Beruflich Dokumente
Kultur Dokumente
Winners Booklet
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KINDLY SUPPORTED BY
Winners booklet designed by Museums Australia 2012 Winners booklet printed by GEON
PUBLICATION JUDGES
Ian Wingrove Wingrove Design Jude Savage Art Gallery of Western Australia Patricia Sabine (former) Tasmanian Design Centre Rick Cochrane GEON Print & Communication
MULTIMEDIA JUDGES
Ian Wingrove Wingrove Design Brendan ODonnell Corvus Creative Tikka Wilson National Museum of Australia
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BEST IN SHOW
PUBLICATION
Queensland Art Gallery | Gallery of Modern Art Matisse: Drawing Life
a truly delightful book. The subtle colour palette and spacious layout create a calm and comforting journey into the core of the subject
MULTIMEDIA
Art Gallery of New South Wales Contemporary (app for iPad)
beautifully designed and great use of the slider timeline. Good sharing options
uses a dynamic combination of different print and production techniques. Tactile and rich
MULTIMEDIA
Powerhouse Museum INTER-LACE Micro Documentary Series
excellent video quality. Engaging and resolved curation of compelling behind the scenes information. Contemporary design with strong colour and typography
WINNER
HigHLY commenDeD
HigHLY commenDeD
LEVEL B
LEVEL B
Joint WINNER
Joint WINNER
RMIT Gallery Chelle Macnaughtan: Spacial Listening; Ainslie Murray: Intangible Architecture; Malte Wagenfeld: Aesthetics of Air
Designer: Ian Robertson (Ian Robertson Graphic Art & Design)
HigHLY commenDeD
HigHLY commenDeD
WINNER
HigHLY commenDeD
HigHLY commenDeD
Hazelhurst Regional Gallery & Art Centre Ildiko Kovacs: Down the Line 1980-2010
Designer: Mark Gowing (Mark Gowing Design)
JOINT WINNER
JOINT WINNER
HigHLY commenDeD
design and colouring live up to the name. Good type and plenty of space treat the works respectfully
Designer: Felicia Gibson, Craig Oddy, Brent Wilson & Gordon Craig (UQ Art Museum)
clever and technically impressive cover, classic design with good leading and hierarchy
uses a dynamic combination of different print and production techniques for a tactile and rich nish
LEVEL C
LEVEL C
LEVEL C
HigHLY commenDeD
HigHLY commenDeD
WINNER
beautiful colouring
great branding. The use of stock and layering encourages the reader to explore
a truly delightful book. The subtle colour palette and spacious layout create a calm and comforting journey into the core of the subject
BOOK
LEVEL A LEVEL A LEVEL B
HigHLY commenDeD
WINNER
HigHLY commenDeD
the retro design, including maintaining the faded polaroid-style photographs, reects the content and provides a nostalgic feel of the subject
strong and condent use of type and colour with a traditional image. Contemporary and delicate
LEVEL B
WINNER
imaginatively considered communication on lovely stock with excellent production values. Interesting play on the grid system. Each page is treated as an individual outcome
BOOK
LEVEL C LEVEL C LEVEL C
HigHLY commenDeD
HigHLY commenDeD
WINNER
Queen Victoria Museum & Art Gallery Bea Maddock Catalogue Raisonn Volume I 1951-1983
Designer: Bruce Smythe (Queen Victoria Museum & Art Gallery)
varied use of the grid creates a beautiful layout that reects the content
a well considered and unexpected design for the target audience combining a balanced and imaginative use of fun type and images without trivialising or condescending childrens style. Good production values
POSTER
LEVEL B LEVEL B
HigHLY commenDeD
WINNER
considered use of great stock reects the personality of the silkscreen. Good balance of white space
POSTER
LEVEL C LEVEL C
JOINT WINNER
JOINT WINNER
original and innovative. Respects photography by framing. Colour palette and type give the design street cred that will drive audiences to the gallery. A collectable series
CORPORATE
LEVEL A LEVEL B LEVEL B
WINNER
JOINT WINNER
JOINT WINNER
Maitland Regional Art Gallery Maitland Regional Art Gallery Corporate Branding
Designer: Clare Hodgins (Maitland Regional Art Gallery)
consistent and strong use of colour and shape provide a fun and contemporary corporate personality
CORPORATE
LEVEL C LEVEL C
JOINT WINNER
JOINT WINNER
State Library of New South Wales Library Council of NSW 2010-11 Annual Report
Designer: Marianne Hawke (SLNSW)
