Beruflich Dokumente
Kultur Dokumente
KV1
A076
ENTRY TITLE
Quartet Mvmt f/St
KEY #
d --
ADD
417c
417d
--
--
--
Composed supposedly in Jun 17 ! in "ienna# time 'ape difficult to determiine# per*aps in vicinity of t*en 'russian Quartets or Quartet f/St %" 417$& Composed most li5ely in Jun 17 ! in "ienna# first version of Aria %" 41 3 for insert in Anfossi6s opera 78l curioso indiscreto7# 5no9n only in %y$d reduction& /ated Jun 203 17 ! in "ienna# composed for Aloysia :an4e as insert into Anfossi6s 78l curioso indiscreto73 performed on Jun !03 17 ! at ;ur4 1*eater& Composed in Jun 17 ! in "ienna# composed for Aloysia :an4e as insert into Anfossi6s 78l curioso indescreto73 performed on Jun !03 17 ! at ;ur4 1*eater& /ated Jun 213 17 ! in "ienna# composed for "alentin Adam$er4er for insert into Anfossi6s 78l curioso indescreto73 $ut not sun4 in opera on Jun !03 17 !& Composed supposedly 17 ! in "ienna# no dou$t composed for :ud9i4 )isc*er& Composed supposedly in Jun or Jul 17 ! in "ienna# fourt of 6 Quartets f/St dedicated to Josep* Caydn as Dp E in 17 0& Composed in second *alf 17 ! in Sal.$ur4 and "ienna# a$andoned 9or5 $y )e$ 17 4&
417e
17
Aria f/S
--
41
41
Aria f/S
--
41,
41,
Aria f/S
--
420
420
Aria f/1
=$
--
421a
4!2
--
Brap datin
421$
42
Quartet f/St
=$
--
422
422
--
422a
A014
%yrie
--
--
'ape
Sal.$ur4# in connection 9it* Sal.$ur4 trip3 $ut also $et9 possi$ly in connection 9it* c*urc* 9or5s of 177,3 also or 17 03 or 17,1 at t*e time of 7Ave verum 1,,1 corpus73 %" 61 & 42! /uo f/"n ? "l -B --
42!
Composed $et9een Jul and Dct 17 ! in Sal.$ur4# >ece 9ritten as favor to Mic*ael Caydn 9*o 9as too sic5 fat*e to finis* commission for Arc*$is*op& 17 ! 42! sale t*es Composed $et9een Jul and Dct 17 ! in Sal.$ur4# See 9ritten as favor to Mic*ael Caydn 9*o 9as too sic5 to finis* commission for Arc*$is*op& Composed pro$a$ly in t*e second *alf of 17 ! in Sal.$ur4 and "iennaFGH# Mo.art named possi$le sin4ers in score& Composed end of Dct/$e4innin4 of +ov 17 ! in :in.&
424
424
--
=$
--
424a
4!0
:o sposo deluso
--
420
420
Symp*ony
F:in. Symp*onyH
!6
420a
444
--
!7
420$
4!1
=$
--
Composed supposedly in /ec 17 ! in "ienna# Aut* most li5ely for "alentin Adam$er4er# per*aps t*e +e9 7ne9 >odeauK7 $y Mo.art performed in concerts of 1on5unstler Society on /ec 22 and 2!3 17 !& /ated /ec 2,3 17 ! in "ienna Composed supposedly in /ec 17 ! in "ienna# no dou$t in connection 9it* %" 426 as introduction mvmt& Composed supposedly 17 ! in "ienna# datin4 accordin4 to AndrL# composed for JacAuin circle3 as Constan.e 9rote in 1 00 t*at t*e voice parts 9ere $y Botfried JacAuin& Composed supposedly 17 ! in "ienna# datin4 accordin4 to AndrL# composed for JacAuin circle3
426
426 A044
---
c c
---
426a
'ape /ec
4!6
4!6
+otturno f/2S ? 2;
--
4!7
4!7
+otturno f/2S ? 2;
Mi la4nerM tacendo
--
See
as Constan.e 9rote in 1 00 t*at t*e voice parts 9ere $y Botfried JacAuin& 4! +otturno f/2S ? 2; Se lontan3 $en mio3 tu sei =$ -Composed supposedly 17 ! in "ienna# datin4 accordin4 to AndrL# composed for JacAuin circle3 as Constan.e 9rote in 1 00 t*at t*e voice parts 9ere $y Botfried JacAuin& Composed supposedly 17 ! in "ienna# datin4 accordin4 to AndrL# composed for JacAuin circle3 as Constan.e 9rote in 1 00 t*at t*e voice parts 9ere $y Botfried JacAuin& Composed supposedly 17 ! in "ienna# datin4 accordin4 to AndrL# composed for JacAuin circle3 as Constan.e 9rote in 1 00 t*at t*e voice parts 9ere $y Botfried JacAuin& Composed supposedly in 17 ! in "ienna# $utr time determination not certain# per*aps ori4inally 9ritten for ! $assett*orns & See
4!
