Before and After 0651

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Continued Design a story-style brochure 0651
Foldand unfolda single sheet into an
appealing, narrative-like presentation. Continued
Design a
story-style
brochure
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2 of 10 Design a story-style brochure 0651
Design a story-style
brochure
Foldand unfolda single sheet into an
appealing, narrative-like presentation.
. . . open once . . .
. . . then twice.
One sheet, big impact Unfolding a legal-size sheet reveals your
story in a natural, step-at-a-time sequence. Semi-abstract cover (inset
above) beckons the reader in. Open once (right, top) to a beautiful yard,
where a narrative panel introduces the business. Open twice (right,
bottom), and photos, captions and text appear that explain in detail.
Front cover . . .
The best books, plays, songs and
speeches are in a storybook format
they have a beginning, a middle, an
end, each building to the next, and
all the parts tie coherently together.
Its easy to put this engaging style
to work in a small brochure. Fold
and design your sheet so the reader
sees your presentation in sequence.
Each space tells a different part of the story, and
all share a common style. Its inexpensive, it feels
big, and its fun to make. Heres how.
backyard
escapes
LANDSCAPE ARCHITECTS
1573 LAKE SHORE DRIVE
ESCONDIDO, CA 95673
T: 702.555.7924
F: 702.555.9647
www.backyardescapes.com
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Design a story-style brochure 3 of 10
backyard
escapes
ESCONDIDO, CA 92025
T: 760.555.7924
F: 760.555.9647
The company name is condently
small but has plenty of presence.
Three reasons: Its 1) in the middle
of the page, 2) alone in the green
eld, and 3) framed by the fountain.
Start with the cover
The cover has two jobs: it must introduce (Hi, were . . .) and invite (Come in!). To do this
visually, make the photo do some of the work. Here, it hints at more to come.
Its the front door To choose an image
for your cover, think of a portal or a gate-
way. Above, the closely cropped fountain
suggests an arch that puts the reader
in a doorway, and its soft-focus back-
ground hints at the beauty beyond. This
is ideal. Then place the name directly in
the readers line of sight (right, top).
backyard
escapes
ESCONDIDO, CA 92025
Lowercase Roman type says casual with-
out appearing frivolous or insignicant.
Small, bold,
UPPERCASE is a
visible counter-
weight.
The text block is straight on the right,
ragged on the left. The straight side con-
nects it to the page edge, and the ragged
side connects it to the fountain, whose
curves it follows (left). Similarly, the type-
styles (above) include an irregular, serif
name and a crisp, sans-serif description.
backyard
escapes
ESCONDIDO, CA 92025
T: 760.555.7924
F: 760.555.9647
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Make it big By completely lling the
page, the beautiful backyard presents a
grand, inviting image. The wall-to-wall
cropping conveys a sense of outdoor
spaciousness by avoiding the conning
effect of a frame. The image stops at the
ap but appears to go further (above);
the promise of more beckons the reader
to open the ap.
Open once . . .
and the reader walks through the door into a beautiful welcome. Typeset an
introduction on the ap, which, unlike a static page, actively suggests more to come.
Dual-function ap works
as an introduction and the
next door. The narrow text
block is aligned both left
and right, or justied, which
emphasizes its height and
complements the ap. Very
wide line spacing slows the
reader to a conversational
speed. The green color is eye-
droppered from the photo, so
it automatically coordinates.
Original Cropped
Image and text together can be more than the sum of their parts. To
make the most of their strengths, let the photo speak for itself, while
you in narrative speak directly to the reader.
Wide line spacing (leading)
Texture and asp net exating end
mist of it snooling. Spaff forl isnt
cubular but quastic, leam restart
that cant prebast. Its tope, this
uant chasible. Silk, shast, lape
and behast the thin chack. It has
larch to say fan. Why? Elesara and
order is fay of alm. A card whint
not oogum or bont. Pretty simple,
glead and tarm. Texture and asp
net exating end mist of it snooling.
Spaff forl isnt cubular but quastic.
O U T D O O R L I V I N G
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White as a color White
is often thought of as a
passive backdrop, but this
layout clearly shows that
white will work like any
other color; the white col-
umn (above) looks like a
column, not the unprinted
paper that it actually is.
Backyard features Texture and
asp net exating end mist of it snooling.
Spaff forl isnt cubular but quastic, leam
restart that cant prebast. Its tope, this
uant chasible. Silk, shast, lape and
behast the thin chack. It has larch to
say fan. Why? Elesara and order is
fay of alm. A card whint not oogum or
bont. Pretty simple, glead and tarm.
Texture and asp net exating end mist
of it snooling. Spaff forl isnt cubular but
quastic, leam restart that cant prebast.
Its tope, this uant chasible. Silk, shast,
lape and behast the thin chack.
Texture and asp net exating end mist of it snooling.
Spaff forl isnt cubular but quastic, leam restart that
cant prebast. Its tope, this uant chasible. Silk,
