from

A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by Jos ngel GARCA LANDA (University of Zaragoza, Spain)

EXPERIMENTAL FICTION/ POSTMODERN FICTION

Alber, Jan, Stefan Iversen, Henrik Skov Nielsen and Brian Richardson. "Unnatural Narratives, Unnatural Narratology: Beyond Mimetic Models." Narrative 18.2 (May 2010): 11336.* Alter, Robert. Partial Magic: The Novel as a Self-Conscious Genre. Berkeley: U of California P, 1975. Baetens, Jan. "Critical Fictions: Experiments in Writing from Le Nouveau Roman to the Oulipo." In The Edinburgh Encyclopaedia of Modern Criticism and Theory. Ed. Julian Wolfreys et al. Edinburgh: Edinburgh UP, 2002. 404-10.* Barr, Marleen S. Feminist Fabulation: Space / Postmodern Fiction. Barth, John. "The Literature of Exhaustion." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 19-34.* _____. "The Literature of Exhaustion." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 161-71.* _____. "The Literature of Replenishment." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 419-33.* Berlatsky, Eric L. The Real, The True and the Told: Postmodern Historical Narrative and the Ethics of Representation. Ohio State UP, 2011. "Blogonovela" Wikipedia http://es.wikipedia.org/wiki/Blogonovela 2005-09-15 Bory, Jean-Franois. "Notes." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 287-89.* Butor, Michel. "Le roman comme recherche." 1960. In Butor, Essais sur le roman. Paris: Gallimard, 1992. 7-14. _____. "The Novel as Research." 1970. In The Novel Today; Contemporary Writers on Modern Fiction. Ed. Malcolm Bradbury. 1977. New ed. London: Fontana, 1990. 45-52.

Cazzato, Luigi. "Hard Metafiction and the Return of the Author Subject: The Decline of Postmodernism?" In Postmodern Subjects / Postmodern Texts. Ed. Jane Dowson and Steven Earnshaw. Amsterdam: Rodopi, 1995. 25-41.* Champagne, Roland A. "Semiotic Directions for Modern Fiction." Dispositio 3.7-8 (Spring Summer 1978). Chatman, Seymour. "Narrative Limits: Experimental and Postmodern Fiction." In Chatman, Reading Narrative Fiction. New York: Macmillan, 1993.* (Undermining Conventions; Questioning the Discourse; Attacks on the Discourse by the Story; Filter at Odds with Itself). Collado Rodrguez, Francisco. (U de Zaragoza). "The Experimental Novel in the New Universe of Force: Time, Trauma, and Terror in Foer's and Pynchon's Latest Fiction." In New Perspectives on English Studies. [32nd International Conference of AEDEAN, Nov. 2008]. CD-ROM. Ed. Marian Amengual et al. Palma: U de les Illes Balears, 2009.* D'haen, Theo. "Postmodernism in American Fiction and Art." In Approaching Postmodernism. Ed. Douwe Fokkema and Hans Bertens. Amsterdam: Benjamins, 1986. _____. "Postmodern Fiction: Form and Function." Neophilologus 71 (1987): 144-153. D'haen, Theo, and Hans Bertens, eds. British Postmodern Fiction. (Postmodern studies). Amsterdam: Rodopi, 1993.* Online texts: http://www.unizar.es/departamentos/filologia_inglesa/garciala/p ublicaciones/britishpostmodern.html 2008 Darias Beautell, Eva. "Intertextuality and Postmodern Fiction." Proceedings of the 20th International AEDEAN Conference. Barcelona: Universitat de Barcelona, Facultat de Filologa, 1997. 415-20.* Cortzar, Julio. Teora del tnel. 1947. In Cortzar, Obra crtica I. Ed. Sal Yurkievich. Madrid: Alfaguara, 1994. Couturier, Maurice, ed. Representation and Performace in Postmodern Fiction. Montpellier: Delta, 1983. Crews, Brian. "Anti-Style and the Postmodernist Novel." Revista Alicantina de Estudios Ingleses 9 (November 1996): 41-52.* Culler, Jonathan. "Towards a Theory of Non-Genre Literature." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 255-62.* D'haen, Theo, and Hans Bertens, eds. Postmodern Fiction in Canada. Amsterdam: Rodopi, 1992. _____, eds. British Postmodern Fiction. Amsterdam: Rodopi, 1993.

