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Musical Creativity

Multidisciplinary Research in Theory and Practice

Edited by Irne Delige and Geraint A. Wiggins

Published with the support of the University Foundation of Belgium

V D Psychology Press
1 Taylor & Francis C%up HOVE AND NEW YORK

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Contents

List of List of tables List of contributors Preface

figures

viii xi xii xv 1

Prelude: The spectrum of musical creativity


IRNE DELIGE AND MARC RICHELLE

PART I

Creativity in musicology and philosophy of music 1 Playing God: Creativity, analysis, and aesthetic inclusion
NICHOLAS COOK

7 9 25

2 Layered constraints on the multiple creativities of music


BJRN H. MERKER

3 Musical creativity between symbolic modelling and perceptual constraints: The role of adaptive behaviour and epistemic autonomy
MARK M. REYBROUCK

42

PART II

Creativity in musical listening 4 Analogy: Creative support to elaborate a model of music listening
IRNE DELIGE

61

63 78

5 Hearing musical style: Cognitive and creative problems


MARIO BARONI

vi

Contents

PART III

Creativity in educational settings 6 How different is good? How good is different? The assessment of children's creative musical thinking
MAUD HICKHY AND SCOTT D. LIPSCOMB

95

97 111

7 Understanding children's meaning-making as composers


PAMELA BURNARD

8 Processes and teaching strategies in musical improvisation with children


JOHANNELLATAFURI

134

PART IV

Creativity in musical performance 9 Creativity, originality, and value in music performance


AARON WILLIAMON, SAM THOMPSON, TNIA LISBOA, AND CHARLES WIFFEN

159 161

10 Exploring jazz and classical solo singing performance behaviours: A preliminary step towards understanding performer creativity
JANE DAVIDSON AND ALICECOULAM

181 200

11 Spontaneity and creativity in highly practised performance


ROGER CHAFFIN, ANTHONY F. LEMIEUX, AND COLLEEN CHEN

PART V

Creativity in music therapy 12 Musical creativity in children with cognitive and social impairment
TONY WIGRAM

219 221 238

13 Aesthetics of creativity in clinical improvisation


COLIN LEE

14 Hidden music: An exploration of silence in music and music therapy


J U L I E P. S U T T O N

252

Contents
PART VI

vii

Neuroscientific approaches to musical creativity 15 From music perception to creative performance: Mapping cerebral differences between professional and amateur musicians
MARTIN LOTZE, GABRIELA SCHELER, AND NIELS BIRBAUMER

273

275 290

16 Musical creativity and the human brain


ELVIRA BRATTICO AND MARI TERVANIEMI

17 Beyond global and local theories of musical creativity: Looking for specific indicators of mental activity during music processing
MARTA OLIVETTI BELARDINELLI

322

PART VII

Computer models of creative behaviour 18 Creativity studies and musical interaction


FRANOIS PACHET

345 347

19 Enhancing individual creativity with interactive musical reflexive systems


FRANOIS PACHET

359

20 Putting some (artificial) life into models of musical creativity


PETER M. TODD AND EDUARDO R MIRANDA

376

Postlude: How can we understand creativity in a composer's work?

A Conversation between Irne Delige and Jonathan Harvey Author index Subject index

397 405 417

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