Mahmood Rehearsed Spontaneity and The Conventionality of Ritual Dsiciplines of Salat

Rehearsed Spontaneity and the Conventionality of Ritual: Disciplines of "alt" Author(s): Saba Mahmood Source: American Ethnologist, Vol.
28, No. 4 (Nov., 2001), pp. 827-853 Published by: Wiley on behalf of the American Anthropological Association Stable URL: http://www.jstor.org/stable/3094937 . Accessed: 12/01/2014 11:46
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rehearsedspontaneityand the conventionality of ritual:disciplines of salat
SABA MAHMOOD University of Chicago In the anthropology of ritual, one productive area of debate has focused on how the formal and conventional character of ritualized behavior is linked to, or distinct from, informal, routine, and pragmatic activity. In this article, I engage and extend this debate by analyzing various understandings of the Muslim act of prayer (salat)among a women's piety movement in contemporary Cairo, Egypt. Rather than assume a priori that conventional gestures and behaviors necessarily accomplish the same goals, I inquire into the variable relationships assigned to rule-governed behavior within different conceptions of the self under particular regimes of truth,power, and authority. In the second half of the article, I link my analysis of ritual to issues of embodiment, emotions, and individual autonomy, examining parallel conceptions of salat that coexist in some tension in contemporary Egypt. [ritual, embodiment, emotions, discipline, subject formation, Islam]
One distinguishing feature of ritualaction is its formal and rule-governed character, which anthropologists have often juxtaposed with informal and spontaneous activity. Even among those anthropologists who have disagreed about whether ritual action is a type of human behavior (e.g., Bloch 1975; Douglas 1973; Turner1969) or an aspect of all kinds of human action (e.g., Leach 1964; Moore and Myerhoff 1977), there seems to be consensus that ritual activity is conventional and socially prescribed, a characteristic that sets it apart from mundane activities (Bell 1992).1 This key opposition between formal and informal (or routine) behavior has provided the basis of other conceptual oppositions within theoretical elaborations on ritual, such as stereotypical versus spontaneous action, rehearsed versus authentic emotions, public demeanor versus private self.2 These series of interconnected distinctions are at the center of a productive and fruitfuldialogue among anthropologists concerning the variable ways in which people link conventional or ritualized behavior with informal or mundane activity in different cultural systems. One central concern within anthropological studies of ritual has been the place of emotion in ritual performance (see Bloch 1975; Evans-Pritchard1965; Obeyesekere 1981; Radcliffe-Brown 1964; Rosaldo 1980; Tambiah 1985; Turner1969). Drawing on depth psychology, Victor Turner, for example, argues that ritual action is a means of, and space for, channeling and divesting the antisocial qualities of powerful emotions.3 Stanley Tambiah, on the other hand, in breaking from such an approach, contends that ritual as conventionalized behavior is not meant to "express intentions, emotions, and states of mind of individuals in a direct, spontaneous, and 'natural way.' " Rather,according to Tambiah, ritualdistances individuals from "spontaneous and intentional expressions because spontaneity and intentionality are, or can be,
American Ethnologist28(4):827-853. Copyright? 2001, American Anthropological Association.
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contingent, labile, circumstantial, even incoherent or disordered" (1985:132). Following this line of thought, other anthropologists have suggested that ritual is a space of "conventional" and not "genuine" (i.e., personal or individual) emotions (Kapferer 1979). Notably, despite some obvious differences, these contrasting conceptions of the role emotions play in ritual performance share a view of ritual as socially prescribed and formal behavior and, therefore, opposed to routine and pragmatic action.4 Ritual, in these views, is understood to be the space where individual psychic drives are either channeled into conventional patterns of expression or temporarily suspended so that a conventional social script may be enacted. Common to both these positions is the understandingthat ritualactivity is where emotional spontaneity comes to be controlled. In this article, I would like to engage and extend this conversation, with special attention to how specific organizations of self and authorityarticulatedifferentialrelationships between informal activity and rule-prescribed social behavior (such as ritual). In drawing attention to the conceptual pairs that have informed the study of ritual, my aim is not to dismiss these oppositions, but to show the ways in which these concepts are linked in complicated and variable ways depending on the discursive and practical conditions of authority and variable conceptions of personhood. Thus, my intent here is not to propose yet another definition of ritual but to inquire into the relationships that conventional or formal acts articulate with intentions, spontaneous emotions, and bodily capacities under different contexts of power and truth.5 In doing so, I draw on ethnographic fieldwork I conducted among a women's piety movement based in the mosques of Cairo, Egypt.The primaryfocus of this movement was the teaching and studying of Islamic scriptures, social practices, and forms of bodily comportment considered germane to the cultivation of the ideal virtuous self. As I will show, for the women I worked with, the ritual act of Muslim prayer (salat) did not require the suspension of spontaneous emotion and individual intention, neither was it a space for a cathartic release of unsocialzed or inassimilable elements of the psyche. Rather,in interviews with me, mosque participantsidentified the act of prayer as a key site for purposefully molding their intentions, emotions, and desires in accord with orthodox standards of Islamic piety. As a highly structured performance-one given an extensive elaboration in Islamic doctrine-prayer (salat)was understood by the women I worked with to provide an opportunity for the analysis, assessment, and refinement of the set of ethical capacities entailed in the task of realizing piety in the entirety of one's life, and was not a space conceptually detached from the daily tasks of routine living. I will argue, therefore, that the conscious process by which the mosque participants induced sentiments and desires in themselves, in accordance with a moral-ethical program, simultaneously problematizes the "naturalness" of emotions as well as the "conventionality" of ritual action, calling into question any a priori distinction between formal (conventional) behavior and spontaneous (intentional) conduct. In as much as the women I worked with understood the body as a developable means for realizing the pious self, they took issue with other conceptions of salat prevalent in contemporary Cairo, especially those that treat the body as a signifying medium that stands in no determinate relationship to the self. In my discussion of these differences, I begin with the assumption that the significance of similar kinds of bodily practices even in the same cultural milieu is best apprehended through an analysis of the particularconception of self and authority in which these practices reside. Further,I argue that insofar as conventional and rule-governed behavior cannot be read simply as a social imposition that constrains the self but rather(under certain
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conditions) as the means by which the self is realized, my analysis has implications for how anthropologists might think about the politics of individual freedom. piety and conventionality As part of the Islamic revival (al-Sahwa al-lslamiyya) in Egypt, the women's mosque movement emerged 20 years ago when women started to organize weekly religious lessons-first at their homes and then within mosques-to read the Quran, the hadTth(the sayings and actions of the Prophet Muhammad), and associated exegetical literature.6According to the participants, the women's mosque movement emerged in response to the perception that religious knowledge, as a means to organizing daily conduct, had become increasingly marginalized under modern structures of secular governance. This trend, usually referredto by the movement's participants as secularization ('almana) or westernization (taghrb), is seen to have reduced Islamic knowledge (both as a mode of conduct as well as a set of principles) to an abstract system of beliefs that has no direct bearing on the practicalities of daily living. An important aspect of the mosque movement's critique of Egyptiansociety focuses on the ways in which the understanding and performance of acts of worship (ibadat) have been transformed in the modern period. In interviews with me, the participants argued that ritual acts of worship in the popular imagination have increasingly acquired the status of customs, a kind of "Muslim folklore," undertaken as a form of entertainment or as a means to display a religio-cultural identity. Such an understanding, many of them said, has resulted in a decline of the role of ritual performance as a means to the training and realization of piety in the entirety of one's life, a role they seek to restore through the remedial pedagogy of the mosque lessons. The women's mosque movement, therefore, seeks to preserve those virtues, ethical capacities, and forms of reasoning that the participants perceive to have become unavailable or inaccessible to ordinary Muslims. The practical efforts of the mosque movement are directed at instructing Muslims not only in the proper performance of religious duties and acts of worship but, more importantly,familiarizing them with the exegetical tradition of the Quran and the hadith. Instructionin this tradition, however, is geared less toward inculcating a scholarly knowledge of the texts than toward a practical understanding of how these texts should guide one's conduct in daily affairs. Insofaras the mosque movement aims to make Egyptiansociety more religiously devout within the existing structuresand policies of the state, it is distinct from the stateoriented Islamistpolitical groups that have been the focus of most academic studies of the Islamist movement. Yet the women's mosque movement should not be understood as a withdrawal from sociopolitical engagement in as much as the form of piety it seeks to realize entails the transformationof many aspects of social life in Egypt.7 This is the firsttime in Egyptianhistory that such a large number of women, from a wide variety of socioeconomic backgrounds, has played a central role in the institution of the mosque and Islamic pedagogy, both of which have been male-dominated domains. The women's mosque movement, however, does not aim to reinterpretthe male exegetical tradition from a feminist stance, but is exclusively grounded in the established interpretive tradition of Islam associated with the four schools of Sunni Islamic thought (Hanbali, Shafa'i, Maliki, and Hanafi).8Although most Egyptianwomen have had some measureof trainingin piety, the mosque movement is unique in making a religious discourse that had largely been limited to male institutions of high theology popular among women from a range of socioeconomic backgrounds (Mahmood in press).9It now competes with parallel secular traditions of self-cultivation available to contemporary Egyptians.10
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The forms of piety being taught by the mosque participants should not be seen, however, simply as a recuperation of past traditions.The conditions within which this form of piety is being realized are quite distinct from those previously encountered by women. Whether it is working in mixed-sex offices, riding public transportation,attending coeducational schools, or consuming contemporary forms of mass entertainment, women in Egypthave to deal with a variety of situations that their mothers' and grandmothers' generations did not encounter. As many of the mosque participantsargued, their movement is precisely a response to the problem of living piously under conditions that have become increasingly ruled by a secular rationality. I have explored the paradox such a movement poses to the study of gender and feminist politics elsewhere (Mahmood 2001). My focus in this article is on the role certain forms of conventional behavior and emotional expressions play within the larger disciplinary program pursued by the mosque participants in their cultivation of piety. prayer and pragmatic action The condition of piety was described by the mosque participants I knew as the quality of "being close to God": a manner of being and actingthat suffused all of one's acts, both religious and worldly in character. Although the consummation of a pious deportment entailed a complex ethical disciplinary program,at a fundamental level it required that the individual perform those acts of worship made incumbent upon as well as Islamic virtues (fada' Muslims by God (al-fara'iid), i) and acts of beneficence that secure God's pleasure (al-a'mal al-saliha).1'Examplesof the latter include practicing modesty, fulfilling social and familial obligations, and performing supererogatory prayers. The attitude with which these acts are performed is as importantas their prescribed form: Sincerity (al-ikhlas),humility (khushol),and feelings of virtuous fear and awe (khashya or taqwa), are all emotions by which excellence and virtuosity in piety are measured and marked. Many of the mosque attendees observed to me that although they had always been aware of the basic duties requiredof them as Muslims, it was only their attendance in the mosque groups that provided them with the necessary skillsto be able to achieve excellence and higherlevels of devotion in theirpractice. According to the mosque participantswith whom I spoke, among the minimal requirements critical to the formation of a virtuous Muslim is the act of praying five times a day. The performance of prayer (sing. salat, pl. salawat) is considered to be so centrally important in Islam that whether someone who does not pray regularly can qualify as a Muslim has been a subject of intense debate among theologians.12Salat is an act of prayer the correct execution of which depends on the following elements: (1) an intention to dedicate the prayer to God, (2) a prescribed sequence of gestures and words, (3) a physical condition of purity, and (4) proper attire. While fulfilling these four conditions renders prayer acceptable (maqbol), I was told it is also desirable that salat be performed with all the feelings, concentration, and tenderness of the heart appropriateto when one is in the presence of God-a state called khush'. Although it is understandable that an ideal such as khushouhad to be learned through intense devotion and training, it was surprisingto me that mosque participants considered the desire to pray five times a day (with its minimal conditions of performance) an object of pedagogy. As many of the participantsreported to me, they did not pray diligently and seemed to lack the requisite will to accomplish what was required of them. Because such states of will were not assumed to be natural by the teachers and their followers, women took extra care to teach each other the means by which the desire to pray could be cultivated and strengthened in the course of conducting the sortof routine,mundane actions that occupied most women duringthe day.