shast, lape and behast the thin chack. It has larch
to say fan. Why? Elesara and order is fay of alm. A
card whint not oogumor bont. Pretty simple, glead
and tarm. Step 1: Band asp net exating end mist
of it snooling. Spaff forl isnt cubular but quastic,
leam restart that cant prebast. Its tope, this uant
chasible. Silk, shast, lape and behast the thin
chack. It has larch to say fan. Step 2: Elesara and
order is fay of alm. A card whint not oogumor bont.
Pretty simple, glead and tarm. Texture and asp
net exating end mist of it snooling. Spaff forl isnt
cubular but quastic, leam restart that cant prebast.
Its tope, this uant chasible. Step 3: Shast lape
and behast the thin chack. It has larch to say fan.
Why? Elesara and order is fay of alm. A card whint
not oogumor bont. Pretty simple, glead and tarm.
cant prebast. Step 4: This uant chasible. Silk, shast,
lape and behast the thin chack. It has larch to say
fan. Why? Elesara and order is fay of alm. A card
whint not oogumor bont. Pretty simple, glead and
behast the thin chack.
Paul and Deannas Backyard Escape (left) Texture and asp net
exating end mist of it snooling. Spaff forl isnt cubular but quastic, leam
restart that cant prebast. Its tope, this uant chasible. Silk, shast, lape
and behast the thin chack. A card whint not oogum or bont.
Four steps
to a backyard
escape
Open twice
Inside is what the reader has come to see. With the brochure open at, four more
images and captions plus a complete narrative describe the product fully.
Group the new photos
A huge difference in scale
one very BIG photo and four
small onesallows ve simi-
lar images to share the space
peacefully. Note that the
small photos are all one size
and tightly set in a column,
which amplies their pres-
ence and keeps the layout
beautifully organized.
Hairlines
Wide Medium Narrow
Our eyes follow sequence Above, wide, medium and narrow columns make the
design dynamic by moving the eye left to right; same-width columns would be static. Our
eyes also recognize visual rhythm, seen here in the alternating dark-light-dark columns.
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Beautifully, simply designed
The three-column design is pleasing to see and easy to read. And its as simple as it looks;
columns run top to bottom with no zigs, zags, overlaps, borders or other gizmos.
card whint not oogum or bont. Pretty simple, glead
order is fay of alm. A card whint not oogum or bont.
not oogum or bont. Pretty simple, glead and tarm.
whint not oogum or bont. Pretty simple, glead and
Four steps
to a backyard
escape
Impressum (above) is a faintly quirky serif type-
face whose irregular thicks and thins and halting
rhythm resemble the organic shapes of nature
yet read comfortably. The black text follows the
rule, color attracts, black explains, and makes it
clear its intended to be read. The two captions are
an exception; while their type specs match, color
difference (black/white) is needed for contrast.
backyard
One of the best places to nd respite from the outside world
is your backyard. There, surrounded by greenery, fragrant
owers, and objects you love, you can relax and reconnect
For continuity, the type color
matches the previous ap.
Backyard features Texture
asp net exating end mist
Spaff forl isnt cubular but leam
restart that cant prebast. Its
tope, this uant chasible. Silk,
shast, lape and behast the thin
chack. It has larch to say fan.
Why? Elesara and order is fay
of alm. A card whint not oogum
or bont. Pretty simple, glead
and tarm. Texture and asp net
exating end mist of it snooling.
Bold
head
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leamrestart that cant prebast. Its tope, this uant
not oogumor bont. Pretty simple, glead and tarm.
Four steps
to a backyard
escape
Wrap it up
End on the back with a call for action. In this case, an appealing face conveys a change
of voice. Sustain continuity by carrying typefaces, styles and colors all the way through.
Organic counterpoint (Left and above) Stackable,
movable rectangles organize any space easily; on the
back, the irregular silhouette provides eye-pleasing
difference; her green outt sustains continuity.
Inside
Give us a call
Elesara and order is fay of alm. A card whint
glead and tarm. Texture and
asp net exating end mist of
it snooling. Spaff forl isnt
cubular but quastic, leam
restart that cant prebast.
Its top, this uant chasible.
Silk, shast, lape and hast
the thin chack. It has
larch to say fan. Why?
Elesara and order is fay
of alm. A card whint not
oogum or bont. Pretty
simple, glead and tarm.
760.555.7924
backyard
escapes
ESCONDIDO, CA 92025
T: 760.555.7924
F: 760.555.9647
Back
Give us a call
oogum or bont. Pretty
760.555.7924
backyard
escapes
ESCONDIDO, CA 92025
T: 760.555.7924
F: 760.555.9647
A change of voice
Inside weve seen her
work; on the back we
meet the designer. Her
direct, Give us a call
statement and phone
number make it easy to
act. Both are accessibly
at the top near her face,
not buried in the text.
Typestyles, sizes and
colors continue from
the inside.
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14
8
1
2
Template: Story-style brochure
Legal-size page (14 x 8
1
2)
Final size 5
1
2 x 8
1
2
5
1
2 3 5
1
2
Mails easily
Fits a 6 x 9 envelope,
or can be designed as a
self-mailer that mails at
USPS letter rate.
back
yard

