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2. 3. EXT.now FADE But IN:an officer's SIDEWALK CAFE (ACROSS whistle FROM shatters PALAISthe DE JUSTICE) calm.

Veiled - DAY women run screaming for shelter. Street vendors, beggars and A REVOLVING middle-aged urchins melt GLOBE ENGLISH into COUPLE doorways. sitAat police theircar table pulls observing up, sirens the commotion. shrieking; A DARK Native EUROPEAN Frenchman officers standing proceed nearby towatches round As frightened up them the more globe closely revolves refugees. thanit the becomes scene on animated the street. -- long lines of people stream from all sections of Europe to converge upon oneapoint At corner ontwo thepolicemen tip of Africa. ENGLISHWOMAN have stopped Over this a white animated civilian. scene comes the voice What ofon a Narrator. earth's going on there? FIRST POLICEMAN May we see your NARRATOR DARK papers, EUROPEAN please? With the (approaching coming ofthe the Second Worldcouple) War, many CIVILIAN eyes in imprisoned I Pardon, don't Madame... think Europe I have turned have them you-not on hopefully, me. heard? or desperately, toward the freedom of the Americas. Lisbon FIRSTbecame ENGLISHMAN POLICEMAN the great In We that hear embarkation case,little very we'll point. have -and But to we ask not to you understand everybody comeless. along. could get to Lisbon directly, and so, a "Casablanca" tortuous, roundabout CIVILIAN DARK EUROPEAN refugee trail(patting sprang by up... his pockets) It's just possible that I -An animated map Yes, illustrates here they the are. trail as the narrator Julius Epstein, Philip G. mentions the points. Epstein, and Howard Koch He brings out his papers. The second policeman examines them. NARRATOR Adapted from the play Paris to Marseilles, across the Mediterranean SECOND to to Oran, POLICEMAN then by "Everybody Comes Rick's" train,papers These or auto, expired or foot, three across the rim weeks ago. of You'll Africa to have Casablanca to -by in French Morocco. Suddenly the civilian breaks starts to run wildly Murray Burnett and away, Joan Allison A relief down the street. map of Casablanca We hear the shows policeman the ocean shout on"Halt!" one side --and the the But desert civilian on thekeeps other. going. A shot rings out; the man falls. NARRATOR Huddled in a doorway Here, the are fortunate JAN and ANNINA ones, BRANDEL, the dazed and frightened through spectators money, toor this influence, casual tragedy. or They are an Austrian couple, luck, might youngobtain and attractive, exit visasthrust by circumstancesand into scurry an unfamiliar, to Lisbon,hectic and from world. Lisbon to the New World. But Annina's handthe clutches othersher wait husband's in Casablanca arm as-their eyes follow the police, and wait who-are and examining wait -- the and victim. wait. The narrator's voice fades away... EXT. PALAIS OLD MOORISH DE JUSTICE SECTION - DAY OF THE CITY - DAY Carved At first inonly marble thealong turrets theand roofline rooftops areare thevisible words, "Liberte, against a torrid Fraternite." Egalite, sky. Then we Below see the that facades the high-vaulted of the Moorish entrance buildings, is inscribed, and"Palais a narrow, de Justice." twisting street A queue crowded of people withof the polyglot all ages and lifenationalities of a native quarter. overflows from inside the building and down the steps. 1234 Your Street The intense desert sun holds the scene in City, a torpid State Zip tranquillity. A police car pulls Activity up to isthe unhurried curb. Aand policeman sounds are muted. the Phone opens grated door at the back and a nondescript assortment of refugees begin to pour out. CUT TO:

2. 3. 4. EXT.now FADE But IN:an officer's SIDEWALK CAFE (ACROSS whistle DARK FROM shatters EUROPEAN PALAISthe DE JUSTICE) calm. Veiled - DAY women run screaming Not at for all.shelter. Street vendors, beggars and A REVOLVING middle-aged urchins melt GLOBE ENGLISH into (raising doorways. COUPLE his sit hat) Aat police theircar table pulls observing up, sirens the commotion. shrieking; Bon A DARK jour, Native EUROPEAN Madame. Frenchman Bon officers standing jour, proceed nearby towatches round As frightened up them the more globe closely revolves M'sieur. refugees. thanit the becomes scene on animated the street. -- long lines of people stream from all sections of Europe to converge upon He onewalks At apoint corner off. ontwo the The policemen tip Englishman, of Africa. ENGLISHWOMAN havestill stopped Overathis trifle a white animated disconcerted civilian. scene by comes thethe European's voice What ofaction, on a Narrator. earth's looks going after on him, there? mopping his brow with his handkerchief. FIRST POLICEMAN May we see your NARRATOR DARK papers, EUROPEAN please? With the (approaching coming ENGLISHMAN ofthe the Second Worldcouple) Friendly War, chap, many CIVILIAN wasn't eyes in he? imprisoned I Pardon, don't Madame... think Europe I have turned have them you-not on As he pats his hopefully, me. heard? breast pocket or desperately, there is something lacking. He opens his coat, towardfeels the freedom inside.of the Americas. Lisbon FIRSTbecame ENGLISHMAN POLICEMAN the great In We that hear embarkation case, very ENGLISHMAN little we'll point. have -and But to we ask not to you understand Silly everybody of come me... less. along. could get to Lisbon directly, and so, a tortuous, roundabout CIVILIAN DARK ENGLISHWOMAN EUROPEAN refugee trail Two What, German (patting sprang dear? couriers up... his pockets) were found murdered It's justin possible the desert. that I -An animated map Yes, illustrates here (an ironic they ENGLISHMAN the are. smile) trail as the narrator mentions the points. The... unoccupied desert. This He brings outis his the papers. customary The second rounduppoliceman of examines them. refugees, liberals, NARRATORand... of course, Paris toaMarseilles, beautiful young across girl the for Mediterranean M'sieur Renault, SECOND to Oran, POLICEMAN the then Prefect by of train, These Police. papers or auto, expired or foot, three across the rim weeks ago. of You'll Africa have to Casablanca to -Refugees continue in French to emerge Morocco. from the police car. Last out is Suddenly a young the blonde civilian girl. breaks away, starts to run wildly A relief down the street. map of Casablanca We hear the shows policeman the ocean shout on"Halt!" one side --and the the But desert civilian on thekeeps other. going. DARK A EUROPEAN shot rings out; the man falls. Unfortunately, along with these unhappy refugees NARRATOR the scum of Huddled in a doorway Here, the Europe has are fortunate gravitated JAN and ANNINA ones, to BRANDEL, the dazed and frightened through Casablanca. spectators money, Some toor this of influence, them casual have tragedy. or They are an Austrian couple, luck,waiting been might youngobtain and years attractive, exitavisas for visa. thrust by circumstancesand into scurry an unfamiliar, to Lisbon,hectic and from world. He puts his arm Lisbon compassionately to the New World. aroundBut the Englishman. Annina's handthe clutches othersher wait husband's in Casablanca arm as-their eyes follow the police, and wait who-are and DARK examining wait EUROPEAN -- the and victim. wait. M'sieur, I beg of you, watch The narrator's yourself. voice fades Be on away... guard. This CUT TO: place is full of vultures. EXT. PALAIS OLD MOORISH DE Vultures JUSTICE SECTION everywhere, - DAY OF THE CITY everywhere. - DAY Thefirst At Carved Englishman inonly marble the isalong turrets rather the taken and roofline rooftops abackare byare thevisible this words, sudden"Liberte, against display a torrid Egalite, of concern. sky. Then we Below Fraternite." see the that facades the high-vaulted of the Moorish entrance buildings, is inscribed, and"Palais a narrow, de Justice." twisting street A queue crowded of people withof the polyglot all ages and lifenationalities of a nativeENGLISHMAN quarter. overflows from inside the building and down Er-er-thank the steps. you. Thank you very The intense desert much. sun holds the scene in a torpid tranquillity. A police car pulls Activity up to isthe unhurried curb. Aand policeman sounds opens are muted. the grated door at the back and a nondescript assortment of refugees begin to pour out.

2. 3. 4. 5. But now EXT. SIDEWALK AIRPORT an officer's -CAFE DAY (ACROSS whistle DARK FROM shatters EUROPEAN PALAISthe DE JUSTICE) calm. Veiled - DAY women run screaming Not at for all.shelter. Street vendors, beggars and A Waiting middle-aged urchins on the melt ENGLISH ground into (raising doorways. COUPLE is CAPTAIN his sit hat) ALOUIS at police their RENAULT, car table pulls observing a French up, sirens the officer, commotion. shrieking; appointed Bon A DARK jour, Native by Vichy EUROPEAN Madame. French as Prefect man Bon officers standing jour, ofproceed Police nearby towatches in round up frightened them Casablanca. more closely He M'sieur. refugees. is a than handsome, the scene middle-aged on the street. Frenchman, debonair and gay, but withal a shrewd and alert official. He At walks a corner off. two The policemen Englishman, ENGLISHWOMAN havestill stopped a trifle a white disconcerted civilian. by Around the European's him are What clustered action, on earth's the looks German going after on Consul, him, there? mopping HERR HEINZE, his a brow youngwith Italian his handkerchief. officer, CAPTAIN FIRST TONELLI, POLICEMANand Renault's aide, LIEUTENANT CASSELLE. May we see Behind your DARK them papers, EUROPEAN is aplease? detail of French native soldiers. (approaching ENGLISHMAN the Friendly couple) chap, CIVILIAN wasn't he? The first passenger I Pardon, don'tout think Madame... is a I large have have them German. you-not on He is blandAs he pats faced, withhis ame. heard? perpetual breast pocket smilethere that seems is something more the lacking. result He a of opens frozen hisface coat, muscle feelsthan inside. a cheerful disposition. On any occasion when MAJOR STRASSER FIRST POLICEMAN ENGLISHMAN is crossed, the smile melts and theWe In expression that very hear case, hardens ENGLISHMAN little we'll into have -and iron. towe ask you toof understand Silly come me... less. along. Herr Heinze steps up to him with upraised arm. CIVILIAN DARK ENGLISHWOMAN EUROPEAN Two German What, (patting dear?couriers HEINZE his pockets) were found murdered Heil It's Hitler. justin possible the desert. that I -Yes, here (an ironic they ENGLISHMAN are. smile) The... Leavingunoccupied my wallet STRASSER desert. in the hotel This He brings outis room... Heil his the papers. Hitler. customary The second rounduppoliceman of examines them. refugees, liberals, and... of He closes They shakehis hands. course, coat, then a beautiful suddenlyyoung looksgirl off in the direction of the for departing M'sieur Renault, SECOND European, POLICEMAN thethe Prefect clouds of suspicion gathering. of These Police. papersHEINZE expired three weeks(ago. You'll have to -Refugees But now, continue overhead,to the emerge dronefrom of athe low-flying police car. airplane Last out is is Suddenly heard. a young Heads the blonde civilian look girl. up. breaks away, starts to run wildly down the street. We hear the policeman shout "Halt!" -But AIRPLANE THE the civilian OVERHEAD keeps going. DARK A EUROPEAN shot rings out; the man falls. Unfortunately, along with these Its motor cutunhappy for a landing refugees --the a swastika scum of visible on its Huddled in a doorway tail. Europe has aregravitated JAN and ANNINA to BRANDEL, the dazed and frightened Casablanca. spectatorsSome to this of them casual have tragedy. They are an Austrian EXT. PALAIS DE couple, been JUSTICE waiting young - DAY and years attractive, for a visa. thrust by circumstances into an unfamiliar, hectic world. He puts The refugees' his arm upturned compassionately gaze follows around thethe flight Englishman. of the Annina's plane. Inhand their clutches faces is her revealed husband's onearm hope asthey their all eyes have follow in common the-police, and the who plane are DARK examining is the EUROPEAN symbol the of victim. that hope. M'sieur, I beg of you, watch Jan and Annina yourself. are justBe taking on guard. theirThis places at CUTthe TO:end of the line. Their place eyes isalso fullfollow of vultures. the droning plane. EXT. PALAIS DE Vultures JUSTICEeverywhere, - DAY everywhere. ANNINA Carved The Englishman in marble Perhaps isalong rather tomorrow the taken roofline we'll abackare be byon the words, this sudden"Liberte, display Egalite, of concern. Fraternite." that plane. Below that the high-vaulted entrance is inscribed, "Palais de Justice." A queue of people of all ages and nationalities ENGLISHMAN overflows from inside DISSOLVE the TO: building and down Er-er-thank the steps. you. Thank you very THE AIRPLANE OVERHEAD much. A police car pulls up to the curb. A policeman opens the swooping grated door down, at past the back a neon andsign a nondescript on a building assortment on the edge of of refugees the airport. begin to The pour sign out. reads: "RICK'S."