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The complicated relationship between the performance of salat and one's daily activities was revealed to me in a conversation with three women, all of whom regularly attended lessons in different mosques of their choice in Cairo. They were part of a small number of women whom I had come to regard as experienced in the cultivation of piety. My measure for coming to such a judgment was none other than the one used by the mosque participants: They not only carried out their religious duties (alfara'id) diligently, but also attested to their faith (iman) by continuously doing good deeds (al-a'mal al-saliha) and practicing virtues (al-fadai'l).As the following exchange makes clear, the women pursued the process of honing and nurturingthe desire to pray through the performance of seemingly unrelated deeds during the day until that desire became a partof their conditions of being. The setting for this conversation was a mosque in downtown Cairo. Because all three of the women work as clerks in the local state bureaucracy in the same building, it was convenient for them to meet in the neighboring mosque in the late afternoons after work on a weekly basis. Their discussions sometimes attracted other women, who had come to the mosque to pray. In this instance, a young woman in her early twenties had been sitting and listening intently, when she suddenly interrupted the discussion to ask a question about one of the five basic prayers required of Muslims, a prayer known as al-fajr. This prayer is performed right after dawn breaks and before sunrise. Many Muslims I know consider it the most demanding and difficult of prayers because it is hard to leave the comfort of sleep to wash and pray and also because the period within which it must be performed is very short. This young woman expressed the difficulty she encountered in performing the task of getting up for the morning prayer and asked the group what she should do about it. Mona, a member of the group who is in her midthirties,turned to the young woman with a concerned expression on her face and asked, "Do you mean to say that you are unable to get up for the morning prayer habitually and consistently?"The girl nodded in agreement. Bearing the same concerned expression on her face, Mona said, "You mean to say that you forbid yourself the reward [sawab] of the morning prayer?This surely is an indication of ghafla on your part?" The young woman looked somewhat perturbed and guilty but persisted and asked, "What does ghafla mean?" Mona replied that it refers to what you do in the day: If your mind is mostly occupied with things that are not related to God, then you are in a state of ghafla (carelessness, negligence). According to Mona, such a condition of negligence results in inability to say the morning prayer. Looking puzzled, the young woman asked, "What do you mean what I do in the day? What does my saying of the prayer [salat] have to do with what I do in the day?" Mona answered: deeds are. For Itmeanswhatyourday-to-day example,whatdo you lookat inthe day? to us by God, such as immodestimagesof Do you look at thingsthatare prohibited women and men?Whatdo you say to people in the day?Do you insultpeople when Howdo you feel when you see someonedoyou get angryand use abusivelanguage? Do act of disobedience an ing [ma'asi]? you get sad?Does it hurtyou when you see a sin or does it notaffectyou?Thesearethe thingsthat have an someone committing or impede[ta'attal] and they hinder effecton yourheart[qalbik], yourabilityto get up and sins disobedience and say the morningprayer.[Theconstant]guarding against Salatis not justwhat you say with yourmouth wakes you up forthe morningprayer. andwhatyou do withyourlimbs.Itis a stateof yourheart.So when you do thingsin a day for God and avoid otherthingsbecause of Him, it means you'rethinkingabout it becomeseasy foryou to striveforHimagainstyourselfand your Him,andtherefore as these issues,you will be able to riseup forthe morning desires.Ifyou correct prayer well.
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Perhaps responding to the young woman's look of concentration, Mona asked her, "What is it that annoys you [bitghfzik] the most in your life?"The young woman answered that her sister fought with her a lot, and this bothered her and made her angry most days. Mona replied: You,forexample,can thinkof Godwhen yoursisterfightswithyou and notfightback with her because He commandsus to controlourangerand be patient.Forif you do but if you arequiet get angry,you knowthatyou will justgathermoresins [dhunub], on accountof God and not in accord then you are beginningto organizeyouraffairs Andthen you will realizethatyoursisterwill losethe ability with yourtemperament. of God.Youwill beto makeyou angry,andyou will become moredesirous[raghiba] easitwill also makeyourdailyaffairs prayer, gin to noticethat ifyou saythe morning will hard. if it make them don't and ier, pray you Mona looked at the young woman who had been listening attentively and asked: The "Do you get angry and upset [tiz'ali] when you don't say your morning prayer?" Mona answered continued: woman yes. young PerformButyou don'tget upsetenoughthatyou don'tmissthe nextmorning prayer. forwhen shouldbe likethe thingsthatyou can't live without: ing the morningprayer you don'teat, or you don'tclean yourhouse,you getthe feelingthatyou mustdo this. Itis this feelingthatI am talkingabout:thereis somethinginsideyou thatmakesyou withyourto pray.Andyou'reangry wantto prayandgetsyou up earlyinthe morning self when you don'tdo thisor failto do this. The young woman looked on and listened, not saying much. At this point, we moved back to our previous discussion, and the young woman stayed with us until the end. The answer that Mona provided to this young woman is not a customary answer, such as invoking the fear of God's retributionfor habitually failing to perform one's daily prayers. Mona's response reflects the sophistication and elaboration of someone who has spent considerable time and effort in familiarizing herself with an Islamic interpretive tradition of moral discipline. I would like to draw attention here to the economy of discipline at work in Mona's advice to the young woman, particularlythe ways in which ordinary tasks in daily life are made to attach to the performance of consummate worship. Notably, when Mona links the ability to pray to the vigilance with which one conducts the practical chores of daily living, all mundane activitieslike getting angry with one's sister, the things one hears and looks at, the way one speaks-become a place for securing and honing particular moral capacities. As is evident from the preceding discussion, the issue of punctuality clearly entails more than the simple use of an alarm clock: it encompasses an entire attitudeone cultivates in order to create the desire to pray. Of significance is the fact that Mona does not assume that the desire to pray is natural, but that it must be created through a set of disciplinary acts. These include the effort to avoid seeing, hearing, and speaking about things that make faith (iman) weaker and instead engaging in those acts that strengthen the desire for, and the ability to enact, obedience to God's will. The repeated practice of orienting all acts toward securing God's pleasure is a cumulative process the net result of which, on one level, is the ability to pray regularlyand, on another level, the creation of a pious self. This understanding of ritual prayer posits an ineluctable relationship between conventional or rule-governed action and routine and practical conduct. Note that in Mona's formulation, ritual prayer is conjoined and interdependent with pragmatic and utilitarian activities of daily life, actions that must be monitored and honed as conditions for the performance of the ritual itself. Insofar as disciplining mundane
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conduct is integral to the consummation of ritual action, this understanding problematizes the separation that some theorists of ritual have drawn between ritual and pragmatic action (e.g., Bloch 1974; Leach 1964; Turner1976). Forwomen like Mona, the performance of salat is one among a continuum of other practices that serve as the necessary means to the realization of a pious self and are the critical instruments in the teleological program of self-formation. This understanding was echoed in a comment I often heard among the mosque participants to the effect that the act of prayer performed for its own sake, and without adequate regardfor how it contributes to the realization of piety, is "lost power" (quwwa mafqcda). Mona's discussion of ritual prayer problematizes another polarity, central to a number of anthropological discussions of ritual, that between the spontaneous expression of emotion and its theatrical performance. This polarity, found in the work of Evans-Pritchard(1965) and Maurice Bloch (1975) among others, is most succinctly stated by Tambiah in the quote I cite above: "ritualas conventionalized behavior is not designed or meant to express intentions, emotions, and states of mind of individuals in a direct, spontaneous, and 'naturalway"' (1985:132). Demonstration of affect in ritual, according to Tambiah, should not be understood as "a 'free expression of emotions' but a disciplined rehearsal of 'right attitudes' " (1985:134).13 Tambiah's point would seem to capture well certain aspects of Mona's understanding of ritual as a space for the enactment of socially prescribed behaviors, including those involving the expression of affect. Yet such a parceling of spontaneous emotions and disciplined gesture and attitude remains incongruous with other key aspects of the formulation of ritual prayerthat Mona elaborates. As is clear from the example above, in Mona's understanding the enactment of conventional gestures and behaviors devolves on the spontaneous expression of well rehearsed emotions and individual intentions, thereby directing attention to how one learns to express "spontaneously" the "rightattitudes." For women like Mona, ritual (i.e., conventional, formal action) is understood as the space par excellence of making their desires act spontaneously in accord with pious Islamic conventions. Thus, ritual worship, for the women I worked with, was both enacted through, and productive of, intentionality, volitional behavior, and sentiments-precisely those elements that are assumed by Tambiah and others to be bracketed in the performance of ritual. Importantly, in this formulation ritual is not regarded as the theater in which a preformed self enacts a script of social action. Rather,it is one among a number of sites where the self comes to acquire and give expression to its proper form. In addition, insofar as such a view seeks to construct and mold emotions according to a prescribed program of self formation, it also problematizes the notion that ritual is a space of release for natural or physiological emotions (Turner1969)-a point that I explore below in my discussion of the emotion of fear and its role in the performance of prayer.14 Talal Asad, in a significant article on the emergence of the anthropological category of ritual, argues that that it was only at the turn of the 20th century in Western European history that ritual lost its earlier meaning as "a script for regulating practice" (ritual as a manual) and came to be understood primarily as a type of practice, symbolic and communicative in character, and distinct from technical and effective behavior (1993:57-58). Asad links this shift to a number of developments in European history whereby the modern self increasingly came to be interiorized, its outward expressions conceptually detached from an essential core of the privatized self, a site from which authentic emotions were understood to emanate (see also Burke 1997; Hundert 1997; Smith 1997). Building on this argument, Asad analyzes a number of monastic rites from the medieval Christian period understood by the monks who