4!,
4!,
+otturno f/2S ? 2;
--
See
4!,a
!46
+otturno f/2S ? 2;
--
See
4!,$
A22,
;$
--
441
441
/as ;andel
--
Composed supposedly 17 ! in "ienna# must fall $et9een Mo.art6s 9eddin43 (Au4 17 2-3 and start of *is 9or5 catalo4ue3 ()e$ 17 4-# prompted $y ri$$on incident involvin4 Mo.art3 Constan.e and Bottfried JacAuin& Composed supposedly 17 ! in "ienna&
441a
--
--
442
442
--
d3B3/ --
Composed supposedly17 ! in "ienna# alt*ou4* ! mvmts do not $elon4 to4et*er3 all ori4inated from same time# fra4ments completed $y M Stadler&
447
447
Concerto f/Cn
--
=$
--
Composed supposedly 17 ! in "ienna# pro$a$ly for Josep* :eut4e$# not in Mo.art6s 9or5 catalo4ue3 so it is placed $efore its start in )e$ 17 4& /ated 17 4 in "ienna# supposedly Jan as not in 9or5 catalo4ue& Composed supposedly Jan 17 4 in "ienna# as not in 9or5 catalo4ue3 so assumed composed $efore )e$ ,& Composed supposedly Jan 17 4 in "ienna# as not in 9or5 catalo4ue3 so assumed composed $efore )e$ ,& /ated )e$ ,3 17 4 in "ienna# for ;ar$ara 'loyer 9*o first played it at *er residence on Mar 2!3 17 4& =ntered in 9or5 catalo4ue Mar 103 17 4 in "ienna# Mo.art first played Mar 24 in ;ur4 1*eater# ori4inal $e4innin4 of andante can $e seen in auto4rap* under ne9er version& =ntered in 9or5 catalo4ue Mar 223 17 4 in "ienna# first played $y Mo.art on Mar !13 17 4# Mo.art sent ornamentation of measures for andante to sister in 17 4& =ntered in 9or5 catalo4ue Mar !03 17 4 in "ienna# first performed on Apr 13 17 4 at ;ur4 1*eater& Composed pro$a$ly in sprin4 17 4 in "ienna# 5no9n only from mention in +issen6s $io4rap*y&
'lat* pape 1, 7
44 a
461
0 (6- Minuets
--
var
--
44 $
462
6 Countrty /ances
--
var
--
44 c
46!
