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THE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS
Edition
July 2010
Contents Hannah Vasanth Keyboards for Rihanna 2 Brandnew: MOTIF XS FM Xpanded hape13s column 4 6
MOTIF XS / MOTIF-RACK XS S90 XS / S70 XS: Expanded Articulation 7 Yamaha DTX-MULTI 12: Quick Guide Sounds & Goodies Imprint 13 17 28
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Last Girl on Earth - thats the name of popstar Rihannas tour. Playing nice sounds with keyboards on stage - and hopefully freed from the dancing performance - is Hannah Vasanth. With a little help from two MOTIF XS. For Yamaha Hannah writes a mini-blog about her experiences in popstar world. 18th May 2010, 4:18pm Hi everyone! Last time we spoke I was just finishing off Anastacias summer tour and was starting with the Sugababes. Anyways, it was mid-march when I got an email from esteemed American MD Tony Bruno, who I had met a couple of years back. All the email said (ominously!) was call me now! I called Tony and without a lot of small talk he asked me if I would be interested in playing keys for Rihannas upcoming tour. It was all extremely last-minute, but after a few days of back and forth with Tony and management the gig was confirmed! I was on an airplane just a few days later, with nothing but a live rehearsal tape on my ipod !
So after a grueling 10-hour flight I arrived in LA and went straight to Sony rehearsal studios in Culver City to meet the band. The musicians were some of the best players in the US Eric Smith on bass, Chris Johnson on drums, Adam Ross and Nuno Bettencourt (yes, THAT Nuno!!) on guitars, Kevin Hastings on first keyboards and Ashleigh Haney and Kim Ince on BVs. After quick introductions the band proceeded to play through the one and a half hour set they were all at the final stages of tweaking the music when I barely knew the names of the songs! Gulp! So as you can imagine, the next 4 days were spent with me barely taking a break and programming, learning parts, programming and learning yet more parts! At least I had one constant to rely on in this whole crazy situation, and that was my trusty MOTIF XS for this gig I was using an XS7 and XS8. The XS came through for me once again, and I was able to get really close and detailed with the sounds I programmed. As with most of the bigger gigs these days, the original stems of the keyboard parts from the albums
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were available to me, this makes the job of matching and programming sounds so much easier, as you can really analyse and zone in on exactly recreating the sounds for the job, and then hopefully taking them one level further! A feature on the XS that I use time and time again is the in-built sampler, I was able to load in quite a few of the sounds from the original stems via USB, and build presets around them, this made for some great sounds which I kept tweaking and slowly the basis of the set was formed. Thankfully, the keyboard tech on this gig, Dan Roe, was English and therefore understood the importance of a cuppa! Numerous cups of tea and about a week later, I was more or less there, and finally took a deep breath and tried to start to relax into the set. Rihanna joined us a few days into rehearsals and sang through the set with us. She sounded amazing! It was fantastic to work with Tony Bruno - as he is a guitarist himself, the arrangements were musically very complex but still raw and audience-friendly. Tonys whole concept was: I dont wanna go to a gig and hear the album versions, so the arrangements were really fun and interesting to play with quite a few tricky bits that took a while to get under my fingers! After a while we moved on to Production Rehearsals. I was completely blown away by the sheer scale of this show no expense had been spared! From moving platforms to lifts from aerial work to dancers on stilts from a ramp with a treadmill to cars being bashed up and a pink tank being danced on the list just goes on and on and on. It was literally an assault on the senses and it took a lot of concentration for me to play the parts and not get distracted by what was happening on the stage! So, I have now been on the road for about a month. We have been in Germany, France, Belgium, Switzerland and are currently playing in the UK for a few weeks. I had the pleasure of 2 homecoming gigs the first in my hometown Berlin, where I was born and raised, and also the o2 in London, a couple of miles
away from our place in London. It has been wonderful to have my family and friends come and see the show I still cant quite believe that I am on a gig like this! I have to admit that I am still ironing out a few bits and bobs there is always room for improvement, right? We finish the European tour at the beginning of June, have 3 weeks off and then start a 10 week US tour. This is going to be my first time touring the states and I am really looking forward to it! I will keep you updated - Its nice to be back blogging! Speak soon, Hannah x Hannah Vasanth is a keyboard player/song writer/producer currently playing for Rihanna. Previous bands/ artists include Sugababes, Jay Sean, Jason Derulo, Anastacia (European Summer Tour 2009), Daniel Merriweather, ABC, Will Young, Jon Lord (Deep Purple), David Jordan, Bugz in the Attic, Gnarls Barkley, Charlotte Church and more. She also writes, produces and remixes and is currently completing an album with singer Jo Harrop - four of those tracks can be heard on her MySpace site www.myspace.com/hannahvasanth This shortened blog is taken from http://yamahadownload.yamaha-europe.com our download portal with tips & tricks, tutorials, features and all the latest downloads.