INVITATION
LEVEL B LEVEL B LEVEL C
HigHLY commenDeD
WINNER
HigHLY commenDeD
creative use of fold and die cutting. Reinventing a retro image in a contemporary way
INVITATION
LEVEL C LEVEL C LEVEL C
HigHLY commenDeD
JOINT WINNER
JOINT WINNER
beautiful and delicate use of stock and technology. Subtle treatment of framing. An installation in its own right
considered use of images and framing gives artworks room to breathe. Respectful design. Perfect execution
HigHLY commenDeD
HigHLY commenDeD
strong personality and identity with dynamic use of logo graphic. Engaging grid use
WINNER
HigHLY commenDeD
WINNER
National Gallery of Victoria Art Journal of the National Gallery of Victoria (edition 50)
Designer: Jessica Gommers (NGV)
a publication with promise. Lovely typographic masthead, good point size and column width. Engaging use of colour and grid
HigHLY commenDeD
WINNER
WINNER
Designer: 10 Group
great use of key hero images. Good fundamental typographical elements create a rhythm to the communication
EDUCATIONAL MATERIAL
LEVEL B LEVEL B
HigHLY commenDeD
WINNER
Maitland Regional Art Gallery Paul Selwood: Perspective Cutouts Education Kits
Designer: Clare Hodgins (MRAG)
strong colour branding and recognition. Good grid system offers clear delivery of information
LEVEL C
LEVEL C
LEVEL C
HigHLY commenDeD
JOINT WINNER
JOINT WINNER
Queensland Art Gallery | Gallery of Modern Art Drawing Life for Kids: My Art Journal
funky and clever. Good usable stock. Well considered layouts and use of fun typography and illustrations. A collectable
WINNER
HigHLY commenDeD
HigHLY commenDeD
Kaldor Public Art Projects Kaldor Public Art Project 23: John Baldessari
Designer: Analiese Cairis, Toby & Pete
Australian Centre for the Moving Image Shaun Gladwell: Stereo Sequences
LEVEL C
WINNER
excellent use of hero image. Use of bold imagery and typography provides a quirky and recognisable branding
WEBSITE A
LEVEL A LEVEL A LEVEL B
HigHLY commenDeD
WINNER
Joint WINNER
... nice use of logo and photography. Good typography, easy to read. Easy to navigate
a quirky showcase. Simple use of three colours. Clean slate and well-integrated Kaldor design ethos. Nice and engaging education content
website reects visual personality and brand of the organisation - strong brand extension. Engaging use of interactive icons and good navigation. Nice point size. Good connectivity
LEVEL B
Joint WINNER
beautiful, simple design. Information is presented very clearly. Non-traditional navigation design
WEBSITE B
LEVEL C LEVEL C LEVEL C
HigHLY commenDeD
HigHLY commenDeD
HigHLY commenDeD
Designer: Icelab
Designer: Icelab
great functions. High technical production values. Creative design with clean typography
unique and creative grid system. Good photography. Energetic and interesting
accessible. Easy to engage with the information. Quick loading times. Sensitive colour palette. Unique, creative solution to navigation
LEVEL C
WINNER
addictively usable. Great device for user feedback. Minimalist design where the content is the focus.
MULTIMEDIA A
LEVEL A LEVEL C LEVEL C
winner
HigHLY commenDeD
WINNER
children will really enjoy it. A great and engaging installation. Quirky
user friendly. Lovely and elegant. Fully engaging. Well executed application of existing concept
excellent video quality. Engaging and resolved curation of compelling behind the scenes information. Contemporary design with strong colour and typography
MULTIMEDIA B
LEVEL B LEVEL B LEVEL C
HigHLY commenDeD
WINNER
WINNER
http://object.com.au/object-magazine/entry/object_61_ design_thinking_design_action/
itunes.apple.com/au/app/contemporary-gallery-art-gallery/ id459345052?mt=8
very creative idea. Uses their collection really effectively. Uses sharing options well. Highly targeted. Making history accessible. Great communication
luscious graphic design. Elegant and engaging. Sensitive use of images. Reaches target audience really well. Tour de force of design
beautifully designed. Great use of the slider timeline. Good sharing options
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Celebrating excellence in design and communication in the museum and collections sector across Australia and New Zealand
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