Interior Designing

The Interior makes the homes look good and the Designers make it still better.

What is Interior design?

Interior design is the process of shaping the experience of interior space, through the manipulation of spatial volume as well as surface treatment. Not to be confused with interior decoration, interior design draws on aspects of environmental psychology, architecture, product design and furniture design in addition to traditional decoration. An interior designer is a person who is considered a professional in the field of interior design or one who designs interiors as part of their job.

Interior design is a creative practice that analyzes programmatic information, establishes a conceptual direction, refines the design direction, and produces graphic communication and construction documents. In some jurisdictions, interior designers must be licensed to practice. In general, the interior of something refers to the space or part inside of it, excluding any kind of wall or boundary around its outside. It has different, more specific definitions in different contexts.

Interior decoration or d cor is the art of decorating a room so that it is attractive, easy to use, and functions well with the existing architecture. !he goal of interior decoration is

to provide a certain "feel" for the room# it encompasses applying wallpaper, painting walls and other surfaces, choosing furniture and fittings, such as light fixtures, floor plans and providing other decorations for the area such as paintings, sculptures and carpets. Interior decorating is done professionally by certified interior decorators $.I.%. It is considered a design field. An interior decorator is a very important job. !here is a distinct difference between interior decorating and interior design. Interior decorating is generally focused on the interior items of a space, such as furniture, accessories, finishes, and layout. Interior design, on the other hand, involves manipulating the architectural integrity of the interior space. Interior design concerns itself with more than just the visual or ambient enhancement of an interior space, it seeks to optimize and harmonize the uses to which the interior environment will be put. &any factors come into play in formulating the design solution. !here is the space itself''its dimensions and construction''with its potential and its limitations. !here is how the space will be used''for work or leisure, entertainment or worship, healing or learning. !here is the meaning of the space, what it signifies''be it power, authority, security, wisdom, achievement, playfulness or serenity. !here are practical considerations, like ease of access, amount of light, acoustics, seating and places to store or set things down. !here are health and safety considerations, attention to special needs and more. (or more information, see the definition of interior design developed by the National $ouncil for Interior %esign )ualification. Specialization Interior designers can specialize in a particular interior design discipline, such as residential and commercial design, with some developing expertise within a niche design area such as hospitality, health care and institutional design. In jurisdictions where the profession is regulated by the government, designers must meet broad *ualifications and

show competency in the entire scope of the profession, not only in a specialty. %esigners may elect to obtain specialist certification offered by private organizations. Interior designers who also possess environmental expertise in design solutions for sustainable construction can receive accreditation in this area by taking the +eadership in ,nergy and ,nvironmental %esign -+,,%. examination. !he specialty areas that involve interior designers are limited only by the imagination and are continually growing and changing. /ith the increase in the aging population, an increased focus has been placed on developing solutions to improve the living environment of the elderly population, which takes into account health and accessibility issues that can affect the design. Awareness of the ability of interior spaces to create positive changes in people0s lives is increasing, so interior design is also becoming relevant to this type of advocacy.

Design Career and Job Highlights

1ne of the chief benefits of being a designer is that a very large number, almost one third, of all designers are self'employed. !hat is almost five times the percentage of self' employed people in other fields. Also, many people are attracted to designing because of the high level of creativity it demands. 2enerally to be a designer you need at least a bachelor3s degree and a master3s degree will be advantageous. !he industry is showing signs of growth, but there is still very high competition for most projects, as there are many extremely talented and creative designers. !he %esign professions, %esigners are innately creative people. !hey then make use of their creativity, artistry, and knowledge of practical skills to turn their creative vision into plans for our /ebsites, clothes, advertisements, cars, media, and surroundings. 4ince designers are needed in so many industries they usually generalize, focusing on one specialized area like interior design, cars, company logos, newspapers, clothing, theatre sets, merchandise displays, medical e*uipment, or many others. !o be a good designer you have to take three things into account5 6. /hat your client needs and has the resources for, 7. !he primary function of the design, and 8. 9ow it will appeal to customers. 1ften the first step is solid research of the preferred design

characteristics like cost, safety issues, availability of materials, size, etc.

