RD-700NX DataList

Data List
Contents
Live Set List .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
3
Tone List .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
PIANO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 CONCERT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 STUDIO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 BRILLIANT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 E.PIANO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 E.PIANO 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 E.PIANO 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 E.PIANO 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 PRESET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 CLAV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 MALLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 STRINGS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 PAD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 ORGAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 GUITAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 BASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 CHOIR/SCAT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 BRASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 SYNTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 USER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 CLAV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 MALLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 STRINGS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 PAD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 ORGAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 GUITAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 BASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 CHOIR/SCAT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 BRASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 SYNTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
CONCERT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 STUDIO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 BRILLIANT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 E.PIANO 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 E.PIANO 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 E.PIANO 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 CLAV. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 MALLET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 STRINGS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 PAD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 ORGAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 GUITAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 BASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 CHOIR/SCAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 BRASS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 SYNTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Rhythm Set List.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rhythm Pattern List.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Effect/Parameter List.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
19 24 26
Multi-Effects Parameter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Chorus Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 Reverb Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Live Set List

PIANO
CONCERT
No 01 02 03 04 05 06 07 08 09 10 LIVE SET Name Concert Grand Bright Concert Mellow Concert Honky-tonk NarrowStereoGd Rock Grand Concert Mono ConcertGrd+Str ConcertGrd+Cho ConcertGrd/Bass MSB 84 84 84 84 84 84 84 84 84 84 LSB 0 0 0 0 0 0 0 0 0 0 PC 1 2 3 4 5 6 7 8 9 10
E.PIANO
E.PIANO 1
No 01 02 03 04 05 06 07 08 09 10 LIVE SET Name Tine E.Piano Phaser Tine EP1 Soft Tine EP NewCase Tine EP Dyno Tine EP Driven Tine EP Delay Tine EP Chorus Tine EP Wah Tine EP Phaser Tine EP2 MSB 84 84 84 84 84 84 84 84 84 84 LSB 0 0 0 0 0 0 0 0 0 0 PC 31 32 33 34 35 36 37 38 39 40
STUDIO
No 01 02 03 04 05 06 07 08 09 10 LIVE SET Name Studio Grand Bright Studio Mellow Studio Clear Studio Comp StudioGrd1 Comp StudioGrd2 Studio Mono StudioGrd+EP StudioGrd+Pad StudioGrd/Pad MSB 84 84 84 84 84 84 84 84 84 84 LSB 0 0 0 0 0 0 0 0 0 0 PC 11 12 13 14 15 16 17 18 19 20
E.PIANO 2
No 01 02 03 04 05 06 07 08 09 10 LIVE SET Name Reed E.Piano Comp Reed EP Soft Reed EP Driven Reed EP1 Driven Reed EP2 Reed Bell Phaser Reed EP Wah Reed EP Rotary Reed EP AutoPan Reed EP MSB 84 84 84 84 84 84 84 84 84 84 LSB 0 0 0 0 0 0 0 0 0 0 PC 41 42 43 44 45 46 47 48 49 50
BRILLIANT
No 01 02 03 04 05 06 07 08 09 10 LIVE SET Name Brilliant Grand Hard BrillGrd Soft BrillGrd Antique Piano1 Antique Piano2 Brilliant Mono BrillGrand+EP BrillGrand+Str BrillGrand+Pad BrillGrand/Cho MSB 84 84 84 84 84 84 84 84 84 84 LSB 0 0 0 0 0 0 0 0 0 0 PC 21 22 23 24 25 26 27 28 29 30
E.PIANO 3
No 01 02 03 04 05 06 07 08 09 10 LIVE SET Name SA E.Piano1 Mellow SA EP SA E.Piano2 Chorus SA EP Phaser SA EP SA EP + Piano SA EP + FM EP SA EP + Bell SA EP + Pad1 SA EP + Pad2 MSB 84 84 84 84 84 84 84 84 84 84 LSB 0 0 0 0 0 0 0 0 0 0 PC 51 52 53 54 55 56 57 58 59 60
Live Set List
PRESET
CLAV
No 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 LIVE SET Name Clav 1 Phaser Clav 1 Clav 2 Phaser Clav 2 Wah Clav Reso Clav Pulse Clav 1 Pulse Clav 2 Sweepin Clav Analog Clav Biting Clav Phaser Clav 3 Phaser Clav 4 Phaser Clav 5 DigiClav Harpsichord 1 Harpsichord 2 Coupled Harpsi Room Harpsi Enhanced Harpsi St.Harpsi BaRockEns Harpsitur Phaser Harpsi Hard Harpsi Harpsi/Flute MSB 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 LSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 PC 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86
No 047 048 049 050 051 052 053 054 055
LIVE SET Name Steel Drums FM Sparkles FM Syn Bell FM Heaven Dreaming Bell Music Bells Bell Crystal Magic Bell
MSB 84 84 84 84 84 84 84 84 84
LSB 0 0 0 0 0 0 0 0 0
PC 107 108 109 110 111 112 113 114 115
STRINGS
No 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 LIVE SET Name Strings 1 Strings 2 Marc Strings Slow Strings Mood Strings Strings Stacc Strings 3 Strings 4 Strings 5 Stage Strings 1 Stage Strings 2 Orchestra 1 Orchestra 2 Orchestra 3 Chamber Strings Hybrid Strings Tremolo Str TapeStrings1 TapeStrings2 Syn.Strings1 Syn.Strings2 Syn.Strings3 JP Strings 1 JP Strings 2 JP Strings 3 106 Strings VintageStr 1 VintageStr 2 VintageStr 3 VintageStr 4 VintageStr 5 PWM Str 1 PWM Str 2 Violin Pizzicato MSB 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 LSB 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 PC 116 117 118 119 120 121 122 123 124 125 126 127 128 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22
MALLET
No 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 LIVE SET Name Vibraphone 1 Vibraphone 2 Jazz Vib Vibraphone Tr Cool Jazz Marimba 1 Marimba 2 Marimba 3 Xylophone 1 Xylophone 2 Tremolo Marimba Xylophone 3 Bass Marimba 1 Bass Marimba 2 Celesta Glockenspiel Music Box 1 Music Box 2 Kalimba Kalimba Bells MSB 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 LSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 PC 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106
PAD
No 091 092 093 LIVE SET Name Soft Pad 1 Soft Pad 2 Soft Pad 3 MSB 84 84 84 LSB 1 1 1 PC 23 24 25
Live Set List

No 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 LIVE SET Name Soft Pad 4 Soft Pad 5 Soft Pad 6 Finewine Pad Bell Pad Analog Pad Airy Pad SoftTouch Pad Hollow Pad 1 Hollow Pad 2 Strobe Pad Warm Heaven 1 Warm Heaven 2 Heaven Pad Wine Pad Digital Pad Sweep Pad 1 Sweep Pad 2 5th Pad 1 5th Pad 2 Soft Pad 7 Soft Pad 8 Soft Pad 9 Soft Pad 10 Soft Pad 11 WideSoftStr Pad Paradise Pad MSB 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 LSB 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 PC 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 No 145 146 147 148 149 150 151 152 153 154 155 LIVE SET Name Nason Flute Massive Organ Mid Pipe Organ Pipe Organ Accordion Fr Accordion It 1 Accordion It 2 Musette Bandoneon Harmonica 1 Harmonica 2 MSB 84 84 84 84 84 84 84 84 84 84 84 LSB 1 1 1 1 1 1 1 1 1 1 1 PC 77 78 79 80 81 82 83 84 85 86 87
GUITAR
No 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 LIVE SET Name Nylon Guitar 1 Nylon Guitar 2 Folk Guitar 1 Folk Guitar 2 Folk Guitar 3 Clean Guitar 1 Clean Guitar 2 Jazz Guitar1 Jazz Guitar2 Mute Guitar 12-str.Gtr Chorus Gtr 1 Chorus Gtr 2 Pick E.Gtr Wet E.Gtr Funk Guitar 1 Funk Guitar 2 Funk Pop Overdrive Gt1 Overdrive Gt2 DistortionGtr1 DistortionGtr2 Metal Stack Dist Gtr Mute Mandolin Yang Qin Santur Sitar 1 Sitar 2 Banjo MSB 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 LSB 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 PC 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117
ORGAN
No 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 LIVE SET Name Tone Wheel Org1 Tone Wheel Org2 Tone Wheel Org3 Tone Wheel Org4 Tone Wheel Org5 Tone Wheel Org6 Tone Wheel Org7 Tone Wheel Org8 Tone Wheel Org9 ToneWheelOrg10 Rock Organ 1 Rock Organ 2 Rock Organ 3 Rock Organ 4 Rock Organ 5 Crunch Organ 1 Crunch Organ 2 Crunch Organ 3 Crunch Organ 4 60's Organ 70's E.Organ 1 70's E.Organ 2 70's E.Organ 3 Puff Organ MSB 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 LSB 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 PC 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76
171 172 173 174 175 176 177 178 179 180 181 182 183 184 185
BASS
No 186 187 188 189 190 191 LIVE SET Name Acoustic Bs1 Acoustic Bs2 Acoustic Bs3 Fingered Bs1 Fingered Bs2 Picked Bass 1 MSB 84 84 84 84 84 84 LSB 1 1 1 1 1 1 PC 118 119 120 121 122 123
Live Set List

No 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 LIVE SET Name Picked Bass 2 Fretless Bs 1 Fretless Bs 2 Slap Bass 1 Slap Bass 2 MG Bass 1 MG Bass 2 Modular Bs TB Bass Big Mini Fat Analog Spike Bass SH Bass Synth Bass 1 Synth Bass 2 Synth Bass 3 Synth Bass 4 Synth Bass 5 Synth Bass 6 Synth Bass 7 Fat Bass Reso Bass 1 Reso Bass 2 101 Bass MSB 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 LSB 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 PC 124 125 126 127 128 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 No 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 MSB 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 LSB 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 PC 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 266 267 268 269 270 LIVE SET Name Brass 3 Brass 4 Brass 5 Brass 6 Brass 7 Live Trumps F.Horn Sect Sax Sect Live Brass Tp & Sax Trumpet 1 Trumpet 2 Dark Trumpet Mute Trumpet1 Mute Trumpet2 Trombone 1 Trombone 2 Tuba French Horn Soprano Sax Alto Sax Tenor Sax 1 Tenor Sax 2 Baritone Sax Chamber Winds Oboe Clarinet Flute Bottle Blow Pan Flute Pan Pipes Shakuhachi MSB 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 LSB 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 PC 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74
CHOIR/SCAT
No 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 LIVE SET Name Jazz Scat Choir 1 Choir 2 Choir 3 Angel Choir Flangy Angel Aerial Choir Space Voice Voice Oohs Humming 1 Humming 2 Gospel Hum Sop Vox Sample Opera Vox Pad 1 Vox Pad 2 SynVox 1 SynVox 2 SynVox 3 Dreamvox 1 Dreamvox 2
SYNTH
No 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 LIVE SET Name Dream Keys Super Saw Trance Synth Jump Poly ShakuBell Dreambell FantaPiano Stacc Heaven Fantasia D-50 Bell On Air Saw Lead 1 Saw Lead 2 Saw Lead 3 Synth Brass1 Synth Brass2 SynBrass sfz Analog Saws Soft SynBrs1 MSB 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 84 LSB 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 PC 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93
BRASS
No 237 238 LIVE SET Name Brass 1 Brass 2 MSB 84 84 LSB 2 2 PC 41 42
Live Set List

No 290 291 292 293 294 295 296 297 298 299 300 LIVE SET Name Soft SynBrs2 Warm SynBrs EuroExpress1 EuroExpress2 SupperSynBrass JP Brass 1 JP Brass 2 JP Brass 3 Wide SynBrs 106 Brass Dual Saw Brs MSB 84 84 84 84 84 84 84 84 84 84 84 LSB 2 2 2 2 2 2 2 2 2 2 2 PC 94 95 96 97 98 99 100 101 102 103 104
USER
CLAV
No 001 002 003 004 005 006 007 008 009 010 LIVE SET Name Concert Grand Bright Concert Mellow Concert Honky-tonk NarrowStereoGd Rock Grand Concert Mono ConcertGrd+Str ConcertGrd+Cho ConcertGrd/Bass MSB 84 84 84 84 84 84 84 84 84 84 LSB 64 64 64 64 64 64 64 64 64 64 PC 1 2 3 4 5 6 7 8 9 10
MALLET
No 011 012 013 014 015 016 017 018 019 020 LIVE SET Name Studio Grand Bright Studio Mellow Studio Clear Studio Comp StudioGrd1 Comp StudioGrd2 Studio Mono StudioGrd+EP StudioGrd+Pad StudioGrd/Pad MSB 84 84 84 84 84 84 84 84 84 84 LSB 64 64 64 64 64 64 64 64 64 64 PC 11 12 13 14 15 16 17 18 19 20
STRINGS
No 021 022 023 024 025 026 027 028 029 030 LIVE SET Name Brilliant Grand Hard BrillGrd Soft BrillGrd Antique Piano1 Antique Piano2 Brilliant Mono BrillGrand+EP BrillGrand+Str BrillGrand+Pad BrillGrand/Cho MSB 84 84 84 84 84 84 84 84 84 84 LSB 64 64 64 64 64 64 64 64 64 64 PC 21 22 23 24 25 26 27 28 29 30
PAD
No 031 032 033 034 035 036 037 038 LIVE SET Name Tine E.Piano Phaser Tine EP1 Soft Tine EP NewCase Tine EP Dyno Tine EP Driven Tine EP Delay Tine EP Chorus Tine EP MSB 84 84 84 84 84 84 84 84 LSB 64 64 64 64 64 64 64 64 PC 31 32 33 34 35 36 37 38
Live Set List

