WF 2 connectors of the CCU are normally used. When the CCU-550/550P is connected, use of PIX and WF transmission channels are limited to only one channel respectively. In this case, use the PIX and WF connectors for the CCU-550/550P.
A TOTAL SYSTEM
CAMERA ADAPTOR CA-570/570P CA-550/1 550P/1 CA-530 CCZ CABLE COLOR VIDEO CAMERA BVP-950/950P
MASTER REMOTE CONTROL SETUP UNIT PANEL RCP-700 RCP-701 RCP-720 RCP-721 RCP-730 RCP-731 RCP-740 RCP-741 MSU-700
CCZ CABLE
VTR
: When the CA-550/550P is connected to the RM-B150, video signals cannot be output from the MONITOR connector of the RM-B150.
A TOTAL SYSTEM
7-inch viewfinder Front cover (supplied) BVF-7700/7700P (with standard hood) OHB-750A/750WSA/730/730WS/ 750AP/750WSAP/730P/730WSP CCD Unit BVF-77/77CE (with standard hood) Zoom lens 1 BVP-900/900P Color Video Camera VFH-770 7-inch Viewfinder Sports Hood
Triax cable
A TOTAL SYSTEM
Microphone
Water-resist cover
Carrying case
Zoom lens
BVP-950/950P Color Video Camera CA-530 CA-550/1 550P/1 CA-570/570P Camera Adaptor
Caution
It is recommended to use the BVP-950/ 950P in combination with the CA-570/ 570P Camera Adapter. If the BVP-950/950P is used with the CA-550/550P, powering up may not be executed correctly, depending on the CA-550/550P version. If you wish to use the CA-550/550P instead, please contact your Sony service representative.
Tripod
A TOTAL SYSTEM
* Up to 2000 m cable length (with 14.5 mm cable, with CCU700A/700AP) * Up to 1000 m cable length (with 8.5 mm cable, with CCU700A/700AP) (c) Enhanced Camera Operator functions * Picture in picture (BVP-900/900P only) * Cursor memory (BVP-900/900P only) * Up to four (BVP-900/900P) or four (BVP-950/950P with CA570/570P) selectable return video feeds (d) Advanced intercom system * Individual ENG/PROD lines * Microphone system * PGM audio system (e) Utility outputs (BVP-900/900P only) * Up to 200VA * 12 V DC output (for script light or wireless microphone receiver) * Prompter output (f) Full companion camera * The BVP-950/950P portable camera has the same picture quality and remote operational controls as the studio/OB camera BVP900/900P (g) Compact size and easy maintenance * Highly sophisticated mechanical design * BVP-900/900P 20.0 Kg (44 lb 1 oz) (without viewfinder) * BVP-950/950P 3.7 Kg (7 lb 5 oz) (with viewfinder and OHB) * All boards plug-in for easy maintenance (h) Convenient return video select Up to four return video signal can be selected for operational convenience. Return video switches and intercom switch are fitted on the carrying handle of the BVP-950/950P to suit various shooting styles. (i) Comfortable BVP-950/950P operation Thanks to a new soft material, the shoulder pad of the BVP-950/950P comfortably molds to the operators shoulder. It incorporates a pivoting chest pad and does not require forward/backward adjustment.
A TOTAL SYSTEM
stored in a world-standard PC memory card. (b) Camera Command Network Units (CNU-700 and CNU-500) The Camera Command Network Units are designed to be the nerve center of the Sony camera control system for the BVP-900 Series, BVP-700 Series, BVP-500 Series and HDC-700 Series of cameras. They work as Command Selector, Command Distributor and Command Arbitrator. These two types of camera command network units give a cost/performance choice. The CNU-500 is suitable for applications with up to six cameras, while the standard six cameras capability of the CNU-700 can be expanded to 12 cameras with use of the BKP-7930 optional expansion board. With the BKP-7932 optional command conversion board installed instead of the BKP-7930, the CNU-700 can operate with six previous-generation CCU-370/355/350 units as well as six CCU-700A/550 units. The carefully designed software and the high-speed CPU of both the CNU-700 and CNU-500 give them a fast response time whatever the system configuration. (c) Video Selector (VCS-700) The VCS-700 Video Selector is used to switch composite video monitoring signals from a BVP-900 Series multi-camera system to a picture monitor and waveform monitor. The VCS-700 accepts the video monitoring signal from up to six CCU-700A or CCU-550 Camera Control Units and switches these signals to two picture monitor outputs and two waveform monitor outputs. The selection of monitoring signals can be controlled by the camera selection buttons on the MSU-700 Master Set-up Unit, or by external control equipment through the D-sub 37-pin I/O port on the VCS-700. For SDI monitoring, the optional BKP-7933 S-Bus Interface Board provides connection to a Sony digital routing system. (d) Remote Control Panels (RCP-700 Series) There are four ranges of Remote Control Panel for the BVP-900 Series. Each range has two types - joystick control and dial control. The RCP-740/741 is the top of the range for sophisticated operational use, and can be used as a substitute for the MSU-700 Master Set-up Unit in some special applications. The RCP-730/731 is the mid-range model with general control function, especially useful for limited space with its slim design. The RCP-720/721 is also a mid-range unit, with sufficient control functions for general use. Finally, the RCP700/701 features the basic control items required for daily operation of acquisition camera systems. The RCP-730/731, RCP-720/721 and RCP-700/701 can all be used as a sub-control panel to support an MSU-700 or RCP-740/741.
* Up to 1000 m cable length (with 8.5 mm cable) * Return video (up to 2000 m with 14.5 mm cable and 1000 m with 8.5 mm cable) * Prompter video (up to 1000 m with 14.5 mm cable and 500 m with 8.5 mm cable) (b) Easy-to-operate command system * Immediate response * Wide range of remote controls (c) Mono color function * Monochrome video is available to VBS and Y, R-Y and B-Y outputs * Hue (360 degrees) and saturation controllable from an MSU-700 Master Set-up Unit (d) Character display * Self diagnostics and other information may be displayed on a monitor or superimposed on the picture monitoring output * Characters, such as the camera number, can be superimposed on the internal color bar signal (e) Powerful self-diagnostics system * ISR system interface provided * Triax cable condition and the status of each board can be monitored (f) Component SDI output (option) * Three component SDI outputs are optionally available for interfacing to the ever increasing range of component digital equipment and facilities (g) Built-in contrast and saturation functions * Contrast, saturation and chroma on/off controls provided (h) Flexible intercom system * Individual channels for producer and engineer * 4W, 2W or RTS selectable by internal switch (i) Remotely controllable MIC input gain (camera head) * The gain of the two camera head microphone inputs controllable from the CCU in 10 dB steps (-60 dB ~ -20 dB) (j) Flicker-less sequential mode (RGB) standard for WFM output * RGB sequential monitoring without flicker (k) Compact size and easy maintenance * 19-inch wide and 3U high, including camera power supply unit * Plug-in boards and plug-in power supply unit for easy maintenance
2-5. Viewfinders
As well as the BVF-77/77CE, a high performance 7-inch monochrome viewfinder with extremely high horizontal resolution, the BVF-7700/7700P 7-inch high grade color viewfinder is also available for the BVP-900/900P. This high grade color viewfinder is especially convenient for cases where color needs to be identified by the camera operator. For the BVP-950/950P, a 5-inch monochrome viewfinder, the BVF-55/55CE, is available. All of these models are very compact in size, light in weight and economical in power consumption. The low mounting positions of the BVF-77 and BVF7700 Series provide convenient viewfinder displays aligned as close as possible to the lens axis.
A TOTAL SYSTEM
- Picture-in-picture Function in Viewfinder (BVP-900/900P only) The viewfinder return video signal can be inserted into any one of the four corners of the viewfinder display. Furthermore, the camera and return video pictures can be interchanged. - Indication of Zoom Position As well as showing the ND/CC filter positions in the viewfinder, lens zoom and iris settings can also be displayed, along with alpha/numeric status displays. - Viewfinder Box Cursor Memory (BVP-900/900P only) Three combinations of box H position, V position, height and width can be memorized and assigned to the three cursor buttons.
BKP-7913 For CCU/CNU/MSU BKP-7311 SDI Output Board for CCU-700A/700AP BKP-7312 SDI Return V/F I/P Board for CCU700A/700AP BKP-7900 Extender Board for CCU-700A/700AP and CNU-700/500 BKP-7930 Expansion Board for system expansion up to 12 cameras for the CNU-700 BKP-7931/7931P Sub-encoder Board for the CCU-700A BKP-7932 BVP-370 Series Interface Board for the CNU700 BKP-7933 S-Bus Interface Board for CNU-700 BKP-5972 SDI Output Board for CCU-550/550P BKP-5973 Control Panel for CCU-550/550P BKP-5974 DC Power Unit for CCU-550/550P CCA-5 Cables 8p-8p cables for the CNU-700/500, CCU-700A/550, MSU-700, VCS-700 and RCP-700 Series CCA-5-3 3m CCA-5-10 10 m CCA-5-30 30 m CCZ Cables 26pin-26pin VTR cable CCZ-2 2 m (6.4 ft) CCZ-10 10 m (33 ft)
Standalone unit for the BVP-900/900P Script Holder, one-page type with lamp, for the BVP-900/900P Script Holder, two-page type with lamp, for the BVP-900/900P RTS interface kit for the BVP-900/900P
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2-8. Rack Mounting of System Equipment
(a) 19-inch size equipment The CCU-700A/700AP Camera Control Unit, CNU-700 and CNU-500 Camera Command Network Units, and VCS-700 Video Selector can be mounted in a 19-inch standard EIA rack. These units either mount directly into the rack or with optional slide rails such as the Sony RMM-30 Rack Mount Rail. These slide rails allow the unit to be easily pulled out from the rack and are recommended if you intended to pull out the unit frequently.
so that it can be seen even when not looking at the viewfinder screen. It can be masked with a sliding cover * Supplied with an external microphone
Warning for Safety Purpose: It takes two or more people to mount a unit into a rack. Mounting the unit into a rack by yourself can cause back or other injuries.
BVF-20W(NTSC)/20WCE(PAL) Electronic Black and White CRT Viewfinder * 2-inch 16:9 widescreen B/W CRT viewfinder * High resolution 600 TV lines at center in both 16:9 and 4:3 modes * Diagonal size is 1.5-inch in 4:3 mode and 2.0-inch in 16:9 mode to ensure easy focusing even in 16:9 mode * Removable eye-piece allows direct view of the LCD * Tally lamp for camera operator is located on the viewfinder body so that it can be seen even when not looking at the viewfinder screen. It can be masked with a sliding cover * Removable eye-piece allows direct view of the LCD * Supplied with an external microphone
Mounting the unit directly to the rack Fix the unit to the rack using the rack mount bracket of the unit. Daily maintenance is easy with the unit mounted with this method.
Universal-type rack
12.7 15.9 15.9 12.7
Wide-type rack
12.7 31.75 12.7
BVF-10(NTSC)/10CE(PAL) Electronic Black and White CRT Viewfinder * 1.5-inch 4:3 standard B/W CRT viewfinder * High resolution 600 TV lines at center * Diagonal size is 1.5-inch to ensure easy focusing * Tally lamp for camera operator is located on the viewfinder body so that it can be seen even when not looking at the viewfinder screen. It can be masked with a sliding cover * Removable eye-piece allows direct view of the LCD * Supplied with an external microphone
Mounting the unit using the RMM-30 Rack Mount Rail When the RMM-30 Rack Mount Rail is used, the unit can be mounted into a rack with a depth of 660 to 830 mm (26 to 32 3/4 inches). Proceed as follows: 1: Pull out inner member while pushing against the stopper
Outer member
2: Secure the inner members to both sides of the unit with the screws (+B4 x 8). Use the screws removed from or supplied with the unit
Photo 2-5 BVF-10/10CE 13
A TOTAL SYSTEM
3: Loosen the screw of the bracket of the outer member 7: Insert the inner member to the outer member while pushing against the stopper, then fully push the unit into the rack. Warning for Safety Purpose: It takes two or more people to mount a unit into a rack. Mounting the unit into a rack by yourself can cause back or other injuries. 4: Attach the front and rear brackets of the outer member to the rack. Screws (b), (c) and (d) are supplied with the RMM-30.
Plate nut c Front
12.7 15.9 15.9 12.7 15.9 15.9
Rear
Screw b
31.75
Screw d Front
12.7 31.75 12.7 31.75
Rear
8: Push the unit into the rack, and secure the front panel to the rack with screws (+RK M5 x 16 to 20) and washers (5).
Screw d
31.75
Screw d
When a 1U unit is mounted 1) Attach the front bracket to the inside of the front of the rack at the screw holes at 15.9 mm (22/32 inch) intervals, using screw (b) and plate nut (c). 2) Attach the rear bracket to the outside of the rear of the rack at the screw holes at 31.75 mm (1 5/16 inches) intervals, using screws (d). When a unit other than 1U height is mounted 1) Attach the front bracket to the outside of the front of the rack at the screw holes at 31.75 mm intervals, using screws (d). 2) Attach the rear bracket to the outside of the rear of the rack at the screw holes at 31.75 mm intervals, using screws (d). 5: Fasten the screws loosened in step 3.
(b) RCP-700 Series and MSU-700 The RCP-700 Series and the MSU-700 can be mounted into a 19-inch rack using an optional drawer. Each type of equipment requires different parts to mount it into the drawer. For details, please contact your local Sony office.
Cover
14
A TOTAL SYSTEM
(a)Video-signal connections When mixing the character signal with the output signal of the VCS700, set the SYNC ON/OFF switch (S7) on the internal board of the CNU-700 to OFF.
RET1/RET2/RET3/RET4
BVP-900-series camera 1
CAMERA
CCU-700A/700AP
CAMERA
CH-1
MIC OUTPUT
CH-2 RET1
INPUT
REFERENCE
RET2
R-Y
PIX1
VBS2
REMOTE RTS
RET3 B B-Y WF2 VBS3 RCP/CNU
RET4
CHARACTER PIX2
SYNC
AUX ~ AC IN
REMOTE
MIX
INTERCOM/TALLY/PGM
COAX
INTERCOM
PROMPTER
VBS1/VBS2/VBS3
BVP-900-series camera 2
REFERENCE
CAMERA
CCU-700A/700AP
CAMERA
CH-1
MIC OUTPUT
CH-2 RET1
INPUT
RET2
R-Y
PIX1
VBS2
REMOTE RTS
RET3 B B-Y WF2 VBS3 RCP/CNU
RET4
CHARACTER PIX2
SYNC
AUX ~ AC IN
REMOTE
MIX
INTERCOM/TALLY/PGM
COAX
INTERCOM
R/G/B
REFERENCE/ PROMPTER
Y/R-Y/B-Y WF2/PIX2
RET1/RET2/RET3/RET4
VBS1/VBS2/VBS3
75-ohm terminators
WF1/PIX1 WF2/PIX2 CHARACTER
75-ohm terminator
VCS-700
CHARACTER PIX A/SYNC WF A/WF MODE
CHARACTER
CHARACTER
3 RCP 4 5 6 MSU VCS AUX1 AUX2
CNU-700
CCU
CCU
10
11
12
10
11
12
MSC
VCS
AUX3
AUX4 ~AC IN
REFERENCE
Figure 2-5
15
A TOTAL SYSTEM
CCU-700A/700AP 1
MIC OUTPUT
CH-2 RET1
INPUT
REFERENCE R Y WF1
OUTPUT
VBS1 WF MODE
RET2
R-Y
PIX1
VBS2
REMOTE RTS
RET3 B B-Y WF2 VBS3 RCP/CNU
RET4
CHARACTER PIX2
SYNC
AUX ~ AC IN
REMOTE
MIX
INTERCOM/TALLY/PGM
COAX
INTERCOM
Microphone control and tally Intercom control and tally Intercom and tally Microphone signal output
RTS
RCP/CNU
MIC OUTPUT
CAMERA
CH-1
RTS
MIC OUTPUT
CH-2 RET1
CCU-700A/700AP 2
OUTPUT
R Y WF1 VBS1 WF MODE REFERENCE
INPUT
RET2
R-Y
PIX1
VBS2
REMOTE RTS
RET3 B B-Y WF2 VBS3 RCP/CNU
RET4
CHARACTER PIX2
SYNC
AUX ~ AC IN
REMOTE
MIX
INTERCOM/TALLY/PGM
COAX
INTERCOM
Microphone control and tally Intercom control and tally RTS intercom Intercom and tally
RCP/CNU
VCS-700
I/O PORT REMOTE
CCU 1
1 2
CCU 2
3 CCU 4 5 6 1 2 3 RCP 4 5 6 MSU VCS
VCS
AUX1 AUX2
CNU-700
CCU
10
11
12
10
11
12
MSC
VCS
AUX3
AUX4 ~AC IN
RCP 1
RCP 2
MSU CCU/CNU
REMOTE CCU/CNU AUX
POWER FUSE ~AC IN
I/O PORT
MSU-700
CCU/CNU CCU/CNU
Switcher
PREVIEW
PREVIEW
Figure 2-6
16
STUDIO/OB
COMPANION PORTABLE
STANDARD
BVP-900/900P
BVP950/950P + CA570/570P
ECONOMICAL
Figure 3-1 Optimizing cost / performance choice with alternative OHBs 17
imager technology with a sustained, broad-ranging research and development program. The benefits of this technological commitment can be seen in the wide range of Sony CCD cameras from mass produced types for consumer use to professional cameras for field and studio operations. The top end of this range has now been further expanded with the introduction of the Power HAD 1000 16:9/4:3 switchable widescreen CCD sensors for the BVP-900 Series.
High picture quality With its extremely high pixel count, the Power HAD 1000 provides a horizontal resolution of over 900 lines, a high depth of modulation of 80% and minimum aliasing. Sony advanced semiconductor technologies also give the Power HAD 1000 high sensitivity and very low smear - despite its large number of picture elements. With the inherent high level of picture quality provided by this imager, the precise picture adjustment capability of digital cameras becomes even more important. Excellent matching of CCD and camera to digital environment The Power HAD 1000 has not just been developed to provide excellent picture quality. When developing a CCD for digital cameras, the relationships between CCD drive clock frequency, digital signal processing sampling rate and the digital VTR sampling rate have to be considered. Simple relationships between these three parameters result in easy signal conversion from CCD output to digital video signal, in turn reducing the complexity of the digital LSIs and reducing camera power consumption. The 18 MHz clock frequency of the Power HAD 1000 was chosen to fulfill this requirement. It has a direct relationship to the 18 MHz and 36 MHz sampling rates in the camera and a simple, 4/3 relationship, to the 13.5 MHz sampling frequency of the Digital BETACAM format.
Photo 3-1 Sony leading technology used in these CCDs is applied in the Power HAD 1000 imager
Total picture performance is a complex function of many attributes in imagery. Improvements in overall camera picture quality are a result of continuing developments of the CCD imager, the CCD support circuitry and video processing. As the CCD imager itself remains central to the direction of recent camera development, enhancements to the total performance of CCDs for broadcasting cameras are of critical importance. For this purpose, Sony developed the Power HAD 1000 and has continuously been refining it ever since.
RESPONSE
Overrall Y Response (with Optical LPF, without Lens) cf2: Pbo (1-1/4")(XQ3430) cf1: Pbo (2/3")(QX3457)
10
12
14
16
18
20
the photo sensor area by precisely positioning a microlens over each pixel. As a result, the camera sensitivity is doubled, achieving a figure of F10.0 at 2000 lux with OHB-750WSA/P, OHB-730WS/P and OHB-730/P. (F8.0 with OHB-750A/P.) The following Figure 3-5 shows how the OCL enhances sensitivity.
P+
N+ 2nd P-Well
N+ 1st P-Well
P+
Hole Accumulated Layer
On-Chip-Lens
Al Si Al Si
N-Substrate
Sensor C.S (Channel V-register R.O.G stop) (Read out gate)
P+
N+ 2nd P-Well
N+ 1st P-Well
P+
N-Substrate
Sensor C.S (Channel R.O.G stop) V-register (Read out gate)
Sensed light
3-7. Invisible Smear Level 3-9. Super EVS (Enhanced Vertical Definition System)
The OCL layer in the Power HAD imager effectively concentrates the incoming light on the photo sensor so that leakage of light is greatly reduced. The direct result of this is a very low smear level (even on the IT sensors). This further improvement of the masking techniques in the Power HAD 1000 (FIT) has reduced the smear to a level of -145 dB (FIT), which is invisible. The following Figure 3-4 and 3-5 shows the new techniques. The basic Enhanced Vertical Definition System (EVS) can sometimes cause line flicker due to the increase in vertical definition. Super EVS, which is available on BVP-900 Series cameras fitted with FIT sensors, allows the vertical resolution to be enhanced over a range of 400 to 450 lines for NTSC and from 450 to 530 lines for PAL This is achieved by changing the charge mixing ratio in the CCD read out. This function is remotely controlled from the MSU-700 Master Set-up Unit and permits the balance between vertical resolution and motion blur to be optimized for different scene contents, while keeping line flicker to a minimum.
Sensor
The well proven Clear Scan and ECS functions eliminate banding effects when shooting monitor displays by allowing the shutter speed to be adjusted so that it exactly matches the various scanning frequencies that are in use. For FIT CCDs, the Clear Scan shutter speed range is 60.1 to 7000 Hz for NTSC and 50.2 to 9000 Hz for PAL, the ECS range is 30.4 to 58.3 Hz for NTSC and 25.4 to 48.5 Hz for PAL. For IT CCDs it is 60.1 to 7000 Hz for NTSC and 50.2 to 9000 Hz for PAL. The ECS function is especially effective for shooting computer displays that have vertical scanning rates below 60 Hz.
19
3 4
CHU
VF DTL
RC-68 (option)
OHB
AMP
12-bit A/D
+5v +2.5v
R R 12-bit
D/A ARC
R white shading
D/A
R Y/C sep
R
OHB-750A/WA AP/APW
G PR G ARC D/A
R video
B white shading
B D/A
D/A
G video
B video
RET
SRAM
MD-83
YR/-Y,B-Y
DM-97
RET PROMP
PROMOTER
TRIAX
20
Spatial Offset Technology to provide higher resolution. The image captured on the photosensors of each CCD is read out at a clock frequency of 18 MHz.
21
4 5
Normal
RY
22
Normal
point limit
(c) Gamma New 12-bit A/D conversion defines more precisely the required gamma characteristic by using a gamma curve created from 48 segments. This is in comparison with the 32 segments in the previous camera range. (d) Black Gamma Black Gamma allows control of the linear part of the gamma characteristic, providing adjustment of the shadow areas of the picture during shooting. (e) Black Clip Improvements in the Black Clip circuitry have improved the signal/noise ratio for more natural reproduction. (f) Auto Black/White The BVP-900 Series provides perfect accuracy in black and white balance.
ON Photo 5-2 Multi Matrix (Vectorscope)
23
(c) Adaptive highlight control (Auto Knee mode) Conventional cameras only have a single knee point/slope characteristic. In contrast, the Sony ADSP system has multiple knee point/slope characteristics. The camera intelligently monitors the brightness of all areas of the picture and adapts the knee point/slope for optimum reproduction. A typical example is shooting an interior scene which includes a sunlit exterior seen through a window. This new function applies only to video levels in excess of the knee point, the middle and low luminance parts remaining unchanged.
Intput signal level
white clip
5
auto slope
knee point 0
knee point 1
knee point 2
knee point 3
Normal
Normal
knee point n
24
(d) Triple Skin Tone Detail Correction Skin Tone Detail Correction controls the detail level of those objects which have specific color tones. The BVP-900 Series allows detail to be set independently for each of three separate color ranges. Colors are not limited to skin tones, but can be set for any color. Detail may be increased or decreased relative to the normal level. Phase: Sets the color phase for which Skin Tone Detail Correction is activated. Width: Sets the color width for which Skin Tone Detail Correction is activated. Saturation: Sets the saturation for which Skin Tone Detail Correction is activated.
Width RY
Phase BY
Normal
Saturation
Figure 5-4 Skin Tone Detail Correction
CH1 ON
Moderation (Red)
Enhancement (Blue)
CH2 ON Photo 5-5 Triple Skin Tone Detail Correction ON and OFF
25
(e) Adaptive Detail Control The Adaptive Detail Control provides natural detail enhancement on extreme highlights by automatically altering the amplitude of the edge signal for those forms of high contrast signals.
Normal
Magnified
Magnified
26
(f) Electronic Soft Focus This function is similar to an optical soft filter. By subtracting the edge enhancement signal from the original video signal, slight defocussed pictures are created electronically. This is an important new creative feature that can be used to either complement or replace the Skin Tone Detail Correction function, when more of a film look is sought for close-ups, etc.
Normal
27
(g) Skin Tone Auto Iris A problem with conventional auto iris is that movements of bright objects in a scene adversely affects facial exposure a news studio is a typical example. Skin Tone Auto Iris is a function that controls the auto iris system to ensure a constant video level for a defined human skin area within the scene. In the news studio example, when the color phase is adjusted to match the facial tones of the news reader, the iris now maintains the same video level even if the reader turns the script, or people enter or exit the scene. It is effective for the other colors in addition to human skin tone.
(h) 3-D White Shading Correction The camera picture area is divided into up to 1000 separate zones, each of which may have different shading value. The correction is automatically interpolated across adjacent zones. This technique provides precise white shading correction over the whole picture area. The 3D shading mode can be enabled through the camera maintenance menu, and operates automatically each time white shading is performed. Because the camera learns and interpolates the data the accuracy may be improved still further on subsequent auto shading operations. White shading data should be stored in the camera OHB file or will otherwise be lost when the camera power is turned off.
Conventional Correction
3D Shading Correction
(j) Fine Detail The Fine Detail function allows the width of the detail edge to be adjusted without changing the peak level.*
*Effective for H details only.
fine DTL on
28
29
CONTROL SYSTEM
higher operational efficiency. This led to the introduction of the MSU-700 Master Set-up Unit. To avoid undue complication of the ergonomics of the panel layout that would result from such extensive access, a novel Electro Luminescent (EL) sub-panel forms an integral part of the overall MSU-700 control panel - Figure 6-1. This menudriven touch screen allows remote pre-programmed and logical access to dozens of technical adjustments. Perhaps no other system can better illustrate the enhanced degree of centralized control than that relating to access to the many adjustments required for the image enhancement system. Depending upon the creative desires of the program director, the MSU-700 allows highly flexible, finger-tip access to all critical adjustments, including skin detail control. The main features of the MSU-700 are given below. (a) Easy operation * Frequently used functions are directly accessed from the panel. * The following modes can be easily accessed by using the new EL touch panel display for maintenance and daily operation. * Paint mode: Various paint items such as White, Black and Flare are adjustable * File mode: Storing, retrieving and transferring reference files, lens files and scene files between camera heads on a PC memory card * Maintenance mode: System phase control, CCU video level alignment, selection of character display from a CNU700 and CNU-500, etc. * Configuration mode: Entire control system configuration, RCP assignment, etc. * Card mode: PC memory card initialize, store to PC memory card/recall from PC memory card, etc. * Multi-mode: Setting of multi-camera operation such as All, Control Priority, Parallel Mode, etc. (b) Multi-MSU operation In a conventional system, a single MSU controls a single studio or multiple studios. However, in this new control system, multiple MSUs can be used to remotely control/supervise a single studio from different operational engineering and control rooms. (c) Standard switch Users standard setting data is easily recalled by pressing the standard switch.
5 6
30
CONTROL SYSTEM
to maintain communication between the CCUs and RCPs in the event of a CNU malfunction or power loss. Therefore, even when the power unit or AT board of the CNU-700 or CNU-500 has failed, camera heads and CCUs can be directly controlled from the RCPs to let program production continue. As mentioned in Section 2, Total System, the cost versus performance balance between the two types of Camera Command Network Unit allows users to build up systems that meet their application needs. The CNU-500 is suitable for applications with up to six cameras, while the CNU-700 can be expanded to handle up to 12 cameras with use of the BKP-7930 optional expansion board. Alternatively, with the BKP-7932 optional command conversion board installed instead of the BKP-7930, the CNU-700 can operate with six previous-generation CCU-370/355/350 units as well as six CCU-700A or CCU-550 units. Sophisticated software design and high-speed CPUs in both types of CNU ensure rapid system response in all applications. (a) High-speed data transmission rates CNU to MSU/RCP/CCU: More than 500 Kbps (Approximately 50 times faster than earlier camera command systems) Camera Head to CCU: 35 Kbps (Approximately 15 times the speed of earlier analog camera systems) (b) System configuration Basic system: Up to six cameras with one CNU-700 or CNU-500 Expanded system: Up to 12 cameras with one CNU-700 with one BKP-7930 optional board installed Maximum system: Up to 96 cameras with eight CNU-700 units (each with an BKP-7930 optional board installed) via I/O port on the rear panel (four MSU-700 Master Set-up Units required).