Dehennin, Elsa. "Subversin de la doxa narrativa en La ciudad ausente (1992) de Ricardo Piglia." In La narracin paradjica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 221-35.* Dickinson, Morris. "Fiction Hot and Kool: Dilemmas of the Experimental Writer." Tri Quarterly 33 (1975). Dipple, Elizabeth. "A Novel Which Is a Machine for Generating Interpretations." In Metafiction. Ed. Mark Currie. London: Longman, 1995. 221-45.* Ditsky, John. "The Man on the Quaker Oats Box: Characteristics of Recent Experimental Fiction." Georgia Review 26 (1972): 297313. Dotras, Ana M. La novela espaola de metaficcin. Madrid: Jcar, 1994. DuPlessis, Rachel Blau. "Breaking the Sentence, Breaking the Sequence." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 472-92.* Eco, Umberto. Opera aperta: forma e indeterminazione nelle poetiche contemporanee. Milano: Bompiani, 1962. 2nd ed. 1967. _____. The Open Work. New York: Hutchinson, 1989. _____. The Open Work. Trans. Anna Cangogni. Cambridge (MA): Harvard UP, 1989. _____. L'uvre ouverte. Paris: Seuil, 1965. (Rpt. Seuil-Points). _____. Obra abierta. Barcelona: Ariel, 1979. 1990. _____. Obra abierta. Barcelona: Planeta, 1984.* Elias, Amy J. "Defining Spatial History in Postmodernist Historical Novels." In Narrative Turns and Minor Genres in Postmodernism. Ed. Theo D'haen and Hans Bertens. (Postmodern Studies 11). Amsterdam: Rodopi, 1995. 105-14.* Enkvist, Inger. "El posmodernismo en Juan Goytisolo estudiado a travs de Todorov y otros crticos." In Contra los mitos y sofismas de las 'teoras literarias' posmodernas. Ed. Jess G. Maestro and Inger Enkvist. Vigo: Editorial Academia del Hispanismo, 2010. 299-16. Faris, Wendy B. "Sheherazade's Children: Magical Realism and Postmodern Fiction." In Magical Realism. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham: Duke UP, 1995. 16390.* Federman, Raymond. "Surfiction: Four propositions in Form of an Introduction." In Federman, Surfiction 5-15. _____. "What are Experimental Novels and Why Are There so Many Left Unread?" In Studies in American Literature: Essays in Honor of Enrique Garca Dez. Ed. Antonia Snchez Macarro.

Valencia: Universitat de Valncia, Facultat de Filologia, 1991. 323-30. _____, ed. Surfiction: Fiction Now and Tomorrow. Chicago: Swallow, 1975. Fletcher, John, and Malcolm Bradbury. "The Introverted Novel." In Modernism. Ed. Malcolm Bradbury and James McFarlane. 1976. Harmondsworth: Penguin, 1991. 394-415.* Fludernik, Monika. "Games with Tellers, Telling and Told." In Fludernik, Towards a 'Natural' Narratology. London: Routledge, 1996. 2001. 269-310.* (Telling and showing, experimental narrative). _____. "New Wine in Old Bottles? Voice, Focalization, and New Writing." New Literary History 32 (2001): 619-638. Fogel, Stanley. "And all the Little Typtopies: Notes on Language Theory in Contemporary Experimental Novel." Modern Fiction Studies 20.2 (Fall 1974): 28-36. Friedman, Ellen G., and Miriam Fuchs, eds. Breaking the Sequence: Women's Experimental Fiction. Princeton: Princeton UP, 1989. Galvn, Fernando. "Textos y cdigos de la metaficcin britnica." Actas del XV Congreso de AEDEAN. Logroo: Colegio Universitario de La Rioja, 1993. 39-55.* _____. "Postmodernismo: las formas de la heterogeneidad." La pgina 2 (1992): 33-48.* _____. "Postmodernismo: Las formas de la heterogeneidad." In Ensayos sobre la metaficcin inglesa. By F. Galvn et al. La Laguna: Universidad de La Laguna., 1994.* Garca Dez, Enrique, y Javier Coy. La novela post-modernista. Madrid: Sociedad General Espaola de Librera, 1986.* Garca Landa, Jos ngel. "'It's Stories Still': La reflexividad en las narraciones de Samuel Beckett." Revista Alicantina de Estudios Ingleses 5 (1992): 57-82.* Online in RUA: Repositorio Digital de la Universidad de Alicante http://hdl.handle.net/10045/5448 2010 _____. "'It's Stories Still: La reflexividad en las narraciones de Samuel Beckett." iPaper at Academia.edu 29 April 2010.* http://unizar.academia.edu/Jos%C3%A9AngelGarc %C3%ADaLanda/Papers/167412/-It-s-Stories-Still---Lareflexividad-en-las-narraciones-de-Samuel-Beckett 2010 _____. "'It's Stories Still': La reflexividad en las narraciones de Samuel Beckett / 'It's Stories Still': Reflexivity in Samuel Beckett's Narrative." Onine PDF at Social Science Research Netork 29 April 2010.*