3. 4. 5. 6. EXT.two The SIDEWALK AIRPORT shake-hands. CAFE DAY (ACROSS DARK FROM EUROPEAN PALAIS DE JUSTICE) - DAY Not at all. A middle-aged Waiting on theENGLISH ground (raising COUPLE is CAPTAIN RENAULT his sit hat) at their LOUIS RENAULT, table a observing French the commotion. officer, appointed Bon Unoccupied A DARK jour, by Vichy EUROPEAN Madame. France as Prefect man Bon welcomes standing jour, of you Police nearby inwatches them more closely Casablanca. He M'sieur. tois Casablanca. than a handsome, the scene middle-aged on the street. Frenchman, debonair and gay, but withal a shrewd and alert official. He walks off. The Englishman, ENGLISHWOMAN STRASSER still a trifle disconcerted by Around the European's him are What clustered action, on (inearth's perfect the looks German going English, after on Consul, him, there? mopping HERR HEINZE, his a brow youngwith Italian his handkerchief. officer, beaming) CAPTAIN TONELLI, and Renault's aide, LIEUTENANT CASSELLE. Thank you, Behind Captain. DARK them EUROPEAN is It a isdetail very of French native soldiers. good to (approaching be here. ENGLISHMAN the Friendly couple) chap, wasn't he? The first passenger Pardon,out Madame... is RENAULT a large haveGerman. you notHe is blandAs he pats faced, withhis aMajor, heard? perpetual breast may pocket smile I present there thatmy isaide, seems something more the lacking. result He a of opens frozen hisface coat, Lieutenant muscle feelsthan Casselle. inside. a cheerful disposition. On any occasion when MAJOR STRASSER ENGLISHMAN is crossed, the smile meltssalute They and the and We expression bow. hear Renault veryhardens ENGLISHMAN little leads into --Strasser and iron. we toward the edge of the airfield, understand Silly of where me... less. their cars await them. Heinze HerrCasselle and Heinze steps follow, up with to him the with Italian upraised captain arm.left to bring up the rear. DARK EUROPEAN ENGLISHWOMAN Two German What, dear?couriers HEINZE were found murdered Heil Hitler. in the RENAULT desert. You may (anfind ironic ENGLISHMAN thesmile) climate of The... Leavingunoccupied Casablanca my a wallet STRASSER trifle desert. inwarm, the hotel This Major. is room... Heil the Hitler. customary roundup of refugees, liberals, STRASSERand... of He closes They shakehis hands. course, Oh, coat, we then Germans a beautiful suddenly must young get looks used girl off toin the direction of the for all departing M'sieur climatesRenault, -European, from the Russia the Prefect clouds to of suspicion gathering. of thePolice. Sahara. HEINZE (in German) (the smile fades) Refugees But now, continue overhead, It isto the good emerge drone to see from ofyou athe low-flying again, police car. airplane Last out is is heard. a young Heads blonde look Majorgirl. up. Strasser. THE AIRPLANE OVERHEAD DARK EUROPEAN STRASSER Unfortunately, (in German) along with these Its motor cutThank unhappy for ayou. landing refugees Thank --you. the a swastika scum of visible on its tail. Europe has gravitated to The Italian steps Casablanca. up withSome elaborate of them good have will. EXT. PALAIS DE been JUSTICE waiting - DAY years for a visa. TONELLI He puts The refugees' his arm Captain upturned compassionately Tonelli, gaze follows ataround your the service the flight Englishman. of the plane. In their sir. faces is revealed one hope they all have in common -- and the plane DARK is the EUROPEAN symbol of that hope. M'sieur, I beg STRASSER of you, watch Jan and Annina yourself. That areis just kind Be taking on you. of guard. theirThis places at the end of the line. Their place eyes isalso fullfollow of vultures. the droning plane. Vultures everywhere, TONELLI everywhere. Our staff isANNINA anxious to The Englishman Perhaps cooperate is rather tomorrow --takenwe'll abackbe byon this sudden display of concern. that plane. But he gets no farther than that. Strasser turns to greet Renault and Casselle. Herr ENGLISHMAN Heinze makes the introduction. DISSOLVE TO: Er-er-thank you. Thank you very THE AIRPLANE OVERHEAD much. HEINZE May I present Captain Renault, swooping down, Police past a Prefect neon sign of Casablanca... on a building on the edge of the airport. Major TheStrasser. sign reads: "RICK'S."

4. 5. 6. 7. EXT.two The AIRPORT shake-hands. DAY DARK EUROPEAN STRASSER Not atIs Good. all. he in custody? Waiting on the ground (raising is CAPTAIN RENAULT his hat) LOUIS RENAULT, a French officer, appointed Bon Unoccupied jour, by Vichy Madame. France RENAULT as Prefect Bon welcomes jour, of you Police in Casablanca. He M'sieur. tois There Casablanca. ais handsome, no hurry. middle-aged Tonight Frenchman, debonair and gay, he'llbut be withal at Rick's. a shrewd and alert official. He walks off. The Englishman, (indicating STRASSER still the cafe a trifle disconcerted by Around the European's him are clustered action, (inthe at perfect the airport's looks German English, after Consul, him, mopping HERR HEINZE, his a brow youngwith Italian his handkerchief. officer, beaming) edge) CAPTAIN TONELLI, and Renault's aide, LIEUTENANT CASSELLE. Everybody Thank you, Behind comes Captain. them to Rick's. is It a isdetail very of French native soldiers. good to be here. ENGLISHMAN Heinze shrugsFriendly -- he can chap, do nothing wasn't with he? Renault. The first passenger out is RENAULT a large German. He is blandAs he pats faced, withhis aMajor, perpetual breast may pocket smile ISTRASSER present there thatmy isaide, seems something more the lacking. result He a of opens frozen hisface coat, Lieutenant I have muscle feels already than Casselle. inside. heard a cheerful about disposition. this On any occasion when cafe MAJOR -- andSTRASSER also about is crossed, M'sieur the smile meltssalute They and the and Rick expression bow. himself. Renault hardens ENGLISHMAN leads into Strasser iron. toward the edge of the airfield, Silly of where me... their cars await them. Heinze HerrCasselle and Heinze steps follow, up with to him the with Italian upraised captain arm. DISSOLVE left toTO: bring up the rear. ENGLISHWOMAN EXT. RICK'S CAFE What, - NIGHT dear? HEINZE Heil Hitler.RENAULT A couple enters Youthrough may find the ENGLISHMAN the revolving climate door. of From the cafe we hear sounds Leaving Casablanca of music my and wallet a STRASSER trifle laughter. inwarm, the hotel Major. room... Heil Hitler. INT. RICK'S CAFE - MAIN ROOM STRASSER - NIGHT He closes They shakehis hands. Oh, coat, we then Germans suddenly must get looks used off toin the An direction expensive of and the all chic departing climates night -European, club fromwhich Russia the definitely clouds to ofpossesses an suspicion air of sophistication gathering. the Sahara. and HEINZE intrigue. (in German) (the smile fades) But now, overhead, It is But perhaps the gooddrone to you see of were you a low-flying not again, airplane is heard. Heads look Majorup. referring Strasser. to the weather. THE AIRPLANE OVERHEAD STRASSER RENAULT (in German)the (sidesteps Its motor cutThank for a implication you. landing Thank --you. with a swastika a visible on its tail. smile) The Italian steps What up else, with myelaborate dear Major? good will. EXT. PALAIS DE JUSTICE - DAY TONELLI STRASSER The refugees'Captain upturned (casual Tonelli, gaze again) follows at your the service flight of the plane. In their sir. By faces the way, is revealed the murder one ofhope the they all have in common -- and couriers the plane -- what is the has symbol been done? of that hope. STRASSER Jan and Annina That areis just kind taking RENAULT of you. their places at the end of the line. Their Realizing eyes also thefollow importance the droning of the plane. case, my menTONELLI are rounding up Our staff twice the usual isANNINA anxious number toof Perhaps tomorrow cooperate suspects. -we'll be on that plane. But heStrasser Again gets no looks farther atthan him sharply. that. Strasser turns to greet Renault and Casselle. Herr Heinze makes the introduction. DISSOLVE TO: HEINZE THE AIRPLANE OVERHEAD Captain Renault HEINZE means that the May I present round-up is a blind. CaptainWe Renault, already swooping down, Police know past who a Prefect neon the murderer sign of Casablanca... on a is. building on the edge of the airport. Major TheStrasser. sign reads: "RICK'S."

5. 6. 7. 8. EXT.two The INT. AIRPORT GAMBLING shake-ROOM hands. DAY - NIGHT STRASSER Good. Is he in custody? Waiting A man and ontwo thewomen ground are isseated CAPTAIN RENAULT atLOUIS one of RENAULT, the many a active French officer,The tables. appointed two Unoccupied women by are Vichy France RENAULT glancing as Prefect welcomes withof fascination you Police in at Casablanca. someone off screen. He tois There Casablanca. ais handsome, no hurry. middle-aged Tonight Frenchman, debonair and gay, he'llbut be withal at Rick's. a shrewd and alert official. (indicating STRASSER FIRST the WOMAN cafe Around him are clustered (inthe at (to perfect Carl, the airport's as German English, he Consul, HERR HEINZE, a young Italian officer, beaming) edge) passes) CAPTAIN TONELLI, and Renault's aide, LIEUTENANT CASSELLE. Everybody Thank Waiter? you, Behind comes Captain. them to Rick's. is It a isdetail very of French native soldiers. good to be here. Heinze shrugs -- he can do CARL nothing with Renault. The first passenger Yes, Madame? out is RENAULT a large German. He is blandfaced, with aMajor, perpetual may smile ISTRASSER present thatmy seems aide, more the result of a frozen face Lieutenant I have muscle already than Casselle. heard a cheerful about disposition. this On any occasion when cafe MAJOR -- andSTRASSER also about is crossed, M'sieur the smile meltssalute They and the and Rick expression bow. himself. Renault hardens PERSONAJE leads into Strasser DE iron. PRUEBAtoward the edge of the airfield, hola, quewhere tal estas their cars await them. Heinze HerrCasselle and Heinze steps follow, up with to him the with Italian upraised captain arm. DISSOLVE left toTO: bring up the rear. EXT. RICK'S CAFE - NIGHT HEINZE Heil Hitler.RENAULT A couple enters Youthrough may find the the revolving climate door. of From the cafe we hear sounds Casablanca of music and aSTRASSER trifle laughter. warm, Major. Heil Hitler.FIRST WOMAN INT. RICK'S CAFE Will-you MAIN ask ROOM STRASSER Rick - NIGHT if he'll have They shake hands. Oh, a drink we Germans with us? must get used to An expensive and all chic climates night --club fromwhich Russia definitely to possesses an air of sophistication the Sahara. and HEINZE CARL intrigue. Madame, (inhe (the German) smile neverfades) drinks with A woman, justBut It customers past is perhaps the goodfirst unless to you see blush were he you invites not of again, youth, is singing to the accompaniment Major referring them of to Strasser. a his four-piece totable. the weather. orchestra. The piano is a small, salmon-colored STRASSER RENAULT SECOND WOMANinstrument on wheels. There is a negro, What SAM, makes (in German) (sidesteps on saloon-keepers thethe stool, playing. so About him there is a hum Thank snobbish? of voices, implication you. Thank chatter you. withand a laughter. smile) The occupants Italian steps What of the up else, with room my MAN elaborate are dear AT varied. Major? TABLE good There will. are Europeans in their dinner jackets; their women beautifully begowned and bejeweled. There are Moroccans TONELLI STRASSER in silk robes. Turks wearing fezzes. Captain Levantines. (casual Tonelli, again) Naval at your officers. service Members of the Foreign Legion, sir. By distinguished the way, the murder by their of kepis. the couriers -- what has been done? CARL, a waiter, is a small, STRASSER mild mannered man with spectacles. Tray Thatin ishand, kindRENAULT he of walks you. up to a private door, over which a burly Realizing man stands the importance guard. of the case, my menTONELLI are rounding up Our staff twice the usual isCARL anxious number toof Open cooperate suspects. up, Abdul. -Again But heStrasser gets no looks farther atthan him ABDUL that. Strasser turns to greet sharply. Renault and Casselle. (respectfully, Herr Heinzeas makes he the introduction. opens the HEINZE door) Yes, Captain Herr Renault Professor. HEINZE means that the May I present round-up is a blind. CaptainWe Renault, already Carl goes in.know Police who Prefect the murderer of Casablanca... is. Major Strasser.

6. 7. 8. 9. The two INT. CAMERA GAMBLING PULLS shakeBACK hands. ROOM - NIGHT STRASSER Good. Is he in custody? A man to reveal and Rick two women for the arefirst seated RENAULT time, at one sitting of the alone, many staring active tables. at his drink. The two Unoccupied Hewomen is anare American France RENAULT glancing welcomes of indeterminate with fascination you age. at someone There isoff no expression screen. to Casablanca. There is no inhurry. his eyes. Tonight A complete dead pan. he'll be at Rick's. His attention is drawn (indicating toFIRST STRASSER the door, the WOMAN cafe where a person is seeking admittance. (in at (to He the perfect Carl, nods airport's his asEnglish, he head "no" to Abdul. beaming) edge) passes) A commotion erupts. Everybody Thank Waiter? you, A voice comes Captain. with to Rick's. a ItGerman is very accent is heard shouting. good to be here. Heinze shrugs -- he can do CARL nothing with Renault. Yes, Madame?GERMAN RENAULTVOICE Major, Of all the may nerve! ISTRASSER present Whomy doaide, you Lieutenant I think have-already Casselle. heard about this cafe -- and also about M'sieur They gets Rick salute upand and Rick bow. crosses himself. Renault to PERSONAJE the leads door. Strasser DE PRUEBAtoward the edge of the airfield, hola, quewhere tal estas their cars await them. Heinze and Casselle INT. RICK'S CAFE follow, - MAIN with ROOM the-Italian NIGHT captain DISSOLVE left toTO: bring up the rear. EXT. RICK'S CAFE - NIGHT GERMAN (to Abdul) RENAULT A couple enters I You know through maythere's find the the revolving gambling climatein door. of From the cafe we hear sounds there! Casablanca of music I...and a trifle laughter. warm, Major. FIRST WOMAN INT. The door RICK'S opens CAFE Will and -you MAIN Rick ask ROOM steps STRASSER Rick -out. NIGHT if he'll have Oh, a drink we Germans with us? must get used to An expensive and all chic climates night RICK --club fromwhich Russia definitely to possesses an air of sophistication the Sahara. (coldly) and CARLintrigue. Madame, Yes? (the hesmile neverfades) drinks with A woman, justBut customers past perhaps the first unless you blush were he invites not of youth, is singing to the Across accompaniment the room, referring themUGARTE of to a his four-piece to enters table. the weather. theorchestra. cafe. He is a small, thin man with a nervous air. If he were an American he The would piano lookis like a small, a tout. salmon-colored He RENAULT SECOND looksWOMAN withinstrument interest in onthe wheels. There is a negro, What SAM, makes (sidesteps on saloon-keepers thethe stool, playing. so About him there is a hum snobbish? of voices, implication chatter withand a laughter. smile) The occupantsWhat of the else, room my MAN are dear AT varied. Major? TABLE There are Europeans in their dinner jackets; (to Carl) their women beautifully begowned and bejeweled. Perhaps There are if you Moroccans STRASSER told him inIsilk ran robes. Turks wearing fezzes. theLevantines. second (casual largest again) Naval banking officers. Members of the Foreign Legion, By distinguished house thein way, Amsterdam...? the murder by their of kepis. the couriers -- what has been done? CARL, a waiter, is a small, CARL mild mannered man with spectacles. Tray Thatin wouldn't hand,RENAULT he impress walks up Rick. to a The private door, over which a burly Realizing leading man banker stands the importance inguard. Amsterdam of is the case, now the mypastry men are chef rounding in ourup twice the usual kitchen. CARLnumber of Open suspects. up, Abdul. Carl moves off. Again Strasser looks at him ABDUL sharply. The overseer approaches (respectfully, Rick's table, as hesets down a check. Rick's hand moves into opensthe the HEINZE frame, door) writes a note in pencil on the back of Yes, Captain it:Herr "Okay Renault Professor. - Rick." meansThe that overseer the takes the check. round-up is a blind. We already Carl goes in.know who the murderer is.

