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I believe that this poem has a double meaning.

Going through the first time it seems that Plath is describing the relationship between a vain woman and her mirror. The poem reveals her transformation over time through the supposedly unbiased mirror. She becomes old having killed the younger youth of her day and the woman fears the age bearing down upon her. However mirrors reflect the exact opposite of what is really being seen. Looking at the poem through these eyes we can assume that the mirror is a false source of information. It may see only the truth but it sees it in a perverted backwards way. When the woman searches the reaches of the lake for her true being she doesnt see herself but a reflection; metaphorically she sees the bad in herself. The moon and the candles offer a softer picture and reveal her in a romanced way highlighting her best features and dimming the things she wants to hide. Judging by this translation the mirror, the moon, and the candles all lie to her revealing on facets of who she is. Like most women, or people in general, the woman decides to trust in the mirror because it is easier to believe the bad than the good. It is worry that has killed the young girl. Anxiety makes the woman grow old and threatens to swallow her like a terrible fish. The poem Mirror by Sylvia Plath is told from the point of view of a mirror hanging up on a wall. This mirror has, over time, been privy to the tears of a woman over who she sees in it, desperate grasps at moonlit lies, and the endless speculations of a pink with speckles wall. Mirror is a poem that probes into the corners of human nature, beauty, life, and death, reflecting back their truths to readers as good mirrors do. In this poem, readers can see the truth about themselves reflected among the words as though the poem itself is a mirror, too. Just as the poem reflects truths to readers, so the mirror in it reflects truths to the woman it sees every day. It is objective about everything it observes in the woman, for it can have no biases simply owing to the nature of its stature. The description the mirror gives of itself in the first few lines is that I am silver and exact. I have no preconceptions./Whatever I see I swallow immediately/Just as it is, unmisted by love or dislike./I am not cruel, only truthful-/The eye of the little god, four cornered. It is giving, true to its nature, a frank description of itselfnonjudgmental and unprejudiced of its admirers. Mirrors never have and never will pass any judgment on their gazers. They leave that for the gazers themselves to do, and they always do just that, as is human nature. The mirror prides itself on that same clear-cut honesty of the faces it regurgitates back for judgment. It is almost arrogant about it, refusing to falter in its own perfection for a moment, even as she turns to those liars, the candles or the moon which cast false shadows upon her face. It continues to reflect the woman honestly, even though she cannot see it, so that when she learns of the lies and turns back, there she is in all her self-perceived imperfection. Not one person, the woman of the poem included, has ever been judged by a mirror, but rather through it. It is because of it that the woman can see her outer self, so also because of it, she sometimes forgets her inner self. She forgets the pink behind the speckles on the wall of her face, seeing only that the speckles are marring the beauty of it. The mirror, however, does not see the destruction the woman sees, for she is the only one of the two who has the desire to judge. She was the only true master of herself, but she ended up caving in under her preconceived notions of societys view of her. She became a slave to the mirror and her interpretations its truths. One of these truths is age. No one has yet achieved immortality, and so death is still a formidable foe. Mirrors reflect the coming of this rival in the rivulets and creases found in a face of age, and many people obsess over this manifesting. In the poem, according to the mirror, I am important

to her. She comes and goes./Each morning it is her face that replaces the darkness./In me she has drowned a young girl, and in me an old woman/Rises toward her day after day, like a terrible fish. The woman in the poem has drowned a young girl in her obsessions, aging her into an old woman . . . like a terrible fish. With each day, the manifestation becomes more pronounced because Each morning it is her face that replaces the darkness. She wasted away in front of that mirror so that now, death Rises toward her day after day, like a terrible fish. She hates the mirrors honesty on the matter, but cannot turn away. She is unable to resist knowing that death is creeping ever closer every day. She lives her life, it seems, around that knowledge, convinced that she should not be as she is. She is, as the poem says, Searching . . . for what she really is. She is unaware that all around her, death is marking others down for capture with the lines of age. All she knows is that she has gone from pink, with speckles into a world of darkness that she disapproves of seeing in the mirror. She does not seem to under stand that in fact, no one will be left unaffected. The eye of the little god will seek out everyone from all four corners of the globe. In the end, her obsession kills her, the terrible fish having finally made it to the surface. The woman in the poem lives and dies within it, mirroring any and all readers lives in that. The poem offers up a universal reflection of a person for readers to judge themselves. After all, it is a mirror and that is what mirrors do.

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