!he next step is to prepare a preliminary outline, such as a sketch, usually with the aid of a computer. :ou will then share your creative vision with the client or a product development team. Next comes a detailed plan of your design, including very detailed drawings or blueprints, simulations, or a to'scale model. &ore and more designers are using $A% -$omputer'Aided %esign. to increase efficiency, create a better model, and because computers make it easier to explore new possibilities and design permutations. $omputers are becoming more popular because they allow for greater creativity while cutting costs. Industrial designers create designs and instructions that are readable by machines and that give directions to automated production tools using $A%3s sister tool, $AI% -$omputer'Aided Industrial %esign.. &any designers are also involved in the business aspects of their job, not jut the creative. !hey often have assistants to supervise. Also, many designers own their own business and so they have to be involved in client development, networking, finding and renting space, ordering materials, reviewing industry publications, and many other administrative responsibilities. (urthermore, as technology in computers and communication advances, designers need to continually work to stay up'to'date and competitive. !his is especially true for those designers involved in industrial or graphic design. $omputers have allowed for great advancements in the design industry. Advanced communications networks have increased the opportunities that were previously limited by geography. %esigners can form international firms or taskforces and can work for clients all over the world. !he Internet has increased the availability of

information, making research easier and better, and designers have a much larger pool of supplies. !his makes the logistics of being a self'employed designer much easier, as well.

Types of Designers
!here are many types of designers who work in a wide range of industries. 4ome designers generalize and work in many different fields, while others concentrate on one specialty. Commercial Ind!strial Design !his area helps develop manufactured products, such has automobiles, airplanes, computers, kitchen appliances, medical e*uipment, automobile interiors, office materials, etc. In addition to their creativity and artistry, a successful commercial designer has to be able to assess the needs of user and have a working knowledge of marketing and means of production. All of these skills are necessary to create an effective, appealing product. $ommercial and industrial designers tend to specialize in an area like home appliances or recreational e*uipment. "ashion Design !his deals with designing apparel. &any are self'employed in the form of clothing labels, and many work for personal clients. 1thers work for particular bouti*ues or department stores. !hese fashion designers are very creative and innovative, while others stick to established trends for high'demand items. 9owever, these small, self'employed designers are in the minority. !he majority of fashion designers work for big clothing manufactures, making clothing and accessories for the mass market. "loral Design !his is a very diverse area, with many working in large shops and others working for themselves in very small, specialized shops. All floral designers, however, are involved in arranging all types of flowers into designs. !hey make arrangements based on the customer3s order for all occasions, from wedding bou*uets to holiday wreaths, from tabletop gardens to large terrariums. Aside from the artistic side of floral design, designers also have to be competent in assessing the customer3s needs, the type of

occasion, the availability and cost of flowers according to season, materials of imitation flowers, and issues of time and delivery to make sure the flowers look their best. Also, in small flower shops many designers also have to do their own accounting and arrange supply and delivery, which re*uires business know'how. &any floral designers also grow their own flowers, which expands their responsibilities even further. #raphic Design !his is an extremely large area of design. ;asically, graphic designers resolve communication problems using visual solutions. ;y studying culture, context, and social issues they develop designs that will effectively communicate to meet the needs of their customer. !hey use a number of media, from print to computers to film, and so many graphic designers specialize in one area. 4ome have expertise in visual layout for magazines or computers, others create promotional displays, others design the credits for movies, and others design logos, others design signs for the government. !here are many areas of specialization. $omputers are instrumental in almost all areas of graphic design, however, especially in the ever'growing technological industry5 designing /eb pages and multimedia projects. Interior Design !he perennial goal of interior designers is to combine from and function. !hey improve the *uality of interior spaces by increasing efficiency, safety, and beauty. Interior designers can work on all types of projects, like residential homes, shopping malls, retail stores, hospitals, hotels, theaters, or restaurants. /ith such a wide range of work, most interior designers specialize, for example one designer might focus on businesses while another might focus on residences. &any specialize in even more specific areas, like airplane interiors or kitchens. A successful designer has to take many things into account, like the customer3s preferences, cost of materials, and functional efficiency. Also, there are many federal and local guidelines and building codes. <lus, if designing a public space, it is necessary to ensure that everything is accessible to the disabled and elderly. =eeping all those in mind, a designer then configures the interior structure, such as molding, windows, and built'in fixtures# furnishings, such as furniture and floor coverings# lighting that is economical and pleasing# and accents like rugs and wall' hangings. !hey coordinate colors, styles, and materials to create a visually pleasing and comfortable space. $omputers are extremely useful to interior designers as they allow

