Beruflich Dokumente
Kultur Dokumente
V D Psychology Press
1 Taylor & Francis C%up HOVE AND NEW YORK
Contents
figures
viii xi xii xv 1
PART I
Creativity in musicology and philosophy of music 1 Playing God: Creativity, analysis, and aesthetic inclusion
NICHOLAS COOK
7 9 25
3 Musical creativity between symbolic modelling and perceptual constraints: The role of adaptive behaviour and epistemic autonomy
MARK M. REYBROUCK
42
PART II
Creativity in musical listening 4 Analogy: Creative support to elaborate a model of music listening
IRNE DELIGE
61
63 78
vi
Contents
PART III
Creativity in educational settings 6 How different is good? How good is different? The assessment of children's creative musical thinking
MAUD HICKHY AND SCOTT D. LIPSCOMB
95
97 111
134
PART IV
159 161
10 Exploring jazz and classical solo singing performance behaviours: A preliminary step towards understanding performer creativity
JANE DAVIDSON AND ALICECOULAM
181 200
PART V
Creativity in music therapy 12 Musical creativity in children with cognitive and social impairment
TONY WIGRAM
252
Contents
PART VI
vii
Neuroscientific approaches to musical creativity 15 From music perception to creative performance: Mapping cerebral differences between professional and amateur musicians
MARTIN LOTZE, GABRIELA SCHELER, AND NIELS BIRBAUMER
273
275 290
17 Beyond global and local theories of musical creativity: Looking for specific indicators of mental activity during music processing
MARTA OLIVETTI BELARDINELLI
322
PART VII
345 347
359
376
A Conversation between Irne Delige and Jonathan Harvey Author index Subject index