http://ssrn.com/abstract=1597752 2010 _____. "'Theory of Reflexive Fiction." 1992. Internet edition (2004): http://www.unizar.es/departamentos/filologia_inglesa/garciala/p ublicaciones/reflexive.html 2007-02-01 _____. "Novelas e-pistolares." In Garca Landa, Vanity Fea 31 Jan. 2007. (Hannu Luntiala). http://garciala.blogia.com/2007/013102-novelas-epistolares.php 2007-01-31 Gascuea Gahete, Javier, and Paula Martn Salvn, eds. Figures of Belatedness: Postmodernist Fiction in English. Crdoba: Servicio de Publicaciones de la Universidad de Crdoba, 2006. Gerz, Jochen. "Towards a Language of Doing." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 279-82.* Gil Guerrero, Herminia. "Lo fantstico como transgresin. Postulacin fantstica en los relatos borgianos." In La narracin paradjica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 183-92.* Golda, Agnieszka. "Postmodern Post-Mortem on a Victorian Corpse of How Postmodern Fiction Rewrites the 19th Century." In We, the "Other Victorians": Considering the Heritage of 19thCentury Thought. Ed. Silvia Caporale Bizzini. Alicante: Publicaciones de la Universidad de Alicante, 2003. 149-67.* Gordon, Giles, ed. Beyond the Worlds: Eleven Writers in Search of a New Fiction. 1975. Grabe, Nina. "El Ingenioso Hidalgo Don Quijote de la Mancha (1605/1615) o La paradoja como principio poetolgico." In La narracin paradjica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 12740.* Grabe, Nina, Sabine Lang and Klaus Meyer-Minnemann. "De paradojas y paradojas: De un concepto epistemolgico a un principio narratolgico." In La narracin paradjica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 9-17.* _____, eds. La narracin paradjica: "Normas narrativas" y el principio de la "transgresin." Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006.* Grausam, David. On Endings: American Postmodern Fiction and the Cold War. UP of Virginia, 2011. http://www.upress.virginia.edu/books/grausam.html

Guerard, Albert J. "Notes on the Rhetoric of Anti-Realist Fiction." Tri Quarterly 30 (1974). Gutirrez Carbajo, Francisco. "El intento de la novela multimedia." In Literatura y Multimedia. Ed. J. Romera Castillo et al. Madrid: Visor, 1997. 195-205.* Gutleben, Christian. "Palindromes and Palimpsests: Strategies of Deliberate Self-Contradiction in Postmodern British Fiction." Miscelnea 26 (2002, issued Feb. 2004): 11-20.* http://fyl.unizar.es/miscelanea/miscelanea.html Hallet, Wolfgang. "The Multimodal Novel: The Integration of Modes and Media in Novelistic Narration." In Narratology in the Age of Cross-Disciplinary Narrative Research. Ed. Sandra Heinen and Roy Sommer. Berlin and New York: Walter de Gruyter, 2009. 129-53.* Hayman, D. Re-Forming the Narrative: Towards a Mechanics of Modernist Fiction. Ithaca (NY): Cornell UP, 1987. Heath, Stephen. The Nouveau Roman: A Study in the Practice of Writing. Philadelphia: Temple State UP, 1972. _____. The Nouveau Roman: A Study in the Practice of Writing. London: Elek, 1972. Heise, Ursula K. Chronoschisms: Time, Narrative and Postmodernism. Cambridge: Cambridge UP, 1997.* Herrez, Miguel. La estrategia de la postmodernidad en Eduardo Mendoza. Madrid: Ronsel, 1998. Select. in "Eduardo Mendoza" in Los nuevos nombres: 1975-2000: Primer suplemento. Ed. Jordi Gracia. Vol. 9.1 of Historia y Crtica de la Literatura Espaola. Gen. ed. Francisco Rico. Barcelona: Crtica, 2000. 310-19.* Holloway, Vance R. El posmodernismo y otras tendencias de la novela espaola (1967-1995). Madrid: Fundamentos, 1999. Select. in "Potica posmoderna y novela" in Los nuevos nombres: 1975-2000: Primer suplemento. Ed. Jordi Gracia. Vol. 9.1 of Historia y Crtica de la Literatura Espaola. Gen. ed. Francisco Rico. Barcelona: Crtica, 2000. 259-78.* Holquist, Michael. "Whodunnit and Other Questions: Metaphysical Detective Stories in Post-War Fiction." New Literary History 3.1 (1971): 135-56. Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge and Kegan Paul, 1988.* _____. Potica do Posmodernismo: Historia, Teoria, Ficao. Rio de Janeiro: Imago ed., 1991. _____. Poetika postmodernizma. Serbian trans. Novi Sad: Svetovi, 1996.