10. 7. 8. 9. INT. GAMBLING CAMERA PULLS BACK ROOM - NIGHT GERMAN STRASSER Good.(to Is Rick) he in custody? A man to reveal and Rick twoWhy women for --the are what first seated -- Do time, at youone sitting know ofwho the alone, many staring active tables. at his drink. The two IHe am? women is anare American RENAULT glancing of indeterminate with fascination age. at someone There isoff no expression screen. There is no inhurry. his eyes. Tonight A complete dead pan. he'll be at Rick's. RICK His attentionIis do. drawn (indicating You're toFIRST the lucky door, the WOMAN the cafe where bar's a person is seeking admittance. open to atHe (to you. the Carl, nods airport's his as he head "no" to Abdul. edge) passes) He A commotion turns away erupts. Everybody Waiter? from the A voice sputtering comeswith to Rick's. aGerman, German catches accent is Sam's heard eye shouting. at the piano. Sam, who has been watching, winks at Rick. HeinzeRick shrugs acknowledges -- he can the do CARL nothing wink with with a friendly Renault. gesture. It's not a smile, Yes, but Madame? it's GERMAN the closest VOICE Rick can manage. Of all the nerve! STRASSER Who do you INT. GAMBLINGthink IROOM have-already NIGHT heard about this cafe -- and also about M'sieur Ugarte Rick gets follows up and Rick Rick crosses himself. to the to PERSONAJE end theof door. the DE bar. PRUEBA hola, que tal estas INT. RICK'S CAFE - MAIN ROOM UGARTE - NIGHT DISSOLVE TO: M'sieur Rick. EXT. RICK'S CAFE - NIGHT GERMAN (to Abdul) RICK A couple enters Hello, I know through Ugarte. there's the revolving gambling in door. From the cafe we hear sounds there! of music I...and laughter. UGARTE FIRST WOMAN INT. The door RICK'S opens CAFE Will and -(fawning) you MAIN Rick ask ROOM steps Rick -out. NIGHT if he'll have Watching a drink with you just us? now with the An expensive and Deutsches chic night Bank, RICK club one which would definitely think possesses an air of sophistication you'd(coldly) been doing and CARLintrigue. this all your life. Madame, he never drinks with Yes? A woman, justcustomers past the first unlessblush he invites of youth, is singing to the Across accompaniment the room, themUGARTE of to a his four-piece enters table. RICK theorchestra. cafe. He is a small, thin man with a nervous (stiffening) air. If he were an American he The would piano lookis like a What small, a tout. makes salmon-colored He you SECOND looks think WOMAN with I haven't? instrument interest in onthe wheels. There direction is aof negro, Rick What SAM, and makes the on saloon-keepers the German. stool, playing. so About him there is a hum snobbish? of voices,UGARTE chatter and laughter. (vaguely) GERMAN The occupantsOh, of the nothing. (waving roomMAN are But hisAT varied. when card) TABLE youThere firstare Europeans in their dinner I've came jackets; been to (toCasablanca, Carl) intheir everywomen gambling I thought beautifully -begowned and bejeweled. room Perhaps There between are if you Moroccans Honolulu told him in and Isilk ran robes. Turks wearing fezzes. Berlin theLevantines. second and if largest RICK you Naval think banking officers. I'm Members of the Foreign Legion, going house distinguished (coldly) to in be Amsterdam...? kept by outtheir of a kepis. saloon Yes? like this, you're very CARL, a waiter, much ismistaken. a small, CARL mild mannered man with spectacles. Tray Thatin wouldn't hand,UGARTE he impress walks up Rick. to a The private door, over Rick which calmlyatakes burly leading the (laughs man banker card stands out inguard. of Amsterdam the German's is hand and tears it up. now the pastry chef in our kitchen. CARL Open up, Abdul. RICK Carl moves off. Your money's good at the bar. ABDUL The overseer Carl, tray inapproaches hand, (respectfully, squeezes Rick's between table, as he the sets two down of them a check. on Rick's his wayhand out.moves into opensthe theframe, door) writes a note in pencil on the back of Yes, it:Herr "Okay Professor. - Rick." The overseer takes the check. CARL Carl goes in.S'cuse me.

10. 11. 8. 9. INT. GAMBLING CAMERA PULLS BACK ROOM - NIGHT GERMAN UGARTE You will (to forgive Rick) me for saying A man to reveal and Rick twothis, Why women for --the M'sieur are what first seated --Rick, Do time, at you but one sitting know you ofwho the are alone, many staring active tables. at his drink. The two IHe a am? very women is an cynical are American glancing person. of indeterminate with fascination age. at someone There isoff no expression screen. in his eyes. A complete dead pan. RICK His attentionIis do. drawn (shortly) You're toFIRST the lucky door, WOMAN the where bar's a person is seeking admittance. open I forgive to (to He you. Carl, nods you. his as he head "no" to Abdul. passes) He The A commotion turns bartender away erupts. Waiter? from two sets the A voice sputtering drinks with before aGerman, German the men. catches accent is Sam's heard eye shouting. at the piano. Sam, who has been watching, winks at Rick. Rick acknowledges the UGARTE CARL wink with a friendly gesture. It's not a smile, Oh, Yes,Rick but Madame? it's -- you GERMAN the are closest VOICE going Rick to can manage. drink Of allwith the me? nerve! Who do you INT. GAMBLINGthink ROOM --NIGHT RICK Ugarte Rick gets follows up and No. Rick crosses to the to PERSONAJE end theof door. the DE bar. PRUEBA hola, que tal estas INT. RICK'S CAFE - MAIN ROOM UGARTE - NIGHT M'sieur (sadly) Rick. You despise me, GERMAN don't you? (to Abdul) RICK Hello, I know Ugarte. there's RICK gambling in there! If I gave I... you any thought, I probably would. UGARTE FIRST WOMAN The door opens Will and(fawning) you Rick ask steps Rickout. if he'll have Watching a drink with youUGARTE just us? now with the Deutsches You objectBank, to RICK the one work would I do. think you'd But think (coldly) beenof doing CARL the this poor all refugees your life. Madame, Yes? who musthe rot never in this drinks place with if I customers did not help unless them. heThat's invites not Across the room, them so bad. UGARTE to Through hisenters table. RICKways theof cafe. my own He is a small, thin man withIaprovide nervous (stiffening) them air.with If he exit were visas. an American he would look like What a tout. makes He you SECOND looks think WOMAN with I haven't? interest in the direction of Rick What and makes the saloon-keepers RICK German. so snobbish? (staring UGARTE at his (vaguely) GERMAN Oh, nothing. (wavingMAN But hisAT when card) TABLE you first I've came been to (toCasablanca, Carl) in every gambling I thought -room Perhaps between if you Honolulu told him and I ran Berlin the second and if largest RICK you think banking I'm going house(coldly) to in be Amsterdam...? kept out of a saloon Yes? like this, you're very much mistaken. CARL That wouldn't UGARTE impress Rick. The Rick calmly takes leading the (laughs) banker card out in of Amsterdam the German's is hand and tears it up. What now the right pastry do Ichef havein toour think? kitchen. (hastily changing the subject) RICK Carl moves off. Your Too bad money's aboutgood those attwo theGerman bar. couriers, wasn't it? The overseer Carl, tray inapproaches hand, squeezes Rick's between table,the sets two down of them a check. on Rick's his wayhand out.moves into the RICK frame, writes a note in pencil on the back of They it:got "Okay a lucky - Rick." break. The overseer takes the check. Yesterday they CARL were just two S'cuse clerks; German me. today they're the Honored Dead.

10. 11. 12. 9. CAMERA PULLS BACK GERMAN UGARTE RICK You did Who will (toyou forgive Rick) bribeme for for your saying visa? to reveal Rick Why this, Renault for --the M'sieur what orfirst yourself? --Rick, Do time, you but sitting know youwho are alone, staring at his drink.a IHe am? very is an cynical American person. of indeterminate age. There is no expression inUGARTE his eyes. A complete dead pan. (ironically) RICK His attentionI Myself. is do. drawn (shortly) You're I to found the lucky myself door, the where bar's a person is much seeking admittance. open I more forgive to reasonable. He you. nods you. his head "no" to Abdul. The He A commotion turns takes bartender away an envelope erupts. from two sets the Afrom voice sputtering drinks his with before pocket, aGerman, German the taps men. catches accent it on his is Sam's heard hand. eye shouting. at the piano. Sam, who has been watching, winks at Rick. Rick acknowledges the UGARTE wink with a friendly gesture. It's not a smile, Oh, Do you Rick but know it's -- you what GERMAN the are these closest VOICE going are? Rick to can manage. drink Of allwith Something thethat me? nerve! notWho even doyou you INT. GAMBLINGhave think ROOMever --NIGHT seen -(lowersRICK his voice) Ugarte Rick gets follows up and No. Letters Rick crosses to ofthe Transit toend theof door. signed the bar. by Marshall Weygand. They cannot INT. RICK'S CAFE be rescinded - MAIN ROOM UGARTE or questioned. NIGHT M'sieur (sadly) Rick. Rick looks atYou him, despise then holds me, GERMAN don't out his you? hand for the envelope. (to Abdul) RICK Hello, I know Ugarte. there's RICK UGARTE gambling in there! If a In I moment. gave I... youTonight any thought, I willI probably sell these would. for UGARTE more money than The door opens even andI (fawning) Rick eversteps dreamed out. of. Then -Watching farewell you to Casablanca. UGARTE just now with Rick the -Deutsches You I have object many Bank, to friends RICK the one work would in I do. think you'd But think Casablanca, (coldly) beenof doing but thebecause this poor all refugees you your life. Yes?mustme who despise rot you're in this theplace only one if I did I trust. not help Willthem. you keep That's these not Across the room, so bad. Letters UGARTE Through for enters me? RICKways theof cafe. my own He is a small, thin man withIaprovide nervous (stiffening) them air.with If he exit were visas. an American he would look like What a tout. makes He you RICK looks thinkwith I haven't? interest in the direction of Rick For how andlong? theRICK German. (staring UGARTE at his (vaguely) drink) GERMAN UGARTE Oh, For nothing. a(waving price, Ugarte, But his when card) for youafirst price. I've came been to Casablanca, in every gambling I thought -room betweenUGARTE Honolulu and Berlin Yes -- and but if those RICK youpoor think devils I'm going who cannot (coldly) to bemeet keptRenault's out of a price, saloon Yes? I get it like forthis, them you're for half. very Is much that mistaken. so parasitic? UGARTE Rick calmly turns to takes lookthe (laughs) at card him. out of the German's hand and tears it up. What right do I have to think? (hastily RICK changing I don't themind subject) RICK a parasite. I one. Your object Too bad money's to about a cut-rate good those attwo the German bar. couriers, wasn't it? UGARTE Carl, tray in hand, squeezes between the two of them on I am through his way out. Well, after tonight RICK with business. They the got whole a lucky break. Rick, I am leaving Casablanca. Yesterday they CARL were just two S'cuse clerks; German me. today they're the Honored Dead.

10. 11. 12. 13. GERMAN RICK UGARTE Now,did You Who will Rick, (toyou forgive Rick) Ibribe hopeme for you for your are saying more visa? Why --M'sieur this, Renault impressed what orwith yourself? --Rick, Do you me. Excuse but know you me, who are I I very a go am? to share cynical my good person. luck with your roulette UGARTE wheel. (ironically) RICK He starts off. I Myself. do.(shortly) You're I found lucky myself the much bar's open I more forgive to reasonable. you. you. RICK He turns The takes bartender away an envelope Wait fromatwo sets the minute. from sputtering drinks his pocket, before German, the taps men. catches it on his Sam's hand. eye at the piano. Sam, who has been watching, winks at Rick. Rick Ugarte stops. acknowledges Rick comesthe up UGARTE wink to him. with The a two friendly men face gesture. each It's not other. Rick's a smile, Oh, Do voice you Rick but is know it's -barely you what the are audible: these closest going are? Rick to can manage. drink Something withthat me? not even you INT. GAMBLINGhave ROOMever - NIGHT seen RICK -I heard (lowers a rumor RICK histhat voice) those Ugarte follows No. German Letters Rick to couriers ofthe Transit end were of signed the carrying bar. by Letters Marshallof Weygand. Transit. They cannot be rescindedUGARTE or questioned. Ugarte doesn't M'sieur reply (sadly) for Rick. a moment. Rick looks atYou him, despise then holds me, don't out his you? hand for the envelope. RICK UGARTE Hello, Yes -- I Ugarte. heard RICK UGARTE that rumor, too. Poor If a In I devils. gave youTonight moment. any thought, I willI probably sell these would. for UGARTE more money than Rick looks ateven Ugarte (fawning) I ever steadily. dreamed of. Then -Watching farewell you to Casablanca. UGARTE just now with Rick the -Deutsches You I have object many Bank, to friends RICK the one work would in I do. think you'd But think Casablanca, (slowly) beenof doing but thebecause this poor all refugees you your life. You're who must despise right, me rot you're in Ugarte. this theplace I only am a if I one little did I trust. notmore help Will impressed them. you keep That's with these not you. so bad. for Letters Through me? RICKways of my own Ugarte smilesIand provide almost (stiffening) them swaggers with exit toward visas. the gambling table. Rick starts What makes for the you RICK door. think I haven't? For how long? RICK (staring UGARTE at his CUT TO: (vaguely) drink) UGARTE INT. RICK'S CAFE Oh, Perhaps For nothing. a MAIN price, an ROOM hour, But-perhaps Ugarte, when NIGHT for youlonger. afirst price. came to Casablanca, I thought -Sam is playing and singing UGARTE RICK the "Knock Wood" number, accompanied by Yes the -(taking orchestra. but those RICK them) The poorcafe devils is in semi-darkness. The spotlightI who is don't on cannot (coldly) Sam, want meet and them every Renault's heretime overnight. price, the orchestra Yes? I get it for them for half. Is that so parasitic? UGARTE No fear of that. UGARTE Waiter -- any Rick turns tomessages look(laughs) at him. for me? What right do I have to think? (hastily RICK WAITER changing I don't No, M'sieur. themind subject) a parasite. I one. object Too badto about a cut-rate those two German couriers, wasn't UGARTE it? UGARTE I'm expecting some people. If Well, after tonight I am be through anyone asks for RICKme, I'll with whole business. They the right got here. a lucky break. Rick, I am leaving Casablanca. Yesterday they were just two The waiter nods, German leaves. clerks; today they're the Honored Dead.

