Chord & Key Transposition Chart / Based on Dominant Scale (Dominant Scale = Maj Scale with bVII7) II2

b3 III3 IV4 b5 V5 +5 VI6 VII7 Maj 7 R/VIII8 IX9 X10 XI11 Note of the Key => R/I1 Key v 1st 2nd 3rd 4th 5th 6th 7th 8th 9th 11th A -3# A Bb B C C# D Eb E F F# G G# A Bb B C C# D Eb Bb - 2b Bb B C Db D Eb E F Gb G Ab A Bb B C Db D Eb E B/Cb-5#/7b B C C# D Eb E F F# G G# A Bb B C C# D Eb E F C C C# D Eb E F F# G G# A Bb B C C# D Eb E F F# C#/Db-7#/5b C# D Eb E F F# G G# A Bb B C C# D Eb E F F# G D - 2# D Eb E F F# G G# A Bb B C C# D Eb E F F# G G# Eb - 3b Eb E F Gb G Ab A Bb B C Db D Eb E F Gb G Ab A E - 4# E F F# G G# A Bb B C C# D Eb E F F# G G# A Bb F - 1b F Gb G Ab A Bb B C Db D Eb E F Gb G Ab A Bb B F#/Gb-6#/6b F# G G# A Bb B C C# D Eb E F F# G G# A Bb B C G - 1# G G# A Bb B C C# D Eb E F F# G G# A Bb B C C# Ab - 4b G# A Bb B C C# D Eb E F F# G G# A Bb B C C# D A - 3# A Bb B C C# D Eb E F F# G G# A Bb B C C# D Eb R/I1 II2 III3 IV4 The Chord played in this key is: Maj min min Maj Maj min Maj Major Chord: Dominant 7th Chord: 6th Chord: Maj 7th Chord: Maj 13th Chord:
Modes: Ionian => Maj Scale Mixolydian => Dominant Scale Pentatonic Scale: 1, 2, 3, 5, 6
R/I => Root / I Note

XII12 E F F# G G# A Bb B C C# D Eb E V5 F Gb G G# A Bb B C Db D Eb E F

XIII13 13th F# G G# A Bb B C C# D Eb E F F# VI6

I, III, V Minor Chord: I, III, V, VII7 *Sus 4 Chord: I, III, V, VI 6/9 Chord: I, III, V, #VII7 Maj 9th Chord: I, III, V, #VII7, XI11, XIII13
Dorian => b3, 7 (b7 in Maj scale) Aeolian => b3, b6, 7 (b7 in Maj Scale)

I, bIIIb3, V Minor Chord / Maj 7: I, bIIIb3, V, #VII7 I, IV, V Minor 11th Chord: I, bIIIb3, V, VII7, XI11 I, III, V, VI6 IX9 13th Chord: I, III, V, VII7, IX9, XIII13 I, III, V, VII7, IX9
O

Diminished 7th Chord:**

I, bIIIb3, bVb5, bVIIb7 or I, bIIIb3, bVb5, VI6

Phrygian => b2, b3, 7 (b7 in Maj scale) Lydian => #4, Maj7 Locrian => b2, b3, b5, b6, 7 (b7 in Maj scale)

Note: - "The chord played in this key is:" means that if you play a chord beginning with this note it will be a Major or minor chord. For instance if you play the root note chord it will be the major chord. If you play a III, it will be a minor chord.

*Suspended 4th means that the 3rd note of the scale is suspended or removed and the 4th note of the scale is added in its place. b or - => flatted 1/2 step; b => flat;
O

=> diminished;

bb => double flat => down two half steps

# or + => raised 1/2 step; # => Sharp, + => Augmented **NOTE!: The bVII in the Diminished 7th is a bVII in the Dominant Scale, which would be a bbVII in the Major Scale. Any note of the Diminished 7th Chord may be the Root Note In other words, O C= OEb = OF# = OA because they are evenly spaced across the scale (Each note is +3 Half Steps above the previous note; 3 half steps X 4 notes = 12 half steps); Consequently it doesn't matter which note you start on, all four chords have the same four notes. Circle of Fifths - Clockwise: C,G,D,A,E,B(Cb),F#(Gb),Db(C#), Ab,Eb,Bb,F,C / C-0#,G-1#,D-2#,A-3#,E-4#,B(Cb)-5#/7b,F#(Gb)-6#/6b,Db(C#)-5b/7#, Ab-4b,Eb-3b,Bb-2b,F-1b,C-0b