Before and After 0632

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brochures
teeny-tiny
Design
As small as a business card, theyre
classy and irresistibly cute!
Continued
2 of 11
Before&After
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Design teeny-tiny brochures
Unique brochures fold to business-card size and will please your
audience with their clarity and brevity.
This brochure packs a full-size impression into a tiny space! It has a real cover, fold-open
panels and the rened look of a big brochure, but in a miniature, go-anywhere size! Its cute,
fun to design, inexpensive to print and quick to read. Heres how to make one.
3
1
2
2
Fits a shirt pocket or purse Open once . . . Open twice. Its handsome, brief and goes anywhere a business card can go.
The Sacramento Ballet
51
SEASON
Before&After
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February
CARMINA BURANA
Feb 0912, 2006
Based on bawdy poems written by 13th
century monks extolling the joys of spring,
the extravagances of drink and the carnal
On with the show!
Design a tiny page as you would a full-size page, but simplied. A minimal grid, neutral
background and low-key typography convey clarity and sophistication.
Ron Cunningham &
Carinne Binda
Artistic Directors
www.sacballet.com
51
SEASON
Ron Cunningham &
Carinne Binda
Artistic Directors
February
CARMINA BURANA
Feb 0912, 2006
Based on bawdy poems written by
13th century monks extolling the joys
of spring, the extravagances of drink
and the carnal pleasures of young
love, Carmina Burana explodes with
provocative sensuality. Sacramento
Ballets signature work, with live music
and full chorus, is sure to sell out.
March
SCHEHERAZADE
Mar 30Apr 12, 2006
Scheherazade is a spellbinding tale
that weaves together the enchanting
stories of A Thousand and One Arabian
Nights. Kathryn Posins irresistible
choreography and Rimsky-Korsakovs
lush and exotic score evoke the vi-
brancy of an opulent Arabian culture
including the legendary characters
of Sinbad the Sailor and Aladdin and
the Magic Lamp. Accompanied by
George Balanchines Concerto Barocco
and Septime Webres D-Construction.
April
MODERN MASTERS
Apr 28May 07, 2006
Discover the next generation of mas-
ter choreographers with compelling
new works that explore and extend
the boundaries of dance. Contribut-
ing to the Sacramento Mozart Festi-
val, this program will include a World
Premiere created by Amy Seiwert.
Write concisely. Make your points quickly and clearly. A simple lay-
out will aid readability; start at a hangline, and set three neat columns
without wraps, aligned left.
Hangline
Design the space.
Left-aligned copy
leaves most of this
panel open. Resist
the temptation to ll
it up. This is designed
space that creates an
artistic pause before
the text begins.
Light cond.
Bold caps
Bold U&lc
Light U&lc
Set clear type. In such a small space
there is no need to SHOUT for atten-
tion. Use subtle typographic differences
to convey your message quietly. Note,
above, the differences in typestyle, case,
weight and color that set each line apart
from the others.
Before&After
4 of 11
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51
SEASON
October
DRACULA
Oct 2730, 2005
Dracula returns to haunt your dreams
with erotic passion and searing drama.
Showing with George Balanchines The
Four Temperaments and Trey McIntyres
The Illuminations.
December
THE NUTCRAKER
Dec 1024, 2005
Sacramentos most cherished holiday
tradition enchants and inspires the
child in us all. Get sweept away with
Clara on her fantastic voyage to the
magical Land of the Sugar Plum Fairy.
Performances accompanied by the
Sacramento Philharmonic Orchestra.
RON CUNNINGHAM
Artistic Director
Tel: 916.555.1897 x 100
Fax: 916.555.1887
E-mail: rcunningham@sacballet.org
Sacramento Ballet
1631 K Street
Sacramento, CA 95814
Tel: 916.555.1847
Fax: 916.555.1853
E-mail: info@sacballet.org
www.sacballet.org
Free to move Ballet is light, airy, free.
To convey this, remove the dancer from
her photographic frame, which changes
a static block into an organic form and
allows the readers eye to move out-
ward into the space. Her off-the-edge
cropping suggests that theres more
happening just beyond our view.
Business card
Unify with color
Light blue color covers front and back panels. Its middle value (dark-light) allows
both dark and light type to be used for beautifully soft contrast.
Color Use color to divide the brochure into two sections: light blue outside and gray
inside; note that white is common to both. Then alternate the colorssome blue on
the gray and some gray on the blueto unify them beautifully.
Before&After
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Template A: Double fold
3
1
2
Trim to size and fold.
Note the right panel is
slightly narrower than
the others.
5
15
16
Sheet size (5
15
16 x 3
1
2)
Final size (2 x 3
1
2)
2 2 1
15
16
Before&After
6 of 11
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St. Josephs
Catholic School
Pocket promotion
Do you need to grow your school but have a shoestring budget? Share the love!
Give supportive parents these single-fold brochures to hand out everywhere!
Front A handsome introduction
Back Contact information and map Inside The school in brief. Classy and convenient
Before&After
7 of 11
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At St. Josephs your children come rst. We offer a
balanced program of worship, academic excellence
and exercise in a safe, nurturing environment.
Visit us. Meet our faculty. Tour our facilities. And
let us answer all of your questions and concerns.
For The Children
Faculty Texture and asp net exating end mist
of it snooling. Spaff forl isnt cubular but quastic,
leam restart that cant prebast. Its tope, this
uant chasible in chack.
Facilities Elesara and order is fay of alm. A card
whint not oogum or bont. Pretty simple, glead
and tarm. Texture and asp net exating end mist
of it snooling. Spaff forl isnt cubularbuttic.
Peace of mind Leam restart that cant prebast.
Its tope, this uant chasible. Silk, shast, lape
and behast the thin chack. Elesara and order is
fay of alm. A card whint not oogum or bont.
St. Josephs
Catholic School
For more information
Phone: (206) 555-4357 or visit
www.StJosephsSchool.com
St. Josephs
St. Josephs Catholic School
3887 Freeport Boulevard
Seattle, WA 98101 F
r
e
e
p
o
r
t