11. 12. 13. 14. RICK UGARTE FERRARI Finedid You Who Now, will Rick, -you but forgive II bribe hope would me for you for like your are saying to more visa? buy this,cafe. Renault impressed your M'sieur orwith yourself? Rick, me. Excuse but you me, are I a very go to share cynical my good person. luck with your roulette UGARTE RICK wheel. It's not (ironically) forRICK sale. He starts off. Myself. (shortly) I found myself much I more forgive reasonable. you. FERRARI You haven't heard RICK my offer. The He takes bartender an envelope Wait setsatwo minute. from drinks his pocket, before the taps men. it on his hand. RICK Ugarte stops.It's Ricknot comes forup UGARTE sale to him. at any The price. two men face each other. Rick'sOh, Do voice you Rick is know -barely you whatare audible: these going are? to Ferrari sighs. drink Something withthat me? not even you have ever seen RICK -I heard (lowers a rumor RICK FERRARI histhat voice) those No. German What Letters docouriers you of Transit wantwere for signed carrying Sam? by Letters Marshallof Weygand. Transit. They cannot be rescindedRICK UGARTE or questioned. Ugarte doesn't I reply don't (sadly) for buy a ormoment. sell human beings. Rick looks atYou him, despise then holds me, don't out his you? hand for the envelope. UGARTE FERRARI Yes -- too That's I heard bad. RICK UGARTE that That's rumor, too. Poor Casablanca's If a In I devils. gave youleading moment. Tonight any thought, commodity. I willI In probably sell refugees these would. for alone more wemoney couldthan make Rick looks ata even Ugarte fortune I ever steadily. ifdreamed you would of.work Then -with farewell me through to Casablanca. UGARTE the Black Rick Market. -You I have object manyto friends RICK the work in I do. But think Casablanca, (slowly) ofbut RICK thebecause poor refugees you You're Suppose who must despise right, you me rot you're let in Ugarte. me this the run place I only my am a if I one little business did I trust. notmore help and Will impressed you them. yourun keep That's yours. with these not you. so bad. for Letters Through me? ways of my own Ugarte smilesIand provide almost them swaggers FERRARI with exit toward visas. the gambling table. Rick starts Suppose for wethe ask RICK door. Sam? Maybe he'd like For how to make long? RICK a change? (staring at his CUT TO: drink) RICK UGARTE INT. RICK'S CAFE All Perhaps For right, a MAIN price, an ROOM suppose hour, Ugarte, -perhaps NIGHT wefor do.longer. aLet's price. speak to him. Sam is playing and singing UGARTE RICK the "Knock Wood" number, accompanied AT THE PIANOby Yes the -(taking orchestra. but those them) The poorcafe devils is in semi-darkness. The spotlightI who is don't on cannot Sam, want meet and them every Renault's heretime overnight. price, the orchestra comes Sam has injust on the finished I get "Knock it his for Wood" number. them business, forRick half. the and IsFerrari spotlight come up swings to him.over to that theso orchestra. parasitic? UGARTE No fear of that. Waiter -- any Rick makes turns his tomessages look way to at Sam him. forRICK on me?the floor. During one of the periods when the Sam spotlight -- Ferrariis wants on the youorchestra, to he slips the Letters of Transit into RICK WAITER the piano, then exits towards the bar. I don't No, M'sieur. mind a parasite. I object to a cut-rate one. FERRARI spots Rick at theUGARTE bar, goes to him. UGARTE I'm expecting some people. If Well, after tonight I am be through anyone asks for FERRARI me, I'll with the whole business. Rick, Hello, right here. Rick. I am leaving Casablanca. The waiter nods, leaves. RICK 'Lo, Ferrari. How's business at the Blue Parrot?

12. 13. 14. 15. UGARTE FERRARI RICK Sorry, Who Now, Fine did Rick, -Ferrari. youII but bribe hope would for you like your are to more visa? buy Renault impressed your cafe. orwith yourself? me. Excuse me, I Rick looks atgo Ferrari, to share smiles. my good Ferrari luck with exits. your roulette UGARTE RICK wheel. EXT. THE AIRPLANE It's OVERHEAD not (ironically) for sale. He starts off. Myself. I found myself much INT. RICK'S CAFE more-reasonable. AT THEFERRARI BAR - LATER You haven't heard RICK my offer. YVONNE He takes isan seated envelope Waiton a a minute. from stool his drinking pocket,brandy. taps itFYDOR on his watches hand. her with lovesick eyes asRICK he fills her tumbler. Ugarte stops.It's Ricknot comes forup UGARTE sale to him. at any The price. two men face each other. Rick'sDo voice you is know barely what FYDORaudible: these are? Ferrari sighs. The Something boss'sthat private not stock. even you Because have ever --seen Yvonne RICK -- -- I loff you. I heard (lowers a rumor FERRARI histhat voice) those German What Letters docouriers you of Transit want YVONNE were for signed carrying Sam? by Letters Marshall (morosely) of Weygand. Transit. They cannot Oh, be rescinded shut up.RICK or questioned. Ugarte doesn't I reply don't for buy a ormoment. sell human beings. Rick looks at him, then holds FYDORout his hand for the envelope. (fondly) UGARTE FERRARI For Yes you, That's -- too I Yvonne, heard bad. UGARTE that That's I shot rumor, opp. too. Poor Casablanca's In a devils. moment. leading Tonight commodity. I will Rick sauntersIn sell over refugees these and leans for alone more against wemoney could the than make bar next to Yvonne. Rick looks Butat he a even Ugarte pays fortune I no ever steadily. attention ifdreamed you would to of.her. work ThenShe -- looks at him bitterly, without with farewell saying me through to a Casablanca. word. the Black Rick Market. -I have many friends RICK in They stand inCasablanca, the gloom (slowly) while but RICKbecause Sam is spotlighted you in the midst of a number. You're Suppose despise Yvonne, right, you me you're let who Ugarte. mehas the runnever I only my am a one taken her eyes off Rick, finally little business I trust. blurts more and Will out: impressed you yourun keep yours. with these you. Letters for me? Ugarte smiles and almost swaggers YVONNE FERRARI toward the gambling table. Rick starts Where Suppose for were wethe you ask RICK door. last Sam? night? Maybe he'd like For how to make long?a change? RICK CUT TO: That's so long RICK UGARTE ago. I don't INT. RICK'S CAFE remember. All Perhaps right, MAIN an ROOM suppose hour,-perhaps NIGHT we do.longer. Let's speak to him. A Sam pause. is playing and singing RICK the "Knock Wood" number, accompanied AT THE PIANOby the(taking orchestra. them) The cafe is in semi-darkness. The spotlightIis don't on Sam, wantand YVONNE them every heretime overnight. the orchestra comes Sam has injust on the finished Will "Knock I see his Wood" you number. tonight? business, Rick and the Ferrari spotlight come up swings to him.over to the orchestra. UGARTE No fear of that. RICK Waiter -- any Rick makes his messages way(calmly) to Sam forRICK on me?the floor. During one of the periods when the Sam spotlight -- Ferrariis wants on the youorchestra, to he slips the Letters of work Transit for him into WAITER atthe thepiano, Blue Parrot. then exits towards the bar. No, M'sieur. SAM FERRARI spotsAh Rick likes at the it fine UGARTE bar,here. goes to him. I'm expecting some people. If anyone asks for FERRARI RICK me, I'll be Hello, He'll right double here. Rick. what I pay you. The waiter nods, leaves. SAM RICK 'Lo, Ah ain't Ferrari. got time How's tobusiness spend what at themakes ah Blue here. Parrot?

13. 14. 15. 16. UGARTE FERRARI RICK FYDOR I loff Now, Fine Sorry, Rick, -Ferrari. you, butIYvonne, Ihope would you like but are he to more pays buy impressed your me. cafe.with me. Excuse me, I Rick looks atgo Ferrari, to share smiles. my good Ferrari luck with exits. Yvonne wheelsyour on Rick roulette with RICK drunken wheel. fury. EXT. THE AIRPLANE It's OVERHEAD not for sale. He starts off. YVONNE INT. RICK'S CAFE I'm sick AT THE andFERRARI BAR tired - LATER of having You -you haven't heard RICK my offer. YVONNE is seated Waiton a a minute. stool drinking brandy. FYDOR watches her with lovesick eyes asRICK he fills her tumbler. Ugarte stops.Fydor, It's Ricknot comes call forup asale cab. to him. at any The price. two men face each other. Rick's voice is barely FYDORaudible: Ferrari sighs. The boss's private FYDOR stock. Because Da, boss. -- Yvonne RICK -- I loff you. I heard a rumor FERRARI that those Fydor walks off. German What Rick docouriers you takes want YVONNE Yvonne were for Sam? carrying by the arm. Letters (morosely) of Transit. Oh, shut up.RICK Ugarte doesn't I reply Come don't on,for buy we're a ormoment. sell human going to get beings. your coat. You're FYDOR going home. (fondly) UGARTE FERRARI For Yes you, That's -- too I Yvonne, heard bad. YVONNE that That's I shot rumor, opp. too. Poor your Casablanca's Take devils. hands leading off me commodity. -Rick sauntersIn over refugees and leans alone against we could themake bar next to Yvonne. Rick He pulls looks But her at he along aUgarte pays fortune toward no steadily. attention if the you hall would todoor. her. work She looks at him bitterly, without with saying me through a word. the Black Market. EXT. STREET IN FRONT OF RICK'S RICK - NIGHT They stand in the gloom (slowly) while RICK Sam is spotlighted in the midst Fydor of stands a number. at You're Suppose theYvonne, curb right, you signaling let who Ugarte. mehas runnever a Imy cab. am ataken Finally herone eyes off pulls Rick, up. finally little business blurts more andout: impressed you run yours. with you. Rick leads Ugarte smiles Yvonne and out almost of the swaggers YVONNE FERRARI cafe,toward putting the a coat gambling over her table. RickShe shoulders. starts Where Suppose objects for were weviolently. the you askdoor. last Sam? night? Maybe he'd like to make a change? RICK YVONNE CUT TO: That's Who do so youlong think RICK ago. youIare, don't INT. RICK'S CAFE remember. All pushing right, MAIN me ROOM suppose around. - NIGHT we do. I'm a lady. Let's speak I sangto inhim. America. I've been A Sam pause. is playing married and singing twice.the "Knock Wood" number, accompanied AT THE PIANOby the orchestra. The cafe is in semi-darkness. The spotlight They approach the is on waiting Sam, and YVONNE cab. every time the orchestra comes Sam has injust on the finished Will "Knock I see his Wood" you number. tonight? business, Rick and the Ferrari spotlight come up swings to him.over to the orchestra. RICK (to Fydor) RICK Rick makes his You'd way(calmly) to better SamRICK on go the withfloor. her, Fydor, During one of the periods when the I to Sam never be spotlight --sure Ferrari plan she that is gets wants on far the home. you ahead. orchestra, to he slips the Letters of work Transit for him into atthe thepiano, Blue Parrot. then exits towards Yvonne the bar. turns, looks at Fydor, FYDORextends her glass to him. Da, boss. SAM FERRARI spotsAh Rick likes at the it fine RICK bar,here. goes to him. They help herShe's into the had cab. enough. Fydor follows her in. FERRARI RICK Hello,double He'll Rick.RICK YVONNE what I pay you. Pay Fydor... And no attention to him, Fydor. Fill it up. SAM RICK Fydor looks out 'Lo, Ah through ain't Ferrari. got the time How's window. tobusiness spend what at Fydor hesitates, themakes ah looks Blue here. Parrot? at Rick.

14. 15. 16. 17. FERRARI FYDOR RICK Come Fine Sorry, I loff --you, right Ferrari. butback. I would but Yvonne, likehe topays buy your cafe. me. Rick looks at Ferrari, smiles. FYDOR Ferrari exits. Yvonne wheels on Rick (hiswith face RICK drunken falling) fury. EXT. THE AIRPLANE It's OVERHEAD Yes, not for sale. boss. YVONNE INT.cab The RICK'S starts CAFE I'm off. sick AT Rick THE andwalks FERRARI BAR tired -back LATER of having toward the cafe entrance. You -you haven't heard my offer. YVONNE is seated on a stool drinking brandy. FYDOR watches her with lovesick eyes asRENAULT'S RICK he fills her VOICE tumbler. (O.S.) It'sextravagant Fydor, How not call forasale cab. you atare any-price. throwing away FYDOR women like that. Ferrari sighs. The boss's Some day they private FYDOR may be stock. scarce. Because Da, boss. -- Yvonne -- I loff you. Rick turns toward the voice. FERRARI Renault is sipping some Fydor walks brandy at a table off. WhatRick on do the you takes cafe want YVONNE Yvonne terrace. for Sam? by the Hisarm. eyes are amused. (morosely) Oh, shut up.RICK I don't Come Hello, on, Louis. buy we're or going sell human to get beings. your coat. You're FYDOR going home. (fondly) FERRARI RENAULT For That's I think you, too now Yvonne, bad. I YVONNE shall That's I shot pay opp. a call Casablanca's Take on Yvonne your -hands leading maybe offget me commodity. -- on her Rick sauntersthe In over refugees rebound, and leans alone eh?against we could themake bar next to Yvonne. He pullsBut herhe along a pays fortune toward no attention if the you hall would todoor. her. work She looks at him bitterly, Rick takeswithout a seat with saying at me the through a table. word. the Black Market. EXT. STREET IN FRONT OF RICK'S - NIGHT They stand in the gloom while RICK Sam is spotlighted in the midst Fydor of stands a number. at Suppose When the it Yvonne, curb you signaling comes let who tome women, has runnever amy cab. you're taken Finally herone eyes off pulls Rick, up. finally business a true blurts democrat. andout: you run yours. Renault Rick leads laughs, Yvonne pours out Rick of the YVONNE FERRARI a drink. cafe, putting There is a the coatsound over of her shoulders. a plane warming She Where Suppose objects up on were we the violently. you ask adjacent last Sam? night? Maybe air field. he'd Both men turn their attention like to to make the a transport change? plane standing poised on the runway. RICK YVONNE That's Who do so youlong think RICK ago. youIare, don't remember. All right, pushing me around. suppose RENAULTI'm we do. a lady. Let's speak I The sang plane to inhim. America. to LisbonI've -- been A pause. married (looks twice. at Rick AT THE PIANO shrewdly) They approachYou thewould waiting like YVONNE cab. to be on it? Sam has just finished Will I see his you number. tonight? Rick and Ferrari come up to him. RICK (to Fydor) (curtly) RICK You'd Why? What's (calmly) betterin RICK goLisbon? with her, Fydor, I to Sam never be --sure Ferrari plan she that gets wants far home. you ahead. to work for him at the Blue Parrot. Yvonne turns, looks at Fydor, FYDORextends her glass to him. Da, boss. SAM Ah likes it fine RICK here. They help herShe's into the had cab. enough. Fydor follows her in. RICK He'll doubleRICK YVONNE what I pay you. Pay Fydor... And no attention to him, Fydor. Fill it up. SAM Fydor looks out Ah through ain't got the time window. to spend what Fydor hesitates, ah makes lookshere. at Rick.