CNU-700 Up to 6 cameras Number of Cameras connectable Up to 12 cameras with BKP-7930 fitted Up to 96 cameras with multi CNU connected Up to 6 RCPs Number of RCPs connectable Multi MSU connectable Multi VCS connectable Other controller connectable Programable with remote control RS-232C connector for ISR RS-232C connector for switcher etc. REF. video in Character out Assignment between RCP and CHU/CCU Power supply to RCP Connect to previous generation's command system such as CCU-370 Height 19-inch standard rack mauntable Table 6-1 A comparison between the CNU-700 and CNU-500 Up to 12 RCPs with BKP-7930 fitted Up to 96 RCPs with multi CNU connected Yes Yes Yes Yes Yes One Two when BKP-7930 fitted Yes 2 Free Yes "Yes, when BKP-7932 installed" 3U Yes
CNU-500 Up to 6 cameras No No Up to 6 RCPs No No No No Available with optional AUX connector No Yes No No Yes 1 Fixed No (But RCP can be powered from CCU) No 1U Yes
31
CONTROL SYSTEM
BVP-900/P CCU-700A/P
Monitor
Waveform Vector Monitor Scope
6
2 VCS-700
3 CNU-700/500 CCU-550/P 4
MSU-700 5
RCP-700 Series
Figure 6-1 CNU-700/500 Basic System Configurations (Up to six cameras with one CNU-700 or CNU-500)
32
CONTROL SYSTEM
5
BKP-7930
6 BVP-950/P CCU-550/P 7
CNU-700
MSU-700
10
11
12
RCP-700 Series
Figure 6-2 CNU-700 Expanded System Configurations (Up to 12 cameras with one CNU-700 with one BKP-7930 installed)
33
CONTROL SYSTEM
Monitor
Waveform Vector Monitor Scope
3 BVP-950/P 4
VCS-700 (1)
VCS-700 (2)
6
CCU-550/P B/W monitor for character display
5
BKP-7932
CNU-700
BVP-375/P 7
MSU-700
9 BVP-90/P
CAMERA CONTROL UNIT
CAMERA POWER
ON
ALARM
CABLE
SHORT OPEN
AUTO SETUP
START AUTO
IRIS
10
USED WITH
TALLY
2
CALL
0 1 2 3
ND
BREAK DETAIL
MAN
FILTER
A B CO 18 9 6 0
GAIN
WHITE
CCU-355 ONLY
POWER
ON
C D
MASTER BLACK
INCOM OFF
OFF
W/B BAL
AWB MAN
SHUTTER ON
PRESET
ABB
OFF
ALARM
CABLE
SHORT OPEN
AUTO SETUP
START AUTO
IRIS
11
USED WITH
TALLY
2
CALL
0 1 2 3
ND
BREAK DETAIL
MAN
FILTER
A B CO 18 9 6 0
GAIN
WHITE
CCU-355 ONLY
POWER
ON
C D
MASTER BLACK
INCOM OFF
OFF
W/B BAL
AWB MAN
SHUTTER ON
PRESET
ABB
OFF
ALARM
CABLE
SHORT OPEN
AUTO SETUP
START AUTO
IRIS
12
USED WITH
TALLY
2
CALL
0 1 2 3
ND
BREAK DETAIL
MAN
FILTER
A B CO 18 9 6 0
GAIN
WHITE
CCU-355 ONLY
POWER
ON
C D
MASTER BLACK
INCOM OFF
OFF
W/B BAL
AWB MAN
SHUTTER ON
PRESET
ABB
OFF
RCP-700 Series
Figure 6-3 CNU-700 Mixed Configurations (With New and earlier command system components)
34
6
1
CONTROL SYSTEM
BKP-7930
18
24
Monitor
Note:
With the addition of an external camera selector switching panel, upto 96 cameras with 8 CNU-700s (with BKP-7930 installed) can be controlled from a single MSU-700.
RCP-700 Series
RCP-700 Series
35
CONTROL SYSTEM
BVP-900/P CCU-700A/P
ENGINEERING ROOM
MSU-700 VCS-700
BVP-950/P CCU-550/P
CNU-700 (1)
MSU-700
RCP-700 Series
36
CONTROL SYSTEM
Supervising a complete system with a supervisiory MSU STUDIO 1 BVP-900/P CCU-700A/P VCS-700 MSU-700
CNU-700
RCP RCP
MSU-700
CNU-700
MSU-700
CNU-700
MSU-700
Supervisory MSU
37
CONTROL SYSTEM
(c) Character display Information concerning the camera heads and CCUs connected to the CNU-700 and CNU-500 can be displayed on a monitor via the CHARACTER connector. This includes: * Camera settings * System connection information * Results of Auto set-up * Self-diagnostics information (d) Emergency feature In the event of a problem with the CNU-700 and CNU-500, turning their internal OPERATION switch to the EMERGENCY position allows control signals from the remote control panel to be directly connected to the camera head. In this way, program production can continue by bypassing the CNU.
(b) RCP-720/721 The RCP-720 (joystick type) and RCP-721 (dial control type) make up the standard panel range. They include Auto Set-up, Scene File and normal Painting functions to meet the requirements for middle to large size studios and OB units. The RCP-720 and RCP-721 are principally designed for use in combination with MSU-700. Up to four of these RCPs can be installed in a 19-inch standard rack drawer. (c) RCP-700/701 The RCP-700 (joystick type) and RCP-701 (dial control type) are normally used in combination with the MSU-700. However, they can also be used as a sub-control panel with other types of RCPs to provide basic red and blue Paint facilities, Master Black and Iris control in daily operations. (d) RCP-730/731 The RCP-730 (joystick type) and RCP-731 (dial control type) have a slim design to fit in a compact space such as 19-inch EIA rack drawer. They feature an LCD panel for displaying Paint Control items, and to enhance the ON/OFF function of the SW Controls such as Knee, Detail, Gamma, Knee Saturation, Mono Color, Color Corrector, etc. The LED BAR for IRIS display featured on the RCP-740 is also available on the RCP-730 (but not on the RCP-731 dial control type). (e) Flexible Assignment of RCPs The CNU-700 is at the heart of the star-shaped network system. Its internal data routing matrix, controlled from the MSU-700, allows any RCP to be assigned to control any camera without reconnecting cables between camera heads and RCPs. Please refer to Figure 6-7. * Multi camera control from one remote panel * Parallel control of a camera from multiple remote panels
38
CONTROL SYSTEM
CNU-700
CCU-700A/P
CCU 2
CCU 2
VCS 1
VCS-700
CCU 3
CCU 4
MSU-700
MSU 1
CCU 5
RCP 1
RCP 2
RCP 3
RCP 4
RCP 5
RCP 6
RCP-740/741
- For flexibility, assignments can be easily changed e,g CAM 1 controlles from RCP 1&2, CAM 2 controlled from RCP 3&4, CAM 3 controlles from RCP5, and CAM 5 controlled from RCP 6
BVP-900/P 1 2 3 4 5 BVP-950/P 6
CCU 6
CNU-700
CCU-700A/P
CCU 2
CCU 2
VCS 1
VCS-700
CCU 3
CCU 4
MSU-700
MSU 1
CCU 5
RCP 1
RCP 2
RCP 3
RCP 4
RCP 5
RCP 6
RCP-740/741
39
CONTROL SYSTEM
complex system configuration assigned from the MSU-700 via the CNU-700/500. Memorized parameters can be accurately retrieved at any time and from any camera.
The file system of BVP-900 Series cameras includes reference file, scene file and lens file. The reference file stores the standard set-up data in the auto set-up mode plus the standard setting of those switch functions which are not executed with the auto set-up mode. The scene file stores paint data for each scene, and up to five scene files can be stored in the BVP-900 system. The lens file contains data to compensate for various errors induced by the lens, and data on 15 types of standard lens is preset in the factory. (Up to 50 lens fits.) The BVP-900 Series detects the type of lens and uses the appropriate data automatically. If necessary, the lens data can be modified by users. The data to compensate for any errors induced by the CCD imager and optical system, such as black shading, white shading, black set and flare, is separately stored in the optical head block of the OHB750A/730 Series. (a) File transfer capability With the file transfer function, reference file and scene file data can be transferred among multiple cameras, or between camera heads and the MSU-700. In a multi-camera operation system, optimum picture matching is simply and easily achieved by transferring the appropriate camera setting data from the master camera to other slave cameras via the CNU-700 or CNU-500. Thus, any camera can be set to a uniform condition once a master camera is specifically adjusted. (b) PC memory card The complete setting of a camera, including reference file and scene files, can be stored in a small PCMCIA-standard PC memory card. This unique memory card facility also stores information such as a
CONTROL SYSTEM
Series Video Switcher can be changed at any time without having to re-connect cables. Even the source name display, tally signal and tally display are interlocked and changed automatically. (b) Sony camera command system with S-Bus * Controlling the router from an MSU panel The digital routers cross point can switched from the MSU-700 by pressing its camera select button. SDI video monitoring is enabled.
IN1 IN2 CCU with A/D boad IN5 CCU with A/D boad Router (DVS-V3232 etc.) Primary Station OUT25
PIX WFM
* Interlocking the RCP Assignment and WFM/PIX Assignment When the assignment of any RCP is changed from the MSU-700, the picture and waveform monitoring is also automatically changed to follow the new arrangement.
1CAM monitor
2CAM monitor
3CAM monitor
4CAM monitor
5CAM monitor
5CAM monitor
PIX WFM
4CAM monitor
PIX WFM
3CAM monitor
PIX WFM
2CAM monitor
PIX WFM
1CAM monitor
PIX WFM
Control 1CAM
Control 2CAM
Control 3CAM
Control 4CAM
Control 5CAM
Control 5CAM
Control 4CAM
Control 3CAM
Control 2CAM
Control 1CAM
When the RCP assignment is canged, PIX/WFM video is also changed automatically.
Figure 6-9 Interlocking RCP and monitor assignment
41
CONTROL SYSTEM
* Controlling the router from an RCP Pressing the preview switch on an RCP-700 Series control panel switches the appropriate digital router cross point. SDI video monitoring is enabled.
IN1 IN2 CCU with A/D boad IN5 CCU with A/D boad Router (DVS-V3232 etc.) Primary Station OUT1 OUT2 OUT5
6
PIX WFM
* Controlling the RCP assignment from other S-Bus equipment All S-Bus equipment detects the connection configurations between camera heads, CCUs and RCPs by communicating with each other. This means that other S-Bus equipment can change the assignment of RCPs in a system that does not include an MSU-700
(IN1 to 5) PIX1 video in (IN13 to 17)WF1 video in (OUT1 to 5)PIX1 video out (OUT13 to 17)WF1 video out
CNU with BKP-7933 CCU PIX1 WF1 IN1 IN2 CCU WF1 PIX1 CCU WF1 IN13 IN14 IN17 Router (DVS-V3232 etc.) Primary Station PIX1 IN5
PIX
CNU character
Video BNC
42
CONTROL SYSTEM
* Camera name display onto CNU Sony uses a PC as the primary control station of a digital router. Each camera can be given a name with this primary PC, and these names are then automatically shown on the CNU character display. * Serial Tally Transfer Decodes S-Bus serial tally signal and forward to CCU.
* A CNU-700 requires a BKP-7933 option for S-Bus functionality.
S-BUS Tally
TOP MENU
KEY 1 KEY 2 WIPE DME CHR KEY BKGD TRANS PATERN WIDTH KEY PAD
Current Tally
TOP MENU
KEY 1 KEY 2 WIPE DME CHR KEY BKGD TRANS PATERN WIDTH KEY PAD
M/E-1
KEY 1 KEY 2 WIPE DME CHR KEY BKGD TRANS
1
MODIFY 1 LUM
M/E-1
KEY 1 KEY PAD MODIFY 2 SAT KEY 2 WIPE DME CHR KEY BKGD TRANS
1
MODIFY 1 LUM
M/E-2
M/E-2
2
MODIFY 2 SAT
KEY PAD
AUX DELEGATION
DSK 1
DSK 2
WIPE
DME
CHR KEY
BKGD TRANS
3
DIRECT POSIT HUE KEY PAD
AUX DELEGATION
DSK 1
DSK 2
WIPE
DME
CHR KEY
BKGD TRANS
3
DIRECT POSIT HUE KEY PAD
PGM/PST
DSK DSK WIPE P/P WIPE P/P DSK DME FRAME MEN 1 FRAME MEN 2 STATS
PGM/PST
4
USER WIPE
DSK
DSK WIPE
P/P WIPE
FRAME MEN 1
FRAME MEN 2
STATS
4
USER WIPE
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
EDIT
FRAME MEM 1
FRAME MEM 2
M/E1
M/E2
P/P UTIL
KEY FRAME
PROG
DISK
STILL PILE
CHR KEY
SETUP
DLAG
KEY PAD
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
AUX
EDIT
SYSTEM
BKGD MODE FREZE REOUR PIC MOD VIDEO MOD IN OUT
FRAME MEM 1
FRAME MEM 2
M/E1
M/E2
P/P UTIL
KEY FRAME
PROG
DISK
STILL PILE
CHR KEY
SETUP
DLAG
KEY PAD
SYSTEM
BKGD MODE FREZE REOUR PIC MOD VIDEO MOD IN OUT
SHIFT
NONLINER GRAPH LIGHT OFF DME STATS DME SETUP
SHIFT
NONLINER GRAPH LIGHT OFF DME STATS DME SETUP
UTILITY
UTILITY
SHIFT
F1
F2
F3
F4
F5
F6
F7
F8
F9
F10
EXIT
SHIFT
F1
F2
F3
F4
F5
F6
F7
F8
F9
F10
EXIT
AUX
BLACK
COLOR BKGD
SHIFT
M/E 1
M/E 2
PGM
AUX
BLACK
COLOR BKGD
SHIFT
M/E 1
M/E 2
PGM
M/E-1 K1 K2
M/E
ON OVER KEY
KEY CONTROL
1 2 3 4
M/E-1 K1 K2
M/E
ON OVER KEY
KEY CONTROL
1 2 3 4
BKGD
M/E
BKGD
M/E
SHIFT
9
MATTE AUTO SPLIT BORD DROP SHDW OUT
SHIFT
9
MATTE AUTO SPLIT BORD DROP SHDW OUT
DME
6
LUM LIN CLEAN CHR PTN KEY PROC
DME
6
LUM LIN CLEAN CHR PTN KEY PROC
BLACK
COLOR BKGD
SHIFT
M/E 2
FRAMES DME 1 DME 2
BLACK
COLOR BKGD
SHIFT
M/E 2
FRAMES DME 1 DME 2
WIPE
2
EFF DISS
3
AUTO TRANS
WIPE
2
EFF DISS
3
AUTO TRANS
TRANSITION TYPE
TRANSITION TYPE
AUX BUS
BLACK
COLOR BKGD
SHIFT
M/E 2
AUTO
CUT
SNAP SHOT
KEY
KEY
KEY
KEY
KEY1
KEY2
M/E-2 K1 K2
M/E
KEY CONTROL
1 2 3 4
BKGD
M/E
SHIFT
9
MIX
NEXT TRANSITION NAM SUPER MATTE WIPE AUTO SPLIT BORD DROP SHDW OUT
DME
6
DME 1 FRAMES DME 2 LUM LIN CLEAN CHR PTN KEY PROC
BLACK
COLOR BKGD
SHIFT
M/E 1
WIPE
2
EFF DISS
3
AUTO TRANS
BLACK
COLOR BKGD
SHIFT
M/E 1
SNAP SHOT
AUTO
CUT
KEY1
KEY2
ON OVER DSK
ON OVER
AUX BUS
BLACK
COLOR BKGD
SHIFT
M/E 2
AUTO
CUT
SNAP SHOT
KEY
KEY
KEY
KEY
KEY1
KEY2
M/E-2 K1 K2
M/E
KEY CONTROL
1 2 3 4
BKGD
M/E
SHIFT
9
MIX
NEXT TRANSITION NAM SUPER MATTE WIPE AUTO SPLIT BORD DROP SHDW OUT
DME
6
DME 1 FRAMES DME 2 LUM LIN CLEAN CHR PTN KEY PROC
BLACK
COLOR BKGD
SHIFT
M/E 1
WIPE
2
EFF DISS
3
AUTO TRANS
BLACK
COLOR BKGD
SHIFT
M/E 1
SNAP SHOT
AUTO
CUT
KEY1
KEY2
PGM/PST DSK1
M/E M/E
ON OVER DSK
ON OVER
BKGD
M/E M/E
DSK 2
KEY
DSK
DSK 2
DME M/E
BKGD
DSK 2
KEY
DSK
DSK 2
DME M/E
TRANS RATE 7 8 9
EFF DIS CLR
TRANS RATE 7 8 9
EFF DIS CLR
3
DSK1
MATTE
AUTO
SPLIT
BORD
DROP
SHDW
OUT
DSK2
M/E
M/E
3
DSK1
MATTE
AUTO
SPLIT
BORD
DROP
SHDW
OUT
DME
M/E
LASTX
PGM
BLACK
COLOR BKGD
SHIFT
M/E 1
M/E 2
FRAMES DME 1 DME 2
LUM
LIN
CLEAN
PTN
KEY
PROC
DME
M/E
LASTX
PGM
BLACK
COLOR BKGD
SHIFT
M/E 1
M/E 2
FRAMES DME 1 DME 2
LUM
LIN
CLEAN
PTN
KEY
PROC
2
DME P/P DSK 3
STORE LEARN 1 2 3
2
DME P/P DSK 3
STORE LEARN 1 2 3
TRANSITION TYPE
XPT DSBL
TRANSITION TYPE
XPT DSBL
PST
BLACK
COLOR BKGD
SHIFT
M/E 1
M/E 2
AUTO
3
CUT
4
DSK2
DSK
DSK
DSK
DSK
FADE TO BLACK
DME 4
DME
USER
RCALL
ENTER
PST
BLACK
COLOR BKGD
SHIFT
M/E 1
M/E 2
AUTO
3
CUT
4
DSK2
DSK
DSK
DSK
DSK
FADE TO BLACK
DME 4
DME
USER
RCALL
ENTER
DSK1
DSK2
DSK1
DSK2
DVS-7250system
DVS-7250system
CNU
S-BUS
S-BUS
RS-422A
Tally Decoder
CCA-5 cable
CCU CCU CCU CCU
43
20
60
70
90
100
MHz
2.5 3.0
5.6 6.2
CCU
MIC 1
44
5 MHz
6.7 MHz
Transmission characteristic 5 MHz Wideband Triax System Standard bandwidth Triax System 0.5 dB 0.5 dB 6.7 MHz 0.5 dB - 2.0 dB
45
With CCU-700A/700AP Cable Mohawk Mohawk Belden Belden Fujikura Fujikura F&G Table 7-1 Triax cables Thickness 8.5 mm 13.2 mm 8.5 mm 13.2 mm 8.5 mm 14.5 mm 11 mm Max. length 1000 m (almost 0.6 mile) 1500 m (almost 0.9 mile) 1000 m (almost 0.6 mile) 1500 m (almost 0.9 mile) 1000 m (almost 0.6 mile) 2000 m (almost 1.2 mile) 1200 m (almost 0.8 mile)
With CCU-550/550P Max. length 700 m (almost 0.42 mile) 1050 m (almost 0.63 mile) 700 m (almost 0.42 mile) 1050 m (almost 0.63 mile) 700 m (almost 0.42 mile) 1400 m (almost 0.85 mile) 875 m (almost 0.56 mile)
46
SET-UP MENUS
combination of a rotary encoder and a toggle switch on the rear control panel. For the BVP-950/950P, a convenient rotary encoder on the front panel of the camera head is used for menu selection. Both the BVP-900/900P and BVP-950/950P have User menus and Engineering menus. When the menu system is initially accessed, the Operation Menu pages are displayed. A special combination of the menu controls allows access to the Top Menu which, in turn, provides access to the other menus depending on whether or not they have been selected by dip switches on the AT board.
In Sony DSP cameras, complicated setting up procedures are virtually eliminated because all parameters are stored in memory as digital values. In typical system installations these parameters are adjusted using the MSU or the RCPs. However, both the BVP-900/900P and BVP950/950P can be used in standalone applications and in these situations control values can be changed using a series of viewfinder menus. These menus are accessed by using the menu switches on the camera head. The menu selection for the BVP-900/900P is by a
Photo 8-1 Rotary menu encoder on the front panel of the BVP-950/950P
Photo 8-2 Menu encoder on the rear control panel of the BVP-900/900P
47
SET-UP MENUS
The following tables give brief explanations of the menus. For more detail, please refer to the system manual.
Item ALL Cam Power VF Power TEST 1 TEST 2 Bars Close Standard Knee Off Detail Off Gamma Off Chroma Off Matrix Off Knee Aperture Knee Saturation 5600K Auto Knee Skin Detail Detail Gate Saturation Contrast Black Gamma Character V Mod. Saw Master V Mod.Saw R,G,B Mod.Saw V Mod. Saw Off Detail Detail Level limiter Crispening Level Dep. H/V ratio Frequency Mix Ratio Detail Comb White limiter Black limiter Fine Detail Knee Aperture Detail Off Level Dep. Off Fine Detail Off Knee Aperture On Skin Detail Skin Detail Skin 1 Level Skin 1 Phase Skin 1 Width Skin 1 Sat Skin 1 On Skin 1 Gate On Detail Gate On Skin 2 Level Skin 2 Phase Reference File No No No No No No No No Yes No (On) No (On) No Yes Yes Yes No Yes Yes No Yes Yes Yes No No No Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes No (On) Yes Yes Yes Yes Yes Yes Yes Yes No No Yes Yes After Reference Stored No Change On On No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear No Change No Change No Change No Change 0 Clear No Change No Change No Change No Change No Change No Change 0 Clear No Change Scene File No No No No No No No No Yes Yes Yes No Yes Yes Yes Yes Yes Yes No Yes Yes Yes No Yes Yes No Change Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes No No Yes Yes OHB File No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No Lens File No No No No No No No No No No No No No No No No No No No No No No No Yes Yes No No No No No No No No No No No No No No No No No No No No No No No No No No Standard No Change No Change No Change No Change No Change No Change No Change To Ref. File On On No Change To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File No Change To Ref. File To Ref. File To Ref. File No Change To Lens File To Lens File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File No Change No Change To Ref. File To Ref. File Level Auto No Change No Change No Change No Change No Change No Change No Change To Ref. File On On No Change To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File No Change To Ref. File To Ref. File To Ref. File No Change To Lens File To Lens File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File No Change No Change To Ref. File To Ref. File
Test 2 waveform is selected at MSU.
48
SET-UP MENUS
Item Skin 2 Width Skin 2 Sat Skin 2 On Skin 1 Gate On Skin 3 Level Skin 3 Phase Skin 3 Width Skin 3 Sat Skin 3 On Skin 3 Gate On Reference File Yes Yes Yes No Yes Yes Yes Yes Yes No Yes Yes Yes Yes Yes Yes (G) (G)(RGB) Yes No (On) Yes Yes Yes Yes No (On) Yes Yes Yes Yes Yes No (Off) Yes Yes Yes Yes Yes Yes Yes Yes Yes No (On) Yes Yes No (On) Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes After Reference Stored No Change No Change No Change No Change 0 Clear No Change No Change No Change 0 Clear No Change 0 Clear 0 Clear No Change No Change 0 Clear 0 Clear No Change 0 Clear On 0 Clear 0 Clear 0 Clear 0 Clear On No Change No Change 0 Clear 0 Clear No Change Off No Change 0 Clear 0 Clear No Change No Change 0 Clear No Change 0 Clear 0 Clear On 0 Clear 0 Clear On No Change No Change No Change 0 Clear 0 Clear No Change 0 Clear 0 Clear No Change No Change No Change No Change No Change Scene File Yes Yes Yes No Yes Yes Yes Yes Yes No Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes No Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes OHB File No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No Lens File No No No No No No No No No No No No No No No No No Yes No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File Off To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File Off To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File
Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value.
Standard To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File *1
Level Auto To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File
Depends on White Setup mode *1) To previous Level Auto Data
SAT/CONTRAST
Black
R,G,B White R,G,B Flare Flare Off Master Gamma Master Black Gamma Master Knee Point Master Knee Slope Gamma Off Black Gamma On Knee Off
Knee Point
Master Knee Point R,G,B Knee Point Auto Knee Knee Max On Knee Off
Knee Slope
Master Knee Slope R,G,B Knee Slope Auto Knee Knee Off
Level Knee Sat. On Master White Clip R,G,B White Clip White Clip Off
Gamma
Master Gamma R,G,B Gamma Gamma Off Gamma 0.40 Gamma 0.45 Gamma 0.50
Black Gamma
Auto Knee
Point Limit Slope Adaptive Highlight Control Auto Knee On Knee Off
Auto Iris
Pattern Phase
49
SET-UP MENUS
Item Width Auto Iris Normal Mode Skin Mode Auto Hue Auto Iris Gate Gate On Level APL Gain Pattern Select ECS/S-EVS Shutter Speed ECS Speed Super EVS Speed Shutter On ECS On Super EVS On Matrix R-G/G-B/B-R R-B/G-R/B-G Matrix Off Preset Matrix User Matrix Black Shading R,G,B H Saw R,G,B V Saw R,G,B H Para R,G,B V Para Pattern Select White Shading R,G,B H Saw R,G,B V Saw R,G,B H Para R,G,B V Para R,G,B 3D Shading OHB Multi Matrix Hue Saturation Matrix Off OHB Matrix On Test 2Mode White Setup Mode No OHB Matrix Correct Auto White Shading Mode V Detail Correction Mode 16:9/4:3 Crop V detail Control Mode
Reference File Yes No Yes Yes No No Yes Yes Yes Yes Yes Yes Yes No No Yes Yes Yes Yes Yes Yes No No No No Yes No No No No No No No Yes No Yes No Change No No Yes No Yes
After Reference Stored No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No No Change No Change No Change No Change No Change
Scene File Yes Yes Yes Yes No No Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes No No No No Yes No No No No No No No Yes No No No No No Yes No No
OHB File No No No No No No No No No No No No No No No No No No No No No Yes Yes Yes Yes No Yes Yes Yes Yes Yes Yes Yes No No No No No No No No No
Standard To Ref. File No Change To Ref. File To Ref. File No Change No Change To Ref. File To Ref. File To Lens File To Ref. File To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To OHB File To OHB File To OHB File To OHB File To Ref. File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To Ref. File No Change To Ref. File No Change No Change No Change To Ref. File No Change To Ref. File
Level Auto To Ref. File No Change To Ref. File To Ref. File No Change No Change To Ref. File To Ref. File To Lens File To Ref. File To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To OHB File To OHB File To OHB File To OHB File To Ref. File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To Ref. File No Change To Ref. File No Change No Change To Ref. File No Change To Ref. File Installation mode only
Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Gain is stored to Lens File.
50
8
ALL Cam Power VF Power Test 1 Test 2 Bars Close Standard Knee Off Detail Off Gamma Off Chroma Off Matrix Off Knee Aperture Knee Saturation 5600K Auto Knee Skin Detail Detail Gate Saturation Contrast Black Gamma Character V Mod. Saw
SET-UP MENUS
Item Reference File No No No No No No No No Yes No (On) No (On) No Yes Yes Yes No Yes Yes No Yes Yes Yes Master V Mod. Saw R.G.B Mod. Saw V Mod. Saw Off No No No Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes No(On) Yes Yes Yes Yes Yes Yes Yes Yes No No Yes Yes Yes Yes Yes No After Reference Stored No Change On On No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear No Change No Change No Change No Change 0 Clear No Change No Change No Change No Change No Change No Change 0 Clear No Change No Change No Change No Change No Change Scene File No No No No No No No No Yes Yes Yes No Yes Yes Yes Yes Yes Yes No Yes Yes Yes No Yes Yes No Change Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes No No Yes Yes Yes Yes Yes No OHB File No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No Lens File No No No No No No No No No No No No No No No No No No No No No No No Yes Yes No No No No No No No No No No No No No No No No No No No No No No No No No No No No No No Standard No Change No Change No Change No Change No Change No Change No Change To Ref. File On On No Change To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File No Change To Ref. File To Ref. File To Ref. File No Change To Lens File To Lens File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File No Change No Change To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File No Change Level Auto No Change No Change No Change No Change No Change No Change No Change To Ref. File On On No Change To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File No Change To Ref. File To Ref. File To Ref. File No Change To Lens File To Lens File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File No Change No Change To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File No Change
Test 2 waveform is selected at Camera config Menu.