escap
es
ESCONDIDO, CA 95673
T: 702.555.7924
F: 702.555.9647
Fold Fold
8 3
3
/4 2
1
/4
Paul & Deannas Backyard Escape (left) Texture and asp net
Four steps
toa backyard
escape
Four steps
to a backyard
escape
Before&After
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Give us a call
oogumor bont. Pretty
760.555.7924
Texture and asp net exating end
mist of it snooling. Spaff forl isnt
cubular but quastic, leam restart
that cant prebast. Its tope, this
uant chasible. Silk, shast, lape
and behast the thin chack. It has
larch to say fan. Why? Elesara and
order is fay of alm. A card whint
glead and tarm. Texture and asp
net exating end mist of it snooling.
Spaff forl isnt cubular but quastic,
O U T D O O R L I V I N G
backyard
escapes
ESCONDIDO, CA 92025
T: 760.555.7924
F: 760.555.9647
backyard
escapes
ESCONDIDO, CA 92025
T: 760.555.7924
F: 760.555.9647
order is fay of alm. A card whint not oogumor bont.
Its tope, this uant chasible. Step 3: Shast, lape
Four steps
to a backyard
escape
Typefaces
1 (ag) Impressum Roman
a) 10 pt, +425 letterspacing;
b) 8.5/28 pt; c) 8.5/14 pt; d) 30 pt;
e) 15 pt; f) 30/23 pt, 15 letterspacing;
g) 30/30 pt, 15 letterspacing
2 Impressum Italic | 8.5/14 pt
3 (ab) Helvetica Standard Black
a) 12/9.5 pt, b) 7/9.5 pt
4 (ab) Helvetica Standard Roman
a) 10/10 pt, b) 7/9.5 pt
Images
5 (ah) iStockphoto.com
a b c d e f g h
Article resources
Colors
C60 M20 Y100 K0
C25 M25 Y30 K15
6
7
6
7
1a
5a
5e
5h
5g
3b
4b
5f
1f
1c
1b
5b
3a
4a
1d 1e
5c
1g 1c
5d
2
Before&After
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Design a story-style brochure 0651
Before & After magazine
Before & After has been sharing its practical approach
to graphic design since 1990. Because our modern world
has made designers of us all (ready or not), Before &
After is dedicated to making graphic design understand-
able, useful and even fun for everyone.
John McWade Publisher and creative director
Gaye McWade Associate publisher
Vincent Pascual Staff designer
Dexter Mark Abellera Staff designer