_____. The Politics of Postmodernism. 2nd ed. (New Accents). London: Routledge, 2002.* (Available in electronic edition). Iversen, Stefan. "States of Exception: Decoupling, Metarepresentation, and Strange Voices in Narrative Fiction." In Strange Voices in Narrative Fiction. Ed. Per Krogh Hansen et al. Berlin and New York: De Gruyter, 2011. 127-46.* Jarns, Benjamn. "Frente a la novela nueva." Revista de Occidente 146-7 (1993): 228-9. Johnston, John. "Postmodern Theory/Postmodern Fiction." Clio 16.2 (1987): 139-158. Jongeneel, Els. "The Deconstruction of the First-Person Narrator in the French New Novel." In Narrative Unreliability in the Twentieth-Century First-Person Novel. Ed. Elke D'hoker and Gunther Martens. Berlin and New York: Walter de Gruyter, 2008. 303-16.* Joyce, Michael. "Selfish Interaction or Subversive Texts and the Multiple Novel." In Hypertext/Hypermedia Handbook. Ed. Emily Berk and Joseph Devlin. New York: McGrawHill/Intertext, 1991. _____. "Nonce Upon Some Times: Rereading Hypertext Fiction." In Second Thoughts: A Focus on Rereading. Ed. David Galef. Detroit: Wayne State UP, 1998. 321-39.* Juan-Navarro, Santiago. Archival Reflections: Postmodern Fiction of the Americas (Self-reflexivity, Historical Revisionism, Utopia). Cranbury (NJ) and London: Associated Ups, 2000.* (Fuentes, Reed, Cortzar, Doctorow, literature and history). Online in Google Books: http://books.google.es/books?id=0L-pqpz96zEC 2010 Kacandes, Irene. "Are You in the Text? The 'Literary Performative' in Postmodernist Fiction." Text and Performance Quarterly 13 (1993): 139-53. Kawin, Bruce F. The Mind of the Novel: Reflexive Fiction and the Ineffable. Princeton (NJ): Princeton UP, 1982. Kellman, Steven. "The Fiction of Self-Begetting." Modern Language Notes 91 (1976). _____. The Self-Begetting Novel. London: Macmillan, 1980. Kiely, Robert. Reverse Tradition: Postmodern Fictions and the Nineteenth-Century Novel. Cambridge (MA): Harvard UP, 1993. Klinkowitz, Jerome. "Literary Disruptions: Or, What's Become of American Fiction." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 165-80.*

Kolb, David. "Socrates in the Labyrinth." (Experimental writing). In Hyper/Text/Theory. Ed. George P. Landow. Baltimore: Johns Hopkins UP, 1994. 323-44.* Koskimaa, Raine. Digital Literature: From Text to Hypertext and Beyond. (Nabokov, Coover, Calvino, Cortzar, Federman, Sorrentino, etc.). http://www.cc.jyu.fi/~koskimaa/thesis/chapter1.htm _____. "'Close Reading': Hipertextos de ficcin." In Textualidades electrnicas. Ed. Laura Borrs. Barcelona: UOC, 2005. 17792.* Kostelanetz, Richard. "New Fiction in America." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 85-100.* _____. "Twenty-Five Fictional Hypotheses." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 283-86.* Lang, Sabine. "Prolegmenos para una teora de la narracin paradjica." In La narracin paradjica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 21-47.* Llanes, Manuel. "Contra la interpretacin posmoderna de un cuento de Juan Villoro." In Contra los mitos y sofismas de las 'teoras literarias' posmodernas. Ed. Jess G. Maestro and Inger Enkvist. Vigo: Editorial Academia del Hispanismo, 2010. 46176. Mandel, Naomi, and Alain-Philippe Durand, eds. Novels of The Contemporary Extreme. London and New York: Continuum, 2006. Marshall, Brenda K. Teaching the Postmodern: Fiction and Theory. London: Routledge, 1992. Martin, Claude. "Gide et le 'Nouveau Roman'." Entretiens sur Andr Gide. Paris: Mouton, 1967. Martnez Alfaro, Mara Jess. "The Postmodern (sub)Version of Nineteenth-Century Realism: Metafiction and Intertextuality." Stvdivm 5 (1998): 111-21. Mauriac, Claude. L'Alittrature contemporaine. Paris: Albin Michel, 1969. _____. La Aliteratura contempornea. Trans. Ana Cela. Madrid: Guadarrama, 1972. McCaffery, Larry, ed. Postmodern Fiction: A Bio-Bibliographical Guide. Westport, 1986. McHale, Brian. Postmodernist Fiction. London: Methuen, 1987. Meehan, James Richard. The Metanovel: Writing Stories by Computer. Ph.D.diss. Yale U. Ann Arbor: UMI, 1976.