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EASY SOUNDS is developing an extensive soundset for the MOTIF XS. The sample-based sound library FM Xpanded will contain a comprehensive and high-quality collection of sounds produced by FM synthesis. FM is the abbreviation of Frequency Modulation. Here oscillators are modulated by other oscillators their amplitude and frequency then characterizes the sound. The FM synthesis was developed in 1967 by the american scientist Prof. Dr. John Chowning at the Stanford University and was made public in 1973. One year later the Yamaha Corporation bought the patents for this revolutionary synthesis system. In 1983 the Yamaha DX7 was introduced and put the
synthesizer world upside down, leaving synthesizer legends like Moog or Oberheim behind. After the groundbreaking success of the DX7 the FM synthesis has found its way into a large range of Yamaha synthesizers. This list contains only some of the most popular machines: TX7, TX816, DX21, TX81Z, DX27, DX100, FB01, DX7II, TX802, V50, SY77, SY99, FS1R, DX200, EX5 The last device from Yamaha using FM was the plugin board PLG150-DX which can be installed into host synthesizers like the MOTIF ES, MOTIF-RACK ES, or S90 ES. The PLG150-DX is a (in most points) trueto-theoriginal replica of the DX7.
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The electric pianos and clavinets are heavily inspired by the most popular classic DX7 Voices and will make you feel like playing on a orignal FM synthesizer. Impressive stereo programmings strongly reminiscent of the widespread panning of the DX7II. By creatively combining the FM sound components with each other or with Preset Waveforms we also created new keyboard sounds with their own distinctly independent character. These include hybrid sounds, in which conventional electric pianos and clavinets are mixed with FM sounds. The sounds of this first volume Electric Piano & Clavinet are not limited to be used in conventional music. With the help of the MOTIF XS effects a number of trendy keyboard sounds were programmed that can be used in all current music styles. In addition some drum loops in WAV format and keyboard
design. You dont have to be a FM expert to edit your sounds. The samples were recorded from a DX7 and other FM synthesizers such as SY99, FS1R, DX200, or the FM8 software synthesizer.
sequences in SMF format are included to be combined with each other. The coming volumes of FM Xpanded will be based on popular DX7 sounds of different sound categories. In addition some spectacular synthesizersounds will be produced with the help of the FM synthwaves, which
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hape13s column
Gosh, time flies...
Who hasnt use this saying or at least hasnt heard it from the generations of parents or grandparents? But: Whats this accumulation of words about? Time is initially referred to as physical size, with the second as a standard unit. As this for example time is used to measure speeds, whereas the speed of time, however, is fixed, which means time can not go faster or slower. Strangely enough we are very creative in linking different terms to time such as spend, kill or save and so on. So: What is it that sometimes time passes at different rates? A key criteria is whether the passage of time is filled with positive or negative content. You know: A great gig, the band grooves like a monster, an enthusiastic audience - and just after a few minutes (so it seems) the two-hour performance is over. Or: Power failure during gig. The actual two minutes to reload the Samples into the MOTIF give you the feeling that the smallest unit of time are 15 minutes. Or from my own experience: Around 20:30 oclock I sit down at the computer to just simply do some stuff... - and only half an hour later the clock tells me its 23:30!