--
)/;$
--
44,
44,
Concerto f/%y$d
--
=$
14
400
400
Concerto f/%y$d
--
;$
10
401
401
Concerto f/%y$d
--
16
402
402
--
=$
--
402a
A004
--
un5
--
402$
A000
--
--
402c
A060
--
--
;e4un pro$a$ly in Apr 17 4 in "ienna# pro$a$ly $e4innin4 of slo9 mvmt to %" 40!3 or3 a lesser
possi$ility3 to %" 40,& 40! Concerto f/%y$d -B 17 /ated Apr 123 17 4 in "ienna# 9rittten for ;ar$ara 'loyer 9*o premiered it Jun 1!3 17 4 in /Q$lin4& Composed supposedly 17 4 in "ienna# pasted in al$um for ;ar$ara 'loyer# *eaded 7Marc*e funR$re del Si4r Maestro Contrapunto7& Dri4inated 17 4 in "ienna# contained eKercises in *armony3 t*orou4*$ass3 small Auartets and c*oral pieces started $y Mo.art and filled in $y ;ar$ara 'loyer& =ntered in 9or5 catalo4ue Apr 213 17 4 in "ienna# composed for >e4ina Strinasacc*i to $e performed at concert at ;ur4 1*eater on Apr 2,& Composed pro$a$ly in Jun 17 4 in "ienna# $ased on Aria from Sarti opera 7)ra 8 due liti4anti il ter.o 4ode7# Mo.art6s auto4rap* only consists of t*eme and 2 "ariations# on Jun ,/123 17 4 Mo.art 9rote t*at *e played variations on Sarti6s t*eme# Artaria pu$lis*ed a set of variations under Mo.art6s name in 1 0!& /ated Au4 203 17 4 in "ienna# $ased on Arietta from Bluc56s opera3 7/ie 'il4rime von Me55a7# Mo.art *ad played variations on same t*eme in concert of Mar 2!3 17 !& =ntered in 9or5 catalo4ue Sep !03 17 4# pro$a$ly 9ritten for Maria 1*eresia 'aradis3 accordin4 to :eopold Mo.art6s letter of )e$ 1!3 17 0&
40!
40!a
--
--
--
40!$
--
--
n/a
--
404
404
--
;$
--
404a
460
"ariations f/%y$d
Come un a4nello
--
400
400
10 "ariations f/%y$d
--
406
406
Concerto f/%y$d
--
;$
407
407
Sonata f/%y$d
--
--
=ntered in 9or5 catalo4ue Dct 143 17 4 in "ienna# Auto pu$lis*ed 9it* )antasia %" 470 in /ec 17 03 9it* mvm dedication to Madame 1*LrRse de 1rattner& 1*er diffe (Po =ntered in 9or5 catalo4ue +ov ,3 17 4 in "ienna# t*ird of 6 Quartets f/St dedicated to Josep* Caydn as Dp E in 17 0&
40
40
Quartet f/St
Cunt Quartet
;$
--
40 a
A070
--
;$
--
Composed pro$a$ly $e4innin4 +ov 17 4 in "ienna# possi$ly a draft to Minuet of %" 40 &
40 $
A071
--
;$
--
Composed pro$a$ly $e4innin4 +ov 17 4 in "ienna# mi4*t $e draft to >ondo of %" 40 &
40,
40,
Concerto f/%y$d
--
1,
=ntered in 9or5 catalo4ue /ec 113 17 4 in "ienna& =d4e play 123 1 Composed most li5ely in /ec 17 4 in "ienna# possi$ly a$andoned middle mvmt for %" 40,& =ntered in 9or5 catalo4ue Jan 103 17 0# fift* of 6 Quartets f/St dedicated to Josep* Caydn as DpE in 17 0& Composed most li5ely end of 17 4 or Jan 17 0 in "ienna# most li5ely discarded >ondo mvmt to %" 464& =ntered in 9or5 catalo4ue Jan 143 17 0# siKt* of 6 Quartets f/Stdedicated to Josep* Caydn as DpE in 17 0& =ntered in 9or5 catalo4ue )e$ 103 17 0 in "ienna# first played in ;ur4 1*eater $y Mo.art on )e$ 113 17 0& /ated )e$ 17 03 $ut entered in 9or5 catalo4ue Mar ,3 17 0 in "ienna& =ntered in 9or5 catalo4ue Mar 263 17 0# pro$a$ly composed for :eopold Mo.art6s elevation to 2nd de4ree of Masonry in 1rue Concord :od4e on Apr 163 17 0& Composed pro$a$ly 17 0 in "ienna# Mo.art admitted to ;eneficence :od4e on /ec 14317 43 and first composition 9ritten for lod4e 9as %" 46 3 t*us t*is pro$a$ly s*orly after# Mo.art only drafted first 2 mvmts# !rd mvmt $ro5e off after 17 measures# M Stadler completed mvmts in different