for exact and accurate models and also allow for easy adjustments to the whims of customers. $is!al %erchandise Design Also called window'dressing, visual merchandize design is the art of merchandise display. &any designers work for large businesses, arranging merchandise in retail stores or designing window displays. /orking for the interior of retail stores involves dressing manne*uins, creating table displays, arranging props and accents, and organizing clothing placement by color group or style. !o make promotions and styles uniform and to maintain the >look? of a store, most large retail chains employ designers at the corporate level in a central design department. !he designs are distributed to individual stores, and individual managers or regional designers adapt the designs to meet individual needs. Set Design !his area of design makes sets and exhibits for movie and television studios, theatre productions, or special exhibitions in museums or trade'shows. %esigners who work with television or theatre need to study scripts and consult with writers and directors to ensure that their design is in line with their artistic vision. !hey also need to research make sure their design is historically accurate in architectural details and fashion. !hey then provide the models for the actual construction, making sure that it is feasible and functional. %esigners of special exhibitions need to confer with museum curators or trade'show sponsors to make use of the available space, create an effective theme, and control flow of human traffic. Also, if working for a museum a designer may have to consult an art specialist to ensure preservation and security of museum objects.

Working Conditions
%esigners face many pressures in their work. !hey are creative people by nature and so they often don3t have traditional office environments. !hey may work in their own home or in that of their client. !hey often travel to the location of their work, whether it is a showroom, a client3s house, or an office under construction. &any designers do not have fixed incomes but are paid by project, which creates pressures to finish a job *uickly and get new clients. (urther frustrations are caused when designs are rejected or don3t turn

out as planned, and sometimes creativity just doesn3t seem to come. %esigners may work at many different places under many different conditions. &anufactures, large design firms, or corporations usually make for a very stable working environment in terms of regular and reasonable hours in a comfortable office setting. %esigners who work freelance or who work at small firms usually work according to whatever individual contract they have at the time, making adjustments to their client3s need, which makes for a less stable environment. !hey may have uneven working hours, with varying workloads and more evening and weekend hours. %esigners who are self' employed or who work as consultants often work longer hours in a smaller and simpler offices. 9ours and conditions depend not only on the type of firm, but also on the type of designer. Industrial and graphic designers and interior designers generally work *uite regular hours, but may have to work extra hours or weekends to meet the demands of a particular project. 4et and exhibit designers, however, often have much more uneven schedules, working long hours under pressure and having to make *uick adjustments. (ashion designers often operate the same way, having to work very long hours in preparation for a fashion show, or traveling to the site of a show. (loral designers mostly work regular hours in small, agreeable working conditions but large events like wedding may re*uire some extra hours. &erchandise designers may work regular hours in a corporate job, but those who work in actual retail stores often have irregular hours as they do most of their work when customers are out of the store. Also many designers, especially those in interior, merchandise, and fashion design, have to deal with e*uipment transportation, sample books, heavy displays, supervising construction, and many other responsibilities.