Detail
Detail Level Limiter Crispening Level Dep. H/V ratio Frequency Mix Ratio Detail Comb White Limiter Black Limiter Fine Detail Knee Aperture Detail Off Level Dep. Off Fine Detail Off Knee Aperture On
Skin Detail
Skin 1 Level Skin 1 Phase Skin 1 Width Skin 1 Sat Skin 1 On Skin 1 Gate On Detail Gate On Skin 2 Level Skin 2 Phase Skin 2 Width Skin 2 Sat Skin 2 On Skin 2 Gate On
51
SET-UP MENUS
Item Skin 3 Level Skin 3 Phase Skin 3 Width Skin 3 Sat Skin 3 On Skin 3 Gate On SAT/CONTRAST Saturation Contrast Saturation On Contrast On Black Master Black R.G.B Black Auto Black Balance White Flare Gamma Knee R.G.B White R.G.B Flare Flare Off Master Gamma Master Black Gamma Master Knee Point Master Knee Slope Gamma Off Black Gamma On Knee Off Knee Point Master Knee Point R.G.B Knee Point Auto Knee Knee Max On Knee Off Knee Slope Master Knee Slope R.G.B Knee Slope Auto Knee Knee Off Knee Sat White Clip Level Knee Sat On Master White Clip R.G.B White Clip White Clip Off Gamma Master Gamma R.G.B Gamma Gamma Off Gamma 0.40 Gamma 0.45 Gamma 0.50 Black Gamma Master Black Gamma R.G.B Black Gamma Master Black Gamma Or Auto Knee Point Limit Slope Adaptive Highlight Control Auto Knee On Knee Off Auto Iris Pattern Phase Width Auto Iris Normal Mode Skin Mode
Reference File Yes Yes Yes Yes Yes No Yes Yes Yes Yes Yes Yes(G) (G)(RGB) Yes No(On) Yes Yes Yes Yes No(On) Yes Yes Yes Yes Yes No Yes Yes Yes Yes Yes Yes Yes Yes Yes No(On) Yes Yes No(On) Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes No Yes Yes
After Reference Stored 0 Clear No Change No Change No Change 0 Clear No Change 0 Clear 0 Clear No Change No Change 0 Clear 0 Clear No Change Yes On 0 Clear 0 Clear 0 Clear 0 Clear On No Change No Change 0 Clear 0 Clear No Change Off No Change 0 Clear 0 Clear No Change No Change 0 Clear No Change 0 Clear 0 Clear On 0 Clear 0 Clear On 0 Clear 0 Clear 0 Clear 0 Clear 0 Clear No Change 0 Clear 0 Clear No Change No Change No Change No Change No Change No Change No Change No Change No Change
Scene File Yes Yes Yes Yes Yes No Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes No Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes
Standard To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File *1 To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File Off To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File
Level Auto To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File
Depends on White Setup Mode *1) To previous Level Auto Data
To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File Off To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File On To Ref. File To Ref. File On To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File No Change To Ref. File To Ref. File
Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value. Data is stored as RGB value.
52
8
ECS/S-EVS
SET-UP MENUS
Item Auto hue Auto Iris Gate Gate On Shutter Speed ECS Speed Super EVS Speed Shutter On ECS On Super EVS On Reference File No No Yes Yes Yes No No Yes Yes Yes Yes Yes Yes Yes Yes No Yes No No No No No No No No No No No Yes No Yes No No No Yes No Yes After Reference Stored No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change No Change Scene File No No Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes No No No No No No No No No No No Yes No No No No No Yes No No OHB File No No No No No No No No No No No No No No No No No Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes No No No No No No No No No Lens File No No No No No No No No No No No No No No No Yes No No No No No No No No No No No No No No No No No No No No No Standard No Change No Change To Ref. File To Ref. File To Ref. File No Change No Change To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Lens File To Ref. File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To Ref. File No Change To Ref. File No Change No Change No Change To Ref. File No Change To Ref. File Level Auto No Change No Change To Ref. File To Ref. File To Ref. File No Change No Change To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Ref. File To Lens File To Ref. File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To OHB File To Ref. File No Change To Ref. File No Change No Change No Change To Ref. File No Change To Ref. File
Installation mode only Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Display is set to 0 within OHB file is stored Gain is stored to Lens File.
Matrix
Auto Iris
Black Shading
White Shading
R.G.B H Saw R.G.B V Saw R.G.B H Para R.G.B V Para R.G.B 3D Shading
OHB Multi Matrix Hue Saturation Matrix Off OHB Matrix On Test 2Mode White Setup Mode OHB Matrix Correct Auto White Shading Mode V Detail Creation Mode 16:9/4:3 Crop V detail Control Mode
53
9
Call RET select Cursor on Cursor H-Posi Cursor V-Posi Cursor width Cursor height
VF monitor select
Cursor memory Filter local ND filter select CC filter select Safety zone on Center marker on Up tally on Mix VF on Display P in P on/position Incom mic on Incom ENG/PROD Power Zebra (STAND ALONE FUNCTION) Gain select Bars on Auto knee on White select Auto WHT Auto BLK Shutter on Shutter SEL
8 9
54
9
VF Power ON/OFF
RCP-740/741
CAM PW VF PW TEST1/TEST2/BARS STANDARD MONITOR SELECT FILTER CTRL/ND/CC 5600K AUTO IRIS CLOSE MASTER GAIN AUTO SETUP/BLACK BLACK AUTO SETUP/LEVEL MASTER BLACK AUTO SETUP/WHITE WHITE MASTER/SLAVE R/G/B FLARE DTL LEVEL DTL LIMITER DTL CRISP BLK LIMITER SKIN DEATIL SKIN DETAIL SKIN PHASE SKIN WIDTH SKIN SAT DETAIL GATE
RCP-730/731
CAM PW TEST/BARS STANDARD MONITOR SELECT ND/CC 5600K AUTO IRIS CLOSE MASTER GAIN AUTO SETUP/BLACK BLACK AUTO SETUP/LEVEL MASTER BLACK AUTO SETUP/WHITE WHITE MASTER/SLAVE FLARE DTL OFF DETAIL DETAIL SKIN DETAIL SKIN DETAIL 1 SKIN DETAIL 2 SKIN DETAIL 2 SKIN DEATIL 2 DETAIL GATE
RCP-720/721 R
CAM PW TEST1/BARS STANDARD ND/CC 5600K AUTO IRIS CLOSE MASTER GAIN AUTO SETUP/BLACK BLACK AUTO SETUP/LEVEL MASTER BLACK AUTO SETUP/WHITE WHITE MASTER/SLAVE FLARE DETAIL SKIN DEATIL SKIN DEATIL DETAIL GATE
File Save S O L
O O O
O O O O O
v
O O
O O O O O O
O O O
O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O
SKIN DETAIL AUTO HUE SKIN DEATIL AUTO HUE SKIN DETAIL AUTO HUE
O O O O O O
55
Item
Matrix Coefficient Setting Gamma ON/OFF Step Gamma Setting Gamma Balance Adjustment Master Gamma Adjustment Black Gamma ON/OFF Black Gamma RGB Adjustment Master Black Gamma Adjustment Auto Knee ON/OFF Knee ON/OFF Knee Point RGB Adjustment Master Knee Point Adjustment Knee Slope (RGB) Adjustment Master Knee Slope Adjustment Knee MAX ON/OFF Knee Saturation ON/OFF Knee Saturation Adjustment White Clip ON/OFF White Clip Adjustment Shutter/ECS ON/OFF *a ECS/Shutter Mode Select Shutter Speed Selection ECS Frequency Selection Super EVS ON/OFF, Adjustment Color Corrector ON/OFF *d Color Corrector Adjustment *d EDTV (Y3/S1) ON/OFF *d EDTV (Y3/S1) Adjustment *d Comb Filter ON/OFF *d Comb Filter Adjustment *d Contrast ON/OFF Contrast Adjustment Saturation ON/OFF Chroma ON/OFF Mono Color ON/OFF Mono Color Adjustment Reference File Register *a, *b Reference File Transfer Scene File Register/Recall Scene File Transfer Preview Signal Output Call Signal Output *a, *b, *c Character (CCU) Output Character (CNU) Output
RCP-740/741
GAMMA R/B GAMMA M Gamma BLACK GAMMA BLK GAMMA AUTO KNEE KNEE POINT KNEE SLOPE ON ECS
RCP-730/731
GAMMA OFF R/B GAMMA M Gamma BLACK GAMMA BLK GAMMA AUTO KNEE KNEE OFF KNEE POINT KNEE SLOPE WHT CLIP ON ECS
RCP-720/721
R/B GAMMA M Gamma BLACK GAMMA BLACK GAMMA AUTO KNEE KNEE POINT KNEE SLOPE KNEE SAT ON ECS
File Save R S O O O O O O v O v O O O O O O O O O O O v O v O v O v O
v /w v /w
COLOR CORRECT CONTRAST SATURATION CHROMA OFF MONO COLOR SCENE FILES CALL CHARACTER
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CONTRAST CONTRAST SATURATION SCENE FILES PREVIEW *e CALL CHARACTER
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SATURATION SCENE FILES PREVIEW *e CALL CHARACTER
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SATURATION SCENE FILES PREVIEW *e CALL CHARACTER
O O O O O O O O O O O O O O O O O O O
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*a: Local control enabled with BVP-900/900P *b: Local control enabled with BVP-950/950P *c: Control enabled from RCP-700/701 *d: CCU-700A/700AP requires BKP-7931 for this functionality *e: Use IRIS control lever when control from RCP- XX0 Series
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1 Up tally lamp
6 Cable clamp 7 AUDIO IN CH-1 and CH-2 connectors 8 AUDIO IN selector 9 Microphone power switches 10 PROMPTER connector 11 TEST OUT connector
16 Accessory bracket
15 REMOTE connector 14 SCRIPT connector 13 RET CONTROL connector 12 TRACKER connector 1 Up tally lamp
16 Accessory bracket
200VAMAX
6 Cable clamp
DC IN
AC OUT
DC IN
200VAMAX
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1) Up tally lamp Illuminates when the camera receives a red tally signal. When the CALL button on an MSU-700 Master Set-up Unit or RCP-700 Series Remote Control Panel is pressed, and with the CCU CALL switch on the internal MS board set to ON, the lamp illuminates if not already lit, and is turned off if it was illuminated. The brightness of the lamp is adjustable by a control on the internal MS board. To stop the lamp illuminating, set the UP TALLY switch on the rear panel to OFF. Attach one of the supplied number plates (0 through 9) to show the camera number. For details on adjusting the lamp brightness and attaching the number plate, refer to the system manual. 2) Safety catch Safety catch to prevent the side panel from accidentally opening. To open the side panel, loosen the side-panel lock screw, slide the safety catch toward the lens, and open the panel. The side panel automatically locks as it is closed. For details, refer to the system manual. 3) Camera number plate Attach the supplied light gray number plate to show the camera number. For details how to attach a number plate, refer to the system manual. 4) Side-panel lock screw Locks the side panel to prevent it from accidentally opening. Turn it fully clockwise. 5) Lens lock and knob Locks the lens. To attach or detach the lens, turn the knob fully counterclockwise until the lever is horizontal. To lock the lens, turn the knob clockwise until the lever is vertical. 6) Cable clamp Retains the triax camera cable, accepting cables from 8 to 15 mm in diameter. For details on how to use the cable clamp, refer to the system manual. 7) AUDIO IN CH-1 and CH-2 (audio input channels 1 and 2) connectors (XLR 3-pin) Accept microphone or line level signals. 8) AUDIO IN (audio input select) selectors Set to the appropriate positions for the equipment connected to the AUDIO IN CH-1 and CH-2 connectors. MIC: When a microphones is connected. LINE: When a line-level signal source is connected. 9) Microphone power switches Control power fed to microphones connected to the AUDIO IN CH-1 and CH-2 connectors. +48 V: When the connected microphone requires an external power source, a +48 V supply is fed to the microphone. OFF: When the connected microphone does not require external power. 10) PROMPTER (teleprompter) connector (BNC type) The signal input to the PROMPTER INPUT connector on a CCU700A/700AP is output from this connector to feed a teleprompter monitor. 11) TEST OUT (test signal output) connector (BNC type) Outputs the signal selected with the video signal select buttons on the rear panel, when the TEST OUT switch on the MS board is set to VF. When the TEST OUT switch is set to RET, the return video signal is output. (The return video signal selected last is output.) When a BKP-7910/7910P Stand-alone Kit is installed in the camera, a
composite video signal is output if the TEST OUT switch is set to VBS. 12) TRACKER connector (10-pin) Used for communication between the camera operator and tracker and for intercom 1 and 2 connection. It also supplies the up tally and program audio signals. 13) RET CONTROL (return video control) connector (6-pin) Used for selecting the return video signal, 1, 2, 3 or 4 and for turning the intercom microphone on or off from external equipment such as a selector unit on the camera pan bar. 14) SCRIPT (script light) connector (4-pin) Supplies power (12 V/5 W maximum) for the script light. 15) REMOTE connector (8-pin) Interface for an optional Master Set-up Unit or Remote Control Unit/Panel, via a CCA cable. 16) Accessory bracket Used to attach an optional accessory, such as a BKP-7911/7912 Script Holder or a lens focus/zoom demand control. To attach an accessory, refer to the its instruction manual. 17) AC OUT (AC power output) connector Supplies AC power (200 VA maximum). 18) CCU (camera control unit) connector (triax connector) Interface for the triax cable connecting the camera to the Camera Control Unit. All the signals to and from a BVP-900 Series camera and its CCU (power, control, video and audio) are carried by this single triax cable. 19) REF IN (reference signal input) connector (BNC type) *1 Accepts a VBS or black burst signal to genlock the camera when it is operating in stand-alone mode. 20) VBS (video signal output) connector (BNC type) *1 Supplies composite video signals when the BVP-900/900P is operating in stand-alone mode. 21 )VTR connector (26-pin) *1 Connection for a VTR, via a CCZ or CCZQ cable, when the camera is operating in stand-alone mode. 22) DC IN (DC power input) connector (4-pin) *1 Power connection for an external DC power source (11.5 V to 18 V) when using a BVP-900/900P as a stand-alone camera.
*1. These connectors are part of the BKP-7910/7910P Stand-alone Kit.
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3 H-POSI control 4 V-POSI control 2 Video signal select buttons 1 POWER indicator
R G B RET
POWER
8 RET 1 button
FILTER LOCAL
2 3 4 0 5
H-POSI 0
V-POSI 0
RETURN SELECT 2 3 4
1
3
PinP POSITION ON OFF CALL
9 RETURN SELECT knob 10 Rear tally lamp 11 CURSOR STORE button 12 CURSOR ON button 13 CURSOR 1, 2, and 3 buttons 14 CALL button
B C D 0 E
WIDTH 0
HEIGHT 0
STORE
CURSOR 1 2
CENTER SAFETY MARKER ZONE UP TALLY MIX VF DISPLAY MENU SELECT ON ON ON ON ON OFF OFF OFF OFF OFF
VF DETA
ON 0 OFF
24 CENTER MARKER switch 23 SAFETY ZONE switch 22 UP TALLY switch 21 MIX VF switch 20 DISPLAY switch
15 PinP switch 16 VF DETAIL control 17 VF DETAIL switch 18 MENU SELECT knob 19 MENU SELECT switch
29 VF connector
30 Memo clip
MIC
ENG PROD OFF ON ENG PROD REVERSE INTERCOM PGM REVERSE INTERCOM
MIC
OFF ON
PGM
INTERCOM 1
INTERCOM 2
33 INTERCOM 1 connector
INTERCOM 1
33 INTERCOM 2 connector
INTERCOM 2
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1) POWER indicator Illuminates as follows to show the power supply status. Green: Power is supplied to the BVP-900/900P. Red: The CAMERA POWER switch of the CCU-700A/700AP is set to the off position, or the CAM PW button of the MSU700 Master Set-up Unit or RCP-700 Series Remote Control Panel unit is set to off. Yellow: Power is supplied to the BVP-900/900P, however the VF PW button of the MSU-700 Master Set-up Unit or RCP-700 Series Remote Control Panel is set to off and power is not supplied to the viewfinder. Not illuminated: Power is not supplied to the camera. 2) Video signal select button Selects the video signals (R, G and B) displayed on the viewfinder. The TEST OUT connector can output the same signals as those displayed on the viewfinder. * When an R, G or B button is pressed the corresponding signal is displayed. When two buttons are pressed simultaneously, the corresponding signals are mixed and then displayed. * When all three R, G and B buttons are pressed at the same time, a Y signal is displayed on the viewfinder. * When none of the buttons are pressed, the following signals are output:: When a black-and-white viewfinder is used: A Y signal is output to the viewfinder and the TEST OUT connector. When a color viewfinder is used: The R, G and B signals are output to the viewfinder, and a color picture appears on the viewfinder. The TEST OUT connector outputs a Y signal. 3) H-POSI (horizontal position) control Adjusts the horizontal position of the box cursor on the viewfinder screen. 4) V-POSI (vertical position) control Adjusts the vertical position of the box cursor on the viewfinder screen. 5) WIDTH control Adjusts the width of the box cursor on the viewfinder screen within the safety zone. See description of the SAFETY ZONE switch. 6) HEIGHT control Adjusts the height of the box cursor on the viewfinder screen within the safety zone. See description of the SAFETY ZONE switch. 7) RET 2 (return video) button Press this button when another return video source is used. The return video signal selected by the RETURN SELECT knob is displayed on the viewfinder. When the TEST OUT switch on the MS board is set to VF, the TEST OUT connector also outputs the selected return video signal. Press this button again and the camera signal is output to the viewfinder and the TEST OUT connector. 8) RET 1(return video 1) button * Press to monitor the return video 1 signal on the viewfinder. When the TEST OUT switch on the MS board is set to VF, the TEST OUT connector also outputs the return video 1 signal. Press this button again and the camera signal is output to the viewfinder and the TEST OUT connector. * When using the BVP-900/900P as a stand-alone camera with a VTR, the playback signal of the VTR is output.
Notes * The RET 1 button has priority over the RET button if both buttons are
pressed. (The TEST OUT switch setting has no effect on this priority.) * When the TEST OUT switch is set to RET, the TEST OUT connector outputs the return video signal, regardless of the setting of the video signal select button.
9) RETURN SELECT knob Selects the return video signal displayed on the viewfinder screen when the RET button is depressed. 10) Rear tally lamp Lights when a red tally signal is received. When the CALL button on an MSU-700 Master Set-up Unit or an RCP-700 Series Remote Control Panel is pressed, the lamp is illuminated if not already lit or turned off if it was already illuminated. The brightness of this tally lamp is adjustable with a control on the internal AT board. Attach one of the supplied number plates (0 through 9) to show the camera number. For details on adjusting the brightness and attaching a number plate, refer to the system manual. 11) CURSOR STORE button Press to store the size and position of the box cursor.
Note If the CURSOR button is not illuminated, the data cannot be stored.
12) CURSOR ON button Press and illuminate this button to display the box cursor on the viewfinder screen. Press this button again, the button illumination is turned off and the box cursor disappears. 13) CURSOR (cursor memory) 1, 2 and 3 buttons Press one of these buttons with the CURSOR STORE button blinking, and the size and position of the box cursor displayed on the viewfinder screen is stored. Three different box cursor settings can be stored using these buttons. You can recall the stored size and position of the box cursor by simply pressing the corresponding button.
Note Once any one of the three cursor buttons is illuminated, the H-POSI, V-POSI, WIDTH and HEIGHT controls are disabled.
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14) CALL button * Press to call the operator of a CCU-700A/700AP, MSU-700 Master Set-up Unit or RCP-700 Series Remote Control Panel. The call button of the RCP-700 Series panel and on the MSU-700 is illuminated and a buzzer sounds. The camera CALL button is illuminated when the CALL button on the RCP-700 Series panel or the MSU-700 is pressed. * When using the BVP-900/900P as a stand-alone camera, this button functions as the start/stop button for the VTR. 15) P in P (Picture-in-Picture) switch Used to display a small picture in a corner of the main viewfinder picture. POSITION: The position of the sub image moves to a different corner each time you move the switch from ON to this position. ON: Enters the P in P mode. When neither the RET 1 nor the RET 2 button is depressed, the camera signal is displayed as the main viewfinder image, while the last selected return video signal is displayed as the sub image. Press either the RET 1 or RET 2 button to exchange the pictures on the viewfinder screen and the small picture. OFF: The sub image does not appear.
Note You can setup the monitoring of the small picture only when you push the return button of the camera. For the details, refer to the system manual.
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17) VF DETAIL (viewfinder detail adjustment) switch ON: Emphasizes the amount of detail in the viewfinder picture. With the switch set to this position, you can adjust the amount of detail using the VF DETAIL control. OFF: Disables detail emphasis. 18) MENU SELECT knob Controls menu item selection and value setting on the viewfinder screen. For menu operation, refer to the system manual. 19) MENU SELECT switch ENTER: Activates the selection made by the MENU SELECT knob. CANCEL: Cancels the selection made by the MENU SELECT knob and restores the previously selected menu item. For menu operation, refer to the system manual. 20) DISPLAY switch Used to display the status of the switch settings, automatic adjustment items and results on the viewfinder screen. ON: The display function is enabled. OFF: The display function is disabled. MENU: A menu for setting the displayed items and functions appears. For menu operation, refer to the system manual. 21) MIX VF (mix viewfinder) switch Selects the picture in the viewfinder when the RET 1 or RET button is pressed. ON: When the RET 1 or RET button is depressed, a mixed picture of the camera output signal and the return video signal (return video 1 or the return video signal selected by the RETURN SELECT control) is displayed on the viewfinder screen. The mixing ratio is adjustable with the control on the internal board of the CCU-700A/700AP. For details, refer to the system manual. OFF: Only the return video 1, or the return video signal selected by the RETURN SELECT control, can be monitored when the RET 1 or RET 2 button is pressed. 22) UP TALLY switch Selects whether the external tally lamp, up tally lamp or front tally lamp on the viewfinder are illuminated when a red tally signal is supplied to the camera system. ON: The tally lamps illuminate. OFF: The tally lamps do not illuminate. The brightness of the up tally lamps on the BVP-900/900P and on the viewfinder is adjustable. For details, refer to the system manual. 23) SAFETY ZONE switch ON: A box (safety zone) indicating 90% of the picture area appears on the viewfinder screen. OFF: A safety zone box does not appear on the viewfinder screen. The size of the safety zone can be changed to 80% by a switch on the BVP-900/900P. For details, refer to the system manual.
24) CENTER MARKER switch ON: A white cross (center marker) appears on the viewfinder screen to indicate its center. OFF: The center marker does not appear on the viewfinder screen. You can adjust the position of the center marker so that it matches the center of the lens in use. This adjusted position can be stored in a lens file. For details, refer to the system manual. 25) CC (color temperature conversion) filter control Selects a filter suitable for the lighting conditions when the FILTER LOCAL button is illuminated.
Position A B C D E Filter Cross filter 3200 K (Clear) 4300 K 6300 K 8000 K
26) Spare switch 27) ND filter control Selects the ND filter when the FILTER LOCAL button is illuminated.
Position 1 2 3 4 5 Filter Clear 1/4 ND 1/8 ND 1/16 ND 1/64 ND
28) FLITER LOCAL (filter local control) button Press and illuminate this button to enable switching of the CC and ND filters using the CC and ND filter controls. Press this button again so that it is not illuminated to return filter control to the master set-up unit or the remote control panel. 29) VF (viewfinder) connector (D-sub 25-pin) Interface connector for the camera viewfinder. 30) Memo clip Rear Panel of the BVP-900 only 31) MIC (intercom microphone) ON/OFF switch Turns the headset microphone on or off. 32) INTERCOM PROD/ENG (intercom producer/engineer line) switch Selects the destination of the intercom 1 or 2 signals between the producer line and engineer line. PROD: Goes to the producers line. ENG: Goes to the engineers line. 33) INTERCOM 1 and INTERCOM 2 connectors (XLR 5-pin) * Connect an XLR 5-pin-type headset. The INTERCOM 1 connector can be used for communication even if the power to the camera is turned OFF on the CCU-700A/700AP. You can use the INTERCOM 2 connector for an RTS intercom system by installing an optional BKP-7913 RTS Intercom System Kit, and two RTS Belt-pack can be connected. * You can monitor playback audio from the VTRs when using the BVP-900/900P as a stand-alone unit. 34) INTERCOM (intercom volume) control Adjusts the output level of the intercom. 35) REVERSE switch Reverse the left and right channels of the intercom signals.
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36)PGM (program audio level) control * Adjusts the output level of the program audio. * This control adjusts the level of the playback audio signal of the VTR when the BVP-900/900P is used as a stand-alone camera. Rear Panel of the BVP-900P For details on the functions of the switches and controls numbered 1) through 30), see Rear panel of the BVP-900.
INTERCOM 1
INTERCOM 2
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37) INTERCOM connector (XLR 5-pin) * Connection for a headset with an XLR 5-pin connector. The left INTERCOM connector can be used for communication even if the power to the camera is turned OFF on the CCU-700P. You can use the right INTERCOM connector for an RTS intercom system by installing an optional BKP-7913 RTS Intercom System Kit. Two RTS belt packs can be connected. * Playback audio from a VTRs can be monitored via this connector when using a BVP-900P as a stand-alone camera. 38) TRACKER control Adjusts the level of the intercom with the tracker. 39) ENG (engineer line) control Adjusts the level of the intercom with the engineer. 40) MIC (microphone line select) switch Selects the line to which the headset microphone is connected. ENG: connected to the engineers line. OFF: microphone switched off. PROD: connected to the producers line. 41) PROD (producer) control Adjusts the intercom level of the producers line. 42) PGM (program audio level) control * Adjusts the level of the program audio fed to the headset. * This control adjusts the level of the playback audio from a VTR when the BVP-900P is used as a stand-alone camera.
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GAIN
OUTPUT
AUTO KNEE
WHITE
14 RET 2 button
DISPLAY
ENTER ON OFF CANCEL MENU
TESTOUT
Power HAD
1000
16 LOCK screw
LOCK TEST OUT REMOTE RET 1
MIC 1
20 Shoulder pad
1) FILTER LOCAL (filter local control) button Pressing the CC or ND filter button while pressing this button enables switching of the CC and ND filters. 2 )ND filter button Used to select the desired ND filter when the FILTER LOCAL button is pressed at the same time.
Filter No. 1 2 3 4 5 Filter Clear 1/4 ND 1/8 ND 1/16 ND 1/64 ND
3) CC (color temperature conversion) filter button Used to select the appropriate CC filter for the lighting conditions when the FILTER LOCAL button is pressed at the same time.
Filter No. A B C D E Filter Cross filter 3200 K (Clear) 4300 K 6300 K 8000 K
4) WHITE (white balance memory select) switch Selects the white balance adjustment method and memory to store the adjusted value.
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PRESET: White balance is automatically adjusted to the preset value for the color temperature of 3200K. A or B: Memory A or B is selected. 5) OUTPUT/AUTO KNEE (output signal select/auto knee) switch Selects an output signal supplied to a VTR, viewfinder and video monitor (color bar signals or camera picture). When the camera picture is selected, the auto knee function can be activated. BARS/OFF: Color bar signals are output, and the auto-knee circuit does not function. CAM/OFF: The camera picture is output, but the auto-knee circuit does not function. CAM/ON: The camera picture is output, and the auto-knee circuit functions. 6) GAIN switch Selects the appropriate video gain according to the illumination of the shot. The values for positions low, medium and high are set with the Set-up Menu on the viewfinder screen. For details, refer to the system manual. 7) VTR switch Selects the control signal to a VTR connected to the camera via an optional CA-553/553P Camera Adaptor. Depending on the switch setting, the VTR starts recording as follows: SAVE: Power-save position. Recording starts a few seconds after the VTR START button is pressed. A new recording may not smoothly join to the previous recording. STBY (standby): Recording starts immediately the VTR START button is pressed.
Note The WHITE 4), OUTPUT/AUTO KNEE 5), GAIN 6) and VTR 7) switches do not function when the camera is connected to a camera control unit.
8) ENTER/CANCEL switch Functions when the DISPLAY switch is set to MENU (Menu mode). ENTER: Activates the selection made by the MIC 1 LEVEL control. CANCEL: Cancels the selection made by the MIC 1 LEVEL control and restores the previously selected menu item. For menu operation, refer to the system manual. 9) DISPLAY switch Used for displaying camera status such as switch settings, camera and viewfinder configurations and the results of automatic adjustments on the viewfinder screen. ON: The camera display function is activated. The items shown can be programmed using the menu. OFF: The display function is not activated. MENU: A screen for setting the displayed items and programming camera set-up appears. The MIC 1 LEVEL control on the front panel functions as the menu item selector. For menu operation, refer to the system manual. 10) TEST OUT (output) selector Selects the output signal from the TEST OUT connector. ENC: An encoded signal is output. RGB: Either an R, G or B signal is output. SEL: Each time you press down the selector switch from the RGB position to the SEL position, the output signal from the TEST OUT connector cyclically changes between R, G
and B. 11) TALLY (rear tally) lamp and switch With the switch set to ON, when a red or green tally signal is supplied, the lamp illuminates in the corresponding color. When the CALL button on the MSU-700 Master Set-up Unit or RCP-700 Series Remote Control Panel is pressed the lamp is illuminated if not already lit or turned off if it was already illuminated. When a VTR is connected to the camera using a camera adaptor, the lamp illuminates in red when a record tally signal is supplied from the VTR. To prevent the lamp illuminating even when a tally signal is supplied, set the switch to OFF. 12) INCOM (intercom) button The intercom 1 microphone is turned on while this button is pressed. 13) RET 1 (return video 1) button The return video 1 signal from the Camera Control Unit (CCU) is displayed on the viewfinder screen while this button is pressed. It has the same function as the other RET 1 button, see17). 14) RET 2 (return video 2) button When return video 2 is in use, press this button to display the return video 2 signal on the viewfinder screen. 15) VF (viewfinder ) connector (20-pin) Connector for the 20-pin cable to the camera viewfinder. To use the BVF-55/55CE Viewfinder, connect the cable supplied with the viewfinder. 16) LOCK screw Locks the attached camera adaptor. 17) RET 1 (return video 1) button The return video 1 signal from the Camera Control Unit (CCU) is displayed on the viewfinder screen while this button is pressed. It has the same function as the other RET 1 button, see 13). 18) REMOTE connector (8-pin) Connector for an optional RCP-700 Series Remote Control Panel or RM-B150 Remote Control Unit, using a CCA cable. The camera can be controlled from either one of these units. A video monitoring signal is provided from the RM-B150, using the exclusive cable supplied with this unit 19) TEST OUT connector (BNC type) Supplies the signal selected with the TEST OUT selector. 20) Shoulder pad A chest pad is provided. Pull out for use.