40,a
A00,
--
--
'ape 17 4
464
464
Quartet f/St
--
--
464a
A072
Quartet Mvmt
--
--
460
460
Quartet f/St
/issonance Quartet
--
466
466
Concerto f/%y$d
--
20
467
467
Concerto f/%y$d
--
21
46
46
Besellenreise
;$
--
46 a
42,
Cantata
=$
--
versions& 46, Cantata /avidde penitente c -Composed Mar 17 0 in "ienna# re9or5ed portions of Mass %" 427 and 2 ne9ly composed Arias (Aria for "alentin Adam$er4er3 entered in Por5 Catalo4ue on Mar 63 and Aria for Caterina Cavalieri3 entered on Mar 11-# performed at ;ur4 t*eater on Mar 1! and 103 17 6& =ntered in 9or5 catalo4ue Apr 13 17 0 in "ienna# pro$a$ly for Ceinric* Marc*and3 per*aps as replacement mvmt in Concerto f/"n %" 21 & Pritten out supposedly in Apr 17 0 in "ienna# additiions to B; "iotti6s Concerto f/"n U16 in e&
1,,2
46,
470
470
--
--
470a
--
un5
--
471
471
/ie Maurerfreude
=$
--
=ntered in 9or5 catalo4ue Apr 203 17 0# performed at lod4e Iur 4e5rQnten Coffnun4 on Apr 24& =ntered in 9or5 catalo4ue May 73 17 0& =ntered in 9or5 catalo4ue May 73 17 0&
472
472 47!
4 ;$
---
47!
474
474 470
B c
---
=ntered in 9or5 catalo4ue May 73 17 0& =ntered in 9or5 catalo4ue May 203 17 0 in "ienna# pu$lis*ed 9it* Sonata %" 407 in /ec 17 0 9it* dedication to Madame 1*LrRse de 1rattner& Composed supposedly 17 0 in "ienna& =ntered in 9or5 catalo4ue Jun 3 17 0& Composed most li5ely in Sep 17 0 in "ienna# advertised in "ienna paper on Sep 263 17 03 7'er la ricuperata salute di Dp*elia73 on recovery of Madame Storace3 9it* music $y Salieri3 Mo.art3 Cornetti# could $e purc*ased at Artaria ? Co&
470
470a
A026 476
d B un5
----
476
477a
(%2Cantata A011a
"ien 47 Quartet f/%y$d ? St -4 -/ated Dct 163 17 0 8n "ienna# *o9ever entered in 9or5 catalo4ue under 7in t*e mont* of July7# pu$lis*ed in "ienna $y Coffmeister as first of ! in proVected cycle& /ated +ov 03 17 0 in "ienna# insert in ;ianc*i6s opera $uffa 7:a villanella rapita7# performed +ov 2 3 17 0 at ;ur4 1*eater& Composed most li5ely around +ov 103 17 0 in "ienna# entered in 9or5 catalo4ue in Jul as funeral music for 2 Masonic $rot*ers# *o9ever t*ese 2 did not die until +ov 6 and 73 17 0&
47
47,
47,
Quartet f/S1 ? 2;
=$
--
47,a
477
--
--
4 0
4 0
1rio f/S1;
Mandina ama$ile
--
/ated +ov 213 17 0 in "ienna# insert in ;ianc*i6s opera $uffa 7:a villanella rapita7 performed +ov 2 3 17 0 at ;ur4 1*eater&
4 0$
4!4
1rio f/1 ? 2;
;$
--
Composed pro$a$ly end of 17 0 in "ienna# 1yso introduction ensem$le to opera 78l re4no delle poss ama..oni7 t*at Mo.art 9as apparently considerin4& fall o =ntered in 9or5 catalo4ue /ec 123 17 0 in "ienna&
4 1
4 1 4 2
---
=$ =$
-22
4 2
/ated /ec 163 17 0 in "ienna# performed /ec 2!3 'oss 17 0 at ;ur4 1*eater 9*en andante 9as repeated& $et9 (Ceu Composed supposedly in /ec 17 0 in "ienna# teKt related to t*e consolidatin4 of Masonic lod4es in "ienna $y =mperor Josep* 88 in /ec 17 0& Composed supposedly in /ec 17 0 in "ienna# teKt related to t*e consolidatin4 of Masonic lod4es in "ienna $y =mperor Josep* 88 in /ec 17 0& Composed pro$a$ly end of 17 0 in "ienna# no dou$t for MWB6!4asonic festivities# alt*ou4* pro$a$ly in same time as %"%4 4$3 %4 4c not intended as one Sonata&
4 !