No 039 040 LIVE SET Name Wah Tine EP Phaser Tine EP2 MSB 84 84 LSB 64 64 PC 39 40 No 076 077 078 079 080 LIVE SET Name Reed E.Piano Comp Reed EP Soft Reed EP Driven Reed EP1 Driven Reed EP2 Reed Bell Phaser Reed EP Wah Reed EP Rotary Reed EP AutoPan Reed EP MSB 84 84 84 84 84 84 84 84 84 84 LSB 64 64 64 64 64 64 64 64 64 64 PC 41 42 43 44 45 46 47 48 49 50 LIVE SET Name INIT LIVE SET INIT LIVE SET INIT LIVE SET INIT LIVE SET INIT LIVE SET MSB 84 84 84 84 84 LSB 64 64 64 64 64 PC 76 77 78 79 80
ORGAN
No 041 042 043 044 045 046 047 048 049 050
BRASS
No 081 082 083 084 085 086 087 088 089 090 LIVE SET Name INIT LIVE SET INIT LIVE SET INIT LIVE SET INIT LIVE SET INIT LIVE SET INIT LIVE SET INIT LIVE SET INIT LIVE SET INIT LIVE SET INIT LIVE SET MSB 84 84 84 84 84 84 84 84 84 84 LSB 64 64 64 64 64 64 64 64 64 64 PC 81 82 83 84 85 86 87 88 89 90
GUITAR
No 051 052 053 054 055 056 057 058 059 060 LIVE SET Name SA E.Piano1 Mellow SA EP SA E.Piano2 Chorus SA EP Phaser SA EP SA EP + Piano SA EP + FM EP SA EP + Bell SA EP + Pad1 SA EP + Pad2 MSB 84 84 84 84 84 84 84 84 84 84 LSB 64 64 64 64 64 64 64 64 64 64 PC 51 52 53 54 55 56 57 58 59 60
SYNTH
BASS
CHOIR/SCAT
No 071 072 073 074 075 LIVE SET Name INIT LIVE SET INIT LIVE SET INIT LIVE SET INIT LIVE SET INIT LIVE SET MSB 84 84 84 84 84 LSB 64 64 64 64 64 PC 71 72 73 74 75
Tone List
CONCERT
No 001 002 003 Tone Name ConcertGrand Honky-tonk1 Concert Mono MSB 114 114 114 LSB 0 0 0 PC 1 2 3 No 036 037 038 039 Tone Name REED BELL REED EP2 REED EP3 REED EP4 MSB 113 113 113 113 LSB 1 1 1 1 PC 2 3 4 5
STUDIO
No 004 005 006 Tone Name Studio Grand Honky-tonk2 Studio Mono MSB 114 114 114 LSB 1 1 1 PC 1 2 3
E.PIANO 3
No 040 041 042 043 044 045 046 MSB 114 114 114 87 87 87 87 87 87 87 87 87 87 87 121 121 121 121 121 121 121 121 121 LSB 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 1 2 0 1 0 1 0 1 PC 1 2 3 1 2 3 4 5 6 7 8 9 10 11 1 1 1 2 2 3 3 4 4 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 MSB 113 113 113 113 113 LSB 0 0 0 0 0 PC 1 2 3 4 5 075 076 077 078 079 080 081 082 083 MSB 113 LSB 1 PC 1 Tone Name SA EP1 SA EP2 Stage EP 1 Stage EP 2 Stage EP Trm Tremolo EP 1 E.Piano 3 E.Piano 4 E.Piano 5 E.Piano 6 E.Piano 7 E.Piano 8 Dyno EP Dyno EP Trm Tremolo EP 2 Back2the60s Tine EP SA EP 1 SA EP 2 Psy EP Hit EP Wurly EP Wurly EP Trm Curly Wurly Super Wurly EP Legend 3 EP Belle 80's EP FM EP 1 FM EP 2 Sinus EP Spirit Tines E.Piano 1 St.Soft EP EP Legend 1 Wurly E.Piano 2 Detuned EP St.FM EP EP Legend 2 EP Phase E.Grand 1 E.Grand 2 E.Grand 3 MSB 113 113 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 121 121 121 121 121 121 121 121 121 87 87 87 LSB 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 65 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 0 1 2 3 4 65 65 65 PC 1 2 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 3 30 31 32 33 34 35 36 37 38 39 40 5 5 5 5 6 6 6 6 6 22 23 24
BRILLIANT
No 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 Tone Name Brill Grand Honky-tonk3 Brill Mono St.Piano 1 St.Piano 2 St.Piano 3 St.Piano 4 St.Piano 5 Brite Piano Stage Piano Honky Tonk Pop Piano 1 Pop Piano 2 Pop Piano 3 Piano 1 Piano 1 w European Pf Piano 2 Piano 2 w Piano 3 Piano 3 w Honky-tonk Honky-tonk w
E.PIANO 1
No 030 031 032 033 034 Tone Name TINE EP TINE EP2 FM TINE TINE EP3 TINE EP4
E.PIANO 2
No 035 Tone Name REED EP
Tone List
CLAV
No 084 085 086 087 088 089 090 091 092 093 094 095 096 097 Tone Name Clav Clav 2 Pulse Clav Pulse Clav 2 Sweepin Clav Analog Clav Biting Clav Pulse Clv St Natural Hps. Harpsichord Harpsichord2 Coupled Hps Harpsi w Harpsi o MSB 121 87 121 87 87 87 87 87 87 121 87 121 121 121 LSB 0 0 1 0 0 0 0 0 66 0 0 1 2 3 PC 8 42 8 43 44 45 46 47 16 7 41 7 7 7
No 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147
Tone Name Org Bell Crystal Tinkle Bell Icy Keys Toy Box Dreambell Sine Mallet Syn Mallet TubularBells TubularBell2 Church Bell Carillon Carillon 2 Tower Bell Bell Ring
MSB 87 121 121 87 87 87 87 121 121 87 121 121 87 87 87
LSB 4 0 0 0 0 0 4 1 0 0 1 2 0 0 0
PC 1 99 113 60 61 66 6 99 15 64 15 15 62 63 65
MALLET
No 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 Tone Name Vibraphone Vibraphone 2 VibraphoneTr Vibraphone w Tremolo Vib Jazz Vib Marimba Marimba 2 Marimba 3 Marimba w BsMarimba 1 BsMarimba 2 Xylophone Xylophone 2 Xylophone 3 Ethno Keys Celesta Glockenspiel Music Box Music Box 2 Kalimba Kalimbells Steel Drums Steel Drums2 Soft StlDrm FM Sparkles FM Syn Bell FM Heaven D50 Fantasy D50 Bell Dreaming Bel Analog Bell Music Bells Bell 1 Bell 2 MSB 121 87 87 121 87 87 121 87 87 121 87 87 121 87 87 87 121 121 121 87 121 87 121 87 87 87 87 87 87 87 87 87 87 87 87 LSB 0 0 0 1 0 4 0 0 0 1 4 4 0 0 0 0 0 0 0 0 0 0 0 0 4 0 0 0 0 0 0 0 0 0 0 PC 12 68 69 12 70 3 13 71 72 13 4 5 14 74 75 76 9 10 11 55 109 57 115 73 2 48 49 50 51 52 53 54 56 58 59
STRINGS
No 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 Tone Name GX Strings Mood Strings Slow Strings DecayStrings Strings Strings 2 Strings 3 Strings 4 Strings 5 Strings 6 Stage Str 1 Stage Str 2 Pop Str Hall Strings Marc.Str StringsStacc Orchestra Oct Strings Orc.Unison 1 Orc.Unison 2 Full Orc Tremolo Str TapeStrings1 TapeStrings2 Hybrid Str Violin Violin 2 Slow Violin Bright Vln Viola Cello Bright Vc Contrabass PizzicatoStr Pizz 1 Pizz 2 MSB 87 87 121 87 121 87 87 87 87 87 87 87 87 87 87 87 121 121 87 87 87 121 87 87 87 121 87 121 87 121 121 87 121 121 87 87 LSB 68 1 0 68 0 1 1 1 1 4 1 1 1 4 1 1 1 2 1 1 4 0 1 1 1 0 1 1 4 0 0 4 0 0 1 1 PC 1 70 50 27 49 71 72 73 74 33 75 76 77 34 78 79 49 49 86 87 35 45 82 83 84 41 85 41 31 42 43 32 44 46 80 81
10
Tone List
No 184 185 186 187 188 Tone Name Harp Yang Qin Timpani Fiddle Cheezy Movie MSB 121 121 121 121 87 LSB 0 1 0 0 4 PC 47 47 48 111 49 No 235 236 237 238 239 240 241 242 Tone Name CalmChoirPad Soft Pad 1 Soft Pad 2 Soft Pad 3 Soft Pad 4 Soft Pad 5 Soft Pad 6 Soft Pad 7 Soft Pad 8 Soft Pad 9 Soft Pad 10 Dreamheaven Air Key 1 Air Key 2 Sweet Keys Soft Bell Oct Heaven Stacc Heaven DigitalDream Analog Dream Harp Pad Sitar Pad VintageStr 1 VintageStr 2 VintageStr 3 VintageStr 4 VintageStr 5 VintageStr 6 VintageStr 7 JX Strings JP Strings 1 JP Strings 2 106 Strings PWM Str 1 PWM Str 2 PWM Str 3 Fading Str ParadisePad 80s Strings Stringship Airy Pad Neo RS-202 Sawtooth Str Pulse Pad Hollow Pad 1 WarmHeaven 1 MSB 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 LSB 69 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 4 3 3 3 3 3 3 3 3 3 3 PC 1 28 29 30 31 32 33 34 35 36 37 16 17 21 18 20 22 23 24 25 26 27 38 39 40 41 42 43 44 45 46 47 48 49 50 81 51 52 53 54 55 56 57 58 59 60 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 Tone Name WarmHeaven 2 Heaven Key Heaven Pad 1 Heaven Pad 2 Heaven Pad 3 Heaven Pad 4 FineWinePad1 FineWinePad2 5th Pad 1 5th Pad 2 Nu Epic Pad Angelis Pad TrnsSweepPad Giant Sweep Voyager Digital Pad NuSoundtrack Xadecimal PanninFormnt Fairy's Song Atmospherics Strobe Pad StrobeBell 1 StrobeBell 2 Flying Pad 1 Flying Pad 2 Flying Pad 3 Flying Pad 4 Flying Pad 5 Shimmer Pad BUBBLE 1 BUBBLE 2 BUBBLE 3 Soft PWM Pad Org Pad Hollow Pad 2 SavannaPad 1 SavannaPad 2 SavannaPad 3 PWM Pad 1 PWM Pad 2 Str Machine Reso Pad BPF Pad Sweep Pad Sweep Pad 2 Sweep Pad 3 Sweep Pad 4 Scoop Pad 1 Scoop Pad 2 Brite Wine Wine Pad Sine Magic Syn.Strings1 Syn.Strings2 MSB 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 121 87 87 87 87 87 87 87 87 121 121 LSB 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 3 4 4 4 4 0 4 4 4 4 4 4 4 4 0 0 PC 61 11 12 13 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 107 65 66 67 75 76 77 78 79 80 4 82 83 84 85 96 87 88 89 90 91 92 93 95 51 52
PAD
No 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234
11
Tone List
No 290 291 292 293 294 295 296 297 298 299 300 301 Tone Name Syn.Strings3 Fantasia Warm Pad Sine Pad Poly Synth Bowed Glass Metal Pad Halo Pad Ice Rain Soundtrack Atmosphere Brightness MSB 121 121 121 121 121 121 121 121 121 121 121 121 LSB 1 0 0 1 0 0 0 0 0 0 0 0 PC 51 89 90 90 91 93 94 95 97 98 100 101 No 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 MSB 112 112 112 112 112 112 112 112 112 112 87 87 87 87 87 87 87 121 87 87 87 87 87 87 87 87 87 87 121 87 87 87 87 121 121 121 87 121 121 LSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 0 0 0 0 0 0 0 0 0 0 1 67 67 67 0 0 1 2 67 0 1 PC 1 2 3 4 5 6 7 8 9 10 77 78 79 80 81 82 83 18 84 85 86 87 88 89 90 91 92 93 21 19 17 18 96 20 20 20 20 22 22 356 357 358 359 360 361 Tone Name AccordionIt2 Musette Vodkakordion Bandoneon Harmonica Harmonica 2 70's E.Org 1 70's E.Org 2 Ana Organ 1 Ana Organ 2 Ana Organ 3 Ana Organ 4 Ana Organ 5 Organ 1 Trem. Organ 60's Organ 70's E.Organ Organ 2 Chorus Organ Organ 3 Reed Organ MSB 87 87 87 121 121 87 87 87 87 87 87 87 87 121 121 121 121 121 121 121 121 LSB 0 0 0 0 0 0 0 0 4 4 4 4 4 0 1 2 3 0 1 0 0 PC 97 98 99 24 23 100 94 95 7 8 9 10 11 17 17 17 17 18 18 19 21
ORGAN
No 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 Tone Name TW-Organ 1 TW-Organ 2 TW-Organ 3 TW-Organ 4 TW-Organ 5 TW-Organ 6 TW-Organ 7 TW-Organ 8 TW-Organ 9 TW-Organ 10 Rock Organ 1 Rock Organ 2 Rock Organ 3 Rock Organ 4 Rock Organ 5 RotaryOrgan1 RotaryOrgan2 Perc. Organ Perc.Organ 2 Perc.Organ 3 Perc.Organ 4 E.Organ 1 E.Organ 2 E.Organ 3 E.Organ 4 E.Organ 5 E.Organ 6 E.Organ 7 Puff Organ Nason Flute Massive Pipe Mid Pipe Org Grand Pipes Church Org 1 Church Org 2 Church Org 3 Theater Org Accordion Fr Accordion It
GUITAR
No 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 Tone Name Nylon Gtr 1 Nylon Gtr 2 Nylon Gtr 3 Nylon Gtr 4 Nylon Gtr 5 Nylon Gtr 6 Wet Nyln Gtr Folk Gtr 1 Folk Gtr 2 Folk Gtr 3 Latin Gtr Clean Gtr 1 Clean Gtr 2 Clean Gtr 3 Jazz Guitar Jazz Guitar2 Pick E.Gtr Funk Guitar Funk Guitar2 Wet E.Gtr Overdrive Gt OverdriveGt2 Guitar Pinch Dist Gtr 1 Dist Gtr 2 Dist Gtr 3 DistortionGt Gt Feedback1 Dist Rtm Gtr Ukulele MSB 121 121 87 87 87 87 87 87 87 87 87 87 87 87 121 87 87 121 87 87 121 87 121 87 87 87 121 121 121 121 LSB 0 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 0 0 0 0 1 0 0 0 0 1 2 1 PC 25 25 101 102 103 104 105 107 108 109 110 117 118 119 27 120 121 29 122 123 30 124 30 125 126 127 31 31 31 25
12
Tone List
No 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 Tone Name Ukulele 2 Nylon Gtr 1o Steel-str.Gt 12-str. Gtr Mandolin Steel + Body Pedal Steel Pedal Steel2 Clean Guitar Chorus Gtr Mid Tone Gtr Muted Guitar Funk Pop Jazz Man Gt Harmonics Gt Feedback2 Sitar 1 Sitar 2 Sitar 3 Banjo Shamisen Koto Taisho Koto Aerial Harp LostParadise Indian Frtls Santur Santur 2 Santur 3 MSB 87 121 121 121 121 121 121 87 121 121 121 121 121 121 121 121 121 121 87 121 121 121 121 87 87 87 121 87 87 LSB 0 2 0 1 2 3 1 4 0 1 2 0 1 3 0 1 0 1 0 0 0 0 1 0 0 0 0 0 0 PC 106 25 26 26 26 26 27 12 28 28 28 29 29 29 32 32 105 105 115 106 107 108 108 113 114 116 16 111 112 No 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 Tone Name Acoustic Bs Acoustic Bs2 Acoustic Bs3 Fingered Bs Fingered Bs2 Fingered Bs3 Fingered Bs4 Pick Bass Picked Bass Fretless Bs FretlessBs 2 FretlessBs 3 Finger Slap Finger Slap2 Slap Bass 1 Slap Bass 2 Return2Base! MG Bass 1 MG Bass 2 MG Bass 3 Modular Bs 1 Modular Bs 2 MSB 121 87 87 121 87 87 87 87 121 121 87 87 121 87 121 121 87 87 87 87 87 87 LSB 0 0 1 0 1 1 1 1 0 0 1 1 1 1 0 0 1 1 1 1 1 1 PC 33 128 1 34 2 3 4 5 35 36 6 7 34 8 37 38 9 10 11 12 13 14 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 Tone Name PWM Bass 1 PWM Bass 2 Big Mini Fat Analog Spike Bass SH Bass Intrusive Bs Synth Bass 1 Synth Bass 2 Synth Bass 3 Synth Bass 4 Synth Bass 5 Synth Bass 6 Synth Bass 7 Synth Bass 8 Synth Bass 9 Synth Bass10 Synth Bass11 Synth Bass12 Synth Bass13 Synth Bass14 Reso Bass 1 Reso Bass 2 Reso Bass 3 Reso Bass 4 Reso Bass 5 Reso Bass 6 Reso Bass 7 Reso Bass 8 Reso Bass 9 Reso Bass 10 Acid Bass Acid Bass 2 Acid Bass 3 Acid Bass 4 Acid Bass 5 Acid Bass 6 Acid Bass 7 TB Bass 1 TB Bass 2 TB Bass 3 TB Bass 4 Alpha Bass 1 Alpha Bass 2 Alpha ResoBs Nu Saw Bass Nu RnB SawBs Storm Bass Detune Bass Gashed Bass Hi-Energy Bs Pedal Bass 1 Pedal Bass 2 Monster Bass JunoSqr Bs 1 MSB 87 87 87 87 87 87 87 121 121 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 121 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 LSB 1 1 1 1 1 1 1 0 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 4 4 2 1 1 1 4 4 4 1 1 4 4 1 1 1 1 1 1 1 1 1 1 4 1 1 PC 15 16 17 18 19 20 21 39 40 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 21 22 39 42 43 44 15 16 17 46 47 13 14 45 48 49 50 51 52 53 54 55 56 19 57 58
BASS
No 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442
13
Tone List
No 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 Tone Name JunoSqr Bs 2 101 Bass 106 Bass 1 106 Bass 2 Compu Bass 1 Compu Bass 2 Triangle Bs Muffled Bass Garage Bass TransistorBs Fazee Bass Brite Bass Saw Bass Sub Bass Ramp Bass Fat Bass 1 Fat Bass 2 Fat Bass 3 Flat Bass Electro Rubb 80s Bass SynthBass101 Clav Bass Hammer Bass SynSlap Bass Rubber Bass Attack Pulse MSB 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 121 121 121 121 121 121 LSB 1 1 1 1 1 1 1 1 1 1 1 4 4 4 4 4 4 4 4 4 4 1 3 4 1 2 3 PC 59 60 61 62 63 64 65 66 67 68 69 18 20 23 24 25 26 27 28 29 30 39 39 39 40 40 40 No 549 550 551 552 553 554 555 556 557 558 Tone Name Mini Vox Chipmunk Sample Opera Sad Ceremony 5th Voice Sop Vox Analog Voice Space Voice Itopia Dreaming Box MSB 87 87 87 87 87 87 121 121 121 87 LSB 3 3 3 3 4 4 1 0 1 0 PC 101 102 103 104 52 94 55 92 92 67
BRASS
No 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 Tone Name Brass 1 Brass 2 Brass 3 Brass 4 Brass 5 Brass 6 80s Brass 1 80s Brass 2 80s Brass 3 80s Brass 4 80s Brass 5 80s Brass 6 80s Brass 7 80s Brass 8 Soft SynBrs1 Soft SynBrs2 Warm SynBrs Brite SynBrs Express Brs EuroExpress1 JP Brass 1 JP Brass 2 Juno Brass Ox Brass Reso Brass Wide SynBrs 106 Brass Octa Brass Poly Brass 1 Poly Brass 2 Dual Saw Brs Jump Poly Reso Key 1 EuroExpress2 Ox Synth VintageBrs 1 VintageBrs 2 VintageBrs 3 VintageBrs 4 JP Brass Oct SynBrass MSB 121 121 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 121 121 LSB 0 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 4 1 2 2 2 3 4 4 4 4 1 2 PC 62 62 96 97 98 99 100 101 102 103 104 105 106 107 108 118 109 110 111 112 113 119 114 115 116 117 120 121 122 41 123 109 124 127 5 37 38 39 40 63 63
CHOIR/SCAT
No 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 Tone Name Jazz Scat 1 Jazz Scat 2 GX Choir Choir Aahs Chorus Aahs Choir Pad Angels Choir Aerial Choir Voice Oohs Doo Pad Humming Humming 2 Humming 3 Gospel Hum Decay Choir Dcy ChoirPad Vox Pad 1 Vox Pad 2 Dreamvox 1 Dreamvox 2 80s Vox SynVox SynVox 2 SynVox 3 MSB 87 87 87 121 121 87 87 87 121 87 121 87 87 87 87 87 87 87 87 87 87 121 87 87 LSB 3 3 72 0 1 3 3 3 0 3 1 3 3 3 72 69 3 3 3 3 3 0 3 3 PC 87 88 1 53 53 89 90 91 54 92 54 93 94 95 27 25 96 97 14 15 98 55 99 100
575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599
14
Tone List
No 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 Tone Name Jump Brass Synth Brass1 Synth Brass2 SynBrass sfz Velo Brass Trumpet Trumpet 2 Dark Trumpet MuteTrumpet1 MuteTrumpet2 Trombone 1 Trombone 2 Bright Tb Tuba Fr.Horn French Horn F.Horn Sect Soprano Sax Soprano Sax2 Alto Sax Tenor Sax Tenor Sax 2 BreathyTenor Baritone Sax Oboe English Horn Bassoon Bassoon 2 Clarinet Piccolo Flute Flute 2 Recorder Pan Flute Pan Flute 2 Pan Pipes 1 Pan Pipes 2 Bottle Blow Shakuhachi Shakuhachi 2 Whistle Ocarina Ocarina 2 Bagpipe Shanai MSB 121 121 121 121 121 121 87 121 121 121 121 121 121 121 87 121 121 121 87 121 121 87 87 121 121 121 121 87 121 121 121 87 121 121 87 87 87 121 121 87 121 121 87 121 121 LSB 3 0 0 1 2 0 1 1 0 1 0 1 2 0 1 1 0 0 1 0 0 1 1 0 0 0 0 1 0 0 0 1 0 0 1 1 4 0 0 1 0 0 1 0 0 PC 63 63 64 64 64 57 94 57 60 60 58 58 58 59 95 61 61 65 124 66 67 126 125 68 69 70 71 88 72 73 74 89 75 76 90 91 36 77 78 92 79 80 93 110 112 No 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 MSB 87 87 87 87 87 87 LSB 2 2 2 2 2 2 PC 96 97 98 99 100 101 699 700 701 702 703 704 705 Tone Name Trance Saws Auto Trance1 Super Saws 1 Analog Saws Uni-G Digitaless Bustranza Super Saws 2 Poly Synth 2 Poly Synth 3 Poly Synth 4 Poly Synth 5 Poly Synth 6 Poly Synth 7 Juno Saw Key Saw Key 1 Saw Key 2 Waspy Synth Juno SQR Vintage Key Ju-D Fifths Reso Key 2 Fat Synth DOC Stack 2 Saws Hi Saw Band Brite Synth RAVtune Saw Lead 1 Saw Lead 2 Saw Lead 3 Saw Lead 4 Saw Lead 5 Saw Lead 6 Saw Lead 7 Saw Lead 8 Saw Lead 9 Saw Lead 10 GR300 Lead 1 GR300 Lead 2 Classic GR Bright GR Fat GR Lead MODified Ld Syn Lead 1 Syn Lead 2 Syn Lead 3 Syn Lead 4 Syn Lead 5 Syn Lead 6 Syn Lead 7 Pro Fat Ld 1 Pro Fat Ld 2 JupiterLead1 JupiterLead2 MSB 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 LSB 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 1 1 2 2 2 2 2 2 2 4 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 PC 102 103 104 105 106 107 108 110 111 112 113 114 115 116 117 118 119 120 121 122 123 125 126 128 1 2 3 6 127 128 1 2 3 4 5 6 7 46 8 9 10 11 12 13 14 15 16 17 18 19 20 21 27 22 23
SYNTH
No 645 646 647 648 649 650 Tone Name Dream Trance Dream Saws Dream Pulse Trance Synth Trancy Trance Keys
15
Tone List
No 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 Tone Name Porta Lead Classic Lead On Air Wormy Lead Waspy Lead Brite ResoLd Brass Lead Legato Tkno Follow Me Octa Juice Juicy Jupe Octa Saw Vintager 1 Vintager 2 Sync Lead Octa Sync Leading Sync A Leader Hot Coffee Hot Sync Synchro Lead Space Solo Squareheads Mod Lead Alpha Spit Air Lead Pulstar Lead Therasaw Warmy Lead ResoSawLead Soft Reso Ld Reso Lead 1 Reso Lead 2 Reso Lead 3 Reso Lead 4 Reso Lead 5 Juicy Lead DC Triangle Soft Lead 1 Soft Lead 2 Soft Lead 3 Soft Lead 4 Soft Lead 5 Soft Lead 6 Soft Lead 7 Soft Lead 8 Soft Lead 9 Soft Lead 10 Tri Lead Pulse Lead 1 Pulse Lead 2 Pulse Lead 3 Pulse Lead 4 Simple Tri Simple Sine MSB 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 LSB 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 4 4 2 2 PC 24 25 26 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 42 43 76 77 No 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 Tone Name Whistle Ld 1 Whistle Ld 2 Square Pipe CosmicDrops1 CosmicDrops2 Spooky Lead Pure Lead 303 NRG Round SQR Brite SQR Square SAW Simple SQR Sqr Lead Atk Lead Octa Square CS Lead Mini Growl Hoover Again Tranceformer Analog Seq Seq Pop Periscope Major 7 Pipe Key Enigmatic Planetz Sci-Fi ResoSweep Dn Jet Noise Brandish 909 Fx Zap PolySweep Nz Passing By Lazer Points Crystal Fx Crystal Ice Mad Noise Robot Sci-Fi Computer 1 Computer 2 S&H Noise S&H Ramp S&H PWM S&H Saw 1 S&H Saw 2 Ramp Lead 1 Ramp Lead 2 Sine Lead 1 Sine Lead 2 Mod Chord Housechord Juno-D Maj7 Sweet House Detune Saws MSB 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 LSB 2 2 2 2 3 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 PC 78 79 80 81 117 82 83 84 85 86 87 88 89 90 91 92 93 94 95 7 8 9 10 19 105 106 108 109 110 111 112 113 114 115 116 118 119 120 121 122 123 124 125 126 127 128 44 45 47 48 50 51 53 54 55
16
Tone List
No 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 Tone Name Electrostar Dance Saws1 Resoform Melodic Drum Alpha Said Shroomy Detune Seq LoFi Piano FX Ramp Scratch 2 AnalogDays 1 Dance Saws 2 Sync Key Detune Ramp Reso Saw EuroExpress3 Sweep Saw Pulsatron Motion Bass Trance Splt Rhythmic 5th Rhythmic 1 Rhythmic 2 Mega Sync 1 StrobeBell 3 Strobe 1 Strobe 2 Strobe 3 Strobe 4 LFO Saw Keep Going Keep Running Electrons BriskVortex LFO Vox Pulsasaw Arposphere Mega Sync 2 Compusonic 1 Compusonic 2 Compusonic 3 Compusonic 4 Compusonic 5 AnalogDays 2 Groove 007 Juno Pop Auto Trance2 In Da Groove 80s Beat Ride Cymbal OrchestraHit Bass Hit 6th Hit Euro Hit Square Wave MSB 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 87 121 121 121 121 121 LSB 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 0 1 2 3 0 PC 56 57 58 59 60 61 62 63 64 68 69 70 71 72 73 74 86 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 56 56 56 56 81 No 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 Tone Name MG Square 2600 Sine Saw Wave OB2 Saw Doctor Solo Natural Lead SequencedSaw Syn.Calliope Chiffer Lead Charang Wire Lead Solo Vox 5th Saw Wave Bass & Lead Delayed Lead Goblin Echo Drops Echo Bell Echo Pan Star Theme Castanets Taiko Concert BD Melo. Tom 1 Melo. Tom 2 Synth Drum 808 Tom Elec Perc Reverse Cymb Agogo Woodblock Gt FretNoise Gt Cut Noise String Slap Breath Noise Fl.Key Click Seashore Rain Thunder Wind Stream Bubble Bird 1 Dog Horse Gallop Bird 2 Telephone 1 Telephone 2 DoorCreaking Door Scratch Wind Chimes Helicopter Car Engine Car Stop MSB 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 LSB 1 2 0 1 2 3 4 0 0 0 1 0 0 0 1 0 0 1 2 0 1 0 1 0 1 0 1 2 0 0 0 0 1 2 0 1 0 1 2 3 4 5 0 1 2 3 0 1 2 3 4 5 0 1 2 PC 81 81 82 82 82 82 82 83 84 85 85 86 87 88 88 102 103 103 103 104 116 117 117 118 118 119 119 119 120 114 116 121 121 121 122 122 123 123 123 123 123 123 124 124 124 124 125 125 125 125 125 125 126 126 126
17
Tone List
No 926 927 928 929 930 931 932 933 934 935 936 937 938 939 940 941 942 Tone Name Car Pass Car Crash Siren Train Jetplane Starship Burst Noise Applause Laughing Screaming Punch Heart Beat Footsteps Gun Shot Machine Gun Laser Gun Explosion MSB 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 LSB 3 4 5 6 7 8 9 0 1 2 3 4 5 0 1 2 3 PC 126 126 126 126 126 126 126 127 127 127 127 127 127 128 128 128 128
* 943965 are rhythm sets. Refer to p. 19p. 23 for details on the sounds in the rhythm sets.
No 943 944 945 946 947 948 949 950 951 952 953 954 955 956 957 958 959 960 961 962 963 964 965 Tone Name Standard 1 Standard 2 Standard 3 Rock Kit Jazz Kit Brush Kit Machine Kit R&B T-Analog R&B Mini Kit HipHop Kit R&B Kit Dance Kit 1 Dance Kit 2 Dance Kit 3 GM2 STANDARD GM2 ROOM GM2 POWER GM2 ELECTRIC GM2 ANALOG GM2 JAZZ GM2 BRUSH GM2 ORCHSTRA GM2 SFX MSB 86 86 86 86 86 86 86 86 86 86 86 86 86 86 120 120 120 120 120 120 120 120 120 LSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 PC 1 2 3 4 5 6 7 8 9 10 11 12 13 14 1 9 17 25 26 33 41 49 57
18
Rhythm Set List