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Chest pad
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7 MIC 1 LEVEL control 6 AUTO W/B BAL switch 5 SHUTTER switch 4 VTR START button 3 LENS connector 2 Microphone power switch 1 MIC 1 connector
7) MIC 1 LEVEL (microphone 1 level) control When a VTR is connected using an optional camera adaptor, the microphone 1 audio level is adjusted by turning this control. When the CA-570/570P Camera Adaptor is used and the LEVEL/MIC switch on the of the camera adaptor rear panel is set to FRONT/OFF, the sound volume of the intercom is adjusted with this control. You can also turn the intercom 1 microphone on/off by pressing this control. When the DISPLAY switch on the side panel of the camera is set to MENU, turn this control to select a menu item and press it to register the selection. For menu operations, refer to the system manual.
1) MIC 1 (microphone channel 1) connector Accepts the signal from an external microphone. Normally, this is used to connect the microphone supplied with the optional BVF10/10CE, BVF-C10W or BVF-20W/20WCE Viewfinder. 2) Microphone power switch Controls power fed to the microphone connected to the MIC-1 connector. +48 V: When the microphone supplied with the optional BVF10/10CE, BVF-C10W or BVF-20W/20WCE Viewfinder is connected. Also use with any other type of microphone requiring an external +48 V power source. OFF: When the connected microphone does not require external power. 3) Lens connector (12-pin) Connector for the lens remote control cable. 4) VTR START button When a camera control unit is connected using an optional camera adaptor, the intercom 1 audio signal is normally sent to the CCU while this button remains pressed. However, this function can be changed via the Set-up Menu displayed on the viewfinder screen. This provides a choice of sending either the intercom 1 or the intercom 2 audio signal, or the return video 2 signal to the CCU while this button remains pressed. With a VTR connected using a CA-553/553P Camera Adaptor, pressing this button alternately starts and stops the VTR recording. This is the same function as that of the VTR button on the lens. For details, refer to the system manual.
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(c) CA-570/570P
Rear Panel and Side Panels
1 19
21
INCOM level controls, PROD/ENG switches, and LEVEL/MIC switches Triax connector
5 22 23 24
TRACKER level control INCOM 1/2 connector VTR connector REMOTE connector
LEVEL/MIC switch
7 15
EARPHONE jack
8
14
10
DC IN connector
13
12
11
AUDIO IN 1/AUDIO IN 2 connectors and LINE/MIC switch and extemal power supply mode switch for the microphone
16
CALL button
17
DC OUT connector
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INCOM 1 connector can be used for communications even when power to the camera is turned off on the CCU. 7) VTR connector (26-pin) Inputs and outputs video signals, audio signals, control signals and the power supply. Connects to the CAMERA connector on a VTR or AC adaptor.
Note The VTR connector cannot be used when a CCU is connected.
8) REMOTE connector (8-pin) Connects to an RCP-700 Series or RM-B150 Remote Control Unit. The length of the connecting cable must not exceed 150 feet (50 meters).
Note * The REMOTE connector cannot be used when a CCU is connected. * When connecting to a RM-B150, use the cable supplied with this unit.
9) EXT DC IN (DC input) connector (4-pin) Connector for an AC adaptor output or battery case. DC power is supplied to the CA-570/570P via this connector when the POWER switch is set to EXT. 10) PROMPTER/GEN LOCK (prompter signal input and output/external sync signal input) connector (BNC type) Input for an external sync signal, or input/output for a prompter video signal. Select the appropriate function with the PROMPTER/GENLOCK switch on the internal MD-119 board. The connector is factory set for PROMPT. 11) AUDIO IN 1/AUDIO IN 2 (audio input) connectors (XLR 3-pin) and LINE/MIC (line input/microphone) switch Inputs for external audio signals. Set the LINE/MIC switches according to the level of the input signal. The following power supply settings can be specified for the external microphone: : +12 V is supplied to the external microphone (when the S800 switch on the AU-251 board is set to ON). OFF: power is not supplied to the external microphone. +48 V: +48 V is supplied to the external microphone (when the S700 switch on the AU-251 board is set to ON).
Note If you select the signal switch to and the S800 on the AU-251 board to on alternatively, then +12 V is supplied to the +48 V microphone and may cause a damage to the microphone itself.
12) TEST OUT (test video output) connector (BNC type) Outputs return video signals, playback video signals, VBS signal or monitor output signals. Normally outputs return video signals when a CCU is connected and playback video signals when a VTR is connected.
Note Select the output signal with switch S100 on the AU-251 board.
5) Triax connector Connector for a triax cable from a CCU-700A/700AP or CCU550/550P Series Camera Control Unit. 6) INCOM (intercom) 1/2 connectors Connectors for headphones enabling operators to listen to and speak on intercom, and listen to program audio. Set the MIC switch on the AU-237 board to CM when using headphones with a carbon microphone or to DYN when using a dynamic microphone. The
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13) RET CONT (return control connector (6-pin) Input for the control signals that select the return video 1, 2 or 3, and turn the intercom microphone on and off. 14) TRACKER connector (10-pin) Use for communications with a tracker. Also provides intercom 1 and 2 communications. Outputs the up tally and program audio signals. DC is available from this connector, maximum current 500 mA. 15) EARPHONE jack (mini-jack) Connector for an earphone to monitor audio from the VTR, intercom or program audio. Select the audio source with the switch S1 on the MB-783 board. 16) CALL button Use this button to call the CCU or Master Set-up Unit operator. When this button is pressed, the red tally lamps in the viewfinder
and on the CCU and MSU are illuminated. 17) POWER switch Selects the power source. CCU: Power is supplied from the CCU. (Standby): Standby mode. EXT: Power is supplied from the VTR or via the EXT DC IN connector (see 9)). 18) DC OUT (direct current output) connector (4-pin) Outputs 10.5 V to 17 V DC up to a maximum of 500 mA. Connecting equipment with a power consumption greater than this maximum rating will activate the protection circuit, cutting off the current. 19) PROD/ENG (producer/engineer) intercom level controls, PROD/ENG (producer/engineer) switches, and LEVEL/MIC (intercom level/microphone) switch (CA-570P only. See 4) for CA-570) PGM (program) level control Adjusts the audio volume of the program line. ENG (engineer) level control Adjusts the audio volume of the engineers line. MIC LINE switch Selects the line to which the headset microphone is connected. ENG: connected to the engineers line. OFF: microphone switched off. PROD: connected to the producers line. PROD (producer) level control Adjusts the audio volume of the producer line. TRACKER level control Adjust the audio volume of the tracker line. LEVEL/MIC (intercom level/microphone) switch The LEVEL and MIC switch settings control the following functions: REAR/ON: Turns on the intercom microphone. Adjust the intercom reception level with the PGM, ENG, PROD and TRACKER level controls. REAR/OFF: Turns off the intercom microphone. Turn the intercom microphone on and off using the control on the external equipment connected to the RET CONT connector. Adjust the intercom reception level with the PGM, ENG, PROD and TRACKER level controls. FRONT/OFF: Turns off the intercom microphone. Turn the intercom microphone on and off using the control on external equipment (such as a pan bar box) connected to the RET CONT connector. Use the control on the camera to adjust the intercom reception level.
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1
PROMPTER
PROMPTER/GENLOCK switch
INTERCOM GENLOCK
GAIN
INTERCOM
GAIN
CA-570/570P
Switch S1
1) PROMPTER/GENLOCK (prompter signal input and output/external sync signal input) switch (MD-119 board) Selects the PROMPTER/GENLOCK connector function. PROMPTER: Inputs and outputs a prompter signal (factory setting). GENLOCK: Inputs an external sync signal. 2) INTERCOM and GAIN switches (AU-237 board) Set these switches to specify the type of microphone connected to the INCOM 1 and INCOM 2 connectors and their respective levels. INTERCOM 1/2 switches CM: carbon microphone (factory setting) DYN: dynamic microphone GAIN 1/2 switches +: Raises the gain 6 dB above standard gain 0: Standard gain -: Lowers the gain 6 dB below standard gain 3) Switch S1 (MB-783 board) Specifies the type of audio signal output from the EARPHONE jack. * S1-1: Set to ON to output the program audio signal. * S1-2: Set to ON to output the audio signal of intercom 1. * S1-3: Set to ON to output the audio signal of intercom 2. * S1-4: Set to ON to output the VTR playback audio signal.
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PL3 D CN3
Switch S4
4) Switch S4 (DM-116 board) Selects the direction of the prompter signal flow between the CCU and CAM. CCU CAM: The video signal from the CCU is output from the PROMPTER/GENLOCK connector. CAM CCU: The signal input to the PROMPT/GENLOCK connector is output to the CCU.
Note The setting of the CN4, CN5 and the CCU should be same as S4 on the DM-116 board.
5) S3 switch (AU-237 board) Specifies whether the incom audio output from INCOM 2 connector and the program audio are mixed or not. IND: No mixing (factory setting for CA-570). MIX: MIX mode 2 (set by switch S5) (CA-570 only).
Switch on the AU-237 board
4 E401 A 3 2 1
Switch S3
B S301
6
S1 C 0082 E1 RV302 E301 S203 D TPS01 RV111 RV112 0082 TP111 RV201 CN1
E S203 E301
RV411
6) Switch S4 (AU-237 board) When this switch is set to ON, the program audio is mixed with the intercom audio. The factory setting is OFF. (CA-570 only) 7) Switch S2, S4, and S5 (AU-237 board) These switches assign the mixing of intercom and control signals (CA-570 only). For details, refer to the system manual. 8) Switch S800 (AU-251 board) Turns the power supply (12 V A/B) to the external microphone on and off. Power is not supplied if the MIC power switch on the rear panel is set to OFF or to +48 V. The factory setting is OFF.
Switch on the AU-251 board
4 3 2 1 A S990 S800
when a CCU is connected. When set to OFF, power is always supplied to the REMOTE connector. 13) Switch S100 (AU-251 board) Selects the signal output from the TEST OUT connector. * S100-1: Disables automatic switching between the playback video signal and the return video signal. ON: Outputs the playback video signal. OFF: Outputs the return video signal when a CCU is attached; outputs the playback video signal when a VTR is attached. The factory setting is OFF. * S100-2: Specifies output of the VBS signal from the camera or the return/playback video signal. ON: Outputs the VBS signal from the camera. OFF: Outputs the return or playback video signal. The factory setting is OFF. * S100-3: Selects either a VBS video signal output or monitor signal output. ON: Outputs the monitor signal. OFF: Outputs the VBS signal. * S100-4: Selects whether the control signal from the RET CONT connector is received or not. ON: Outputs the return video signal only for an L (ground) return control signal. OFF: Outputs the return video signal only when a CCU is connected. The various combinations of switch S100 settings and their corresponding video output signal are as follows:
A100-1 A100-2 OFF A100-3 A100-4 RET CONT Video output signal Return video (when a CCU is connected) Playback video (when a VTR is connected) ON OFF OFF ON ON OFF OFF OFF ON L L H OFF ON ON ON L L Playback video Monitor video Return video (when a CCU is connected) Playback video (when a VTR is connected) VBS video Return video (when a CCU is connected) Playback video (when a VTR is connected) OFF
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9 10
Switch S800
S361 B
CN1 C
S700
11
Switch S700
S200
12
RV203 E S100 RV100
Switch S200
13
Switch S100
F
9) Switch S600 (AU-251 board) Specifies the audio input signal to be from the MIC 1 connector on the camera or the AUDIO IN 1 connector on the CA-570/570P. C: Input from the MIC 1 connector on the camera. CA: Input from the AUDIO IN 1 connector on the CA-570/570P. 10) Switch S351 (AU-251 board) Set to ON to monitor the microphone input on a headset. The factory setting is OFF. 11) Switch S700 (AU-251 board) Turns the power supply (48 V) to the external microphone on and off. 12) Switch S200 (AU-251 board) * S200-1: When S200-1 is set to ON, the battery alarm signals operate the tally lamp. This switch is factory set to OFF. In this position, the indicator in the viewfinder is unaffected * S200-2: Remote Control Panel power save function, controlling power to the remote connector. When ON, power to the remote connector is turned off
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CABLE ALARM
MIC
MAIN POWER
indicator
1) Red tally lamp This lamp is illuminated when the unit receives a red tally signal. When the CALL button on the camera, MSU-700 Master Set-up Unit, or RCP-700 Series Remote Control Panel is pressed, the lamp is illuminated if it was not lit, or is turned off if it was already illuminated. Attach one of the supplied number plates here. For details on attaching a number plate, refer to the system manual. 2) Green tally lamp Lights when the unit receives a green tally signal. Attach one of the supplied number plates here. For details on attaching a number plate, refer to the system manual. 3) MIC (microphone select) switch Set to the appropriate position according to the type of headset microphone. DYNAMIC: When using a dynamic microphone. OFF: Switches the microphone off. CARBON: When using a carbon microphone. 4) INTERCOM (intercom volume) control Adjusts the receiving level of the intercom. The volume of the sound mixed with program audio is set with the control on the AT board. For details on setting mixed-sound volume, refer to the system manual. The intercom line can be switched with the corresponding switch on the internal AT board. For details, refer to the system manual. 5) INTERCOM connector (XLR 5-pin) Connector for a headset. When you wish to use a headset with a plug other than XLR 5-pin type, consult an authorized Sony representative. 6) CAMERA POWER switch and indicator This switch controls the power supply to the camera when the MAIN POWER switch is set to the ON position (| position). The indicator illuminates when power is supplied to the camera. If an RCP-700 Series Remote Control Panel or MSU-700 Master Set-up Unit is connected to this unit, the CAM PW switch on the RCP or MSU panel must be illuminated to enable this switch to control the camera power supply.
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7) MAIN POWER switch and indicator This switches the power supply on and off to the entire camera system including this unit, the camera and an RCP-700 Series Remote Control Panel connected to the REMOTE connector. The indicator illuminates when power is supplied to the system. Power is not supplied to an MSU-700 Master Set-up Unit. 8) CABLE ALARM indicator SHORT: Illuminated when there is excessive current in the triax cable or when there is a short-circuit in the unit. OPEN: Illuminated when a triax cable is not connected to the CAMERA connector on the rear panel, or when the load current is extremely low even if a camera cable is connected.
Rear Panel
INPUT
REFERENCE R Y WF1
OUTPUT
VBS1 WF MODE
CCU-700AP
RET2 G R-Y PIX1 VBS2
REMOTE HIS
RET3 B B-Y WF2 VBS3 110.120V RET4 CHARACTER PIX2 SYNC AUX ~ AC IN 220.240V RCP/CNU
REMOTE
MIC
INTERCOM/TALLY/PGM
COAX
INTERCOM RET1 RET2 1 2 3
25 Voltage selector
SERIAL INPUT
SERIAL OUTPUT
24 MIC REMOTE connector 23 INTERCOM REMOTE connector 22 RTS connectors 21 INTERCOM/TALLY/PGM connector 20 COAX connector 19 Spare connectors
13
AC IN connector
14 WF MODE connector 15 RCP/CNU REMOTE connector 16 AUX REMOTE connector DIGITAL VIDEO block 17 SERIAL OUTPUT 1, 2, and 3 connectors 18 SERIAL INPUT RET 1 and RET 2 connectors
1) CAMERA connector (triax connector) Connection for a BVP-900 Camera using a triax cable. All of the signals to and from the camera, including power, control, video and audio are carried via a single triax cable. Alternative camera connector blocks are available to accommodate the various types of triax connector in use. 2) MIC OUTPUT (microphone output) connectors (XLR 3-pin) Output the microphone signals from the camera. 3) RET1 through RET4 (return video 1 through 4 input) connectors (BNC type) Accept the return video signals from four different systems.
Note: When an optional BKP-7312 SDI input board is installed, the RET 1 and 2 connectors in the ANALOG INPUT block are disabled.
4) REFERENCE (reference signal input) loop connectors (BNC type) Accept a reference signal, such as a black burst, for external synchronization. 5) PROMPTER (prompter signal input) loop connectors (BNC type) Accept the signal from a teleprompter. 6) R, G and B (R, G and B signal output) connectors (BNC type) Provide a set of R, G and B signals for a chroma keyer. 7) Y, R-Y and B-Y (component video signal output) connectors (BNC type) Provide a set of Y, R-Y and B-Y signals for a digital component VTR or a video switcher. 8) CHARACTER (character signal output) connector (BNC type) Supplies self-diagnostic results from this unit as a video signal. 9) WF1 and WF2 (waveform monitor 1 and 2 output) connectors (BNC type)
Supply the video signals for a waveform monitor. The MONITOR SELECT buttons on an RCP-700 Series Remote Control Panel select the signal output from the WF 1 connector, and the WAVEFORM MONITOR buttons on an MSU-700 Master Set-up Unit select the signal output from the WF 2 connector. 10) PIX1 and PIX2 (picture monitor 1 and 2 output) connectors (BNC type) Supply video signals for picture monitors. The MONITOR SELECT buttons on an RCP-700 Series Remote Control Panel select the signal output from the PIX 1 connector, and the PICTURE MONITOR buttons on the MSU-700 Master Set-up Unit select the signal output from the PIX 2 connector. 11) VBS1, VBS2 and VBS3 (composite video signal 1, 2 and 3 output) connectors (BNC type) Supply composite video signals (VBS) from the camera. 12) SYNC (sync signal output) connector (BNC type) Supplies the sync signals (0.3 Vp-p, 75 ohms) generated by the builtin sync generator. Connect to the sync input connector of a waveform or picture monitor. 13) ~AC IN (AC power input) connector Connect to an AC power source using the supplied AC power cord. The power cord can be fixed to the CCU-700A/700AP using the supplied plug holder. 14) WF MODE (waveform monitor mode) connector (4-pin) Connect to the corresponding connector of a waveform monitor to monitor signals in sequential mode. A sequential control signal is output from this connector when you press the SEQ button on an RCP-700 Series Remote Control Panel, providing simultaneous monitoring of the R, G and B signals.
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72
73
(e) CCU-550/550P
Front Panel
POWER
CAM MAIN
CABLE ALARM
OPEN SHORT
NCOM MIC - ON
OFF PGM
PROD
PREV PGM
1) Camera number sheet/tally indicator Lights red when the red tally signal is input (e.g. when the video signal from the camera connected to the CCU-550/550P goes on air). When the CALL button on the camera, an MSU-700, RCP-700 Series Remote Control panel or an optional BKP-5973 (CCU-550/550P Front Panel) is pressed, the lamp is illuminated if it was not lit, or is turned off if it was already illuminated. The indicator illuminates green when the green tally signal is input (e.g. when the video signal from the camera connected to the CCU-550/550P goes off air). Attach the supplied number sheet here to indicate the camera number. 2) POWER switch/CAM (camera) and MAIN indicators This POWER switch turns the power supply on and off to the entire camera system, including the CCU-550/550P, the camera and the remote control unit connected to the REMOTE connector of the CCU. The MAIN and CAM indicators illuminate when the POWER switch is turned on. The CAM indicator goes out when the power is turned off by the CAM PW button on the remote control panel or the master set-up unit, or by the CAM POWER switch on the internal AT board. 3) CABLE ALARM indicators OPEN: illuminates when a triax cable is not connected to the CAMERA connector on the rear panel of the CCU550/550P, or when the load current is extremely low even when a camera cable is connected. SHORT: illuminates when there is excessive current flow in the triax cable. 4) INCOM (intercom) input/output/setting section INCOM (intercom) connector (XLR 5-pin): Headset connector for a headset. When you wish to use with a plug other than an XLR 5-pin type, consult an authorized Sony representative.
INCOM level control: Adjusts the input level of the intercom. MIC/PGM (program audio) switch: ON: The headset microphone is switched on. OFF: The headset microphone is switched off. PGM: Program audio is output. When this position is selected, the INCOM level control adjusts the output level of the program audio. INCOM selector: Selects the routing of intercom signals output/input through the INCOM/TALLY/PGM connector. PROD: Selects the producer line. PRIV: The producer line and engineer line are disabled and communication is restricted to that between the CCU550/550P and the camera connected to its rear panel. ENG: Selects the engineer line.
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74
CAMERA connector
INPUT connectors
OUTPUT connectors
INPUT CAMERA
REFERENCE
Y/G
OUTPUT VBS3
RET1
R-Y/R
WF
VBS2
MIC OUTPUT
CH-1 CH-2
RET2
B-Y/B
WF MODE
PROMPTER/RET3
PIX
COAX
RCP/CHU 10
AC IN connector
MIC REMOTE
INTERCOM/TALLY/PGM
REMOTE
9 8 7 6
COAX connector
INTERCOM/TALLY/PGM connector
1) CAMERA connector (triax connector) Connector for the triax cable to the CA-550/550P Camera Adaptor attached to the BVP-950/550 Camera. 2) MIC (microphone) OUTPUT connectors (XLR 3-pin) Outputs the microphone signals from the camera. 3) INPUT connectors REFERENCE INPUT loop connectors (BNC type): Accepts a reference signal (black burst signal) for external synchronization. RET1/RET2 (return video signal 1/2) loop connectors (BNC type): Accepts a return video signal from two different sources. To select RET 1, press the RET button on the camera lens; to select RET 2, press the VTR button on the camera lens. PROMPTER/RET3 (return video signal 3) loop connectors (BNC type): Accepts a teleprompter signal or a return video signal. Use the switch on the internal DM board to select PROMPTER or RET 3. You can also select RET 3 by simultaneously pressing the RET and VTR buttons on the camera lens or using external controls (such as a pan bar box). For details on the internal boards, refer to the system manual. 4) OUTPUT connectors Y/G, R-Y/R, B-Y/B (component video signal output/RGB)
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connectors (BNC type): Output component signals or RGB signals for a chroma keyer. Use the switch on the internal VA board to select the type of signals to be output. For details on the internal board, refer to the system manual. VBS/1/2/3 (composite video signal 1/2/3 output connectors (BNC type): Ouput the signal from the camera in composite format. Use the switch on the internal VA board to select the composite video signal or sync signal output from the VBS 3 connector. When the sync signal (0.3 Vp-p, 75 ohms) is selected, connect the VBS 3 connector to the sync input of a waveform or picture monitor. WF (waveform monitor output) connector (BNC type): Supplies a video signal to a waveform monitor. The WAVEFORM MONITOR button on a MSU-700 Master Set-up Unit, the MONITOR SELECT button on the RCP740/741 Remote Control Panel or the MONITOR SELECT control on the BKP-5973 (optional CCU550/550P Front Panel) selects the signal output from the WF connector. Changing the signal output from the WF connector on the RCP-740/741 or the BKP-5973 simultaneously changes the picture on the picture monitor.
WF MODE (waveform monitor mode) connector (4-pin): Connects to the corresponding connector on a waveform monitor to allow the sequential monitoring of signals. PIX (picture monitor output) connector (BNC type): Supplies a video signal, or video with character signals, to a picture monitor. Use the PICTURE MONITOR button on the MSU-700, the MONITOR SELECT button on the RCP-740/741 or the MONITOR SELECT control on the BKP-5973 (optional CCU-550/550P Front Panel) to select the signal output from the PIX connector. When the signal output from the PIX connector on the RCP740/741 or the BKP-5973 is changed, the waveform on the waveform monitor also changes. 5) SERIAL OUTPUT (serial digital video/audio output) connectors (BNC type) Supply the video/microphone signals from the camera in serial digital format. These connectors are active only when the optional BKP-5972 SDI Output Board is attached to the CCU-550/550P. Connect to a digital video switcher or component digital VTR. 6) MIC REMOTE (microphone remote control) connector (D-sub, 15-pin) Connection for an external control unit, from which the microphone input levels of the camera can be set to -60, -50, -40, -30 or -20 dB. You can also set these microphone input levels with the switch on the
internal AT board of the CCU. For details on setting the microphone input levels with the internal switch, refer to the system manual. 7) INTERCOM/TALLY/PGM (program audio) connector (D-sub, 25-pin) Inputs/outputs intercom, tally and program audio signals. Connects to an intercom, tally or program audio connector of an intercom system. 8) RCP/CNU REMOTE (remote control panel/camera command network remote) connector (8-pin) Connects to an MSU-700 Master Set-up Unit, CNU-700/CNU-500 Camera Command Network Unit or an RCP-700 Series Remote Control Panel with an optional CCA-5 connecting cable to transmit/receive control signals. When the remote control panel is connected, it is powered through this connector. 9) COAX (coaxial) connector (BNC type) Accepts and supplies signals from/to the camera according to the setting of a switch on the internal DM board. Power is not supplied to the camera through this connector. Connect a coaxial cable from a camera to this connector. 10) AC IN (AC power input) connector Connects to an AC power source using the supplied AC power cord. Secure the power cord to the CCU-550/550P using the supplied plug holder.
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2
Internal boards
AD
AT
POWER
CAM MAIN
CABLE ALARM
OPEN SHORT
VA
NCOM MIC - ON
OFF PGM
PROD
PREV PGM
AU
DM
1) Internal power switch When an abnormality has occurred and power cannot be cut off by pressing the POWER switch on the front panel, open the front panel and turn off this power switch. 2) Internal boards Refer to the system manual. Self-Diagnostics When an RCP-700 Series Remote Control Panel is connected to the CCU-550/550P, this control panel can initiate the display of the
results of self-diagnostics of the CCU internal boards. Self-diagnostics of the camera system The results of self-diagnostics of the camera system are displayed on three pages superimposed on the CCU monitoring output.. To display the results, press the CHARACTER button on the RCP-700 Series Remote Control Panel. Press the CHARACTER button again to display successive pages.
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TRIAX Cable: Triax cable connection status (connected/disconnected). TRIAX Comp: Cable compensation of the triax cable (automatic/manual). TRIAX Step: Triax cable length. Timer: Elapsed time on the CCU-550/550P internal AT board. For details on the internal boards, refer to the system manual. Page 2
*System Diag 2/3* CAMERA Cable Data Power Tone RCP/CNU Cable Data Power PANEL Data Connect OK ON OK Connect OK Ok OK
Results of self-diagnostics of the CCU-550/550P internal boards The results of the self-diagnostics of the CCU-550/550P internal boards are displayed on five pages. To display the results, press the CHARACTER button on the RCP-700 Series Remote Control Panel while page 3 of the self-diagnostics of the camera system is displayed. Press the CHARACTER button again to display successive pages. DM board
*DM Diag* CAMERA Video Y OK R-Y OK B-Y OK Prompter NO Video PRMPT/RET3 RET3 TRIAX Comp. Auto Step 2 Retern Video OK
CAMERA Cable: Camera cable connection status (connected/disconnected). CAMERA Data: Camera data transmission status. CAMERA Power: Power supply status of the camera. CAMERA Tone: Camera ID tone status. RCP/CNU Cable: Connection status of RCP/CNU connector (connected/disconnected). RCP/CNU Data: Data transmission status of the RCP/CNU connector. RCP/CNU Power: Power supply status of the RCP/CNU connector. PANEL Data: Data transmission status of the BKP-5973. For details on the internal boards, refer to the system manual. Page 3
CAMERA Video: Status of the Y, R-Y and B-Y signals of the triax signal. Prompter: Prompter status. PRMPT/RET3: Selection of cable compensation for the triax cable (automatic/manual). TRIAX Comp: Selection of cable compensation for the triax cable (automatic/manual). TRIAX Step: Length of the triax cable. Return Video: Return video signal input status. For details on the internal DM board, refer to the system manual. AT board
*AT Diag* Command CAMERA RCP/CNU CAMERA Tone CAMERA Power CCU Paint Data MIC Gain Cont. Local CH1 60dB CH2 40dB OK OK OK OK Clear
*System Diag 3/3* Intercom CAMERA CH1 PROD MIC OFF CAMERA MIC Gain Cont. Local CH1 60dB CH2 40dB
Intercom CAMERA CH1: Status of intercom 1 (producer/engineer). Intercom CAMERA CH1 MIC: Microphone status of intercom 1 (on/off).
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Command CAMERA: Connection of commands to the CAMERA connector. Command RCP/CNU: Connection of commands to the RCP/CNU connector. CAMERA Tone: Check of the ID tone from the camera. CAMERA Power: Power supply status of the camera. CCU Paint Data: On/off of analog control preset on the AT board of the CCU-550/550P. MIC Gain: Gain and control status of the microphone circuit of the camera For details on the internal AT board, refer to the system manual.
