Beruflich Dokumente
Kultur Dokumente
Samson employees and, by extension, capitalist America to the wasteful Tom and Daisy of The Great Gatsby, Hamid condemns the disregard corporates have for others and denounce the plutocratic systems of government that allow for it. Conjuring imagery, symbolism and reference within certain settings, Hamid compellingly criticizes the capitalist lifestyle and systems that afford it such power. Exploring the setting of Lahore in contrast to that of America as well as symbolism therein, Hamid suggests that an individuals identity shifts and divides from its origin with experience and stresses the danger in having ones own split too much. Hamid seeks to define identity as being inherited then built upon by layers of experience, embodying this in the architecture of Lahore: these lovely buildings link between the ancient and the contemporary family-run establishments, passed gently from generation to generation. This metaphor works to explain the internal turmoil felt by Changez as his inherited Pakistani identity clashes with his constructed American one. Furthermore, Hamid embodies Changezs American identity within his relationship Erica and, hence, their breaking apart symbolises his struggle as his identity divides; It is not always possible to restore ones boundaries after they have been blurred something of us is now outside, and something of the outside is now within us. Additionally, Hamid demonstrates the peril of dividing ones identity and forsaking the importance of tribe and homeland for a foreign persona through the intimacies undergone within Changezs New York Apartment: By taking on the persona of another, I had diminished myself. The symbolism and settings of Lahore and America allow Hamid to define the nature of identity, stress the danger of dividing it and suggest that ones origin should not be forsaken least one forsake their true self. While Mohsin Hamids The Reluctant Fundamentalist relies heavily upon setting to convey its concerns, other techniques are used in conjunction to strengthen his messages further. Using the settings of the psychiatric facility and New York alongside symbolism and characterisation, Hamid conveys his concern for the insidious nature of nostalgia and its dangers for individuals and society at large. Similarly, settings of Underwood Samson, Valparaiso and The Hamptons are enhanced by imagery, symbolism and references to allow Hamid to condemn both the capitalist lifestyle and systems that afford it such power. Hamid also conjures symbolism within the settings of Lahore and America to define identity and warn others against dividing or forsaking their original identity. Fundamentally, Hamids novel uses setting to attempt to steer readers away from paths he deems destructive for both individuals and society at large.