Sunset afier Rain

H.

W. Lkadik, K.A

i#

ROYAL ACADEMY
//

PICTURES
903
illustrating

The Hundred and Thirty-Fifth Exhibition of the Royal Academy

-c

\j

'

CASSELL

AND

COMPANY,

Limited

LUX DON, PARIS. MilV YORK & MELBOURNE

[Periiiissioii

to

Hnpioducr

tlic

riituics and Scul|)turcs

is

liorciii

coiitaiueJ lias boon accnnlpd by

Artists and Owners, and Copyright

in every case strictly reserved.]

(V

1S03

Royal Academy
PART

PicTrRiis. 1903.
I.

THE VIOLETS OF PROVENCE.

H. H.

La Thangue, A.R.A.

A
J.

WHITE QUEEN.
MacWhirter.
By Permission of Ofiuer Riddell, Esq.. D.L., the owner of the Picture.
R.A. The Fine Art Socivty
will

pul^Ush a coloured reproduction.

BRONZE STATUETTE.
Hamo Thornycroft.
R.A.

UJ

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THE BANKS OF THE LOING

Sir

(o'p'o.

Work).

Ernest

A.

Waterlow,

R.A.,

p.R.w.S.

10

EVENSONG.
Claude Hayec.
R.(.

A-;V--^

'

ACROSS TH&
Charlls M.

FERRY.
11

Padday.

MRS.

ERROL GUY TURNER.

R.A,,

Hubert von Herkomer,

C.V.O.

12

"the VICTORY" OFF WALMER CASTLE.

Colin

huntea, A.R.A.

THE POOL
Arnesby Brown, a R
A.

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19

SIR

EDWARD LETCHWORTH.
R.A.

Walter W. Ouless,

20

^->-?'

'V^'^^'
-^^.^^.

JUNE THE
W.
t_

1ST.

1902.

PEACE

PROCLAIMED."

WVLLie, A.R.A,

CRECY
EvflE

IN A

PONTHIEU,
R,A-

26TH AUGUST,
'Abcm

1346.

CnowE,

Iht ilope i/pon uiliich Xoorf (Aa fnjffi* ArFjiy

ma an oW mlndmlll.

TUt

iraa

nfWiad 6

frfiaony (Ao

TA/rd fa survey

f/ia Fititt

of Battlg on the 26th of AuguBl, 1346. "

21

GRISELDA.
"Flower of Wifely Patience."

Chaucer.

Qeorqe W.
22

Joy.

ROUND THE CAMP

Stanhope
A.

FIRE.

Forbes.

A.R.A.

HAUL THE BOAT-A- HEAVE.

Ahihuh
J.

Black.

a
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WINTER QUARTERS.
Root W. Allan
R.W.S.

THE PARTING OF THE WAYS.

Horace h. Cantv.

30

THE REV NEVISON LORAINE AND HIS LURCHER 'SIRDAR."

{i'r^M-ntathn Portrait.

Briton Riviere. R A

31

WHEN THE BOATS

Walter Langlev,
R.i.

ARE AWAY.

32

MRS.

B.
J.

LAZARUS.
Solo.vion. A.R.A.

Solomon

;);t

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33X

X 29

THE ROAD MENDER.

Mahy
y.

Hunter

A^

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V'

L.'^
'./^i
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4.

<

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,.'

,4,

LOWLAND PASTURES.
FflID

HALl_

38

MRS.

MAXWELL AYRTON.

Arthur Hacker, A.RA,

ALAIN

CHARTIN.

E Blair Leighton.

40

.iriK'
Jlfr

^,--^

^'i:^,-^.-'

^tvM

MUSCATS.
W.
J.

MUCKLEV.

A
W.

WARD
A.

IN

CHANCERY.

BREAKSP^ARE.

41

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TINTERN.
Alpred East. A.RA.

9v

Perm

ssior.

of John lancastrr, fsg

J.P'

46

^^^^

LESLIE MELVILLE.
A.R.a.

ESa

Frank Bramley.

48

Nomads.
'^TAMif'TF A. KuRnis.

k.A.

Royal Acadilmy
PART

Picturi-s, 1903.
II.

32 Inches Diamctm

THE MESSAGE.
T.
C.

GOTCH.

[Copyriglit

is

iu every case strictly resoiveii.J

19

PLAYED OUT.
Talbot
Hughes.

THE VILLAGE FARRIER.

EvHE Crowe, A.R.A.

J.

H.

LEVY, ESQ.
J.

Solomon

Solomon. A.R.A.

SI

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67

SCOTCH
J.

FIRS,

ROTHIEMURCHUS.
fly

MacWhirter,

R.A.
Permission of
T.

l^cUan,

Esq.. the

owner of

tlie

Picture.

68

THE
J.

REV.

WM. GUNION RUTHERFORD, LLD.

R.A.

Seymour Lucas,

S9

ONE OF OUR CONQUERORS.

Frank Dicksee.
R.A.
will publish

By Per,nission of Messrs. Thos. Agneui and Sons, who

an important mezzotint o/ the

picture.

60

HILDEGARDE, DAUGHTER OF ERNEST

MEYSEY THOMPSON,
Mary
L.

ESQ.

Waller.

61

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GROUP FROM A CEILING (30x20 FEET OVAL) PAINTED FOR THE LIVERY HALL OF THE DRAPERS' COMPANY, LONDON, THE OIL-COLOUR DESIGN FOR WHICH IS EXHIBITED IN THE ROYAL ACADEMY, UNDER THE TITLE OF "PROSPERO SUMMONING NYMPHS AND DEITIES.'
HERBERT Draper

66

BACK FROM THE

W.
H.

FAIR.

BAHTLETT.

FRfcNCH
Flora m.

POLITICIANS-ROYALIST
Reid.

AND REPUBLICAN.

S3A3a
67

PORTRAIT OF THE ARTIST.

Rudolf Lemmann.

THE EMBROIDERESS
Eyre Crowe. A R.A

THE HUB OF THE EMPIRE

W.
L.

(Water Colour).

WVLliE,

A. R.A.

08

THE MISSES
Daughters of
Charles
M,
Q.

CRISP.
F.

CRISP,

ESQ

Orcharoson.

69

HUGH AND ROWLEY. SONS OF THE HON. HENRY CUBITT, M.P.