VA board
*VA Diag* Video Out VBS1/2 VBS3 Y PIX WF CAMERA Phase Reference Phase OK OK OK OK OK Lock Unlock
Video out: Video signal output status of each video output connector. CAMERA Phase: Locking status of the H-phase between the camera and the CCU-550/550P. Reference Phase: Locking status of the CCU-550/550P with the input reference signal. For details on the internal VA board, refer to the system manual. AU board
10
Audio RF: Status of the audio RF signal output from the internal AU board to the triax cable For details on the internal AU board, refer to the system manual AD board
Video PLL: Locking status of the video serial clock with the video parallel clock Audio PLL: Locking status of the audio clock with the video parallel clock Power: Power supply status of the AD board For details on the AD board, refer to the system manual.
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Front panel
POWER
4 3 2
Rear panel
7 8 9 CCU 10 11 12 7 8 9 10 11 12 MSC VCS AUX3 AUX4 ~AC IN
10 9 8 7
REFERENCE connectors
1) POWER switch and indicator Press to turn the power ON or OFF. The indicator illuminates when power is switched on. 2) CCU (camera control unit) 1 through 6 connectors (8-pin) Connect to the RCP/CNU REMOTE connector on a CCU700A/700AP Camera Control Unit using a CCA-5 cable. 3) RCP (remote control panel) 1 through 6 connectors (8-pin) Connect to the CCU/CNU REMOTE connectors on an RCP-700 Series Remote Control Panel using a CCA-5 cable. 4) MSU (Master Set-up Unit) connector (8-pin) Connect to the CCU/CNU REMOTE connector on an MSU-700 Master Set-up Unit using a CCA-5 cable. 5) VCS (video selector) connector (8-pin) Connect to the REMOTE connector of a VCS-700 Video Selector using a CCA-5 cable. 6) AUX1 and AUX2 (auxiliary 1 and 2) connectors (8-pin) Connect to the AUX1 or AUX2 connector of another CNU-700 using a CCA-5 cable when controlling multiple cameras with two or more CNU-700 units. You can connect up to eight CNU-700 units. 7) CHARACTER 1and 2 connectors (BNC type) Supply character data as a 525 or 625-line, black-and-white video signal. The signal output is automatically selected according to the reference signal input to the REFERENCE connector. If no reference signal is input, the CNU-700 for the USA and Canada supplies a 525line video signal, the CNU-700 for other countries supplies a 625-line
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video signal. You can select whether to add a sync signal to the output signal with switch S7 (SYNC ON/OFF) on the AT board. Refer to the system manual for details on the board switch settings. 8) REFERENCE (reference signal input) loop connectors (BNC type) Accepts a reference signal (VS, BS, etc.). The signal output from the CHARACTER connector is synchronized with the input signal. 9) RS-232C 1 through 3 connectors (D-sub 9-pin) Used for RS-232C interfaces. The function of these connectors depends on whether or not an optional BKP-7930 System Expansion Board is installed in the CNU-700 as shown below.
Connector No. 1 2 3 Not used No BKP-7930 installed With BKP-7930 installed
Reserved for ISR system Reserved for RS-232C interface Reserved for RS-232C system
10) ~AC IN (AC power input) connector Connect to an AC power source using the supplied AC power cord. The power cord can be fixed to the CNU-700 using the supplied plug holder. 11) Optional board insertion section Used for attaching the connector panel of an optional BKP-7930/7933. When you attach the BKP-7930 to the CNU-700, up to 12 cameras and remote control panels can be controlled. BKP-7933 enables the S-bus functionality.
(g) CNU-500
Front and Rear Panel Front panel
POWER
Rear panel
4 3
5 6
11 10 9
7 8
1) POWER switch and indicator Press to turn the power ON or OFF. The indicator illuminates when power is switched on. 2) CNU number indicator Attach the number plate. 3) CCU (camera control unit) 1 through 6 connectors (8-pin) Connect to the RCP/CNU/ REMOTE connector of a CCU700A/700AP Camera Control Unit using a CCA-5 cable. 4) MSU (Master Set-up Unit) connector (8-pin) Connect to the CCU/CNU REMOTE connector on an MSU-700 Master Set-up Unit using a CCA-5 cable. 5) CHARACTER connector (BNC type) Supplies character data as a 525 or 625-line, black-and-white video signal. The signal output is automatically selected according to the reference signal input to the REFERENCE connector. If no signal is input to the REFERENCE connector, the CNU-500 for the USA and Canada supplies a 525-line video signal, and the CNU-500 for other countries supplies a 625-line video signal.
6) RS-232C connector (D-sub 9-pin) Used for the RS-232C interface. This connector is reserved for the ISR system. 7) ~AC IN (AC power input) connector Connect to an AC power source using the supplied AC power cord. The power cord can be fixed to the CNU-500 using the supplied plug holder. 8) REFERENCE (reference signal input) connector (BNC type) Accept a reference signal (VS, BS, etc.). The signal output from the CHARACTER connector is synchronized with the input signal. 9) AUX (auxiliary) connector (8-pin) Not used. 10) VCS (video selector) connector (8-pin) Connect to the REMOTE connector of a VCS-700 Video Selector using a CCA-5 cable. 11) RCP (remote control panel) 1through 6 connectors (8-pin) Connect to the CNU/CCU REMOTE connector on RCP-700 Series Remote Control PanelS using a CCA-5 cable.
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Internal Board
OPERATION +5
NORMAL EMERGENCY
MODE
CHARACTER
SYNC
OFF ON
control
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5) SET/CANCEL switch Selects the displayed item or camera (CAM) when display page 9, 10 or 11 appears on the monitor screen. 6) SYNC ON/OFF switch Selects whether the sync signal is to be added to the video signal output from the CHARACTER connector. At the factory, the switch is set to ON (added). 7) CHARACTER PHASE control Adjusts the horizontal phase of the signal output from the CHARACTER connector, referring to the reference signal. Adjust the phase by monitoring the signal on the monitor screen.
(h) VCS-700
Front panel
POWER
VIDEO SELECTOR
4 PIX A INPUT connector 3 CHARACTER INPUT connectors 2 PIX 1 through PIX 6 INPUT connectors 5 PIX A OUTPUT connector 6 PIX B OUTPUT connector 7 SYNC OUT connector
Rear Panel
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1) POWER switch and indicator This switch turns the power ON and OFF. The indicator illuminates when power is switched on. 2) PIX1 through PIX6 INPUT (picture monitor 1 through 6 input) connectors (BNC type) Accept video signals for a picture monitor. Connect each of these connectors to the PIX2 OUTPUT connector on the CCU-700A/700AP Camera Control Unit. The signal loss of a connecting cable up to about 30 meters (99 feet) long can be compensated with the switch on the internal board. For details, refer to the system manual. 3) CHARACTER INPUT connectors (BNC type) Accept character signals. The input signal is mixed with the signal output from the PIX OUTPUT connector. Connect to the CHARACTER connector on the CNU-700 Camera Command Network Unit. When using two VCS-700 units, connect either of these connectors to the CHARACTER INPUT connector on a second VCS-700. When a bridge connection is not made, be sure to terminate with 75 ohms. 4) PIX A INPUT (picture monitor A input) connector (BNC type) Connect to the PIX A OUTPUT connector on a second VCS-700 when using two or more VCS-700 selectors. 5) PIX A OUTPUT (picture monitor A output) connector (BNC type) Supplies a video signal for a picture monitor. Select the output signal with the camera select buttons on an MSU-700 or by command from the I/O PORT connector on the VCS-700 Video Selector. When using two or more VCS-700 units, connect this connector to the PIX A INPUT connector on each subsequent VCS-700, and a picture monitor to the PIX A OUTPUT connector on the final VCS-700 in the series connection. 6) PIX B OUTPUT (picture monitor B output ) connector (BNC type) Supplies the same video signal for a picture monitor as the PIX A OUTPUT connector. The signal loss of a connecting cable up to about 100 meters (330 feet) long can be compensated with the switch on the internal board. When you connect a picture monitor using a long connecting cable, connect it to this connector. When using two or more VCS-700 units connected in series, connect a picture monitor to the PIX B OUTPUT loop connector on the VCS-700 whose PIX A OUTPUT connector is not used for series connection. For details on cable compensation, refer to the system manual. 7) SYNC OUT (sync signal output) connector (BNC type) Supplies the sync signal for a picture monitor. 8) WF1 through WF6 INPUT (waveform monitor 1 through 6 input) connectors (BNC type) Accept video signals for a waveform monitor. Connect these connectors as required to the WF2 OUTPUT connector on CCU700A/700AP Camera Control Units. The signal loss of a connecting cable up to about 30 meters (99 feet) long can be compensated with the switch on the internal board. For details, refer to the system manual. 9) WF A INPUT (waveform monitor A input) connector (BNC type) Connect to the WF A OUTPUT connector on a second VCS-700 when using two of these units. 10) WF A OUTPUT (waveform monitor A output) connector (BNC type) Supplies the video signal for a waveform monitor. Select the output
signal with the camera select buttons on an MSU-700 or by command from the I/O PORT connector on a VCS-700. When using two or more VCS-700 units, connect this connector to the WF A INPUT connector on each subsequent VCS-700, and a waveform monitor to the WF A OUTPUT loop connector on the VCS-700 which is the last unit in the series connection. 11) WF B OUTPUT ( waveform monitor B output) connector (BNC type) Supplies the same video signal for a waveform monitor as the WF A OUTPUT connector. The signal loss of a connecting up to 100 meters (330 feet) cable long can be compensated with the switch on the internal board. When you connect a waveform monitor using long connecting cable, connect it to this connector. When using two or more VCS-700 units connected in series, connect a waveform monitor to the PIX B OUTPUT connector on the VCS-700 whose WF A OUTPUT loop connector is not used for series connection. For details on cable compensation, refer to the system manual. 12) WF MODE (waveform monitor mode) connector (4-pin) Connect to a corresponding connector on a waveform monitor to view the signals in sequential mode. This connector supplies a staircase signal and sequential ON/OFF control signal. 13) REMOTE connector (8-pin) Connect a CNU-700 Camera Command Network Unit using a CCA-5 cable. 14) I/O PORT (remote control) connector (D-sub 37-pin) Accepts and supplies external control signals. You can select the signals output to a picture monitor and a waveform monitor with an external video selector connected to this connector. The selected input connector number is supplied from this connector. 15) ~AC IN (AC power input) connector Connect to an AC power source using the supplied AC power cord. The power cord can be fixed to the VCS-700 using the supplied plug holder.
10
82
CLOSE button
STANDARD button
7
VF PW button
ALL button
AUTO SETUP
SKIN DTL LEVEL AUTO HUE START/ BREAK
MODE
WHITE BLACK
KNEE OFF
DETAIL LVLDEP GAMMA CHROMA MATRIX OFF OFF OFF OFF OFF
MULTI
5600K
AUTO KNEE
SKIN DETAIL
CHARACTER
CARD
5
STORE
CONFIGURATION
SCENE FILES
MAINTENANCE
ECS
FILE
ON
ACCESS ECS/SHUTTER GAMMA MASTER GAIN
PAINT
ENC
FILTER CTRL
3
ND
5
MASTER BLACK IRIS EXT IRIS/MB ACTIVE AUTO
SEQ
ENC
C
CC
PARA
MULTI TALLY
PANEL ACTIVE
1
EXPAND
10
11
12
window
19 CALL button 18 MASTER BLACK control block 17 IRIS/MB ACTIVE button 16 ECS/Shutter control block (left)
1) All button Press the button so it starts flashing to activate the 13 buttons located to the right (from CAM PW to AUTO SETUP) for all the connected cameras of the same group. Allows simultaneous control of these functions for all connected cameras 2) CAM PW (camera power) button Press this button to turn the power supply to the camera ON. The button illumination flashes until the camera is ready for transmission. When you press this button again the power supply to the camera is turned off and the button flashes again. 3) VF PW (viewfinder power) button Press and illuminate this button to turn the power supply to the viewfinder ON. When you press the button again the illumination and the power supply are turned off. 4) Signal output select buttons Press and illuminate one of these buttons to activate the camera test
83
signal generator and output the selected signal. TEST1: To output a sawtooth signal to test the video circuit. TEST2: To output a staircase signal. BARS: To output a color bar signal.
Note The BARS button takes priority over the other two buttons. If the BARS button is illuminated, press it to turn off the illumination before pressing the TEST1 or TEST2 button.
5) CLOSE (iris close) button Press and illuminate the button to close the lens iris. Press again to release the close mode. 6) STANDARD button When this button is pressed, the camera is initialized to its standard state, the button remaining illuminated for several seconds. If you press the button while it is lit, the cameras returns its state before the button was lit. For details, refer to the system manual.
WHITE
BLACK
(a) Auto adjustment item select buttons Press and illuminate these buttons to select the items to be automatically adjusted. SKIN DTL AUTO HUE: Skin tone detail automatic hue. LEVEL: Gamma balance, knee point, master black level, etc. (b) START/BREAK button Press to start automatic adjustment of the selected items. The button is illuminated during adjustment and the illumination is turned off when the adjustments are complete. If you press the button while it is illuminated, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again. (c) WHITE (white balance) button Press to automatically adjust the white balance. The button is illuminated during adjustment and remains illuminated until the adjustments are completed. If you press this button while it is illuminated, or press the START/BREAK button, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again. (d) BLACK (black balance) button Press to automatically adjust the black balance and black set. The button is illuminated during adjustment and remains illuminated until the adjustments are completed. If you press this button while it is illuminated, or press the START/BREAK button, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again.
Notes * If an error occurs during adjustment, the pressed button flashes. * The leftmost button is for future use and has no current function.
* Middle row (ON when the button is illuminated) KNEE APERTURE: Knee aperture function. KNEE SAT: Knee saturation function. MONO COLOR: Mono color function that replaces the color information of a picture with a single color that can be varied, for example to give a sepia tone effect. COLOR CORRECT: Color correction function for a particular hue range. * Lower row (ON when the button is illuminated) 5600K: 5600K electronic color temperature conversion function AUTO KNEE: Auto knee function. While this button is illuminated (ON), the knee point is automatically adjusted according to the light content of the picture. SKIN DETAIL: Skin tone detail function DETAIL GATE: Skin tone detail gate function. While the button is illuminated (ON), the adjustment range of the skin tone detail is displayed in white on the monitor screen. SATURATION: Saturation function CONTRAST: Contrast function BLACK GAMMA: Black gamma function CHARACTER: System information display function. When this button is illuminated (ON), various information about the entire system is displayed on the monitor connected to the CHARACTER connector of the CNU-700. The display contents can be changed through menu operation. 9) Scene file control block
10
5
STORE
SCENE FILES
8) CAMERA/CCU FUNCTION ON/OFF buttons (a) SCENE FILES buttons While the STORE button is flashing: When you press one of these buttons, the current setting data is stored as a file with the corresponding number. When the STORE button is not illuminated: The stored data is retrieved by pressing and illuminating the button with the desired number. Press the button again to turn the illumination off and continue with the previous status. (b) STORE button To store a scene file, first press this button so that the button starts flashing, then press the SCENE FILES button with the desired number. When file registration is completed, the STORE button illumination is turned off. To cancel registration, press the flashing button again before pressing the SCENE FLIES button. The STORE button illumination is turned off.
KNEE OFF
DETAIL LVLDEP GAMMA CHROMA MATRIX OFF OFF OFF OFF OFF
5600K
AUTO KNEE
SKIN DETAIL
CHARACTER
Various functions of a camera and a CCU-700A/700AP can be turned on and off from this unit. The following switching functions are assigned to 18 of the buttons at the factory, the remaining nine buttons are reserved for future use. * Upper row (OFF when the button is illuminated) KNEE OFF: Knee compensation function. DETAIL OFF: Detail compensation function. LVL DEP OFF: Level dependent function which controls the details in the dark part of a picture. GAMMA OFF: Gamma function. CHROMA OFF: Chroma function. MATRIX OFF: Multi matrix function to enhance color fidelity.
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MULTI
CARD
CONFIGURATION
MAINTENANCE
FILE
PAINT
(a) MODE (mode select) buttons Select menu mode. If you press and illuminate one of these buttons, the menu for the selected mode appears on the EL display. When the illuminated button is pressed its illumination is turned off and the
menu on the display also disappears. MULTI: Multi setting mode to set the requirements for Master/Slave mode to set up multiple cameras in synchronization. CARD: PC card operation mode to set the requirements for using PC cards. Card data can also be duplicated in this mode. CONFIGUARTION: Configuration mode to configure this unit and the entire camera system. MAINTENECE: Maintenance mode. The H and SC phases of the CCU-700A/700AP are set in this mode. FILE: File operation mode. Storing, retrieving and transferring reference files, lens files and scene files in the camera or on a PC card. PAINT: Paint control mode. Various paint items, such as white, black and flare, are adjusted in this mode. (b) Control knobs (rotary encoders) Adjust the selected items on the touch panel. (c) EL display/touch panel Displays the menu selected with the MODE buttons and permits the displayed items to be adjusted. For display example, see the following description.
Menu display Example: when the paint menu is selected (PAINT buttons illuminated).
To clear the adjusted values (see the adjustment display). The names of the items (item groups) are displayed. Press the name of the item (item group) to be adjusted. The pressed name area lights in reverse status and the lower half of the panel becomes the adjustment display.
Clear V Mod Saw Black Detail White Skin Detail Flare Sat/ Contrast Gamma /Knee
Home 1 3
Press to return to the first page of the menu. Press either to flip the pages of the menu. Current page number/Total number of pages (1/3 means that the Paint menu consists of 3 pages in all and that the first page of the menu is displayed at present.)
Adjustment display Example: Gamma/knee adjustment display (when Gamma/ Knee is selected from the paint menu).
Reversed
Clear V Mod Saw Black Detail White Skin Detail Flare Sat/ Contrast Gamma /Knee Home 1 3
The name of the selected item (item group) is displayed. By pressing this area after pressing "Clear" whereupon it is displayed in reverse status, all the adjustment values for the selected item (item group) are initialized to standard.
Gamma/Knee Gamma Black Auto Off Gamma Knee Off Knee Blk Gamma Knee Point Knee Slope Gamma
-28
-21
10
When there are any ON/OFF functions related to the adjustment, the names of the functions are displayed on this line. You can turn these functions on/off by pressing their names in the same manner as with the camera/CCU function ON/OFF buttons.
The adjustment parameters (items) for the selected item (item group) and their adjustment values are displayed. By pressing a value area after pressing "Clear" whereupon it is displayed in reverse status, that adjustment value is initialized to standard.
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Submenu Example: Submenu of Detail (when Detail is selected from the Paint menu).
Detail 1
If the selected item group consists of multiple item groups, a submenu is displayed. Press the desired submenu item (Detail 1, Detail 2 or Detail 3 in this example).
Detail 1 Level
Detail Level Detail Detail 3 Dep Off Off 2 Limiter Crispening Level Dep
-7
42
99
b a
ACCESS
(a) PC card slot Insert a PC card (which conforms to PCMCIA) to store reference files, lens files and scene files of the camera or the CCU-700A/700AP. (b) Eject button Press to eject the inserted PC card. (c) ACCESS indicator This indicator is illuminated green when a PC card is correctly inserted in the PC card slot. The illumination changes to red during data access. If the built-in battery in the PC card is exhausted, this indicator illuminates in orange. For battery replacement, refer to the instructions for the PC card.
12) PICTURE MONITOR button Press to select the output signal from the PIX2 OUTPUT connector of the CCU-700A/700AP. The signal corresponding to the illuminated button is output. R/G/B: Select the R signal, G signal or B signal. These signals can be selected either independently or in combination. When any of these buttons is pressed, the encoder circuit is turned off. ENC (encode): When this button is pressed, the R/G/B circuits are turned off and an encoded signal is output. 13) WAVEFORM MONITOR buttons Press to select the output signal from the WF2 OUTPUT connector of the CCU-700A/700AP. The signal corresponding to the illuminated button is output. R/G/B: Select the R signal, G signal or B signal. These signals can be selected either independently or in combination. When any of these buttons is pressed, the SEQ and ENC circuits are turned off. SEQ (sequence): When this button is pressed, the R/G/B circuits are turned off and the SEQ signal is output. You can monitor the waveforms of the three R, G and B signals in sequence on a waveform monitor. ENC (encode): When this button is pressed, the R/G/B and SEQ circuits are turned off and the ENC signal is output.
10
PARA
MULTI TALLY
PANEL ACTIVE
1
EXPAND
10
11
12
(a) PANEL ACTIVE button Press and illuminate this button to permit the cameras selected with the camera select button to be controlled from this unit. The IRIS/MB ACTIVE button also illuminates. If you press the button when it is lit, the illumination is turned off and the operational panel
of this unit is locked. (b) PARA (parallel mode) button Press and illuminate this button to activate the Parallel mode, which enables simultaneous operation with another control panel. If you press the button when it is lit, the illumination is turned off and the
86
one of these buttons to select the corresponding ND filter. 1: Clear 2: 1/4 ND 3: 1/8 ND 4: 1/16 ND 5: 1/64 ND When the FILTER CTRL button is not illuminated, the button corresponding to the filter selected at the camera is illuminated. (c) CC (color temperature conversion filter select) buttons While the FILTER CTRL button is illuminated, press and illuminate one of these buttons to select the corresponding CC filter. A: Cross filter B: 3200 K C: 4300 K D: 6300 K E: 8000 K When the FILTER CTRL button is not illuminated, the button corresponding to the filter selected at the camera is illuminated. 16) ECS/Shutter control block (left) Gamma control block (center) Master gain control block (right)
a
ECS
ON
ECS/SHUTTER GAMMA MASTER GAIN
b
2 3
ND
C
CC
(a) FILTER CTRL (filter control) button Press and illuminate the button to enable filter selection with the CC and ND filter select buttons of this unit. (b) ND (ND filter select) buttons While the FILTER CTRL button is illuminated, press and illuminate
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(a) ECS (Extended Clear Scan) button Press and illuminate the button to set the camera to ECS mode. Press again and turn off the button illumination to set the camera to Shutter mode. (b) ON button Turns the ECS function on and off (when the ECS button is illuminated) or the shutter function (when the ECS button is not illuminated). The function is ON when this button is illuminated. (c) ECS frequency/Shutter speed select buttons and display window In ECS mode (when the ECS button is illuminated): The selected ECS frequency is displayed in the window. Press to select the desired scan frequency. The frequency increases when the v(up) button is pressed and decreases when the w(down) button is pressed. It continuously changes while either button remains pressed. In Shutter mode (when the ECS button is not illuminated): The denominator of the selected step shutter speed is displayed in the window. Press to select the desired shutter speed. The speed is displayed in the window. Press to select the desired shutter speed. The speed increases when the v(up) button is pressed and decreases when the w(down) button is pressed. It continuously changes while either button remains pressed.
(d) GAMMA select buttons and display window Select the step gamma. The selected value is displayed in the window. The gamma value decreases when the v(up) button is pressed and increases when the w(down) button is pressed. It continuously changes while either button remains pressed.
Note The higher the gamma effect, the lower the value.
green tally signal is sent to the camera, its number is displayed in black against a green background. When both the red and green tally signals are sent simultaneously, the left half of the background is red and the right half is green. 21) Iris control block
IRIS
(e) MASTER GAIN select buttons and display window Select the appropriate video gain according to the illumination of the subject to be shot. The selected value (dB) is displayed in the window. The gain value increases when the v(up) button is pressed and decreases when the w(down) button is pressed. It continuously changes either button remains pressed. 17) IRIS/MB ACTIVE (iris/master black active) button Press and illuminate this button to enable the iris and master black adjustment functions of this unit. When the PANEL ACTIVE button is pressed, this button automatically illuminates. To disable only the iris/master black control block of the panel, press this button so that it is not illuminated. 18) MASTER BLACK control block Turn the control to adjust the master black level. The adjustment value is displayed in the display window. 19) CALL button Press to send a call signal to the camera, on which the CALL button is illuminated. The tally lamps on the camera and the red tally lamp on the CCU-700A/700AP light if they not illuminated, or are turned off if they where illuminated. When the CALL button on the camera is pressed, the CALL button on this unit illuminates and a buzzer sounds. 20) Camera number/tally indication window The number of the camera being controlled from this unit is displayed in orange. When a red tally signal is sent to the camera, its number is displayed in black against a red background. When a
EXT AUTO
(a) EXT (lens extender) indicator Illuminated when the lens extender is in use. (b) IRIS control and display window When the AUTO button is not illuminated, you can adjust the iris manually by turning this control. The adjustment value is shown in f numbers on the display. When the AUTO button is illuminated, the reference value for automatic iris adjustment can be set in a range of +/-1f stop with this control. When the iris is closed, CL is displayed in the window. (c) AUTO button Press and illuminate the button and the iris automatically adjusts to the amount of input light. If you press the button when it is illuminated, the illumination is turned off and manual iris adjustment is enabled.
10
Connector Panel
1 FUSE holder 2 POWER switch 3 ~AC IN connector 4 CCU/CNU REMOTE connector 5 AUX REMOTE connector
1) FUSE holder Accommodates the fuse. 2) POWER switch Turns the power to the unit on and off. 3) ~AC IN (AC power input) connector Connect to an AC power source using the supplied AC power cord. The power cord can be fixed to this unit using the supplied plug holder. 4) CCU/CNU REMOTE (camera control unit/camera command network unit remote) connector (8-pin)
Connect to the RCP/CNU connector of the CCU-700A/700AP or the MSU connector of the CNU-700. 5) AUX REMOTE (auxiliary remote) connector (8-pin) 6) I/O PORT connector (50-pin) Reserved for future use.
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CCU-700A/700AP
AC power source
VCS-700
CHARECTER REMOTE
PIX 2
WF 2
CCU/CNU
AC power source
RCP 1
CCU 1
CCU 1 CCU 2 CCU 3 CCU 4 CCU 5 CCU 6
VCS
MSU
CHARECTER
CHARACTER RS232C AC IN
CNU-500
RCP 1
RCP 2
RCP 3
RCP 4
RCP 5
RCP 6
CS
AUX
REFERENCE
REFERENCE
MSU
RS232C
AC IN
RS-232C cable
AC power source
I/O PORT
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(j) RCP-740/741
Operation Panel
1 STANDARD button 2 Control select block 3 Power and output signal select block
LOCK
PARA MASTER SLAVE
CAM PW VF PW TEST1 TEST2 BARS
AUTO SETUP
SKIN DTL LEVEL AUTO HUE START/ BREAK
STANDARD
5600K
AUTO KNEE
SKIN DETAIL
KNEE SLOPE CONTRAST SKIN PHASE M GAMMA G FLARE DTL LIMITER SKIN WIDTH B GAMMA B FLARE BLK LIMITER DTL CRISP SKIN SAT BLK GAMMA
CLEAR
PAINT LOCK
1
ECS ON
5
STORE
SEQ
ENC
7 Scene file control block (left), Monitor select block (right) 8 ECS/Shutter control block (left), Gamma control block (center), Master gain control block (right), 9 Filter control block 10 White balance/black balance control block
SCENE FILES
MONITOR SELECT
ECS/SHUTTER
GAMMA
MASTER GAIN
3
ND
5
FILTER CTRL
C
CC
10
WHITE
ABSOLUTE
BLACK
RELATIVE
SENS
ALARM
CLOSE
COARSE
CALL AUTO
MASTER BLACK
PANEL ACTIVE
IRIS
CLOSE
AUTO
SENS
CLOSE
OPEN
COARSE
ALARM
2.8 4.0
5.6 8.0 11 15
22 CLOSE
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Note The BARS button takes priority over the other two buttons. If the BARS button is illuminated, press the button to turn the illumination off before pressing the TEST1 or TEST2 button.
WHITE
BLACK
(a) LOCK button Press and illuminate this button to disable controls except those in the iris/master black control block. Press the button again to enable the controls. (b) PARA (parallel mode) button This button is illuminated when the Parallel mode is active, in which simultaneous operation with another control panel is possible. When this button is illuminated, all the buttons and controls on this panel, except for the iris/master black control block, are active - even if the PANEL ACTIVE button is not illuminated. If you press the button when it is illuminated, the illumination is turned off and the Parallel mode is canceled. (c) MASTER and SLAVE buttons When adjusting the white balance of multiple cameras in Master/Slave mode, it is necessary to decide which is to be the master camera and which are to be slave cameras. Press and illuminate the MASTER button to specify the connected camera to be the master. Press and illuminate the SLAVE button to specify the connected camera to be a slave. The slave camera follows the master camera settings. If you press a button when it is illuminated, the illumination is turned off. 3) Power and output signal select block
a b c
(a) Auto adjustment item select buttons Press and illuminate these buttons to select the items to be automatically adjusted. SKIN DTL AUTO HUE: Skin tone detail automatic hue. LEVEL: Gamma balance, knee point, master black level, etc. (b) STRAT/BREAK button Press to start automatic adjustment of the selected items. The button is illuminated until adjustment is complete. If you press the button while it is illuminated, the automatic adjustment is canceled and the button flashes. To stop the flashing, press the button again. (c) WHITE (white balance) button Press to automatically adjust the white balance. The button is illuminated during adjustment and remains illuminated until the adjustments are completed. If you press this button while it is illuminated, or press the START/BREAK button, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again. (d) BLACK (black balance) button Press to automatically adjust the black balance and black set. The button is illuminated during adjustment and remains illuminated until the adjustments are completed. If you press this button while it is illuminated, or press the START/BREAK button, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again.