&ecoming a Designer
!hough different types of designers re*uire different personalities and skill sets, creativity is common to all designers. It is necessary for designers to seek for beauty and balance and have a sense of the aesthetic. Also, since they spend so much time dealing with customers and complex projects, they have to have good communication skills and analytical thinking that leads to problem'solving. And even though computers have had

such an impact on designing, most designers, especially those in fashion, have some kind of artistic training that enable them to make sketches and plans. !he amount of schooling needed depends on the type of design. 9owever, it is important to keep in mind that schooling isn3t always the deciding factor in getting a job. A sampling of a designer3s work in the form of a portfolio is usually the most important. (ashion designers generally have an associate3s degree or bachelor3s degree from a reputable fashion design college. It is also imperative that a potential fashion designer be conversant in patterns, accessories, trends, fabrics, and the fashion industry as a whole. 4et and exhibit designers usually have @'year degrees as well, and often a &asters in (ine Arts as well. An important credential for set designers is membership in the Anited 4cenic Artists, +ocal B7C. (or floral designers, many people enter the profession by gaining on'the'job experience rather than formal schooling. <rofessionals look for trainees, generally people with at least a high school degree who are eager to learn and very artistic. 9owever, formal schooling is beneficial, especially for people who want to own their own businesses or hold a management position. &any vocational schools offer short -less than a year. courses in floral design. $ommunity colleges and universities often offer associate3s and bachelor3s degrees in horticulture, floral design, ornamental horticulture. Also, to become an accredited floral designer, a potential designer needs to pass an examination given by the American Institute of (loral %esigners. !wo' and three'year programs at professional schools are also offered for many other types of design. %egrees from such programs usually *ualify graduates to become assistants to designers. (our'year programs at colleges and universities supply graduates with a ;achelor of (ine Arts %egree. !hese degrees involve a more rigorous and varied curriculum, involving mechanical drawing, sketching, art history, design principles, and other skills applicable to the various areas of design. &ost designers, especially those who want to work independently, are recommended to find programs that have a strong liberal arts core that will teach business management, marketing, psychology, and art. Also, architectural skills can be very helpful to designers, especially those in interior design. !he National Association of 4chools of Art and %esign offer many design degrees in areas like art, interior design, industrial design, graphic design, and fashion design. !hey accredit over 7DD schools, many of which re*uire at least a year of studying basic design and art before admitting students to the bachelor3s degree program.

Admission to the program may also re*uire a portfolio of samples and sketches. Another professional organization for designers is the (oundation for Interior %esign ,ducation Eesearch. !hey also offer bachelor3s degrees in the areas of architecture, art, and home economics in over 67D schools and programs. !hough most designers have some formal schooling, fledgling designers receive a lot of hands'on experience in the first few years of their career. !his experience is very important for them to gain promotions to positions of more responsibility like chief designer or department head. !hey may even establish their own firm. &any designers, after a few years of experience, work in academia as professors at design schools or universities. &any of these continue to be involved in >fieldwork?, however, as consultants or freelance designers.

Ind!stry and Job '!tlook

As they economy expands, more people are demanding the skills of designers, and analysts anticipate growth for the industry. $ompetition for positions, however, will continue to be fierce, as there are many gifted and competent people who want to be designers. Ingenuity, persistence, and more formal schooling will set apart those who will succeed.

2raphic design has the highest projected growth rate. As more businesses look to the Interned /eb for information and as the entertainment market -including television, video games, movies, and advertisements. expands, there is more and more call for graphic designers. !here is also increasing demand for interior designers, especially for offices, retail stores, homes, and establishments specializing in care for the elderly. (loral design has a relatively high turnover rate due to a lack of advancement opportunities, which leads to

new jobs. !he area of industrial design will continue to grow rapidly as the importance of safety and *uality of products grows. As customers want everything to be cheaper, more comfortable, easier to use, and as technology becomes more important in every field, industrial design is a very important industry. A few areas of design, however, do not show this rapid growth. New jobs for merchandise displayers will come from the natural turnover caused by workers who retire or move to different professions. !he industry of clothing manufacturing is slowing, which means that growth in fashion design is also slowing. And the area of exhibit and set designing is very small, so even though there is a lot of growth there will not be a lot of job openings.

(arnings
!he range of income for industrial and commercial designers was F7G,DDD to FBG,DDD, with the average being about FHD,DDD in architecture, engineering, and other associated industries.