W.
R.

SVMONDS.

70

GARTH.
Colin

PERTHSHIRE.

Hunter. A.R.A.

PLAYMATES.
C,

Sims.

71

o CO w O _i
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72

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77

A LOVE

SONG OF DAMASCUS.

Herbert Schmalz.

78

MR.

LEWIS WALLER AS
Collier.
81,

MONSIEUR BEAUCAIRE."
&
Co., Ltd., Pall Mall.

The Hon. John

P^rmhalon of Henry Omi.es

S.W

the owner, 0/ the Picture.

79

HENRY SIMPSON-GEE,
Walter W. Ouless.
R.a.

ESQ.

80

THE TURN OF THE ROAD

Alfred
East,
A. R.A.

THE WHITb
Julius Olsson.
1'

bf^UALL.

81

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85

LOUISE. SARAH.
Ralph Peacock.

AND MARGARET,
H
PAINE.

DAUGHTERS OF C

ESQ.

VICE-ADMIRAL SIR JOHN FISHER,

A.
S.

G.C.B.

Cope. A R

A.

87

THE NIGHTINGALE.
J.

Young hunter.

ATHENS.
EOiTH CORBET.

88

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'//!'''

"OLIVIA."
G.
A.

Storey,

ARA

89

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THE SPRING TIDE OF

LIFE.

(<,r6/o.)

W
94

Robert Colton,

A.R.A.

Bequest) (farchascd by the President and Council under the terms of the Chantreg

BIROS OF A
James Sant, R.A

FEATHER.

^^^'^:''-

HACKLINGE.
James Sani
R.fl.

KENT.

95

THE
G.
F,

PARASITE.
Watts,
R.A,,

0,M.
from a Photograph
b'j

Frederick Hotlyer, the ou/rjer of the Copyright.

96

The Chess
S. MKI.TvtN FlSHKR.

Players.

Royal Academy
PART

Pictiri-s. 1903.
III.

54 Inch:s OiAMETcn

ON THE THRESHOLD OF
Ernest Normand.

LIFE.

[(!c>|jyrii;lil

is

in

every ease

.stii<:(,Iy

rcserveil.l

THE BLUE HUSSAR.

W. Frank Calderon.

9S

--1

"r&i.
HIDING.
John
H.
F.

Bacon. A.RA.

99

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100

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mmm

^^=^

.ROSA

ROSAMOND.
Miss
E.

Fortescue Brickdale, A RW.S.

106

UNSOLVED.
TCM MOSTVN.

WINTER AND WET WEATHER.

Arthur Mcaoe.

107

WATER
C.

BABIES.

Sims

A CHECK.
FOANk
p.

FreyBUBQ.

108

COLIN AND WILFRED

Arthur
T.

NOWELL

Nowelu

109

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THE CHILD OF THE SEA IN COPPER AND ENAMEL

H.

PHANTASY

VON HlRKOMtR.

R.A.,

C-V.O.

"the shortening WINTERS DAY

J03CPM Farquharsom. A.B.A.

IS

NEAR A CLOSE."
i
Rttd. Art Ftiblisktri. Crisis

Bs pemiissAui o/ Besvs. frvsl

and

CUflcil. the otcntr

'

pubiishing at Engraoiig of important size.

116

THE EARL CAWDOR.

Walter W. Ouless, R
A,
(^Presentation Portrait.)

H"

117

THE HAYMAKERS.
George Clausen,
A.R.A.

US

THE MASTERS GARDEN,

James Sant,
R.A.

ST.

CROSS.

WINCHESTER.

3^."

a
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120

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123

WALES.
'

BEFORE THE CAVE OF BELARiUS: ENTER IMOGEN IN BOYS CLOTHES.

Ho
t

who's hprc

?
civil,

If

anything that's

speak;

if

savage,

Take or Itnd.
Best
ilrauf

Ho! no answer 7
,

Then

I'll

enter.

my aworj

^j
me.

if

mine enemy
scarcely look on't.

But fear the sword

lika

he'll

Such a foe, good heavens

!" -Ciimbeline.
R.A.

George

H.

Boughton.

12-4

AND A LITTLE CHILD SHALL LEAD THEM.

Wright Bahker,
R.B.A.

SONS OF THE
Lucy
E.

CITY.

Kemp Welch, R.B.A

rjs

18'^

Inches

COUNTRY GIRL
J.

(W,.r(./, ).

"
A.

PRAYER

"

(Relief-Marble).

William

McLean.

BCRTFJAM PECRAM.

IN

THE SILENT NORTH

B>j

^tchhuj).

HCROCRT DlCKSEC
i.)f

Permission of

Aft'jsf*.

Mawson, Swan, mid Morgan, Niwcastle'On-Tifnc,

ptibliihcrs of the large Etching.

MRS. ANSELL.
J. J.

Shannon,

A.R.A.

127

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132

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133

THE WATERING
Eyre Crowe, A R a

PLACE.

A KITCHEN
Eyre Crowe.

GARDEN.

A.R.A.

134

REMORSE.
Henrv h Armstead,
R.A.

{Purclmseo by Ihc President and Council under Ihr terms of the diantrey Brqueat)

i:i5

THE HON.
The Late
H.

MRS. SIDNEY SMITH.

T.

Wells,

R.A.

136

Flora and Zephyr

Artmik
T. Nowki.i..

THE STANDARD BEARER.

J,

Seymour Lucas, RA.

139

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142

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113

THE ORWELL FROM WOOLVERSTONE

David

PARK,

SUFFOLK.

Muhhav, A.R.A.

THE PEAKS OF EVISA

J.
l_

WINTERS

FIRST

CARESS.

PiCKERlNa

144

SIR

FREDERICK FALKINER, K

C.

(fcoorder cf DuUh,).

The Late Walter Osborne. R.ha

US

RIVER
David

BLOSSOMS.
A,RA.

Murhav,

YOUTH.
C.

Napier

Hemy

A,R,A.

By Ptrmission of Messrs. Frost and Reed. Art Publishers, of

Bristol

and

Clifton, the

owners of the Copyright, who

are publishing an Engraving of important size.

146

i^
MISS OLIVE HOOD.
George h
Bouqhton,
R.A.

H7

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149

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150

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152

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THE CHILDRENS HOUR.

