Beruflich Dokumente
Kultur Dokumente
Amanda Drobney
English
Assignment #2
15 June 2009
“…we see the black memoirist’s tale as a part of a larger, subsuming saga – an entry in the vast
multivolume project of Narrating the Negro.”
– Henry Louis Gates, Jr.
To be able to better understand the cultural setting in which the events depicted in this essay took
place, one must possess at least basic knowledge about what kind of social environment the
streets of urban America represented in the mid 70’s. Despite the fact that by the time a fairly
stable legal equality had been established, abolishment of private acts of racial discrimination
was still rather an endeavor, than an accomplishment. In his essay, “Black Men in Public Space”,
Brent Staples provides a valuable account which shatters long-standing stereotypes about what it
means being an African-American in the years following the Second Reconstruction era (1950s
and 1960s), about the “black experience” commonly associated with poverty, violence and
crime. Taking into consideration the Staples’ reputation as holder of one of journalism’s most
prestigious jobs, editor at the New York Times, the essay has a rather dramatic overture. He gives
a detailed description of a night sidewalk encounter with a white woman, which he refers to as
“my first victim”. This woman immediately identifies him as a menace, and makes a run to
safety. It is only in the following paragraph that he explains becoming aware of the awkward
legacy that has been bestowed upon him. The fact that he is assumed to be dangerous merely
DROBNEY 2
because of his skin color clearly offends him. Ironically, being considered a threat brings about a
potential risk to his own safety. Having grown up in the core of rural gang conflicts in Chester,
this is something he is entirely aware of. Throughout his adolescence, he had practiced the
survival technique of being a shadowy figure in violent and socially deteriorating surroundings.
Similarly, he would now reconsider his actions, to handle with appropriate delicacy the situations
he is involuntarily getting himself into. Since the preconceptions and stereotypes have a deeper
root in society, the street remains not for long the only place where he is troubled because of the
color of his skin. Security mistakes him for a burglar, a retailer almost lets the dog on him when
he approaches, and drivers lock the doors on crossroads. In time, he grows to accept the
alienation imposed by the way he is treated, but still acknowledges the discomfort coming from
it.
Decades of selective perception had altered the collective consciousness, and he, as a trained
influence the situation otherwise, he turns the sidewalk experience into a game he himself calls
“Scatter the pigeons” and takes advantage of the pre-established stereotypes by humming
classical melodies in order to appear less threatening. Overall, the author offers his version of the
“black experience” in which he highlights the social inequality and the seemingly benign form of
discrimination taking place precisely in the turmoil of the Civil Rights Movement aftermath.
Portraying a fragment of his uneasy journey from his dysfunctional rural home, through the
ghetto and all the way to the elite of the white world, he presents his tiny, yet noteworthy bit of
the bigger picture - the Negro Narrative. However, the author objects to being regarded as a
“black memoirist” for he believes that being black only enriches his experience but is far from