B
l
v
d
.
Daisy
Bell Ave.
N
5
Use color to unify and connect. Sample one light
and one dark color from an image (above) and
apply throughout the brochurebackground in one
color, text in the other, opposite on the front panel.
Repetitive layout
Below, (1) The narrow bar appears
in four places. (2) The horizontal
theme thats obvious on the front
continues on the inside. Right, (3)
Heads are identical style and size.
Type
1
2
Outside Inside
3
Two sides, one look
To have both sides look related without looking the same, repeat the visual
cues of layout, typography, colors and other elements.
Before&After
8 of 11
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Abe
Abe
Use two typefaces
For narrative text use classic serif type, which has a soft voice excellent for reading. For
explanation text use sans-serif type, whose hard-edged simplicity is clear in small sizes.
leamrestart that cant prebast. Its tope, this
ITC Stone Serif
Frutiger Light
Bold heading
and exercise in a safe, nurturing environment
Soft curves, graceful thick-to-thin strokes and rounded lets
(the connection between stem and serif) have the familiar look
of a good book and make Stone Serif buttery to read.
Big shapes
Small type must be especially clearsimple lines and shapes,
big openings, no serifs and very little thick-to-thin difference.
Use bold (above, right) for headings.
Before&After
9 of 11
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Template B: Single fold
4
3
1
2
Sheet size (3
1
2 x 4)
Final size (3
1
2 x 2)
Trim to size, fold in half.
Before&After
10 of 11
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Design teeny-tiny brochures 10 of 11 Design teeny-tiny brochures 10 of 11
and exercise in a safe, nurturing environment.
Visit us. Meet our faculty. Tour our facilities. And
let us answer all of your questions and concerns.
For The Children
Peace of mind Leam restart that cant prebast.
Its tope, this uant chasible. Silk, shast, lape
and behast the thin chack. Elesara and order is
fay of alm. A card whint not oogum or bont.
Facilities Elesara and order is fay of alm. A card
whint not oogum or bont. Pretty simple, glead
and tarm. Texture and asp net exating end mist
of it snooling. Spaff forl isnt cubularbuttic.
leam restart that cant prebast. Its tope, this
51
SEASON
Typefaces
1 Myriad Pro Condensed | 12 pt
2 (ad) Myriad Pro Semibold | a) 20 pt,
b) 93 pt, c) 8.5 pt, d) 7.5 pt
3 Myriad Pro Light | 8/9.5 pt
4 Trajan Pro Regular | 20 pt
5 (ac) ITC Stone Serif Medium
a) 10 pt, b) 8/10.5 pt, c) 9.5/12.75 pt
6 Frutiger 65 Bold | 7.5/10 pt
7 Frutiger 45 Light | 7.5/10 pt
Images
8 (ad) iStockphoto.com | a b c d
Article resources
Colors
C30 M0 Y5 K0
C0 M0 Y0 K35
C16 M14 Y25 K0
C0 M0 Y0 K80
C0 M100 Y50 K70
9
10
11
12
13
9 10
1
Ron Cunningham &
Carinne Binda
Artistic Directors
www.sacballet.com
51
SEASON
Ron Cunningham &
Carinne Binda
Artistic Directors
February
CARMINA BURANA
Feb 0912, 2006
Based on bawdy poems written by
13th century monks extolling the joys
of spring, the extravagances of drink
and the carnal pleasures of young
love, Carmina Burana explodes with
provocative sensuality. Sacramento
Ballets signature work, with live music
and full chorus, is sure to sell out.
March
SCHEHERAZADE
Mar 30Apr 12, 2006
Scheherazade is a spellbinding tale
that weaves together the enchanting
stories of A Thousand and One Arabian
Nights. Kathryn Posins irresistible
choreography and Rimsky-Korsakovs
lush and exotic score evoke the vi-
brancy of an opulent Arabian culture
including the legendary characters
of Sinbad the Sailor and Aladdin and
the Magic Lamp. Accompanied by
George Balanchines Concerto Barocco
and Septime Webres D-Construction.
April
MODERN MASTERS
Apr 28May 07, 2006
Discover the next generation of mas-
ter choreographers with compelling
new works that explore and extend
the boundaries of dance. Contribut-
ing to the Sacramento Mozart Festi-
val, this programwill include a World
Premiere created by Amy Seiwert.
2a
2b
1 1 2c 2d 3 8a
For more information
Phone: (206) 555-4357 or visit
www.StJosephsSchool.com
St. Josephs
St. Josephs Catholic School
3887 Freeport Boulevard
Seattle, WA 98101 F
re
e
p
o
r
t
B
lv
d
.
Daisy
Bell Ave.
N
5
St. Josephs
Catholic School
4
5a
5b
5c
4
6 6 7
4
12 13 11
8b
8c
8d
Before&After
11 of 11 | Printing formats
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Before & After magazine
Before & After has been sharing its practical approach
to graphic design since 1990. Because our modern world
has made designers of us all (ready or not), Before &
After is dedicated to making graphic design understand-
able, useful and even fun for everyone.
John McWade Publisher and creative director
Gaye McWade Associate publisher
Vincent Pascual Staff designer
Dexter Mark Abellera Staff designer
Design advisor Gwen Amos

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For the current table of contents, click here. To save time and paper, a paper-saver format of this article,
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