I estimate that the majority of us are not professional musicians, but hobby musicians. Some may be lucky enough to have a relation between their hobby and their job. My job for instance is related to music and its surroundings as much as a hippo is related to crocheting. And of course, the least of us can spare all of their free time for the music, after all there are some other things in life. Some years ago I was on the road helping out for professional musicians. One night I was chatting with a drummer and said that I would love to make my living from making music. His commentary, almost literal: Oh you know, this is difficult sometimes. Youve got all day and fiddle and fuss around ... - but in the end nothing real comes out of it. Well, the main message of this sentence was not strange to me, except for the part: Youve got all day... which kept me thinking. And I came to the result: Its important to be able to look back at the time we spent with the hobby we have in common and evaluate it with the attribute meaningful. An important aspect must not be missing. Music and in our case technology periodically raises the question of priorities. Should I practice? Study manuals? Make Backups? Set up the computer and its software? ...? The decision alone can lead to frustration. It really helps to occasionally step back and readjust our focus. Then youll what a privilege it is to not have to spend time watching TV - in the early morning at 11:77 oclock with Judge XY and her amateur actors for 46.50 each (including expenses). So my wish for us is an in all directions balanced budget of our most valuable good - the time! With additional wishes for a wonderful summer, yours hp
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The topic Expanded Articulation on the MOTIF XS was discussed in detail in the MOTIF News Guide 6/2007. But since then not only the number of readers of this magazine has increased dramatically. The number of Yamaha Synthesizers featuring Expanded Articulation is larger, too. Both the MOTIF-RACK XS and the S90 XS / S70 XS are equipped with the same features of Expanded Articulation as the MOTIF XS. So there are plenty of reasons to take another closer look on the Expanded Articulation funtions. This will be done in this and the next part of this workshop. First, we summarize the basic information in a revised form. Hints on Preset Voices which are using the re spective Expanded Articulation functions will help you to understand them. The next part will be a practical workshop to explain how Voice using Expanded Articulation are programmed or modified, with a focus on Voices for live performances.
Expanded Articulation is a sound generation system especially designed for Yamaha synthesizers which allows greater flexibility and realism. It simulates playing techniques that are often used on acoustic in struments, but were difficult to implement in electronic keyboards - up till now. With the Expanded Articulation Mode (XA-Mode), the specific playing styles of instruments are imitated. In particular a realistic legato playing by switching the waveforms, an authentic release with key-off samples and switching between different sounds with the assignable switches. Wave Cycle and Wave-Random functions exist, too. The XA mode could be realised when Yamaha decided to double the number of Voice Elements used in the synthesizers from four to eight. Another condition is the implementation of Waveforms that are specialised for the XA mode technique (e.g. Key-Off Samples).
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In the following all functions of the XA Control will be successively discussed and explained by Voice examples. Only the Elements which are not set to normal and thus take advantage of the XA Control are described. I recommend to use the respective Editor Software for your instrument, these are available for free at www.yamahasynth.com The following steps will repeat for all examples discussed in this workshop - they are used to analyse the XA Control applications of the Voices (on a MOTIF XS): Select the Voice mode in the top left of the editor Click on ONLINE to synchronize the memory contents of the editor and the synthesizer. ONLINE should then appear in green Choose one of Voices given in the examples. Open the Library by clicking on the name of the current Voice. Select the Bank View mode for the Voice Library list In the parameter selection area click on Oscillator / Pitch. In the top right you will find the parameter XA Control. This is the key parameter for the Expanded Articulation. The settings normal, legato, Key sound off, wave cycle, wave random, all AF off, AF1 on, and AF2 on are available. This parameter can be set for each of the eight Voice Elements Use the ON / OFF switch to the left of the Element numbers to analyse single Elements Click All to get an overview of the XA Control settings of all Elements (see figure)
If you want to analyse the Voices directly on the MOTIF XS, the steps to examine the XA Control settings would be the following: MODE VOICE Select the Voice given in the example EDIT - F1 Oscillator Use the [TRACK] button to select the Elements 1 - 8 used in this Voice and take a look on each setting of the XA Control parameter. This is the key parameter for the Expanded Articulation. The settings normal, legato, Key sound off, wave cycle, wave random, all AF off, AF1 on, and AF2 on are available. You will it underneath Element Switch at the top of the display Use the SOLO or MUTE functions to analyse single Elements. Use the number buttons 9-16 to mute the Element 1-8
normal
This is the normal playing mode as we know it from synthesizers without Expanded Articulation. The Element is played normally with each keystroke.