ISAAC Snowman. Copyright by Landeker and Brown, Worship Street, London, E.C., who are publishing a large Engrailing.

A
E.

LOVE STORY.
Phillips

Fox.

154

MRS.

BARCLAY PEAT.
Olivier,

Hehbert a

16S

MRS.
Frank

C.
O.

C.

GREENWOOD AND DAUGHTER.

Salisbury.

IN THE VALLEY BENEATH WHERE WHITE AND WIDE, AND WASHED BY THE MORNING'S WATER-GOLD. FLORENCE LAY OUT ON THE MOUNTAIN SIDE.'
R.

Browning.

Walter OoNNe.
1

i;fi

VIVIEN

OF

E.

AND GLADYS, DAUGHTERS R. MERTON, ESQ.

Llewellyn.

K'

167

THE GLEANERS.
Edward
Stott.

158

THE SLINGER
Basil

{Bronze).

THE BUTTERFLY.
Frank M. Taubman.

Gotto.

HOMEWARDS
M.

WHITTAKER

REVILLC.

159

Q <

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160

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162

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164

<
Ul

I6.S

THE LATE PRINCE CHRISTIAN VICTOR-PORTRAIT STUDY FOR BRONZE STATUE FOR WINDSOR.
W. GoscoMBE John,
166
a.r,a.

THE WISH TOWER. EASTBOURNE.

Javes Sant,
R.A.

MILKING TIME
Eyri Chowc, A.R.A.
Iii7

HIS

MAJESTY THE
A. R,A.

KING.

Alfred Drurv.

168

THE SURRENDER OF CAPUA, 210 PASSING ROUND THE POISONED

Thomas
R.

B.C.:

CUP.

Spekce.

INDEX.
Title of

Work.

Nn.

in

Catjdogiie.

Allan, Robt. W.. R.W.S. Ari'LKYAKD, Feed lf..\. Aemsteaii, ir. H aujionieu, .1., h.i.
.

Winter Qiiarturs
St, Cei-ilui
.

Remorse

{Mnrlile)

......
.'<uuli glit

A
A

Herefordshire Cominou ((iolilen

Bacon, John H.

F.,

A.U.A.

Edwiird T. Ciimovii, .\nliur

Hidiiif; RnniuiicL'

Baekkk. WmcHiT, K.B.A. Baetlett, W. H. Bayes, Gilueet

Black. Authur .1. BorOIITOX, liEOKOE
.

And

......
child shall li'ad
.
.

it

little

them "
"
.

B.ii'k

from the Fair

The

Fomitiiiu of the Zodiac Belt

Haul the B.iat-a-Heave

of S. Sinauer de Stein, Kscj. Before the Cave of Beluriiis Hood Olive Miss S. A. Leslie-Melville, Esq.
(.'hildreii

IF.,

K..V.

Wales

Bbamley, Feank, A.R.A. Beeakspeae. W. A.

.

A Ward
'I'ho

in

Chancery
.

Beiokuale. Miss F,. Fortescue Bhown, Aenesht, A.R.A.

Rosamond
Tool

Between the .Showers The Coming Bay

Brown, H. IIaekis BuNDY, EnuAE, R.I.

Mrs. Charles Cnnnin^jhame-tiraham and Her Son An{us

Two
.

Yeai-s

Old To-day

Caldeeon, W. Feank
Cauty, Horace TI. Clausen, Geoeqe, A.R.A.

Tlie Blue

Hussur

The I'artin;; of the Ways Dusk The Haymakers

.

....

169

nwEx.
Artlt.

Titb of W..rk.
.

Nn.
*

ill

riltdo;*!!!'.

Page

CoLUEP, Hox. John

COLTOW,
Coi>E, A.

Mr. I.cwiw Waller im

Tlif
I'roilit!al
'.

'*

Muimieur Bcnucairc

Diiu;;liter

W.
S.','

U., A.li.A.
A.h'.'a.
.

U. Aiiiisteud, E.ii|.. R.A The Spring' Tide of l.if.' {Miiilitr) Vi<.'f-.\<liiiinil Sir John FiHlier, (j.C.B.
If.
l)aii';l''>-'ra

....
.

l!l(l

,79
.

127

1813 IKSO
a I!)

of Sir AIfie<l liickiiiuu, M.I'.

'.'Clh

COKUKT, KlIITU (Ml!S. M. Cbowe, Eybe, A.H.A.

It.)

.\thuiiH

CrtTV
'I'lic

.......
Augu.st,
l.'iKi

'103 17 94 87
1-23

M)
7H
l!2 .ooa

ill

I'lintlLii'ii,

\'illa^i!

Farrier

'riie l'jnbri)i)k'res.s

The
.\

Waturiiif^ Placo Kitcliun Garden

Milking Time

Da

Costa. .T. DiCKSEK, FUANK. R A. DiCKSKK, IIllimKUT

.

DOI.I.MAX.

..

<'..

H.I.

DOXNE, Waltek
Dhai'EU,

Hehukbt
H
'?

Dkury, Ai.fked, A.K.A.

M East, Alfked, A. I!. A.

Petile Man|uise One of Our Coinjueroi-s In tlie Silent Xortli (l-ilrliiiiij) M^jw*;!! made Leader of the Bandar- loe; Florence: "* In tlie valley beneath where white aud wide," etc. Prosjiero Summoning Xyinphs and Deities The late Sir Win. MaeCorinac, Burt., K.C.B. K.f vo! His Majesty the King
.
,

..... ..... ..... ..... ...... ....... ..... ....

Road

88
21
.50

148
(i83

08
134
1.34

810
384
W.)\
I3:i.i

167
101

00
1-20

772 63
131
I,S48

54 156
..CO,

137
29

Tintorn

The

'i'urn of

In a Berkshire

The
FABQcninsoN, David, A.lt.S, FAnauKARSox, Joseph, A.K.A,
FisHEH,

Ca.stle of

Winter

''The shorteninjj winter's day

........ ..... ..... ........

the

1S03

168

Meadow

Ccuur de Lion (Chateau Gaillard)

219 473 408 761

736
174
32.)
..
t'ffciitff

46
81 102 160

Mask

A Hampshire
.

Village

FisiiEit, S.