Meyer-Minnemann, Klaus. "Narracin paradjica y ficcin." In La narracin paradjica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 49-71.* Meyer-Minnemann, Klaus, and Daniela Prez y Effinger. "La narracin paradjica en 'Las babas del diablo' y 'Apocalipsis de Solentiname' de Julio Cortzar." In La narracin paradjica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 193-207.* Monterrey, Toms. "El narrador homodiegtico de la metaficcin britnica: tendencias en la transmisin de la interioridad." In XVIII Congreso de AEDEAN (Alcal de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lzaro and Jos A. Gurpegui. Alcal: Servicio de Publicaciones de la Universidad de Alcal, 1997. 483-88.* Montfort, Nick. Twisty Little Passages: An Approach to Interactive Fiction. Cambridge (MA): MIT Press, 2003. Moraru, Christian. Memorious Discourse: Reprise and Representation in Postmodernism. Madison, Teaneck: Fairleigh Dickinson UP, 2005. Motto, A. L., and J. R. Clark. "Intrusion, Obstruction, and the SelfReflexive Narrator in So-called Post-modern Literature." CML (1986): 31-37. Moulthrop, Stuart. "Containing the Multitude: The Problem of Closure in Interactive Fiction." Association for Computers in the Humanities Newsletter 10 (Sumer 1988): 29-46. _____. "Toward a Paradigm for Reading Hypertexts: Making Nothing Happen in Hypermedia Fiction." In Hypertext / Hypermedia Handbook. Ed. Emily Berk and Joseph Devlin. New York: McGraw-Hill/Intertext, 1991. _____. "Reading from the Map: Metonymy and Metaphor in the Fiction of Forking Paths." In Hypermedia and Literary Studies. Ed. Paul Delany and George P. Landow. Cambridge (MA): MIT Press, 1991. Musarra, Ulla "Narrative Discourse in Postmodernist Texts: The Conventions of the Novel and the Multiplication of Narrative Instances." In Exploring Postmodernism . Ed. Matei Calinescu and Douwe Fokkema. Amsterdam: Benjamins, 1987. 1990. Nadeau, Maurice. "Le 'Nouveau roman'." In Nadeau, Le roman franais depuis la guerre. Paris: Gallimard, 1963. 163-80. Nash, Christopher. World-Games: The Tradition of Anti-Realist Revolt. _____. World Postmodern Fiction: A Guide. (= Word Games: The Tradition of Anti-Realist Revolt). Harlow: Longman, 1993.* _____. Deadlocks: The Limits of Anti-Realist Revolt.