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The XA Control is not applied for the Element. The subsequent editing and use of the XA functions is certainly a significant enhancement of existing Voices. One more reason to thoroughly read the information below. Only those who are able to use the Expanded Articulation in a sensible way can fully exploit the sonic possibilities of this synthesizer.
To clearly hear the difference between normal and legato, you should mute the Elements 3 to 8. Now play with a low velocity, since the Elements 1 and 2 are set to sound in a velocity range of 1 - 80. Alternate between staccato and legato. You will hear that at staccato (= Element 1) the flute sounds with a blowing noise, while at legato (Element 2) the blowing noise is missing - just like on a real flute.
If you want to analyse some other legato Voices, you can recognize them by the addition of legato to their Voice name. Here are some examples:
MOTIF XS / MOTIF RACK = Normal Preset 5 No. 3, 5, 21, 22, 24, 26. S90 XS / S70 XS = Normal Preset 5 No. 8, 10, 26, 27, 29, 31
legato
Conventional synthesizers recreate a legato effect by continuing the volume envelope of a previous note on to the next one, in the mono mode. However, this results in an unnatural sound different from that of an actual acoustic instrument. The Legato function more accurately reproduces a legato effect by allowing specific Elements to be sounded when playing legato and other Elements to be played normally. If XA control is set to legato for an Element, this will only be played in legato playing. However the Play mode has to be set to mono (Voice Common - General - Mono / Poly). So first the Elements which are set to normal are sounding. If subsequent notes are played legato, the Elements which are set to legato are sounding instead of the normal Elements.
Element 2 = legato Element 4 = legato Element 5 = legato Element 6 = legato The Elements 1, 3, 5, and 7 are set to normal.
Element 5 = key off sound This KeyOff sound uses the Waveform EP Key Off.
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Element 4 = key off sound This KeyOff sound uses the Waveform Clav Key Off.
Elements 2, 3, and 4 = wave cycle The Arpeggiator is controlling the Elements 2, 3, and 4, which have different Bell-Waves assigned to and are played alternately. In addition Element 1 is used. This is set to normal and therefore played with each note. If you select wave random for several Elements, the Elements are heard in a random order with every keystroke.
Elements 1 - 8 = wave random The Elements 1 - 8 have different analog synth waves assigned to and are controlled by the Arpeggiator. The random selection of the different Elements creates the character of a Wave sequence.
Example: Metamorphosis
MOTIF XS / MOTIF RACK = Normal Preset 7 No. 8 S90 XS / S70 XS = Normal Preset 6 No. 13
Elements 1 - 8 = wave random The Elements 1-8 have different FX and pad waves assiggned to. Now each note selects another Element to be played randomly. The result is a very complex and atmosperic effect sound.
Elements 2, 3, 4, 6, 7 = wave cycle The Elements 2, 3, 4, 6, 7 have different FX-Waves assigned to and are played alternately. In addi tion, the Elements 1, 5, and 8 are used. These are set to normal and therefore played with each note.
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between different sounds to reproduce the playing on an acoustic instrument. Acoustic instruments have their own unique characteristicseven specific, unique sounds that are produced only at certain times in a performance. These include the flutter tonguing on a flute or playing high harmonics on an acoustic guitar. The MOTIF XS recreates these by allowing you to switch between the sounds while you play using the ASSIGNABLE FUNCTION buttons and the XA Control parameter settings, AF 1 on, AF 2 on, and all AF off. But as with the previously described function the Assignable Functions are not only for acoustic instru ments. Synthesizer sounds also benefit to pro duce interesting variations. This option is often used in optional soundsets - keep an eye on Voices with AF1 & 2 in their names.
The Assignable Functions can also be turned on and off using MIDI controllers: Control 86 fr AF1 (0 = off, 127 = on) Control 87 fr AF2 (0 = off, 127 = on)
Element 4 = AF 2 on
The Assignable Functions work like this: all AF off The Element is disabled if one or both ASSIGNABLE-FUNCTION keys are turned on AF 1 on The Element is enabled if the ASSIGNABLE-FUNCTION button 1 is turned on AF 2 on The Element is enabled if the ASSIGNABLE-FUNCTION button 2 is turned on
Element 3 = AF 1 on Element 4 = AF 2 on ASSIGNABLE FUNCTION 1 = Element 3 (Pipe Organ1 St) is activated. ASSIGNABLE FUNCTION 2 = Element 4 (Pipe Organ2) is activated.
