Beruflich Dokumente
Kultur Dokumente
a
O
.5
OO
u,
E tr a! o
\
a o
a
a
+
o o
1+ 2 + 3 + 4 + 5 + 6 + 7 + 8
Estos pafrones representan ritrnos que escuch6 en los
These patterns represent rhythms
pasillos de Wilson High School en 1984. Los estudiantes lo tocaban golpeando los lockers mientras declamaban sus raps. Escuchar6 cuatro
ejemplos:
I heard in the halls of Wilson High School in 1984. The students banged them out on lockers as they recited their raps. You
will hear four examples: .Mp-in-sJtsp;
-Felipe playing / singing allfour parts at once -five voices oyerdub (adds the bomb6 part ) -a short example (chant and clap)by third graders.
.Rap in aTrap:: -Felipe tocando y cantando las cuaEo partes a la vez -Felipe multigrabado 5 voces (con bomb6) -cantado por un grupo de niflos del grado 34. .Gotta Get One,
La influencia africana en las amdricas se debe al trdfico de esclavos africanos trafdos a nuestro
hemisferio como parte de Ia colonizaci6n europea del area. La gran mayorfa de estos africanos fueron directamente al caribe y Brasil, donde mantuvieron vivas sus culturas religiosas y musicales.
The influence of Africa in the Americas is stems from trade in African slaves brought to to our hemisphere as part of European colonization of the area. The
Africans
separated
English-speaking North America, from members of their tribes and without a steady flow of African-born new arrivals, lost their ancestral religions. But they managed to maintain the essential characteristics of their music, which
in
Caracterfsticas de la musica de herencia africana son: . patr6nes de llamado y repuesta (gallo y coro)
relacionan en maneras interesantes y con variaciones sobre la estructura . estilos de hablar con nrucho ritmo y melodfa; el habla llega a ser el canto
*call and response (solo and chorus) pattern *rhythm ai a number of fixed, simple patterns that interact in interesting ways, as well as improvisation onthe structure. *speaking styles with lots of rhythm and melody;
talking becomes singing (James Brown, rap). *rhythrn uses stressed upbeats to create tension. RHYTHM
PAGE #
key fe atur e s
of Afri
Liliana
WORDS BY
P. Pasmanick@ 1992
ra
22
t994
V i s t a' s
sc
ho
oI
-w
ide
on gb o o k
SFUSD