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God of fire and light, Girra accompanied Mesopotamians in their daily lives. He originated as a Sumerian god but his cult transcended time. He was worshipped throughout Mesopotamian history until the Seleucid period.
Functions
Girra is the god of fire and light (see e.g., Foster 2005: 660-663). As refiner of metals he is also the patron of metallurgists (Frankena 1957-71: 384). As god of fire, Girra was involved in many activities of daily life. He played an important role in purification rituals, where he was commonly invoked together with gods such as Ea, Marduk, and ama (see e.g., Abusch 2002: 149-150). He was also praised in the context of construction due to his significance in the process of brick making (see for example Sargon's cylinder, line 61 in Fuchs 1994: 41, 294). Girra was equally feared for his potential as destructive fire. He was responsible for the burning of fields (see Dossin 1983).
Cult Place(s)
Girra shared a temple with Nuska in Nippur, the -me-lm-hu ("House of Awesome Radiance"). No other specific cult places are attested for Girra.
The earliest attestations for Girra are found in Early Dynastic III administrative texts from Fara and Telloh (Frankena 1957-71: 384). Girra is encountered in different types of texts throughout the following centuries, most notably incantations (see for example Conti 2000) but also literary compositions such as Erra and Ium (see Foster 2005: 888-911). The cult of Girra developed well into Late Babylonian times, see for example the Seleucid ritual SpTU 2, 20: o 9'.
Iconography
Textual evidence indicates that the symbol of Girra is the torch (see for example urp, Tablet IX lines 107-118 in Conti 2000: 128-30). Virtually no iconographic depictions of Girra as personified deity have been identified up to date.