!he range for fashion designers was F77,DDD'66D,DDD, with the average being about FGD,DDD. !he majority of designers earned between F8G,DDD and FIG,DDD. !he range for floral designers was F68,DDD'8D,DDD. !he average was about F7D,DDD. &edian earnings were slightly higher for grocery stores than florists. !he range for graphic designers was F7D,DDD'HG,DDD. !he average was about F8H,DDD, with the majority earning between F7B,DDD and F@C,DDD. ,arnings were slightly higher for those in advertising and specialized design services than those of printing and media publishing services. Annual earnings were shown to have a direct correlation to the level of responsibility by the American Institution of 2raphic Arts. At the top of the chain are graphic designers who have their own firm or a partnership in a firm. !hey earned around FCD,DDD. Ander them

are the creative chiefs of design departments in big corporations or design firms who earned about FBG,DDD. Next are freelance designers who work independently, who earned about FGG,DDD. 4enior designers or supervisors earned about FGD,DDD, while the staff'level designers below them earned about F@D,DDD. !he range for interior designers was F76,DDD'ID,DDD. !he median was F8C,DDD with the majority earning between F7C,DDD and FG8,DDD. ,arnings were very slightly higher for architectural and specialized services, and slightly lower for furniture stores. !he range for merchandise displayers was F6G,DDD'@D,DDD. !he medial was F78,DDD and the majority of professionals made between F6B,DDD and F7C,DDD. !he range for set and exhibit designers was F6B,DDD'H8,DDD. !he median was F8@,DDD and the majority earned between F7G,DD and F@H,DDD. D(SI#) S*(CI+,TI(S %esigners often specialize in one or more specific types of interior design. 4ome designers specialize in only residential or commercial -or, contract. projects, but many designers do both residential and commercial projects of various kinds. -esidential Eesidential interior design focuses on the design, professional design team coordination, planning, budgeting, specifyingJpurchasing and furnishings installation of private homes, including the specialty areas of the kitchen, bath, home theater, home office, and custom product design. Interior projects include new construction, renovation, historic renovation and model homes, with expertise in universal and sustainable design. Commercial Contract $ommercial, sometimes also referred to as contract, design focuses on the design, professional design team coordination, planning, budgeting, specifyingJpurchasing and furnishings installation of interior environments used for commercial, government or educational purposes. &any designers specialize in one or more of the following areas of commercial design.

(ntertainment ,ntertainment design brings together the use of interiors, lighting, sound and other technologies for movies, television, videos, dramatic and musical theater, clubs, concerts, theme parks and industrial projects. "acilities %anagement A facilities manager develops schedules for building upkeep and maintenance, addressing safety and health issues and lighting and acoustics needs. A facilities manager also plans and coordinates office moves or expansions, and serves as project manager during construction or renovation. #o.ernment Instit!tional A government designer is familiar with the very specific needs and re*uirements associated with working with government agencies, such as military bases, federal buildings or government offices. An institutional designer focuses on projects such as child care, educational, religious, correctional and recreational facilities, fire and police stations, courts, embassies, libraries, auditoriums, museums and transportation terminals. Health Care 9ealth care designers create environments for hospitals# clinics# examination rooms# surgical suites# mobile units# hospice care homes# nursing, assisted living or long term care facilities# or any other health care environment. Hospitality -esta!rant 9ospitality design focuses on environments that entertain or host the public, including nightclubs, restaurants, theaters, hotels, city and country clubs, golf facilities, cruise ships and conference facilities. 'ffice

1ffice design focuses on the public and private areas utilized by corporate and professional service firms. -etail Store *lanning Eetail design and store planning concentrate on retail venues, including bouti*ues, department stores, outlets, showrooms, food retailing centers and shopping malls. +**-'+CH(S !he following are not design specialties but rather approaches to design that cut across design specialties. S!stainable Design Also referred to as "green" design or "eco'design," sustainable design is concerned with the environmentalJecological, economic, ethical and social aspects and impacts of design.

/ni.ersal Design An extension of "barrier'free" design, universal design employs products and solutions originally developed for individuals with disabilities to increase ease of use, access,

safety and comfort for all users.