Before & After magazine
323 Lincoln Street, Roseville, CA 95678
Telephone 916-784-3880
Fax 916-784-3995
E-mail mailbox@bamagazine.com
www http://www.bamagazine.com
Copyright 2007 Before & After magazine
ISSN 1049-0035. All rights reserved
You may pass along a free copy of this article to others
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n
p
r
i
n
t
e
d

p
a
p
e
r

t
h
a
t

i
t

a
c
t
u
a
l
l
y

i
s
.
B
a
c
k
y
a
rd
fe
a
tu
re
s
Te
xtu
re
a
n
d

a
sp
n
e
t e
xa
tin
g
e
n
d
m
ist o
f it sn
o
o
lin
g
.
S
p
a
ff fo
rl isn
t cu
b
u
la
r b
u
t q
u
a
stic, le
a
m

re
sta
rt th
a
t ca
n
t p
re
b
a
st. Its to
p
e
, th
is
u
a
n
t ch
a
sib
le
. S
ilk, sh
a
st, la
p
e
a
n
d

b
e
h
a
st th
e
th
in
ch
a
ck. It h
a
s la
rch
to

sa
y fa
n
. W
h
y?
E
le
sa
ra
a
n
d
o
rd
e
r is
fa
y o
f a
lm
. A
ca
rd
w
h
in
t n
o
t o
o
g
u
m
o
r
b
o
n
t. P
re
tty sim
p
le
, g
le
a
d
a
n
d
ta
rm
.
Te
xtu
re
a
n
d
a
sp
n
e
t e
xa
tin
g
e
n
d
m
ist
o
f it sn
o
o
lin
g
. S
p
a
ff fo
rl isn
t cu
b
u
la
r b
u
t
q
u
a
stic, le
a
m
re
sta
rt th
a
t ca
n
t p
re
b
a
st.
Its to
p
e
, th
is u
a
n
t ch
a
sib
le
. S
ilk, sh
a
st,
la
p
e
a
n
d
b
e
h
a
st th
e
th
in
ch
a
ck.
T
e
x
tu
r
e
a
n
d

a
s
p
n
e
t e
x
a
tin
g
e
n
d
m
is
t o
f it s
n
o
o
lin
g
.
S
p
a
ff fo
r
l is
n
t c
u
b
u
la
r
b
u
t q
u
a
s
tic
, le
a
m
r
e
s
ta
r
t th
a
t
c
a
n
t p
r
e
b
a
s
t. Its
to
p
e
, th
is

u
a
n
t c
h
a
s
ib
le
. S
ilk
,
s
h
a
s
t, la
p
e
a
n
d
b
e
h
a
s
t th
e
th
in
c
h
a
c
k
. It h
a
s
la
r
c
h

to
s
a
y
fa
n
. W
h
y
?
E
le
s
a
r
a
a
n
d
o
r
d
e
r
is
fa
y
o
f a
lm
. A

c
a
r
d
w
h
in
t n
o
t o
o
g
u
m
o
r
b
o
n
t. P
r
e
tty
s
im
p
le
, g
le
a
d

a
n
d
ta
r
m
. S
te
p
1
: B
a
n
d

a
s
p
n
e
t e
x
a
tin
g
e
n
d
m
is
t
o
f it s
n
o
o
lin
g
. S
p
a
ff fo
r
l is
n
t c
u
b
u
la
r
b
u
t q
u
a
s
tic
,
le
a
m
r
e
s
ta
r
t th
a
t c
a
n
t p
r
e
b
a
s
t. Its
to
p
e
, th
is

u
a
n
t
c
h
a
s
ib
le
. S
ilk
, s
h
a
s
t, la
p
e
a
n
d
b
e
h
a
s
t th
e
th
in

c
h
a
c
k
. It h
a
s
la
r
c
h
to
s
a
y
fa
n
. S
te
p
2
: E
le
s
a
r
a
a
n
d

o
r
d
e
r
is
fa
y
o
f a
lm
. A
c
a
r
d
w
h
in
t n
o
t o
o
g
u
m
o
r
b
o
n
t.
P
r
e
tty
s
im
p
le
, g
le
a
d
a
n
d
ta
r
m
. T
e
x
tu
r
e
a
n
d