Notes * If an error occurs during adjustment, the selected button flashes. * The leftmost button is for future use and has no function at present.
(a) CAM PW (camera power) button Press and illuminate this button to turn the power supply to the camera ON. (The button flashes until the camera is ready for transmission.) When you press this button again, it starts flashing and the power supply is turned off. (b) VF PW (viewfinder power) button Press and illuminate this button to turn the power supply to the viewfinder ON. When you press the button again, the illumination goes out and the power supply is turned off. (c) Signal output select buttons Press and illuminated one of these buttons to activate the test signal generator of the camera and send the following signals. TEST1: Send a sawtooth signal to test the video circuits. TEST2: Send a staircase signal. BARS: Send a color bar signal.
5600K
AUTO KNEE
SKIN DETAIL
CHARACTER
Various functions of the camera and the CCU-700A/700AP can be turned on and off from this panel. The following switching functions are assigned to eight of the buttons at the factory. The other two buttons are reserved for future use. Press and illuminate these buttons to turn on the respective function. Press again so that the button is not illuminated to turn off the function. 5600K: 5600K electronic color temperature conversion function AUTO KNEE: Auto knee function. When this button is illuminated, the knee point is automatically adjusted according to the light content of the picture. SKIN DETAIL: Skin tone detail function.
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DETAIL GATE: Skin tone detail gate function. When this button is illuminated, the adjustment range of the skin tone detail is displayed in white on the monitor screen. SATURATION: Saturation function. CONTRAST: Contrast function. BLACK GAMMA: Black gamma function. CHARACTER: Self-diagnostic display function. When this button is illuminated, details of the CCU700A/700AP diagnosis are displayed on the monitor connected to the CHARACTER OUTPUT connector of the CCU-700A/700AP. This information is also mixed with the video signal output from the PIX1 OUTPUT connector. Each time you press this button, the status changes as follows. Off ON (page 1) ON (page2) ... ON (page n) The contents of the self-diagnosis can be displayed as required, even if this button is not illuminated. 6) Paint control block
KNEE POINT SATURATION SKIN DETAIL R GAMMA R FLARE DTL LEVEL KNEE SLOPE CONTRAST SKIN PHASE M GAMMA G FLARE DTL LIMITER SKIN WIDTH B GAMMA B FLARE BLK LIMITER DTL CRISP SKIN SAT BLK GAMMA
with the left three controls. DTL LEVEL/DTL LIMITER/BLK LIMITER/DTL CRISP: To adjust the detail level, detail limiter level, black limiter level and detail crisp level, using the four controls respectively.
Note When the corresponding paint function is not active, the item name is not illuminated in yellow and the item cannot be controlled from this panel.
(d) PAINT LOCK button Press and illuminated the button to disable paint control from this panel. While this button is illuminated, only item switching with the paint item select buttons v and w are enabled. 7) Scene file control block (left) Monitor select block (right)
a b c
5
STORE
SEQ
ENC
SCENE FILES
MONITOR SELECT
b
CLEAR
d
PAINT LOCK
(a) Paint controls (rotary encoders) and LED level markers Adjust the items selected with the paint item select buttons v and w. The LED level markers illuminate to indicate the adjusted value of the respective items. A marker to which an item is not assigned is not illuminated. (b) CLEAR button Press and hold for more than one second to clear the manually adjusted settings of the selected items and continue with the standard settings (which can be defined by the user). (c) Paint item select buttons and indicators Press either the v(up) and w(down) button to illuminate the green indicator corresponding to the paint items to be adjusted. The names of the selected items are illuminated in yellow and can be adjusted using the respective paint controls (rotary encoders). KNEE POINT/KNEE SLOPE: To adjust the knee point and knee slope using the left two controls. SATURATION/CONTRAST: To adjust the saturation and contrast using the left two controls. SKIN DETAIL/SKIN PHASE/SKIN WIDTH/SKIN SAT: To adjust the detail level, phase, bandwidth and saturation of the skin tone, respectively using the four controls. R GAMMA/G GAMMA/B GAMMA: To adjust the gamma balance with the left three controls. R FLARE/B FLARE/G FLARE: To adjust the flare balance
(a) SCENE FILES buttons While the STORE button is flashing: When you press one of these buttons, the current setting data is stored as a file with the corresponding number. When the STORE button is not illuminated: The stored data can be retrieved by pressing and illuminating the button corresponding to the required file number. Press the button to turn the illumination off and continue with the previous status. (b) STORE button To store a scene file, first press this button so that the button starts flashing, then press the SCENE FILES button with the desired number. When file registration is complete, the STORE button is no longer illuminated. To cancel the registration, press the flashing button again before pressing the SCENE FLIES button. The STORE button illumination is turned off. (c) MONITOR SELECT buttons Press to select the output signal from the PIX1 and WF1 OUTPUT connectors of the CCU-700A/700AP. The signal corresponding to the illuminated button is output. R/G/B: Select the R signal, G signal or B signal. The signals can be selected either independently or in combination and are output from the PIX1 and WF1 OUTPUT connectors. When any of these buttons is pressed, the SEQ and ENC circuits are turned off. SEQ (sequential): When this button is pressed, the R/G/B circuits for the WF1 OUTPUT are turned off and the SEQ signal is output from the WF1 OUTPUT connector. You can monitor the waveforms of the R, G and B signals in sequence on a monitor connected to the WF1 OUTPUT connector. The PIX1 OUTPUT connector continues outputting the same signal as it was before this button was pressed. ENC (encode): When this button is pressed, the R/G/B and SEQ circuits for both the WF1 and PIX1 OUTPUTs are turned off. The ENC signal is output from both the WF1 and PIX1 OUTPUT connectors.
10
92
ECS ON
ECS/SHUTTER
GAMMA
MASTER GAIN
(a) ECS (Extended Clear Scan) button Press and illuminate this button to put the camera into ECS mode. Press again and turn off the button illumination to set the camera into Shutter mode. (b) ON button Turns the ECS function on and off (when the ECS button is illuminated) or the shutter function (when the ECS button is not illuminated). The selected function is ON when this button is illuminated. (c) ECS frequency/Shutter speed select buttons and display window In ECS mode (when the ECS button is illuminated): The selected ECS frequency is displayed in the window. Press to select the desired scan frequency. The frequency increases when the v(up) button is pressed and decreases when the w(down) button is pressed. It changes continuously while either button remains pressed. In Shutter mode (when the ECS button is not illuminated): The denominator of the selected step shutter speed is displayed in the window. Press to select the desired shutter speed. The speed increases when the v(up) button is pressed and decreases when the w(down) button is pressed. It changes continuously while either button remains pressed. (d) GAMMA select buttons and display window Selects the step gamma. The selected value is displayed in the window. The gamma value decreases when the v(up) button is pressed and increases when the w(down) button is pressed. It changes continuously while either button remains pressed.
Note The lower the value, the higher the gamma effect.
(a) ND (ND filter select) buttons While the FILTER CTRL button is illuminated, press and illuminate one of these buttons to select the corresponding ND filter. 1: Clear 2: 1/4 ND 3: 1/8 ND 4: 1/16 ND 5: 1/64 ND When the FILTER CTRL button is not illuminated, the illumination of the ND filter select buttons indicates the selection made at the camera. (b) FILTER CTRL (filter control) button Press and illuminate the button to enable the selection of filters with the CC and ND filter select buttons of the panel. (c) CC (color temperature conversion filter select) buttons While the FILTER CTRL button is illuminated, press and illuminate one of these buttons to select the corresponding CC filter. A: Cross filter B: 3200 K (clear) C: 4300 K D: 6300 K E: 8000 K When the FILTER CTRL button is not illuminated, the illumination of the ND filter select buttons indicates the selection made at the camera. 10) White balance/black balance control block
a c
WHITE
ABSOLUTE
BLACK
(e) MASTER GAIN select buttons and display window Select the appropriate video gain for the illumination of the subject to be shot. The selected gain value (dB) is displayed in the window. The gain value increases when the v(up) button is pressed and decreases when the w(down) button is pressed. It continuously changes while either button remains pressed. 9) Filter control block
3
ND
5
FILTER CTRL
C
CC
(a) WHITE (white balance manual adjustment) knobs Used to manually adjust the white balance. From the left, the knobs are for R, G and B signal adjustment. (b) BLACK (black balance manual adjustment) knobs Used to manually adjust the black balance. From the left, the knobs are for R, G and B signal adjustment. (c) ABSOLUTE button Press and illuminate the button to change to the Absolute mode for manual adjustment of the R,G,B and WHITE and BLACK controls. When this button is not illuminated , Relative mode is automatically selected in the following cases. * When an automatic set-up is completed. * When a scene file is retrieved. When the PANEL ACTIVE button is not illuminated, or the PARA, MASTER or SLAVE button is illuminated, Relative mode is operative and Absolute mode is inoperative. 11) Camera number/tally indication window The number of the camera being controlled from this panel is displayed in orange. When a red tally signal is sent to the camera, its number is displayed in black against a red background. When a
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green tally signal is sent to the camera, the number is displayed in black against a green background. When the red and green tally signals are sent simultaneously, the left half of the background is illuminated red and the right half illuminated green. 12) PANEL ACTIVE button Press and illuminate this button to permit the panel to control the camera system (Panel active status). The IRIS/MB ACTIVE button is also illuminated. 13) CALL button
Press to send a call signal to the camera, on which the CALL button illuminates. The tally lamps on the camera and the red tally lamp on the CCU-700A/700AP are illuminated if not already lit, or are turned off if they were already illuminated. When the CALL button on the camera is pressed, the CALL button on this panel illuminates and a buzzer sounds. 14) ALARM indicator Lights when a problem occurs in the camera system. The selfdiagnostic function activates at the camera or the CCU-700A/700AP.
1 IRIS/MB ACTIVE button 2 IRIS RELATIVE button 3 F-number display 4 EXT indicator 12 MASTER BLACK RELATIVE button
RELATIVE
IRIS/MB ACTIVE
RELATIVE
EXT
1.4 2.0
ALARM
CLOSE
CALL AUTO
10
MASTER BLACK
PANEL ACTIVE
IRIS
11 Master black control ring 10 IRIS control lever/preview switch 9 IRIS indicator 8 AUTO button 7 CLOSE button
1) IRIS/MB ACTIVE (iris/master black active) button Press and illuminate this button to enable the iris/master black control block of the panel. When the PANEL ACTIVE button is pressed, this button is also illuminated. 2) IRIS RELATIVE button When the IRIS/MB ACTIVE button is illuminated, the iris adjustment mode can be selected with this button. Press and illuminate the button for Relative mode, or press so that it is not illuminated for Absolute mode. When the IRIS/MB ACTIVE button is not illuminated, Relative mode is automatically selected and this button is not operative. 3) F-number display Displays the f-number of the current iris setting. When the iris is closed, CL is displayed. 4) EXT (lens extender) indicator Illuminated when the lens extender is in use. 5) SENS (sensitivity) control knob Used for manual iris adjustment in Absolute mode. This control is not operative when Relative mode is selected. See the table Iris adjustment functions. 6) COARSE control knob Used for manual iris adjustment. See the table Iris adjustment function. 7) CLOSE (iris close) button Press and illuminate the button to close the iris. 8) AUTO button Press and illuminate the button and the iris automatically adjusts to the amount of input light. If you press the button when it is illuminated, the illumination is turned off and manual iris adjustment is enabled. 9) IRIS indicator The corresponding LED illuminates according to the iris setting. When the IRIS RELATIVE button is not illuminated, the upper and lower limits of the manual adjustment are displayed at a lower luminous level. 10) IRIS control lever/preview switch When the AUTO button is not illuminated, you can adjust the iris manually by moving this lever. When the AUTO button is illuminated, the reference value for automatic iris adjustment can be set in a range of +/-2f stop with this lever. Push it axially to connect
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1 IRIS/MB ACTIVE button 2 IRIS RELATIVE button 3 F-number display 4 EXT indicator 7 CLOSE button 8 AUTO button 5 SENS control knob 6 COARSE control knob
RELATIVE
EXT
1.4 2.0
COARSE
ALARM
2.8 4.0
5.6 8.0 11 15
13 PREVIEW button
22 CLOSE
click position is required, set the line outside the rotation range of the IRIS control. 12) MASTER BLACK control and indicator Manually adjusts the master black level. The adjustment is always performed in Relative mode. The corresponding LED illuminates according to the master black setting. 13) PREVIEW button Connects the preview signal to the PREVIEW connector.
Connector Panel
1 PREVIEW connector 2 CCU/CNU REMOTE connector 3 AUX REMOTE connector 4 I/O PORT connector
PREVIEW
I/O PORT
1) PREVIEW connector (6-pin) Supplies preview signals. Power to light the PREVIEW button of the RCP-741 is provided from an external source, such as a video switcher, through this connector. 2) CCU/CNU REMOTE (camera control unit/camera command network unit remote) connector (8-pin) Connects to the RCP/CNU connector of a CCU-700A/700AP or the RCP connector of a CNU-700 with a CCA-5-36XX cable. 3) AUX REMOTE (auxiliary remote) connector (8-pin) Connects to an RCP-700/701 for remote control of iris and black level at another location. 4) I/O PORT connector (29-pin) Reserved for future use.
10
96
1 Control select block 2 STANDARD button 3 Camera/CCU function ON/OFF buttons 4 ECS/Shutter control block 5 Filter control block 6 MONITOR SELECT buttons
LEVEL
START/ BREAK
WHITE
BLACK
5600K
SAT
KNEE OFF
DTL OFF
ECS ON
ND SEQ
CLEAR
CC ENC
SELECT
SCENE
MONITOR
RECALL
< W H I T E > R G B
DETAIL
SKIN DTL-1
SKIN DTL-2
AUTO
IRIS/MB ACTIVE
RELATIVE
EXT
1.4 2.0
SENS
8 ALARM indicator
ALARM
CALL
22
IRIS
RCP-730
RELATIVE
RELATIVE
IRIS/MB ACTIVE
MASTER BLACK
SENS
8 ALARM indicator
CALL ALARM
9 CALL button
PANEL ACTIVE IRIS
RCP-731
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LOCK
PARA MASTER SLAVE
(a) LOCK button Press and illuminate the button to disable controls except those in the iris/master black control block. Press the button again to enable the controls. (b) PARA (parallel mode) button This button is illuminated when Parallel mode is active, in which simultaneous operation with another control panel is possible. When this button is illuminated, all the buttons and controls on this panel (except for the iris/master black control block) are active, even if the PANEL ACTIVE button is not illuminated. If you press the button when it is illuminated, the illumination is turned off and the Parallel mode is canceled. (c) MASTER and SLAVE buttons When adjusting the white balance of multiple cameras in Master/Slave mode, it is necessary to decide which is to be the master camera and which are to be slave cameras. Press and illuminate the MASTER button to specify the connected camera to be the master. Press and illuminate the SLAVE button to specify the connected camera to be a slave. The slave camera follows the master camera settings. If you press a button when it is illuminated, the illumination is turned off. 2) STANDARD button When this button is pressed, it remains illuminated for several seconds while the camera is initialized to its standard state. If the button is pressed while illuminated, the camera reverts to the state before the button was illuminated. For details, refer to the system manual. 3) Camera/CCU function ON/OFF buttons Various functions of the camera or the CCU-700A/700AP can be turned on and off from this panel. Functions except KNEE OFF, DTL OFF, GAMMA OFF and CHROMA OFF are ON when the respective buttons are illuminated.
monitor connected to the PIX (picture) output of the CCU-700A/700AP. SAT: Saturation function. BLACK GAMMA: Black gamma function. KNEE OFF: Knee compensation function. (OFF when the button is illuminated) DTL OFF: Detail compensation function. (OFF when the button is illuminated) GAMMA OFF: Gamma function. (OFF when the button is illuminated) CHRAMA OFF: Chroma function. (OFF when the button is illuminated) KNEE SAT: Knee saturation function. MONO COLOR: Mono color function which mixes the chroma signals of the signal hue to the luminance signal. The chroma level is modulated according to the luminance signal. COLOR CORRECTOR: Color correction function for a defined hue range. CHARACTER: Self-diagnostic display function. When this button is illuminated, the results of the CCU700A/700AP self-diagnosis are displayed on the monitor connected to the CHARACTER OUTPUT connector of the CCU-700A/700AP. The results are also mixed with the video signal output from the PIX1 OUTPUT connector. Each time you press this button, the status changes as follows. OFF ON (page 1) ON (page 2) ON (page n) The contents of the self-diagnosis can be displayed when required even if this button is not illuminated. 4) ECS/Shutter control block
a
10
ECS ON
ECS/SHUTTER
b
CHAR ACTER
5600K
AUTO KNEE
SAT
KNEE OFF
DTL OFF
GAMMA OFF
KNEE SAT
5600K: 5600K electronic color temperature conversion function AUTO KNEE: Auto knee function. When this button is illuminated, the knee point is automatically adjusted according to the light content of the picture. SKIN DETAIL: Skin tone detail function. DETAIL GATE: Skin tone detail gate function. When this button is illuminated, the adjustment range of the skin tone detail is displayed in white on the
(a) ECS (Extended Clear Scan) button Press and illuminate the button to set the camera to ECS mode. Press again and turn off the illumination to set the camera to Shutter mode. (b) ON button Turns the ECS function on and off (when the ECS button is illuminated) or the shutter function (when the ECS button is not illuminated). The selected function is ON when this button is illuminated. (c) ECS frequency/Shutter speed select buttons and displays window In ECS mode (when the ECS button is illuminated): The selected ECS frequency is displayed in the window. Press to select the desired scan frequency. The frequency increases when the v(up) button is pressed and decreases when the w(down) button is pressed. It
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ND
CC
(a) ND (ND filter select) display Indicates the number corresponding to the selected the ND filter. 1: Clear 2: 1/4 ND 3: 1/8 ND 4: 1/16 ND 5: 1/64 ND (b) ND (ND filter select) buttons Once either button is pressed, both buttons illuminate. Each time you press the buttons, the ND filter setting changes as follows: v: 123451... w: 543215... The filter setting changes when either button remains pressed. (c) CC (color temperature conversion filter select) display Indicates the number corresponding to the selected CC filter. A: Cross filter B: 3200 K (clear) C: 4300 K D: 6300 K E: 8000 K (d) CC (color temperature conversion filter select) buttons Once either button is pressed, both buttons illuminate. Each time you press the buttons, the CC filter setting changes as follows. v: ABCDEA... w: EDCBAE... The filter setting changes while either button remains pressed.
Note Once any of the (b) and (d) buttons has been pressed, all the four buttons illuminate, enabling both the ND and CC filter selections.
7) Camera number/tally indication window The number of the camera being controlled from this panel is displayed in orange. When a red tally signal is sent to the camera, the number is displayed in black and the background of the number illuminates in red. When a green tally signal is sent to the camera, the number is displayed in black and the background of the number illuminates in green. When both the red and green tally signals are sent simultaneously, the left half of the background illuminates in red and the right half illuminates in green. 8) ALARM indicator Illuminates when a problem occurs in the camera system and the self-diagnostic function activates at the camera or the CCU700A/700AP. 9) CALL button Press to send a call signal to the camera, on which the CALL button is illuminated. The tally lamps on the camera and the red tally lamp on the CCU-700A/700AP are illuminated if not already lit, or are turned off if already illuminated. When the CALL button on the camera is pressed, the call button on this panel illuminates and a buzzer sounds. 10) PANEL ACTIVE button Press and illuminate the button to permit this panel to control the camera system (Panel active status). The IRIS/MB ACTIVE button also illuminates. 11) Power and output signal select block
CAM PW
TEST
BARS
(a) CAM PW (camera power) button Press and illuminate this button to turn the power supply to the camera ON. Press and illuminate this button to turn the power supply to the camera ON. (The button flashes until the camera is ready for transmission.) When you press this button again, it starts flashing and the power supply is turned off. (b) Signal output select buttons Press and illuminate one of these buttons to activate the test signal generator of the camera and send the respective signals. TEST: To send a sawtooth signal to test the video circuits. BARS: To send a color bar signal.
Note The BARS button takes priority to the TEST button. If the BARS button is illuminated, press the button to turn the illumination off before pressing the TEST button.
6) MONITOR SELECT buttons Press to select the output signal from the WF1 OUTPUT connector of the CCU-700A/700AP. The signal corresponding to the illuminated button is output. SEQ: (sequential): When this button is pressed, you can monitor the waveforms of the three R, G and B signals, in sequence, on a monitor connected to the WF1 OUTPUT connector. ENC (encode): When this button is pressed, the SEQ circuits for the WF1 OUTPUT are turned off and the ENC signal is output from the WF1 OUTPUT connector.
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AUTO SETUP
SKIN DTL AUTO HUE
LEVEL
START/ BREAK
WHITE
BLACK
(a) Auto adjustment item select buttons Press and illuminate these buttons to select the items to be adjusted
automatically. SKIN DTL AUTO HUE: Skin tone detail automatic hue. LEVEL: Gamma balance, knee point, master black level, etc. (b) START/BREAK button Press to start automatic adjustment of the selected items. The button is illuminated during adjustment and the illumination is turned off when the adjustments are complete. If you press the button while it is illuminated, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again. (c) WHITE (white balance) button Press to automatically adjust the white balance. The button is illuminated during adjustment and remains illuminated until the adjustments are completed. If you press this button while it is illuminated, or press the START/BREAK button, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again. (d) BLACK (black balance) button Press to automatically adjust the black balance and black set. The button is illuminated during adjustment and remains illuminated until the adjustments are completed. If you press this button while it is illuminated, or press the START/BREAK button, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again.
Note If an error occurs during adjustment, the pressed button flashes.
a
CLEAR < W H I T E > R G B
WHITE BLACK GAMMA FLARE KNEE/ KNEE KNEE WHT CLIP POINT SLOPE
DETAIL
SKIN DTL-1
SKIN DTL-2
13) MASTER GAIN buttons and display window Select the appropriate video gain according to the illumination of the subject to be shot. The selected value (dB) is displayed in the window. The gain value increases when the v(up) button is pressed and decreases when the w(down) button is pressed. It continuously changes while either button remains pressed. 14) Scene file control block
a
SCENE
b
RECALL STORE
(a) CLEAR button Press and hold this button for longer than one second to clear the manually adjusted settings of the selected items and to continue with the standard settings. (b) Paint item indication window (LCD display) The selected paint items illuminated are displayed. These displayed items can be adjusted with their respective paint controls (rotary encoders). (c) Paint controls (rotary encoders) and LED level markers Adjust the items selected with the paint item select button. The LED level markers illuminate to indicate the adjusted value of the respective items. A marker to which no item is assigned is not illuminated. (d) Paint item select buttons Press and illuminate the button corresponding to the paint items to be adjusted. The selected items are displayed in the paint items indication window. WHITE (white balance adjustment): For R, G and B white level adjustments.
< W h i t e > R G B
10
(a) SCENE (scene file number) display window The file number selected with the scene file select buttons is displayed. (b) RECALL button To recall a scene file, first specify the number of the desired file with the scene file select buttons, then press this button. When the specified file is correctly recalled, the RECALL button illuminates. (c) Scene file select buttons Press the v(up) or w(down) button to select the desired scene file. When you press both the vandw buttons simultaneously, the current file number is displayed. (d) STORE button To store the current setting in a scene file, first select the desired file number with the scene file select buttons, then press this button.
GAMMA (gamma balance adjustment): For R, B and master gamma level adjustments.
< G a m m a > R M B
100
BLK GAMMA/SAT (black gamma/saturation adjustments): For adjustments of the saturation and black gamma.
< B L K S a t G a m m a > G a m m a
KNEE POINT (Knee point adjustments): For R, G, and B knee point adjustments.
< K n e e R G P o i n t > B
MONO COLOR (mono color adjustments): For adjustments of the saturation and hue of the chroma signal to be mixed with the mono color function.
< M o n o S a t C o l o r > H u e
KNEE SLOPE (Knee slope adjustments): For R, G, and B knee slope adjustments.
< K n e e R G S l o p e > B
DETAIL (detail adjustments): For adjustments of the detail level, detail limiter and level dependence.
< D e t a i L v l L i m i t l > L D e p
COLOR CORRECTOR (color corrector adjustments): For adjustments for the color corrector function. When you press the button once, the amounts of phase compensation (Hue) and the chroma compensation (Saturation) of the color corrector function can be adjusted.
< C o l o r H u e C o r r e c t > S a t
SKIN DTL-1 (skin detail adjustment 1): To adjust the skin detail level with the left control.
< S k i n L e v e l D e t a i l - 1 >
When you press the button twice, the center phase and the width of the range of the color corrector function can be adjusted.
< C o r r e c t P h a s e A r e a > W i d t h
Note This color corrector function is only available with the CCU-
SKIN DTL-2 (skin detail adjustment 2): For adjustments of the phase, width and saturation of skin detail.
< S k i n P h a s e D e t a i l - 2 > W i d t h S a t
Iris/master black control block (RCP-730) 4 CLOSE button 5 AUTO button 6 EXT indicator
CLOSE
AUTO
IRIS/MB ACTIVE
SENS
3 IRIS indicator
5.6 8.0 11 15 22
CLOSE
IRIS
101
1) F-number display Displays the f number of the current iris setting. When the iris is closed, CL is displayed. 2) RELATIVE (iris relative) button When the IRIS/MB ACTIVE button is illuminated, the iris adjustment mode can be selected with this button. Press and illuminate the button for relative mode, or press so that the illumination is turned off for Absolute mode. When the IRIS/MB ACTIVE button is not illuminated, Relative mode is automatically selected and this button is not operative. 3) IRIS indicator The corresponding LED illuminates according to the iris setting. When the RELATIVE button is not illuminated, the upper and lower limits of manual adjustment are displayed here also, but at a lower illumination level. 4) CLOSE (iris close) button Press and illuminate the button to close the iris. 5) AUTO button Press and illuminate the button and the iris automatically adjusts to the amount of input light. If you press the button when it is illuminated, the illumination is turned off and manual iris adjustment is enabled. 6) EXT (lens extender) indicator Lights when the lens extender is in use. 7) IRIS/MB ACTIVE (iris/master black active) button Press and illuminate this button to enable the iris/master black control block of the panel. When the PANEL ACTIVE button is pressed, this button also illuminates.
8) SENS (sensitivity) control knob Used for manual adjustment in Absolute mode. This control is not operative when Relative mode is selected. See the table Iris adjustment functions. 9) COARSE control knob Used for manual iris adjustment. See the table Iris adjustment functions. 10) Master black control ring Turn to manually adjust the master black level. 11) IRIS control lever/preview switch When the AUTO button is not illuminated, you can adjust the iris manually by moving the lever. When the AUTO button is illuminated, the reference value for automatic iris adjustment can be set in a range of +/-1f stop with this lever. Push it axially to connect the key signal for preview at the PREVIEW connector. See the Iris adjustment function. Iris adjustment functions
Relative mode (IRIS RELATIVE button lit) IRIS lever (RCP-730) IRIS control (RCP-731) COARSE control Adjusts the relative value of the iris over 1/4 of the total Sets the range of iris settings Absolute mode (IRIS RELATIVE button not lit) Adjust the iris within the variable range set by the Sets the lower limit for Sets the upper limit for OPEN SENS control Does not function. according to CLOSED value set by the COARSE control.
range from OPEN to CLOSED. SENS and COARSE controls. over which the iris can operate. CLOSED.
10
Iris/master black control block (RCP-731) 1 MASTER BLACK RELATIVE button 2 IRIS RELATIVE button 3 IRIS display 4 CLOSE button 5 AUTO button 6 EXT indicator
EXT
RELATIVE
RELATIVE
1) MASTER BLACK RELATIVE button When the IRIS/MB ACTIVE button is illuminated, the master black adjustment mode can be selected with this button. Press and
illuminate the button for Relative mode, or press and turn the illumination off for Absolute mode. When the IRIS/MB ACTIVE button is not illuminated, Relative mode is automatically selected and
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2) To adjust the LCD display Turn the paint controls (rotary encoders). You can adjust the brightness with the control on the left and the contrast with the control on the right. 3) To exit the LCD-display adjustment mode Press the LOCK and PARA buttons simultaneously.
Note The values set in the LCD-display adjustment mode are stored in memory when the modes are canceled. Be sure to exit this mode before turning off the power.