4 !
--
4 4
4 4
--
4 4a
411
--
;$
--
'ape +MA
4 4$
A0,0
--
;$
--
Composed pro$a$ly end of 17 0 in "ienna# $e4innin4 of Cl part also found on manuscript pa4e ! of %" 4 4a& Dri4inated pro$a$ly end of 17 0 in "ienna& Composed pro$a$ly end of 17 0 in "ienna# later pu$lis*ed 9it* teKt $y ;?C&
'ape Mo.
4 4c
A0,! 410
---
) )
---
'ape
4 4d
4 4e
--
Alle4ro f/;t*n(G- ? G
--
--
4 0
4 0
>ondo f/%y$d
--
--
/ated Jan 103 17 6# in auto4rap* dedication to 7Madselle C*arlotte de PNX73 possi$ly PNr$en& =ntered in 9or5 catalo4ue )e$ !3 17 6 in "ienna# 9it*in auto4rap* 1er.ett U! is dated Jan 1 3 17 6# first performed )e$ 73 17 6 at t*e Dran4ery at Sc*Qn$runn 'alace in "ienna3 after Salieri6s 7'rima la musica3 e poi le parole73 for entertainment in *onor of =mperor Josep* 886s sister& =ntered in 9or5 catalo4ue Mar 23 17 6&
4 6
4 6
/er Sc*auspieldire5tor
--
Concerto f/%y$d
--
2!
1yso t*en
A00
--
--
Composed pro$a$ly in )e$/Mar 17 6 in "ienna# from scorin4 for 2 Cls and no D$s3 li5ely middle mvmt is draft to %" 4 # title 7/avide penitente7 in Mo.art6s *and over measures 7-,& Composed pro$a$ly in )e$/Mar 17 6 in "ienna# from scorin4 for 2 Cls and no D$s3 li5ely is final mvmt draft to %" 4 & Composed pro$a$ly in )e$/Mar 17 6 in "ienna# from scorin4 for 2 Cls and no D$s3 li5ely is final mvmt draft to %" 4 &
A06!
--
--
A064
--
--
--
--
--
;e4un pro$a$ly )e$/Mar 17 6 in "ienna# connected to %" 4 & /ated Mar 103 17 6 in "ienna# replaced duet in Act 88 Scene 20 for private performance of 78domeneo7 in palace of 'rince %arl Auersper4 on Mar 1!3 17 6& /ated Mar 103 17 6 in "ienna# insert to $e4in Act 88 for private performance of 78domeneo7 in palace of 'rince %arl Auersper4 on Mar 1!3 17 6# sin4er ;aron 'ulini3 violiinist Count Cat.feld& =ntered in 9or5 catalo4ue Mar 243 17 6# played $y Mo.art in Apr !3 17 6 su$scription concert& Composed pro$a$ly Mar 17 6 in "ienna# a$andoned draft of middle mvmt of %" 4,1& Completed Apr 1,3 17 6 in "ienna3 $e4un pro$a$ly end of Dct 17 0# first performed May 13 17 6 at ;ur4 1*eater in "ienna& =ntered in 9or5 catalo4ue Jun !3 17 6 in "ienna# 9ritten as second in planned cycle of ! to $e pu$lis*ed $y Coffmeister3 9*o did not pu$lis* it# pu$lis*ed $y Artaria in 17 7& F+ot dated in %"6&H Dri4inal final mvmt of %" 4,!&
4 ,
4 ,
Spier4arti3 no poss6 io
--
4,0
4,0
Scena 9/>ondo f/1 9/"n +on piY/+on temer3 Solo amato $ene
;$
--
4,1
4,1
Concerto f/%y$d
--
24
4,1a
A062
--
=$
--
4,2
4,2
:e +o..e di )i4aro
--
4,!