Mei.tox

Tile Chess PIayei>

FoRiiKS, Er.izAiiETii Stanhope FoiiUES, Stanhope A., A.I{..\.

a Fine Round the

On

Day

.... ....
is

55
116 18

near a close"

221
3'J4

Camp

Nomads
FoBi>, W. Onslow FO-STEB, (ilLHEUT. U.I5.A. Fox, E. Phillips
.

The Haycart

Eira, Daughter of W. H. Xeale, In the Glow of Autumn

Love Story

Feampton, George, H.A.

Feeybueo, Frank

P.

Chaucer {}[ttrhlt) " So he bringeth them to theii- desired haven Memorial to Sir Walter Besant William .Strang A Check
.

...... ..... .... ...... ......

Fire

VIH
2.58

96 9 23
130

I'ronlin.

Esq

M.D.

001 43
f<7

83
34
1-54
29

372 1710
i7i;o
I7.S3

43 65
140 108

1741

400
405
(.t:ii

Glazebbook, H. he T.
Gl.INDONI, II. (JlLI^RD (Joetze, Skiismunu GoTcn, T. C.
. .

The Lady Ada FitzwilUam

First in the Field

GoTTo, Basil Geibble, B. F.

Vox Humana; "Hear! The Message The Sliuger (Broiizr)

Defiance
Mi-s.

Hackee. Arthuk, A.K.A.

Hall, Feed Hare, St. Georoe, K.I. Hayes, Claude, H.I. Hayes, Edwin, R.H.A.,

O. Ma.xwcll Avrton ' Leaf Drift Mrs. T. (;. Dewey

.
.

Lowland Pastures Miserere Dominc Evensong

..... .... ...... .... ..... ......

X'ature, hear.

etc.

(104

377
LSOl

93 49
159 53
.39

400
36.5

292
8.S

1'20

151

H.I.

Spanish Fishing Fleet

.......
off Sacritift

417
711

38
115
II

Mountiiius

Homeward Bound
Hemy,
C. Xapiee, 'a.R.aV Heekojier, Hubert vox, H.A

Youth
C.V.O.

Mr. Errol (Juy Turner

HiNULEY, G. C. Horsley, Walter HuoHES, Talbot

C.
.

The ('iiild of the Sea {A rhantasy Rembrandt Mrs. Graham

Played ()ut "The Victory"
oft'

.......
in

....
Castle
.

Cupper iUld

695 358 290 89 731 1879

6

26
104 146 12 116 75 162

Huntee, Colin, A.K.A. Huntee, .T. Yotrxo Hunter, Mary Y.

Hurst, Hal,
Joiix, \V.

Walmer

Ciarth, Perthshire Salmon Fishei-s The X'ightiugale

..... .....
Esij.

447 335 479 261 57

5,53

50
13 71

The Koad Mender

Evelyn, Daughter of H. Ciould,

R.T.. H.Ii.A.
.

093 59
101

149 88 38
121
101

Jack, Hiciiard

Woman
.\.I!..\.

Goscombe,

Yellow T. H, Thomas, F.sii., R.C.A. Sir John Williams, Bart.. M.D. Medals
in
.

172S
17-53

17

63
153 and iv. 166

Johnson, C. E., K.I.

JopLixH, Louise Joy, Geobue W.
.

The late Prince Christian Victor The Home of the Red Deer Vnder the (5rt!enwood Tree " Hark Hark The lark at Heaven's
. .
'.

1767 1769 449 382

42
148 112

499
61

Griselda
i;.

" Flower of wifely i)atieuce

'

ICemi'-Welch, L.

The

Village Street Sous of the City

Kenninqton, T. B. Kino, Yeknd, V.P.K.I.

.

The Incoming 'Hde The Waters of Lethe The Home Croft The Bailiff's Daughter

Knowles, G. Siiebidan, K.I

Lanqley. Wai.ter, H.I. LaThajjoue. H. H., A.K.A.

' Far from court and free from care "

.... ..... ....

. . . . . .

283 98
3.56
287

04 125 164

56 90
138

718 454

62
32 3
.52
I '28

When

the Boats are aw.a)'

The Violets of Proveuce Mowing Bracken

A Proven9al

At a Provenval Spi-iiig Winter

..... .... ....

170

690
.541

324
.528

133

150

'

INDEX.
Artist. Title of

Work.
liills

Leadee,

15.

\V.,

R.A.

" Southward from Surrey's pleasant Sunset after Rain

A Comiujj
A
Lehmaxn, Rudolf
Leiguton, E. BL4IE Lkslie. G. D.. R.A.
.

Stonii

Bireli-clad Hill and Sliallow .Stream I'ortrait of the Artist Alain Cliartier

The

Lily

Pond

Llewellyn, W. LoGSDAiL, William LoMAx, John A. LOUDAN, MOUAT Lucas, J. Seymour, R.A.
.

Vivien and (iladys, Dauj,'htcrs

Sir Edward and Lady Hill at Taonnina Tlte Bitterness of Dawn "Alas that Spring sliouKl vanish with the rose " " God rest ve, inerrie gentlemen, let nothing you dismav (Jiniion Rutherford. D.I). Rev.
I

*..,.... ........ ...... ........ ......

" *
.

No. in Cutalutiue.

cif

K. R. Mertou, Esq.

Wm.

E. H. Dunning, Esq., J.P.

Lucas, Makle Seymouk Lucohesi, a. C.

.

The Staud.ird Bearer The Right Hon. St. .John Brodrick, I'.C. May, Daughter of Compton Domvile, Esq. " And tlie women cut Carthage, HI B.C.
1 :

off their

long h

etc.

Macgeeoge, Jessie Mackennal, Bertram

The Nun The Truthseeker

MacWhihtee, John,
McLean, Wm. J. Meade, Arthur jroROAS, Feed
MosTYx,

K,.V,

White Queen

Scotch Firs, Rothiemurchus

The Rugged

Hills of

A
. .

Comitry Girl (.Uai-li/r) W^inter and Wet Weather Hunt the ,SUi)per
Unsolved
.

Tom

MoTTRAM, Charles S. MUCKLEY. W. J. Murray, David, A R.A.

Seine Boats,

Muscats June t In the Country of Const.ahle Tlie Orwell from Woolverstone Park, Suffolk River Blossoms
.

....... ....... ......