On the MOTIF XS and the S90 XS the above functions are activated with the ASSIGNABLE-FUNCTION buttons 1 + 2 (AF1 + AF2). On the MOTIFRACK XS however there are no such buttons on the device. You can use the virtual buttons in the editor
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ASSIGNABLE FUNCTION 1 = Element 1 (MedDetunedPadSt) is deactivated. ASSIGNABLE FUNCTION 2 = Element 1 (MedDetunedPadSt) is deactivated. In addition Elements 2 + 3 are played one octave higher and are applied with a vibrato. This is programmed in Ctrl Set (EDIT COMMON F4), not in the XA Control.
- EDIT - COMMON - F1 General - SF3 Other using the parameters A. Function 1 Mode and A. Function 2 Mode. Here you can decide, whether the AF buttons should function as latching or as a momentary switches. When set to latch pressing the button toggles between on and off, which is indicated by the LED of the button. When set to momentary holding down the button switches on, while releasing it switches off. This setting is not available in the Editor. It is also important to know that AF1 + AF2 not only depend on the XA Control settings of the Elements. Additionally or alternatively they can have a parameter assigned to from the Control Set (VOICE COMMON). Peter Krischker
Element 1 = All AF off Element 2 = All AF off Element 2 = All AF off Element 4 = normal (Strumming effect on key C6) Element 5 = key off sound Element 6 = AF 1 on Element 7 = AF 2 on Element 8 = off (not in use)
ASSIGNABLE FUNCTION 1 = Elements 1, 2, and 3 are switched off. Element 6 (Nylon Slide St) is activated. ASSIGNABLE FUNCTION 2 = Elements 1, 2, and 3 are switched off. Element 7 (Nylon Harmonics St) is activated. While playing this Voice alternately press the ASSIGNABLE buttons 1 + 2 to get the slide effect and the harmonics. These are realized by switching on and switching off the Elements. If AF1 is pressed, the Elements 1-3 are switched off, as they are set to all AF off. At the same time Element 6 is turned on, because this is set to AF 1 on. If AF2 is pressed, the Elements 1 - 3 are also switched off. At the same time Element 7 is switched on, because this is set to AF 2 on.
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The DTX Electronic Percussion Pad MULTI-12 uses many of the high-end features and sounds from the DTX and MOTIF series and provides an optimum tool for live drumming, productions or rehearsals. With over 1,200 high-class sounds - including newlydeveloped drum, percussion and keyboard sounds - the DTX-12 MULTI enriches any musical situation. Up to 200 User Sets can be programmed and added with effects to get ready for every conceivable musical style with the best sounds around. In addition, the large 64MB Flash-ROM Wave-Memory can be filled with additional samples which then can be assigned to the Pads. The following Quick Guide should help you to get to know and play the DTX-MULTI 12.
hand. The Pad sensitivity is pre-set for drumsticks, so if you want to play them by hand youll have to change the Trigger setting: Press and hold [SHIFT] and press [UTILITY] Select the setting P04: Hand This Trigger setting is indicated by a hand symbol in the display. The Pad Indicator (at the right of the display) displays the number of the currently played Pad.
Selecting KITS
Press [KIT] and select a preset drum-kit by pressing the buttons [-]/[+] to step through the numbers 1 50. In each Kit the Pads play other Voices. The User Kits from 1 200 are reserved for your own drum-kits. These Kits can use imported WAV or AIFF audio samples (see Create your own User Kits).