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practiced them as disciplinary practices "directed at forming and reformingChristian dispositions" (1993:131). As he argues, liturgical practices, among the Cistercian monks he studied, were not simply symbolic and communicative acts, but performances through which the subject's very will, desire, intellect, and body came to acquire a particularform. Indeed, if, as Asad argues, the meaning of ritualcannot be fixed in terms of its formal or conventional character within Europeanhistory, then the question arises: How are scholars to analyze formal and rule-governed behavior so as to understand the radically different roles it plays under different conceptions of self and authority? Thus, rather than assuming a priori that formal behavior necessarily stands in a particular relationship to social authority and the subject's actions, Asad's work encourages the question: What are the variable and varied relations between conventional behavior and the formation of the self under different traditions of discipline and self formation?"5 Asad focuses on medieval Christian understandings of ritual. In what follows I want to analyze two contrasting understandings of ritualbehavior and its relationship to moral action that coexist within contemporary Egypt.My intent is to show that conventional behavior may articulate variable relationships with specific conceptions of the self, not only across different historical registers as Asad's work suggests, but also within the same cultural milieu. In order to explore this point, I will juxtapose Mona's discussion with another understanding of ritual prayer found among many Egyptian Muslims today. As my analysis will demonstrate, beneath these two arguments about the meaning and performance of salat lie very different assumptions about the relationship between the body, in its various gestural and emotive capacities, and the moral self. Thus, my exposition of the mosque participant's understanding of ritual prayer should not be taken to stand in for an "Islamico-cultural"conception of the self that applies to all contemporary EgyptianMuslims. Rather,my analysis is an elucidation of two radically differenteconomies of prayer, with their concomitant matrices of power, truth, and disciplinary practices, which coexist in some tension in Egypt today. economies of discipline
A central aspect of ritual prayer, as understood by most mosque participantsand captured in Mona's discussion above, is that it serves both as a means to pious conduct and an end. In this logic, ritual prayer (salat) is an end in that Muslims believe God requires them to pray, and a means insofar as it is born out of, and transforms, daily action, which in turn creates or reinforces the desire for worship. Thus, the desired goal (i.e., pious worship) is also one of the means by which that desire is cultivated and gradually made realizable. In fact, in this world view, neither consummate worship nor the acquisition of piety is possible without the performance of prayer in the prescribed (i.e., codified) manner and attitude. As such, ritualworship is both part of a larger program of discipline through which piety is realized and a critical condition for the performance of piety itself. Despite its centrality to the mosque participants, this understanding of ritual as both means and end was not one shared by all EgyptianMuslims. Consider, for example, Mona Hilmi's interpretationof salat. Hilmi is a columnist who writes for Rcz alYusuf, a popular weekly magazine that represents a liberal-nationalistperspective in the Egyptianpress. What prompted the appearance of her article was the arrestof several teenagers from upper-middle-class and upper-class families for allegedly participating in "devil worship" ('abdat al-shaitan).This incident was widely reported in the
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Egyptianpress and, in part, prompted a discussion about the appropriate role of religion-in particularritualworship-in Egyptiansociety. Hilmi writes: The issue is notwhetherpeople perform and actsof worship[bibadat] eitherto rituals, get recompenseor reward[sawab],or out of fearof God, or the desireto show off in front of otherpeople.Theissueinsteadis how rituals andworship[Libadat] [tuqos] prefor the a creation of of who thinks is pare type person freely, capable [mauhil]of enbetween form and lightenedcriticismon important daily issues, of distinguishing essence, betweenmeansand ends, between secondaryand basic issues.The biggest love forGod insideeverycitizen[mawatin wa mawatina] challengeis howto transform into continuousself-criticism of our daily behaviorsand manners, and intoan awakof ening of innovative/creative revolutionary thoughtthat is againstthe subjugation the humanbeingsandthe destruction of hisdignity.[Hilmi1997:81] Clearly Hilmi's argument engages the importance of religious practice in Egyptian society, but it is an interpretationof ritual practice that is quite distinct from the one that Mona and her friends espoused. First, Hilmi and the women with whom I worked voice clear differences about the kind of person to be created in the process of performing rituals. Hilmi imbues her view of what a human being should become with the language and goals of liberal-nationalist thought. For example, the highest goal of worship for her is to create a human being capable of "enlightened criticism on important daily issues" and "revolutionary thought that is against the subjugation of human beings" (1997:81). As a result, Hilmi addresses "the citizen" (mawatin wa mawatina) in her call to duty rather than "the faithful" (mu'min wa mu'mina) or "slaves of God" ('ibad Allah), the terms more commonly used by the women with whom I worked. In contrast, for many of the mosque participants,the ultimate goal of worship was the natural and effortless performance of the virtue of submission to God. Even though women like Mona subjected their daily activities to self-criticism (as the author recommends), it was done in order to secure God's approval and pleasure ratherthan to hone those capacities referredto by Hilmi and central to the definition of the modern-autonomous citizen.'16 do not mean to suggest that the discourses of nationalism have been inconsequential in the development of the mosque movement or that the modern state and its forms of power (social, political, and economic) have not shaped the lives of the women I worked with in importantways. My point is simply that the inculcation of ideals of enlightened citizenship was not the aim of worship for the women of the mosque movement as it seems to be for Hilmi. What these contrasting interpretationsof ritual prayer reveal is not only a disagreement regarding the goals of the act, but also distinctly different presuppositions about the relationship between conventional and routine behavior in the construction of the self. This becomes furtherevident if I contrast the views of Hilmi with the means and end relationship undergirding Mona's conception of salat (discussed above). For Hilmi, I would argue, it seems that the goal of creating modern autonomous citizens remains independent of the means she proposes (i.e., Islamic rituals). Indeed, various modern societies, it appears, have accomplished the same goal through other means. In Hilmi's schema, I would contend, therefore, that the means (i.e., ritual salat) and the end (i.e., the model liberal citizen) can be characterized without reference to each other; and a number of quite different means may be employed to achieve one and the same end. In other words, whereas rituals such as salat may, in Hilmi's view, be usefully enlisted for the project of creating a self-critical citizenry, they are not necessary but contingent acts in the process. Hence Hilmi emphasizes the citizen's ability to distinguish between essence and form-that is, between an inner meaning conceptually independent from the outward performances that express it-and the dangers
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of conflating the two. In contrast, for women like Mona, ritual acts of worship, as I show above, are the sole and ineluctable means of forming pious dispositions. In other words, prescribed rituals are the means by which pious capabilities are developed and internalto their practice. What I want to suggest is that in an imaginarylike Mona's, where external behavioral forms and formal gestures are integral to the realization and expression of the self, the concept of the self and its relation to the body (its variable modes of action and expression) are quite different from the ones discussed by Hilmi. In Hilmi's view, external behavior may serve as a means of disciplining the self but, as I have shown above, remains inessential to that self.17Thus the conceptual articulation of formal practices in relation to oneself and others differs in these two imaginaries and, by extension, the implications for power and authority vary as well (a point to which I return in the conclusion). Let me elaborate on this point by drawing on an article written by Gregory Starrett (1995) in which he analyzes different commentaries written by Muslims and nonMuslims about Islamic rituals in both the pre- and postcolonial period in Egypt.18 Starrett argues that the performance of Islamic rituals may be usefully explored through Bourdieu's notion of habitus and body hexis (Bourdieu 1977, 1980). Starrett begins by taking issue with Bourdieu's claim that hexis and habitus are necessarily best understood as unconscious and ineffable phenomena, learned through imitative practice ratherthan explicit discourse. Starrettmakes his critique in light of the well-developed corpus of explicit instruction and commentary that exist in Islam regardingembodied practices. According to Starrett,issues of bodily hexis-what he terms "embodiment of ideology in habit"-may be best understood "as a set of processes through which individuals and groups consciously ascribe meaning to ... bodily disposition, and establish, maintain, and contest publicly its political valence" (1995:954). To support this argument, Starrettdraws on two distinct bodies of writing about Islamic rituals. The first is a set of remarksmade by colonial officers, European missionaries, and travelers in the late 19th century about the primitive and irrational character of Islamic beliefs and rituals. Forthese observers, Islamic ritualwas marked by a profusion of movement, sound, emotion, and a general preoccupation with the inconsequential minutia of bodily practices ratherthan an attention to matters of the soul (1995:955-960). Starrettjuxtaposes these comments with contemporary writings in Egypt on the subject, particularly passages about Muslim prayer (salat)from textbooks used in the curricula of public schools. Not unlike the passage I quote above (Hilmi 1997), these textbooks recruit the individual and collective performance of salat into the project of creating a modern Egyptiancitizenry, profferinga list of the rational and scientific benefits that accrue from the performance of salat, both to the individual and the social body.19Starrettargues: "Thisevaluation of the hexis of prayer reverses the Victorian reading of Muslim rituals(which marked them as primitive and stultifying), making them God's own sign of cultural advancement and order" (1995:963). Starrettconcludes that "variousMuslim interpretationsof their own bodily disposition, [and] Victorian interpretationsof that disposition ... while different in content, are formally similar. All invest the body hexis with ideological contents that serve in part to validate the worldview of the observer and establish specific social and political relationships with the observed" (1995:964; emphasis added). Although I agree with Starrettthat debates about bodily mattersexpress struggles over contrasting models of society and community, his treatment of the status of the evaluates the body largely as a body in these debates needs to be questioned. Starrett signifying medium that can be read differentially by different sociopolitical actors in