_____. "Slaughtering the Subject: Literature's Assault on Narrative." (Experimental writing). In Narrative in Culture. Ed. Christopher Nash. London: Routledge, 1990.* _____ ."Playing Havoc." (Short version of "Slaughtering the Subject."). PN Review 15.4 (1989): 21-4. Navajas, Gonzalo. "Retrica de la novela postmodernista espaola." Siglo XX 4.1-2 (1987): 16-25. _____. Teora y prctica de la novela espaola posmoderna. Barcelona: Edicions del Mall, 1987.* _____. "Una esttica para despus del postmodernismo: La nostalgia asertiva y la reciente novela espaola." Revista de Occidente 143 (1993): 105-30.* _____. Ms all de la postmodernidad: Esttica de la nueva novela y cine espaoles. Barcelona: EUB, 1996. 18-23. Select. in "Potica posmoderna y novela" in Los nuevos nombres: 19752000: Primer suplemento. Ed. Jordi Gracia. Vol. 9.1 of Historia y Crtica de la Literatura Espaola. Gen. ed. Francisco Rico. Barcelona: Crtica, 2000. 259-78.* Neumann, Birgit, and Ansgar Nnning. "Metanarration and Metafiction." In Handbook of Narratology. Ed. Peter Hhn et al. Berlin and New York: Walter de Gruyter, 2009. 204-11.* Newman, Charles. The Post-Modern Aura: The Act of Fiction in an Age of Inflation. Evanston (IL): Northwestern UP, 1985. Noguerol, Francisca. "Microcuento y postmodernidad: Textos nuevos para un final de milenio." Revista Interamericana de Bibliografa (RIB) 1.4 (1996). In Portal Educativo de las Amricas http://www.educoas.org/portal/bdigital/contenido/rib/rib_1996/a rticulo4/index.aspx?culture=es&navid=201 2008 Nouveau Roman: hier, aujourd'hui. Colloque de Cerisy-la-Salle 1971. 2 vols. Paris: UGE, 1972. Oleza, Joan. "Un realismo posmoderno" Insula 589-90 (1996) and "Al filo del milenio: las posibilidades de un nuevo realismo", diablotexto 1 (1994): 79-104. Select. in "Potica posmoderna y novela" in Los nuevos nombres: 1975-2000: Primer suplemento. Ed. Jordi Gracia. Vol. 9.1 of Historia y Crtica de la Literatura Espaola. Gen. ed. Francisco Rico. Barcelona: Crtica, 2000. 259-78.* Onega, Susana. "The British Novel in the 80s: Historiographic Metafiction, The Way Ahead?" XIV Congreso de AEDEAN. Bilbao: Servicio Editorial de la Universidad del Pas Vasco, 1992. 81-96.

_____. "British Historiographic Metafiction in the 1980s." In British Postmodern Fiction. Ed. Theo D'haen and Hans Bertens. Amsterdam: Rodopi, 1993. 47-60. Orr, Leonard. De-structing the Novel: Essays in Applied Postmodern Hermeneutics. Troy (NY): Whitston, 1982.* _____. Problems and Poetics of the Nonaristotelian Novel. Lewisburg (PA): Bucknell UP, 1991. Overaas, Anne Marie. Nivola contra novela. Salamanca, 1993. Page, Ruth, and Bronwen Thomas, eds. New Narratives: Theory and Practice. Lincoln: U of Nebraska P, forthcoming 2009. Paz Gago, Jos M. "Estrategias de la narracin paradjica en el Don Quijote." In La narracin paradjica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 141-54.* Prez Firmat, Gustavo. Idle Fictions: The Hispanic Vanguard Novel, 1926-1934. Durham: Duke UP, 1982. Pinget, Robert. "Pseudo-principes d'esthtique." (Experimental novel). In Nouveau Roman: Hier, aujourd'hui. Paris: UGE, 1972. 2. Presberg, Charles D. "Don Quijote y la paradoja en Occidente." In La narracin paradjica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 75-91.* Pron, Patricio. "Una carta imposible desde un pas inexistente: Copi contra las convenciones narrativas en El uruguayo (1972)." In La narracin paradjica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 209220. (French author, Ps. of Ral Natalio Roque Damonte, Buenos Aires 1939-Paris, 1987). Pykett, Lyn. "A New Way with Words? Jeanette Winterson's Postmodernism." In 'I'm Telling You Stories': Jeanette Winterson and the Politics of Reading. Ed. Helena Grice and Tim Woods. Amsterdam: Rodopi, 1998. 53-60.* Pynsent, Robert. "Contemporary German Fiction: The Dimensions of Experimentation." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 135-62.* Ravichandran. T. Postmodern Identity. Foreword by Christopher Rollason. Jaipur: RBSA Publishers, 2007. (John Barth, Thomas Pynchon and the postmodern). Rettberg, Scott. "Destination Unknown: Experiments in the Network Novel." Ph.D. diss. Cincinnati: Department of English and Comparative Literature, U of Cincinnati, 2003. http://loki.stockston.edu/~rettbers/PDFS/rettbergtd.pdf (discontinued) http://retts.net/documents/rettberg_dissertation.pdf 2010