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Recording Patterns
Heres how to simply record your performance on the Pads as a Pattern: Press [PATTERN] and [KIT] Press [KIT] and select the Kit you want to use for your recording Activate the Record mode by pressing and holding [SHIFT] plus [PATTERN] Set the right Tempo and other parameters for the recording (Time Signature, Pattern Length, Quantize, Playback Mode) Start the recording by pressing [PATTERN]. Start to play after the precount of two bars. The recording will stop after the set Pattern length is reached Simply overdub your Pattern by starting another recording session
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containing samples: Load samples into already created or new Kits via WAVE IMPORT Load a larger selection of samples via the Job Import All into the Flash-ROM and then assign them to already created or new Kits The first method is to be preferred if you just want to import a few samples. When you want to import a larger number of samples the second method is perfect. Since the DTX-MULTI 12 features a preview function of the samples it is better to import all samples you want to use in a batch and then assigning them to Pads. The first method implies you to know your samples very well.
5 Use the buttons [+] or [-] to select the audio file you want to load and press [ENTER]. The loading is confirmed with the message Now Importing...Please keep power on. After loading has finished PadAssign=off is displayed 6 Hit the Pad you want to assign the newly loaded Wave to. The number of the hit Pad is displayed (instead of off) 7 Press [ENTER] to confirm. As soon as the message Now working disappears you can play the Wave with the Pad 8 Use [+] and [-] to select the next audio file you want to load and repeat the steps 5 to 7 9 Once you have all Waves imported and assigned press [KIT] + [STORE] and confirm twice with [ENTER] to store the new Kit
However both methods are very easy to use, creating User Kits with samples is done in a few minutes! Here are short walk-throughs for both methods - each presuming an empty User Kit for a start.
Method 2 = Import samples with Import All and assign them to Pads
Prior to the second method it is advisable to delete the sample memory by this you have a better overview of its contents.
To delete all samples currently loaded in the FlashROM: [WAVE] > WAVE3 JOB [ENTER] > Delete All 2 x [ENTER] Now you can use the same samples as in method 1 above. 1 Press [WAVE] > WAVE3 JOB [ENTER] > Import All - 3 x [ENTER]. The message now importing appears. Since all audio files avail able on the USB storage device are loaded into the flash-ROM this may take some time
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2 Press [KIT] and select an empty User Kit (U002 for instance) 3 Press [VOICE] and hit the first Pad you want to assign a Wave to. The number of the hit Pad is displayed 4 Navigate the cursor to the left and change the Category to WV using the [+] button 5 Navigate the cursor to the right and select the Wave you want to load using the [+] and [-] buttons. You can listen to the currently selected Wave by just hitting the Pads 6 Select another Pad and repeat the steps 4 to 5 to assign a Wave to it 7 Once you have all Waves assigned to the Pads press [KIT] + [STORE] and confirm twice with [ENTER] to store the new Kit Peter Krischker
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Nonetheless these special oriental instruments can be used in music styles like pop, world, chill out, ambient and whatever you can imagine.
www.easysounds.de in addition to the e-mail procedure mentioned above. Remember to add the keyword Oriental Instruments to your USB memory stick order.
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WAV-Pool
The WAV pool contains 200 WAV files with a total size of 93 MB. These are drum loops, vocoder phrases, sound effects, and atmos.
Vocoder Dreamz
The S90 XS / S70 XS version of Vocoder Dreamz features 40 Vocoder Voices and a comprehensive manual on how to use them with the S90 XS Vocoder. The User Voice Bank is divided as follows: 1 16 Vocoder Voices (Vocoder + Pad/Atmo/Synth) 17 36 Vocoder Voices (Basic Type) 37 40 Vocoder Voices (LFO-Type)
Alternatively the Soundpackage can be delivered on an USB memory stick, which must be ordered for a reasonable price from www.easysounds.de in addition to the e-mail procedure mentioned above. Remember to add the keyword S90 XS / S70 XS Soundpackage to your USB memory stick order.
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WAV-Pool with 200 loops and audio-phrases Demo song PDF file of a comprehensive guide plus tips & tricks
loaded. The size of the download file is 125 MB. In addition you are automatically registered for the free monthly MOTIF News Guide.