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accord with their ideological interests. But what he fails to consider is whether the body's potentiality is significant to every ideological system in the same way? Is the body with its behavioral forms simply the theater in which ideological scripts are enacted and to which different readings may be ascribed? In this article, I have tried to argue that the body's conceptual relationship with the self and others, and the ways in which it articulates with structures of authority, varies under different discursive regimes of power and truth precisely because the body's ritualpractices endow it with different kinds of capabilities. In order to grasp this point it is necessary, however, to understand the body and its behavioral forms not only in its capacity as a signifying medium, but also as a tool for becoming a certain kind of a person and attaining certain kinds of states (Asad 1993; Mauss 1979). Starrettis correct, of course, that the nationalist discourse treats the body as a signifying medium wherein the ordered performance of collective worship is taken to be a sign of a well-disciplined nation (as do other public events of national import).Yet for women like Mona, as is clear from my discussion above, bodily forms are at the center of the self's potentialities, both in the subjective and social sense. What I have presented here are two distinctly different views of ritual, one in which ritual organizes practices aimed at the development and formation of an embodied self, and another in which, to borrow Asad's words, ritual "offersa reading of a social institution"(1993:78). It is important, therefore, to recognize the disparate organizations of the body-self undergirding these different conceptions of ritual and to analyze the conditions under which parallel and overlapping traditions of reasoning and moral formation exist, not only in different historical and cultural contexts, but also within a single cultural milieu. habitus and (un)conscious intentions
In this article, insofar as I address the theme of bodily inculcation through ritual practice, it is worthwhile to examine briefly the utility of Bourdieu's (1977, 1980) notion of habitus for the analysis of Islamic teachings. Although Bourdieu's concept of habitus has proven to be a productive tool for discussions of embodiment, its usefulness in the analysis of the kind of disciplinary practices I have explored above, I would ague, is somewhat limited. Bourdieu proposed the notion of habitus as a means to integrate conceptually phenomenological and structuralistapproaches so as to elucidate how the supraindividual structureof society comes to be lived in human experience. For Bourdieu, habitus is a "generative principle" through which "objective conditions" of a society are inscribed in the bodies and dispositions of social actors (1977, 1980). According to Bourdieu, structureddispositions that constitute habitus correspond to an individual's class or social position and are engendered "in the last analysis, by the economic bases of the social formation in question" (1977:83). Although Bourdieu acknowledges that habitus is learned-in the sense that no one is born with it-his primary concern is with the unconscious power of habitus through which objective social conditions become naturalized and reproduced. He argues that "practical mimesis" (the process by which habitus is acquired) to a consciouseffort thatwould presuppose has nothingin commonwithan imitation or an object explicitlyconstitutedas a model ... reproducea gesture,an utterance the processof reproduction ... tend[s]to takeplace below the level of con[instead] distancewhichthese presuppose .... Whatis the reflexive and sciousness,expression thatone has, like knowledgethatcan be bran'learnedby the body' is not something thatone is. [1980:73] dished,butsomething
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Apartfrom the socioeconomic determinism that characterizes Bourdieu'sdiscussion of bodily dispositions, what I find problematic in this approach is the lack of attention to the pedagogical process by which a habitus is learned. 20As is clear from the ethnographic example I provide above, among the mosque participantsI worked with, the body was thematized as a site of moral training and cultivation, thereby problematizing the narrow model of unconscious imbibing that Bourdieu assumes in his discussion of habitus. Yet conscious training in the habituation of virtues itself was undertaken, paradoxically, to make consciousness redundant to the practice of these virtues. This is evident in Mona's advice to the young woman when she says that one should become so accustomed to the act of praying five times a day that when one does not pray one feels just as uncomfortable as when one forgets to eat: At this stage, the act of prayer has attained the status of almost a physiological need that is fulfilled without conscious reflection. Yet it would be a mistake to say that mosque participants believe that once a virtue has taken root in one's disposition it issues forth perfunctorily and automatically. Insofaras the point is not simply thatone acts virtuously but also how one enacts a virtue (with what intent, emotion, commitment, etc.), constant vigilance and monitoring of one's practices is a critical element in this model of ethical formation. This economy of self-discipline, therefore, draws attention to the role self-directed action plays in the learning of an embodied disposition and its relationship to "unconscious" ways of being.21Bourdieu'sfailure to attend to pedagogical moments and practices in the process of acquiring a habitus results in a neglect of the historically and culturally specific embodied capacities that different conceptions of the subject require. It also neglects the precise role various traditions of bodily discipline play in becoming a certain kind of a subject.22 In analyzing the role of conscious training in the acquisition of embodied dispositions within the practices of the mosque movement, I have found it useful to draw on an older genealogy of habitus that was firstdeveloped by Aristotle and later came to inform both the Christian and Muslim traditions.23Habitus in this formulation is concerned with ethical formation and presupposes a specific pedagogical process by which a moral character is acquired. In this understanding, both vices and virtuesinsofar as they are considered to be products of human endeavor, ratherthan revelatory experience or naturaltemperament-are acquired through the repeated performance of actions that entail a particularvirtue or vice, until all behavior comes to be regulated by the habitus. Thus habitus in this tradition of moral cultivation implies a quality that is acquired through human industry, assiduous practice, and discipline such that it becomes a permanent feature of a person's character. Premeditatedlearning is a teleological process aimed at making moral behavior a nondeliberative aspect of one's disposition. Bourdieu, in drawing on the Aristotelian tradition, retains the sense of habitus as durable, embodied dispositions, but he leaves aside the pedagogical aspect of the Aristotelian notion as well as the context of ethics within which the concept was developed. Thus, although Bourdieu uses habitus in a more restricted sense to focus on how ideology is inscribed on the body, the practices of the mosque participants suggest a more complicated usage in which issues of moral formation stand in a specific relationship to a particularkind of pedagogical model. The Aristotelian understandingof the process by which moral character is formed influenced a number of Islamic thinkers, foremost among them the 11th-century theologian Abu Hamid al-Ghazali (d. 1 1 1 1), but also al-Miskawayh (d. 1030), Ibn Rushd (d. 1 198), and Ibn Khaldun(d. 1406).24 Al-Ghazali's work has exerted considerable influence on Muslim reformersin the modern period and is also continuously referenced and cited among the participants of the mosque movement.25 Although
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al-Ghazali's work and its contemporary adaptations do not use the term habitus per se, the principle invoked in explaining how outward behavior shapes moral character bears a clear resemblance to Aristoteliandiscussions of habitus. The historian Ira Lapidus, in his analysis of the work of the 14th-century Muslim thinker Ibn Khaldun, discusses this principle in relation to the Arabic term malaka. Lapidus argues that although Ibn Khaldun's use of the term malaka has often been translated as "habit,"its sense is best captured in the Latinterm habitus, what Lapidus describes as "that inner quality developed as a result of outer practice which makes practice a perfect ability of the soul of the actor" (1984:54).26 Malaka, therefore, is an acquired excellence at a moral or practical craft, learned through repeated practice until that practice leaves a permanent mark on the character of the person. Interms of faith, malaka, according to Lapidus, "is the acquisition, from the belief of the heart and the resulting actions, of a quality that has complete control over the heart so that it commands the action of the limbs and makes every activity take place in submissiveness to it to the point that all actions, eventually, become subservient to this affirmation of faith. This is the highest degree of faith. It is perfect faith" (1984:55-56). What is notable in this formulation is the way inward dispositions (emotions, intentions, desires, etc.) are understood to articulate with visible behaviors (gestures, speech, bodily motions, etc.), and the two are made to synchronize in accord with a specific model of exemplary behavior. induced weeping, fear, and felicity Let me elaborate the principle undergirding the model of ethical formation outlined above through an analysis of one of the organizing principles within the disciplinary practices of the mosque lessons: the triad of fear (al-khauf),hope (al-raja'),love (al-hubb).27The process of cultivating and honing a pious disposition among the mosque participants centered not only around the practical tasks of daily living, but also the creation and orientation of the emotions such a disposition entailed. No other theme of the mosque lessons captured the emotive aspect of this disciplinary program better than the tripartitetheme of fear-hope-love, so often evoked by the teachers and attendees. As elaborated in the mosque lessons, the principle of fear (al-khauf) refers to the dread one feels from the possibility of God's retribution (e.g., fires of hell), an experience that leads one to avoid indulging in those actions and thoughts that may earn His wrath and displeasure; hope (al-raja') is the anticipation of the beneficence (hasanat)one accrues with God for undertaking religious duties and good deeds; and the principle of love (al-hubb) refers to the affection and devotion one feels for God, which in turn inspires one to pursue a life in accordance with His will and pleasure. Thus, each emotion is tied to an economy of action that follows from the experience of that particularemotion. For a long period during my work with the mosques, I understood this tripartite matrix of emotion and action in terms of the "carrotand stick" of religious discipline. It appeared to me that the elements of hope and love were the "carrot"of religion, insomuch as the promise of gaining merit or recompense (hasanat)with God inspired one to undertake religious duties. Likewise, fear of God's wrath was the "stick"that motivated one to abstain from sins and vices. It was only toward the end of my twoyear period of fieldwork that I began to realize the triad's complex relationship to the larger system of pedagogy wherein these emotions are constituted, not simply as motivational devices, but as integral aspects of pious action itself. Moreover, it became apparent to me that the argument that people are driven to behave piously because of the fear of hell or the promiseof beneficence leaves unexplained what it seeks to answer:
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specifically how these emotions come to be cultivated and command authority in the topography of a particular moral-passional self. In what follows, therefore, I want to attend to the specific texture of these emotions-in particular fear-and how they came to be constituted as motives for, and modalities of, pious conduct in the realization of an obedient and virtuous life. Consider the following excerpt from a mosque lesson delivered by one of the most popular mosque teachers (da'iyat),Hajja Samia, to an audience of 500 women. Hajja Samia, a woman in her early forties, was well known for her repeated evocations of fear in her weekly lessons and was sometimes criticized by her audience for these evocations. In response, she had the following to say one morning as she wrapped up her hour-long lesson (dars): Butlookaround you:do you Peoplecriticizeus forevokingfearin ourlessons[durus]. of Himand his fury[qathinkours is a societythatis afraidof God?Ifwe were afraid har],do you thinkwe would behave in the way we do?We areall humansand comforthese. Butto fromHimcontinually andwe shouldaskforforgiveness mitmistakes, and cryat as a habit,is whatis woeful!Do we feel remorse commitsins intentionally, even know we are in No! We do not thisconditionof the Islamic [umma]? community thiscondition.Thelastshredof fearin ourheartshasbeen squeezedout by the countbetweenwhat is perless sins we commit,so thatwe don'teven knowthe difference thatif we cannotcryout of fear wa halal. Remember missibleand what is not [haram of the firesof hell,thenwe shouldcertainly cryatthe conditionof oursouls! These remarksare strikingfor the ineluctable relationship Hajja Samia draws between the ability to fear God and capacities of moral discernment and action. In this formulation, the emotion of fear does not serve simply as a motivation for the pursuit of virtue and avoidance of vice; it has an epistemic value-enabling one to know and distinguish between what is good for oneself and for one's community and what is bad (described in accordance with God's program). Notably, according to Hajja Samia, the repeated act of committing sins intentionally and habitually has the cumulative effect such that one becomes the kind of person who has lost the capacity to fear God, which, in turn, is understood as the ultimate sign of the inability to judge the status of one's moral condition.28 For many Muslims, the ability to fear God is considered one of the critical registers by which one monitors and assesses the progress of the moral self toward virtuosity, and the absence of fear is the marker of an inadequately formed self. Hajja Samia, therefore, interpretsthe incapacity of EgyptianMuslims today to feel frightened of the retribution of God to be both the cause and the consequence of a life lived deliberately without virtue. The various elements in this economy of emotion and action were clarified to me furtherby one of the long-time attendees of Hajja Samia's lessons. Umm Amal, a gentle woman in her late fifties, had recently retiredafter having worked as an administrator in the Egyptianairline for most of her life. Having raised two children single-handedly and through adversity, she had acquired a forgiving and accommodating temperament that seemed to be quite the opposite of Hajja Samia, who was often strict and unrelenting in her criticisms of the impious behavior of Egyptianwomen. It came as a surprise to me, therefore, when Umm Amal defended Hajja Samia's emphasis on fear in her lessons, in particularher evocations of topics such as the tortures of hell and the pain of death. I asked Umm Amal what she meant when she said that she feared God and how she thought it affected her ability to feel close to God. She responded: I feel fear of God not simply because of threatsof hell and tormentsof the grave [aidhabal-qabr], thoughthese thingsarealso truebecauseGod mentionsthem in the
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Quran.Butforme the realfearof God stemsfromtwo things:fromthe knowledgethat and fromthe knowledgeof the sins thatwe have comHe is all powerful[qudratihil, mittedin our livesand continueto commitwithoutknowing.ImagineGod is the Lord in you. Thisis difof all worlds.And knowingthis engendersfearand awe [khashya] ferentfromfear [al-khaufl that paralyzesyou, but it is fearthatmotivatesyou to seek and come closer to Him. Becausefearthat paralyzesyou, or makes His forgiveness is objectionableand reprehensible you feel despondentabout His kindness[rahma] Him fear and praiseworthy But that toward is commendable [madhmum]. propelsyou So one who fearsis not someone who cries all the time but one who re[mahmnidl. frainsfromdoing thingsthatmake himafraidof punishment.... So yes, when I hear talkaboutfear[kalam(an it hasan effecton me because it remindsme of the al-khaufJ actsof disobedienceI havecommittedunknowingly, givenhow absorbedI have been in my life with raising and children and makesme wantto seek forgiveworking, my then Iforget, nessforthem.Yousee if Iam not reminded, and I become accustomedto these mistakes butwe do so withand sins. Mostof us don'tsin intentionally, making out knowing.Talkof fear remindsus of this and forces us to change our behaviors Butthe greatness of my Lord[rabbi] is thatHe continuallyforgivesus. [tassarufatina]. Thiscauses me to love Himas muchas IfearHiscapacityforgreatness. Umm Amal's answer is remarkable for delineating the topography of fear and love undergirding virtuous action. Notably, these emotions are not simply subjective states but linked to action. Umm Amal, therefore, draws a distinction between fear that results in inaction (considered reprehensible, madmom) and fear that compels one to act virtuously (perceived as desirable or praiseworthy, mahmod). Fear of God in this conception is a cardinal virtue the force of which one must feel subjectively and act on in accord with its dictates.29She also draws a distinction between ordinary fear (khauf) and fear with reverence or awe (khashya). Khauf is what you feel, as another mosque participantput it, when you walk alone into a dark unknown space, but khashya is what you feel when you confront something or someone whom you regard with respect and veneration, an aspect of God that Umm Amal calls "His omnipotence" (qudratihi).30 Yet it is precisely the qualities that inspire khashya in Umm Amal that also inspire her to love God. Thus, in Umm Amal's view, love and fear of God are integrally related to her ability to recognize God's greatness both in His capacity to punish, as well as to forgive and sustain His creatures despite their tendency to err. Umm Amal's response also speaks to the roles fear and love play in the habituation of virtues and vices. Unlike Hajja Samia, she is talking about Muslims who commit acts of disobedience (m'asi) out of negligence, rather than conscious intention. Yet even vices committed out of negligence, if done repeatedly, have the same effect as do intentionally committed vices in that once they have acquired the status of habits they can come to corrode the requisite will to obey God.3 This logic assumes that although someone with a pious disposition can err, the repeated practice of erring from God's program results in the sedimentation of this quality in one's character. This accords with the Aristotelian understanding of habitus insomuch as the repeated performance of vices (as well as virtues) results in the formation of a virtueless (or virtuous) disposition. Fear of God is the capacity by which one becomes cognizant of this state and begins to correct it. Thus, it is repeated invocations of fear and the economy of actions following from it that train one to live piously (a spur to action), and are also a permanent condition of the pious self (al-nafs al-muttaqi). Although the importance of fear to this pedagogical model of ethical formation is clear from the examples above, the question arises how this emotion is acquired and cultivated, especially because the mosque participantsdo not consider fear of God to be natural but something that has to be learned? According to the women I worked
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with, there are many avenues that provide training in fear. One is the space of the mosque lessons. I was surprised to find out that many of the attendees who came to hear Hajja Samia regularly were drawn by her ability to engender fear. When I asked one of these women why she preferredHajja Samia's severe and strident (mutashaddid) style of delivery, she responded: of ourreligto remain We live in a societyin which it is hard piousandto be protective us and keepsus from Whenwe hearthiskindof talk,it startles ion [nihfiz'ala dinnina]. is verydifof the world.Yousee the pathto piety [taqwa] gettinglost in the attractions ficult. HajjaSamiaand othersare afraidthatunlessthey use [the rhetorical style of] takhwff[to cause to fear],people will lose all the effortthey have exertedin getting andthis in the pathof piety [taqwa] there.Theywantpeople to holdon to theirefforts 32 is why they use takhwif. Hajja Samia, therefore, did not simply prescribe fear as a necessary condition for piety, but deployed a discourse and rhetorical style that elicited it as well.33 In doing so, she punctuated her lessons with evocations of the fires of hell, trials of death, and the final encounter with God after death. This style of preaching aimed at the creation of fear in the listeners is termed tarhfb(and at times takhwif), and its antonym targhfb refersto the evocation of love for God in the audience: most mosque teachers stressed the importance of maintaining a fine balance between these two rhetorical strategies. Cassette-recorded sermons that used the takhwif style were also widely popular among the women I worked with because they were perceived to be particularlyeffective in inducing the emotion of virtuous fear (taqwa) in the listener.34 In addition to these avenues, the ritualact of worship (salat) is a critical space for the inculcation and realization of virtuous fear. Ideally, salat is performedwith humility and submission, a state called khushu', a critical element of which is one's ability to palpably fear God. In this conception, fear is not only a motivation to prayer but also a necessary aspect of its performance, an "adverbialvirtue"that impartsto the act of prayer the specific quality through which it becomes consummate. 