St.

.... .... .... ......

Skye

... ...

Ives

Nightingale, L. C.

'"Twixt spring and

Xoemand, Eenest XowELL, Arthur T.

Olivier, Herbert A. Olssox, Julius
.

On

snuitner the Threshold of Life

Flora and Zephyr Colin and Wilfred Nowell

.... ..... ....

K.C. (Recorder of Dublin)

"

Mrs. Barclav Peat The White Squall

Orchardson, C. M. Q. Osborne, The late \V' alter, K.H.A

OuLESs,

The

Walter W.,

R.A,

Miss.'^ ( 'risp Sir Frederick Falkiner, Sir Edward Letehworth

.

Henry Simpson-Gee, Esq The E.arl Cawdor Mrs. E. M. Denny

Padday, Charles M. Paeiox, E nest
Peacock, Ralph
.

.....
...
.

iVeross the Ferrv In the Silent Woods

The Pool
Peoram, a. Bertram Pegeam, H. a.
.

at Twilight

Louise, Sarah, and Margaret, Daughtei-s of C, H.

...... ......
:

P:i

Esq.

Pickering,

J. L.

Prayer Memorial to the late Sir .Tohn Stainer The Peaks of Evisa Winter's tirst Caress

Rae, Henrietta (Mrs. Ernest Noemand)

Reid, Fi.oea M. Reid, J. R., JM. Reville, H. Whittakeu Riviere, Briton, R.A. Riviere, Hugh G.
.

Ladv Winifred Reushaw and Son

The" Sirens

French Politicians Roj-alist and ReiiuhUcan

.

RoxxEE, Henriette,
Salisbury, Frank O. Sant, J., R.A.
.

R.I.

The Home .Sipiailron Homewards The Rev. Xevison Loraine and his Lurcher "Sirda AIe.\. B. W. Keunedv, Esci., F.R.S. The La.ly-hird
. .

..... ... .....

..
'
:

Mrs. C. C. Greenwooil and Daugliter Birds of a Feather Hacklinge, Kent

,

The M.'Lster's Garilc-n St. Cross, Winchester The Wish Tower, Easlhounie
Schloksser, Carl SCUMALZ, HeEIIKET Skanson, J. J A.K.A.
.

Fro7n Italy

liove .Song of

Mrs. Ansi'Il

Snid, C.

Playmates

Snowman, Isaac Solomon, Solomon

SOMERSCALES, T. Spence, T110MA.S R.

Water Bahies The Children's HoinJ.,

.V.R.A.

Mi's.

B.

La/.arus

J. H. Levy, Es,) Homewai'd Bound The Surrender of Capua, 210

...... ....... ...... .....

Damascus.
ii.c.
:

Pas.sing

Round

the Poisonei

spexlove-srenlove, frank
Stokes, ."Voriax Stokes, ^[AEIANXE Storey, G. A., A.R.A.
.

Cup "Unto this last "- -Tlie All Autumn Morning

.

Pilot's Funeral,

Southwold

Profe.s.sor
.

Westlake, K.C
of lOdward

"Olivia" Edward, Son

" Bianca

Stott,

Edwaed
,

n Stuaet, Charles swinstead, g. hillyaed. Symonds, W. K.

Echo The Gleaners

"To

gi-cet

"........ ......... ...,,.

W.
Meyorstein, Esq.

PojipyLiiid

Hugh and Rowley, Sous

The
.

the rising sun" Erica, Daughter of S. James, Esq. of the Hon. II. Cubitt,
.
, ,

....

P.

Taudman, Frank M. Taylee, A. Chevalliee

Butlertly

Benedictio uovi militis

171

IiVDEX.
Aitlst,
Till.;
i.r

Work.

Xo. In

Tennyson-Cole,

V.

Lieut. -T'cjI. f'liffoid Proliyii

li

(Muyor of

VVeHtniiiister)

TiiouNYOKoir. Hamo,
TlTCOMIl, \V. TohT, A.
.

Ui'tiii/(>
,<iii;tll

Stiitueltt!

M(k1l*I of
H1II11,

II

(iron])

II.
.

Y.

'
. .

V.\io

iiolito liiiicn;

"

Mutlier ami Child

ToiiiAM. F. \V. \V., U.I.

Tl'KK. IlKNIlV
S.,

IV'iiitcnt

A.U.A.

Xoomlay Heat Tho Stowttwiiy

Beware

....
o'

Van

Uoitii, IIokacl
.

Waite, Kdward W.
Wai.kku, .Xuriirn G.
W'ai.i.kb,

' Aiitiiinu in her woods

Ilililefjarile,

yellow "

I'aradise Lo-st (J.oiv JUIief, Miiihli)

Mauv

L.

Daughter of Ernest Meysey Thoiujisou

Es(

Warih.k, AirriiUB Sib Watkiii.ow, r.K.W.S.

.

Stalkers

Ernest

U.A
The The The Tho The
Banks of tho Loiug
Earl of Liitriui
Piirasiti!
.

(nijilonia

Work)

Watson, (j. Si-knceu WArrs, (i. I'., H.A., O.M

WEi.iii,
'I'liK

i.ATi:

H. T., H.A,
li.T.

Wktiikuiikk, (tKoi;k, Woi.i.KN, W. B., K.I

Hon. Mrs. .Siduev Smith Music of I'iiio ami liiook (The Duet) Tlie South Lanca.shirfs Slonuiuf; tlie Boer Trouchos
,

at Pieter

sHi

Dkrwent Wyi.i.ik, C. W. Wylltk. W. L., A.H.A.

Woop,
F.
.

Cruwniiif; Eiyuro for a I'uuutain

The Backwater

Stiff

Breeze

,Iuue thc! 1st, V.Wl Peace Proclaimed fho III. I) of tlw Kuiiiirc Peace Driving' Away the Horrors of War

Yeami-s,

W.

I'.,

A.U.A.