15. 16. 17. 18. FYDOR RICK RENAULT Sorry, I Come loff have right Ferrari. you, often back. Yvonne, speculated but on he why pays me. don't return to America. you Rick looks atDid Ferrari, you abscond smiles. FYDOR with Ferrari the church exits. Yvonne wheelsfunds? on Rick (his Did with face youdrunken run falling) offfury. with the EXT. THE AIRPLANE Yes, OVERHEAD President's boss. wife? I should like to think youYVONNE killed a man. It INT.cab The RICK'S starts CAFE I'm is off. the sick AT Rick romantic THE andwalks BAR tired in -back LATER of having me. toward the cafe entrance. you -YVONNE is seated on a stool RICK drinking brandy. FYDOR watches her with lovesick eyes (still aslooking RICK RENAULT'S he fills ather VOICE tumbler. (O.S.) Fydor, How extravagant the call plane) a cab. you are -It throwing was a combination away FYDOR women like of all that. three. The boss's Some day they private FYDOR may be stock. scarce. Because Da, boss. -- Yvonne -- I loff you. Rick turns toward the voice. RENAULT Renault is sipping some Fydor walks brandy at a table off. And Rick what on the takes in cafe heaven's YVONNE Yvonne terrace. name by the Hisarm. eyes are amused. brought (morosely) you to Casablanca? Oh, shut up.RICK The plane's motors Come on, Hello, grow Louis. we're louder. going to get your coat. You're FYDOR going home. (fondly) RICK RENAULT For My I think health. you,now Yvonne, II YVONNE came shall Ito shot pay Casablanca opp. a call for Take on Yvonne the your waters. hands -maybe offget me her -- on Rick sauntersthe over rebound, and leans eh?against the bar next to Yvonne. He pullsBut herhe along paystoward no attention RENAULT the hall todoor. her. She looks at him bitterly, Rick takeswithout a seat Waters? saying at the Whata table. waters? word. We're in EXT. STREET IN the FRONT desert. OF RICK'S - NIGHT They stand in the gloom while RICK Sam is spotlighted in the midst Fydor of stands a number. at When the it Yvonne, curb comes signaling RICK who to women, has never a cab. you're taken Finally herone eyes off pulls Rick, up. finally I a was true blurts misinformed. democrat. out: The Rickplane Renault leads laughs, is Yvonne nowpours speeding out Rick of the YVONNE down a drink. cafe, the runway. putting There is Its a the coat lights sound over of her shine shoulders. a plane onwarming the She faces Where objects up of on were Rick the violently. you adjacent and last Renault. night? air field. Rick cannot Both men look away turn from theirit. attention It leaves to the ground transport andplane passes standing almost directly poised onover the them. runway. Rick watches RICK YVONNE the plane until its lights disappear That's Who into do so you the long think distance. ago. youIare, don't remember. pushing me around. RENAULTI'm a lady. A CROUPIER steps I sang The out plane in ofto America. the Lisbon cafe. I've -- been A pause. married (looks twice. at Rick shrewdly) CROUPIER They approachExcuse You thewould waiting me,like M'sieur YVONNE cab. to be Rick, on it? but a Will I seeinside gentleman you tonight? has won ten thousand francs. RICK The cashier would(curtly) (to like Fydor) some RICKmoney. You'd Why? What's (calmly) betterin goLisbon? with her, Fydor, I tonever be sure plan she RICK that gets far home. ahead. I'll get it from RENAULT the safe. Yvonne turns,The looks Clipper at Fydor, to FYDOR America. extends her glass to him. Da, boss. CROUPIER Rick doesn't answer. He looks RICK at the plane warming up, but They his look helpisn't herShe's into a happy the had cab. one. enough. Fydor follows her in. YVONNE RICK And Fydor... Pay no attention to him, Fydor. Fill it up. Fydor looks out through the window. Fydor hesitates, looks at Rick.

16. 17. 18. 19. FYDOR RICK RENAULT Rick, Come I loff have right there you,back. often Yvonne, is speculated goingbut to be he some on pays why me. don't return you excitement here tonight. to America. We are Did you going toabscond make FYDOR anwith arrest thein church your Yvonne wheelscafe. funds? on Rick (his Did with face youdrunken run falling) offfury. with the Yes, boss. wife? I should like President's to think youRICK YVONNE killed a man. It The cab starts I'm is Again? off. the sick Rick romantic andwalks tired inback of having me. toward the cafe entrance. you -INT. RICK'S CAFE - MAIN ROOM RICK- NIGHT (still looking RICK RENAULT'S atVOICE (O.S.) They come inside Fydor, How and extravagant the call start plane) a across cab. you are the-room. It throwing was a combination away women like of all that. three. Some day they FYDOR RENAULT may be scarce. Da, boss. This is no ordinary arrest. A Rick turns toward murderer, the voice. noRENAULT less. Renault is sipping some Fydor walks brandy at a table off. And Rick what on the takes in cafe heaven's Yvonne terrace. name by the Hisarm. eyes are amused. Rick's eyes react. brought Involuntarily you to Casablanca? they glance toward the gambling room. Renault catches RICK the look. The plane's motors Come on, Hello, grow Louis. we're louder. going to get your coat. You're RENAULT going home. If you are thinking RICK RENAULT of warning My I think him health. -- don't nowII YVONNE came put shall yourself topay Casablanca a out. call for Take on He Yvonne can't the your waters. possibly hands -maybe off escape. get me her -- on the rebound, eh? He pulls her along towardRENAULT RICK the hall door. Rick takes a seat Waters? I stick at the What my neck table. waters? out for We're nobody. in EXT. STREET IN the FRONT desert. OF RICK'S - NIGHT RICK RENAULT Fydor stands at When A wise the itcurb foreign comes signaling RICK to policy. women, a cab. you're Finally one pulls up. I a was truemisinformed. democrat. Renault snatches a drink off the bar and follows Rick The Rickplane Renault upstairs. leads laughs, is Yvonne nowpours speeding out Rick of the down a drink. cafe, the runway. putting There is Its a the coat lights sound over of her shine shoulders. a plane onwarming the She faces objects up of on Rick the violently. adjacent and Renault. air field. Rick cannot Both men look away turn from theirit. attention It leaves to the RENAULT ground transport andplane passes standing almost directly poised onover theYou them. runway. know, Rick Rick, watches YVONNE we could the plane have until its lights disappear Who into made do this you the arrest think distance. you are,in the earlier pushing at evening me the around. RENAULT BlueI'm Parrot a lady. -A CROUPIER steps I sang The out plane in ofto America. the Lisbon cafe. I've -- been INT. RICK'S OFFICE married (looks / MAIN twice. at ROOM Rick - NIGHT shrewdly) CROUPIER They enter. approachExcuse You thewould waiting me,like M'sieur cab. to be Rick, on it? but a gentleman inside has won ten thousand francs. RICK The cashier RENAULT would -- But (to (curtly) like out Fydor) some of mymoney. high regard You'd Why?you for What's better we are in gostaging Lisbon? with her, it Fydor, here. to It be will sure amuse she RICK your getscustomers. home. I'll get it from RENAULT the safe. The Clipper to FYDOR America. Da, boss. CROUPIER Rick doesn't answer. I am humiliated, He looks at M'sieur the plane Rick.warming up, but They his look helpisn't herIinto a dohappy not theunderstand cab. one. Fydorhow follows -her in. RICK It'sFydor... And all right, Emil. Mistakes will happen. Fydor looks out through the window. Rick and Renault rise and start toward the door.

17. 18. 19. 20. RICK RENAULT Come I Rick, have right there we often are back. is speculated to going have an to be on some why you don't guest excitement important return here tonight tonight. to America. -We are Did you going Major toabscond Strasser make FYDOR an of with arrest thethe Third in church your funds? cafe. Reich (his -Did no face you less. run falling) We off want with him the Yes, President's to beboss. here when wife? weImake should thelike to thinkAyou arrest. little RICK killed demonstration a man. It The cab starts isoff. Again? of the Rick romantic efficiency walks inback of me. mytoward the cafe entrance. administration. INT. RICK'S CAFE - MAIN ROOM RICK- NIGHT (still looking RENAULT'S RICK atVOICE (O.S.) They come inside How I see. and extravagant the And start plane) what's across you Strasser are the-room. It throwing doing washere? a combination away Hewomen hasn't like of come all that. all three. Someway the dayto they Casablanca RENAULT may be scarce. to witness This a demonstration is no ordinary of your arrest. A Rick turns toward murderer, efficiency. the voice. noRENAULT less. Renault is sipping some brandy at a table And what on the in cafe heaven's terrace. name His eyes are amused. Rick's eyes react. brought Involuntarily you to RENAULT Casablanca? they glance toward the gambling room. Perhaps Renault not. catches RICK the look. The plane's motors Hello,grow Louis. louder. RENAULT RICK If you you Louis, are have thinking RICK RENAULT something of warning on My I think him your health. -mind. don't nowI Why Icame put shall don't yourself topay Casablanca youaspill call out. for on can't He it? Yvonne the waters. possibly -- maybeescape. get her on the rebound, eh? RENAULT RICK Rick takes a seat Waters? I stick You are at the What my neck very table. waters? observant. out for We're nobody. As in a the matter desert. of fact, I wanted to give you a word RICKof advice. RENAULT When A wise itforeign comes RICK to policy. women, you're I a was truemisinformed. democrat. RICK Renault snatches Yes?a drink off the bar and follows Rick The Renault upstairs. plane laughs, is nowpours speeding Rickdown a drink. the runway. There is Its the lights sound of shine a plane onwarming the faces up of on Rick theRENAULT adjacent and Renault. air field. Rick cannot Both men look away turn from theirit. attention There It leaves are tomany the RENAULT ground transport exit visas andplane passes sold standing almost directly poised onover thein You them. runway. this know, Rick cafe, Rick, watches but wewe could the know plane have thatuntil its lights disappear madeinto you have thisthe never arrest distance. sold earlier them.in That the evening is the reason at the RENAULT we Blue permit Parrot you-to A CROUPIER steps The out remain plane open. ofto the Lisbon cafe.-INT. RICK'S OFFICE(looks / MAINat ROOM Rick - NIGHT shrewdly) CROUPIER RICK They enter. Excuse You I thought would me,it like M'sieur was tobecause be Rick, on it? but we let a gentleman you win atinside roulette. has won ten thousand francs. RICK The cashier RENAULT would -- But (curtly) like out some of RENAULT mymoney. high regard Why?you for Yes, What's that weis are in another Lisbon? staging reason... it here. It dear My will Rick amuse RICK there your is customers. a man who I'll has arrived get it from in RENAULT Casablanca the safe.on The way his Clipper to America. to RICK America. He will Our entertainment offer a fortune CROUPIER tois anyone enough. who Rick doesn't answer. I will am humiliated, furnish He looks him at M'sieur with the anplane Rick. exit warming up, but his look Rick goesisn't into I visa. a dosmall, happy not understand one. dark roomhow off-the office and starts to open the safe. Renault, drink in hand, leans against the door jamb. RICK It's all right, Emil. Mistakes will happen. Rick and Renault rise and start toward the door.

18. 19. 20. 21. RENAULT RICK Laszlo I Rick, havewe there often here arein is speculated to going Casablanca! have an to be on some why you don't guest excitement important return here tonight tonight. to America. -We are Did you going Major toabscond Strasser make RENAULT an of with arrest thethe Third in church your funds?-cafe. Reich Ricky, Did this noyou less. is runWe the off first want with time him the I President's to have beever hereseen when wife? you weIso make should impressed. thelike to thinkAyou arrest. little RICK killed demonstration a man. It is the efficiency Again? of romantic RICKinof me. my administration. Laszlo has succeeded in INT. RICK'S CAFE impressing - MAIN ROOM half RICKthe NIGHT world. (still looking RICK at They come inside I see. and the And start plane) what's RENAULT across Strasser the room. It doing And was ithere? a iscombination myHe duty hasn't to of see come all that all three. thedoesn't he way to impress Casablanca RENAULTtheto other witness This a half. demonstration is no ordinary of your arrest. A murderer, efficiency. (now no intensely RENAULT less. And what serious) in heaven's name Rick's eyes react. brought Rick, Involuntarily Laszlo you to RENAULT must Casablanca? never theyreach glance toward the gambling room. Perhaps America. Renault not. He catches stays the in Casablanca. look. The plane's motors grow louder. RENAULT RICK If yoube Louis, It'll are you interesting thinking have RICKsomething of towarning see onhow My himhealth. your he manages. -mind. don't I Why came put don't yourself to Casablanca you spill out. for He can't it? the waters. possibly escape. RENAULT Manages what? RENAULT RICK Waters? I stick You are What my neck very waters? observant. out for We're nobody. As in a the matter desert. of fact, RICKI wanted to giveescape. His you a word RENAULT of advice. A wise foreign RICK policy. I was misinformed. RICK RENAULT Renault snatches Yes?a But I drink just told off the you bar -- and follows Rick The upstairs. plane is now speeding down the runway. Its lights shine on the faces of Rick RENAULT RICK and Renault. Rick cannot look away from it.Stop There It leaves it, areLouis. many the RENAULT ground exit He escaped visas and passes sold from almost directly overa You in them. concentration this know, Rick cafe, Rick, watches but wewe camp, could the know didn't plane have that he? until its lights disappear madeinto you The have Nazis thisthe never arrest have distance. sold been earlier them.in chasing That the him evening is all the over reason at Europe. thewe Blue permit Parrot you-to A CROUPIER steps remain outopen. of the cafe. INT. RICK'S OFFICE / MAINRENAULT ROOM - NIGHT (grim) CROUPIER RICK They enter. Excuse This I thought isme, the it M'sieur end wasof because Rick, the chase. but we let a gentleman you win atinside roulette. has won ten thousand francs. RICK RENAULT The cashier would Ten -- But thousand like out some of RENAULT francs mymoney. high says regard it isn't. for you Yes, that weis are another staging reason... it here. It dear My will Rick amuse RICK there your is customers. a man who I'll has arrived get it from in RENAULT Casablanca the safe.on Is histhat way a toserious America. RICK wager? He will Our entertainment offer a fortune CROUPIER tois anyone enough. who I will am humiliated, furnishRICK him M'sieur with an Rick. exit Rick goes into I visa. a dosmall, just not lost understand dark ten room thousand how off-the francs. office and starts to open I'd the like safe. to Renault, get it back. drink in hand, leans against the door jamb. RICK It's Yes? all Whatright, man? RENAULT Emil. Mistakes will it Make happen. five thousand. I am only a poor corrupt RENAULT official. Rick and Renault Victor rise Laszlo. and start toward the door.