Ricardou, Jean. Problmes du nouveau roman. Paris: Seuil, 1967. _____. Pour une thorie du nouveau roman. Paris: Seuil, 1971. _____. Le Nouveau Roman. Paris: Seuil, 1973. _____. "Nouveau Roman, Tel Quel." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 101-34.* _____. "Writing Between the Lines." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 263-78.* Richardson, Brian. "Plotting against Probability: Tom Stoppard, Bharati Mukherjee, Angela Carter, and the Structure of Coincidence in Postmodern Narrative." In Richardson, Unlikely Stories: Causality, Ideology, and Interpretation in Modern Narrative. Newark: U of Delaware Press; London: Associated University Presses, 1997. 157-81.* _____. "Narrative Poetics and Postmodern Transgression: Theorizing the Collapse of Time, Voice, and Frame." Narrative 8.1 (2000): 23-42.* _____. "Beyond Story and Discourse: Narrative Time in Postmodern and Nonmimetic Fiction." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 47-63.* _____. "1. Introduction: Transgressing Self and Voice: Contemporary Fiction and the Death of the Narrator." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 1-16.* _____. "5. Three Extreme Forms of Narration and a Note on Postmodern Unreliability." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 79-105.* _____. "8. Conclusion: Voicing the Unspeakable." In Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006. 134-40.* _____. Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction. (Theory and Interpretation of Narrative series). Ohio State UP, 2006.* _____. "Unnatural Voices in Ulysses: Joyce's Postmodern Modes of Narration." In Strange Voices in Narrative Fiction. Ed. Per Krogh Hansen et al. Berlin and New York: De Gruyter, 2011. 253-63.* Robbe-Grillet, Alain. "Une voie pour le roman futur." N.R.F. (July 1956).

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Shklovsky, Viktor. "Sterne's Tristram Shandy: Stylistic Commentary." From Tristram Shendi Sterna i teoriia romana. In Russian Formalist Criticism: Four Essays. Ed. Lee T. Lemon and Marion J. Reis Lincoln: U of Nebraska P, 1965. 25-57.* Simson, Ingrid. "El principio de la paradoja en la literatura latinoamericana: de Jorge Luis Borges a Jorge Volpi." In La narracin paradjica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 10523.* Spanos, William V. "The Detective and the Boundary: Some Notes on the Postmodern Literary Imagination." boundary 2 2.1 (1972): 147-68. _____. "The Detective and the Boundary: Some Notes on the Postmodern Literary Imagination." Rpt. as Ch. 1 of Spanos, Repetitions: The Postmodern Occasion in Literature and Culture. 13-49.* _____. From "The Detective and the Boundary: Some Notes on the Postmodern Literary Imagination." In Postmodernism: A Reader. Ed. Patricia Waugh. London: Routledge, 1992. 79-86.* Spires, Robert. Post-Totalitarian Spanish Fiction. Columbia: U of Missouri P, 1996. Select. in "Potica posmoderna y novela" and "Javier Maras" in Los nuevos nombres: 1975-2000: Primer suplemento. Ed. Jordi Gracia. Vol. 9.1 of Historia y Crtica de la Literatura Espaola. Gen. ed. Francisco Rico. Barcelona: Crtica, 2000. 259-78, 332-47* Stern, Richard. "Inside Narcissus." Yale Review 67 (1978): 404-17. Stevick, Philip. "Scheherezade Runs Out of Plots, Goes on Talking: The King, Puzzled, Listens: An Essay on New Fiction." In The Novel Today: Contemporary Writers on Modern Fiction. Glasgow: Fontana, 1982. 186-216. Stonehill, Brian. The Self-Conscious Novel. Philadelphia: U of Pennsylvania P, 1988. Sukenick, Ronald. "The New Tradition in Fiction." In Surfiction. Ed. Raymond Federman. Chicago: Swallow, 1975. 35-46.* Szegedy-Maszk, Mihly. "Teleology in Postmodern Fiction", in Exploring Postmodernism. Ed. Matei Calinescu and Douwe Fokkema. Amsterdam: Benjamins, 1987. Tani, Stefano. The Doomed Detective: The Contribution of the Detective Novel to Postmodern American and Italian Fiction. Carbondale: Southern Illinois UP, 1984. Thiher, Allen. Words in Reflection: Modern Language Theory and Postmodern Fiction. Chicago: U of Chicago P, 1984. 1987.*