* [EXC] : Percussion sound of the same number will not be heard at the same time.
Standard 1 MSB:86/LSB:0/PC001
23 C1 24 26 28 29 31 33 35 C2 36 38 40 41 43 45 47 C3 48 50 52 53 55 57 59 C4 60 62 64 65 67 69 71 C5 72 74 76 77 79 81 83 C6 84 86 88 89 91 93 95 C7 96 98 100 101 103 105 106 107 C8 108 102 104 94 87 82 75 70 63 58 51 46 39 34 27 22
Standard 2 MSB:86/LSB:0/PC002 MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q Slap Scratch Push Scratch Pull Sticks Square Click Metron Click Metron Bell Kick Drum 2 Kick Drum 1 Side Stick Snare 1 Hand Clap Snare 2 Low Tom 2 ClosedHi-hat Low Tom 1 Pedal Hi-hat Mid Tom 2 Open Hi-hat Mid Tom 1 High Tom 2 CrashCymbal1 High Tom 1 Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
Standard 3 MSB:86/LSB:0/PC003 MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q Slap Scratch Push Scratch Pull Sticks Square Click Metron Click Metron Bell Kick Drum 2 Kick Drum 1 Side Stick Snare 1 Hand Clap Snare 2 Low Tom 2 ClosedHi-hat Low Tom 1 Pedal Hi-hat Mid Tom 2 Open Hi-hat Mid Tom 1 High Tom 2 CrashCymbal1 High Tom 1 Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
Rock Kit MSB:86/LSB:0/PC004 MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q Slap Scratch Push Scratch Pull Sticks Square Click Metron Click Metron Bell Power Kick2 Power Kick1 Side Stick Power Snare1 Hand Clap Power Snare2 Low Tom1 ClosedHi-hat Low Tom2 Pedal Hi-hat Mid Tom1 Open Hi-hat Mid Tom2 High Tom1 CrashCymbal1 High Tom2 Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
Jazz Kit MSB:86/LSB:0/PC005 MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q Slap Scratch Push Scratch Pull Sticks Square Click Metron Click Metron Bell Jazz Kick 2 Jazz Kick 1 Side Stick Jazz Snare1 Hand Clap Jazz Snare2 Low Tom 2 ClosedHi-hat Low Tom 1 Pedal Hi-hat Mid Tom 2 Open Hi-hat Mid Tom 1 High Tom 2 CrashCymbal1 High Tom 1 Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
25
30 32
37
42 44
49
54 56
61
66 68
73
78 80
85
90 92
97 99
MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q Slap Scratch Push Scratch Pull Sticks Square Click Metron Click Metron Bell Kick Drum 2 Kick Drum 1 Side Stick Reg.Snr 2 Hand Clap Reg.Snr 1 Reg.F.Tom ClosedHi-hat Reg.L.Tom Pedal Hi-hat Reg.M.Tom Open Hi-hat Reg.M.Tom Reg.H.Tom CrashCymbal1 Reg.H.Tom Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
[EXC 7] [EXC 7]
[EXC 7] [EXC 7]
[EXC 7] [EXC 7]
[EXC 7] [EXC 7]
[EXC 7] [EXC 7]
[EXC 1] [EXC 1] [EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 6] [EXC 6]
[EXC 6] [EXC 6]
[EXC 6] [EXC 6]
[EXC 6] [EXC 6]
[EXC 6] [EXC 6]
19
Rhythm Set List

Brush Kit MSB:086/LSB:0/PC:006

23 C1 24 26 28 29 31 33 35 C2 36 38 40 41 43 45 47 C3 48 50 52 53 55 57 59 C4 60 62 64 65 67 69 71 C5 72 74 76 77 79 81 83 C6 84 86 88 89 91 93 95 C7 96 98 100 101 103 105 106 107 C8 108 102 104 94 87 82 75 70 63 58 51 46 39 34 27 22
Machine Kit MSB:086/LSB:0/PC:007 MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q Slap Scratch Push Scratch Pull Sticks Square Click Metron Click Metron Bell Ana.Kick 1 Ana.Kick 2 Ana.Rim Shot Ana.Snare Hand Clap Elec.Snare Ana.Low Tom2 Ana.Cl HH 1 Ana.Low Tom1 Ana.Cl HH 2 Ana.Mid Tom2 Ana.Open HH Ana.Mid Tom1 Ana.Hi Tom2 Ride Cymbal1 Ana.Hi Tom1 Ana.Cymbal China Cymbal Ride Bell Tambourine SplashCymbal Ana.Cowbell CrashCymbal Vibra-slap Ride Cymbal2 High Bongo Low Bongo Ana.Hi Conga Ana.MidConga Ana.LowConga High Timbale Low Timbale High Agogo Low Agogo Cabasa Ana.Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Ana.Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
R&B T-Analog MSB:086/LSB:0/PC:008 MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q Slap Scratch Push Scratch Pull Sticks Square Click Metron Click Metron Bell Ana.Kick 1 Ana.Kick 2 Ana.Rim Shot Ana.Snare Hand Clap Elec.Snare Ana.Low Tom2 Ana.Cl HH 1 Ana.Low Tom1 Ana.Cl HH 2 Ana.Mid Tom2 Ana.Open HH Ana.Mid Tom1 Ana.Hi Tom2 Ride Cymbal1 Ana.Hi Tom1 Ana.Cymbal China Cymbal Ride Bell Tambourine SplashCymbal Ana.Cowbell CrashCymbal Vibra-slap Ride Cymbal2 High Bongo Low Bongo Ana.Hi Conga Ana.MidConga Ana.LowConga High Timbale Low Timbale High Agogo Low Agogo Cabasa Ana.Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Ana.Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
R&B Mini Kit MSB:086/LSB:0/PC:009 MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q Slap Scratch Push Scratch Pull Sticks Square Click Metron Click Metron Bell Kick 2 Kick 1 Side Stick Snare 1 Hand Clap Snare 2 Reg.F.Tom ClosedHi-hat Reg.L.Tom Pedal Hi-hat Reg.M.Tom Open Hi-hat Reg.M.Tom Reg.H.Tom CrashCymbal1 Reg.H.Tom Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
HipHop Kit MSB:086/LSB:0/PC:010 MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q Mix Kick1 Analog Kick1 Mix Snare4 Analog Kick2 Mix Snare3 Mix Kick2 HH Shaker Mix Kick4 Mix Kick3 TR808 Rim Mix Snare1 TR808 Clap Mix Snare2 Tom1 TR808 ClHH Tom2 Noise ClHH Tom3 TR808 OpHH Tom4 Tom5 TR909 Cym Tom6 TR808 Cym China Cymbal Rock Rd Edge Mix Perc Mix Crash1 Ana.Cowbell Mix Crash2 Roll FX Ride Cym High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
25
30 32
37
42 44
49
54 56
61
66 68
73
78 80
85
90 92
97 99
MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q Slap Scratch Push Scratch Pull Sticks Square Click Metron Click Metron Bell Jazz Kick 2 Jazz Kick 1 Side Stick Brush Tap Brush Slap Brush Swirl Low Tom 2 ClosedHi-hat Low Tom 1 Pedal Hi-hat Mid Tom 2 Open Hi-hat Mid Tom 1 High Tom 2 CrashCymbal1 High Tom 1 Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
[EXC 7] [EXC 7]
[EXC 7] [EXC 7]
[EXC 7] [EXC 7]
[EXC 7] [EXC 7]
[EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 6] [EXC 6]
[EXC 6] [EXC 6]
[EXC 6] [EXC 6]
[EXC 6] [EXC 6]
[EXC 6] [EXC 6]
20
Rhythm Set List

R&B Kit MSB:086/LSB:0/PC:011

23 C1 24 26 28 29 31 33 35 C2 36 38 40 41 43 45 47 C3 48 50 52 53 55 57 59 C4 60 62 64 65 67 69 71 C5 72 74 76 77 79 81 83 C6 84 86 88 89 91 93 95 C7 96 98 100 101 103 105 106 107 C8 108 102 104 94 87 82 75 70 63 58 51 46 39 34 27 22
Dance Kit 1 MSB:086/LSB:0/PC:012 MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q TR909 Kick SH32 Kick1 AnalogSnare Analog Kick TR808 Snare SH32 Kick2 Syn ClHH1 Mix Kick2 Mix Kick1 Mix Rim Mix Snare1 TR808 Clap Mix Snare2 Mix Tom1 Mix ClHH1 Mix Tom2 Mix ClHH2 Mix Tom3 Op Hihat Mix Tom4 Mix Tom5 Mix Crash Mix Tom6 Rock Rd Edge China Cymbal Ride Cymbal Tambourine Syn Splash Cowbell Concert Cym Vibraslap TR808 Cym High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
Dance Kit 2 MSB:086/LSB:0/PC:013 MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q SH32 Kick1 TR909 Kick1 AnalogSnare1 Analog Kick1 TR808 Snare SH32 Kick2 Pedal Hihat TR909 Kick2 Analog Kick2 Synth Rim DistNz Snare TR808 Clap DistNz Snare Deep Tom1 Syn ClHH1 Deep Tom2 Syn ClHH2 Deep Tom3 Syn OpHH Deep Tom4 Deep Tom5 TR808 OpHH Deep Tom6 Wide Syn Cym TR808 Cym1 Ride Cym1 Castanet TR808 Cym2 TR808Cowbell Ride Cym2 Syn Cowbell Ride Cym3 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
Dance Kit 3 MSB:086/LSB:0/PC:014 MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q TR808 Kick Mix Kick1 TR909 Snare1 Mix Kick2 TR909 Snare2 Mix Kick3 Thin ClHH TR909 Kick Analog Kick Mix Rim Mix Snare2 Mix Clap Mix Snare1 Mix Tom1 Mix ClHH1 Mix Tom2 Mix ClHH2 Mix Tom3 Op Hihat Mix Tom4 Mix Tom5 Mix Crash Mix Tom6 Rock Rd Edge China Cymbal Ride Cymbal Tambourine Splash Cym Cowbell Concert Cym Vibraslap Syn China High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
25
30 32
37
42 44
49
54 56
61
66 68
73
78 80
85
90 92
97 99
MC500 Beep1 MC500 Beep2 Concert SD Snare Roll Snap High Q TR808 Kick HH Kick Mix Snare2 Mix Kick4 Short Snare2 Mix Kick3 TR808 Cl HH Mix Kick1 Mix Kick2 Soft Stick Short Snare1 Hand Clap Mix Snare1 TR808 Tom1 Cl Hihat1 TR808 Tom2 Cl Hihat2 TR808 Tom3 Op Hihat TR808 Tom4 TR808 Tom5 TR909 Cym TR808 Tom6 TR808 Cym China Cymbal Rock Rd Edge Mix Hat Mix Crash1 Ana.Cowbell Mix Crash2 Vibra-slap Ride Cym High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Hi WoodBlock LowWoodBlock Mute Cuica Open Cuica MuteTriangle OpenTriangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause SnareGhost1 SnareGhost2 Hand Clap1 Hand Clap2 Scratch1 Scratch2 Scratch3 Hit1 Hit2 Hit3 Hit4 Hit5 Low Tom1 Low Tom2 Cajon1 Cajon2 Syn Burst Nz Sweep Down Laser Syn Back Nz
[EXC 1]
[EXC 1]
[EXC 1]
[EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 1] [EXC 1] [EXC 1]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 2] [EXC 2] [EXC 3] [EXC 3]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 4] [EXC 4] [EXC 5] [EXC 5]
[EXC 6] [EXC 6]
[EXC 6] [EXC 6]
[EXC 6] [EXC 6]
[EXC 6] [EXC 6]
21
Rhythm Set List

GM2 STANDARD
27 28 29 31 33 35 C2 36 38 40 41 43 45 47 C3 48 50 52 53 55 57 59 C4 60 62 64 65 67 69 71 C5 72 74 76 77 79 81 83 C6 84 86 88 87 82 75 70 63 58 51 46 39 34 30 32
GM2 ROOM MSB:120/LSB:0/PC:009 High Q Slap Scratch Push [EXC 7] Scratch Pull [EXC 7] Sticks Square Click Metron Click Metron Bell Kick Drum 2 Kick Drum 1 Side Stick Aco.Snare Hand Clap Elec.Snare Room LowTom2 ClosedHi-hat [EXC 1] Room LowTom1 Pedal Hi-hat [EXC 1] Room MidTom2 Open Hi-hat [EXC 1] Room MidTom1 Room Hi Tom2 CrashCymbal1 Room Hi Tom1 Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Long Guiro [EXC 3] Claves Hi WoodBlock LowWoodBlock Mute Cuica [EXC 4] Open Cuica [EXC 4] MuteTriangle [EXC 5] OpenTriangle [EXC 5] Shaker Jingle Bell Bell Tree Castanets Mute Surdo [EXC 6] Open Surdo [EXC 6]
GM2 POWER MSB:120/LSB:0/PC:017 High Q Slap Scratch Push [EXC 7] Scratch Pull [EXC 7] Sticks Square Click Metron Click Metron Bell Kick Drum 2 Power Kick Side Stick PowerSnare Hand Clap Elec.Snare PowerLowTom2 ClosedHi-hat [EXC 1] PowerLowTom1 Pedal Hi-hat [EXC 1] PowerMidTom2 Open Hi-hat [EXC 1] PowerMidTom1 Power HiTom2 CrashCymbal1 Power HiTom1 Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Long Guiro [EXC 3] Claves Hi WoodBlock LowWoodBlock Mute Cuica [EXC 4] Open Cuica [EXC 4] MuteTriangle [EXC 5] OpenTriangle [EXC 5] Shaker Jingle Bell Bell Tree Castanets Mute Surdo [EXC 6] Open Surdo [EXC 6]
GM2 ELECTRIC MSB:120/LSB:0/PC:025 High Q Slap Scratch Push [EXC 7] Scratch Pull [EXC 7] Sticks Square Click Metron Click Metron Bell Kick Drum 2 Elec.Kick Side Stick E.SnareDrum1 Hand Clap E.SnareDrum2 E.Low Tom 2 ClosedHi-hat [EXC 1] E.Low Tom 1 Pedal Hi-hat [EXC 1] E.Mid Tom 2 Open Hi-hat [EXC 1] E.Mid Tom 1 E.Hi Tom 2 CrashCymbal1 E.Hi Tom 1 Ride Cymbal1 Reverse Cym. Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Long Guiro [EXC 3] Claves Hi WoodBlock LowWoodBlock Mute Cuica [EXC 4] Open Cuica [EXC 4] MuteTriangle [EXC 5] OpenTriangle [EXC 5] Shaker Jingle Bell Bell Tree Castanets Mute Surdo [EXC 6] Open Surdo [EXC 6]
GM2 ANALOG MSB:120/LSB:0/PC:026 High Q Slap Scratch Push [EXC 7] Scratch Pull [EXC 7] Sticks Square Click Metron Click Metron Bell Kick Drum 2 Ana.Kick Ana.Rim Sho Ana.Snare Hand Clap Elec.Snare Ana.Low Tom2 Ana.ClosedHH [EXC 1] Ana.Low Tom1 Ana.ClosedHH [EXC 1] Ana.Mid Tom2 Ana.Open HH [EXC 1] Ana.Mid Tom1 Ana.Hi Tom2 Ana.Cymbal Ana.Hi Tom1 Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Ana.Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo Ana.Hi Conga Ana.MidConga Ana.LowConga High Timbale Low Timbale High Agogo Low Agogo Cabasa Ana.Maracas ShortWhistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Long Guiro [EXC 3] Ana.Claves Hi WoodBlock LowWoodBlock Mute Cuica [EXC 4] Open Cuica [EXC 4] MuteTriangle [EXC 5] OpenTriangle [EXC 5] Shaker Jingle Bell Bell Tree Castanets Mute Surdo [EXC 6] Open Surdo [EXC 6]
37
42 44
49
54 56
61
66 68
73
78 80
85
MSB:120/LSB:0/PC:001 High Q Slap Scratch Push [EXC 7] Scratch Pull [EXC 7] Sticks Square Click Metron Click Metron Bell Kick Drum 2 Kick Drum 1 Side Stick Aco.Snare Hand Clap Elec.Snare Low Tom 2 ClosedHi-hat [EXC 1] Low Tom 1 Pedal Hi-hat [EXC 1] Mid Tom 2 Open Hi-hat [EXC 1] Mid Tom 1 High Tom 2 CrashCymbal1 High Tom 1 Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Long Guiro [EXC 3] Claves Hi WoodBlock LowWoodBlock Mute Cuica [EXC 4] Open Cuica [EXC 4] MuteTriangle [EXC 5] OpenTriangle [EXC 5] Shaker Jingle Bell Bell Tree Castanets Mute Surdo [EXC 6] Open Surdo [EXC 6]
22
Rhythm Set List

