Beruflich Dokumente
Kultur Dokumente
MEN
Michael Blackburn
The poem was written for a collaboration with international book artist Les Bicknell. It formed
part of his exhibition, The Ordinary Made Extraordinary, at Essex University in February 1994.
The poem was performed at the opening of the exhibition. The resulting book was produced in
a limited edition of 10 copies signed and numbered by both poet and artist .
The original title was Saturday Night at the Crown Posada. This was changed to Men for the
exhibition. The Crown Posada is a pub near the quayside in Newcastle upon Tyne.
oh no it's
George again
I'd know that loud
voice anywhere
stammering to a
to a punchline
(wrapped in a yellow
duster his shining
mouth organ)
At thirteen demonstrated
the motions of sexual intercourse
between the desks,
explained the meaning
of the word prostitute.
Twenty years on
in the same pub.
Oh look, there's Fat Henry just come in. Positions his arse to the left of the bar. That's HIS
standpoint, you see. Nods to the lass, but she's too far away so he stares at the new lad, flustered
still and trying to sort himself out. See Henry's own tankard hanging behind the bar. See the
barely-legible inscription on its dull pewter greyness. He nods to the lad, explains. Training, it's
called. Soon as you see me come in this bar, take that down and fill it with Scotch. I stand here,
lad, nowhere else. Henry, that's me, that's my jar. Soon as you even think I'm coming in you fill
that jar. Henry. That's me.
They're all in tonight: George, Fat Henry, Don Dickhead The Mogadon Man, Frank the Fantasy
Man...oh Christ here he comes
did I ever tell you about the time I drank
2000 cans of Special Brew in one day
and then drove across Europe in a blue Maserati
without being breathalysed or stopping for a piss
well sometimes I'd smoke so many Camels I thought
my head would explode but I still had my health
no kid I used to play football every Sunday
go swimming at lunch and you know I could swim
300 lengths underwater without taking a breath
top scorer in the Sunday League twelve years running
I almost had a trial for Sheffield Wednesday but
by then I was a schoolboy millionaire from my first
platinum disk at thirteen with my own band
we called ourselves Pigs on Acid it was my idea
by the time I was eight I could play banjo
piano guitar violin harpsichord and flute
they wanted me to join the London Philharmonic
Orchestra but I had to think about the offer
from Jesus College Oxford because I was
brilliant at Maths but I wanted a real education
so I dropped out of the whole thing
and travelled around the world five times
and when I came back I wrote a book about it
and there were ten publishers fighting for it
but that was when I entered my poetry phase
and I won a big competition and everyone
thought I was the next Ted Hughes
and Faber and Faber were on their knees to me
but I said stuff it mate I think your covers
are crap and really I wasn't bothered because
I was into films by then and dating
Meryl Streep on the side but she got
too serious by half and I had to dump her
I just couldn't walk down the street without
some woman throwing herself at me I'm not joking
once you've had sex with 50 different women every day
since before you reached the age of puberty
you appreciate having a little time on your own
to play the violin or write your twentieth book
or start up a trout farm in the Highlands
with your uncle who's a good friend of one of
those ancient sixties rockstars
so nowadays I take it a bit slower like
I've cut down the fags to 500 a day low tar
and 60 bottles of bourbon neat and 10
new cars a year and sex only
40 times a minute but I can still swim
a mile underwater without a breath
and I bet you I can beat everyone in this room
at Scrabble and poker
and there's Larry and Mick, and Jojo and Scumbag back from Saudi, and Harry the Bastard
shouting about London and Fred the Car and Jake the Camra Man...
And just across the way from him, sitting at the cramped table, sneakily staring at the figures of
the two girls who sit sideways to him, ignoring him through their smoke and talk, Sam the
Unpublished Poet, dressed in black. How serious he looks, how deep in obscure profundities
and reams of erudition, how lost in raptures of heart-bursting emotion, how bitter at society's
beery disdain for the sensitive, the fragile, the cultured, the...etc. He's penning a new poem in
his (black) notebook. It's all to do with love and eternity and how they're both like drugs and
how life turns round and kicks you in the crutch and he really fancies the girl on the right and
is sure he's seen her on the mystical 41 bus in the last week and should he ask her something
serious to get her interested...
But over there, louder than he should be to a friend, look, says my angel, the Flaunter of Secrets
himself, flapping a text in front of him
I'm not so sure if he gets on my nerves as much as this fellow over here, the one we call
you know
the guy that everyone likes
the one that
scores the goals
gets the girls
the exams
the scholarships
the lucky breaks
the good job
the inheritance
from a long-forgotten
uncle in Madagascar
....