a
s
p

n
e
t e
x
a
tin
g
e
n
d
m
is
t o
f it s
n
o
o
lin
g
. S
p
a
ff fo
r
l is
n
t
c
u
b
u
la
r
b
u
t q
u
a
s
tic
, le
a
m
r
e
s
ta
r
t th
a
t c
a
n
t p
r
e
b
a
s
t.
Its
to
p
e
, th
is

u
a
n
t c
h
a
s
ib
le
. S
te
p
3
: S
h
a
s
t la
p
e

a
n
d
b
e
h
a
s
t th
e
th
in
c
h
a
c
k
.
It h
a
s
la
r
c
h
to
s
a
y
fa
n
.
W
h
y
?
E
le
s
a
r
a
a
n
d
o
r
d
e
r
is
fa
y
o
f a
lm
. A
c
a
r
d
w
h
in
t
n
o
t o
o
g
u
m
o
r
b
o
n
t. P
r
e
tty
s
im
p
le
, g
le
a
d
a
n
d
ta
r
m
.
T
e
x
tu
r
e
a
n
d

a
s
p
n
e
t e
x
a
tin
g
e
n
d
m
is
t o
f it s
n
o
o
lin
g
.
S
p
a
ff fo
r
l is
n
t c
u
b
u
la
r
b
u
t q
u
a
s
tic
, le
a
m
r
e
s
ta
r
t th
a
t
c
a
n
t p
r
e
b
a
s
t. S
te
p
4
: T
h
is

u
a
n
t c
h
a
s
ib
le
. S
ilk
, s
h
a
s
t,
la
p
e
a
n
d
b
e
h
a
s
t th
e
th
in
c
h
a
c
k
. It h
a
s
la
r
c
h
to
s
a
y

fa
n
. W
h
y
?
E
le
s
a
r
a
a
n
d
o
r
d
e
r
is
fa
y
o
f a
lm
. A
c
a
r
d

w
h
in
t n
o
t o
o
g
u
m
o
r
b
o
n
t. P
r
e
tty
s
im
p
le
, g
le
a
d
a
n
d

b
e
h
a
s
t th
e
th
in
c
h
a
c
k
.
P
a
u
l a
n
d
D
e
a
n
n
a
s
B
a
c
k
y
a
rd
E
s
c
a
p
e
(le
ft) Te
xtu
re
a
n
d
a
sp
n
e
t
e
xa
tin
g
e
n
d
m
ist o
f it sn
o
o
lin
g
. S
p
a
ff fo
rl isn
t cu
b
u
la
r b
u
t q
u
a
stic, le
a
m

re
sta
rt th
a
t ca
n
t p
re
b
a
st. Its to
p
e
, th
is u
a
n
t ch
a
sib
le
. S
ilk, sh
a
st, la
p
e

a
n
d
b
e
h
a
st th
e
th
in
ch
a
ck. A
ca
rd
w
h
in
t n
o
t o
o
g
u
m
o
r b
o
n
t.
F
o
u
r

s
t
e
p
s

t
o

a

b
a
c
k
y
a
r
d

e
s
c
a
p
e
O
p
e
n

t
w
i
c
e
I
n
s
i
d
e

i
s

w
h
a
t

t
h
e

r
e
a
d
e
r

h
a
s

c
o
m
e

t
o

s
e
e
.

W
i
t
h

t
h
e

b
r
o
c
h
u
r
e

o
p
e
n

a
t
,

f
o
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r

m
o
r
e

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m
a
g
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s

a
n
d

c
a
p
t
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s

p
l
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s

a

c
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p
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n
a
r
r
a
t
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d
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s
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p
r
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f
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r
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p

t
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w

p
h
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s

A

h
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g
e

d
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n

s
c
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e

v
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y

B
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G

p
h
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d

f
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r

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e
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r

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t
h
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s
p
a
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p
e
a
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f
u
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.