4,!
Quartet f/%y$d ? St
--
=$
--
4,!a
A00!
--
=$
--
4,4
4,4
--
--
=ntered in 9or5 catalo4ue Jun 103 17 6 in "ienna# pu$lis*ed $y Coffmeister in 17 9it* 2 mvmts %" 0!! as Sonata# Mo.art composed additional 27 measure 7Caden.a7 to >ondo for pu$lication& ;e4un pro$a$ly Jul 17 6 in "ienna&
4,4a
--
--
4,0
4,0
Concerto f/Cn
--
=$
--
4,0a
A002
--
--
Composed most li5ely in Jun/Jul 17 6 in "ienna# pro$a$ly intended as openin4 mvmt for %" 4,6&
4,6
4,6 4 7
---
B C
---
=ntered in 9or5 ctalo4ue Jul 3 17 6 in "ienna& Auto4rap* of U13 ! and 6 *eaded $y un5no9n *and Jul 273 17 63 in "ienna durin4 a 4ame of s5ittles# first pu$lis*ed (12 pieces- in edition for 2 Cns a$out 1 103 $ut also pu$lis*ed in 1,t* Century in editions for 2 "ns and for 2 ;t*ns& =ntered in 9or5 catalo4ue Au4 13 17 6 in "ienna&
4,6a
4,7
4,7 !07/1
---
) B
---
4,7a
Composed pro$a$ly in late summer 17 6 in Auto "ienna# from letter of Constan.e Mo.art to AndrL used in 1 003 connected 9it* "ariations %" 001# Mo.art /ec apparently plannin4 4-*and Sonata& =ntered in 9or5 catalo4ue Au4 03 17 6 in "ienna# 9ritten for )ran.is5a von JacAuin# also called 7%e4elstatt73 as Mo.art 9as3 le4end *as it3 $o9lin4 9*ile composin4& =ntered in 9or5 catalo4ue Au4 1,3 17 6# pu$lis*ed $y Coffmeister in Sep 17 6& =ntered in 9or5 catalo4ue Sep 123 17 6 in "ienna# t*eme ori4in un5no9n possi$ly ori4inal&
4,
4,
7%e4elstatt 1rio7
=$
--
4,,
4,,
Quartet f/St
--
--
000
000
12 "ariations f/%y$d
--
;$
--
000a
!07/2
--
--
Composed $efore +ov 43 17 6 in "ienna# from Auto Constan.e Mo.art letter to AndrL in 1 003 appears $y M to $e connected 9it* a planned Sonata& =ntered in 9or5 catalo4ue +ov 43 17 6 in "ienna# crossed out in auto4rap* is 7Cem$alo 1mo and 2do73 and replaced 9it* 7Mano diritta7 and 7Mano sinistra73 s*o9in4 t*at Mo.art ori4inally conceived piece for %y$d-4-Cands& Composed most li5ely in +ov 17 6 in "ienna# connected to %" 002&
001
001
--
--
001a
A001
--
;$
--
'ape Auto
002
002 A060
---
;$ C
---
=ntered in 9or5 catalo4ue +ov 1 3 17 6 in "ienna& Composed most li5ely +ov 17 6 in "ienna# no dou$t draft to %" 00!&
002a
'ape eit*e or ar 1, 7
00!
00!