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The software package contains the following: MM6 / MM8 Live Peformance Bank Song-Templates Demo-Song with audio and MIDI tracks for Cubase, Logic, Standard MIDI File) WAV loop pool for Cubase + Logic (drums, synths, vocals, effects, atmos) MM6 / MM8 Quick Guide The 64 Performances for the MM6 are more suitable for live music than the more pattern orientated factory Performances. The Song templates contain setup data in formats for Cubase, Logic, and standard MIDI file (SMF). They feature SysEx events, Bank Select, Program Change, and Controller events which set the effects and sounds
The demo songs combine MIDI and audio tracks. The MIDI tracks control the MM6 / MM8. The audio tracks are used to play back samples from the included WAV pool. The free software package can be requested by sending an e-mail containing the keyword MM6 / MM8 Live & Studio to: motifnews@easysounds.de You will receive an e-mail from EASY SOUNDS with a password and a link where the file can be down loaded. The size of the download file is 131 MB. In addition you are automatically registered for the free monthly MOTIF News Guide.
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The downloadable file (48 MB) contains the following: 18 Tenori-On User Voices (Samplings) 4 Tenori-On Demos (AllBlock-Files) 268 Samples in WAV-Format (19 MB) Comprehensive PDF documentation The User Voices feature multiple drum kits, sound effects, vocal / vocoder kits, and synth sounds. Heres an overview of the User Voices: BA_MiniSquare.tnw BA_Xbass.tnw CO_CombKit1.tnw CO_CombKit2.tnw DR_AnalogKit1.tnw DR_AnalogKit2.tnw DR_BreakKit.tnw DR_XdrumAdd.tnw DR_XdrumBasic.tnw FX_Atmo.tnw FX_Long.tnw FX_Short.tnw SQ_DarkUni.tnw SQ_Xsynth.tnw VO_VocalsFemale.tnw VO_VocalsMale.tnw VO_VocoderFemale.tnw VO_VocoderMale.tnw
The User Voices CO_CombKit1 and CO_CombKit2 demonstrate how the sounds can be combined in a creative way. They use samples from different sample directories. Combining sounds really widens the sound variety enormously. So if you want to set up your own kits from the WAV files you first should audition the samples using a file player, sampler, or audio sequencer. Then simply drag and drop the samples you want to use into the Voice Manager software. This free sound library can be requested by sending an e-mail containing the keywordTenori-On European Voice & Samplebank to: motifnews@easysounds.de You will receive an e-mail from EASY SOUNDS with a password and a link where the file can be down loaded. The size of the download file is 49 MB. In addition you are automatically registered for the free monthly MOTIF News Guide.
The samples used in the Voices are also provided as WAV files. Hence you can use the downloadable
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The new DTX Electronic Percussion Pad MULTI-12 uses many of the high-end features and sounds from the DTX and MOTIF series and provides an optimum tool for live drumming, productions or rehearsals. With over 1,200 high-class sounds - including newlydeveloped drum, percussion and keyboard sounds - the DTX-12 MULTI enriches any musical situation. Up to 200 User Sets can be programmed and added with effects to get ready for every conceivable musical style with the best sounds around. In addition, the large 64MB Flash-ROM Wave-Memory can be filled with additional samples which then can be assigned to the Pads. Now the brand new soundset Oriental Percussion for the DTX-MULTI 12 is available for registered users. It is provided by EASY SOUNDS on behalf of Yamaha Music Europe - free of charge.
The download package includes the following: 36 Patterns 22 Kits 129 User Waves (18 MB Samples) The soundset has been designed primarily for traditional and modern Turkish music. Its based on authentic samples of oriental percussion instruments. The oriental instruments are however well suited for use in other music styles such as Pop, World, Chill Out, Ambient, etc. Oriental Percussion was programmed by the Turkish musician and producer Mert Topel. Since 1990 Mert Topel is working as a musician with nationally and internationally known pop and rock stars such as Tarkan (1993-2008) and many others. Mert recorded several albums as a producer of jazz, fusion, rock bands, and singers like Kirac, Mor ve Otesi, Glden Goksen, Grizu etc. He also has his own
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jazz-rock band Fenomen, which published its first album in 2006 - with very good response from jazz lovers. Right now his band is working on a second album. Another project is a collaboration with Alper Maral in the production of an electro-acoustic-oriented album called The Voltage Control Project, which appears in 2010. The DTX-12 MULTI Patterns produced by Mert Topel should inspire the musician in the first place and serve as basis for his own music productions. This free soundset can be requested by sending an e-mail containing the keyword DTX-M12 Oriental to: motifnews@easysounds.de The user will receive an e-mail from EASY SOUNDS with a password and a link where the file can be downloaded. The size of the download file is 24 MB. In addition you are automatically registered for the free monthly MOTIF News Guide. Alternatively the Soundpackage can be delivered on an USB memory stick, which must be ordered for a reasonable price from www.easysounds.de in addition to the e-mail procedure mentioned above. Remember to add the keyword DTX-M12 Oriental to your USB memory stick order.