19. 20. 21. 22. Rick nods. RENAULT RICK Laszlowe Rick, there here arein is toCasablanca! going have an to be some excitementguest important here RENAULT tonight.-tonight We are going No Major Done. to matter Strasser make RENAULT an of how arrest the clever Third in he your cafe. Reich Ricky, is, he-this still no is less. needs theWe first an want exit time him I to be-have visa ever here orseen when I should you we so make say, impressed. the two. arrest. A little RICK demonstration They start out Again? of of the the efficiency room, RICK back ofdown my the steps. administration. Laszlo has succeeded in INT. STAIRWAY RICK'S CAFE impressing - MAIN ROOM half the NIGHT world. RICK They come inside I see. andAnd start what's RENAULT RICK across Strasser the room. doing And Why it two? here? is myHe duty hasn't to see come that all thedoesn't he way to impress Casablanca RENAULTtheto other witness This a half. demonstration is no ordinary RENAULT of your arrest. A murderer, efficiency. He is(now traveling no intensely less. with a lady. serious) Rick's eyes react. Rick, Involuntarily LaszloRENAULT RICK must never theyreach glance toward the gambling room. Perhaps America. He'll Renault take not. He catches one. stays the in Casablanca. look. RENAULT RICK It'll If Louis, yoube are you interesting thinking have something of towarning see onhow himmanages. your he -mind. don't Why RENAULT put don't yourself you spill out. He it? I think can'tnot. possibly I have escape. seen the lady. And ifRENAULT he did not leave Manages her in Marseilles, what? RICK RENAULT nor in Oran, I You hestick certainly are very my neck observant. won't outleave for As nobody. her a in matter Casablanca. of fact, RICKI wanted to giveescape. His you a word RENAULT of advice. A wise foreign RICK policy. Maybe he's not RICK RENAULT as romantic as Renault snatches Yes? But you a I are. drink just told off the you bar -- and follows Rick upstairs. RENAULT RICK There Stop It does it, are not Louis. many matter RENAULT exit He escaped -visas one sold or from You in a two concentration this know, -- romanticist cafe, Rick, but wewe camp, could orknow didn't nothave that -- he? made you The there have Nazis this is never no arrest have exit sold been earlier visa them. chasing forin That him. the him evening is all the over reason at Europe. thewe Blue permit Parrot you-to remain open.RICK INT. RICK'S OFFICE Louis,/where MAINRENAULT ROOM did you - NIGHT get the idea I (grim) mightRICK be interested in They enter. This I helping thought is the Laszlo itend was escape? of because the chase. we let you win at roulette. RICK RENAULT Ten -Because, But thousand out myof dear RENAULT francs my high Ricky, says regard Iit isn't. for Yes, suspect you that we under is are another that staging cynical reason... it here. It My shell, willyou dear amuse Rick are there your at heart customers. is a man a who has sentimentalist. arrived in RENAULT Casablanca on Is histhat way a toserious America. RICK wager? He will Rick breaks into Our a offer entertainment laugh. a fortune tois anyone enough. who will furnishRICK him with an exit Rick goes into I visa. a just small, lostdark ten RENAULT room thousand off the francs. office and starts to open I'd Laugh the like safe. if to youRenault, get will, it back. but drink I happen in hand, leans against the door to be jamb. familiar RICK with your record. Yes? You fought What man? with RENAULT the Ethiopians Make against it five Italy, thousand. and you I risked am only your a neck poor with corrupt RENAULT the Loyalists official.in Victor Spain -Laszlo.

20. 21. 22. 23. Rick nods. RENAULT RICK Well--there Rick, Laszlo we here arewasn't in toCasablanca! have much an doing important in Paris at guest the RENAULT tonight -time. Major(anxious Done. Strasser No matter RENAULT to of how change the clever Thirdhe Reich Ricky, is, he the -this still no subject) less. is needs theWe first an want exit time him I to have visa Apparently be-ever here orseen when I you should you are we determined make so say, impressed. the two. arrest. to keep Laszlo A little here. demonstration They start out ofof the the efficiency room, RICK back ofdown my the steps. administration. Laszlo has succeeded RENAULT in STAIRWAY impressing I have my orders. half the world. RICK I see. And what's RENAULT RICK Strasser doing And Why it Oh, two? I here? see. is my Gestapo He duty hasn't to spank. see come that all thedoesn't he way to impress Casablanca theto other witness They're at the a bottom half. demonstration of the RENAULT stairs of yournow, back in the main room. efficiency. He is(now traveling intensely with a lady. serious) Rick, LaszloRENAULT RICK must never reach Perhaps America. He'll You over-estimate take not. Heone. stays in theCasablanca. influence of the Gestapo, Ricky. We do not interfere RICK with them and Louis, It'll they do be you not interesting have interfere something to with see on us. how your he In manages. Casablanca mind. Why RENAULT Idon't am master you spill of my it? I think fate. I am not. captain I haveof seen my -the lady. And ifRENAULT he did not leave He stops short Manages her asin heMarseilles, sees what? RENAULT Captain nor Strasser in Oran, entering the cafe. You he certainly are very observant. won't leaveAs her a in matter Casablanca. of fact, RICKI wanted to giveescape. His you a word RENAULT of advice. (hurriedly) RICK Excuse Maybe he's me, Ricky not RICK RENAULT as-romantic as Yes? But you I are. just told you -He hurries toward Strasser. Rick smiles cynically. The croupier, who has been waiting, RENAULTcomes up to Rick. Rick RICK hands him theStop There It money. does it, are not Louis. many matter exit He escaped -visas one sold or from in a two concentration this -- romanticist cafe, but camp, we orknow didn't not that -- he? you The there have Nazis is never no have exit RICK sold been visa them. chasing for That him. him is all There the over you reason Europe. are.we permit you to remain open.RICK Louis, whereRENAULT CROUPIER did you get the idea It shall (grim) I might notRICK be interested happen again, in This I helping m'sieur! thought is the Laszlo itend was escape? of because the chase. we let you win at roulette. He hurries away. Rick picks RICK RENAULT up a drink from the bar. Ten Because, thousand my dear RENAULT francs Ricky, saysIit INT. RICK'S CAFE isn't. Yes, suspect -that MAIN under is ROOM another that - NIGHT cynical reason... My shell, dearyou Rick are there at heart is a man a who Nearby, Renault has sentimentalist. is arrived walking in RENAULT with Casablanca Carl. on Is histhat way a toserious America. wager? He will Rick breaks into offer a laugh. a fortune RENAULT to anyone who will Carl,furnish see that RICK him Herr with Strasser an exit I visa. gets just a lost good ten table RENAULT thousand -- close francs. to I'd Laugh the like ladies. if to youget will, it back. but I happen to be familiar RICK with your record. Yes? You fought What man? with RENAULT the Ethiopians Make against it five Italy, thousand. and you I risked am only your a neck poor with corrupt RENAULT the Loyalists official.in Victor Spain -Laszlo.

21. 22. 23. 24. Rick nods. RICK CARL I have already Laszlo Well--there here wasn't in given Casablanca! much himdoing the in Paris best, M'sieur! at the RENAULT time. Done.(sadly) (anxious No matter RENAULT tohow change clever he Ricky, is, ...Knowing he the this still subject) he is needs is the German first an exit and time I have visa Apparently would ever -take orseen I should you it anyway. you determined are so say, impressed. two. to keep Laszlo here. They start Renault beckons out of tothe a native room, RICK back down officer who the issteps. apparently waiting for the Laszlo word. has Hesucceeded approaches RENAULT inand salutes. STAIRWAY impressing I have my orders. half the world. RENAULT (in a low RENAULT RICK voice) And Take Why it Oh, two? I him see. isquietly. my Gestapo duty Two to spank. see guards thatat he every doesn't door.impress the other They're at the half. bottom of the RENAULT stairs now, back in the main room. He is(now traveling intensely NATIVE with OFFICER a lady. Yes, sir. serious) Rick, LaszloRENAULT RICK must never reach He salutes and America. He'll You starts over-estimate take toward Heone. stays the in the door Casablanca. influence of the gambling room. Renault walksof tothe a table Gestapo, where Ricky. Strasser We do and Heinze are seated. At the not adjoining interfere table RICK withare them some andGerman officers. Strasser beams It'll they as Renault do benot interesting interfere approaches. to with seeus. how he In manages. Casablanca RENAULT I am master of my I think fate. I am not. captain RENAULT I haveof seen my -the lady.evening, Good And ifRENAULT he gentlemen. did not leave He stops short Manages her asin heMarseilles, sees what?Captain nor Strasser in Oran, entering the cafe. he certainlySTRASSER won't leave her in Casablanca. Good evening, RICK Captain. His escape. RENAULT (hurriedly) RICK HEINZE Excuse Maybe you Won't he's me,join Ricky not RENAULT as-us? romantic as But you I are. just told you -He hurries toward Strasser. RENAULT Rick smiles cynically. The croupier, who has been (sitting waiting, RICK RENAULT down)comes up to Rick. Rick hands him theStop It Thank money. does it, you. not Louis. It matter isHe a escaped -- one or pleasure from to a two have concentration -you romanticist here, Major. camp, or didn't not -- he? The there Nazis is no have exit RICK been visa chasing for him. him all There over youEurope. are. STRASSER A very interesting RICK club. Louis, whereRENAULT CROUPIER did you get the idea It shall (grim) I might notRENAULT be interested happen again, in This helping m'sieur! Especially is the Laszlo so end this escape? of the evening. chase. (low voice) He hurries away. In just Rickapicks minute RICK RENAULT upyou a drink will from see the bar. Ten the Because, thousand arrest myof dear francs theRicky, man says who Iit INT. RICK'S CAFE isn't. murdered suspect - MAIN under your ROOM couriers. that - NIGHT cynical shell, you are at heart a Nearby, Renault sentimentalist. is walking RENAULT with Carl. CUT TO: Is that a serious wager? Rick breaks into a laugh.RENAULT Carl, see that RICK Herr Strasser I gets just a lost good ten table RENAULT thousand -- close francs. to I'd Laugh the like ladies. if to youget will, it back. but I happen to be familiar with your record. You fought with RENAULT the Ethiopians Make against it five Italy, thousand. and you I risked am only your a neck poor with corrupt the Loyalists official.in Spain --

22. 23. 24. 25. RICK CARL NATIVE OFFICER'S VOICE (O.S.) You Well--there I have will already come wasn't with given much me, him Senor doing the in Paris best, Ugarte. M'sieur! at the RENAULT time. Done.(sadly) (anxious No matter tohow change clever he is, ...Knowing he the still subject) he UGARTE needs is German an exit and visa Apparently would -(in take or a it I you low should anyway. are voice) determined say, two. Allow to keep meLaszlo to cash here. my chips. They start Renault beckons out of tothe a native room, officer back down who the issteps. apparently The waiting officer for nods, the word. follows He approaches RENAULT Ugarte to the and cashier. salutes. The cashier STAIRWAYpays Ugarte, I have my who orders. thrusts the money inside his coat pocket. As his hand comesRENAULT out it clasps a small revolver, which he points at(in theaofficer. low RICK voice) The officer makes a jump for him, and the Take Why gun Oh, two? I him see. goes quietly. Gestapo off. The Two spank. officer guards at clasps his shoulder. A woman everyscreams. door. People duck for cover. Ugarte runs They're toward at the thebottom hallway. of the RENAULT stairs now, back in the main room. He is traveling NATIVE with OFFICER a lady. INT. HALLWAY IN Yes, RICK'S sir. - NIGHT RICK RENAULT Ugarte He salutes rushes and He'll You into starts over-estimate the take toward hallway one. the as the door Rick influence of appears the gambling from the room. opposite Renault walks direction. of tothe a table Gestapo, where Ricky. Strasser We do and Heinze are seated. At the not adjoining interfere table withare them some andGerman officers. Strasser beams they as Renault do not UGARTE interfere approaches. with us. Rick, In Casablanca help me! RENAULT I am master of my I think fate. I am not. captain RENAULT I haveof seen my -the lady.evening, Good And ifRICK he gentlemen. did not leave He stops short Don't her asin he be Marseilles, sees a fool. Captain You nor Strasser can't in Oran, getentering the cafe. away. he certainlySTRASSER won't leave her in Casablanca. Good evening, Captain. UGARTE RENAULT Hide me. (hurriedly) Do something. RICK HEINZE You're in Excuse Maybe Won't this, he's you me, too. join Ricky notYou as-us? have romantic the as Letters you are.of Transit -He hurries toward Strasser. RENAULT Rick smiles cynically. The Before croupier, he can who finish, has been (sitting Renault, waiting, RENAULT down) Strasser, comes up Heinze to Rick. and Rick others rush handsin him from thebehind It Thank money. does you. Rick. notIt matter Other is a officers -- one orappear pleasure to from the two -have you romanticist here, Major. or not -there is no exit RICK visa for him. There you are. STRASSER A very interesting RICK club. Louis, whereCROUPIER did you get the idea It shall I might notRENAULT be interested happen again, in helping Laszlo m'sieur! Especially so this escape? evening. (low voice) He hurries away. In just Rickapicks minute RENAULT upyou a drink will from see the bar. the Because, arrest myof dear theRicky, man who I INT. RICK'S CAFE murdered suspect - MAIN under your ROOM couriers. that - NIGHT cynical shell, you are at heart a Nearby, Renault sentimentalist. is walking with Carl. CUT TO: INT. Rick GAMBLING breaks into ROOM a laugh. NIGHT RENAULT Carl, see that Herr Strasser Ugarte is at the getsroulette a good table RENAULT table, --aclose huge stack to of chips piled in front Laugh the ofladies. him. if you Thewill, marble but stops I happen on 13, and he exultantly reaches to be for familiar his winnings. with your record. You fought with the Ethiopians But just thenagainst a hand closes Italy, onto and you hisrisked arm. A look of terror crosses his face. your neck with the Loyalists in Spain -Rick nods.