(ligibility for admission of Interior Decorators

%I<+1&A IN IN!,EI1E %,4I2N %uration5 7 :ears ,ligibility5 6Dth <ass -with minimum of GDK marks. Awarding ;ody5 4N%! Aniversity ' &umbai $,E!I(I$A!, $1AE4, IN IN!,EI1E %,4I2N %uration5 6 :ear ,ligibility5 6D L 7 Awarding ;ody5 4tate ;oard of !echnical ,ducation and !raining ' Andhra <radesh %I<+1&A IN IN!,EI1E %,4I2N %uration5 6 :ear ,ligibility5 Anyone with creativity and flair Awarding ;ody5 9A&4!,$9 Institute of (ashion M Interior %esign

What do yo! need to become an Interior Designer?

Ideally, in today0s marketplace, you need flexibility when it comes to visualising how to plan the redesign of any project. If you stick too rigidly with time honoured traditions and refuse to budge, you will find that what you can offer and provide to your customers becomes very limited. :ou also need to be very knowledgeable about products, suppliers, customers and how fast the marketplace moves. In recent years, the design marketplace has become furiously competitive. !here are so many would be designers, home design magazines, !N programmes, %I: stores, design courses, etc, etc that unfortunately when there is such a glut of available products, ideas and information, it narrows the options of uni*ue and innovative ideas because nothing is new. If you are going to choose a career in design, you need to enter into it with a large degree of flexible thinking and some projection of what you think you can offer a highly competitive market, that it hasn0t got already.

Ho0 do yo! choose the right learning co!rse?

!he interior design industry is simply based on current fashion trends so it won0t last as it is defined in the short term. 4hort courses that offer you 0professional *ualifications and your own interior design business in weeks0 are very misleading and are not advised simply because you cannot possibly hope to learn all that you need to know in such a short time. I am still learning after 6G yearsO !he learning is ongoing and if you are doing it properly, you continue to learn over years not weeks or even months because there is always something new to learn especially as the subject relates so much to history and where design originated from.

9owever, short practical courses where you can add to your skills by learning how to make soft furnishings, stencilling, painted furniture, painted fabrics or decorative paint effects are always worthwhile. $ourses that offer *ualifications also need careful consideration too and are not necessarily the best. $urrently, *ualifications to become a designer or run a business as a designer are not necessary or re*uired especially if you have a raw talent and passion for creative design. If you are already good at it, then a *ualification won0t make any difference to your ability as it0s already there. )ualifications suggest that a high standard of learning and workmanship are offered and guaranteed but is it really possible to guarantee someone0s work based on what they have studied on a distance learning course or short practical course. !he answer is no, so don0t be fooled or mislead by the words 0*ualification0. !hey really don0t mean that much. /hichever country you live in, before you enrol on your chosen course, try to research the market a little first to find out what kind of problems, if any, the industry is experiencing. =nowledge is power and it will be of huge benefit to you if you know how the market works before you start up in business. %egree courses are much longer term and better for the more serious career minded but you need to think about how you are going to fit into the marketplace after you have done your degree. :ou also need to weigh up very carefully, how many work options a degree course will offer you after you have graduated. !he A= textile industry has been in decline for years and is still in chaos. :ou need to know what you could offer and expect from working in this industry if you studied a degree in textile design for example. Ideally you would be told the current economic problems and begin your degree on the principle of bringing in new ideas to boost the flagging textile industry. !here are thousands of highly creative people working successfully within the industry without degrees or any other form of training. !hey are naturally artistically talented and creative and have gone on to live their dream. I believe the secret of their success is because they0ve got a uni*ue product or idea, have found a niche and captured their market. !his is exactly the same as I have done and I did not take a degree to achieve it.