35A similar understanding of fear is implicit in HajjaSamia's remarksabove, which indicate that fear of God is constitutive of the faculty of moral discernment, and as such informs and permeates all pious conduct. In other words, in this economy of discipline virtuous fear is the motivation for, as much as a modality of, action. Notably, to the extent that fear is understood as a motivation to action it accords with the belief in certain cultural traditions that emotions are causative of action, a view that has been noted and analyzed in considerable detail by some historians and anthropologists of emotion (James 1997; Lutzand White 1986; Rosaldo 1980). What is significant here, however, is that the emotion of fear not only propels one to act, but is also considered to be integral to action. Thus, fear is an element internalto the very structureof a pious act, and as such it is a condition for (to use J. L.Austin's terms) the felicitous performance of the act.36In other words, what this understanding draws attention to is not so much how particularemotions as modes of action constitute different kinds of social structure(Abu-Lughod1986; Good and Good 1988; Myers 1986), but more how particular emotions are constitutive of specific actions, conditions by which those actions attain their excellence. The way consummate excellence was achieved in one's prayers was a topic of heated discussion among the mosque participants. One of the widely circulated booklets among the mosque groups was entitled "How to Feel Humility and Submission [khusho'] in Prayer?" (Maharib 1991). The booklet provided instruction to women on how to pray with khushua,focusing not only on the act of salat itself but also on the conditioning of one's thoughtsand actions before and afterits performance.37
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One of the techniques mentioned in this booklet, and extensively discussed by the mosque participants, is that of weeping during the course of prayer, especially at the time of supplications, as a means for the expression and realization of a fearful and reverential attitude (khashya) toward God. Weeping in this context, however, is not tantamount to crying provoked by the pain of personal sufferings. Instead, it must issue forth out of a sense of being overwhelmed by God's greatness and enacted with the intention of pleasing Him. In other words, the act of weeping in prayer is not meant to be cathartic of one's sorrow and grief, a release of stressful emotions generated by the tensions of life that Turner has described in relation to ritual practice in other contexts (Turner1969; see also Scheff 1977). On the contrary, according to the mosque participants I know, the act of crying in prayer for the sake of venting one's feelings, rather than expressing one's awe for God, renders the ritual null and void (batil). Similarly, Muslim theologians have long considered crying in prayer for the sake of impressing fellow Muslims to be an idolatrous act (shirk).Notably, the emphasis participants place on the intention with which one performs these emotions complicates those anthropological views that suggest that rituals have little to do with the practitioners' intentions or emotions (e.g., Bloch 1975; Tambiah 1985).38 Virtuous fear and weeping are not understood by the mosque participants to be generic emotions, nor are they devoid of intentionality-rather, they are specific to the economy of motivation and action of which they are a constitutive part and, in an important sense, impartto a particularaction its distinctive quality.39 The ability to cry effortlessly with the right intention did not come easily to most women, however, and had to be cultivated through acts of induced weeping during salat. Booklets of the kind mentioned above suggest different strategies for the attainment of this state, and women are advised to try a number of visual, kinesthetic, verbal, and behavioral techniques in order to provoke the desired affect (see Maharib 1991). This entailed various exercises of imagination geared to exciting one's emotions, evoking the pious tenderness that khusho( entails and that leads to weeping. According to the women I know, common exercises included: envisioning that one was being physically held between the hands of God during prayer; visualizing crossing the legendary bridge (al-sarat),narrow as a sharp blade, that all Muslims will be required to walk in the Hereafterbut that only the pious will be able to traverse successfully; or avoiding the fires of hell that lie underneath. Other women would talk about imagining the immensity of God's power and their own insignificance. The principle underlying these exercises is that repeated invocations of weeping, with the right intention, habituate fear of God to the point that it infuses all of one's actions, in particular salat. In other words, repeated bodily behavior, with the appropriate intention (however simulated in the beginning), leads to the reorientation of one's motivations, desires, and emotions until they become a part of one's "natural"disposition. Notably, in this economy of discipline, disparity between one's intention and bodily gestures is not interpreted as a disjunction between outward social performance and one's "genuine" inner feelings-rather, it is considered to be a sign of an inadequately formed self that requires furtherdiscipline and training to bring the two into harmony in accord with a teleological model of self-formation. It is tempting to interpretthe act of weeping in prayer as obligatory, with none of the spontaneity of ordinary feelings. In other words, Tambiah's remarksseem to capture well what I have described thus far when he says, andfeelingsdirectly(forexample,cryingdenotesdisattitudes acts"express" ordinary to interacting that information tress in Westernsociety)and "communicate" persons (the personcryingwishes to convey to anotherhis feelingof distress).Butritualized,
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american ethnologist behavioris construedin orderto expressandcommuconventionalized,stereotyped certainattitudes and communicating construed as expressing and is nicate, publicly
congenial to an ongoing institutionalized intercourse.. .. Stereotypedconventions ... code not intentions but 'simulations' of intentions. [1985:132; emphasis added]
However tempting such a reading may seem, I would argue that it would be a mistake to reduce the practice of weeping in prayer to a cross-cultural example of conventionalized behaviors that are assumed to achieve the same goal in all contexts. This is so for two reasons. First,such a view does not give adequate attention to those performances of conventional behavior that are aimed at the development and formation of the self's spontaneous and effortless expressions. As is clear from the discussion above, the pedagogical programamong the mosque participantswas geared precisely toward making prescribed behavior natural to one's disposition, and one's virtuosity lay in being able to spontaneously enact its most conventional aspects in a ritual context as much as in ordinary life, thereby making any a priori separation between individual feelings and socially prescribed behavior unfeasible. Similarly, as I have shown above, simulating "proper"intentions, did not (to use Tambiah's words) "code" real intentions but, was a disciplinary act undertaken to bridge the gap between how one "really felt" and how one was "supposed to feel"-thereby making a distinction between simulation and reality ratherporous. Second, the process of inducing fear and weeping in oneself during salat complicates the separation Tambiah draws between ordinary and conventional emotions insofar as it suggests the disciplinary aspects of the most individualized and unstructured feelings and emotional expressions. As much recent anthropological literature has pointed out, given that emotions are discursively and historically constructed, it is difficult to sustain a meaningful separation between what are called "real individual" feelings and those that are a partof what Tambiah calls "institutionalizedintercourse" (Lutz and Abu-Lughod 1990; Yanagisako and Delaney 1995). Thus, to understand how ritualfunctions in different discursive contexts of power and subject formation, it is important to interrogate the specific and differential ways in which conventional performances are linked to emotions or feelings ratherthan assume that they cohere in a singular and definitive manner. conclusion In this exploration of the embodied practices of the mosque movement, I have analyzed the body not so much as a signifying medium to which different ideological meanings are ascribed, but more as a tool or developable means through which certain kinds of ethical and moral capacities are attained. Ratherthan focus on the experience of the body, I have explored the process by which an experienced body is produced and an embodied subject is formed. I use the notion of experience in this analysis to referto the skills and aptitudes acquired through training, practice, and apprenticeship to a particular field of study.40Such an understanding of experience seems to capture well the principle of self-formationthat informedthe practices of the women I worked with, wherein through the repeated performance of certain acts they attempted to re-orient their volition, desires, emotions, and bodily gestures to accord with norms of pious conduct. My insistence in this article on exploring differential conceptions of ritual is geared toward problematizing the attributionof essential meaning to the coventional and formal character of ritual. I direct attention to how formality is variously conceptualized in differentdiscursive traditionsand made to articulatewith disparatestructures
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of authority and models of the self. In exploring the role that the ritual act of Muslim prayer played in the formation of pious selves among the women I worked with, I have suggested that the relationship between conventional behavior and pragmatic action needs to be complicated furtherthan anthropological theories of ritual suggest. I have proposed that the mosque participants' understanding of ritual prayer is best analyzed as a disciplinary practice that complexly combines pragmatic action (i.e., day-to-day mundane activities) with formal and highly codified behavior. Ratherthan assume that conventional gestures and behaviors necessarily accomplish the same goals a priori, I suggest the need for inquiry into the variable relationships that formal conventionalized behavior (such as ritual)articulate with different conceptions of the self under particularregimes of truth, power, and authority. Finally, insofar as my analysis complicates the distinction between a subject's "true"desires and obligatory social conventions-a distinction critical to liberal notions of freedom-it represents a challenge to how progressive or liberal scholars think about politics. The politics that ensues from the assumption of such a disjunction necessarily aims to identify the moments and places where conventional norms impede the realization of an individual's real desires.4' In this view, the freedom of individuals resides in their ability to act out of their "own will, reason, and interests," rather than those of convention, tradition, or direct coercion (where the latter are taken to be manifestations of the social will). Yet, as I have argued in this article, an abidance by conventional behavior cannot simply be taken as evidence of