N
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e

t
h
a
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t
h
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s
m
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h
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t
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s
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c
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a
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,

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;

s
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O
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a
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d

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t

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s
;

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o

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a
b
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)

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f
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e

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ff fo
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t c
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b
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a
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tic
, le
a
m

r
e
s
ta
r
t th
a
t c
a
n
t p
r
e
b
a
s
t. Its
to
p
e
, th
is

u
a
n
t c
h
a
s
ib
le
. S
ilk
, s
h
a
s
t, la
p
e
a
n
d

b
e
h
a
s
t th
e
th
in
c
h
a
c
k
. It h
a
s
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r
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to

s
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y
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n
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h
y
?
E
le
s
a
r
a
a
n
d
o
r
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e
r
is

fa
y
o
f a
lm
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c
a
r
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w
h
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t o
o
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u
m
o
r

b
o
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t. P
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e
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im
p
le
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le
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d
a
n
d
ta
r
m
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e
x
tu
r
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d

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s
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tin
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d
m
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o
f it s
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o
o
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g
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p
a
ff fo
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l is
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t c
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b
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r
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u
a
s
tic
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a
m
r
e
s
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r
t th
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t c
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t p
r
e
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s
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Its
to
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e
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is

u
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n
t c
h
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s
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ilk
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h
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s
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t th
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c
k
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e
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r
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t

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r

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c
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t

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o

s
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y

f
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n
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W
h
y
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E
l
e
s
a
r
a

a
n
d

o
r
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r

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s

f
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y

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l
m
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A

c
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r
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h
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t

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m

o
r

b
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P
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t
y

s
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m
p
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g
l
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d

a
n
d

t
a
r
m
.

S
t
e
p

1
:

B
a
n
d

a
s
p

n
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t

e
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t
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d

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i
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t

s
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l
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S
p
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f
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r

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p
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h
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t

h
a
s

l
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o

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y

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n
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S
t
e
p

2
:

E
l
e
s
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r
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n
d

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r
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r

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s

f
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y

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f

a
l
m
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A

c
a
r
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w
h
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t

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m

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r

b
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P
r
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y

s
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m
p
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l
e
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d

a
n
d

t
a
r
m
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T
e
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t
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r
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d

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p

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t
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t

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r

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S
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p

3
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t

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W
h
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E
l
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s
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r
a

a
n
d

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r

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s

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y

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l
m
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A

c
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r
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w
h
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t

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m

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r

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d

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d

t
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r
m
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T
e
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t
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p

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s
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r

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S
t
e
p

4
:

T
h
i
s

u
a
n
t

c
h
a
s
i
b
l
e
.

S
i
l
k
,

s
h
a
s
t
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l
a
p
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a
n
d

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e
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t

t
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e

t
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c
h
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c
k
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I
t

h
a
s

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h

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o

s
a
y

f
a
n
.

W
h
y
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E
l
e
s
a
r
a

a
n
d

o
r
d
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r

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s

f
a
y

o
f

a
l
m
.

A

c
a
r
d

w
h
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t

n
o
t

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g
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m

o
r

b
o
n
t
.

P
r
e
t
t
y

s
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m
p
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,

g
l
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d

a
n
d

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e
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a
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t

t
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e

t
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n

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h
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c
k
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P
a
u
l

a
n
d

D
e
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s

B
a
c
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E
s
c
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p
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(
l
e
f
t
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T
e
x
tu
r
e
a
n
d

a
s
p
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e
x
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tin
g
e
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d
m
is
t o
f it s
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o
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g
. S
p
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ff fo
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t c
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b
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t q
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a
s
tic
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a
m

r
e
s
ta
r
t th
a
t c
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n
t p
r
e
b
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s
t. Its
to
p
e
, th
is

u
a
n
t c
h
a
s
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le
. S
ilk
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h
a
s
t, la
p
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a
n
d
b
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h
a
s
t th
e
th
in
c
h
a
c
k
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c
a
r
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w
h
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t o
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g
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m
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r
b
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n
t.
F
o
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r

s
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p
s

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o

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b
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T
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W
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y

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c
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r

b
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t
.