GM2 JAZZ
27 28 29 31 33 35 C2 36 38 40 41 43 45 47 C3 48 50 52 53 55 57 59 C4 60 62 64 65 67 69 71 C5 72 74 76 77 79 81 83 C6 84 86 88 87 82 75 70 63 58 51 46 39 34 30 32
GM2 BRUSH MSB:120/LSB:0/PC:041 High Q Slap Scratch Push [EXC 7] Scratch Pull [EXC 7] Sticks Square Click Metron Click Metron Bell Jazz Kick 2 Jazz Kick 1 Side Stick Brush Tap Brush Slap Brush Swirl Low Tom 2 ClosedHi-hat [EXC 1] Low Tom 1 Pedal Hi-hat [EXC 1] Mid Tom 2 Open Hi-hat [EXC 1] Mid Tom 1 High Tom 2 CrashCymbal1 High Tom 1 Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Long Guiro [EXC 3] Claves Hi WoodBlock LowWoodBlock Mute Cuica [EXC 4] Open Cuica [EXC 4] MuteTriangle [EXC 5] OpenTriangle [EXC 5] Shaker Jingle Bell Bell Tree Castanets Mute Surdo [EXC 6] Open Surdo [EXC 6]
GM2 ORCHSTRA MSB:120/LSB:0/PC:049 ClosedHi-hat [EXC 1] Pedal Hi-hat [EXC 1] Open Hi-hat [EXC 1] Ride Cymbal1 Sticks Square Click Metron Click Metron Bell Concert BD 2 Concert BD 1 Side Stick Concert SD Castanets Concert SD Timpani F Timpani F# Timpani G Timpani G# Timpani A Timpani A# Timpani B Timpani c Timpani c# Timpani d Timpani d# Timpani e Timpani f Tambourine SplashCymbal Cowbell Concert Cym2 Vibra-slap Concert Cym1 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Long Guiro [EXC 3] Claves Hi WoodBlock LowWoodBlock Mute Cuica [EXC 4] Open Cuica [EXC 4] MuteTriangle [EXC 5] OpenTriangle [EXC 5] Shaker Jingle Bell Bell Tree Castanets Mute Surdo [EXC 6] Open Surdo [EXC 6] Applause
GM2 SFX MSB:120/LSB:0/PC:057 High Q Slap Scratch Push [EXC 7] Scratch Pull [EXC 7] Sticks Square Click Metron Click Metron Bell GtFret Noise Cut Noise Up Cut Noise Dw Slap St.Bass Fl.Key Click Laughing Scream Punch Heart Beat Footsteps 1 Footsteps 2 Applause Door Creak Door Scratch Wind Chimes Car Engine Car Stop Car Pass Car Crash Siren Train Jetplane Helicopter Starship Gun Shot Machine Gun Lasergun Explosion Dog Horse Gallop Birds Rain Thunder Wind Seashore Stream Bubble
37
42 44
49
54 56
61
66 68
73
78 80
85
MSB:120/LSB:0/PC:033 High Q Slap Scratch Push [EXC 7] Scratch Pull [EXC 7] Sticks Square Click Metron Click Metron Bell Jazz Kick 2 Jazz Kick 1 Side Stick Aco.Snare Hand Clap Elec.Snare Low Tom 2 ClosedHi-hat [EXC 1] Low Tom 1 Pedal Hi-hat [EXC 1] Mid Tom 2 Open Hi-hat [EXC 1] Mid Tom 1 High Tom 2 CrashCymbal1 High Tom 1 Ride Cymbal1 China Cymbal Ride Bell Tambourine SplashCymbal Cowbell CrashCymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo MuteHi Conga OpenHi Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas ShortWhistle [EXC 2] Long Whistle [EXC 2] Short Guiro [EXC 3] Long Guiro [EXC 3] Claves Hi WoodBlock LowWoodBlock Mute Cuica [EXC 4] Open Cuica [EXC 4] MuteTriangle [EXC 5] OpenTriangle [EXC 5] Shaker Jingle Bell Bell Tree Castanets Mute Surdo [EXC 6] Open Surdo [EXC 6]
23
Rhythm Pattern List

No 000 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 Pattern Name Metronome 8-Beat Pop1 8-Beat Pop2 8-Beat Pop3 8-Beat Pop4 8-Beat Pop5 16-Beat Pop1 16-Beat Pop2 16-Beat Pop3 16-Beat Funk 16Bt Fusion1 16Bt Fusion2 8-Beat Rock1 8-Beat Rock2 16Beat Rock1 16Beat Rock2 Pop Ballad Ballad 1 Ballad 2 Ballad 3 Piano R&B 1 Piano R&B 2 Pop 1-1 Pop 1-2 Pop 1-3 Pop 1-4 Pop 2-1 Pop 2-2 Pop 2-3 Pop 2-4 Pop 2-5 Pop 3-1 Pop 3-2 Pop 3-3 Pop 3-4 Pop 4-1 Pop 4-2 Pop 5-1 Pop 5-2 Pop 5-3 Pop 5-4 Pop 5-5 Pop 6-1 Pop 6-2 Pop 7-1 Pop 7-2 Pop 7-3 Pop 7-4 West Coast Big Beat 1 Big Beat 2 Big Beat 3 Funk 1 Funk 2 Funk 3 Drum Set Standard 1 Standard 1 Jazz Kit Standard 1 Standard 1 Standard 1 Standard 2 Standard 2 Standard 2 Standard 2 Standard 2 Standard 2 Standard 2 Standard 2 Standard 2 Standard 2 Standard 2 Machine Kit Machine Kit Machine Kit Jazz Kit Standard 3 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 2 Standard 2 Standard 2 Standard 2 Standard 3 Standard 3 Standard 3 No 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 Pattern Name Pop Funk 1 Pop Funk 2 Pop Funk 3 R&B 1 R&B 2 R&B 3 R&B 4 R&B 5 R&B 6 R&B 7 R&B 8 R&B 9 R&B 10 R&B 11 R&B 12 R&B 13 R&B 14 R&B 15 R&B 16 R&B 17 R&B 18 R&B Pop 1 R&B Pop 2 R&B Pop 3 R&B Pop 4 R&B Pop 5 R&B Pop 6 Rockaballad Shuffle 1 Shuffle 2 ShufflePop1 ShufflePop2 ShufflePop3 ShufflePop4 ShufflePop5 Slow Beat StraightRock Back Beat 1 Back Beat 2 Back Beat 3 Back Beat 4 Back Beat 5 Back Beat 6 Back Beat 7 Back Beat 8 Back Beat 9 Back Beat10 Jazz 1 Jazz 2 Jazz 3 Jazz 4 Jazz 5 Swing 1 Swing 2 Swing 3 Drum Set Standard 3 Standard 3 Standard 3 R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit Standard 2 Standard 2 Standard 2 Standard 2 Standard 2 Standard 2 Standard 3 Standard 3 Standard 3 Standard 2 Standard 2 Standard 2 Standard 2 Standard 2 Standard 2 Standard 1 Jazz Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit R&B Mini Kit Jazz Kit Jazz Kit Jazz Kit Jazz Kit Jazz Kit Jazz Kit Jazz Kit Jazz Kit
24
Rhythm Pattern List

No 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 Pattern Name Swing 4 Combo Free Jazz Acid Jazz Motown Gospel 1 Gospel 2 Blues 1 Blues 2 Power Fusion PowerfulRock Progressive Rock 1 Rock 2 Rock 3 Rock 4 Rock 5 Rock 6 Rock 7 Rock 8 Rock 9 Rock 10 Rock 11 Rock 12 Rock 13 Rock 14 Rock 15 Rock 16 Rock 17 Rock 18 Rock 19 Rock 20 Rock 21 Rock 22 Rock 23 Rock 24 Rock 25 Rock 26 Rock 27 Rock 28 Rock 29 Latin Dance Latin Pop 1 Latin Pop 2 Latin Pop 3 Latin Pop 4 Latin Pop 5 Latin Pop 6 Salsa 1 Salsa 2 Samba Reggae Fast Bossa BossaNova 1 BossaNova 2 Drum Set Jazz Kit Jazz Kit Jazz Kit R&B Kit Standard 3 Standard 3 Standard 3 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 3 Standard 3 Standard 3 Standard 3 Standard 3 Standard 3 Standard 3 Standard 3 Standard 3 Standard 2 Standard 3 Standard 2 Standard 2 No 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 Pattern Name Mambo ElecDance 1 ElecDance 2 ElecDance 3 ElecDance 4 ElecDance 5 ElecDance 6 ElecDance 7 ElecDance 8 Dance Rap 1 Rap 2 Hip Hop 1 Hip Hop 2 Hip Hop 3 Hip Hop 4 Hip Hop 5 Techno Polka 1 Polka 2 Simple Waltz Pop Waltz 1 Pop Waltz 2 Pop Waltz 3 Pop Waltz 4 Metro (2/4) Metro (3/4) Metro (4/4) Metro (5/4) Metro (6/4) Metro (7/4) Metro (5/8) Metro (6/8) Metro (7/8) Metro (9/8) Metro (12/8) Drum Set Standard 3 Machine Kit Machine Kit Dance Kit 1 Dance Kit 1 Machine Kit Machine Kit Machine Kit Machine Kit HipHop Kit Dance Kit 3 Dance Kit 3 Machine Kit Machine Kit Machine Kit Machine Kit Machine Kit Machine Kit Standard 3 Standard 3 Jazz Kit Jazz Kit Jazz Kit Jazz Kit Jazz Kit Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1 Standard 1
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Effect/Parameter List
Multi-Effects Parameter
00: THRU 01: EQUALIZER
This is a four-band stereo equalizer (low, mid x 2, high). Assignable Parameters MFX Control Parameter Low Freq Low Gain Mid1 Freq Mid1 Gain Mid1 Q Mid2 Freq Mid2 Gain Mid2 Q High Freq High Gain Level Low Gain, High Gain, Level Value 200, 400 Hz -15+15 dB 2008000 Hz -15+15 dB 0.5, 1.0, 2.0, 4.0, 8.0 2008000 Hz -15+15 dB 0.5, 1.0, 2.0, 4.0, 8.0 2000, 4000, 8000 Hz -15+15 dB 0127 Description Frequency of the low range Gain of the low range Frequency of the middle range 1 Gain of the middle range 1 Width of the middle range 1 Set a higher value for Q to narrow the range to be affected. Frequency of the middle range 2 Gain of the middle range 2 Width of the middle range 2 Set a higher value for Q to narrow the range to be affected. Frequency of the high range Gain of the high range Output Level Low Boost Level 0127 Low Boost Sw OFF, ON APhase Mid Sw APhase Mid Lev OFF, ON 0127 APhase Low Lev 0127 Parameter Boost/Cut Low Boost/Cut Mid Boost/Cut High -60+4 dB Value Description These boost and cut each of the High, Middle, and Low frequency ranges. At -60 dB, the sound becomes inaudible. 0 dB is equivalent to the input level of the sound. Turns the Anti-Phase function on and off for the Low frequency ranges. When turned on, the counter-channel of stereo sound is inverted and added to the signal. Adjusts the level settings for the Low frequency ranges. Adjusting this level for certain frequencies allows you to lend emphasis to specific parts. (This is effective only for stereo source.) Settings of the Anti-Phase function for the Middle frequency ranges. The parameters are the same as for the Low frequency ranges. Turns Low Booster on/off. This emphasizes the bottom to create a heavy bass sound. Increasing this value gives you a heavier low end. Depending on the Isolator and filter settings this effect may be hard to distinguish. Output Level
APhase Low Sw
OFF, ON
Level
0127
04: LOW BOOST

Boosts the volume of the lower range, creating powerful lows. Assignable Parameters MFX Control Parameter Boost Freq Boost Gain Boost Gain, Boost Freq Value 50125 Hz 0+12 dB WIDE, MID, NARROW -15+15 dB -15+15 dB 0127 Description Center frequency at which the lower range will be boosted Amount by which the lower range will be boosted Width of the lower range that will be boosted Gain of the low frequency range Gain of the high frequency range Output Level
02: SPECTRUM
This is a stereo spectrum. Spectrum is a type of filter which modifies the timbre by boosting or cutting the level at specific frequencies. Assignable Parameters MFX Control Parameter Band1 (250Hz) Band2 (500Hz) Band3 (1000Hz) Band4 (1250Hz) Band5 (2000Hz) Band6 (3150Hz) Band7 (4000Hz) Band8 (8000Hz) Q Level 0.5, 1.0, 2.0, 4.0, 8.0 0127 Simultaneously adjusts the width of the adjusted ranges for all the frequency bands. Output Level -15+15 dB Gain of each frequency band Level Value Description
Boost Width Low Gain High Gain Level
05: SUPER FILTR (SUPER FILTER)

This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. Assignable Parameters MFX Control Parameter Filter Cutoff, Filter Resonance, Rate, Depth Value Description Filter type Frequency range that will pass through each filter LPF: Frequencies below the cutoff BPF: Frequencies in the region of the cutoff HPF: Frequencies above the cutoff NOTCH: Frequencies other than the region of the cutoff
03: ISOLATOR
This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges. Assignable Parameters MFX Control Boost/Cut Low, Boost/Cut Mid, Boost/Cut High Filter Type LPF, BPF, HPF, NOTCH
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Parameter Filter Slope Value -12, -24, -36 dB Description Amount of attenuation per octave -36 dB: Extremely steep -24 dB: Steep -12 dB: Gentle Cutoff frequency of the filter Increasing this value will raise the cutoff frequency. Filter resonance level Increasing this value will emphasize the region near the cutoff frequency. Amount of boost for the filter output On/off switch for cyclic change How the cutoff frequency will be modulated TRI: Triangle wave SQR: Square wave SIN: Sine wave SAW1: Sawtooth wave (upward) SAW2: Sawtooth wave (downward) SAW2 Parameter Level Value 0127 Description Output Level
Filter Cutoff
0127
07: ENHANCER
Controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound. Assignable Parameters MFX Control Parameter Sens Mix Low Gain High Gain Level Sens, Mix Value 0127 0127 -15+15 dB -15+15 dB 0127 Description Sensitivity of the enhancer Level of the overtones generated by the enhancer Gain of the low range Gain of the high range Output Level
Filter Resonance Filter Gain Modulation Sw
0127 0+12 dB OFF, ON
TRI, SQR, SIN, SAW1, SAW2L Modulation Wave SAW1
Rate Mode Rate (Hz) Rate ( ) Depth Attack Level
Hz, note 0.0510.00 Hz note (*1) 0127 0127 0127
When this is set to note, the effect is synchronized with the tempo. Rate of modulation (Hz) Rate of modulation (note) Depth of modulation Speed at which the cutoff frequency will change This is effective if Modulation Wave is SQR, SAW1, or SAW2. Output Level
08: AUTO WAH

Cyclically controls a filter to create cyclic change in timbre. Assignable Parameters MFX Control Parameter Manual, Sens, Rate, Depth, Phase Value Description Type of filter LPF: The wah effect will be applied over a wide frequency range. BPF: The wah effect will be applied over a narrow frequency range. Adjusts the center frequency at which the effect is applied. Adjusts the amount of the wah effect that will occur in the range of the center frequency. Set a higher value for Q to narrow the range to be affected. Adjusts the sensitivity with which the filter is controlled. Sets the direction in which the frequency will change when the autowah filter is modulated. UP: The filter will change toward a higher frequency. DOWN: The filter will change toward a lower frequency. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the degree of phase shift of the left and right sounds when the wah effect is applied. Gain of the low range Gain of the high range Output Level
Filter Type
LPF, BPF
Manual
0127
06: STEP FILTER

This is a filter whose cutoff frequency can be modulated in steps. You can specify the pattern by which the cutoff frequency will change. Assignable Parameters MFX Control Parameter Step 0116 Rate Mode Rate (Hz) Rate ( ) Attack Rate, Filter Resonance, Filter Type Value 0127 Hz, note 0.0510.00 Hz note (*1) 0127 Description Cutoff frequency at each step When this is set to note, the effect is synchronized with the tempo. Rate of modulation (Hz) Rate of modulation (note) Speed at which the cutoff frequency changes between steps Filter type Frequency range that will pass through each filter LPF: Frequencies below the cutoff BPF: Frequencies in the region of the cutoff HPF: Frequencies above the cutoff NOTCH: Frequencies other than the region of the cutoff Amount of attenuation per octave -12dB: Gentle -24dB: Steep -36dB: Extremely steep Filter resonance level Increasing this value will emphasize the region near the cutoff frequency. Amount of boost for the filter output Rate Mode Rate (Hz) Rate ( ) Depth Phase Low Gain High Gain Level Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -15+15 dB -15+15 dB 0127 Polarity UP, DOWN Peak 0127 Sens 0127
Filter Type
LPF, BPF, HPF, NOTCH
Filter Slope
-12, -24, -36 dB
Filter Resonance Filter Gain
0127 0+12 dB
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09: HUMANIZER
Adds a vowel character to the sound, making it similar to a human voice. Assignable Parameters MFX Control Parameter Drive Sw Drive Vowel1 Vowel2 Rate Mode Rate (Hz) Rate ( ) Depth Input Sync Sw Input Sync Thres Rate, Drive, Depth, Vowel1, Vowel2, Manual Value OFF, ON 0127 a, e, i, o, u a, e, i, o, u Hz, note 0.0510.00 Hz note (*1) 0127 OFF, ON 0127 Description Turns Drive on/off. Degree of distortion Also changes the volume. Selects the vowel. When this is set to note, the effect is synchronized with the tempo. Frequency at which the two vowels switch (Hz) Frequency at which the two vowels switch (note) Effect depth Determines whether the LFO for switching the vowels is reset by the input signal (ON) or not (OFF). Volume level at which reset is applied Point at which Vowel 1/2 switch 49 or less: Vowel 1 will have a longer duration. 50: Vowel 1 and 2 will be of equal duration. 51 or more: Vowel 2 will have a longer duration. Gain of the low frequency range Gain of the high frequency range Stereo location of the output Output Level
Type MIDDLE JC-120 BUILT-IN 1 BUILT-IN 2 BUILT-IN 3 BUILT-IN 4 BUILT-IN 5 BG STACK 1 BG STACK 2 MS STACK 1 MS STACK 2 METAL STACK 2-STACK 3-STACK
Cabinet open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure sealed enclosure large sealed enclosure large sealed enclosure large sealed enclosure large double stack large double stack large double stack
Speaker 12 x 1 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 4 12 x 4 12 x 4 12 x 4 12 x 4
Microphone dynamic dynamic dynamic condenser condenser condenser condenser condenser condenser condenser condenser condenser condenser condenser
Manual
0100
11: PHASER
This is a stereo phaser. A phase-shifted sound is added to the original sound and modulated. Assignable Parameters MFX Control Parameter Rate, Resonance, Manual, Mix Value 4-STAGE, 8-STAGE, 12-STAGE 0127 Hz, note 0.0510.00 Hz note (*1) 0127 Description Number of stages in the phaser Adjusts the basic frequency from which the sound will be modulated. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Selects whether the left and right phase of the modulation will be the same or the opposite. INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound. SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source. Amount of feedback Adjusts the proportion of the phaser sound that is fed back into the effect. Negative (-) settings will invert the phase. Level of the phase-shifted sound Gain of the low range Gain of the high range Output Level
Low Gain High Gain Pan Level
-15+15 dB -15+15 dB L6463R 0127
10: SP.SIMULATR (SPEAKER SIMULATOR)