Toolan, Michael. "Electronic Multimodal Narratives and Literary Form." In New Perspectives on Narrative and Multimodality Ed. Ruth Page. London: Routledge, forthcoming 2010. 127-141. Tyras, Georges, ed. Postmodernit et criture narrative dans l'Espagne contemporaine. Grenoble: CERHIUS, 1996. Tyrkk, Jukka. "'Kaleidoscope' Narratives and the Act of Reading." In Theorizing Narrativity. Ed. John Pier and Jos ngel Garca Landa. (Narratologia, 12). Berlin and New York: Walter de Gruyter, 2008. 277-305.* Vauthier, Bndicte. "Del inagotable ingenio combinatorio de Don Fulgencio al mpetu confusionista e 'indefinicionista' de Miguel de Unamuno: de paradojas y paradojas." In La narracin paradjica. Ed. Nina Grabe et al. Madrid: Iberoamericana; Frankfurt a/M: Vervuert Verlag, 2006. 93-104.* Walker, Jill. "Email Narratives." In Walker, jill/txt http://huminf.uib.no/~jill/txt/emailnarratives.html 2005-02-18 _____. "Fiction and Interaction: How Clicking a Mouse Can Make You Part of a Fictional World." Dr.Art. thesis, Dpt. of Humanistic Informatics, U of Bergen, 2003. _____. "How I Was Played by Online Caroline." In First Person: New Media as Story, Performance, and Game. Ed. N. Wardrip-Fruin and P. Harrigan. Cambridge (MA): MIT Press. http://huminf.uib.no/~jill/txt/onlinecaroline.html Walsh, Richard. Novel Arguments: Reading Innovative American Fiction. Cambridge: Cambridge UP, 1995.* Wardrip-Fruin, N., and P. Harrigan, eds. First Person: New Media as Story, Performance, and Game. Cambridge (MA): MIT Press. Waugh, Patricia. Metafiction: The Theory and Practice of SelfConscious Fiction. London: Routledge, 1984.* Wheeler, Kathleen M. "Constructions of Identity in Post-1970 Experimental Fiction." In An Introduction to Contemporary Fiction: International Writing in English since 1970. Ed. Rod Mengham. Cambridge: Polity; Oxford and Malden (MA): Blackwell, 1999. 15-31.* Williams, Raymond L. The Postmodern Novel in Latin America. Houndmills: Macmillan, 1997. Wolf, Werner. sthetische Illusion und Illusionsdurchbrechung in der Erzhlkunst. Tbingen: Niemeyer, 1993.* Ziegfeld, Richard. "Interactive Fiction: A New Literary Genre?" New Literary History 20 (1989): 340-73.

Anthologies: Criticism Currie, Mark, ed. Metafiction. London: Longman, 1995.* Nicol, Bran, ed. Postmodernism and the Contemporary Novel: A Reader Edinburgh. Edinburgh UP, 2002. Anthologies: Fiction Kostelanetz, Richard, ed. Breakthrough Fictioneers: An Anthology. West Glover (VT): Something Else Press, 1973.* McCaffery, Larry, ed. Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Fiction. Durham (NC): Duke UP, 1991. 1994.* McPherson, Bruce R., ed. Likely Stories: A Collection of Untraditional Fiction. New Paltz (NJ): Treacle Press, 1981. Sterling, Bruce, ed. Mirrorshades: The Cyberpunk Anthology. Stevick, Philip, ed. Anti-Story: An Anthology of Experimental Fiction. New York: Free Press, 1971.

Bibliographies Jerz, Dennis J. Interactive Fiction Annotated Bibliography. 2001. http://jerz.setonhill.edu/if/bibliography/all.htm 2006-06-04

Blogs Relatos interactivos (dhan, Madrid). http://erelatos.blogspot.com/ 2008

Internet resources

Center for Digital Storytelling

http://www.storycenter.org/ 2008 Orihuela, Jos Luis. "Recursos sobre hipertextos narrativos y escritura no lineal." In Orihuela, eCuaderno. http://www.ecuaderno.com/hipertexto 2007-05-07 We Tell Stories project http://wetellstories.co.uk/ 2008

Journals Interzone. British SF magazine (metafiction).

Literature Stephenson, Neal. The Diamond Age. SF novel. (On interactive books). _____. La Era del Diamante: Manual ilustrado para jovencitas. Trans. Pedro Jorge Romero. Barcelona, Byblos, 2004.

Societies and institutions "Unnatural Narratology" research group at the Nordisk Institut. (Brian Richardson, Brian McHale, James Phelan, Jakob Lothe, Monika Fludernik, Jan Alber, Rdiger Heinze, Maria Mkel, Pekka Tammi, Rolf Reitan, Henrik Skov Nielsen, Stefan Iversen, Stefan Kjerkegaard, Louise Brix Jacobsen and Rikke Andersen Kraglund). http://nordisk.au.dk/forskning/forskningscentre/nrl/unnatural/ 2010

See also Reflexivity in fiction; Reflexive narrative.