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d

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d

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r
m
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e
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t
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d

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B
o
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|

w
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5
D
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a

s
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b
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D
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b
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r
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B
a
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Te
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a
sp
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xa
tin
g
e
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m
ist o
f it sn
o
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p
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rl isn
t cu
b
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r b
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t q
u
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a
m

re
sta
rt th
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a
n
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st th
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a
s la
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to

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y fa
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h
y?
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le
sa
ra
a
n
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rd
e
r is
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r
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d
a
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d
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rm
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o
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ff fo
rl isn
t cu
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u
t
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u
a
stic, le
a
m
re
sta
rt th
a
t ca
n
t p
re
b
a
st.
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p
e
, th
is u
a
n
t ch
a
sib
le
. S
ilk, sh
a
st,
la
p
e
a
n
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b
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st th
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ck.
T
e
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r
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n
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s
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g
e
n
d
m
is
t o
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n
o
o
lin
g
.
S
p
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ff fo
r
l is
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t c
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b
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la
r
b
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t q
u
a
s
tic
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a
m
r
e
s
ta
r
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t
c
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n
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r
e
b
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s
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to
p
e
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is

u
a
n
t c
h
a
s
ib
le
. S
ilk
,
s
h
a
s
t, la
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n
d
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h
a
s
t th
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th
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h
a
c
k
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a
s
la
r
c
h

to
s
a
y
fa
n
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h
y
?
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le
s
a
r
a
a
n
d
o
r
d
e
r
is
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y
o
f a
lm
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c
a
r
d
w
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o
t o
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g
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m
o
r
b
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n
t. P
r
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tty
s
im
p
le
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le
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d

a
n
d
ta
r
m
. S
te
p
1
: B
a
n
d

a
s
p
n
e
t e
x
a
tin
g
e
n
d
m
is
t
o
f it s
n
o
o
lin
g
. S
p
a
ff fo
r
l is
n
t c
u
b
u
la
r
b
u
t q
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a
s
tic
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le
a
m
r
e
s
ta
r
t th
a
t c
a
n
t p
r
e
b
a
s
t. Its
to
p
e
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is

u
a
n
t
c
h
a
s
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le
. S
ilk
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h
a
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t, la
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e
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n
d
b
e
h
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s
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th
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h
a
c
k
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a
s
la
r
c
h
to
s
a
y
fa
n
. S
te
p
2
: E
le
s
a
r
a
a
n
d

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r
d
e
r
is
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y
o
f a
lm
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c
a
r
d
w
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t n
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t o
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g
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m
o
r
b
o
n
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P
r
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s
im
p
le
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le
a
d
a
n
d
ta
r
m
. T
e
x
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r
e
a
n
d

a
s
p

n
e
t e
x
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tin
g
e
n
d
m
is
t o
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n
o
o
lin
g
. S
p
a
ff fo
r
l is
n
t
c
u
b
u
la
r
b
u
t q
u
a
s
tic
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a
m
r
e
s
ta
r
t th
a
t c
a
n
t p
r
e
b
a
s
t.
Its
to
p
e
, th
is

u
a
n
t c
h
a
s
ib
le
. S
te
p
3
: S
h
a
s
t la
p
e

a
n
d
b
e
h
a
s
t th
e
th
in
c
h
a
c
k
.
It h
a
s
la
r
c
h
to
s
a
y
fa
n
.
W
h
y
?
E
le
s
a
r
a
a
n
d
o
r
d
e
r
is
fa
y
o
f a
lm
. A
c
a
r
d
w
h
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t
n
o
t o
o
g
u
m
o
r
b
o
n
t. P
r
e
tty
s
im
p
le
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le
a
d
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L A N D S C A P E A R C H I T E C T S
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A
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C
H
IT
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S

1573 LA
K
E
S
H
O
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E
D
R
IV
E

E
S
C
O
N
D
ID
O
, C
A
92025
T: 760.555.7924
F: 760.555.9647
w
w
w
.backyardescapes.com
B
ackyard features Texture and
asp net exating end m
ist of it snooling.