PREVIEW
(l) RCP-720/721
Operation Panel
1 STANDARD button 2 Control select block 3 Power and output signal select block
LOCK
PARA MASTER SLAVE
AUTO SETUP
CHAR SKIN DTL LEVEL STANDARD ACTER START
5600K
AUTO KNEE
SKIN DETAIL
ECS ON
NO
CC
LK GAMMA
WHITE
DETAIL
10
BLACK/FLARE
FLARE
IRIS/MB ACTIVE
MASTER BLACK
IRIS SENS
CLOSE
AUTO
CLOSE OPEN
CALL ALARM
RCP-720
RELATIVE
RELATIVE
EXT
IRIS/MB ACTIVE
MASTER BLACK
AUTO
SENS
RCP-721
IRIS
1) STANDARD button When this button is pressed, it remains illuminated for several seconds while the camera is initialized to its standard state. If the button is pressed while illuminated, the camera reverts to the state before the button was illuminated. For details, refer to the system manual.
LOCK
PARA MASTER SLAVE
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when the adjustments are complete. If you press the button while it is illuminated, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again. (c) WHITE (white balance) button Press to automatically adjust the white balance. The button is illuminated during adjustment and remains illuminated until the adjustments are completed. If you press this button while it is illuminated, or press the START/BREAK button, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again. (d) BLACK (black balance) button Press to automatically adjust the black balance and black set. The button is illuminated during adjustment and remains illuminated until the adjustments are completed. If you press this button while it is illuminated, or press the START/BREAK button, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again.
Note If an error occurs during adjustment, the selected button flashes.
5) Camera/CCU function ON/OFF buttons Various functions of the camera or the CCU-700A/700AP can be turned on and off from this panel. The following switching functions are assigned to seven of the buttons at the factory, while the extreme right-hand button is reserved for future use. Press and illuminate these buttons to turn on the respective functions. Press again so that the button is not illuminated to turn off the function.
CAM PW
TEST1
BARS
(a) CAM PW (camera power) button Press and illuminate this button to turn the power supply to the camera ON. The button flashes until the camera is ready for transmission. When you press this button again, it starts flashing and the power supply is turned off. (b) Signal output select buttons Press and illuminate one of these buttons to activate the camera test signal generator and send the respective signals. TEST: To send a sawtooth signal to test the video circuits. BARS: To send a color bar signal.
Note The BARS button takes priority to the TEST button. If the BARS button is illuminated, press the button to turn the illumination off before pressing the TEST button.
CHAR ACTER
5600K
AUTO KNEE
SKIN DETAIL
AUTO SETUP
SKIN DTL LEVEL AUTO HUE START/ BREAK
WHITE
BLACK
(a) Auto adjustment item select buttons Press and illuminate these buttons to select the items to be automatically adjusted. SKIN DTL AUTO HUE: Skin tone detail automatic hue. LEVEL: Gamma balance, knee point, master black level, etc. (b) START/BREAK button Press to start automatic adjustment of the selected items. The button is illuminated during adjustment and the illumination is turned off
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5600K: 5600K electronic color temperature conversion function. AUTO KNEE: Auto knee function. When this button is illuminated, the knee point is automatically adjusted according to the light content of the picture. SKIN DETAIL: Skin tone detail function. DETAIL GATE: Skin tone detail gate function. When this button is illuminated, the adjustment range of the skin tone detail is displayed in white on the monitor screen. SATURATION: Saturation function. BLACK GAMMA: Black gamma function. CHARACTER: Self-diagnostic display function. When this button is illuminated, the contents of the selfdiagnosis of the CCU-700A/700AP are displayed on the monitor connected to the CHARACTER OUTPUT connector or the CCU-700A/700AP. The contents are also mixed with the video signal to be output from the PIX1 OUTPUT connector. Each time you press this button, the status changes as follows. OFF ON (page 1) ON (page 2) ON (page n) The contents of the self-diagnosis may be displayed when required even if this button is not illuminated.
CLEAR
(b) STORE button To store a scene file, first press this button so that the button starts flashing, then press the SCENE FILES button with the desired number. When file registration is completed, the STORE button illumination is turned off. To cancel the registration, press the flashing button again before pressing the SCENE FILES button. The STORE button is not illuminated. (8) ECS/Shutter control block (left) Master gain control block (right)
a
PAINT LOCK
d
ECS
(a) CLEAR button Press and hold for longer than one second to clear the manually adjusted settings of the selected items and continue with the standard settings (which can be defined by the user). (b) Paint controls (rotary encoders) and LED level markers Adjust the items selected with the paint item select button. The LED level markers illuminate to indicate the adjusted value of the respective items. A marker to which no item is assigned does not illuminate. (c) Paint item select button and indicators Press the button to illuminate the green indicator corresponding to the paint items to be adjusted. The names of the selected items illuminate in yellow and can be adjusted using the respective paint controls (rotary encoders). SKIN DETAIL/SATURATION: Adjust the detail level of the skin tone with the left control and the saturation with the right control KNEE POINT/KNEE SLOPE/KNEE SAT: Adjust the knee point, knee slope and knee saturation with these three controls. R GAMMA/M GAMMA/B GAMMA: Adjust the gamma balance with these three controls
Note When the corresponding paint function is not active, the yellow indication of the item name does not illuminate and the item cannot be controlled from this panel.
ON
ECS/SHUTTER
MASTER GAIN
(d) PAINT LOCK button Press and illuminate the button to disable paint control from this panel. While this button is illuminated, only item switching with the paint item select button is enabled. 7) Scene file control block
a b
5
STORE
SCENE FILES
(a) ECS (Extended Clear Scan) button Press and illuminate the button to set the camera to ECS mode. Press again and turn off the illumination to set the camera to Shutter mode. (b) ON button Turns the ECS function on and off (when the ECS button is illuminated) or the shutter function (when the ECS button is not illuminated). The function is ON when this button is illuminated. (c) ECS frequency/shutter speed select buttons and display window In ECS mode (when the ECS button is illuminated): The selected ECS frequency is displayed in the window. Press to select the desired scan frequency. The frequency increases when the v(up) button is pressed and decreases when the w(down) button is pressed. It continuously changes while either button remains pressed. In Shutter mode (when the ECS button is not illuminated): The denominator of the selected step shutter speed is displayed in the window. Press to select the desired shutter speed. The speed increases when the v(up) button is pressed and decreases when the w(down) button is pressed. It continuously changes when either button remains pressed. (d) MASTER GAIN select buttons and display window Select the appropriate video gain according to the illumination of the subject to be shot. The selected value (dB) is displayed in the window. The gain value increases when the v(up) button is pressed and decreases when the w(down) button is pressed. It continuously changes while either button remains pressed. (9) Filter control block
a b c d
10
(a) SCENE FILES buttons While the STORE button is flashing: When you press one of these buttons, the current setting data is stored as a file with the corresponding number. When the STORE button is not illuminated: The stored data can be retrieved by pressing and illuminating the button with the desired number. Press the button to turn the illumination off and continue with the previous status.
ND
CC
ND (ND filter select) display Indicates the number corresponding to the selected ND filter. 1: Clear
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a
ABSOLUTE BLK GAMMA
b
WHITE
DETAIL
Turn to adjust the black gamma. (e) DETAIL adjustment knob Turn to adjust the detail level. (f) FLARE button Toggles the black balance adjustment mode and flare balance adjustment mode for the BLACK/FLARE knobs. Press and illuminate the button to select the flare balance adjustment mode. Press the button again so that it is not illuminated to adjust the black balance. 11) Camera number/tally indication window The number of the camera being controlled from this panel is displayed in orange. When a red tally signal is sent to the camera, the number is displayed in black and the background of the number illuminates in red. When a green tally signal is sent to the camera, the number is displayed in black and the background of the number illuminates in green. When both the red and green tally signals are sent simultaneously, the left half of the background illuminates in red and the right half illuminates in green. 12) ALARM indicator Illuminates when a problem occurs in the camera system and the self-diagnostic function activates at the camera or the CCU700A/700AP. 13) PANEL ACTIVE button Press and illuminate the button to permit this panel to control the camera system (Panel active status). The IRIS/MB ACTIVE button also illuminates. 14) CALL button Press to send a call signal to the camera, on which the CALL button is illuminated. The tally lamps on the camera and the red tally lamp on the CCU-700A/700AP illuminate if not lit, or are turned off if they were already illuminated. When the CALL button on the camera is pressed, the CALL button on this panel illuminates and a buzzer sounds.
c
BLACK/FLARE
FLARE
(a) ABSOLUTE button Press and illuminate the button to change to the Absolute mode for manual adjustment of the WHITE, BLACK, BLK GAMMA and DETAIL controls. When this button is not illuminated, Relative mode is automatically selected in the following cases. * When an automatic setup is completed. * When a scene file is retrieved. When the PANEL ACTIVE button is not illuminated, or the PARA, MASTER or SLAVE button is illuminated, Relative mode is always selected and this button is not operative. (b) WHITE (white balance manual adjustment) knobs Used to manually adjust the white balance. From the left, the knobs are for R, G, and B signal adjustment. (c) BLACK/FLARE (black balance/flare balance manual adjustment) knobs Used to manually adjust the black balance (when the FLARE button is not illuminated) or the flare balance (when the FLARE button is illuminated). From the left, the knobs are for R, G, and B signal adjustment. (d) BLK GAMMA (black gamma) adjustment knob
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1 MASTER BLACK display 2 MASTER BLACK RELATIVE button 3 IRIS RELATIVE button 4 IRIS display 7 EXT indicator
RELATIVE RELATIVE
EXT
MASTER BLACK
IRIS SENS
IRIS
1) MASTER BLACK display Displays the current master black setting in the range from -99 to +99. 2) MASTER BLACK RELATIVE button When the IRIS/MB ACTIVE button is illuminated, the master black adjustment mode can be selected with this button. Press and illuminate the button for Relative mode, or press and turn the illumination off for Absolute mode. When the IRIS/MB ACTIVE button is not illuminated, Relative mode is automatically selected and this button is not operative. 3) IRIS RELATIVE button When the IRIS/MB ACTIVE button is illuminated, the iris adjustment mode can be selected with this button. Press and illuminate the button for Relative mode or press so that it is not illuminated for Absolute mode. When the IRIS/MB ACTIVE button is not illuminated, Relative mode is automatically selected and this button is not operative. 4) IRIS display Displays the f number of the current iris setting. When the iris is closed, CL is displayed. 5) CLOSE (iris close) button Press and illuminate the button to close the iris. 6) AUTO button Press and illuminate the button and the iris automatically adjusts to the amount of input light. If you press the button when it is illuminated, the illumination is turned off and manual iris adjustment is enabled. 7) EXT (lens extender) indicator Illuminated when the lens extender is in use. 8) IRIS/MB ACTIVE (iris/master black active) button Press and illuminate this button to enable the iris/master black control block of the panel. When the PANEL ACTIVE button is pressed, this button is also illuminated. 9) SENS (sensitivity) control knob Used for manual iris adjustment in Absolute mode. This control is not operative when Relative mode is selected. See the table Iris
adjustment functions. 10) COARSE control knob Used for manual iris adjustment. See the table Iris adjustment functions. 11) Master black control ring Turn to manually adjust the master black level. The setting is displayed in the MASTER BLACK display. 12) IRIS control lever/preview switch When the AUTO button is not illuminated, you can adjust the iris manually by moving the lever. When the AUTO button is illuminated, the reference value for automatic iris adjustment can be set in a range or +/-1f stop with this lever. Push it axially to connect the key signal for preview at the PREVIEW connector. See the table Iris adjustment functions. Iris adjustment functions
Relative mode (IRIS RELATIVE button lit) IRIS lever (RCP-720) IRIS control (RCP-721) COARSE control Adjusts the iris with relative values within 1/4 of the total Adjust the total from the OPEN to CLOSED in relative values. Does not function. Absolute mode (IRIS RELATIVE button not lit) Adjust the iris within the variable range set by the Sets the lower limit for CLOSED. Sets the upper limit for OPEN SENS control according to the CLOSED value set by the COARSE control.
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1 MASTER BLACK display 2 MASTER BLACK RELATIVE button 3 IRIS RELATIVE button 4 IRIS display 5 CLOSE button 6 AUTO button 7 EXT indicator
RELATIVE RELATIVE
EXT
MASTER BLACK
PREVIEW
CLOSE OPEN
The items 1) through 10) are the same as those shown for the RCP720. 11) IRIS control When the AUTO button is not illuminated, you can adjust the iris manually by turning the control. When the AUTO button is illuminated, the reference value for automatic iris adjustment can be set in a range of +/-1f stop with this control. See the table Iris adjustment functions. 12) Iris gauge The white line on the gauge provides a click position for the IRIS control. Turn the gauge to set the line to the most frequently used iris position, and it can be used as the reference for manual iris adjustment. The gauge rotates infinitely in either direction. When no click position is required, set the line outside the rotation range of the IRIS control. 13) MASTER BLACK control Turn to manually adjust the master black level. The setting is displayed in the MASTER BLACK display. 14) PREVIEW button Connects the preview signal to the PREVIEW connector.
Connector Panel
REMOTE
CCU/CNU AUX
PREVIEW
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(m) RCP-700/701
Operational Panel
1
RCP-700
PANEL ACTIVE WHITE BLACK CALL
4 5
WHITE
BLACK
6
SLAVE
EXT
BLACK knobs EXT indicator IRIS/MB ACTIVE button SENS control knob
MASTER
7 8
12 AUTO button
AUTO
IRIS/MB ACTIVE
13 Camera number/
9
SENS
COARSE
ALARM
11 ALARM indicator
10
RCP-701
PANEL ACTIVE WHITE BLACK CALL
4 5
WHITE
BLACK
6
SLAVE
EXT
BLACK knobs EXT indicator IRIS/MB ACTIVE button SENS control knob
MASTER
7 8
IRIS/MB ACTIVE
9
SENS
11 ALARM indicator
17 PREVIEW button
Parts common to the RCP-700/701 Items 1) through 13) are common to the RCP-700 and RCP-701. 1) PANEL ACTIVE button Press and illuminate the button to permit this panel to control the camera system (Panel active status). The IRIS/MB ACTIVE button
also illuminates. 2) WHITE (white balance) button Press to automatically adjust the white balance. The button is illuminated during adjustment and remains illuminated until the adjustments are completed. If you press this button while it is
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3) BLACK (black balance) button Press to automatically adjust the black balance and black set. The button is illuminated during adjustment and remains illuminated until the adjustments are completed. If you press this button while it is illuminated, or press the START/BREAK button, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again.
Note If an error during adjustment, the pressed button flashes.
4) CALL button Press to send a call signal to the camera, on which the CALL button is illuminated. The tally lamps on the camera and the red tally lamp on the CCU-700/A700AP are illuminated if they were not lit, or are turned off if they were already illuminated. When the CALL button on the camera is pressed, the CALL button on this panel illuminates and a buzzer sounds. 5) WHITE (white balance manual adjustment) knobs Used to manually adjust the white balance. Adjust the R and B signals, respectively. 6) BLACK (black balance manual adjustment) knobs Used to manually adjust the black balance. Adjust the R and B signals, respectively. 7) EXT (lens extender) indicator Lights when the lens extender is in use. 8) IRIS/MB ACTIVE (iris/master black active) button Press and illuminate this button to enable the iris/master black control block of the panel. When the PANEL ACTIVE button is pressed, this button also illuminates. 9) SENS (sensitivity) control knob Used for manual iris adjustment. See the table Iris adjustment functions. 10) COARSE control knob Used for manual iris adjustment. See the table Iris adjustment functions. 11) ALARM indicator Lights when a problem occurs in the camera system and the selfdiagnostic function is activated at the camera or the CCU700A/700AP. 12) AUTO button Press and illuminate the button and the iris automatically adjusts to the amount of input light. If you press the button when it is illuminated, the illumination is turned off and manual iris adjustment is enabled. 13) Camera number/tally indication window (incorporated with MASTER/SLAVE indications) The number of the camera being controlled from this panel is displayed in orange. When a red tally signal is sent to the camera, its number is displayed in black against a red background. When a green tally signal is sent to the camera, the number is displayed in black against a green background. When the red and green tally signals are sent simultaneously, the left half of the background is illuminated red and the right half illuminated green. In Master/Slave mode, to adjust the white balance of multiple cameras the upper-left (MASTER) corner is illuminated orange when the camera being
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controlled from this panel is designated as the master unit, and the upper-right (SLAVE) corner is illuminated orange when designated as a slave unit. RCP-700-exclusive features 14) Master black control ring Turn to manually adjust the master black. 15) IRIS control lever/preview switch When the AUTO button is not illuminated, you can adjust the iris manually by moving this lever. When the AUTO button is illuminated, the reference value for automatic iris adjustment can be set in a range of +/-1f stop with this lever. Push it axially to connect the key signal for preview at the PREVIEW connector. See the table Iris adjustment functions. Iris adjustment functions
IRIS lever (RCP-700) IRIS control (RCP-701) COARSE control SENS control Adjust the iris within the variable controls. Sets the lower limit for CLOSED. Sets the upper limit for OPEN according to the CLOSED value set by the COARSE control.
RCP-701-exclusive features 14)MASTER BLACK control Turn to manually adjust the master black. 15)IRIS control When the AUTO button is not illuminated, you can adjust the iris manually by turning the control. When the AUTO button is illuminated, the reference value for automatic iris adjustment can be set in a range of +/-1f stop with this control. See the table Iris adjustment functions. 16) Iris gauge The white line on the gauge provides a click position for the IRIS control. Turn the gauge to set the line to the most frequency used iris position, and it can be used as the reference for manual iris adjustment. The gauge rotates infinitely in either direction. When no click position is required, set the line outside the rotation range of the IRIS control. 17) PREVIEW button Connects the preview signal to the PREVIEW connector. Connector Panel
PREVIEW
REMOTE
1) PREVIEW connector (6-pin) Supplies preview in. The RCP-701 receives the power from an external source, such as a video switcher, to illuminate the PREVIEW button through this connector. 2) REMOTE connector (8-pin) Connect to the RCP/CNU connector of a CCU-700A/700AP, the RCP connector of a CNU-700 or the AUX connector of another RCP Series Remote Control Panel.
(n) RM-B150
Operation Panel
VTR START/STOP
ND
11 GAIN selector
FILTER
OUTPUT
GAIN
KNEE
M GAMMA
A B
DETAIL
AWB PRE
WHITE
ABB
BLACK
10
8 Iris/master black control block
MASTER BLACK
IRIS
MENU
SELECT DISPLAY ON OFF MENU CANCEL ENTER
SHUTTER
ECS
S-EVS
(a) SHUTTER button (amber illumination) Press and illuminate the button to set the camera to Shutter mode. The current shutter speed is shown on the display of the menu operation block for a few seconds. In Shutter mode, the shutter speed is adjusted with the menu select knob (rotary encoder).
(b) ECS (Extended Clear Scan) button (amber illumination) Press and illuminate the button to set the camera to ECS mode. The current ECS frequency is shown on the display of the menu operation block for a few seconds. In ECS mode, the ECS frequency is adjusted with the menu select knob (rotary encoder). (c) S-EVS (Super EVS) button (amber illumination) Press and illuminate the button to set the camera to S-EVS mode. The current S-EVS value is shown on the display of the menu operation block for a few seconds. In S-EVS mode, the S-EVS value is adjusted with the menu select knob (rotary encoder).
Notes * When you change the shutter speed, ECS frequency or S-EVS value in the
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a b
1 2 3 4 5 ND
ABCDE CC
c d
(c) M GAMMA (master gamma) control The control is specified at the factory to adjust the master gamma. However, you can use the RM Configuration menu to change the function that is adjusted with this control. (d) DETAIL control The control is specified at the factory to adjust the detail level. However, you can use the RM Configuration menu to change the function that is adjusted with this control.
Note The adjustment mode of the above three controls is specified at the factory as Relative mode, which can be changed to Absolute mode using the RM Configuration menu. The center click position of each control is the reference position in Relative mode. The adjustment range in Relative mode is also selected using the menu. See Settings on the RM Configuration Menu.
FILTER
(a) ND (ND filter) indicators The indicator corresponding to the currently selected ND filter illuminates. (b) ND (ND filter select) button Press and illuminate the button when it is not lit (Filter camera control mode) to enable filter selection from this unit. When this button is illuminated, the ND filter cyclically changes in the sequence of 123451... each time it is pressed. (c) CC (color temperature conversion filter) indicators The indicator that corresponds to the currently selected CC filter is illuminated. (d) CC (color temperature conversion filter select) button Press and illuminate the button when it is not lit (Filter camera control mode) to enable filter selection from this unit. When this button is illuminated, the CC filter cyclically changes in the sequence of ABCDEA... each time it is pressed.
Notes * Once you press any of the filter select buttons, both buttons illuminate. The illumination is switched off when filter selection is made on the camera. * The choice of filters that can be selected depends on the camera being used. For available filters, refer to the Operation Manual of the camera. * For a camera with four filters, you can change the function of this button to skip 5 or E and switch from 4 to1 or from D to A using the RM Configuration menu. However, when the connected camera has an automatic filter-detection facility, setting with the RM Configuration menu is not required. See Settings on the RM Configuration Menu.
A B
AWB PRE
WHITE
AUTO KNEE
KNEE
M GAMMA
DETAIL
(a) WHITE (white balance) controls Adjusts the R/B white balance. The adjustment mode of these controls is specified at the factory as Relative mode, which can be changed to Absolute mode using the RM Configuration menu. See Settings on the RM Configuration Menu. (b) A (memory A) button (amber illumination) Press and illuminate the button to obtain the white balance setting stored in memory A of the camera (Memory A mode). When this button is illuminated, adjustments made to the white balance are stored in memory A. Press the button again to release Memory A mode. (c) B (memory B) button (amber illumination) Press and illuminate the button to obtain the white balance setting stored in memory B of the camera (Memory B mode). When this button is illuminated, adjustments made to the white balance are stored in memory B. Press the button again to release Memory B mode. (d) AWB (auto white balance) button (red illumination) Press to start automatic adjustment of the selected items. The button is illuminated during adjustment and this is turned off when adjustment is complete. If you press the button while it is illuminated, the automatic adjustment is canceled and the button flashes. To stop it flashing, press the button again. (e) PRE (preset) button (amber illumination) Press and illuminate the button to fix the white balance to 3200K (Preset mode). Press the button again to release Preset mode.
Note In Preset mode, manual adjustment with the WHITE controls and automatic adjustment with the AWB button are both disabled. When the adjustment mode of the WHITE controls is specified as Absolute mode, the Memory A, B and AWB buttons are disabled.
(a)AUTO KNEE button (amber illumination) This button is specified at the factory to turn the auto knee function on and off. Press and illuminate the button to turn the auto knee function on. However, you can use the RM Configuration menu to change the function that is turned on/off with this button (b) KNEE control The control is specified at the factory to adjust the master knee point. However, you can use the RM Configuration menu to change the function that is adjusted with this control.
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BLACK
(a) BLACK (black balance) controls These controls are specified at the factory to adjust the R/B black balance. Using the RM Configuration menu, you can change the function of these controls to adjust the R/B flare balance. The adjustment mode of these controls is specified at the factory as Relative mode, which can also be changed to Absolute mode using the menu. See Settings on the RM Configuration Menu. (b) ABB (auto black balance) button (red illumination) Press to automatically adjust the black balance and black set. The button is illuminated during adjustment and this is turned off when adjustment is completed. If you press this button when it is illuminated, the automatic adjustment is canceled, and the button flashes. To stop the flashing, press the button again.
Note When the adjustment mode of the BLACK controls is specified as Absolute mode, automatic black balance adjustment with the ABB button is disabled.
e f MASTER BLACK
IRIS
6) ACTIVE button (green illumination) Press to select the control mode for the connected camera system. Each time you press the button with the factory setting, the control mode cyclically switches between FULL, PART, and LOCK modes. FULL mode: All controls from this unit are enabled (panel active status). Both this button and the IRIS/MB ACTIVE indicator in the iris/master black control block are illuminated. PART mode: Controls only from the iris/master black control block are enabled (iris/master black active status). This button is not illuminated, but the IRIS/MB ACTIVE indicator stays lit. LOCK mode: All controls from this unit are disabled (lock status). Neither this button nor the IRIS/MB ACTIVE indicator in the iris/master black control are illuminated. Using the RM Configuration menu, the function of this button can be changed to switch only between FULL and LOCK modes. The RM Configuration menu operation is possible in any mode. See Settings on the RM Configuration Menu. 7) STANDARD button (green illumination) When this button is pressed, it remains illuminated for several seconds while the camera is initialized to its standard state. If the button is pressed while illuminated, the camera reverts to the state before the button was illuminated. For details, refer to the system manual.
(a) MASTER BLACK control Manually adjusts the master black level. The adjustment mode of this control is specified at the factory as Absolute mode, which can be changed to Relative mode using the RM Configuration menu. See Settings on the RM Configuration Menu. (b) EXT (lens extender) indicator (amber illumination) Lights when the lens extender is in use. (c) AUTO button (amber illumination) Press and illuminate the button to automatically adjust the iris according to the amount of input light. If you press the button when it is illuminated, this is turned off and manual iris adjustment is enabled. (d) IRIS/MB ACTIVE (iris/master black active) indicator (green illumination) Illuminated when the control mode is set as FULL or PART mode with the ACTIVE button. When this indicator is illuminated, iris/master black controls from this unit are enabled. (e) IRIS control When the AUTO button is not illuminated, you can adjust the iris manually by turning this control. When the AUTO button is illuminated, you can fine-adjust the reference value for automatic iris adjustment in a range of +/-2 f stops with this control. The adjustment mode of this control is specified at the factory as Absolute mode, which can also be changed to Relative mode using the RM Configuration menu. See Settings on the RM Configuration Menu. (f) Iris gauge Turn the gauge to set the white line to the most frequency used iris position, and it can be used as the reference for manual iris adjustment. 9) VTR control block Controls VTR operations.
a b c
10
VTR START/STOP
REW STOP
d
w w
(a)
REW (rewind) button (amber illumination): Press this button to start a rewind operation. The button is
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10) OUTPUT selector Selects the output signal from the connected camera. CAM: Picture output BARS: Color bar signal TEST: Test signals for a video circuit check (the signal is selected using the RM Configuration Menu). See Settings on the RM Configuration Menu. 11) GAIN (master gain) selector Selects the video gain from three values (LOW, MID, HIGH) according to the illumination of the subject to be shot. Normally, these three gain settings are those chosen in the camera set-up. Alternative gain settings may be defined by using the configuration menu of the RM-B150 Operation Panel. See Settings on the RM Configuration Menu. 12) MENU operation block
a b
When this switch is pushed in the w direction, while holding the CANCEL/ENTER switch at ENTER, the Detail menu is selected. The RM Configuration menu is switched off by pushing this switch in the v direction. (c) DISPLAY switch For control of the cameras menu. ON: Shows the character display function of the camera. OFF: Shows the character display function of the camera. MENU: Sets the camera into the camera menu mode. (d) CANCEL/ENTER switch To register or cancel a menu item or value selection. (e) Menu select knob (rotary encoder) In normal operation, the shutter speed, ECS frequency or S-EVS value can be adjusted with this knob. In the cameras menu mode, the knob is used for camera menu operations. On the RM Configuration menu, turn the knob to select menu categories, subcategories, set items, set values and other information on the menu display. For operations on the RM Configuration menu, see Settings on the RM Configuration Menu. For operations on the cameras menu, refer to the Operation Manual of the camera or the System Manual. Note that menu mode may not be operable on some cameras. For details, ask your Sony dealer. Connector Panel
w w
CAMERA
MONITOR
MENU
SELECT DISPLAY ON OFF MENU CANCEL ENTER
(a) Menu display (8 columns) In normal operation mode, the display illuminates to show the shutter speed, ECS frequency or S-EVS value only when the shutter control block is operated. When you select the RM Configuration menu, the display shows menu items, set values, and various information depending on operations. (b) RM Configuration switch Selects the RM Configuration menu. When this switch is pushed in the w direction, the Basic menu is selected.
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1) CAMERA connector (8-pin) Connect to the camera using the supplied remote cable. 2) MONITOR connector (BNC) Connect to a color monitor to observe the signal from the camera. Settings on the RM Configuration Menu The RM-B150 is provided with an RM Configuration Menu mode. This enables you to select and adjust the function of the buttons and
controls on the panel and to check various information. At the beginning of an RM Configuration menu operation, select Basic menu or Detail menu and proceed with operations as desired. Operation For menu operations, use the menu operation block of the unit (see the page to the left). To start the menu operation To select the Basic menu Push the RM Configuration switch in the wdirection. The menu display shows Cbl Comp (the first category of the Basic menu). To select the Detail menu Push the RM Configuration switch in the wdirection while holding the CANCEL/ENTER switch toward ENTER. The menu display shows Mode Set (the first category of the Detail menu).
