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Who am I?
PASSION
JOY
Depression
HARMONY
CREATIVITY
PEACE
MOURNING
Color is a perceptual sensation created in the human mind in response to certain wavelengths of electromagnetic energy that constitute the visible spectrum of light. Human perception of and response to these wavelenghts is affected by many factors including physiology, psychology, language, and culture. Color Design Workbook
(Suggested reading for this class)
The quality of an object or substance with respect to light reflected by the object, usually determined visually by measurement of hue, saturation, and brightness of the reflected light. Dictionary.com
A phenomenon of light (as red, brown, pink, or gray) or visual perception that enables one to differentiate otherwise identical objects. Merriam-Websters Dictionary
Color is basically just a bunch of different wavelengths. Humans can distinguish between these wavelengths and therefore we see the world in bright, beautiful color. These wavelenghts come in all sorts of shapes and size, long wavelengths appear to us as red, while short wavelengths are violet.
Our eyes have three types of color receptors: Red, Green and Blue. Therefore, everything we see is reduced to these colors or combinations of them.
The Visual Spectrum is a portion of the electromagnetic spectrum that is visible to the human eye. Ultraviolet and Infrared fall outside of the Visual Spectrum.
Black = No colors
There are 3 primary color systems that the designer needs to be aware of: Additive or Pure Light Primaries (RGB) Subtractive or Printers Primaries (CMY) Subtractive or Artists Primaries (RYB)
Primary Colors
Red Yellow Blue
Secondary Colors
Purple Orange Green
Tertiary Colors
Purple red Red orange Orange yellow Yellow green Green blue Blue purple
Complementary
Colors that are directly across from each other on the color wheel. These colors have the most contrast and will excite the eye.
Split Complementary
Three colors where one color is accompanied by two colors equadistant from its compliment. Less contrast than complimentary colors, creating a more sophisticated look.
Double Complementary
A combination of two pairs of complimentary colors. Using equal amounts of these four colors will be pretty intense and jarring.
Analogous
Two or more colors spaced equally from each other. Since they all have similar light wavelenghts, this color scheme is easy on the eyes.
Triadic
Three colors that are spaced evenly around the color wheel. Some of these combinations can seem garish, while others are quite nice.
Monochromatic
Made of shades or tints of the same color. Low contrast and very pleasing to the eye.
The nitty-gritty
properties of color
Hue
The description of the dominant wavelength of a color. Hue is also called the name of a color.
Blue Blue-Purple
Light Blue
Saturation
A measure of the purity of the hue determined by the amount of gray it contains. The more gray the color, the lower the saturation. Saturation is also called chroma.
Mid Saturation High Saturation
Low Saturation
Brightness
The amount of light reflected by a color. The more light reflected, the whiter the color (white is all light reflected). Brightness is also called value.
Mid Brightness High Brightness
Low Brightness
Part Deux
Battle Royale
CMYK vs. RGB
CMYK = Print
RGB = Monitor
Inks CMYK
Inks SPOT
Layin it down
How to get ink on paper
Engraving Very nice Thermography Cheap engraving Reprographics Copying stuff Digital Printing Cheap, quick, bad Letterpress Beautiful, classic Screen Think posters & t-shirts Flexography Like letterpress, but flexible Offset The one, the only
INK
IMPRESSION
Paper Choice Dot Pattern Ink Draw Down Loose Color Proofs Composed Proofs Press Check
Paper
One of the most important decisions to make when choosing a paper is whether the paper is Uncoated or Coated.
Dot Pattern
Conventional offset printing lays down dots is a grid pattern, increasing and decreasing the size of dots to control density and color. Stocastic printing uses a random dot placement and a random dot size.
Composed Proofs
Last chance to make any changes before you go on press. Once on press your options will be limited, so be very diligent when reviewing your composed proofs.
Press Check
Your last chance to fine tune your final product. Trust your press people, they know more than you. Tell them what you desire, and they will make it happen.
Fin
practice makes prefect color
Resources
colorlovers.com kuler.adobe.labs.com mydesignprimer.com svcseattle.com
A majority of the photos in this presentation were from flickr.com, and used without permission. l am making no money off of this, so please dont sue me. Thanks, Nick.