say fan. W
hy? Elesara and order is
fay of alm
. A card whint not oogum
or
bont. Pretty sim
ple, glead and tarm
.
Texture and asp net exating end m
ist
quastic, leam
Te
x
tu
re
a
n
d

a
sp
n
e
t e
x
a
tin
g
e
n
d
m
ist o
f it sn
o
o
lin
g
.
S
p
a
ff fo
rl isn
t cu
b
u
la
r b
u
t q
u
a
stic, le
a
m
re
sta
rt th
a
t
ca
n
t p
re
b
a
st. Its to
p
e
, th
is
u
a
n
t ch
a
sib
le
. S
ilk
,
sh
a
st, la
p
e
a
n
d
b
e
h
a
st th
e
th
in
ch
a
ck
. It h
a
s la
rch

to
sa
y fa
n
. W
h
y? E
le
sa
ra
a
n
d
o
rd
e
r is fa
y o
f a
lm
. A

ca
rd
w
h
in
t n
o
t o
o
g
u
m
o
r b
o
n
t. P
re
tty sim
p
le
, g
le
a
d

a
n
d
ta
rm
. S
tep
1: B
a
n
d

a
sp
n
e
t e
x
a
tin
g
e
n
d
m
ist
o
f it sn
o
o
lin
g
. S
p
a
ff fo
rl isn
t cu
b
u
la
r b
u
t q
u
a
stic,
le
a
m
re
sta
rt th
a
t ca
n
t p
re
b
a
st. Its to
p
e
, th
is
u
a
n
t
ch
a
sib
le
. S
ilk
, sh
a
st, la
p
e
a
n
d
b
e
h
a
st th
e
th
in

ch
a
ck
. It h
a
s la
rch
to
sa
y fa
n
. S
tep
2: E
le
sa
ra
a
n
d

o
rd
e
r is fa
y o
f a
lm
. A
ca
rd
w
h
in
t n
o
t o
o
g
u
m
o
r b
o
n
t.
P
re
tty sim
p
le
, g
le
a
d
a
n
d
ta
rm
. Te
x
tu
re
a
n
d

a
sp

n
e
t e
x
a
tin
g
e
n
d
m
ist o
f it sn
o
o
lin
g
. S
p
a
ff fo
rl isn
t
cu
b
u
la
r b
u
t q
u
a
stic, le
a
m
re
sta
rt th
a
t ca
n
t p
re
b
a
st.
Its to
p
e
, th
is
u
a
n
t ch
a
sib
le
. S
tep
3: S
h
a
st, la
p
e

a
n
d
b
e
h
a
st th
e
th
in
ch
a
ck
. It h
a
s la
rch
to
sa
y fa
n
.
W
h
y? E
le
sa
ra
a
n
d
o
rd
e
r is fa
y o
f a
lm
. A
ca
rd
w
h
in
t
n
o
t o
o
g
u
m
o
r b
o
n
t. P
re
tty sim
p
le
, g
le
a
d
a
n
d
ta
rm
.
Te
x
tu
re
a
n
d

a
sp
n
e
t e
x
a
tin
g
e
n
d
m
ist o
f it sn
o
o
lin
g
.
S
p
a
ff fo
rl isn
t cu
b
u
la
r b
u
t q
u
a
stic, le
a
m
re
sta
rt th
a
t
ca
n
t p
re
b
a
st. S
tep
4: T
h
is
u
a
n
t ch
a
sib
le
. S
ilk
, sh
a
st,
la
p
e
a
n
d
b
e
h
a
st th
e
th
in
ch
a
ck
. It h
a
s la
rch
to
sa
y
fa
n
. W
h
y? E
le
sa
ra
a
n
d
o
rd
e
r is fa
y o
f a
lm
. A
ca
rd

w
h
in
t n
o
t o
o
g
u
m
o
r b
o
n
t. P
re
tty sim
p
le
, g
le
a
d
a
n
d

b
e
h
a
st th
e
th
in
ch
a
ck
.
Paul &
D
eannas B
ackyard Escape (left) Texture and asp net
exating end m
ist of it snooling. Spaff forl isnt cubular but quastic, leam

and behast the thin chack. A card whint not oogum
or bont.
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r

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