23. 24. 25. 26. CARL NATIVE RICK OFFICER'S VOICE (O.S.) I'm Well--there I You have will sorry already come there wasn't with given wasme, much ahim Senor doing the in Paris best, Ugarte. disturbance, M'sieur! at the buttime. it's all over now. Everything's (anxious to change (sadly) all right. ...Knowing the subject) (glances he UGARTE is toward German Sam) and Sam... Apparently would (in take a it you lowanyway. are voice) determined Allow to keep meLaszlo to cash here. my chips. Sam Renault nodsbeckons and begins to ato native play.officer who is apparently The waiting officer for nods, the word. follows He approaches RENAULT Ugarte to the and cashier. salutes. The cashier INT. RICK'S paysCAFE Ugarte, I have - AT my who STRASSER'S orders. thrusts TABLE the money - LATER inside his coat pocket. As his hand comesRENAULT out it clasps a small revolver, which The song he is points finished at(in the and aofficer. low the RICK voice) excitement The officer has quieted makes a down. jump for him, Strasser, Renault, and the Take Oh, gun Ihim and see. goes quietly. Heinze Gestapo off.are The Two spank. now officer guards backat clasps at their his table. shoulder. A woman everyscreams. door. People duck for cover. Ugarte runs They're toward at the thebottom hallway. of the RENAULT stairs now, back in the main room. Oh, Rick? NATIVE OFFICER INT. HALLWAY IN Yes, RICK'S sir. - NIGHT Rick comes over. RENAULT Ugarte He salutes rushes and You into starts over-estimate thetoward hallway the as the door Rick influence of appears the gambling from the room. opposite Renault walks direction. of tothe a table Gestapo, where RENAULT Ricky. Strasser We do and Heinze are seated. At the Rick, not adjoining interfere this is table Major withare them Heinrich some andGerman officers. Strasser beams Strasser they as Renault do not of the interfere UGARTE approaches. Third Reich. with us. Rick, In Casablanca help me!I am master of my fate. I am captain STRASSER RENAULTof my -How Gooddo evening, you do. RICK gentlemen. He stops short Don't as he besees a fool. Captain You can't Strasser getentering the cafe. away. RENAULT STRASSER And Goodyou evening, already Captain. know Herr Heinze of the UGARTE RENAULT Third Reich. Hide me. (hurriedly) Do something. HEINZE You're Rick nods to Strasser in Excuse Won't this, you me, and too. join Ricky Heinze. You us? -have the Letters of Transit -He hurries toward Strasser. STRASSER RENAULT Rick smiles cynically. The Before croupier, he can who finish, has been (sitting Renault, waiting, down) Strasser, comes up Heinze to Rick. and Rick others rush handsin him from thebehind Thank money. you. Rick. ItOther is a officers pleasure appear to from the gambling roomhave and grab you here, Ugarte. Major. RICK Without a word, There Rick you pushes are. STRASSER his way through the group to the cafe. A very interesting club. CROUPIER It shall notMAN RENAULT happen IN HALL again, m'sieur! Especially (half kidding) so this evening. When they (low come voice) to get me, Rick, He hurries away. I Inhope just Rick you'll apicks minute be upof you a more drink willhelp. from see the bar. the arrest of the man who INT. RICK'S CAFE murdered - MAIN your ROOM RICK couriers. - NIGHT I stick my neck out for nobody. Nearby, Renault is walking with Carl. CUT TO: INT. RICK'S CAFE - MAIN ROOM - NIGHT INT. GAMBLING ROOM - NIGHT RENAULT Rick comes out Carl, on the seefloor. that Herr An air Strasser of tense expectancy pervades Ugarte isthe at room. the getsroulette aAgood few customers table table, --aclose are hugeon stack tothe point of chips of leaving. piled in Rick front the speaks ofladies. him. inThe a very marble calm stops voice. on 13, and he exultantly reaches for his winnings. But just then a hand closes onto his arm. A look of terror crosses his face.

24. 25. 26. 27. CARL NATIVE RICK STRASSER OFFICER'S VOICE (O.S.) I'm I You have will sorry (to already come Rick) there with given wasme, ahim Senor the best, Ugarte. disturbance, Do youM'sieur! mind if but I ask it'syou allaover few now. Everything's questions? (sadly) Unofficially, all right. of course. ...Knowing (glances he UGARTE is toward German Sam) and Sam... would(in take a it lowanyway. voice) Allow me to cash RICK my chips. Sam Renault nodsbeckons and begins to(shrugging) ato native play.officer who is apparently The waiting officer for nods, the Make word. follows it official, He approaches Ugarte ifto you the and like. cashier. salutes. The cashier INT. RICK'S paysCAFE Ugarte, - ATwho STRASSER'S thrusts TABLE the money - LATER inside his coat pocket. As his hand comesSTRASSER RENAULT out it clasps a small revolver, which The song he is points finished What atis (in the and your aofficer. low the nationality? voice) excitement The officer has quieted makes a down. jump for him, Strasser, Renault, and the Takegun him and goes quietly. Heinze off.are The Twonow officer guards backat clasps at their his table. Rick shoulder. looksAat woman every him a screams. door. moment before People replying. duck for cover. Ugarte runs toward the hallway. RENAULT Oh, Rick? RICK NATIVE OFFICER INT. HALLWAY IN Yes, RICK'S (pokerfaced) sir. - NIGHT Rick comes over. I'm a drunkard. Ugarte He salutes rushes andinto starts thetoward hallway the asdoor Rickof appears the gambling from the room. Strasser opposite Renault walks looks direction. to closely a table atwhere RENAULT him. Strasser and Heinze are seated. At the Rick, adjoining this is table Major are Heinrich some German officers. Strasser beams Strasser as Renault of the UGARTE RENAULT approaches. Third Reich. Rick,makes That help Rick me! a citizen of the World. STRASSER RENAULT How Gooddo evening, you do. RICK gentlemen. Don't be a fool. RICK You can't get away. I was born in RENAULT STRASSER New York City, if And that'll Goodyou evening, already clear things Captain. know up Herr any. Heinze of the UGARTE Third Reich. Hide me. Do something. STRASSER HEINZE You're Rick nods to Strasser in Won't this, (very youand too. join amiably) Heinze. You us?have the Letters I understand of Transit you came -- here from Paris at theSTRASSER RENAULT time of the Before he canOccupation. Please finish, (sitting join Renault, us, down) Herr Strasser, Rick. Heinze and others rush in from behind Thank you. Rick. ItOther is a officers pleasure appear to from the gambling Rick sitsroom down have and beside grab you Heinze, here, Ugarte. RICK Major. facing Renault and Strasser. That seems to be no secret. Without a word, Rick pushes RENAULT STRASSER his way through the group to the cafe. Rick, A verywe interesting areSTRASSER very honored club. tonight. Are you one Major of those Strasser people is one who of the reasons cannot imagine MAN RENAULT the IN Third HALL Reich enjoys Especially (half the reputation kidding) so this evening. it has When they today. (low come voice) to get me, Rick, I Inhope justyou'll a minute be of youmore willhelp. see Rick nods. the arrest of the man who murdered your RICK couriers. I stick my neck STRASSER out for nobody. (smiles) CUT TO: INT. RICK'S CAFE You repeat MAIN ROOM "Third - NIGHT Reich" as INT. GAMBLINGthough ROOM -you NIGHT expected there to be Rick comes out others. on the floor. An air of tense expectancy pervades Ugarte isthe at room. the roulette A few customers table, a are hugeon stack the point of chips of leaving. piled in Rick frontspeaks of him. inThe aRENAULT very marble calm stops voice. on 13, and he exultantly reaches Personally, for his I winnings. will take what comes. But just then a hand closes onto his arm. A look of terror The crosses waiter hisappears face. with drinks.

25. 26. 27. 28. NATIVE OFFICER'S VOICE (O.S.) STRASSER RICK There You I'm will sorry (to arecome Rick) there certain with was sections me, a Senor of Ugarte. disturbance, Do that you city mind I would if but I ask it's notyou allaover advise few now.to questions? you Everything's try to Unofficially, invade. all right. of course. (glances UGARTE toward Sam) Sam... (in a low STRASSER voice) Allow Who dome you tothink cash RICK my will chips. win the Sam nods and begins war? (shrugging) to play. The officer nods, Make follows it official, Ugarte ifto you the like. cashier. The cashier INT. RICK'S paysCAFE Ugarte, - ATwho STRASSER'S thrusts RICK the money TABLE - LATER inside his coat pocket. As his I hand haven't comes the STRASSER out slightest it clasps idea. a small revolver, which The song he is points finished What atis the and your officer. the nationality? excitement The officer has quieted makes a down. jump for him, Strasser, Renault, and the gun and goes Heinze RENAULT off.are Thenow officer back at clasps their his table. Rick shoulder. looksAat woman Rick him a screams. ismoment completely People before neutral duck for cover. Ugarte replying. runs toward the about hallway. everything. RENAULT And that Oh, takes Rick? in theRICK field of women, too. INT. HALLWAY IN RICK'S (pokerfaced) - NIGHT Rick Strasser comes takes over. I'm a little a drunkard. black book from his pocket, riffles Ugarte throughrushes the pages. into the hallway as Rick appears from the Strasser opposite looks direction. closely atRENAULT him. Rick, this is STRASSER Major Heinrich Strasser You weren't of the always UGARTE RENAULT Third so Reich. carefully Rick, That neutral. makes help WeRick me! haveaacitizen complete of the dossier World. on you. STRASSER How do (reading) you do. RICK Don't Richard beBlaine, a fool. RICKAmerican. You can'tAge, get away. I thirty-seven. was born in RENAULT New Cannot York return City,to if And that'll his you country. already clear things know up Herr any. Heinze (looking of the UGARTE Third up) Reich. Hide The reason me. Dois something. STRASSER a little You're vague. Rick nods to Strasser in We this, also (very know and too. amiably) Heinze. what You have you did thein Letters I Paris understand --of Transit you came -- here from Paris at theSTRASSER time of the Before Renault, hevery canOccupation. Please finish, curious, join Renault, tries us, to Herr Strasser, look Rick. overHeinze Strasser's and others rush shoulder. in from behind Rick. Other officers appear from the gambling Rick sitsroom downand beside grabHeinze, Ugarte. RICK facing Renault and Strasser. That seems to STRASSER be no secret. Without a word, Don't Rick worry. pushes RENAULT Wehis areway notthrough going the group to the cafe. Rick, to broadcast we areSTRASSER very it. honored tonight. Are you one Major of those Strasser people is one who Rick leans over of for cannot the a reasons imagine look MAN at the IN the Third HALL Germans book. Reich in enjoys their(half beloved the reputation kidding) Paris? it has When they come to get me, Rick, today. I hope you'll RICK be of more help. Rick nods. It's not particularly my beloved Paris. RICK I stick my neck STRASSER out for nobody. HEINZE (smiles) (slight laugh) INT. RICK'S CAFE You repeat MAIN ROOM "Third - NIGHT Reich" as Can youyou imagine us in London? though expected there to be Rick comes out others. on the floor. An air of tense expectancy RICK pervades the room. A few customers are on the point of youin get there, askvoice. me. leaving. RickWhen speaks aRENAULT very calm Personally, I will take what STRASSER comes. How about New York? The waiter appears with drinks.

26. 27. 28. 29. He glances toward Renault. STRASSER RICK I'm sorry There (to areRick) there was certain sections a of disturbance, Do that you city mind I would if STRASSER but I ask it's notyou allaover advise few now. questions? you In this to Everything's try case, Unofficially, to invade. you all right. have noof course. sympathy (glances for the toward fox,Sam) huh? Sam... STRASSER Who do you think RICK will win the Sam nods and begins war?particularly. Not (shrugging) to play. I understand Make the hounds' it official, point if of you view, like. too. INT. RICK'S CAFE - AT STRASSER'S RICK TABLE - LATER I haven't the STRASSER slightest idea. The song is finished What Victor isLaszlo and yourthe nationality? published excitement thehas quieted down. Renault, Strasser, foulest and lies Heinze RENAULT in the arePrague now back at their table. Rick looks atnewspapers Rick him a ismoment completely until before the neutral replying. very day about we marched everything. in, RENAULT andAnd even that after Oh, takes that Rick? he incontinued theRICK fieldto ofprint women, too. scandal (pokerfaced) sheets in a cellar. Rick Strasser comes takes over. I'm a little a drunkard. black book from his pocket, riffles through the pages. RENAULT Strasser looks One closely must admit atRENAULT him. he has great Rick, courage. this is STRASSER Major Heinrich Strasser You weren't of the always RENAULT Third so Reich. carefully That neutral. makes WeRick have STRASSER aacitizen complete of the dossier Also, World. heon isyou. very STRASSER clever. Three How times do (reading) he you slipped do. through our Richard Blaine, fingers. In Paris RICKAmerican. he continued Age, I thirty-seven. his was activities. born in RENAULT New Cannot WeYork intend return City, not to if And that'll hislet to you country. it already clear happen things know again. Herr up any. Heinze (looking of the Third up) Reich. The reason is STRASSER RICK a little vague. Rick nods to Strasser We also (very (with know and amiably) a Heinze. what sightyou smile) did in I You'll Paris understand -excuseyou me,came gentlemen. here from Paris Your business at theSTRASSER time is politics. of the Mine Renault, veryOccupation. Please is curious, running join tries aus, cafe. to Herr look Rick. over Strasser's shoulder. Rick sits down beside Heinze, RICK facing Renault and Strasser. STRASSER That evening, Good seems to STRASSER be no Mr. Blaine. secret. Don't worry.RENAULT We are not going Rick walks off Rick, totoward broadcast we the areSTRASSER gambling very it. honored room. tonight. Are you one Major of those Strasser people is one who Rick leans over of for cannot the a reasons imagine look RENAULT at the the Third Germans book. Reich in enjoys their beloved the reputation Paris? it has today. RICK Are my eyes really RICK brown? Rick nods. It's not particularly my beloved Paris. STRASSER You will forgive STRASSER my curiosity, Herr (smiles) Blaine.HEINZE The point is, an (slight laugh) You enemy repeat of the "Third Reich Reich" has come as to Can youyou imagine usare in London? though Casablanca expected and we there checking to be others. up on anyone who can possibly RICK be of help to us. When you getRENAULT there, ask me. Personally, I RICK will take what STRASSER comes. My interest in Victor Laszlo's How about York? staying orNew going is only a The waiter appears sporting with one. drinks.