the operation of a high degree of social control and repression of the self. Rather,formal behavior, in the context of the movement I have discussed, is a condition for the emergence of the self as such and integralto its realization. The questions that follow then are: How might the notion of freedom be recast in such a context where the distinction between a subject's true desires and social conventions cannot be so easily assumed, where submission to certain forms of (external) authority is a condition for a subject achieving its potentiality?What kind of politics would be deemed desirable and viable in a discursive tradition that regards conventions (socially prescribed performances) as necessary to the self's realization? A response to these questions requires that an analysis of politics begin not only at the level of articulated moral-political goals but also, importantly,with the ineffable sensibilities that these statements condense, the kind of embodied capacities that form the substrate of any explicit political commitment. Embodied action, in other words, does not simply represent a self but endows the self with various kinds of capabilities that form the background of moral and political judgement. Although I have tried to explore this question specifically in relation to feminist politics elsewhere (see Mahmood 2001), here I wish to raise the issue more generally in regardto the desires that animate liberal and progressive thought. My point is simply that the desire for freedom from social conventions is not an innate desire, but assumes a particular anthropology of the subject. Thus any exploration of practices of freedom must consider, not only hierarchical structures of social relations, but also the architecture of the self, the interrelationshipbetween its constituent elements that makes a particular imaginary of freedom possible. In other words, such an analysis requires thinking through the topography of a politics of freedom adequate to variable understandings of the self and its embodied powers. It invites conceptualization of freedom as a contextual, ratherthan universal, practice.
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notes
Acknowledgments. I am deeply grateful to Talal Asad, Jane Collier, and Charles Hirschkind for their comments and close readings of this article at various stages of its gestation. I would also like to thank William Glover, Webb Keane, and three anonymous reviewers. Parts of this article were presented to audiences at New York University, the University of Chicago, the University of Californiaat Davis, and the Universityof Californiaat Berkeley. I would like to thank the organizers and audiences for their comments in these forums. Fundingfor research on this project was provided by the National Science Foundation, Social Science Research Council, and the Wenner-Gren Foundation for Anthropological Research. During the writing phase of this article, I was generously supported by the HarvardAcademy Fellowship at HarvardUniversity. 1. The term conventional is used sometimes to referto ordinaryor standardways of doing things, and at others to indicate behavior that is constrained by custom and social rules. In this article, I have used conventional in the latter sense, sometimes alternating it with phrases like "rule-governed and socially prescribed behavior." 2. Much of this debate assumes a particularmodel of the relation between the inner life of individuals and their outward expressions, a model predicated on a Cartesian understandingof the self as it was developed in early modern and Romantic thought in Europe. As a theatrical mode of self-presentation emerged as a legitimate and necessary formof commercial sociability in 18th-century Europe, Romantic thinkers, for example, came to see this development in terms of the need for a necessary detachment between the inner life of individuals and their social performances. Historian E. J. Hundert discusses this attitude in the work of Rousseau who drew a clear separation between an inner self and its social performances, inasmuch as "expressions of inner life resisted all attempts to encode it as a feature of social practices theatrically conceived, precisely because such a life was [regarded as] singular and self-defining" (1997:82). Hundert quotes Rousseau from The Confessions: "I know my own heart... I am made unlike anyone I have ever met. I will even venture to say that I am like no one in the whole world. I may be no better, but at least I am different" (1997:82). This view of the unique privatized subject whose essence cannot be captured in the social conventions of a given society seems to resonate with the conception of ritualaction as necessarily devoid of "authentic, individualized" emotions. 3. According to Victor Turner, "powerful drives and emotions associated with human physiology, especially the physiology of reproduction, are divested in the ritualprocess of their antisocial quality and attached to components of the normative order, energizing the latterwith a borrowed vitality, and thus making the Durkheimian 'obligatory' desirable" (1969:52-53). 4. Turner's statement that ritual is "prescribed formal behavior for occasions not given over to technological routine"(1976:504) is in keeping with Tambiah's view that "ifwe postulate a continuum of behavior, with intentional behavior at one pole and conventional behavior at the other, we shall have to locate formalized ritual nearer the latter pole" (1985:134). Malinowski (1922) acknowledged the instrumentalaspects of certain rituals,but made this the basis of the distinction between magical and religious riteswhere the formerhad an instrumentaland pragmatic quality. Later,with the decline of structuralfunctionalism, anthropologists increasingly interpreted ritual as an expressive and communicative act, the meaning of which was to be deciphered by the analyst (e.g., CliffordGeertz, Edmond Leach, Stanley Tambiah). 5. The conception of power I use here is indebted to Michel Foucault's laterwork (1988a, 1988b, 1997). In this work, Foucault uses the term "technologies of the self" to describe a modality of power that "permitsindividuals to effect by their own means, or with the help of others, a certain number of operations on their own bodies and souls, thoughts, conduct, and way of being" (1997:224) so as to transformthemselves into the willing subjects of a particular discourse. Power in this conception is understood not so much as a force that is externally imposed on a subject, but as the capacities that the embodied self develops in accord with the authoritative standards of a particulardiscursive tradition. For a discussion of Foucault's later work on ethics, see Paul Rabinow's Introductionin Foucault (1997:XI-XLII). 6. By the time I conducted my fieldwork (1995-97), the movement had become so popular that there were hardly any neighborhoods in this city of 11 million inhabitantswhere some
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form of religious lessons were not offered for women. The attendance at these gatherings varied from ten to 500 women, depending on the popularity of the woman teacher. The movement continues to be organized informally by word of mouth and has no organizational center that oversees its coordination. Indeed, even the Egyptian religious press barely mentions the increased frequency of women's activities at the mosques. 7. The Egyptiangovernment has slowly come to recognize the crucial role such a movement is playing in institutionalizing an Islamic sociability that makes the task of securing a secular-liberal society difficult. Consequently, in the last few years, the government has begun to monitor popular mosque gatherings for views that the state considers objectionable. In addition, the Ministryof Religious Affairsnow requires men and women, regardless of their priorreligious training, to enroll in a two-year state-run program in order to be able to preach in mosques. For a fuller discussion of this tension between the state and the women's mosque groups, see Mahmood in press. 8. Contrastthis, for example, with Iranianwomen's attemptsto reinterpretthe Islamic corpus in a feminist light in the last two decades (see Afshar1998 and Najmabadi 1998). Fora feminist re-readingof the Islamic exegetical literatureon the veil, see Mernissi 1991. 9. Eickelman (1992) has also noted the increasing familiarity of the younger generation with Islamic knowledges that had up until the 20th century been the purview of religious scholars in the Arab world. He attributes this development to the widespread consumption of mass media as well as to increased rates of literacy, both of which make access to these knowledges easier than was the case for previous generations. 10. Despite salient differences across gender lines, I was struck by the similarityof themes emphasized in the men's and women's piety movements. Although I did not conduct fieldwork among the men's piety movement, I was exposed to many of its public forms such as the popular religious literaturewritten by and for men, cassette-recorded sermons, and religious lessons delivered by men in mosques to male and female audience. Fora comprehensive analysis of the male piety movement in contemporary Cairo, see Hirschkind2001 a, 2001 b. 11. The acts of worship include verbal attestation to faith (shahada), praying five times a (salat), fasting (saum), the giving of alms (zakat),and pilgrimage to Mecca (haj). day 12. See the debate between the two preeminent theologians-Imam Shafa'i and Imam Hanbal-on this issue, reported in al-Sayyid Sabiq (1994:72). 13. Bloch expresses a similar view when he argues, "The reason why the formalized code is unsuitable for practical day-to-day maneuvering is because formalisation creates an uncharted distance between specific things or situations and the communication" (1974:65). 14. See Scheff who draws upon Turner'swork to argue that ritual is the "distanced reenactment of situations which evoke collectively held emotional stress" (1977:489), such as fear, grief, anger and embarrassment. None of the 17 scholars responding to Scheff's argument take issue with his proposition that ritual facilitates the catharsis of universally valid emotions and produces a distance between actors and their strong feelings (1977:490-500). 15. Foran interestingelaboration of Asad's argument about the emergence of the category of ritualas an anthropological object of study, see Scott's discussion of Sinhalese Buddhist rituals (1994:111-136). 16 It is importantto note that the mosque participantsas well as Hilmi are concerned with articulatingan ideal standardof moral conduct, ratherthan describing particularinstances of individual behavior. As such, their remarksdelineate a set of normative standards by which the correctness or deviancy of an act is measured or judged. 17. In a recent essay, Webb Keane (2000) addresses a parallel distinction in analyzing the differentconceptions of ceremonial exchange that coexist among Protestantand non-Protestant Sumbanese. Forthe former, ceremonial exchange is a signifying practice that has only an arbito the materialsubstance exchanged in the ceremony. Forthe latter,the materiality traryrelationship of these exchanges remainsembedded in, and constitutiveof, social relationsand personhood. article at some length because his is an eloquent example of a view 18. I referto Starrett's held by a number of anthropologists who have written on the issue of ritual and power, a view that my analysis departs from substantially. Fora discussion of salat that is analytically similar to Starrett's,in the Indonesian context, see Bowen 1989.