Note The RM Diag category of the Detail menu is used to display various information, to check operations and reset the menu. For items for which the operation procedure differs, the procedure is discussed in the corresponding Contents column. To make settings on the menu 1 Turn the menu select knob until the required category appears on the display. Example: Mode Set...VR Setup 2 Push the CANCEL/ENTER switch toward ENTER to register your selection made in step 1. The first subcategory of the selected category appears. Example: Knee If there is no subcategory belonging to the selected category, the first setting (or display) item of that category appears on the display (proceed to step 5). 3 Turn the menu select knob until the desired subcategory appears on the display. Example: Knee...Iris 4 Push the CANCEL/ENTER switch toward ENTER to register your selection made in step 3. (Pushing toward CANCEL reverses the operation.) The first setting item of the selected subcategory and its current setting appear. Example: Ctrl : Abs
5 Turn the menu select knob until the desired setting (or display) item appears on the display. Example: Ctrl : Abs...Min : Cls For a setting item, make your setting. 6 Push the CANCEL/ENTER switch toward ENTER to register your setting made in step 5. 7 Turn the menu select knob until the desired category appears on the display. Example: Min : Cls...Min : 22 8 Push the CANCEL/ENTER switch toward ENTER to register your setting made in step 7. (Pushing toward CANCEL cancels the setting in step 7.) To continue setting items, repeat steps 5 to 8. To end the menu operation Push the RM Configuration switch in the vdirection.
Notes * If an operation has not been made in Menu mode after one minute, the menu automatically exits. * Values set on the RM Configuration menu are stored in memory when you exit the menu operation. Be sure to exit the operation before turning the power off.
Basic Menu (An underlined item under Setting indicates the factory setting.)
Category Subcategory Cbl Comp Bright Buzzer Item Len LED Disp Lvl Out Setting Contents cable compensation circuit 10 to 99 (50) 10 to 99 (50) 0 to 99 (50) On, Off Sets the brightness of the LEDs on the control panel Sets the brightness of the menu display Sets the sound volume of the buzzer Turns buzzer output on and off 10m, 50m, 100m Sets the cable length for the
10
116
117
(An Underlined item under Setting indicates the factory setting.) Category Subcategory M Black Item Item Scal Iris Ctrl Scal Min Max Mode Rel, Abs 1/1, 1/2, 1/4 Rel, Abs 1/1, 1/2, 1/4 Cls, 22 to 1.0 Cls, 22 to 1.0 (1.4) RM, CAM Setting Contents Selects the adjustment mode of the M BLACK control knob. Rel: Relative mode, Abs: Absolute mode Selects the adjustment range of the M BLACK control knobs in Relative mode. The adjustment range is set as a fraction of the entire variable range. Selects the adjustment mode of the IRIS control. Rel: Relative mode, Abs: Absolute mode Selects the adjustment range of the IRIS control in relative mode. The adjustment range is set as a function of the entire variable range. Sets the minimum adjustment value (f) in Absolute mode. Sets the maximum adjustment value (f) in Absolute mode. Selects the variable range mode in Absolute mode. RM: The iris is adjusted within the min. and max. values set on this menu. CAM: The iris is automatically adjusted according to the iris file data of the camera. (effective only with a camera equipped with an automatic detection facility) RM Diag System COM OK, Sens, Open Shows the communication status of the command port (CAMERA connector). OK: Normal Sens: Communication is not possible. Open: No connector connected. Obj ...., CHU, CCU, CNU Shoes the connected device. ....: None CHU: Camera head CCU: Camera control unit CNU: Camera network unit DIP SW S1-1 S1-2 S1-3 S1-4 S1-5 S1-6 S1-7 S1-8 Pnl Test On, Off On, Off On, Off On, Off On, Off On, Off On, Off On, Off Shows DIP switch S1-1 status (S1=CPU-266 board S1) Shows DIP switch S1-2 status (S1=CPU-266 board S1) Shows DIP switch S1-3 status (S1=CPU-266 board S1) Shows DIP switch S1-4 status (S1=CPU-266 board S1) Shows DIP switch S1-5 status (S1=CPU-266 board S1) Shows DIP switch S1-6 status (S1=CPU-266 board S1) Shows DIP switch S1-7 status (S1=CPU-266 board S1) Shows DIP switch S1-8 status (S1=CPU-266 board S1) Executes the panel test. To set the unit in Test mode, push the CANCEL/ENTER switch towards ENTER with this subcategory selected (Pnl Test displayed). In Test mode, the test of switches, LEDs and volumes can be made. To release Test mode, push the RM Configuration switch in the holding the CANCEL/ENTER switch at ENTER. Version Displays the version information. To display the information, push the CANCEL/ENTER switch towards ENTER with this subcategory selected (Version displayed). The ROM version of this unit is displayed (The display can be scrolled with the menu select knob). To cancel the version display, push the CANCEL/ENTER switch towards CANCEL. Preset ALLReset Returns (resets) all the settings made by the RM Configuration menu to the factory settings. Operating procedure:
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direction while
1. Push the RM Configuration switch in the ENTER. All Reset flashes on the display.
selected (All Reset displayed) while holding the CANCEL/ENTER switch at 2. Push the CANCEL/ENTER switch towards ENTER .OK flashes on the display. 3. Push again the CANCEL/ENTER switch towards ENTER. 4. Reset is executed. 5. When reset is completed, Complete appears for several seconds. By pushing the CANCEL/ENTER switch towards CANCEL in step 3, the reset operation can be canceled. *1 Which value may be selected depends on the camera being used.
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Tilt knob
PEAKING control
5 4
Red tally lamps
BRIGHT control
PEAKING switch
PEAKING
BRIGHT
R
ON
OFF
CONTRAST
G
POWER ON
G
SCAN SIZE NORMAL
OFF
NARROW
9 8 7
Lift-lock release knob
11 10
CONTRAST control
POWER/DEGAUSS switch
12
Up-tally lamp
13
Camera connector
119
1) Tilt knob Adjust for the desired tilt friction. 2) PEAKING control Enhances the edge sharpness of the displayed image when the PEAKING switch 3) is set to ON. The adjustable range is from 0 dB to more than 15 dB. This control has no effect on the video output signal from the camera. 3) PEAKING switch ON: The PEAKING control 2) is activated and the edge sharpness of the picture can be enhanced. OFF: The PEAKING control is deactivated. The peaking control can be turned off with a control signal sent from the camera even if the PEAKING switch is set to ON. 4) Red tally lamps Illuminate when the camera accepts a red tally signal. The brightness of these lamps is adjustable with an internal control. 5) BRIGHT control Adjusts the picture brightness. This control has no effect on the video output signal from the camera. 6) Tilt lock lever Pushing the lever forward toward the lens locks the viewfinder. Moving it back toward the camera operator allows the tilt friction to be adjusted with the tilt knob 1). 7) Lift-lock release knob Releases the lock on the viewfinder position. Pull the knob and the lock is released so that the viewfinder position can be raised to the middle or top position from the factory-set standard position. 8) POWER/DEGAUSS switch OFF (lower): The power supply to the viewfinder is turned off. ON (center): The power supply to the viewfinder is turned on.
DEGAUSS (upper): When an external magnetic field affects color reproduction, keep the switch at this position until the correct color is obtained. This takes about one second. 9) Green tally lamps Illuminate when the camera accepts a green tally signal. The brightness of these lamps is adjustable with an internal control. 10) SCAN SIZE switch NORMAL: The screen size is normal. Generally use this position. NARROW: The screen size is reduced by 80 % of the normal size. Use this position when monitoring a picture at a distance from the viewfinder when the optional outdoor hood is attached. The function of this switch is changed by a control signal from the camera or by setting the internal switch appropriately. The aspect ratio can be changed to 4:3 or 16:9 with this switch. 11) CONTRAST control Adjusts the picture contrast. This control has no effect on the video output signal from the camera. 12) Up-tally lamp Functions the same as the red tally lamps 4). To deactivate this lamp, set the UP TALLY switch on the camera to OFF. * To adjust the brightness of the up-tally lamp, refer to the operation manual provided with the camera. * To display the camera number, attach one of the supplied plates, numbered from 0 through 9. 13) Camera connector (D-sub 25-pin) Connects to the viewfinder connector on the camera.
10
60
30
30
40
Upper position
Tilting the viewfinder The range of adjustment can be changed by altering the position of the lift-lock release knob.
120
1 2 3
7 8 9
PEAKING
BRIGHT
R
ON
OFF
CONTRAST
POWER ON
R
OFF
R
NARROW
4 5 6
10 11
12
Up-tally lamp
1) PEAKING control Used for control compensation (peaking) of the picture when the PEAKING selector is set to ON. Compensation increases as the control is turned clockwise. The compensation ranges from 0 to
121
more than 15 dB. 2) PEAKING selector Allows control compensation with the PEAKING control when this selector is set to ON. When it is set to OFF, the PEAKING control
does not function, and compensation is equivalent to 0 dB. 3) Tilt knob Adjusts the tilt function. 4) Lift-lock release knob Allows the viewfinder to be raised from the standard factory preset position (the lower position) to the middle or top position (the angle of the viewfinder is only adjustable at these positions). Adjust the height of the viewfinder while pulling the release knob. 5) POWER switch ON: The power of the viewfinder is turned on. (Normal position) OFF: The power of the viewfinder is turned off. 6) Green tally lamps These illuminate when the camera receives a green tally signal. The brightness of these lamps is adjustable with an internal control. 7) Red tally lamps These illuminate when the camera receives a red tally signal. The brightness of these lamps is adjustable with an internal control. 8) BRIGHT control Used to adjust the picture brightness. This controls has no effect on
the video output signal from the camera. 9) Tilt lock lever Pushing the lever forward toward the lens locks the viewfinder. Moving it back toward the camera operator allows the tilt friction to be adjusted with the tilt knob 3). 10) CONTRAST control Adjusts the picture contrast. 11) SCAN SIZE switch NORMAL: The screen size is normal. NARROW: The screen size is 80 % of normal. 12) Up-tally lamp Functions the same as the red tally lamps on the viewfinder screen. This lamp does not illuminate when the UP TALLY switch on the camera is set to OFF. * To adjust the brightness of this lamp, refer to the manual for the camera. * One of the supplied number plates (0 through 9) can be attached to this lamp.
60
10
25
25
40
122
Up-tally lamp (red) Set UP TALLY switch to ON. The lamp lights in the same way as the R tally lamp. The supplied number plate can be attached to this.
12-pin connector Connects to a video camera's VF connector, using the supplied connecting cable. Power and video/tally signals are supplied through this connector.
Center marker V control Adjusts the vertical position of the center marker within 5% of the screen size. down V Center marker H control Adjusts the holizontal position of the center marker within 5% of the screen size. left H MARKER switch* Setting this switch to ON displays the center marker and safety zone indicatior (ON/OFF by internal switch). CONTRAST knob* Adjusts the contrast of the viewfinder picture. BRIGHT knob* Adjusts the brightness of the viewfinder picture. PEAKING switch and knob* Setting this switch to ON and turning the knob corrects viewfinder image. Used to adjust the focus on the video camera. *These controls do not affect the output signal of the video camera.
123
up
right
UP TALLY switch When this switch is set to ON, the UP TALLY lamp lights in the same way as the R tally lamp.
Adjusting the Angle of the Viewfinder 1. Set the tilt lock lever to the friction position. 2. Adjust the friction by turning the knob.
3. Adjust the tilt. After setting the tilt position, set the tilt lock lever to the lock position.
10
Tilt knob
40 degrees Loosen
40 degrees
124
11 Specifications
BVP-900 (with OHB-750A installed)
Input connectors MIC in Ref in DC in RET control Output Connectors Test out Prompter Video out Viewfinder connector DC out (script) Intercom AC utlity out Input/output connectors CCU Lens VTR Tracker Remote1 General Msss (Approx.) Dimensions (Approx.) Power consumption Operating temperature Storage temperature Suuplied accessories Angle adjustment fittings Front cover Number plate Belt for cable clamp Operation manual Maintenance manual Optional accessories BVF-77, 7-inch monochrome viewfinder BVF-7700, 7-inch color viewfinder VFH-770, 7-inch viewfinder sport hood BKP-7911/7912, Script holder BKP-7910, Standalone kit OHB-750A/750WSA/730/730WS, Integrated imaging capsule Extension board BKP-9901, System Manual Recommended equipment CCU-700A, Camera control unit MSU-700, Master setup unit RCP-740/741/730/731/720/721/700/701, Remote control panel VCS-700, Video selector CNU-700/500, Camera command network unit x2 x1 for up tally (x1), for side panel (x2), for rear panel (x1) x2 x1 x1 20 kg (44 lb 1 oz) 442 (L) x 381 (H) x 368 (W) mm (17 1/2 x 15 x 14 1/2 inches) TBD -20C to +45C (-4F to +113F) -20C to +50C (-4F to +122F) Kings type 36-pin 26-pin (with an optional standalone kit, BKP-7910) 10-pin 8-pin (for RCP-700 series) BNC type, 1.0 Vp-p, 75 ohms BNC type, 1.0 Vp-p, 75 ohms, input/output BNC type, 1.0 Vp-p, 75 ohms, (with an optional standalone kit, BKP-7910) D-sub 25-pin 4-pin, 5 W/12 VDC XLR-5-pin (Female) x 2, input/output Max. 200 VA Operating tempertature Storage temperature Supplied accessories Operation manual Maintenance manual 16:9/4:3 coversion board Optional accessories CA-570, Camera adaptor for CCU-700A/550 CA-550/1, Camera adaptor for CCU-700A/550 CA-553, Camera adaptor for use with BVV-5/DNV-5 CA-530, Camera adaptor for SDI output OHB-750A/750WSA/730/730WS, Integrated imaging capsule VCT-14, Tripod adaptor BVF-10/20W/C10W, Viewfinder BKP-9901, System manual x1 x1 (supplied with OHB-750WSA/730WS) XLR-3-pin (Female) x 2, phantom +48 V, Line BNC type(with an optional standalon kit, BKP-7910) XLR-4-pin (Male, with an optional standalone kit, BKP-7910) 6-pin
125
Specifications
11
126
11 Specifications
OHB Specifications
OHB-750A Pickup device system Device configuration Picture elements Optical spacifications Specuram system Servo control Color filter-A Color filter-B Color filter-C Color filter-D Color filter-E ND filter-1 ND filter-2 ND filter-3 ND filter-4 ND filter-5 Electrical characteristic Sensitivity Minimum subject illumination S/N rato Horizontal resolition Vertical resolution Geometric distortion Shutter speed selection Gain selection Clear scan selection Modulation depth at 5 MHz Power consumption (with BVP-950) DC input range General Operating temperature Storage temperature -20C to +45C (-4F to +113F) -20C to +50C (-4F to +122F) -20C to +45C (-4F to +113F) -20C to +50C (-4F to +122F) -20C to +45C (-4F to +113F) -20C to +50C (-4F to +122F) -20C to +45C (-4F to +113F) -20C to +50C (-4F to +122F) F 8.0 at 2000 lx (3200K 89.9 % reflectance) 7.8 lx (F1.4 +18 dB Gain up) 65 dB 900 TVL 400 TVL 450 TVL (with EVS or Super EVS) 1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000 s -3, 0, +3, +6, +9, +12, +18 dB 30.4 ~ 7000 Hz 80 % (Typical) 20 W 10.5 to 17 VDC F 10.0 at 2000 lx (3200K 89.9 % reflectance) 5 lx (F1.4 +18 dB Gain up) 65 dB 900 TVL 400 TVL 450 TVL (with EVS or Super EVS) 1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000 s -3, 0, +3, +6, +9, +12, +18 dB 30.4 ~ 7000 Hz 80 % (Typical) 20 W 10.5 to 17 VDC 1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000 s -3, 0, +3, +6, +9, +12, +18 dB 60.1 ~ 7000 Hz 80 % (Typical) 20 W 10.5 to 17 VDC 1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000 s -3, 0, +3, +6, +9, +12, +18 dB 60.1 ~ 7000 Hz 80 % (Typical) 20 W 10.5 to 17 VDC F 10.0 at 2000 lx (3200K 89.9 % reflectance) 5 lx (F1.4 +18 dB Gain up) 65 dB 900 TVL 400 TVL F 10.0 at 2000 lx (3200K 89.9 % reflectance) 5 lx (F1.4 +18 dB Gain up) 65 dB 900 TVL 400 TVL F 1.4 prism system Yes Cross 3200K 4300K 6300K 8000K Clear 1/4 ND 1/8 ND 1/16 ND 1/64 ND F 1.4 prism system Yes Cross 3200K 4300K 6300K 8000K Clear 1/4 ND 1/8 ND 1/16 ND 1/64 ND F 1.4 prism system Yes Cross 3200K 4300K 6300K 8000K Clear 1/4 ND 1/8 ND 1/16 ND 1/64 ND F 1.4 prism system Yes Cross 3200K 4300K 6300K 8000K Clear 1/4 ND 1/8 ND 1/16 ND 1/64 ND 3-chip 2/3-inch FIT CCD 4:3 Standard 1038 (H) x 504 (V) 3-chip 2/3-inch FIT CCD 16:9/4:3 Switchable 1038 (H) x 504 (V) 3-chip 2/3-inch IT CCD 4:3 Standard 1038 (H) x 504 (V) 3-chip 2/3-inch IT CCD 16:9/4:3 Switchable 1038 (H) x 504 (V) OHB-750WSA OHB-730 OHB-730WS
Below measurable level (w/o lense) Below measurable level (w/o lense) Below measurable level (w/o lense) Below measurable level (w/o lense)
127
Specifications
11
128
11 Specifications
BVF-7700, 7-inch Color Viewfinder
General Power requirements Power consumption Operating temperature Storage temperature Operating humidity Storage humidity Dimensions Mass CRT CRT Effective size Luminance Horizontal resolution Color temperature Geometric distortion Convergence High-voltage regulation High voltage Input Input voltage Signal input Signal Color system Video signal DC playback Frequency response Peaking Sync Sync signal Line pull range Horizontal: more than +/-500 Hz Vertical: more than -10 Hz Line hold range: +/-500 Hz Supplied accessories Indoor hood Number plate Fuse Screws x1 x1 x1 x2 Back poach type Back poach level: Peaking value 3 % 100 Hz to 6 MHz (+/-3 dB) 0 dB to more than 15 dB (4 MHz) Supplied accessories Indoor hood Number plate Screws Fuse x1 x1 x2 x1 NTSC,PAL (automatic,preset) Power consumption Mass Dimensions 10.5 to 17.0 VDC R/B: 0.7 Vp-p, with sync, 75 ohms terminated G: 1.0 Vp-p, with sync, 75 ohms terminated Blanking time Retrace time 7-inch super fine-pitch Trinitron tube 70-degree deflection, 125 (W) x 94 (H) mm 116 (W) x 87 (H) mm DC restoration more than 154 cd/m2 (45 FL) 420 lines at center, 300 lines at corner 6500K + 8MPCD Zone A: less than 1 %, Zone B: less than 2 % Zone A: less than 0.2 mm, Zone B: less than 0.3 mm less than 1.0 % 16 kV (nominal) Frequency response Apature correction Synchronization Deflection and high-voltage section 12 VDC 38 W -20C to +45C (-4F to +113F) -20C to +55C (-4F to +131F) 20 % to 90 % 20 % to 70 % 265 (W) x 188 (H) x 359 (D) mm (10 1/2 x 7 1/2 x 14 1/4 inches) 6.3 kg (13 lb 14 oz) Brightness Resolution Geometric distortion EHT regulation EHT voltage Power sources Video input Picture size
129
Specifications
11
130
11 Specifications
BVP-900P (with OHB-750AP installed)
Input connectors MIC in Ref in DC in RET control Output Connectors Test out Prompter Video out Viewfinder connector DC out (script) Intercom AC utlity out Input/output connectors CCU Lens VTR Tracker Remote1 General Msss (Approx.) Dimensions (Approx.) Power consumption Operating temperature Storage temperature Supplied accessories Angle adjustment fittings Front cover Number plate Belt for cable clamp Operation manual Maintenance manual Optional accessories BVF-77CE, 7-inch monochrome viewfinder BVF-7700P, 7-inch color viewfinder VFH-770, 7-inch viewfinder sport hood BKP-7911/7912, Script holder BKP-7910P, Standalone kit OHB-750AP/750WSAP/730P/730WSP, Integrated imaging capsule Extension board BKP-9901, System Manual Recommended equipment CCU-700AP, Camera control unit MSU-700, Master setup unit RCP-740/741/730/731/720/721/700/701, Remote control panel VCS-700, Video selector CNU-700/500, Camera command network unit x2 x1 for up tally (x1), for side panel (x2), for rear panel (x1) x2 x1 x1 20 kg (44 lb 1 oz) 442 (L) x 381 (H) x 368 (W) mm (17 1/2 x 15 x 14 1/2 inches) TBD -20C to +45C (-4F to +113F) -20C to +50C (-4F to +122F) Fischer type 36-pin 26-pin (with an optional standalone kit, BKP-7910P) 10-pin 8-pin (for RCP-700 series) BNC type, 1.0 Vp-p, 75 ohms BNC type, 1.0 Vp-p, 75 ohms, input/output BNC type, 1.0 Vp-p, 75 ohms, (with an optional standalone kit, BKP-7910P) D-sub 25-pin 4-pin, 5 W/12 VDC XLR-5-pin (Female) x 2, input/output Max. 200 VA Operating tempertature Storage temperature Supplied accessories Operation manual Maintenance manual 16:9/4:3 coversion board Optional accessories CA-570P, Camera adaptor for CCU-700AP/550P CA-550P/1, Camera adaptor for CCU-700AP/550P CA-553, Camera adaptor for use with BVV-5PS/DNV-5 CA-530, Camera adaptor for SDI output OHB-750AP/750WSAP/730P/730WSP, Integrated imaging capsule VCT-14, Tripod adaptor BVF-10CE/20WCE/C10W, Viewfinder BKP-9901, System manual x1 x1 (supplied with OHB-750WSAP/730WSP) XLR-3-pin (Female) x 2, phantom +48 V, Line BNC type(with an optional standalon kit, BKP-7910P) XLR-4-pin (Male, with an optional standalone kit, BKP-7910P) 6-pin
131
Specifications
11
132
11 Specifications
OHB Specifications
OHB-750AP Pickup device system Device configuration Picture elements Optical spacifications Specuram system Servo control Color filter-A Color filter-B Color filter-C Color filter-D Color filter-E ND filter-1 ND filter-2 ND filter-3 ND filter-4 ND filter-5 Electrical characteristic Sensitivity Minimum subject illumination S/N rato Horizontal resolition Vertical resolution Geometric distortion Shutter speed selection Gain selection Clear scan selection Modulation depth at 5 MHz Power consumption (with BVP-950) DC input range General Operating temperature Storage temperature -20C to +45C (-4F to +113F) -20C to +50C (-4F to +122F) -20C to +45C (-4F to +113F) -20C to +50C (-4F to +122F) -20C to +45C (-4F to +113F) -20C to +50C (-4F to +122F) -20C to +45C (-4F to +113F) -20C to +50C (-4F to +122F) F 8.0 at 2000 lx (3200K 89.9 % reflectance) 7.8 lx (F1.4 +18 dB Gain up) 63 dB 900 TVL 480 TVL 530 TVL (with EVS or Super EVS) 1/60, 1/125, 1/250, 1/500, 1/1000, 1/2000 s -3, 0, +3, +6, +9, +12, +18 dB 25.4 ~ 9000 Hz 80 % (Typical) 20 W 10.5 to 17 VDC F 10.0 at 2000 lx (3200K 89.9 % reflectance) 5 lx (F1.4 +18 dB Gain up) 63 dB 900 TVL 480 TVL 530 TVL (with EVS or Super EVS) 1/60, 1/125, 1/250, 1/500, 1/1000, 1/2000 s -3, 0, +3, +6, +9, +12, +18 dB 25.4 ~ 9000 Hz 80 % (Typical) 20 W 10.5 to 17 VDC 1/60, 1/125, 1/250, 1/500, 1/1000, 1/2000 s -3, 0, +3, +6, +9, +12, +18 dB 50.2 ~ 9000 Hz 80 % (Typical) 20 W 10.5 to 17 VDC 1/60, 1/125, 1/250, 1/500, 1/1000, 1/2000 s -3, 0, +3, +6, +9, +12, +18 dB 50.2 ~ 9000 Hz 80 % (Typical) 20 W 10.5 to 17 VDC F 10.0 at 2000 lx (3200K 89.9 % reflectance) 5 lx (F1.4 +18 dB Gain up) 63 dB 900 TVL 480 TVL F 10.0 at 2000 lx (3200K 89.9 % reflectance) 5 lx (F1.4 +18 dB Gain up) 63 dB 900 TVL 480 TVL F 1.4 prism system Yes Cross 3200K 4300K 6300K 8000K Clear 1/4 ND 1/8 ND 1/16 ND 1/64 ND F 1.4 prism system Yes Cross 3200K 4300K 6300K 8000K Clear 1/4 ND 1/8 ND 1/16 ND 1/64 ND F 1.4 prism system Yes Cross 3200K 4300K 6300K 8000K Clear 1/4 ND 1/8 ND 1/16 ND 1/64 ND F 1.4 prism system Yes Cross 3200K 4300K 6300K 8000K Clear 1/4 ND 1/8 ND 1/16 ND 1/64 ND 3-chip 2/3-inch FIT CCD 4:3 Standard 1038 (H) x 594 (V) 3-chip 2/3-inch FIT CCD 16:9/4:3 Switchable 1038 (H) x 594 (V) 3-chip 2/3-inch IT CCD 4:3 Standard 1038 (H) x 594 (V) 3-chip 2/3-inch IT CCD 16:9/4:3 Switchable 1038 (H) x 594 (V) OHB-750WSAP OHB-730P OHB-730WSP
Below measurable level (w/o lense) Below measurable level (w/o lense) Below measurable level (w/o lense) Below measurable level (w/o lense)
133
Specifications
11
134
11 Specifications
BVF-7700P, 7-inch Color Viewfinder
General Power requirements Power consumption Operating temperature Storage temperature Operating humidity Storage humidity Dimensions Mass CRT CRT Effective size Luminance Horizontal resolution Color temperature Geometric distortion Convergence High-voltage regulation High voltage Input Input voltage Signal input Signal Color system Video signal DC playback Frequency response Peaking Sync Sync signal Line pull range Horizontal: more than +/-500 Hz Vertical: more than -10 Hz Line hold range: +/-500 Hz Supplied accessories Indoor hood Number plate Fuse Screws x1 x1 x1 x2 Back poach type Back poach level: Peaking value 3 % 100 Hz to 6 MHz (+/-3 dB) 0 dB to more than 15 dB (4 MHz) Supplied accessories Indoor hood Number plate Screws Fuse x1 x1 x2 x1 NTSC,PAL (automatic,preset) Power consumption Mass Dimensions 10.5 to 17.0 VDC R/B: 0.7 Vp-p, with sync, 75 ohms terminated G: 1.0 Vp-p, with sync, 75 ohms terminated Blanking time Retrace time 7-inch super fine-pitch Trinitron tube 70-degree deflection, 125 (W) x 94 (H) mm 116 (W) x 87 (H) mm DC restoration more than 154 cd/m2 (45 FL) 420 lines at center, 300 lines at corner 6500K + 8MPCD Zone A: less than 1 %, Zone B: less than 2 % Zone A: less than 0.2 mm, Zone B: less than 0.3 mm less than 1.0 % 16 kV (nominal) Frequency response Apature correction Synchronization Deflection and high-voltage section 12 VDC 38 W -20C to +45C (-4F to +113F) -20C to +55C (-4F to +131F) 20 % to 90 % 20 % to 70 % 265 (W) x 188 (H) x 359 (D) mm (10 1/2 x 7 1/2 x 14 1/4 inches) 6.3 kg (13 lb 14 oz) Brightness Resolution Geometric distortion EHT regulation EHT voltage Power sources Video input Picture size
135
Specifications
11
136
11 Specifications
MSU-700, Master Setup Unit
General Power requirements Current consumption Maxmum cable length Operating temperature Dimensions Mass Inputs/outputs Remote I/O port AC IN Supplied accessories AC power cord Spare fuse Operation manual Maintenance manual x1 x1 x1 x1 Plug holder for AC power cord x1 CCU/CNU: 8-pin multi-connector AUX: 8-pin multi-connector 50-pin 3-pin In United States: 100 to 120 VAC, 50/60 Hz In other countries: 220 to 240 VAC, 50/60 Hz For USA and Canada: Max. 0.45 A For other countries: Max. 0.30 A 200 m (656 ft) 0C to +45C (+32F to +113F) 482 (W) x 222 (H) x 67 (D) mm (19 x 8 3/4 x 2 3/4 inches) 4.5 kg (9lb 15 oz) Mass Input and output connectors CCU 1 through 6 RCP 1 through 6 MSU VCS AUX 1 and 2 CHARACTER REFERENCE RS232C AC IN Suplied accessories AC power cord Plug holder for the AC power cord Operation manual Maintenance manual x1 x1 x1 x1 8-pin multi-connector (1 each) 8-pin multi-connector (1 each) 8-pin multi-connector (1) 8-pin multi-connector (1) 8-pin multi-connector (1 each) BNC type (2), video: 0.7 Vp-p, sync: 0.3 Vp-p BNC type (2), 0.3 Vp-p with loop-through output D-sub 9-pin 3-pin (1) Current consumption Operating temperature Dimensions
137
Specifications
11
138
Sony Corporation
MK7171V1SMC99JAN