Simulates the speaker type and microphone settings used to record the speaker sound. Assignable Parameters MFX Control Parameter Speaker Direct Level, Mic Level, Speaker Value (See the table.) Description Type of speaker Adjusts the location of the microphone that is recording the sound of the speaker. This can be adjusted in three steps, with the microphone becoming more distant in the order of 1, 2, and 3. Volume of the microphone Volume of the direct sound Output Level
Mode Manual Rate Mode Rate (Hz) Rate ( ) Depth
Mic Setting
1, 2, 3
Polarity
INVERSE, SYNCHRO
Mic Level Direct Level Level
0127 0127 0127
Resonance Cross Feedback
0127 -98+98 % 0127 -15+15 dB -15+15 dB 0127
Specifications of each Speaker Type

The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Type SMALL 1 SMALL 2 Cabinet small open-back enclosure small open-back enclosure Speaker 10 10 Microphone dynamic dynamic
Mix Low Gain High Gain Level
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12: STEP PHASER

This is a stereo phaser. The phaser effect will be varied gradually. Assignable Parameters MFX Control Parameter Mode Manual Rate Mode Rate (Hz) Rate ( ) Depth StepRate, Depth, Resonance, Manual, Mix Value 4-STAGE, 8-STAGE, 12-STAGE 0127 Hz, note 0.0510.00 Hz note (*1) 0127 Description Number of stages in the phaser Adjusts the basic frequency from which the sound will be modulated. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Selects whether the left and right phase of the modulation will be the same or the opposite. INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound. SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source. Amount of feedback Adjusts the proportion of the phaser sound that is fed back into the effect. Negative (-) settings will invert the phase. When this is set to note, the effect is synchronized with the tempo. Rate of the step-wise change in the phaser effect (Hz) Rate of the step-wise change in the phaser effect (note) Level of the phase-shifted sound Gain of the low range Gain of the high range Output Level
Parameter Level
Value 0127
Description Output Level
14: INF PHASER (INFINITE PHASER)

A phaser that continues raising/lowering the frequency at which the sound is modulated. Assignable Parameters MFX Control Parameter Mode Speed, Resonance, Mix, Pan Value 1, 2, 3, 4 Description Higher values will produce a deeper phaser effect. Speed at which to raise or lower the frequency at which the sound is modulated (+: upward / -: downward) Amount of feedback Volume of the phase-shifted sound Panning of the output sound Amount of boost/cut for the lowfrequency range Amount of boost/cut for the highfrequency range Output Level
Speed Resonance Mix Pan Low Gain High Gain Level
-100+100 0127 0127 L6463R -15+15 dB -15+15 dB 0127
Polarity
INVERSE, SYNCHRO
Resonance Cross Feedback Step Rate Mode Step Rate (Hz) Step Rate ( ) Mix Low Gain High Gain Level
0127 -98+98 % Hz, note 0.1020.00 Hz note (*1) 0127 -15+15 dB -15+15 dB 0127
15: RING MODLTR (RING MODULATOR)

This is an effect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect. Assignable Parameters MFX Control Parameter Frequency Frequency, Sens, Balance Value 0127 0127 Description Adjusts the frequency at which modulation is applied. Adjusts the amount of frequency modulation applied. Determines whether the frequency modulation moves towards higher frequencies (UP) or lower frequencies (DOWN). Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the effect sound (W) Output Level
13: MULT PHASER (MULTI STAGE PHASER)

Extremely high settings of the phase difference produce a deep phaser effect. Assignable Parameters MFX Control Parameter Rate, Depth, Resonance, Manual, Mix Value 4-STAGE, 8-STAGE, 12-STAGE, 16-STAGE, 20-STAGE, 24-STAGE 0127 Hz, note 0.0510.00 Hz note (*1) 0127 0127 0127 L6463R -15+15 dB -15+15 dB Description
Sens
Polarity Low Gain High Gain Balance
UP, DOWN -15+15 dB -15+15 dB D100:0W D0:100W 0127
Mode
Number of phaser stages
Level
Manual Rate Mode Rate (Hz) Rate ( ) Depth Resonance Mix Pan Low Gain High Gain
Adjusts the basic frequency from which the sound will be modulated. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Amount of feedback Level of the phase-shifted sound Stereo location of the output sound Gain of the low range Gain of the high range
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16: STEP R.MOD (STEP RING MODULATOR)

This is a ring modulator that uses a 16-step sequence to vary the frequency at which modulation is applied. Assignable Parameters MFX Control Parameter Step 0116 Rate Mode Rate (Hz) Rate ( ) Attack Low Gain High Gain Balance Level Rate, Attack, Balance Value 0127 Hz, note 0.0510.00 Hz note (*1) 0127 -15+15 dB -15+15 dB D100:0W D0:100W 0127 Description Frequency of ring modulation at each step When this is set to note, the effect is synchronized with the tempo. Rate at which the 16-step sequence will cycle (Hz) Rate at which the 16-step sequence will cycle (note) Speed at which the modulation frequency changes between steps Amount of boost/cut for the lowfrequency range Amount of boost/cut for the highfrequency range Volume balance of the original sound (D) and effect sound (W) Output Level
Parameter
Value TRI, SQR, SIN, SAW1, SAW2
Description Modulation Wave TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave SAW2
Mod Wave
SAW1
Rate Mode Rate (Hz) Rate ( ) Depth Low Gain High Gain Level
Hz, note 0.0510.00 Hz note (*1) 0127 -15+15 dB -15+15 dB 0127
When this is set to note, the effect is synchronized with the tempo. Frequency of the change (Hz) Frequency of the change (note) Depth to which the effect is applied Gain of the low range Gain of the high range Output Level
19: STEP PAN

This uses a 16-step sequence to vary the panning of the sound. Assignable Parameters MFX Control Rate, Attack Value L6463R Hz, note 0.0510.00 Hz note (*1) 0127 Description Pan at each step When this is set to note, the effect is synchronized with the tempo. Rate at which the 16-step sequence will cycle (Hz) Rate at which the 16-step sequence will cycle (note) Speed at which the pan changes between steps Specifies whether an input note will cause the sequence to resume from the first step of the sequence (ON) or not (OFF) Volume at which an input note will be detected Output Level
17: TREMOLO
Cyclically modulates the volume to add tremolo effect to the sound. Assignable Parameters MFX Control Parameter Rate, Depth, Mod Wave Value TRI, SQR, SIN, SAW1, SAW2 Mod Wave Description Modulation Wave TRI: Triangle wave SQR: Square wave SIN: Sine wave SAW1/2: Sawtooth wave SAW2
Parameter Step 0116 Rate Mode Rate (Hz) Rate ( ) Attack
SAW1
Input Sync Sw
OFF, ON
Input Sync Thres Rate Mode Rate (Hz) Rate ( ) Depth Low Gain High Gain Level Hz, note 0.0510.00 Hz note (*1) 0127 -15+15 dB -15+15 dB 0127 When this is set to note, the effect is synchronized with the tempo. Frequency of the change (Hz) Frequency of the change (note) Depth to which the effect is applied Gain of the low range Gain of the high range Output Level MFX Control Level
0127 0127
20: SLICER
By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially effective when applied to sustain-type sounds. Assignable Parameters Rate, Attack, Shuffle Value 0127 Hz, note 0.0510.00 Hz note (*1) 0127 Description Level at each step When this is set to note, the effect is synchronized with the tempo. Rate at which the 16-step sequence will cycle (Hz) Rate at which the 16-step sequence will cycle (note) Speed at which the level changes between steps
18: AUTO PAN

Cyclically modulates the stereo location of the sound. Assignable Parameters MFX Control Rate, Depth, Mod Wave
Parameter Step 0116 Rate Mode Rate (Hz) Rate ( ) Attack
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Parameter Input Sync Sw Value OFF, ON Description Specifies whether an input note will cause the sequence to resume from the first step of the sequence (ON) or not (OFF) Volume at which an input note will be detected Sets the manner in which the volume changes as one step progresses to the next. LEGATO: The change in volume from one steps level to the next remains unaltered. If the level of a following step is the same as the one preceding it, there is no change in volume. SLASH: The level is momentarily set to 0 before progressing to the level of the next step. This change in volume occurs even if the level of the following step is the same as the preceding step. Timing of volume changes for evennumbered steps (step 2, step 4, step 6...). The higher the value, the later the beat progresses. Output Level
22: VK ROTARY
This type provides modified response for the rotary speaker, with the low end boosted further. This effect is a descendant of the Roland VK Series built-in rotary speaker. Assignable Parameters MFX Control Parameter Speed Speed, Brake, Tw Fast Rate, Wf Fast Rate Value SLOW, FAST Description Rotational speed of the rotating speaker Switches the rotation of the rotary speaker. When this is turned on, the rotation will gradually stop. When it is turned off, the rotation will gradually resume. Low-speed rotation speed of the woofer High-speed rotation speed of the woofer Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from Slow to Fast. Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from Fast to Slow. Volume of the woofer
Input Sync Thres
0127
Mode
LEGATO, SLASH
Brake
OFF, ON
Wf Slow Rate Wf Fast Rate Wf Trans Up
0.0510.00 Hz 0.0510.00 Hz 0127
Shuffle Level
0127 0127
Wf Trans Down Wf Level
0127 0127 0.0510.00 Hz 0.0510.00 Hz 0127 0127 0127 010 -15+15 dB -15+15 dB 0127
21: ROTARY
The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the high range and low range rotors can be set independently, the unique type of modulation characteristic of these speakers can be simulated quite closely. This effect is most suitable for electric organ Patches. Assignable Parameters MFX Control Parameter Speed, Tw Fast Rate, Wf Fast Rate, Separation Value Description Simultaneously switch the rotational speed of the low frequency rotor and high frequency rotor. SLOW: Slows down the rotation to the Slow Rate. FAST: Speeds up the rotation to the Fast Rate. Slow speed (SLOW) of the low frequency rotor Fast speed (FAST) of the low frequency rotor Adjusts the time it takes the low frequency rotor to reach the newly selected speed when switching from fast to slow (or slow to fast) speed. Lower values will require longer times. Volume of the low frequency rotor Settings of the high frequency rotor The parameters are the same as for the low frequency rotor Spatial dispersion of the sound Output Level
Tw Slow Rate Tw Fast Rate Tw Trans Up Tw Trans Down Tweeter Level Spread Low Gain High Gain Level
Settings of the tweeter The parameters are the same as for the woofer.
Sets the rotary speaker stereo image. The higher the value set, the wider the sound is spread out. Gain of the low range Gain of the high range Output Level
Speed
SLOW, FAST
Wf Slow Rate Wf Fast Rate
0.0510.00 Hz 0.0510.00 Hz
Woofer Accel
015
Wf Level Tw Slow Rate Tw Fast Rate Tweeter Accel Tweeter Level Separation Level
0127 0.0510.00 Hz 0.0510.00 Hz 015 0127 0127 0127
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23: CHORUS
This is a stereo chorus. A filter is provided so that you can adjust the timbre of the chorus sound. Assignable Parameters MFX Control Parameter Depth, Rate, Balance Value Description Type of filter OFF: No filter is used LPF: Cuts the frequency range above the Cutoff Freq HPF: Cuts the frequency range below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from the direct sound until the chorus sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Spatial spread of the sound Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the chorus sound (W) Output Level
25: STEP FLANGR (STEP FLANGER)

This is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note-value of a specified tempo. Assignable Parameters MFX Control Parameter StepRate, Depth, Feedback, Balance Value Description Type of filter OFF: No filter is used LPF: Cuts the frequency range above the Cutoff Freq HPF: Cuts the frequency range below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from when the direct sound begins until the flanger sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Spatial spread of the sound Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. When this is set to note, the effect is synchronized with the tempo. Rate (period) of pitch change (Hz) Rate (period) of pitch change (note) Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the flanger sound (W) Output Level
Filter Type
OFF, LPF, HPF
Filter Type
OFF, LPF, HPF
Cutoff Freq Pre Delay Rate Mode Rate (Hz) Rate ( ) Depth Phase Low Gain High Gain Balance Level
2008000 Hz 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -15+15 dB -15+15 dB D100:0W D0:100W 0127
Cutoff Freq Pre Delay Rate Mode Rate (Hz) Rate ( ) Depth Phase Feedback Step Rate Mode StepRate (Hz)
2008000 Hz 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -98+98 % Hz, note 0.1020.00 Hz note (*1) -15+15 dB -15+15 dB D100:0W D0:100W 0127
24: FLANGER
This is a stereo flanger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a jet airplane taking off or landing. A filter is provided so that you can adjust the timbre of the flanged sound. Assignable Parameters MFX Control Parameter Depth, Rate, Feedback, Balance Value Description Type of filter OFF: No filter is used LPF: Cuts the frequency range above the Cutoff Freq HPF: Cuts the frequency range below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from when the direct sound begins until the flanger sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Spatial spread of the sound Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the flanger sound (W) Output Level
Step Rate ( ) Low Gain High Gain Balance Level
26: HEXA-CHORUS
Uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound. Assignable Parameters MFX Control Parameter Pre Delay Rate Mode Rate (Hz) Rate ( ) Depth Pre Delay Deviat Depth Deviation Depth, Rate, Balance Value 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 020 -20+20 Description Adjusts the delay time from the direct sound until the chorus sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the differences in Pre Delay between each chorus sound. Adjusts the difference in modulation depth between each chorus sound. Adjusts the difference in stereo location between each chorus sound. 0: All chorus sounds will be in the center. 20: Each chorus sound will be spaced at 60 degree intervals relative to the center. Volume balance between the direct sound (D) and the chorus sound (W) Output Level
Filter Type
OFF, LPF, HPF
Cutoff Freq Pre Delay Rate Mode Rate (Hz) Rate ( ) Depth Phase Feedback Low Gain High Gain Balance Level
2008000 Hz 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -98+98 % -15+15 dB -15+15 dB D100:0W D0:100W 0127
Pan Deviation
020
Balance Level
D100:0W D0:100W 0127
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27: TREMOLO CHO (TREMOLO CHORUS)

This is a chorus effect with added Tremolo (cyclic modulation of volume). Assignable Parameters MFX Control Parameter Pre Delay Rate Mode Cho Rate (Hz) Cho Rate ( ) Chorus Depth Treml Rate Mode Trm Rate (Hz) Treml Rate ( ) Treml Separation Treml Phase Balance Level Chorus Depth, Cho Rate, Treml Rate, Balance Value 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg D100:0W D0:100W 0127 Description Adjusts the delay time from the direct sound until the chorus sound is heard. When this is set to note, the effect is synchronized with the tempo. Modulation frequency of the chorus effect (Hz) Modulation frequency of the chorus effect (note) Modulation depth of the chorus effect When this is set to note, the effect is synchronized with the tempo. Modulation frequency of the tremolo effect (Hz) Modulation frequency of the tremolo effect (note) Spread of the tremolo effect Spread of the tremolo effect Volume balance between the direct sound (D) and the tremolo chorus sound (W) Output Level
Parameter
Value
Description Type of filter OFF: No filter is used LPF: Cuts the frequency range above the Cutoff Freq HPF: Cuts the frequency range below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from the direct sound until the chorus sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Modulation depth of the chorus effect Spatial spread of the sound Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the chorus sound (W) Output Level
Filter Type
OFF, LPF, HPF
Cutoff Freq Pre Delay Rate Mode Rate (Hz) Rate ( ) Depth Phase
2008000 Hz 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg
Output Mode
SPEAKER, PHONES
Low Gain High Gain Balance Level
-15+15 dB -15+15 dB D100:0W D0:100W 0127
28: SPACE-D
This is a multiple chorus that applies two-phase modulation in stereo. It gives no impression of modulation, but produces a transparent chorus effect. Assignable Parameters MFX Control Parameter Pre Delay Rate Mode Rate (Hz) Rate ( ) Depth Phase Low Gain High Gain Balance Level Depth, Rate, Balance Value 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -15+15 dB -15+15 dB D100:0W D0:100W 0127 Description Adjusts the delay time from the direct sound until the chorus sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Spatial spread of the sound Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the chorus sound (W) Output Level
30: 3D FLANGER
This applies a 3D effect to the flanger sound. The flanger sound will be positioned 90 degrees left and 90 degrees right. Assignable Parameters MFX Control Parameter Depth, Rate, Feedback, Balance Value Description Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff Freq HPF: cuts the frequency range below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from when the direct sound begins until the flanger sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Spatial spread of the sound Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the flanger sound (W) Output Level
Filter Type
OFF, LPF, HPF
Cutoff Freq Pre Delay Rate Mode Rate (Hz) Rate ( ) Depth Phase Feedback
2008000 Hz 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -98+98 %
29: 3D CHORUS
This applies a 3D effect to the chorus sound. The chorus sound will be positioned 90 degrees left and 90 degrees right. Assignable Parameters MFX Control Depth, Rate, Balance Low Gain High Gain Balance Level -15+15 dB -15+15 dB D100:0W D0:100W 0127 Output Mode SPEAKER, PHONES
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31: 3D S.FLANGR (3D STEP FLANGER)

This applies a 3D effect to the step flanger sound. The flanger sound will be positioned 90 degrees left and 90 degrees right. Assignable Parameters MFX Control Parameter StepRate, Depth, Feedback, Balance Value Description Type of filter OFF: No filter is used LPF: Cuts the frequency range above the Cutoff Freq HPF: Cuts the frequency range below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from when the direct sound begins until the flanger sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Spatial spread of the sound Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. When this is set to note, the effect is synchronized with the tempo. Rate (period) of pitch change (Hz) Rate (period) of pitch change (note) Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the flanger sound (W) Output Level
Parameter Low Phase High Pre Delay High Rate Mode HighRate (Hz) High Rate ( ) High Depth High Phase Balance Level
Value 0180 deg 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg D100:0W D0:100W 0127
Description Spaciousness of the low-range chorus sound Delay time from when the original sound is heard to when the high-range chorus sound is heard When this is set to note, the effect is synchronized with the tempo. Rate at which the low-range chorus sound is modulated (Hz) Rate at which the low-range chorus sound is modulated (note) Modulation depth for the high-range chorus sound Spaciousness of the high-range chorus sound Volume balance of the original sound (D) and chorus sound (W) Output Level
Filter Type
OFF, LPF, HPF
Cutoff Freq Pre Delay Rate Mode Rate (Hz) Rate ( ) Depth Phase Feedback Step Rate Mode StepRate (Hz) Step Rate ( )
2008000 Hz 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -98+98 % Hz, note 0.1020.00 Hz note (*1)
33: 2BND FLANGR (2 BAND FLANGER)