Tlic Clo-c of

Uav

PREFACE.
For the sixteenth time Royal Acapemv Picturks makes its annual appearance, and for the sixteenth time a few words are called for in which to draw attention to its object, and to comment There in a few brief sentences on the art achievement of the year, which in a measure it reflects. is here, of course, no pretence at completeness, for an exhaustive reproduction of the Academy This work, it should be explained, Exhibition would be neither possible, nor desirable, nor edifying. docs not even claim to include c[uite all of the best pictures, because in the ca.se of a few artists the copyright has already passed from their hands, and conunercial considerations, prejudice on the part of owners, or forget fulness on the part of painters, prevent their works from being included, and so enjoyed in the homes where they would bo welcomed in homes of London, of Great Hritain, and throughout the Empire. But the great majority of the most ini]iortant works in painting and in sculpture are to be found in the following pages the works of Academicians, of leading " outsiders," and of promising young artists who have sprung lately into notice. Within the covers of this volume, therefore, may be seen a fair representation of the Art of England in two of its chief sections,

during the period that has elapsed since tlie last issue. The Art of England. For the present-day art of Scotland (save that of Scotchmen residing in England) is to be seen but sparsely practically not at all on the walls of the Royal Academy. Thfs is a matter much to be regretted, for whether or not it be true (the question need not be discussed here) that the Scottish painters do not come up to the English Academy standard or view of what is right and sound painting, the fact remains that what would be to the public a refreshing and interesting scliool of recruits to Burlington House are as a body absent from the exhibition and, as Besides Sir George Rcid, worthily rc])reseutcd, to the majority, unknown to the English public. water-colour, not a single one of the band who have niade contributes a Cameron, who and Mr. D. Y. the Scottish school famous abroad and welcome at every Salon and every international exhibition on the Continent is to be seen in the present Royal Academy exhibition, the names of .Io.sc})h Crawhall, James Paterson, E. A. Walton, George Henry, A. K. Brown, Millie Dow, JIacaulay Stevenson, Alexander Roche, Robert Noble, Harrington :Mann,^Tohn Lavery, William Hole, J. E. Christie, E. A. Horncl, and Sir James (iuthrie I take them at random are every one absent while tlicir comMessrs. Peter (iraliam, MacWhirter, patriots of an older, and as they believe a more thorough school Orchardson, Macbeth, Farquharson, Murray, and Hunter are all in the Aca<lemy, and yet iiave not succeeded in persuading their colleagues to extend hospitality to their brethren of the North and introduce novelty, even tliough accompanied by occasional eccentricity, to a curious and Till then it. will be believed that the motto, " Art speaks the language of all the interested public. world," is no longer true, but that art has come to speak in /)rt^;i.s and in dialects, and that the Scottish It is voice and Scottish accent are no longer likcil and should be no longer heard by Southern ears. a pity, for the.se pages would otherwise be enlivened by a series of vigorous paintings which are now

reserved for other exhibitions. In portraiture, subject pictin-es, landscapes, seaP>ut neither has the Engli.sh school stood still. paintings, in all sections we find works that maintain the general level and, as a matter of fact, raise its usual mark. Tt is true that there are few pictures of such outstanding merit It beyond in iinagination and execution that they divide amongst themselves the attention of the public that love to ap])raise the Academy l)y its sensations, and to measure its success by the crowds that gather and ])ush around individual pictures. The year is one in which the inqiroved level of general execution allows of a truer judgment and of a fairer estimate and examination of the whole: and tho.se who can a])i)reciate the ipiality of the work, realising how nuich more important a question this is than that of annisement-at-tirst-sight," will pass through the galleries, or turn the leaves of this
rec'ord,

with satisfactiim.
;

many, perhaps the subjects dn not stir us with their laucy. their sensation, y did .some years ago: but that is the fashion of the day. The word has long literary," and that to be gone round and has been connnittcd to memory, that a subject is The whole theory has been literary in painting is to lark taste and proper artistic perception. misunderstood, partly l)v ]>ainters and gn^atly by educated collectors, who no longer ask for moving And subjects for fear of betraying an inditVercnce to" " values " and an unappreciation of "tones." write, it lias been announced that several of the most attractive "subjects" in the yet^ even as Academy have found ])urchascrs after all. So that there is hope for those wlio would exercise their imaginations in the thoughts and deeds they woidd put on canvas, as well as in tlie composition, arrangement, handling, and technique which the critic who is also amateur painter is
Tlio "ideas" arc not
their Inininiir, as tin
i

forever preaching.

NOTES.

As we pass round the Royal Academy to-day we find portraits, fine in character, expressive and natural in pose, lifelike in renderinLf, scholarly and skilful in modelling and colouring,', which are not unworthy of the reputation of the Mritish |>aiiiit'i-, cm n ili()nL,di in the ag<(reijatc tlioy are
not this year so striking,' as last. We have landscapis Ashich may otler few surprises, wl wiiicj) rcHoft with hrcadlh and tenderness the love in the lirilish soul for ever}- aspect and humour of nature. Three artists all "outsiders" have made their mark in the record of the year: Mr. Adrian Stokes, with a fresh and modern rc|)rescntation, e.\()uisitely felt (in tempera, hy the way), of landscape in Al])ine hcif^hts: Jlr. David Fanpdiarsou, with one of the best and most subtle snow pictures that have ever graced the walls of the Academy; and Mr. Aumonier with a masterlv rendering of fiat Knglish land, with singidar .sense of breadth and, as it were, of gentle force. 'I'here is no need to speak in any detail of the sidjject ])ietures, the marines, the animal ])ictures, save generally to say that in tcclmi(!al quality they show in the aggregate a higher degree of subtlety and of executive ability. As usual, bad pictures disfigure the walls; they arc not wholly ab.scnt from these pages, but their proportion is happily lower than in the past. The .scidptiu'c, which includes no work of great size or importance, is also to be appraised most for the qualities of delicacy, good drawing, and subtle modelling, with little aim at the grandeur and the noble which the marble and the bron/e should inspire. Mr. C'olton's "Spring-Tide of life" but it has suffered somewhat in the carving, seeming to have acquired is an cxciuisite grou]), a curiously Italian savour which the plaster did not po.s.sess. Yet when wc rcfiect what was the (eehnical level of this gallery twenty years ago, and what it is to-day, wc have every reason to congratulate ourselves on the improvement manifested by the A'ounger school. So much the Royal Academy establishes and it clearly proclaitus this year as well its eternal opposition to the swift handling of one section of the modern school

"

no workman, wliat-so-cver ho be, That ni;n' both wei'l<c wel and hastily."
'I'lior

iiis

And

that accotuits for luueli.

