Beruflich Dokumente
Kultur Dokumente
Non-dominant major exteneded chords (the seventh is unaltered from the major scale, and is thus a major seventh above the tonic)
Guitar
&4 4 w w w
C maj7
Bass Guitar
?4 4 J
w w w w
C maj9
w w w w w
C maj11
w w w w w w
C maj13
( )
w w w w w w w
( ) ( ) J
Dominant exteneded chords (sound like the V of a chord a perfect fth down. Note that the inverval between the seventh and the root is a minor seventh) C
6
Gtr.
& w w w
Bass
? J
bw w w w
C7
bw w w w w
C9
b J
w bw w w w w
C 11
( ) b
w w bw w w w w
C 13
( ) ( ) b
11
Gtr.
w & bbw w w w
C 7b9
Bass
b ? b J
"C seven(th) at nine"
b#w w w w w
C 7#9
# b J
w b#w w w w w
C 7#11
# ( ) b
Minor seventh chords and their extensions are built from notes in the minor scale...
14
Gtr.
&
Bass
? b
bw bw w w
C m7
bw w bw w w
C m9
Add chords: When we add an extension to a triad without a seventh, we often use the word "add", in that we've simply "added" the given chord factor to an existing triad. Syntax: Triad (root+quality) + add + extension (e.g. Cm add #11)
C add9
16
Gtr.
&
Bass
w w w w
C madd9
w bw w w
Sus chords: When a chord has no third because it's been suspended, we label this a "sus chord". The extension after the abbreviation "sus" is the chord factor that is replacing the third. Note that because there's no third, you can't name the quality, only the root.
C sus4
18
Cm
Gtr.
& w ww
Bass
? J
bw w w
b J
bw w ww
C sus9
w w w
C6
22
C5
Gtr.
&
Bass
w w w w
w w
A tale of two diminished chords: a diminished triad + a minor seventh is called a "half-diminished seventh", and usually goes by the name of "minor seventh flat five" (because it's basically a m7 chord with the fifth flatted). A fully diminished seventh chord not only has a diminished fifth, but a diminished seventh as well (not the Bb double-flat).
24
Gtr.
& bbbw w w w ?
C m7b5
Bass
b b b
bb!w w w w
C dim7
! b b