A flanger that lets you apply an effect independently to the low-frequency and high-frequency ranges. Assignable Parameters MFX Control Parameter Split Freq Low Pre Delay Low Rate Mode Low Rate (Hz) Low Rate ( ) Low Depth Low Phase Balance, Low Rate, HighRate, Low Feedback, High Feedback Value 2008000 Hz 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -98+98 % Description Frequency at which the low and high ranges will be divided Delay time from when the original sound is heard to when the low-range flanger sound is heard When this is set to note, the effect is synchronized with the tempo. Rate at which the low-range flanger sound is modulated (Hz) Rate at which the low-range flanger sound is modulated (note) Modulation depth for the low-range flanger sound Spaciousness of the low-range flanger sound Proportion of the low-range flanger sound that is to be returned to the input (negative values invert the phase) Delay time from when the original sound is heard to when the high-range flanger sound is heard When this is set to note, the effect is synchronized with the tempo. Rate at which the high-range flanger sound is modulated (Hz) Rate at which the high-range flanger sound is modulated (note) Modulation depth for the high-range flanger sound Spaciousness of the high-range flanger sound Proportion of the high-range flanger sound that is to be returned to the input (negative values invert the phase) Volume balance of the original sound (D) and flanger sound (W) Output Level
Output Mode
SPEAKER, PHONES
-15+15 dB -15+15 dB D100:0W D0:100W 0127
32: 2BND CHORUS (2 BAND CHORUS)

A chorus effect that lets you apply an effect independently to the low-frequency and high-frequency ranges. Assignable Parameters MFX Control Parameter Split Freq Low Pre Delay Low Rate Mode Low Rate (Hz) Low Rate ( ) Low Depth Low Depth, High Depth, Low Rate, HighRate, Balance Value 2008000 Hz 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 Description Frequency at which the low and high ranges will be divided Delay time from when the original sound is heard to when the low-range chorus sound is heard When this is set to note, the effect is synchronized with the tempo. Rate at which the low-range chorus sound is modulated (Hz) Rate at which the low-range chorus sound is modulated (note) Modulation depth for the low-range chorus sound
Low Feedback
High Pre Delay High Rate Mode HighRate (Hz) High Rate ( ) High Depth High Phase High Feedback Balance Level
0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -98+98 % D100:0W D0:100W 0127
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34: 2BND S.FLN (2 BAND STEP FLANGER)

A step flanger that lets you apply an effect independently to the low-frequency and high-frequency ranges. Assignable Parameters MFX Control Parameter Split Freq Low Pre Delay Low Rate Mode Low Rate (Hz) Low Rate ( ) Low Depth Low Phase Low Feedback LoStp Mode LoStp Rt (Hz) LoStp Rt ( ) Hi Pre Delay Hi Rate Mode Hi Rate (Hz) Hi Rate ( ) Hi Depth Hi Phase Hi Feedback HiStp Mode HiStp Rt (Hz) HiStp Rt ( ) Balance Level LoStp Rt, HiStp Rt, Low Feedback, Hi Feedback, Balance Value 2008000 Hz 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -98+98 % Hz, note 0.1020.00 Hz note (*1) 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -98+98 % Hz, note 0.1020.00 Hz note (*1) D100:0W D0:100W 0127 Description Frequency at which the low and high ranges will be divided Delay time from when the original sound is heard to when the low-range flanger sound is heard When this is set to note, the effect is synchronized with the tempo. Rate at which the low-range flanger sound is modulated (Hz) Rate at which the low-range flanger sound is modulated (note) Modulation depth for the low-range flanger sound Spaciousness of the low-range flanger sound Proportion of the low-range flanger sound that is to be returned to the input (negative values invert the phase) When this is set to note, the effect is synchronized with the tempo. Rate at which the steps will cycle for the low-range flanger sound (Hz) Rate at which the steps will cycle for the low-range flanger sound (note) Delay time from when the original sound is heard to when the high-range flanger sound is heard When this is set to note, the effect is synchronized with the tempo. Rate at which the high-range flanger sound is modulated (Hz) Rate at which the high-range flanger sound is modulated (note) Modulation depth for the high-range flanger sound Spaciousness of the high-range flanger sound Proportion of the high-range flanger sound that is to be returned to the input (negative values invert the phase) When this is set to note, the effect is synchronized with the tempo. Rate at which the steps will cycle for the high-range flanger sound (Hz) Rate at which the steps will cycle for the high-range flanger sound (note) Volume balance of the original sound (D) and flanger sound (W) Output Level
35: OVERDRIVE
Creates a soft distortion similar to that produced by vacuum tube amplifiers. Assignable Parameters MFX Control Parameter Drive Level, Amp Type, Drive, Pan Value 0127 Description Degree of distortion Also changes the volume. Type of guitar amp SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack amp 3-STACK: large triple stack amp Gain of the low range Gain of the high range Stereo location of the output sound Output Level
Amp Type
SMALL, BUILT-IN, 2-STACK, 3-STACK -15+15 dB -15+15 dB L6463R 0127
36: DISTORTION
Produces a more intense distortion than Overdrive. The parameters are the same as for 35: OVERDRIVE.
37: VS OVRDRIVE (VS OVERDRIVE)

This is an overdrive that provides heavy distortion. Assignable Parameters MFX Control Parameter Drive Tone Amp Sw Level, Tone, Amp Type, Drive, Pan Value 0127 0127 OFF, ON SMALL, BUILT-IN, 2-STACK, 3-STACK -15+15 dB -15+15 dB L6463R 0127 Description Degree of distortion Also changes the volume. Sound quality of the Overdrive effect Turns the Amp Simulator on/off. Type of guitar amp SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack amp 3-STACK: large triple stack amp Gain of the low range Gain of the high range Stereo location of the output sound Output Level
Amp Type
38: VS DIST (VS DISTORTION)

This is a distortion effect that provides heavy distortion. The parameters are the same as for 37: VS OVERDRIVE.
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39: GTR AMP SIM (GUITAR AMP SIMULATOR)

This is an effect that simulates the sound of a guitar amplifier. Assignable Parameters MFX Control Parameter Pre Amp Sw Pre Amp Master, Pre Amp Volume, Pre Amp, Speaker Value OFF, ON JC-120, CLEAN TWIN, MATCH DRIVE, BG LEAD, MS1959I, MS1959II, MS1959I+II, SLDN LEAD, METAL5150, METAL LEAD, OD-1, OD-2 TURBO, DISTORTION, FUZZ 0127 0127 LOW, MIDDLE, HIGH 0127 Description Turns the amp switch on/off.
Type BUILT-IN 2 BUILT-IN 3 BUILT-IN 4 BUILT-IN 5 BG STACK 1 BG STACK 2 MS STACK 1
Cabinet open back enclosure open back enclosure open back enclosure open back enclosure sealed enclosure large sealed enclosure large sealed enclosure large sealed enclosure large double stack large double stack large triple stack
Speaker 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 4 12 x 4 12 x 4 12 x 4 12 x 4
Microphone condenser condenser condenser condenser condenser condenser condenser condenser condenser condenser condenser
Pre Amp
Type of guitar amp MS STACK 2 METAL STACK 2-STACK 3-STACK Volume and amount of distortion of the amp Volume of the entire pre-amp Amount of pre-amp distortion Tone of the bass/mid/treble frequency range Middle cannot be set if Match Drive is selected as the Pre Amp Type. Tone for the ultra-high frequency range Turning this On produces a sharper and brighter sound. This parameter applies to the JC- 120, Clean Twin, and BG Lead Pre Amp Types. Determines whether the signal passes through the speaker (ON), or not (OFF). Type of speaker Adjusts the location of the microphone thats capturing the sound of the speaker. This can be adjusted in three steps, from 1 to 3, with the microphone becoming more distant as the value increases. Volume of the microphone Volume of the direct sound Stereo location of the output Output Level MFX Control Parameter Release Threshold Ratio Post Gain Low Gain 10 12 x 1 12 x 2 12 x 2 dynamic dynamic dynamic dynamic High Gain Level
Pre Amp Volume Pre Amp Master Pre Amp Gain Pre Amp Bass Pre Amp Middle Pre Amp Treble Pre Amp Presence
40: COMPRESSOR
Flattens out high levels and boosts low levels, smoothing out fluctuations in volume. Assignable Parameters MFX Control Parameter Attack Threshold Post Gain Low Gain High Gain Level Threshold, Attack, Level Value 0127 0127 0+18 dB -15+15 dB -15+15 dB 0127 Description Sets the speed at which compression starts Adjusts the volume at which compression begins Adjusts the output gain. Gain of the low frequency range Gain of the high frequency range Output Level
0127
Pre Amp Bright
OFF, ON
Speaker Sw Speaker
OFF, ON (See the table below.)
Mic Setting
1, 2, 3
41: LIMITER
Compresses signals that exceed a specified volume level, preventing distortion from occurring. Assignable Parameters Threshold, Release, Level Value 0127 0127 1.5:1, 2:1, 4:1, 100:1 0+18 dB -15+15 dB -15+15 dB 0127 Description Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied. Adjusts the volume at which compression begins Compression ratio Adjusts the output gain. Gain of the low frequency range Gain of the high frequency range Output Level
Mic Level Direct Level Pan Level
0127 0127 L6463R 0127
Specifications of each Speaker Type

The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Type SMALL 1 SMALL 2 MIDDLE JC-120 BUILT-IN 1 Cabinet small open-back enclosure small open-back enclosure open back enclosure open back enclosure open back enclosure Speaker 10 Microphone dynamic
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42: GATE
Cuts the reverbs delay according to the volume of the sound sent into the effect. Use this when you want to create an artificial-sounding decrease in the reverbs decay. Assignable Parameters MFX Control Parameter Threshold Threshold, Hold, Release, Attack, Balance Value 0127 Description Volume level at which the gate begins to close Type of gate GATE: The gate will close when the volume of the original sound decreases, cutting the original sound. DUCK (Ducking): The gate will close when the volume of the original sound increases, cutting the original sound. Adjusts the time it takes for the gate to fully open after being triggered. Adjusts the time it takes for the gate to start closing after the source sound falls beneath the Threshold. Adjusts the time it takes the gate to fully close after the hold time. Volume balance between the direct sound (D) and the effect sound (W) Output Level
44: LONG DELAY

A delay that provides a long delay time. Assignable Parameters MFX Control Parameter Delay Mode Delay (ms) Balance, Delay, Pan Value ms, note 12600 ms Description When this is set to note, the effect is synchronized with the tempo. Delay time from when the original sound is heard to when the delay sound is heard (ms). Delay time from when the original sound is heard to when the delay sound is heard (note). Phase of the delay (NORMAL: noninverted, INVERT: inverted) Proportion of the delay sound that is to be returned to the input (negative values invert the phase) Frequency at which the high-frequency content of the delayed sound will be cut (BYPASS: no cut) Panning of the delay sound Amount of boost/cut for the highfrequency range Amount of boost/cut for the highfrequency range Volume balance of the original sound (D) and delay sound (W) Output Level
Mode
GATE, DUCK
Delay ( ) Phase Feedback
note (*1) NORMAL, INVERSE -98+98 % 2008000 Hz, BYPASS L6463R -15+15 dB -15+15 dB D100:0W D0:100W 0127
Attack Hold Release Balance Level
0127 0127 0127 D100:0W D0:100W 0127
HF Damp Pan Low Gain High Gain
43: DELAY
This is a stereo delay. Assignable Parameters MFX Control Parameter Delay L Mode Delay L (ms) Delay L ( ) Delay R Mode Delay R (ms) Delay R ( ) Phase Left Phase Right Feedback Mode Feedback Balance, Delay L, Delay R Value ms, note 11300 ms note (*1) ms, note 11300 ms note (*1) NORMAL, INVERSE NORMAL, CROSS -98+98 % Description When this is set to note, the effect is synchronized with the tempo. Adjusts the time until the delay sound is heard (ms) Adjusts the time until the delay sound is heard (note) Settings of the Delay R The parameters are the same as for the Delay L. Phase of the delay (NORMAL: noninverted, INVERT: inverted) Selects the way in which delay sound is fed back into the effect. Adjusts the amount of the delay sound thats fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you dont want to filter out any high frequencies, set this parameter to BYPASS. Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output Level
Balance Level
HF Damp
2008000 Hz, BYPASS -15+15 dB -15+15 dB D100:0W D0:100W 0127
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45: SERIAL DLY (SERIAL DELAY)

This delay connects two delay units in series. Feedback can be applied independently to each delay unit, allowing you to produce complex delay sounds. Assignable Parameters MFX Control Parameter Delay1 Mode Delay1 (ms) Balance, Delay1, Delay2, Pan Value ms, note 11300 ms Description When this is set to note, the effect is synchronized with the tempo. Delay time from when sound is input to delay 1 until the delay sound is heard (ms) Delay time from when sound is input to delay 1 until the delay sound is heard (note) Proportion of the delay sound that is to be returned to the input of delay 1 (negative values invert the phase) Frequency at which the high-frequency content of the delayed sound of delay 1 will be cut (BYPASS: no cut) When this is set to note, the effect is synchronized with the tempo. Delay time from when sound is input to delay 2 until the delay sound is heard (ms) Delay time from when sound is input to delay 2 until the delay sound is heard (note) Proportion of the delay sound that is to be returned to the input of delay 2 (negative values invert the phase) Frequency at which the high-frequency content of the delayed sound of delay 2 will be cut (BYPASS: no cut) Panning of the delay sound Amount of boost/cut for the lowfrequency range Amount of boost/cut for the highfrequency range Volume balance of the original sound (D) and delay sound (W) Output Level
Parameter
Value 2008000 Hz, BYPASS
Description Adjusts the frequency above which sound fed back to the effect is filtered out. If you dont want to filter out any high frequencies, set this parameter to BYPASS. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Spatial spread of the sound Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output Level
HF Damp
Rate Mode Rate (Hz) Rate ( ) Depth Phase Low Gain High Gain Balance Level
Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -15+15 dB -15+15 dB D100:0W D0:100W 0127
Delay1 ( )
note (*1)
Delay1 Feedback
-98+98 % 2008000 Hz, BYPASS ms, note 11300 ms
Dly1 HF Damp Delay2 Mode Delay2 (ms)
47: 3TP PAN DLY (3 TAP PAN DELAY)

Produces three delay sounds; center, left and right. Assignable Parameters MFX Control Parameter Delay L Mode Delay L (ms) Delay L ( ) Delay R Mode Delay R (ms) Delay R ( ) Delay C Mode Delay C (ms) Delay C ( ) Center Feedback Balance, Delay C, Delay L, Delay R Value ms, note 12600 ms note (*1) ms, note 12600 ms note (*1) ms, note 12600 ms note (*1) -98+98 % Description When this is set to note, the effect is synchronized with the tempo. Adjusts the time until the delay sound is heard (ms). Adjusts the time until the delay sound is heard (note). Settings of the Delay R The parameters are the same as for the Delay L. Settings of the Delay C The parameters are the same as for the Delay L. Adjusts the amount of the delay sound thats fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS. Volume of each delay 0127 -15+15 dB -15+15 dB D100:0W D0:100W 0127 Volume of each delay Volume of each delay Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output Level
Delay2 ( )
note (*1)
Delay2 Feedback
-98+98 % 2008000 Hz, BYPASS L6463R -15+15 dB -15+15 dB D100:0W D0:100W 0127
Dly2 HF Damp Pan Low Gain High Gain Balance Level
46: MOD DELAY (MODULATION DELAY)

Adds modulation to the delayed sound. Assignable Parameters MFX Control Parameter Delay L Mode Delay L (ms) Delay L ( ) Delay R Mode Delay R (ms) Delay R ( ) Feedback Mode Feedback Balance, Depth, Delay L, Delay R Value ms, note 11300 ms note (*1) ms, note 11300 ms note (*1) NORMAL, CROSS -98+98 % Description When this is set to note, the effect is synchronized with the tempo. Adjusts the time until the delay sound is heard (ms). Adjusts the time until the delay sound is heard. Settings of the Delay R The parameters are the same as for the Delay L. Selects the way in which delay sound is fed back into the effect. Adjusts the amount of the delay sound thats fed back into the effect. Negative (-) settings invert the phase. Left Level Right Level Center Level Low Gain High Gain Balance Level HF Damp
2008000 Hz, BYPASS
38
48: 4TP PAN DLY (4 TAP PAN DELAY)

This effect has four delays.
Parameter Delay2 Mode Delay2 (ms) Delay2 ( ) Delay3 Mode Delay3 (ms) Delay3 ( ) Delay4 Mode Delay4 (ms) Delay4 ( ) Delay1 Feedback
Value ms, note 12600 ms note (*1) ms, note 12600 ms note (*1) ms, note 12600 ms note (*1) -98+98 %
Description Settings of the Delay 2 The parameters are the same as for the Delay 1. Settings of the Delay 3 The parameters are the same as for the Delay 1. Settings of the Delay 4 The parameters are the same as for the Delay 1. Adjusts the amount of the delay sound thats fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you dont want to filter out any the high frequencies, set this parameter to BYPASS. Stereo location of Delays 1 Stereo location of Delays 2 Stereo location of Delays 3 Stereo location of Delays 4 Output level of Delays 1 Output level of Delays 2 Output level of Delays 3 Output level of Delays 4 Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the effect sound (W) Output Level
Stereo location of each delay

2 1 L R Assignable Parameters MFX Control Parameter Delay1 Mode Delay1 (ms) Delay1 ( ) Delay2 Mode Delay2 (ms) Delay2 ( ) Delay3 Mode Delay3 (ms) Delay3 ( ) Delay4 Mode Delay4 (ms) Delay4 ( ) Delay1 Feedback Balance, Delay1, Delay2, Delay3, Delay4 Value ms, note 12600 ms note (*1) ms, note 12600 ms note (*1) ms, note 12600 ms note (*1) ms, note 12600 ms note (*1) -98+98 % Description When this is set to note, the effect is synchronized with the tempo. Adjusts the time until the delay sound is heard (ms). Adjusts the time until the delay sound is heard (note). Settings of the Delay 2 The parameters are the same as for the Delay 1. Settings of the Delay 3 The parameters are the same as for the Delay 1. Settings of the Delay 4 The parameters are the same as for the Delay 1. Adjusts the amount of the delay sound thats fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS. 3 4
HF Damp
2008000 Hz, BYPASS
Delay1 Pan Delay2 Pan Delay3 Pan Delay4 Pan Delay1 Level Delay2 Level Delay3 Level Delay4 Level Low Gain High Gain Balance Level -15+15 dB -15+15 dB D100:0W D0:100W 0127 0127 L6463R
HF Damp
2008000 Hz, BYPASS
Delay1 Level Delay2 Level Delay3 Level Delay4 Level Low Gain High Gain Balance Level -15+15 dB -15+15 dB D100:0W D0:100W 0127 Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output Level 0127 Volume of each delay
49: MULTTAP DLY (MULTI TAP DELAY)

This effect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound. Assignable Parameters MFX Control Parameter Delay1 Mode Delay1 (ms) Delay1 ( ) Balance, Delay1, Delay2, Delay3, Delay4 Value ms, note 12600 ms note (*1) Description When this is set to note, the effect is synchronized with the tempo. Adjusts the time until the delay sound is heard (ms). Adjusts the time until the delay sound is heard (note).
39
50: REVERSE DLY (REVERSE DELAY)