Concerto f/%y$d
--
20
=ntered in 9or5 catalo4ue /ec 43 17 6# composed 1yso for one of t*e 4 Advent concerts of 17 6& finis* =ntered in 9or5 catalo4ue /ec 63 17 6 in "ienna# first performed in 'ra4ue on Jan 1,3 17 7& 'ro$a$ly $e4un $e4innin4 /ec 17 6 in "ienna# reVected slo9 mvmt of 'ra4ue Symp*ony& /ated /ec 263 17 6 in "ienna# composed for +ancy Storace 9it* *imself playin4 %y$d o$$li4ato& Composed supposedly 17 6(G- in "ienna# appeared in Pienerisc*en Musenalmanac* for 17 6& 1*e instruction lasted from autumn 17 0 to Au4 17 6# $oo5let contains instructions $e4innin4 9it* elementary t*eory pro$lems and pro4ressin4# contains *and9ritin4 of $ot* Mo.art and At9ood&
004
004
Symp*ony
F'ra4ue Symp*onyH
004a
A100
Symp*ony Mvmt
--
--
000
000
--
006
006
--
006a
--
--
n/a
--
007
007
--
--
Composed supposedly after Jun !3 17 6 in "ienna# on same manuscript pa4e 9it* draft to finale of Quartet f/%y$d ? St %" 4,!3 (also %" 00 3 00 A-3 t*us dated after t*at3 *o9ever datin4 uncertain# teKt added later $y ;?C& Composed supposedly after Jun !3 17 6 in "ienna# on same manuscript pa4e 9it* draft to finale of Quartet f/%y$d ? St %" 4,!3 (also %" 0073 00 A-3 t*us dated after t*at3 *o9ever datin4 uncertain# teKt added later $y ;?C& Composed supposedly after Jun !3 17 6 in "ienna# on same manuscript pa4e 9it* draft to finale of Quartet f/%y$d ? St %" 4,!3 (also %" 0073
00
00
--
--
00 A
--
--
--
00 -3 t*us dated after t*at3 *o9ever datin4 uncertain# teKt added later $y ;?C& -Canons -var -Composed supposedly after Jun !3 17 6 in "ienna# on same manuscript pa4e 9it* draft to finale of Quartet f/%y$d ? St %" 4,!3 (different from %" 007300 3 ? 00 A-3 t*us dated after t*at3 *o9ever datin4 uncertain& =ntered in 9or5 catalo4ue )e$ 63 17 7 in 'ra4ue# %y$d version in Mo.art6s *and also preserved&
00 a
00,
00,
6 Berman /ances
--
var
--
'lat* first&
00,a
2!2
--
Composed most li5ely in sprin4 17 7 in "ienna# pro$ name 7Baulimauli7 connected 9it* Mo.art letter of fat*e Jan 143 17 73 referrin4 to )ran. Ja5o$ on D )reystZdtler# ne9 teKt $y ;?C for pu$lication&
00,$
--
Comedy
--
F+ot dated $y %"63 $ut placed at time of Canon %" /atin 00,a $ecause of similarity of names in teKt&H 8s (see outline of first 4 scenes of a spo5en comedy& Mus 1,6! Jose Sal. $e4i
00,c
A02
Comedy in ! Acts
/ie :ie$espro$e
n/a
--
F+ot dated $y %"63 $ut stated mi4*t $e in t*e 8s ! same time as %" 00,$&H >eferred to as a 7draft for in ! Berman operette7& Spo5 /ated Mar 113 17 7 in "ienna& /ated Mar 1,3 17 7 in "ienna# 9ritten for :ud9i4 )isc*er 9*o san4 it on Mar 213 17 7 in %Zrntnertor 1*eater& /ated Mar 17 7 in "ienna# 9ritten for Bottfried von JacAuin& Composed pro$a$ly $e4innin4 17 7 in "ienna# no dou$t $elon4ed in circle of 4reat Quintets& =ntered in 9or5 catalo4ue Apr 17 7 in "ienna& Composed most li5ely in Apr 17 7 in "ienna#
011
011 012
--
---
012
01!
01!