M. H. Spielmann.

NOTES.
i\ i'oNfuiiCf, 2G'iii Ai'c^L'ST, i:UG (p. 21). Crovc, A.ll.A. (Title in the 7/// A'/y/r " On catalogue altered to " The Windmill of Crecy," and the cx])lanatory lines August 2()th, 1346, on which day was fought the Battle of Crecy, it is stated that^:

Clificv

official

'Le

roi
'

d'Angleterre
Chroniclt.-s.'

(Etlouard

III)

Frorsyart's

"

qui

se

tenait

pUis

amont

siir

la

ninttr

d'nn

moulin a vent

pour

.avoir

aide.'

It will be doidjtcd if .Mr. Kyre Crowe is right in his mcehaiiical facts. He is right in not giving a movable cap to his windmill, which was not at that time invented by the Duteh, but he should then have made provision for his mill to be floated on water the first device for directing the sails to the direction of the wind or to be turned, as a whole, on a pivot, the German arrangement-. A stone building eoidd not be so treated. At the time of Crecy the lords of the land claimed the winds passing over their borders as their " property," and windmills could only be erceted with their permission, (iiusici.DA (p. 22). (Tide in the official catalogue altered to -Flower Bji George W. Jvi/. o|' Wifely Patience.") Griselda is represented at the time when, at the third brutal "test" of her lord, Walter, AFarquess of Saluzzo, the lady was divorced, ordered to put oft' her royal robes, and sent back to her mother. And finally, in compensation of all these years of mental anguish ravished of her children, and villainously pcr.secuted by her husband "her patience and submission received their full I'cward," which consisted in tlie treatment which was her due at the outset. According to Dryden, the story was invented by Petrarch, who presented it to

lioccaccio, from whom Chaucer had during the great pilgrimage; and it
"

it.

The
that

great

Cockney
I

is

poem which

i)oet wove it into "The Clerk's Tale" Mr. Joy's picture illustrates:
re.store.

And And

hern again your ilothinj;

elie

yonr wedding-ring for evermore."

The

ring expression

is

represented

on

the

victim's

finger;
in

the

roval

trappings
is

are

beside

her; and

the

of sidimission

and resignation

lace

and attitude

Alain Chautikr (p. 40) By E. Bluiv Lrir/Iiton. Margaret of Scotland, Dauphine of France, we are told, one day discovered Alain Chartier, the poet, asleep. Iii the presence of her attendants she stooped and ki.ssed his lips, saying she had kissed not the Tuan. but the mouth " (jui avait prononee de si belles choses" because they had uttered such beautiful things. Marguerite, the first wife of King Louis XI of France, was the daughter of King James I of

well

and

patlietically suggested.

NOTES.

iii

Scotland, and died at the age of twenty-six, having passed a miserable life with the dcTout Dauphin. One of the most notable men at the Court of France was this Alain Chartier. who, although he was not blessed with beauty, was a gi-eat favourite with the Court ladies, b}- reason of his poetry and his ready wit. A touch of drama is added to the scene by the presence of the priest behind, whose quick eye detects the princess's act, and who may be expected to cai-ry the news to unsympathetic quarters. Chartier, who was Archdeacon of Paris, secretary successively to Charles YI and Charles VII, was a considerable tigure in Parliament, and was repeatedly employed as ambassador by his masters. He was dubbed " the father of French eloquence," and was held to be the finest speaker of his time. His " Corial and " Treatise on Hope " are among his best works his verses are not on so high a level The 1st Battalion Sol'th Lancashire Re(;imext Stormixg the Boer Trenches at Pietehs HiLL(/). 45). B;/ W. B. Wollen, R.l. "The Laniashiru Brigade advanced in a wide front, Xorcotfs Iviflemcn aln-ady prolonging their line to the right. The
'
;

South Lancashires Liy on the near slope of the railway bank opposite the nock, looking like heaps of balla.'st shot down at intervals. If a man put hia head above the line the track flew up in dust, the Huor fire wa.s so deadly. But not to be denied, a handful of men here, another there, crept or squinned over, and went each man for his rock or stone on the other side. But liow were they to cross the open and bullet-swept hillside It looked as if the South Lancjishires had halted, pinned to the grouml by the Boer fire. Suddenly, about four o'clock, all further attempts at advancing under cover were given up, and the Lancashire Brigade marched proudly into the open ground and on to the enemy's works. Over the railway poured the South Lanaishires, and with a rush were presently at work with cold steel. And now, in contrast with their former bravery, the burghers lied in all directions. Others held up their hands, their rifles, bandoliers, anything, begging for mercy. Soldiers stooped over, piisoners were made, Eailway Hill was ours. A sudden realisation of victory swept over the field a silence then from afar a faint cheer .another, till it swelled into a roar, and all men knew'that the Battle of Pieter's Uill was won."
;'

Bv THE
("

"W-vrER-s
ii,

OF

Lethe

Paradise Lost,"

583

et seq.):

"...

(/).

5G).

B;i

T.

B.

/v'enviuigfioii. Illustrating

.Milton's

lines

A slow and silent stream, Lethe, the river of oblivion, rolls

Her watery

labyrinth, whereof who drinks. Forthwith his former state and being forgets Forgets both joy and grief, pleasure and pain."

"Prospero Summoning Xymphs and Deities" (pp. GG, 137). By Herbert Draper.The artist's graceful design for the ceiling for the Livery Hall of the Dra])ers' Company deals with " The Tempest," Act IV, Scene I, when Pros])ero entertains Ferdinand and Miranda with an exhibition of his jxjwei-s. The nude tigure, holding a flower aloft, is doubtless intended for Iris she with a bubble is a Naiad and Ceres holds the scythe, accompanied by Juno.
;

' Hear, Nature, hear dear Goddess, hear " (p. 93). The subject of this enough expressed, is Humanity at the feet of Nature appealing for Love. It is intended to sj-mbolise the overwhelming desire within us, whatever the rank, age, sex, or circimistance, for the supreme gift, that " one touch " that proves the kinship of the world in spile of social crosscurrents. The types in the picture explain themselves, and naturally do not claim novelty wc have had them in Mr. Watts's " Court of Death," and in other pictures before that. The' bride
: : :