This is a reverse delay that adds a reversed and delayed sound to the input sound. A tap delay is connected immediately after the reverse delay. Assignable Parameters MFX Control Parameter Threshold Rev Dly Mode Rev Dly (ms) Balance, Rev Dly, Rev Dly Pan Value 0127 ms, note 11300 ms Description Volume at which the reverse delay will begin to be applied When this is set to note, the effect is synchronized with the tempo. Delay time from when sound is input into the reverse delay until the delay sound is heard (ms) Delay time from when sound is input into the reverse delay until the delay sound is heard (note) Proportion of the delay sound that is to be returned to the input of the reverse delay (negative values invert the phase) Frequency at which the high-frequency content of the reverse-delayed sound will be cut (BYPASS: no cut) Panning of the reverse delay sound Volume of the reverse delay sound When this is set to note, the effect is synchronized with the tempo. Delay time from when sound is input into the tap delay until the delay sound is heard (ms) Delay time from when sound is input into the tap delay until the delay sound is heard (note) Settings of the Delay 2 The parameters are the same as for the Delay 1. Settings of the Delay 3 The parameters are the same as for the Delay 1. Proportion of the delay sound that is to be returned to the input of the tap delay (negative values invert the phase) Frequency at which the low-frequency content of the tap delay sound will be cut (BYPASS: no cut) Panning of the tap delay sounds Volume of the tap delay sounds Amount of boost/cut for the lowfrequency range Amount of boost/cut for the highfrequency range Volume balance of the original sound (D) and delay sound (W) Output Level
51: SHUFFLE DLY (SHUFFLE DELAY)

Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel. Assignable Parameters MFX Control Parameter Delay Mode Delay (ms) Delay ( ) Balance, Delay, Shuffle Rate Value ms, note 12600 ms note (*1) Description When this is set to note, the effect is synchronized with the tempo. Adjusts the time until the delay sound is heard (ms). Adjusts the time until the delay sound is heard (note). Adjusts the ratio (as a percentage) of the time that elapses before Delay B sounds relative to the time that elapses before the Delay A sounds. When set to 100%, the delay times are the same. Adjusts the time over which the Delay Time changes from the current setting to its specified new setting. Adjusts the amount of the delay thats fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you dont want to filter out any high frequencies, set this parameter to BYPASS. Stereo location of Delay A/B Volume of delay A/B Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the effect sound (W) Output Level
Rev Dly ( )
note (*1)
Shuffle Rate
0100 %
Rev Dly Fbk
-98+98 % 2008000 Hz, BYPASS L6463R 0127 ms, note 11300 ms
Acceleration
015
Rev Dly HFDmp Rev Dly Pan Rev Dly Level Delay1 Mode Delay1 (ms)
Feedback
-98+98 %
HF Damp
2008000 Hz, BYPASS
Pan A Pan B Level A Level B Low Gain High Gain Balance Level
L6463R 0127 -15+15 dB -15+15 dB D100:0W D0:100W 0127
Delay1 ( ) Delay2 Mode Delay2 (ms) Delay2 ( ) Delay3 Mode Delay3 (ms) Delay3 ( ) Delay3 Feedback
note (*1) ms, note 11300 ms note (*1) ms, note 11300 ms note (*1) -98+98 % 2008000 Hz, BYPASS L6463R 0127 -15+15 dB -15+15 dB D100:0W D0:100W 0127
52: 3D DELAY
This applies a 3D effect to the delay sound. The delay sound will be positioned 90 degrees left and 90 degrees right. Assignable Parameters MFX Control Parameter Delay L Mode Delay L (ms) Balance, Delay C, Delay L, Delay R Value ms, note 12600 ms Description When this is set to note, the effect is synchronized with the tempo. Adjusts the delay time from the direct sound until the delay sound is heard (ms). Adjusts the delay time from the direct sound until the delay sound is heard (note). Settings of the Delay R The parameters are the same as for the Delay 1. Settings of the Delay C The parameters are the same as for the Delay 1.
Delay HF Damp Delay1 Pan Delay2 Pan Delay1 Level Delay2 Level Low Gain High Gain Balance Level
Delay L ( ) Delay R Mode Delay R (ms) Delay R ( ) Delay C Mode Delay C (ms) Delay C ( )
note (*1) ms, note 12600 ms note (*1) ms, note 12600 ms note (*1)
40
Parameter Center Feedback Value -98+98 % Description Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. Output level of the delay sound Feedback Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the effect sound (W) Output Level -98+98 % Parameter Delay (ms) Delay ( ) Value 12600 ms note (*1) Description Adjusts the time until the delay is heard (ms). Adjusts the time until the delay is heard (note). Adjusts the time over which the Delay Time changes from the current setting to a specified new setting. The rate of change for the Delay Time directly affects the rate of pitch change. Adjusts the amount of the delay thats fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS. Stereo location of the delay Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output Level
HF Damp Left Level Right Level Center Level
2008000 Hz, BYPASS
Acceleration
015
0127
Output Mode
SPEAKER, PHONES
HF Damp
2008000 Hz, BYPASS L6463R -15+15 dB -15+15 dB D100:0W D0:100W 0127
-15+15 dB -15+15 dB D100:0W D0:100W 0127
Pan Low Gain High Gain Balance Level
53: T-CTRL DLY (TIME CTRL DELAY)

A stereo delay in which the delay time can be varied smoothly. Assignable Parameters MFX Control Parameter Delay Mode Delay (ms) Delay ( ) Balance, Delay Value ms, note 11300 ms note (*1) Description When this is set to note, the effect is synchronized with the tempo. Adjusts the time until the delay is heard (ms). Adjusts the time until the delay is heard (note). Adjusts the time over which the Delay Time changes from the current setting to a specified new setting. The rate of change for the Delay Time directly affects the rate of pitch change. Adjusts the amount of the delay thats fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS. Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output Level
55: TAPE ECHO

A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo. Assignable Parameters MFX Control Parameter Echo Level, Repeat Rate, Mode Value Description Combination of playback heads to use Select from three different heads with different delay times. S: short M: middle L: long Tape speed Increasing this value will shorten the spacing of the delayed sounds. Amount of delay repeats Boost/cut for the lower range of the echo sound Boost/cut for the upper range of the echo sound Independent panning for the short, middle, and long playback heads Amount of tape-dependent distortion to be added This simulates the slight tonal changes that can be detected by signal-analysis equipment. Increasing this value will increase the distortion. Speed of wow/flutter (complex variation in pitch caused by tape wear and rotational irregularity) Depth of wow/flutter Volume of the echo sound Volume of the original sound Output Level
Mode
S, M, L, S+M, S+L, M+L, S+M+L
Acceleration
015
Repeat Rate Intensity Bass Treble Head S Pan Head M Pan Head L Pan
0127 0127 -15+15 dB -15+15 dB
Feedback
-98+98 %
HF Damp
2008000 Hz, BYPASS -15+15 dB -15+15 dB D100:0W D0:100W 0127
L6463R
Tape Distortion
05
54: LONG TC DLY (LONG TIME CTRL DELAY)

A delay in which the delay time can be varied smoothly, and allowing an extended delay to be produced. Assignable Parameters MFX Control Parameter Delay Mode Balance, Delay Value ms, note Description When this is set to note, the effect is synchronized with the tempo.
W/F Rate W/F Depth Echo Level Direct Level Level
0127 0127 0127 0127 0127
41
56: LOFI NOISE

In addition to a lo-fi effect, this adds various types of noise such as white noise and disc noise. Assignable Parameters MFX Control Parameter LoFi Type Balance, Hum Noise Level, Disc Noise Level, Noise Level, LoFi Type Value 19 Description Degrades the sound quality. The sound quality grows poorer as this value is increased. Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Center frequency of the filter Switch between white noise and pink noise. Center frequency of the low pass filter applied to the white/pink noise (BYPASS: no cut) Volume of the white/pink noise Type of record noise The frequency at which the noise is heard depends on the selected type. Adjusts the cutoff frequency of the low pass filter applied to the record noise. If you dont want to filter out any high frequencies, set this parameter to BYPASS. Volume of the record noise Frequency of the hum noise Center frequency of the low pass filter applied to the hum noise (BYPASS: no cut) Volume of the hum noise Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the effect sound (W) Output Level
Parameter Balance Level
Value D100:0W D0:100W 0127
Description Volume balance between the direct sound (D) and the effect sound (W) Output Level
58: LOFI RADIO

In addition to a Lo-Fi effect, this effect also generates radio noise. Assignable Parameters MFX Control Parameter LoFi Type Balance, Radio Detune, Radio Noise Lev, LoFi Type Value 19 Description Degrades the sound quality. The sound quality grows poorer as this value is increased. Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Basic frequency of the Post Filter Simulates the tuning noise of a radio. As this value is raised, the tuning drifts further. Volume of the radio noise Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the effect sound (W) Output Level
Post Fltr Type
OFF, LPF, HPF
Post F-Cutoff Noise Type Noise LPF Noise Level Disc Noise Type
2008000 Hz WHITE, PINK 2008000 Hz, BYPASS 0127 LP, EP, SP, RND
Post Fltr Type
OFF, LPF, HPF
Post F-Cutoff Radio Detune Radio Noise Lev Low Gain High Gain Balance Level
2008000 Hz 0127 0127 -15+15 dB -15+15 dB D100:0W D0:100W 0127
DiscNoise LPF
2008000 Hz, BYPASS 0127 50Hz, 60Hz 2008000 Hz, BYPASS 0127 -15+15 dB -15+15 dB D100:0W D0:100W 0127
Disc Noise Level Hum Noise Type Hum Noise LPF Hum Noise Level Low Gain High Gain Balance Level
59: TELEPHONE
This effect produces a muffled sound, like that heard through a telephone. Assignable Parameters MFX Control Parameter Voice Quality Treble Balance, Voice Quality Value 015 -15+15 dB D100:0W D0:100W 0127 Description Audio quality of the telephone voice Bandwidth of the telephone voice Volume balance between the direct sound (D) and the effect sound (W) Output Level
57: LOFI COMPRS (LOFI COMPRESS)

This is an effect that intentionally degrades the sound quality for creative purposes. Assignable Parameters MFX Control Parameter Pre Filter Type Balance, LoFi Type Value 16 Description Selects the type of filter applied to the sound before it passes through the LoFi effect. Degrades the sound quality. The sound quality grows poorer as this value is increased. Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Basic frequency of the Post Filter Gain of the low range Gain of the high range
Balance Level
60: PHONOGRAPH
Simulates a sound recorded on an analog record and played back on a record player. This effect also simulates the various types of noise that are typical of a record, and even the rotational irregularities of an old turntable. Assignable Parameters MFX Control Parameter Signal Dist Total Noise Lev, Total W/F, Frequency Range, Balance Value 0127 Description Depth of distortion Frequency response of the playback system Decreasing this value will produce the impression of an old system with a poor frequency response.
LoFi Type
19
Post Fltr Type
OFF, LPF, HPF
Frequency Range
0127
Post F-Cutoff Low Gain High Gain
2008000 Hz -15+15 dB -15+15 dB
42
Parameter Disc Type ScratchNoise Lev Dust Noise Lev Hiss Noise Lev Total Noise Lev Wow Flutter Random Total W/F Balance Level Value LP, EP, SP 0127 0127 0127 0127 0127 0127 0127 0127 D100:0W D0:100W 0127 Description Rotational speed of the turntable This will affect the frequency of the scratch noise. Amount of noise due to scratches on the record Volume of noise due to dust on the record Volume of continuous hiss Volume of overall noise Depth of long-cycle rotational irregularity Depth of short-cycle rotational irregularity Depth of indefinite-cycle rotational irregularity Depth of overall rotational irregularity Volume balance between the direct sound (D) and the effect sound (W) Output Level Pch1 Feedback Pch1 Pan Pch1 Level Pch2 Coarse Pch2 Fine Pch2 Delay Mode Pch2 Dly (ms) Pch2 Delay ( ) Pch2 Feedback Pch2 Pan Pch2 Level Low Gain Assignable Parameters MFX Control Parameter Coarse Fine Delay Mode Delay (ms) Balance, Fine, Coarse, Delay Value -24+12 semi -100+100 cent ms, note 11300 ms Description Adjusts the pitch of the pitch shifted sound in semitone steps. Adjusts the pitch of the pitch shifted sound in 2-cent steps. When this is set to note, the effect is synchronized with the tempo. Adjusts the delay time from the direct sound until the pitch shifted sound is heard (ms). Adjusts the delay time from the direct sound until the pitch shifted sound is heard (note). Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Negative (-) settings will invert the phase. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the pitch shifted sound (W) Output Level Gate Time 0127 -100+100 cent ms, note 11300 ms note (*1) -98+98 % -15+15 dB Rate ( ) Attack note (*1) 0127 High Gain Balance Level -98+98 % L6463R 0127 -24+12 semi -100+100 cent ms, note 11300 ms note (*1) -98+98 % L6463R 0127 -15+15 dB -15+15 dB D100:0W D0:100W 0127 Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the pitch shifted sound (W) Output Level Settings of the Pitch Shift 2 sound. The parameters are the same as for the Pitch Shift 1 sound. Parameter Pch1 Delay Mode Pch1 Dly (ms) Value ms, note 11300 ms Description When this is set to note, the effect is synchronized with the tempo. Adjusts the delay time from the direct sound until the Pitch Shift 1 sound is heard (ms). Adjusts the delay time from the direct sound until the Pitch Shift 1 sound is heard (note). Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Negative (-) settings will invert the phase. Stereo location of the Pitch Shift 1 sound Volume of the Pitch Shift1 sound
Pch1 Delay ( )
note (*1)
61: PCH SHIFTER (PITCH SHIFTER)

A stereo pitch shifter.
63: S.P.SHIFTER (STEP PITCH SHIFTER)

A pitch shifter in which the amount of pitch shift is varied by a 16-step sequence. Assignable Parameters MFX Control Parameter Step 0116 Rate Mode Rate (Hz) Rate, Attack, Gate Time, Balance Value -24+12 semi Hz, note 0.0510.00 Hz Description Amount of pitch shift at each step (semitone units) When this is set to note, the effect is synchronized with the tempo. Rate at which the 16-step sequence will cycle (Hz) Rate at which the 16-step sequence will cycle (note) Speed at which the amount of pitch shift changes between steps Duration of the pitch shifted sound at each step Pitch shift adjustment for all steps (2-cent units) When this is set to note, the effect is synchronized with the tempo. Delay time from the original sound until the pitch-shifted sound is heard (ms) Delay time from the original sound until the pitch-shifted sound is heard (note) Proportion of the pitch-shifted sound that is to be returned to the input (negative values invert the phase) Amount of boost/cut for the lowfrequency range
Delay ( )
note (*1)
Feedback Low Gain High Gain Balance Level
-98+98 % -15+15 dB -15+15 dB D100:0W D0:100W 0127
62: 2V P.SHIFTR (2 VOICE PITCH SHIFTER)

Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound. Assignable Parameters MFX Control Parameter Pch1 Coarse Pch1 Fine Balance, Pch1 Coarse, Pch2 Coarse, Pch1 Dly, Pch2 Dly Value -24+12 semi -100+100 cent Description Adjusts the pitch of Pitch Shift 1 in semitone steps. Adjusts the pitch of Pitch Shift Pitch 1 in 2-cent steps.
Fine Delay Mode Delay (ms) Delay ( ) Feedback Low Gain
43
Parameter High Gain Balance Level Value -15+15 dB D100:0W D0:100W 0127 Description Amount of boost/cut for the highfrequency range Volume balance of the original sound (D) and pitch-shifted sound (W) Output Level
66: OVDRV
MFX Control Parameter
CHO (OVERDRIVE
Assignable Parameters
CHORUS)
This effect connects an overdrive and a chorus in series.
Chorus Bal, Cho Rate, Chorus Depth, Overdrive Drive Value 0127 L6463R 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 D100:0W D0:100W 0127 Description Degree of distortion Also changes the volume. Stereo location of the overdrive sound Adjusts the delay time from the direct sound until the chorus sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D). Output Level
64: REVERB
Adds reverberation to the sound, simulating an acoustic space. Assignable Parameters MFX Control Parameter Time, Type, Balance Value Description Type of reverb ROOM1: dense reverb with short decay ROOM2: sparse reverb with short decay STAGE1: reverb with greater late reverberation STAGE2: reverb with strong early reflections HALL1: reverb with clear reverberance HALL2: reverb with rich reverberance Adjusts the delay time from the direct sound until the reverb sound is heard. Time length of reverberation Adjusts the frequency above which the reverberant sound will be cut. As the frequency is set lower, more of the high frequencies will be cut, resulting in a softer and more muted reverberance. If you do not want to cut the high frequencies, set this parameter to BYPASS. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the reverb sound (W) Output Level
Overdrive Drive Overdrive Pan Chorus PreDly Rate Mode Cho Rate (Hz) Cho Rate ( ) Chorus Depth Chorus Bal Level
Type
ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2
Pre Delay Time
0.0100.0 ms 0127
67: OVDRV FLNGR (OVERDRIVE FLANGER)

This effect connects an overdrive and a flanger in series. Assignable Parameters MFX Control Parameter Overdrive Drive Overdrive Pan Flngr PreDly Flngr Mode Fln Rate (Hz) Fln Rate ( ) Flngr Depth Flngr Bal, Fln Rate, Flngr Depth, Flngr Feedback, Overdrive Drive Value 0127 L6463R 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 -98+98 % Description Degree of distortion Also changes the volume. Stereo location of the overdrive sound Adjusts the delay time from when the direct sound begins until the flanger sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Output Level
HF Damp
2008000 Hz, BYPASS
-15+15 dB -15+15 dB D100:0W D0:100W 0127
65: GATED REV (GATED REVERB)

This is a special type of reverb in which the reverberant sound is cut off before its natural length. Assignable Parameters MFX Control Parameter Balance Value Description Type of reverb NORMAL: conventional gated reverb REVERSE: backwards reverb SWEEP1: the reverberant sound moves from right to left SWEEP2: the reverberant sound moves from left to right Adjusts the delay time from the direct sound until the reverb sound is heard. Adjusts the time from when the reverb is heard until it disappears. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the reverb sound (W) Output Level
Flngr Feedback
Type
NORMAL, REVERSE, SWEEP1, SWEEP2
Flngr Bal Level
D100:0W D0:100W 0127
Pre Delay Gate Time Low Gain High Gain Balance Level
0.0100.0 ms 5500 ms -15+15 dB -15+15 dB D100:0W D0:100W 0127
44
68: OVDRV
MFX Control Parameter Overdrive Drive Overdrive Pan Delay Mode Delay (ms)
DELAY (OVERDRIVE
Assignable Parameters Delay Bal, Overdrive Drive Value 0127 L6463R ms, note 12600 ms Description Degree of distortion Also changes the volume.
DELAY)
Parameter Enhancer Sens Enhancer Mix Chorus PreDly Rate Mode Cho Rate (Hz) Cho Rate ( ) Chorus Depth Chorus Bal Level
Value 0127 0127 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 D100:0W D0:100W 0127
Description Sensitivity of the enhancer Level of the overtones generated by the enhancer Adjusts the delay time from the direct sound until the chorus sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D). Output Level
This effect connects an overdrive and a delay in series.
Stereo location of the overdrive sound When this is set to note, the effect is synchronized with the tempo. Adjusts the delay time from the direct sound until the delay sound is heard (ms). Adjusts the delay time from the direct sound until the delay sound is heard (note). Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). Output Level
Delay ( )
note (*1)
Delay Feedback
-98+98 %
Delay HF Damp
2008000 Hz, BYPASS
73: ENH FLANGER (ENHANCER FLANGER)

This effect connects an enhancer and a flanger in series. Assignable Parameters MFX Control Parameter Enhancer Sens Enhancer Mix Flngr Bal, Fln Rate, Flngr Depth, Flngr Feedback, Enhancer Sens Value 0127 0127 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 -98+98 % Description Sensitivity of the enhancer Level of the overtones generated by the enhancer Adjusts the delay time from when the direct sound begins until the flanger sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Output Level
Delay Bal Level
D100:0W D0:100W 0127
69: DIST CHORUS (DISTORTION CHORUS)

