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Remember your teachers and give them thanks in your Oscar acceptance speech. Besides my husband and children, these are the teachers I want to thank: Bill Kerr, Greg Quandt, Bob White, Rick Davis, Samantha Harper, Joan Darling, Steven Nash; current acting coaches Caryn West, Scott Sedita, Kimberly Jentzen; life coaches Dee Wallace, Wendy Haines and literature tutor, Chuck Rossman. The mediocre teacher tells. The good teacher explains. The superior teacher demonstrates. The great teacher inspires. - William A. Ward Great teachers have always been measured by the number of their students who have surpassed them. - Don Robinson It takes many teachers in life to develop an actor. Following are teachers, tools, suggestions and recommendations that have helped me and others to develop our lives and careers. There are countless paths, and part of an actors job is to keep exploring new ones. You should always be studying. Your training will be a constant expenditure so dont skimp in this area. Your technique and acting knowledge will make you more employable. Choosing an acting coach is an important choice, but it is not a life or death one. Choose one, take a months classes, give it your all and then evaluate what you have learned. If youve improved and others in class have grown and improved, then stick with it. 45
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Acting Is Everything
William H. Macy, when asked in Back Stage West about what kind of teachers actors should seek out, said, I believe that an actor is held in better stead if he doesnt rely on his talent. What you rely on is technique. Talent is given by God and theres no negotiating. Technique is something anybody can learn, and for a technique to be a valid technique, its got to be scientic. Its got to be repeatable. Its got to be testable. Thats what they should look for in a teacher. Eve Brandstein, Casting Director, Producer, Career Coach, says about choosing an acting coach:
I think you have to see a teacher work. You could have heard that this is the greatest teacher in the whole world and theyve taught some of the biggest names in the business, but if theres no chemistry, forget it. Some actors are better o in a negative situation and others in a positive one. One teacher says, Why do you bring that piece of s into class? Youre a terrible actor; who ever said you could act? And this inspires the actor to greatness. Another teacher says, That was beautiful work, but what about this? And that works for that actor. You have to nd out if the teacher and you are magical together.
Joan Darling, legendary acting teacher and director: Q: Should working actors still go to class?
If you nd yourself starting to be disappointed after you nish a job instead of feeling that you grew and things are wonderful and you cant wait to act againthen you should get into a class where the working on ones art is respected and you have fun. If you dont exercise your acting muscles at top capacity, youll lose them.
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Larry Moss, respected acting coach, when asked about acting teachers in a Back Stage West interview, said:
I believe that the aim of a teacher should be to help the individual students nd the tools to realize their greatest potential. When you try to teach from a singular point-of-view or method, youre going to hurt the student.
Cherie Franklin, actress, acting coach and well-known dialogue coach on feature lms and television: Q: What should an actor gain by working with a coach?
The value of working with an acting coach on an ongoing basis is this: they can oer a safe environment that can allow you to reveal your fears and bring your work to a place where you can face your truths. This work state will invite you to trust in yourself, creating condence and steering you clear of self-sabotage throughout your journey as an actor.
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Acting Is Everything
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Here are recommendations from renowned photographer Ray Bengston for dierent looks to consider when shooting headshots.
Men
Scruy/Tough Guy: Unshaven, garage mechanic, criminal, grunge, undercover cop Business Man: Suit, power look, glasses Dad: Smiley, warm, casual shirt and khakis Sexy Leading Man: Best outt Goofy/Nerdy Guy: Grad school geek, Laptop/software whiz, witty techie
Women
Down and out/victim: No makeup or hair styling whatsoever Casual Mom: Smiley, warm Working Class: Blue collar look, earthy Secretary: Quirky, cute look, funny assistant Business Woman: Power suit, hard-edged, ice queen Sex in the City: Attitude, sure of herself Lawyer/Doctor: Nurturing professional
Your rst step is shopping for a photographer. Study the photographer websites in the following listings and on my website: JudyKerr.com. They use their best pictures in the latest Los Angeles styles on the sites. Look at the pictures of people who look like you. If you have blue eyes, check out the blue-eyed actors to see how the eyes look. How do they handle your gender, ethnicity and age bracket? If you are 18, dont look at the 30-year-olds. If you are 40, dont look at the 20-year-olds. If you are a woman, dont look at the mens shots. Print out shots that you would like to achieve for yourself. Narrow your photographer choices down to three and interview them. The photographers personality and environment are very important. You must feel comfortable in order to take the risks of letting the camera see inside you. Certain personalities click with our own and others make us uncomfortable. Your instincts will tell you what feels right. Dont ignore your gut feeling and go with someone because all your friends got great shots or the photographer is famous. The price for a photo shoot can be from $150 to $900 plus makeup for women and also men who need it, though some photographers do their own. My students and I have obtained good pictures from photographers in all price ranges. If the picture helps you get interviews, it has done its job. Pictures are one of your biggest expenses and greatest payos. This is the place to use a good percentage of your available promotion dollars.