Vox Humana

allegory, clearly

"flings herself at

Nature's feet (Marriage without Love): the king demands his share; for it the beggar-maid pleads the rich man offers his gold; the musician finds his lute dumb without it; the warrior, whose .shadow is cast across the fair form of Nature, clamours for it: the .judge argues, and the widow still desires it. Only one declines it the Cistercian monk, the type of a system which the artist protests is fjilse in ideal and mischievous in practice. The Prodigal Daughter (yx 103). By ike Hon. John Collier. It has been asked whether in this picture of the daughter proud and defiant, standing with her hand upon the door handle of the room, ^yhelein the worthy old couple stare at her in startled anxiety whether the heroine of the drama is leaving her home or returning to it. The girl has returned, covered with jewels, clad in fine attire, hardened in heart, shameless still in soul. The artist's intention has been to draw a distinction between the Prodigal Son who returns wretched, tattered, and repentant, and the Prodigal Daughter of to-day, whose feuiiuiiie heart, once abandoned and whoU)' corrupt, knows no redemption, but glories in sin, and is conscious only of enjoyment as to the past, and as to the future persistence in the lost path on whicli she has entered. Rosam()NI3 (/). 106). Ihj Eleanor Forfesme liricMale. The fair Rosamond stands apprehensively in the security of her labyrinth at Woodstock, as her lover, Henry II, leaves her, and on the sjiur of his mailed foot as he departs (seen at the bottom of the doorway on the left), carries oH' her red wool which is to give the clue to the revengeful and nun-derous, yet not unjustly indignant, (^>ueen Fleauor. " The (^)ueen,'| we are told, " came to her by a clew of thredde, and so clealt with her that she lived not long after. She was buried at (Jodstow, in a house of nunnes, with these vei-ses upon her tombo
;

"

Ilic jacet in

tumba

Kosji

mundi, non Rosa mundu

Non

redolet, sedidet, (|uio redolere solet.

(Here Rose the Graced, not Rose the Chaste, reposes The scent that rises is no scent of roses)."

So

Dr. Brewer, in his Reader's Handbook, who adds IVnson's conunentary that the frail the King for hir greate bewtye clepcd Kosa a Mounde, that is to say, Rose of the world."

fair

was by

"

iv

NOTES.
"

Bf.nedictio

Novi

Miutis"
imich
I'roin

(/).

111).
viit,'iio

/)//

^'1.

Chevallier
times,

Tayler.

This
still

is

a service
in

(tjje

MossiiiLf of
('liurcli

tlio yoiin^' snldjcr)

in
"

in

ni<'ili;i'V:il

and

is

used

the

C.illiolic^

The

sulijcci is
(/).

taken
li 11

the

I'ontilicale

Fred A'piilri/((r(l. Tlic anL;cl win >" looked at," the saint, is sn|)))osod, aeconlin.i,' to the Icfjend, to have fallen in love with her hy virtue of her music upon the ort,'an she had The artist shows lier wearing,' two of these invented, and each nii^fht hrought her roses from Paradise. As Lon,i,dcllow has it in " The Golden Legend in her hair.
Si\ Ckcilia
11.5).
:

Itouianum."

'

Tliou scom'st to me liko the angel 1'hat biouffht the iimiiiirlal roses To St. Cecilia's brid.il chiinil)ei' "

where her hnshand saw, too, the heavenly visitor, and shared with the saint the crown of niartyrdMui. " WaM'X BEroiiE TiiK Cave ok Belarh's exteu Lmooex in ]5(jv'.s Clothes" ( />. ]>[,. /,'// 'I'liat Ildiif/lilon, R.A. (r. II It is a novel idea to entitle a ])icture with a stage direction to a play. cited belongs, of cotu'se, to the opening of Act III, Scene VI, of " Cynihcline." .and the (luoiaiion deals Imogen is not with lines 24 2(), when Imogen takes refuge in the cave on her way to Milford. generally represented in art in such scanty " boy's clothing." She is usually provided with hosr which were then worn by midtlle-class boys. On the other hanil, soldier's and iieasants wore no hose. " Cautiiaci:, ISC. 149: "And the Women ctt oif their i.oxf; Hair to string the i'low.s /)'// A. a. Lucrhcsi. When Komc, echoing Cato's words, " Di-lnula csl ('(iHIkkjo !" sent their {p. 1.5.S). army under Scipio to destroy utterly the capital of Africa, and so crown the third I'linic War with the disappearance of their faithless rivals, so terrible a siege was laid to the doomed city that out of 'J'he heroism of the defenders 7()(),(H)() iidialiitants only ."lO.OOO survived to the remorseless con(juerors. has never been called in question, and the devotion of the women, here celebral<'d iiy the .'-cidptor, helped to j)rolong rcsistaiK'c. Medae ij). 153). ]h/ W. Goxcombe Julni, A. R.A. The nicdal of Lywelyn ap (Iruftyd commeinorates the last native Prince of Wales. The reverse shows the crest of Snowdon (Lywelyn was Lord of Snowdonia) with a spray of mountain-ash and a singing nightingale, to symbolise " The Land of IV[onntain and Song." The lines <in the obverse are from a IStli century eulou-istic poein to the
.

I'rincc.

The Sirrexder or Capua, -210 rc. I'a.ssing round the IVu.soned Cup {p. lG!t). li;/ Tlmmas R. Sjjencc. After the battle of Canna', Capua had revolted from Komo to Hannibal, and had to stand the siege of its former lords. Hannibal hastened to its relief, but although to divert the besieging army he advanced to the very walls of Rome, the troops outside Capua remained tirmly at their ])osts. Haimibal had to retire and leave Ca]>ua to her fate she fell in 211 i;.r., and lioiiic tmik a terrible revenge for her desertion to the Carthaginian, so terrible that she never recovered her former Ivnowing what was in store for them, many of the senators had banqueted together pros])erity. Then the ]ircvious to the surrender of the city, and afterwards had ])assed round the poisoned cu]). Romans broke in and scourged and beheaded all the senators who, less courageous than the others, still survived only two persons are said to have escaped one a man who had secretly succoured and helped some Roman prisoners, and the other a woman who had prayed for the defeat of the traitors and the foreiLMiurs.

MEDAL.
W. GOSCOMDE John.
A.R.A.

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N 1

Royal Academy illustrated

r68 1903

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