The parameters are essentially the same as in 66: OVERDRIVE exception of the following two. Overdrive Drive Overdrive Pan Distortion Drive Distortion Pan CHORUS, with the
Flngr PreDly Flngr Mode Fln Rate (Hz) Fln Rate ( ) Flngr Depth Flngr Feedback
70: DIST FLANGR (DISTORTION FLANGER)

The parameters are essentially the same as in 67: OVERDRIVE exception of the following two. Overdrive Drive Overdrive Pan Distortion Drive Distortion Pan FLANGER, with the
Flngr Bal Level
D100:0W D0:100W 0127
71: DIST
Overdrive Drive Overdrive Pan
DELAY (DISTORTION
Distortion Drive,
DELAY)
DELAY, with the
The parameters are essentially the same as in 68: OVERDRIVE exception of the following two. Distortion Pan
72: ENH
MFX Control
CHORUS (ENHANCER
CHORUS)
This effect connects an enhancer and a chorus in series.
Chorus Bal, Chorus Depth, Cho Rate, Enhancer Sens
45
74: ENH
MFX Control Parameter Enhancer Sens Enhancer Mix Delay Mode Delay (ms)
DELAY (ENHANCER
Assignable Parameters Delay Bal, Enhancer Sens Value 0127 0127 ms, note 12600 ms Description
DELAY)
Parameter Level
Value 0127
Description Output Level
This effect connects an enhancer and a delay in series.
76: FLN
MFX Control Parameter Flngr PreDly Flngr Mode Fln Rate (Hz) Fln Rate ( ) Flngr Depth Flngr Feedback Flngr Bal Delay Mode Delay (ms)
DELAY (FLANGER
DELAY)
This effect connects a flanger and a delay in series.
Sensitivity of the enhancer Level of the overtones generated by the enhancer When this is set to note, the effect is synchronized with the tempo. Adjusts the delay time from the direct sound until the delay sound is heard (ms). Adjusts the delay time from the direct sound until the delay sound is heard (note). Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). Output Level Delay ( )
Delay Bal, Flngr Bal, Fln Rate, Flngr Feedback Value 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 -98+98 % D100:0W D0:100W ms, note 12600 ms note (*1) Description Adjusts the delay time from when the direct sound begins until the flanger sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Volume balance between the direct sound (D) and the flanger sound (W) When this is set to note, the effect is synchronized with the tempo. When this is set to note, the effect is synchronized with the tempo (ms). Adjusts the delay time from the direct sound until the delay sound is heard (note). Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). Output Level
Delay ( )
note (*1)
Delay Feedback
-98+98 %
Delay HF Damp
2008000 Hz, BYPASS
Delay Bal Level
D100:0W D0:100W 0127
75: CHO
MFX Control Parameter Chorus PreDly Rate Mode Cho Rate (Hz) Cho Rate ( ) Chorus Depth Chorus Bal Delay Mode Delay (ms)
DELAY (CHORUS
DELAY)
Delay Feedback
-98+98 %
This effect connects a chorus and a delay in series. Delay HF Damp 2008000 Hz, BYPASS
Delay Bal, Chorus Bal, Chorus Depth, Cho Rate Value 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 D100:0W D0:100W ms, note 12600 ms Description Adjusts the delay time from the direct sound until the chorus sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Volume balance between the direct sound (D) and the chorus sound (W) When this is set to note, the effect is synchronized with the tempo. Adjusts the delay time from the direct sound until the delay sound is heard (ms). Adjusts the delay time from the direct sound until the delay sound is heard (note). Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).
Delay Bal Level
D100:0W D0:100W 0127
77: CHO
MFX Control Parameter Chorus PreDly Rate Mode Cho Rate (Hz) Cho Rate ( ) Chorus Depth Chorus Bal Flngr PreDly
FLANGER (CHORUS
FLANGER)
This effect connects a chorus and a flanger in series.
Chorus Bal, Flngr Bal, Chorus Depth, Cho Rate, Fln Rate, Flngr Feedback Value 0.0100.0 ms Hz, note 0.0510.00 Hz note (*1) 0127 D100:0W D0:100W 0.0100.0 ms Description Adjusts the delay time from the direct sound until the chorus sound is heard. When this is set to note, the effect is synchronized with the tempo. Modulation frequency of the chorus effect (Hz) Modulation frequency of the chorus effect (note) Modulation depth of the chorus effect Volume balance between the direct sound (D) and the chorus sound (W) Adjusts the delay time from when the direct sound begins until the flanger sound is heard.
Delay ( )
note (*1)
Delay Feedback
-98+98 %
Delay HF Damp
2008000 Hz, BYPASS
Delay Bal
D100:0W D0:100W
46
Parameter Flngr Mode Fln Rate (Hz) Fln Rate ( ) Flngr Depth Flngr Feedback Value Hz, note 0.0510.00 Hz note (*1) 0127 -98+98 % Description When this is set to note, the effect is synchronized with the tempo. Modulation frequency of the flanger effect (Hz) Modulation frequency of the flanger effect (note) Modulation depth of the flanger effect Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D). Output Level MFX Control Parameter
80: VR AUTO WAH

This wah is a descendant of the Roland VR Series effects. This is a special wah effect (an effect in which the tone is changed cyclically) produced by shifting the filter in a cyclic fashion. You can switch the Control Type parameter to select from Auto Wah, Touch Wah, or Pedal Wah. Assignable Parameters Rate, Depth, Peak, Manual Value Description Effect Control Types MOD: The tone changes at the set rate. TOUCH: The tone changes in response to changes in the volume. PEDAL: The tone changes according to the function of the Manual parameter. Can be used as a pedal wah. Filter Type LPF: Produces a wah effect over a wide frequency range. BPF: Produces a wah effect over a narrow frequency range. When Control Type is set to PEDAL, you can use this parameter to change the tone. Wah effect bandwidth The bandwidth narrows as the value is increased. When this is set to note, the effect is synchronized with the tempo. Wah effect rate Wah effect rate (note) When Control Type is set to TOUCH, this adjusts the sensitivity to the volume used in changing the tone. Depth of the wah effects sweep Ratio of the wah effect sound in the left and right sides when the spread is not distributed evenly Boost or cut in the low end Boost or cut in the high end Output Level
Flngr Bal Level
D100:0W D0:100W 0127
Control Type
MOD, TOUCH, PEDAL
78: VR CHORUS
This chorus is a descendant of the Roland VR Series effects. Assignable Parameters MFX Control Parameter Pre Delay Rate Mode Rate (Hz) Rate ( ) Depth Phase Balance Level Depth, Rate, Balance Value 0.0100 ms Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg D100:0W D0:100W 0127 Description Amount of time that it is to take for the chorus sound to be produced after the original sound has sounded. When this is set to note, the effect is synchronized with the tempo. Modulation rate (Hz) Modulation rate (note) Modulation Depth Amount of breadth in the chorus sound Volume balance between the original, dry sound (D) and the chorus sound (W) Output Level
Filter Type
LPF, BPF
Manual
0127
Peak Rate Mode Rate (Hz)
0100 Hz, note 0.0510.00 Hz note (*1) 0127 0180 deg -15+15 dB -15+15 dB 0127
Rate ( ) Depth Phase Low Gain High Gain Level
79: VR TREMOLO
This tremolo is a descendant of the Roland VR Series effects. This changes the volume level in a cyclic manner. Switching between the Mono and Stereo Tremolo Type settings also switches the volume control waveform. Assignable Parameters MFX Control Parameter Tremolo Type Rate, Depth, Tremolo Type Value Mono, Stereo Description Mono: The left and right volume levels change simultaneously. Stereo: The left and right volume levels change in alternating fashion. When this is set to note, the effect is synchronized with the tempo. Frequency at which the effect is applied (Hz) Frequency at which the effect is applied (note) Depth of the effect Boost or cut in the low end Boost or cut in the high end Output Level
Settings when using a pedal wah with a pedal connected to FC1 MFX Control: Manual Control Type: PEDAL EDIT/ 2. Control/ FC1: MFX Control
Rate Mode Rate (Hz) Rate ( ) Depth Low Gain High Gain Level
Hz, note 0.0510.00 Hz note (*1) 0127 -15+15 dB -15+15 dB 0127
47
81: VR PHASER
This phaser is a descendant of the Roland VR Series effects. This creates a swirling effect by adding sounds that are out of phase with the original sound. Assignable Parameters MFX Control Parameter Rate Mode Rate (Hz) Rate ( ) Depth Resonance Step Sw Step Rate Mode StepRate (Hz) Step Rate ( ) Low Gain High Gain Level Rate, Resonance, Depth Value Hz, note 0.0510.00 Hz note (*1) 0127 0127 OFF, ON Hz, note 0.1020.00 Hz note (*1) -15+15 dB -15+15 dB 0127 Description When this is set to note, the effect is synchronized with the tempo. Phaser Frequency (Hz) Phaser Frequency (note) Phaser Depth Feedback Level Setting this to ON creates a step phaser. When this is set to note, the effect is synchronized with the tempo. Rate of stepped changes in phaser effect (Hz) Rate of stepped changes in phaser effect (note) Boost or cut in the low end Boost or cut in the high end Output Level
Parameter R-Wf Level R-Tw Slow Sp R-Tw Fast Sp R-Tw Accel R-Tw Level Rotary Separat Rotary Level
Value 0127 0.0510.00 Hz 0.0510.00 Hz 015 0127 0127 0127
Description Low-frequency rotor volume High-frequency rotor setting This parameter is the same as that for the low-frequency rotor. Amount of breadth in the sound Output Level
83: LINEDRIVE
This reproduces the distortion that occurs when an electrical circuit is slightly overloaded. Assignable Parameters MFX Control Parameter Strength Type Drive Low Gain High Gain Level Drive Value SOFT, HARD 1/2 0127 -15+15 dB -15+15 dB 0127 Description HARD produces stronger distortion than SOFT. Varies the nuances of the distortion. Degree of distortion This also affects the volume. Boost or cut in the low end. Boost or cut in the high end. Output Level
82: ORGAN MULTI

This is an effect combining the VK series internal effect with an organ effect with the same features. It comprises vibrato/chorus, overdrive, and rotary effects. Assignable Parameters MFX Control Parameter Vib/Cho Switch Rotary Speed, OD Drive Value OFF, ON Description Switches the vibrato and chorus effects Vibrato and chorus effect types V-1, V-2, V-3: Adds a wavering (vibrato) that is created by changes in the pitch. The effect deepens as the value is increased. C-1, C-2, C-3: Adds a fullness and breadth (chorus) to the sound. The effect deepens as the value is increased. This reproduces the subtle differences in the vibrato and chorus effects in organs built in different years. Vibrato/chorus effect volume Switches the overdrive effect Amount of distortion Overdrive effect volume Switches the rotary effect Low and high-frequency rotation speeds (Rate) SLOW: (Slow Rate) FAST: (Fast Rate) Rate with low-frequency rotor set to SLOW rate Rate with low-frequency rotor set to FAST rate Speed at which the low-frequency rotors rotation rate changes when the rotation speed is switched
84: SMALL PHASR (SMALL PHASER)

The Small Phaser effect simulates the unique sweeping vintage phaser. This effect is most suitable for electric piano tones. Assignable Parameters MFX Control Parameter Rate Color Level Rate Value 0100 1, 2 0127 Description Phaser Frequency Phaser Character Output Level
Vib/Cho Type
V-1, V-2, V-3, C-1, C-2, C-3
note (1):
(Sixty-fourth-note triplet), (Thirty-second note), (Sixteenth note), (Eighth note), (Quarter note), (Sixty-fourth note), (Sixteenth-note triplet), (Eighth-note triplet), (Quarter-note triplet), (Half-note triplet), (Thirty-second-note triplet), (Dotted thirty-second note), (Dotted sixteenth note), (Dotted eighth note), (Dotted quarter note), (Whole note), (Double note) (Half note),
Vib/Cho Vintage Vib/Cho Level OD Switch OD Drive OD Level Rotary Switch Rotary Speed
'50, '60, '70 0127 OFF, ON 0127 0127 OFF, ON SLOW, FAST
(Whole-note triplet), (Double-note triplet),
(Dotted half note), (Dotted whole note),
R-Wf Slow Sp R-Wf Fast Sp R-Wf Accel
0.0510.00 Hz 0.0510.00 Hz 015
48
Chorus Parameter
The RD-700NXs Chorus effect unit can also be used as a stereo delay unit.
3: GM2 CHORUS
Parameter Pre-LPF Level Feedback Delay Rate Description Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff Freq HPF: cuts the frequency range below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from the direct sound until the chorus sound is heard. When this is set to note, the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Spatial spread of the sound Adjusts the amount of the chorus sound that is fed back into the effect. Depth Send To Reverb Value 07 0127 0127 0127 0127 0127 0127 Description Cuts the high frequency range of the sound coming into the chorus. Volume of the chorus sound Adjusts the amount of the chorus sound that is fed back into the effect. Adjusts the delay time from the direct sound until the chorus sound is heard. Frequency of modulation Depth of modulation Adjusts the amount of chorus sound that will be sent to the reverb.
0: OFF
Neither Chorus or Delay is used.
1: CHORUS
Parameter Value Filter Type OFF, LPF, HPF
note (*):
(Sixty-fourth-note triplet), (Thirty-second note), (Sixteenth note), (Eighth note), (Quarter note), (Sixty-fourth note), (Sixteenth-note triplet), (Eighth-note triplet), (Quarter-note triplet), (Half-note triplet), (Thirty-second-note triplet), (Dotted thirty-second note), (Dotted sixteenth note), (Dotted eighth note), (Dotted quarter note), (Whole note), (Double note) (Half note),
Cutoff Freq Pre Delay Rate Mode Rate (Hz) Rate ( ) Depth Phase Feedback
2008000 Hz 0.0100.0 ms Hz, note 0.0510.00 Hz note (*) 0127 0180 0127
(Whole-note triplet), (Double-note triplet),
(Dotted half note), (Dotted whole note),
2: DELAY
Parameter Delay L Mode Delay L (ms) Delay L ( ) Delay R Mode Delay R (ms) Delay R ( ) Delay C Mode Delay C (ms) Delay C ( ) Center Feedbak Value ms, note 01000 ms note (*) ms, note 01000 ms note (*) ms, note 01000 ms note (*) -98+98 % Description When this is set to note, the effect is synchronized with the tempo. Adjusts the time until the delay sound is heard (ms). Adjusts the time until the delay sound is heard (note). Settings of the Delay R The parameters are the same as for the Delay L. Settings of the Delay C The parameters are the same as for the Delay L. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. Volume of each delay sound Volume of each delay sound Volume of each delay sound
HF Damp Left Level Right Level Center Level
2008000 Hz, BYPASS 0127 0127 0127
49
Reverb Parameter
These settings allow you to select the desired type of reverb, and its characteristics.
Parameter
Value
Description Adjusts the amount of damping applied to the frequency range selected with HF Damp. With a setting of 0, there will be no reduction of the reverbs high-frequency content. Output level of reverberation
0: OFF
Reverb is not used.
HF Damp Gain
-360 dB
Level
0127
1: REVERB
Normal reverb Parameter Value Description Type of reverb/delay ROOM1: short reverb with high density ROOM2: short reverb with low density STAGE1: reverb with greater late reverberation STAGE2: reverb with strong early reflections HALL1: very clear-sounding reverb HALL2: rich reverb DELAY: conventional delay effect PAN-DELAY: delay effect with echoes that pan left and right Time length of reverberation (Type: ROOM1-HALL2) Delay time (Type: DELAY, PAN-DELAY) Adjusts the frequency above which the high-frequency content of the reverb sound will be cut, or damped. If you do not want to cut the high frequencies, set this parameter to BYPASS. Adjusts the amount of delay feedback when the Type setting is DELAY or PAN-DELAY. Output level of reverberation
3: HALL
This simulates typical concert hall acoustic reflections. The parameters are the same as for 2: ROOM.
Type
ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2, DELAY, PAN-DELAY
4: PLATE
This simulates a reverb plate, a popular type of artificial reverb unit that derives its sound from the vibration of a metallic plate. The parameters are the same as for 2: ROOM.
5: GM2 REVERB
GM2 Reverb Parameter Value ROOM1, ROOM2, ROOM3, HALL1, HALL2, PLATE, DELAY, PAN-DELAY 07 0127 0127 0127 Description
Time
0127
HF Damp
2008000 Hz, BYPASS
Character
Type of reverb/delay
Delay Feedback Level
Pre-LPF Level Time Delay Feedback
0127 0127
Cuts the high frequency range of the sound coming into the reverb. Output level of reverberation Time length of reverberation Adjusts the amount of the delay sound that is fed back into the effect when the Reverb Character setting is DELAY or PAN-DELAY.
2: ROOM
This simulates typical room acoustic reflections. Parameter Pre Delay Time Size Value 0.0100.0 ms 0127 18 160 Hz12.500 Hz, BYPASS 0127 Description Adjusts the delay time from the direct sound until the reverb sound is heard. Time length of reverberation Size of the simulated room or hall Adjusts the frequency above which the high-frequency content of the reverb will be reduced. If you do not want to reduce the high frequencies, set this parameter to BYPASS. Density of reverb Adjusts the change in the density of the reverb over time. The higher the value, the more the density increases with time. (The effect of this setting is most pronounced with long reverb times.) Adjusts the frequency below which the low-frequency content of the reverb sound will be reduced, or damped. Adjusts the amount of damping applied to the frequency range selected with LF Damp. With a setting of 0, there will be no reduction of the reverbs low-frequency content. Adjusts the frequency above which the high-frequency content of the reverb sound will be reduced, or damped.
6: CATHEDRAL
Simulates the type of reverberation in churches and other such spaces bounded by hard walls Parameter Pre-LPF Level Time Value 07 0127 0127 Description Cuts the high frequency range of the sound coming into the reverb. Higher values will cut more of the high frequencies. Output level of reverberation Time length of reverberation
High Cut
Density
Diffusion
0127
LF Damp Freq
504000 Hz
LF Damp Gain
-360 dB
HF DampFreq
4000 Hz12500 Hz
50
MEMO
51
Copyright 2010 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Roland is a registered trademark of Roland Corporation in the United States and/or other countries.
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RD-700NX DataList

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Data List

Rhythm Set List.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rhythm Pattern List.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Effect/Parameter List.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Live Set List

Live Set List

No 047 048 049 050 051 052 053 054 055

PC 107 108 109 110 111 112 113 114 115

Live Set List

Live Set List

Live Set List

Live Set List

MSB 87 121 121 87 87 87 87 121 121 87 121 121 87 87 87

Rhythm Set List

[EXC 1] [EXC 1] [EXC 1]

[EXC 1] [EXC 1] [EXC 1]

[EXC 1] [EXC 1] [EXC 1]

[EXC 1] [EXC 1] [EXC 1]

[EXC 1] [EXC 1] [EXC 1]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

Rhythm Set List

Brush Kit MSB:086/LSB:0/PC:006

[EXC 1] [EXC 1] [EXC 1]

[EXC 1] [EXC 1] [EXC 1]

[EXC 1] [EXC 1] [EXC 1]

[EXC 1] [EXC 1] [EXC 1]

[EXC 1] [EXC 1] [EXC 1]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

Rhythm Set List

R&B Kit MSB:086/LSB:0/PC:011

[EXC 1] [EXC 1] [EXC 1]

[EXC 1] [EXC 1] [EXC 1]

[EXC 1] [EXC 1] [EXC 1]

[EXC 1] [EXC 1] [EXC 1]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 2] [EXC 2] [EXC 3] [EXC 3]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

[EXC 4] [EXC 4] [EXC 5] [EXC 5]

Rhythm Set List

Rhythm Set List

Rhythm Pattern List

Rhythm Pattern List

04: LOW BOOST

Boost Width Low Gain High Gain Level