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HIGHER NATIONAL DIPLOMA IN PERFORMING ARTS CONFESSIONS JANUARY 2013 PRACTICAL 15TH MAY 2014 ALL WRITTEN WORK DUE IN MONDAY 1
TH
MAY 2014
!earner Name
P/5( 1 $+ 2
To ac#ie$e a 'ass rade t#e e$idence must s#o% t#at t#e learner is able to&
1.1 evaluate the methods by which a range of professional choreographers generate and explore material for groups of dancers 1.2 evaluate a range of choreographic methods within own work for a group of dancers.
2.1 analyse professional works for groups of dancers in different styles and genres 2.2 use a range of choreographic devices within own group composition
3.1 assess the influences that have shaped the choreographic style of a range of professional choreographers 3.2 demonstrate the stylistic traits of professional choreographers with examples from their works 3.3 evaluate the influences on own choreographic style describing the impact of professional practitioners on own work
4.1 choreograph a cohesive and complex 5 minute dance piece for a group of performers. 4.2 take responsibility for all aspects of the piece including devising, rehearsal and performance, and design and technical decisions. 4.3 evaluate the development of the choreographic work and its performance
In order to ac#ie$e a merit rade t#e e$idence must s#o% t#at t#e learner is able to&
identify and apply strategies to find appropriate solutions Select and refine appropriate material for your choreography, highlighting specific choreographers that have influenced your choreographic style. Make sure each section is planned and rehearsed effectively. select/design and apply appropriate methods/techniques A range of Contemporary choreographers and choreographic methods and devices have been identified, researched and applied present and communicate appropriate findings
P/5( 2 $+ 2
)he student clearly analyses professional choreographic #orks for group dances and assesses the influences that shapes the choreographic style of professional choreographers. Students are to support their findings by including a bibliography and references.
In order to ac#ie$e a distinction rade t#e e$idence must s#o% t#at t#e learner is able to&
use critical reflection to evaluate o#n #ork and *ustify valid conclusions )horough rehearsal processes have been demonstrated to refine and improve the group choreography +eflection has taken place to evaluate the e$tent of professional choreographers influence on o#n #ork. realistic improvements have been proposed to ensure success in future pro*ects )ake responsibility for managing and organising activities ,ndependence has been demonstrated #hen organising e$tra time to focus researching, rehearsing and refining the group choreography -igh level of organisational skills has been demonstrated through the management of the pro*ect. A professional approach is maintained throughout each session .emonstrate creative thinking ,nnovation and creative thought have been applied to the group choreography Self/evaluation has taken place of the entire pro*ect from initial ideas to end performance.
P/5( 3 $+ 2
Gradin (riteria LO1 191:192 LO2 291: 292 LO3 391: 393 LO4 493
9valuate methods used by a range of professional choreographers 5chance, improvisation, contact improvisation6 Must provide e$amples by highlighting #here you have seen this in a professional #ork 9valuate professional #orks by commenting on choreographic devices5canon, unison, complimentary unison, contrast, music visualisation, repetition, motif, motif development6, use of space, path#ays, structure 5binary, ternary, rondo6
P/5( 4 $+ 2
:rom the practitioners you have identified #hat/#ho are their influences and ho# has this been sho#n in their #orks;
After the students have researched other choreographers they must discuss in their choreographic *ournal ho# the selected choreographers that they have researched links to their group choreography. )he students must evidence #hat choreographic methods and devices they have used to aid the group choreography and #hat/#ho has influenced the piece for Confessions. Students must dra# upon e$amples from the group choreography to support their findings. Students must maintain an evaluative approach throughout the choreographic *ournal discussing these points3
9valuate the development of your choreography #hat is going #ell; <hat needs improvement; -o# #ill you improve this; 9valuate the =erformance, #hat #orked give e$amples, #hat #ould you do differently give e$amples.
LO3 392 LO4 491: 492
TASK 2 - LEAR ! " #$T%#&E 3, 4 )his is the practical assessment. Learners must create a ' minute group dance that is to be embedded in the 1Confessions2 production. )he students must demonstrate a range of choreographic methods and devices and must sho# stylistic qualities of a professional choreographer. )he students are e$pected to take responsibility for their o#n #ork, as #ell as #ork together as a company. A professional approach to the rehearsal process must be maintained and evidenced of suitably ad*usting the group dance is e$pected. All students must perform their choreographic #ork taking into consideration characterisation8 the theme and message of the dance is to be communicated to the audience effectively.
E$idence (#ec)list& D!D OF PERFORMANCE CHOREOGRAPHIC JOURNAL T#is brief #as been $erified as bein fit for 'ur'ose Assessor Si nature Internal +erifier E!ENA *ENU!E+I(H Date
P/5( 5 $+ 2
Si nature
Date
P/5( ; $+ 2