Mert Topel
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Dance Xpanded
for MOTIF XS/ES, MOTIF-RACK XS/ES, S90 XS/ES, MO 128 Voices, 64 WAV drum loops, 100 MIDI loops 64 MB samples + 100 User Arpeggios (MOTIF ES) Dance Xpanded is the ultimate set for Dance, Trance, Electronic, Chill Out, and Pop. The 128 Voices include atmospheres, pads, leads, synth basses, chord synths, gated pads, and arpsounds. Top analogue sound and excellent new synth Waveforms!
Vocoder Dreamz
for MOTIF XS 128 Voices + 64 Performances + 96 MB samples Vocoder Dreamz combines vocoder Voices, vocal phrase kits, and drum loop kits. The Performances have some synth Voice Presets added. The vocal phrases and drum loops are controlled by User Arpeggios. Its speciality are the vocoder choirs.
Synth Xtreme
for MOTIF XS/ES, MOTIF-RACK XS/ES, S90 XS/ES, MO 128 Voices + 124 MB synth Waveforms (MOTIF XS/ES) The Voice Bank Synth Xtreme features a vast range of fat, analogue synth sounds in a high-class quality. They work perfect for Trance, Electronic, Techno, and many other genres of trendy pop music. The combinations of synth sounds with drum and bass loops make an excellent basis for your own songs. Several demo tracks (each provided in many different formats) make your first steps easy as cake.
Organ Session
for MOTIF XS/ES, MOTIF-RACK XS/ES, S90 XS/ES, MO 128 Voices + 120 MB samples (MOTIF XS/ES) This set is an impressive emulation of the legendary Hammond B3. Smacky organ sounds with concise key click and controllable percussion. Rocky and jazzy Hammond sounds...
Hypnotic Stepz
for MOTIF XS/ES, MOTIF-RACK XS/ES, S90 ES, MO 128 Voices + 120 MB Waveforms (MOTIF XS/ES), 163 drum loops + step sequencer emulation (Cubase/Logic) This is the set for those MOTIF users having a faible for step sequencers and analogue synth sounds. Here youll hear outstanding combinations of synth sounds, drum sounds, and drum grooves.
Drum Performer
for MOTIF XS und MOTIF ES 40 drum kits, 400 drum samples (200 MB), Arpeggios... Comprehensive soundset featuring real drums recorded in several complex sampling sessions. These drums sound dry, fat, and punchy. Impressive live drum sound.
Pricing:
Each soundset (download / CD-ROM) = 35,- EUR These soundsets are exclusively available from: EASY SOUNDS Peter Krischker Am Langberg 97 A D-21033 Hamburg Telephone: +49 40 - 738 62 23 e-mail: vertrieb@easysounds.de Website: http://www.easysounds.de
Chill Xperience
for MOTIF XS/ES, MOTIF-RACK XS/ES, S90 XS/ES, MO 128 Voices + 6 demo songs (all versions) 24 Performances, 92 drum loops (MOTIF XS) Soundset for Chill Out, Lounge, Ambient, New Age, Electronic, and related genres. These sounds offer a high degree of musical inspiration. Soft sound spheres, pleasant pads, spacy leads, chilling effects, remakes of traditional sounds...
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Yamaha Music Europe GmbH Siemensstrae 43 D-25462 Rellingen Telephone: +49 40 - 30 30 e-mail: motifnews@easysounds.de The free MOTIF News Guide is published monthly and contains news, tips & tricks, software offers, and interviews on and around Yamaha synthesizers of the MOTIF series, S series, MO series, MM series, Tenori-On, and articles about recording, software, and Computer Music Instruments. You can subscribe or unsubscribe to the free MOTIF News Guide by sending an informal e-mail to: motifnews@easysounds.de
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