Aria f/;
=$
--
014a
A0 0
--
;$
--
010
010 A0 7
---
C )
---
010a
'ape
pro$a$ly or4inally $e4innin4 of slo9 mvmt of %" 010& /ou$le Canon for 4 "oices -;$ -/ated in al$um of Josep* )ran. von JacAuin Apr 243 17 7 in "ienna3 alon4 9it* =n4lis* sentence 7/on6t never for4et your true and fait*ful friend7& Copy of %" 016$/1 $y Al$rec*ts$er4er $ut 9it* c*an4es# teKt added later $y ;?C& Composed pro$a$ly in May 17 7 in "ienna# pro$a$ly from time $et9een Quintets f/St %" 010 ? %" 016& /ated May 163 17 7 in "ienna Composed most li5ely in May 17 7 in "ienna# a$andoned finale of Quintet f/St %" 016& Arran4ed most li5ely in sprin4 17 7 in "ienna# Mo.art6s o9n arran4ement of Pind Serenade %" ! 4a# no dou$t arran4ed 9it* series of ! Auintets3 (9it* %" 010 ? %" 016-3 in order& Composed pro$a$ly in sprin4 17 7 in "ienna&
per* a (1y
010$/1 --
010$/2 22
--
010c
A07,
--
Dn p per* a (1y
016
016 A0 6
---
4 4
---
016a
016$
406
--
--
'ro$ Stud
016c
A0,1
--
;$
--
016d
--
>ondo f/Cl ? St
--
=$
--
;e4un pro$a$ly in sprin4 17 7 in "ienna# on same manuscript pa4e 9it* s5etc* to %" 0163 (in addition to %" 0!7 and ot*ers-# structure of piece s*o9s possi$ly on a /ivertimento& F+ot dated in %"6&H +o dou$t in time of %" 016c and %" 016d& Dri4inated most li5ely after May 163 17 7 in "ienna# on same manuscript pa4e 9it* $e4innin4 to Ada4io of %" 016&
016e
A0 ,
>ondo f/Cl ? St
--
=$
--
016f
--
--
--
017
017
/ie Alte
--
=ntered in 9or5 catalo4ue May 1 3 17 7 in "ienna& =ntered in 9or5 catalo4ue May 203 17 7 in "ienna& =ntered in 9or5 catalo4ue May 2!3 17 7 in "ienna& =ntered in 9or5 catalo4ue May 263 17 7 in "ienna# auto4rap* states 9ritten in room of Bottfried von JacAuin# pu$lis*ed in Mar 17,1 under JacAuin6s name& /ated May 2,3 17 7 in "ienna# sent to )ran.is5a von JacAuin immediately after completion3 $ut dedicated to ;a$ette and +anette +atorp 9*en pu$lis*ed a year later& 19o %y$rds desi4nated in auto4rap* %y$rd parts&
01
01
/ie "ersc*9ei4un4
--
Actu (5on
01,
01,
--
020
020
--
021
021
--
--
022
022
A Musical Jo5e
--
--
=ntered in 9or5 catalo4ue Jun 143 17 7 in "ienna& 'oss asid 1, 7 Composed most li5ley first *alf Jun 17 7 in "ienna# settin4 and c*aracter of 9or5 connect it to %" 022& =ntered in 9or5 catalo4ue Jun 243 17 7 in "ienna& =ntered in 9or5 catalo4ue Jun 243 17 7 in "ienna& =ntered in 9or5 catalou4e Au4 103 17 7 in "ienna# entered as 0-mvmt 9or5# first of 2 Minuets is missin4& Composed most li5ely $e4innin4 Au4 17 7 in "ienna# draft for 2nd mvmt of %" 020& =ntered in 9or5 catalo4ue Au4 243 17 7& Dri4inated pro$a$ly in summer 17 7 in "ienna# draft for Sonata %" 026# on same manuscript pa4e
022a
A10
>ondo f/Drc*
--
--
02!
Son4 f/1 Sin4er 9/%y$d Son4 f/1 Sin4er 9/%y$d A :ittle +i4*t Music
A$endempfindun4 An C*loe --
) =$ B
----
024
020
020a
A06,
:ar4*etto f/St
--
--
026
026 A000
---
A A
---
026a
9it* s5etc*es to 7/on Biovanni73 %" 0 7& 027 /ramma 4iocoso in 2 Acts /on Biovanni d -=ntered in 9or5 catalo4ue Dct 2 3 17 7 in 'ra4ue# first performed Dct 2,3 17 7 at +ational 1*eater in 'ra4ue&
027