If you are embarking on a learning course with the idea of starting a business, you need that course to contain detailed training about running a business -4ee our distance learning course.. /ithout this basic insight into how a business operates, you are effectively wasting your time and money because unless you know how to set up in business, work out costs, plan advertising and promotional materials, study market highs and lows and find customers and trade suppliers, you will not be very successful. It0s all very well becoming an interior designer but turning knowledge into profit re*uires business learning. /hen you re*uest details of any learning course, do make sure that the prospectus answers all your *uestions about what you can expect to gain from enrolling and what opportunities such a course can lead to in the long term. &ake sure all of this is in writing and find out what kind of ongoing support you can expect when the course ends. :ou do have to be realistic in the sense that any course can only teach you the academics, it cannot turn you into a successful business person or celebrated designer overnight. !his is only achievable after several years of becoming established and having many happy customers.

If the market is sat!rated1 does that mean that I 0on2t find 0ork as an Interior Designer?
No, there is always work and opportunity and again it comes back to being flexible. /ith all the !N programmes and home design magazines, people are far more confident at rolling up their sleeves and having a go at redesigning and decorating themselves. !he problem is that the camera lens does not pick up on key important considerations such as room preparation, size and perspective of room, amount of natural light and period and style of house. /ithout considering these vital factors, many people get it terribly wrong and then consult the interior designer or house doctor for advice on

putting it right. 0!he other problem with so many !N lifestyle programmes on renovating, %I: and interior design is that they are very misleading and mostly they are now purely for entertainment value. !his means you cannot take them too seriously. !he expenditure involved in some of the projects shown on !N must run into thousands of dollars plus behind the scenes there are teams of handymen and decorators all working together to get the job done within the time scale. In real life, this just doesn0t happen. ;udgets must be very carefully worked out to the last cent and a lot of time and discussion is involved as well as periodic re'evaluation of the work as it progresses. %on0t believe all you see on the television, it simply doesn0t work like that. In the A=, and as a direct result of these programmes being watched by such a large audience, %I: accidents have rapidly increased resulting in death and serious injury to many people who thought the job looked so easy that they could do it without seeking the help of a professional. It is a very serious issue and part of being a designer re*uires that you recognise work that you can successfully undertake while other work be left to those who are professionally *ualified and insured to carry out such work. &any people enrol on design courses but lose interest and enthusiasm for putting into practice the ideas and training that they have learned. 4ome people find that they are just not cut out to run a business whilst others prefer the stability of a regular paid job. !hen, as with every profession, there are the bad and the good designers. !he bad ones obviously don0t last long while the good ones carry on to reap the rewards of their profession. 4o, although the market is highly competitive and saturated, providing you are prepared to be flexible and diverse, there is room for everybody.

What does the term 3Interior Designer3 mean?

;roadly, it means offering advice and suggestions for colour schemes, room planning, soft furnishing styles, fabrics, sourcing products, decorative design ideas and altering the layout of any room in the home as well as carrying out any practical interior decoration such as paint effects, stencilling, re upholstering furniture or giving a face lift to tired looking furniture. :ou can offer one, some or all of these services and still refer to yourself as an interior designer or popular in America is the term, house doctor. (or myself personally, interior design is about well thought out colour schemes, room planning, period home style, painted walls, hand painted furniture, hand drawn stencil designs and my own painted fabrics and soft furnishing ideas. I don0t like wallpaper or printed fabrics so I don0t include these as part of my service to customers. I have therefore built a speciality interior design business, found a niche and have an endless supply of customers -and students.O

Do I need to be creati.e and artistic to become an Interior Designer?

:es, you do need a certain amount of creative flair and artistic licence. &any people are drawn to the ideal of becoming an interior designer because of it0s glamour image . As I spend a lot of time holding a paintbrush and wearing an apron, I have yet to discover how anyone finds the profession to be glamorousO

What other practical skills do I need to become an Interior Designer?

1n a good learning course you will learn the importance of developing a trained eye for visual detail, how to spot potential, develop creative flair, work with practical problems and build up a library of resources as well as learn about colour, lighting and space and how to use it. All these skills can be easily taught and easily learned plus you can always receive help from our end if you are stuck with a particular problem.

!he other most important skills I believe are vital are large amounts of motivation, enthusiasm, commitment and passion for the subject you are learning about. If you are going to be offering a service and working with the public, you also need good people and communication skills.