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19. A typical quote offered by Starrettfrom one of the school books reads: "Because in prayer there is rising and prostration, all actions that invigorate the body, and the Muslim devotes himself to work with zeal and energy, and increases production and spreads the good, and promotes [the progress ofl the nation.... Prayeraccustoms us to order, and the keeping of appointments, and the binding together of Muslim cooperative ties and love and harmony" (1995:962). 20. The correspondence Bourdieu draws between the class and social position of social actors and their bodily dispositions needs to be complicated by the fact that in any given society there are traditions of discipline and self-formationthat cut across class and social positions. See Cantwell 1999 for an excellent discussion of this point. Indeed, my work with mosque groups from a wide range of socioeconomic backgrounds shows that the traditionof moral formation I have described, with its corresponding pedagogical program,although inflected by relations of social hierarchy, did not in any simple way reflect the social and class position of the participants. For a discussion of this point in the context of other traditions of discipline, see Foucault 1988a and 1988b, and Rose 1997. 21. Starretthas drawn attention to the role explicit discourse plays in fixing the ideological meaning of ritualactivityand to Bourdieu'sneglect of this aspect. Althoughagreeingwith Starrett's critique, my point in this article is somewhat different in that I am interested in conscious action directed at making certain kinds of behaviors unconscious or nondeliberative. 22. In discussing the utility of Bourdieu's work to medical anthropology, ArthurKleinman has made a parallel criticism. He argues: "Indeed, as resonant and as robust as his claim for the dialectical interaction between habitus and social structureis ... there is still all too little theoretical work by Bourdieu on how this mediation/transformationis actualized in everyday social life. In other words, Bourdieu's accomplishment has been to evoke sociosomatics without working them out. This remains an equivalent in social theory to the 'mystical leap' between mind and body in psychosomatic medicine" (1996:204). I would add that a study of the pedagogical process by which a bodily disposition is acquired is crucial to understandinghow different traditions of discipline are predicated on specific kinds of relationships between various aspects of the body and the self. 23. For a discussion of the Christianadaptation and reformulationof the Aristotelian notion of habitus, see Carruthers1990, Inglis 1999, and Neederman 1989-90. Fora historical discussion of how Hellenic ideas came to be adopted and developed in the Islamic tradition, see Fakhry1983 and Watt 1985. 24. Despite A. H. al-Ghazali's attack on the neo-Platonist influence on Islam (Fakhry 1983:217-233), al-Ghazali's ethical thought retained a distinctly Aristotelian influence. See for example, Sherif 1975 and the introduction by T. J.Winter in al-Ghazali (1995:XV-XCII). 25. A. H. al-Ghazali's work includes not only treatises on doctrinal issues, but also a number of manuals on practices like Quranic recitation and other Islamic rituals.See, for example, al-Ghazali 1984, 1992, 1995. During my fieldwork, I discovered numerous popular pamphlets and booklets in the mosques about piety and ritualpractice. Compiled by contemporary authors, these works often borrowed from al-Ghazali though often without acknowledging their source. See, for example, Farid1990 and 1993, and Hawwa 1995. 26. Consider, for example, the following statement by Ibn Khaldun in The Muqaddimah: "Ahabit[us] is a firmly rooted quality acquired by doing a certain action and repeating it time after time, until the form of (thataction) is firmlyfixed. A habit[us] corresponds to the original (action afterwhich it was formed)"(1958:346). 27. Fora discussion of the triad of fear-hope-love in the Sunni tradition,see McKane 1965. 28. This logic is captured well in the Quranic phrase (often repeated by the mosque participants) that describes those who commit sins habitually as doing "injusticeto themselves," or zalama nafsahu (see Izutsu 1966:164-172). Hence Hajja Samia's statement that the condition of habitual sinners deserves the utmost pity because their real punishment is their deficient and ill-formed characters for which they will not only pay in the Hereafter,but also in this world. 29. As Hajja Samia implies above, if Muslims possessed the virtue of fear then it would be evident in their conduct, and they would order their lives in accord with God's will.
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30. This difference is also spelled out by Izutsu in his discussion of the terms khaufand khashya as they occur in the Quran (1966:195-197). He shows that in most instances when khashya is used in the Quran, its proper object is God ratherthan human beings. 31. This is also the reasoning implicit in the phrase often repeated by the mosque participants: mafish saghara ba'd al-istimrarwa mafish kabaraba'd al-istaghfar,meaning "vices done repeatedly and continually acquire the status of grave sins, and a grave sin if repented properly loses its gravity (in the eyes of God)." 32. Depending on the context, I have translated the term taqwa as piety, virtuous fear, or fear of God. This is pursuantwith the variable meanings accorded to taqwa in the Quran. Foran analysis of the conceptual and linguistic relationship between piety and fear, see Izutsu'sexcellent discussion of the use of the terms taqwa, khauf, khashya, rahiba (all of which are used interchangeably) in the Quran (1966:150; 195-200). 33. Rhetoric in this usage refersto the process by which the orator recruitsher listeners to participate in a shared economy of action and response (Burke 1969; McKeon 1987). See Appadurai 1990 for an insightful discussion of the rhetorical practice of praise by beggars in contemporary India, based on the classical Hindu aesthetic principle of rasa (juice or essence), which creates a shared "community of sentiment" among enunciators of praise, those who receive it, and the audience. 34. Foran extended analysis of the rhetorical practice of Islamic sermons in contemporary Egyptamong male preachers and listeners, see Hirschkind 2001 a. 35. Adverbial virtue is an expression used by the political theorist Michael Oakeshott (1975) to describe a conception of virtue that emphasizes the manner or sensibility with which a virtue is undertaken, as compared to an emphasis on the ends and purposes for which a virtue is undertaken. A particularvirtue can, of course, emphasize both aspects-as was the case with regnant understandings of virtue in the tradition I studied. 36. The English philosopher J. L. Austin calls a speech act felicitous when nothing "goes wrong" in its execution, that is, when the conditions that enable it to achieve its intended effect are met (1975:14-15). 37. For example, if one is preoccupied with issues pertaining to one's family, a common cause of distraction in salat, then women are advised to undertake a number of different acts outside of salat-such as repeating Quranic and supplicatory verses (azkar),or going out of their way to do something in the name of God, such as giving charity (sadaqa).Similarly,the booklet suggests a number of mental exercises to overcome laziness so as to be able to pray diligently. 38. For an analysis of ritual that departs from this point of view, especially in examining the role of intention and speech among the Sumbanese, see Keane 1997. 39. There is a large body of literaturein Islamic theology that deals with the importance of intention (al-niyya) in the performance of religious and worldly acts. Thus the same act (such as slaughtering an animal) acquires a different status depending on the intention with which it is undertaken-from an act of worship, to an ordinary act of tending to one's hunger, to an idolatrous act (see Nawawi 1990:23). Many of the mosque participants'discussions focused on how to render mundane tasks of daily living virtuous by dedicating the intention accompanying those acts to God, a process that oriented one's "secular"acts to securing His pleasure. For an interesting and contrastive discussion of contemporary debates about the proper role of intention in Muslim prayer in Indonesia, see Bowen 1997. 40. The Oxford English Dictionary lists three different meanings of experience, one of which refersto "the state of having been occupied in any department of study or practice .. ; [and] the aptitudes, skills, judgments, etc., thereby acquired." This is in contrast to experience understood as a form of consciousness or state of being. See Scott 1991 and Sharf 1998 for critiques of the use of the category of experience in a number of scholarly works to ground the analyst's epistemological authority. 41. A range of liberal thinkers, from Hobbes, to Rousseau, to Hume, to John StuartMill, take this disjunction to be central to their conception of individual and political freedom. In this view, the individual establishes agency and moral freedom by making contact with an inner voice, ratherthan responding to the will of others. Fora review of classical liberal points of view on individual and political freedom, see Berlin 1969 and Christman 1991.
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Mahmood Rehearsed Spontaneity and The Conventionality of Ritual Dsiciplines of Salat

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Rehearsed Spontaneity and the Conventionality of Ritual: Disciplines of "alt" Author(s): Saba Mahmood Source: American Ethnologist, Vol.

rehearsedspontaneityand the conventionality of ritual:disciplines of salat

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