27. 28. 29. 30. He glances INT. RICK'Stoward CAFE -Renault. AT THERICK STRASSER PIANO - LATER There(to areRick) certain sections of Sam is idlingthat Do away you city at mind something I would if STRASSER I ask not sentimental, you advise a few glancing around casually. questions? you In this Suddenly, to try case, Unofficially, to as invade. you his have eyes noof look toward the entrance, hissympathy course. playing falters, for the fox, thenhuh? stops altogether. STRASSER INT. RICK'S CAFE Who doAT you THE think RICK ENTRANCE will win NIGHT the war?particularly. Not (shrugging) I understand VICTOR LASZLOMake the andhounds' his it official, companion point if of ILSA you view, LUND like. too. have just come in. Her beauty is such that RICK people turn to stare. The HEADWAITER comes I haven't up to them. the STRASSER slightest idea. What Victor isLaszlo your nationality? published the foulest liesHEADWAITER RENAULT in the Prague Rick looks atYes, Rick newspapers him a ismoment M'sieur. completely until before the neutral replying. very day about we marched everything. in, andAnd even that after takeshe that incontinued theRICK LASZLO fieldto ofprint women, too. scandal I reserved (pokerfaced) sheets a table. in a Victor cellar. Strasser takes I'm Laszlo. a little a drunkard. black book from his pocket, riffles through the pages. RENAULT Strasser Ilsa spots looks Sam One closely atmust the piano. admit at him. he Her has face great registers a startled surprise for just courage. an instant. STRASSER You weren't always RENAULTso carefully That neutral. makes WeRick have STRASSER HEADWAITER aacitizen complete of the dossier Also, Yes, World. M'sieur heon isyou. very Laszlo. clever. Right Three this times(reading) way. he slipped through our Richard Blaine, fingers. In Paris RICKAmerican. he continued Age, Sam sees her looking I thirty-seven. his was activities. born at him. in New Cannot He WeYork turns intend return City, his not to gaze if away, resumes playing. that'll hislet to As country. the it clear happen headwaiter things again. up takes any.them to a table they pass right by(looking the piano. up)Ilsa looks directly at Sam, who with a conscious The reason effort is STRASSER RICK akeeps little his vague. eyes on the keyboard. Ilsa smiles slightly. We also (very (with know amiably) a what sightyou smile) did in I You'll Paris understand -excuseyou me,came gentlemen. here from INT. RICK'S CAFE Paris Your-business AT at A the TABLE time is politics. of CONTINUOUS the Mine Renault, veryOccupation. is curious, runningtries a cafe. to look over Strasser's The shoulder. headwaiter seats Ilsa and walks off. Laszlo takes the RICK STRASSER That evening, Good seems to STRASSER be no Mr. Blaine. secret. Don't worry. We are not going Rick walks off totoward broadcast theSTRASSER gambling it. room. Are you one of those people who Rick leans over cannot for a imagine look RENAULT at the the Germans book. in You their see, beloved you have Paris? nothing to worry about Rick. RICK Are my eyes really RICK brown? It's not particularly STRASSER my beloved Paris. (looking STRASSER after Rick) Perhaps... You will forgive my curiosity, Herr Blaine.HEINZE The point is, an laugh) INT. RICK'S CAFE enemy -(slight AT of ANOTHER the Reich TABLE has come LATER to Can you imagine usare in checking London? Casablanca and we The dark European up onwe anyone saw in who the can opening possibly is busily engaged RICK with a middle-aged be of prosperous help to us.looking man, his arms thrown When you get there, ask me. solicitously around him. RICK STRASSER My interest DARK in Victor EUROPEAN Laszlo's How about New York? I staying beseech oryou, going myis friend only -a be on sporting guard.one. Take care. Use every precaution.

28. 29. 30. 31. Theglances He INT. man RICK'S reaches toward CAFEinto -Renault. AThis THEvest RICK PIANO pocket, - LATER brings out a ring with a large aquamarine There are certain stone. sections of Sam is idlingthat awaycity at something I would STRASSER not sentimental, advise glancing around casually. youthis In Suddenly, to try case, to BERGER as invade. you his have eyes no look toward the entrance, hisYou sympathy playing will falters, for the find a market fox, thenhuh? stops there altogether. for this ring. STRASSER I am forced to INT. RICK'S CAFE Who sell do it AT you at THE think a RICK ENTRANCE great will sacrifice. win NIGHT the war?particularly. I understand Not VICTOR LASZLOthe andhounds' his companion point LASZLOof ILSA view, LUND too. have just come in. Her beauty Thank is such you,that but RICK people I hardly turn think to stare. -The HEADWAITER comes I haven't up to them. the STRASSER slightest idea. Victor Laszlo BERGER published the foulest Then perhaps liesHEADWAITER RENAULT in the for thePrague lady. The Rick is newspapers Yes, ring M'sieur. completely quite until unique. the neutral very day about we marched everything. in, andAnd even that after He holds it down takes that for he intheir continued theLASZLO field view, to of begins print women, totoo. twist the stone, which is apparently scandal I reserved screwed sheets a table. to in the a Victor cellar. setting. Strasser takes Laszlo. a little black book from his pocket, riffles through The INSERT: the ring pages. in Berger's RENAULT hand. In the setting Ilsa spots the underneath Sam One atmust stone theis piano. admit a faint he Her has impression face great registers of the a Lorraine startled surprise Cross of General for just courage. De anGaulle. instant. STRASSER You weren't always so carefully neutral. We have STRASSER HEADWAITER LASZLO a complete interested. dossier Also, Yes, M'sieur I he am on is very you. very Laszlo. clever. Right Three this times(reading) way. he slipped through our BERGER Richard Blaine, fingers. In Paris American. he continued Age, Good. Sam sees her looking thirty-seven. his activities. at him. Cannot He We turns intend return his not to gaze away, resumes playing. hislet to As country. the it happen headwaiter again. takes them to a table LASZLO they pass right by(looking the piano. up)Ilsa looks directly at Sam, (lower voice) who with a conscious The reason effort is RICK akeeps little his vague. eyes on the keyboard. Ilsa smiles slightly. We also (with know a what sightyou smile) did in You'll Paris -excuse me, gentlemen. INT. RICK'S CAFE Your-business AT A TABLE is politics. CONTINUOUS Mine Renault, veryis curious, runningtries a cafe. to look over Strasser's The shoulder. headwaiter seats Ilsa and walks off. Laszlo takes the chair opposite. He surveys STRASSER the room with a sweeping glance. Good evening, STRASSER Mr. Blaine. Don't worry.LASZLO We are not going Rick walks off I totoward see broadcast no the one gambling of it.Ugarte's room. description. Rick leans over for a look RENAULT at the book. You see, youILSA have nothing to worry Victor, about are Rick. you RICKsure we should have Are my come eyes here really -- so brown? in public? STRASSER (looking LASZLO STRASSER after Rick) Perhaps... There You will is often forgive a greater my curiosity, safety in Herr what Blaine. appears Theto point be ais, risk. an INT. RICK'S CAFE enemy - AT of ANOTHER the Reich TABLE has come LATER to A small blondCasablanca man, BERGER, andwalks we are upchecking to them. The dark European up onwe anyone saw in who the can opening possibly is busily engaged with a middle-aged be of prosperous help to BERGER us.looking man, his arms thrown solicitously around Excuse him. me, but you look like a couple who are RICK on their way to America. My interest DARK in Victor EUROPEAN Laszlo's I staying beseech oryou, going myis friend only -a be on sporting guard.one. Take LASZLO care. Use every precaution. Well?

29. 30. 31. 32. Theglances He INT. man RICK'S reaches toward CAFEinto -Renault. AThis THEvest RENAULT PIANO pocket, - LATER brings out a ring with a large aquamarine Monsieur Laszlo, stone.is it not? Sam is idling away at something STRASSER sentimental, glancing around casually. In this Suddenly, case, BERGER LASZLO as youhis have eyes no look toward the entrance, hisYes. sympathy You playing will falters, for the find a market fox, thenhuh? stops there altogether. for this ring. I am forced to INT. RICK'S CAFE sell-it ATat THE aRENAULT RICK ENTRANCE great sacrifice. - NIGHT Not I amparticularly. Captain Renault, I understand Prefect VICTOR LASZLOof the and Police. hounds' his companion point LASZLOof ILSA view, LUND too. have just come in. Her beauty Thank is such you,that but people I hardly turn think to stare. -The HEADWAITER comes up to them. STRASSER LASZLO Victor Yes. What Laszlo isBERGER it published you want? the foulest Then perhaps liesHEADWAITER in the for thePrague lady. The newspapers Yes, ring M'sieur. is quite until RENAULT unique. the very day we marched (amiably) in, and even after He holds it down thatfor Merely heto their continued welcome LASZLO view, tobegins you print to to twist the stone, which is apparently scandal I Casablanca reserved screwed sheets a table. and to in the wish a you cellar. Victor setting. a Laszlo. stay. It is not often pleasant INSERT: The ring we have in Berger's so distinguished RENAULT hand. In the a setting Ilsa spots the underneath Sam One visitor. atmust stone theis piano. admit a faint he Her has impression face great registers of the a Lorraine startled surprise Cross of General for just courage. De anGaulle. instant. LASZLO Thank you. ILASZLO STRASSER HEADWAITER hope you'll forgive interested. Also, Yes, me, Captain, M'sieur I he amis very very Laszlo. but clever. the Right present Three this times he way. French administration slipped through hasour not BERGER fingers. always been In so Paris cordial. he continued May I Good. Sam sees her looking his present activities. at Miss him. Ilsa He WeLund? turns intendhis notgaze away, resumes playing. to let As the it happen headwaiter again. takes them to a table LASZLO they pass right by the piano. RENAULT Ilsa looks directly at Sam, voice) who with a conscious I was(lower informed effort RICK keeps you were histhe eyes on the keyboard. What beautiful is your Ilsa smiles slightly. most (with a name? sight woman smile) ever to You'll visit Casablanca. excuse me, gentlemen. That was a BERGER INT. RICK'S CAFE Your gross -business AT understatement. A TABLE is politics. CONTINUOUS Mine Berger... at your service, is runningAnd a cafe. sir. The headwaiter seats IlsaILSA and walks off. Laszlo takes the chair opposite. He surveys STRASSER the room with a sweeping glance. Ilsa sees someone Good approaching. evening, Mr. Blaine. LASZLO Rick walks off I toward see no the oneILSA gambling of Ugarte's room. description. Victor! RENAULT You see, youILSA LASZLO have nothing to worry Victor, (in about are a low Rick. youvoice) sure we should have Meet come me inhere a few --minutes so in public? at the bar. STRASSER (looking (louder) LASZLO after Rick) Perhaps... There I do not is think often we a greater want tosafety buy in what the ring. appears But thank to be you a for risk. INT. RICK'S CAFE showing - ATit ANOTHER to me.TABLE - LATER A small blond man, BERGER, walks up to them. The Berger dark takes European the cue. we saw He in sighs, the opening puts theis ring busily away. engaged with a middle-aged prosperous BERGER looking man, his arms thrown solicitously around Excuse him. me, but BERGER you look like a couple Such a bargain. who are on But their if that way is to America. your decision DARK -- EUROPEAN I beseech you, my friend -- be He bows and walks on guard. away,Take brushing LASZLO care.past Use Renault, every who is approaching the precaution. Well? table.

30. 31. 32. 33. The man INT. RICK'S reaches CAFEinto - AThis THEvest RENAULT ILSA PIANO pocket, - LATER brings out a ring with a large aquamarine Monsieur the Captain, Laszlo, stone. boy who is it isnot? playing Sam is idlingthe away piano, at something somewhere sentimental, I have glancing around casually. seenSuddenly, him. BERGER LASZLO as his eyes look toward the entrance, hisYes. You playing will falters, find a market then stops there altogether. for this ring. RENAULT I am forced to INT. RICK'S CAFE sell-it Sam? ATat THE aRENAULT ENTRANCE great sacrifice. - NIGHT I am Captain Renault, Prefect VICTOR LASZLOof and Police. his companion LASZLO ILSA LUND have just come ILSA in. Her beauty Thank Yes. is such you,that but people I hardly turn think to stare. -The HEADWAITER comes up to them. LASZLO Yes. What isRENAULT BERGER it you want? Then He came perhaps fromHEADWAITER for the Paris with lady. Rick. The Yes, is ring M'sieur. quite RENAULT unique. (amiably) ILSA He holds it down Merely Rick? for Who's to their welcome he? LASZLO view, you begins to to twist the stone, which is apparently I reserved Casablanca screwed a table. and to wish the Victor you setting. a Laszlo. stay. pleasant RENAULT It is not often INSERT: The ring we have Mademoiselle, in Berger's so distinguished you hand. are In in the a Rick's setting Ilsa spots the underneath Sam visitor. and atRick stone theis piano. isa-faint Herimpression face registers of the a Lorraine startled surprise Cross of General for justDe anGaulle. instant. LASZLO ILSA Thank Is what? you. ILASZLO HEADWAITER hope you'll forgive interested. Yes,Captain, me, M'sieur I am very Laszlo. but the present Right this way. French administration RENAULT has not BERGER alwaysMademoiselle, Well, been so cordial. he'sMay theI Good.of at Sam sees her looking present kind Miss a man him. Ilsa that, HeLund? turns well,his if gaze I away, resumes playing. wereAs a the woman headwaiter and I were takes not them to a table LASZLO they pass right around, by the I piano. should RENAULT Ilsa be inlooks love directly at Sam, (lower voice) who with a conscious I wasRick. with informed effort But keeps you were what ahis fool the eyes I am on the keyboard. What beautiful is to your name? Ilsa smiles slightly. most talking a beautiful woman ever woman to visit another about Casablanca. man.That was a BERGER INT. RICK'S CAFE gross - AT understatement. A TABLE - CONTINUOUS Berger... And walks at your service, Renault stands as Strasser up. sir. The headwaiter seats IlsaILSA and walks off. Laszlo takes the chair opposite. YouHe are surveys veryRENAULT kind. the room with a sweeping glance. Ilsa sees someone approaching. Mademoiselle Lund, Monsieur Laszlo, may I LASZLO present Major I see you Won't Heinrich no Strasser. one join ILSA ofus? Ugarte's description. Victor! The German bows, but their RENAULT is not the slightest recognition from either Ilsa If you or Laszlo. will permit ILSA LASZLO me. Victor, (calls (inare a low you to the voice) sure waiter) we should Oh, have MeetEmil. come me inPlease, here aLASZLO few --minutes a sobottle in public? atof the your I bar. am best sure champagne, you will excuse and put me it if on I am mynot (louder) bill. gracious... LASZLO but you There I see, do Major not is think often Strasser... a greater we want I toam safety buy a in what the Czechoslovakian. ring. appears But EMIL thank to be you a for risk. Very showing well, it sir. to me. A small blond man, BERGER, walks up to them. Berger takes the cue. He sighs, LASZLO puts the ring away. No, Captain,BERGER please. Excuse me, but BERGER you look like a couple Such a bargain. who are RENAULT on But their if that way is to No. America. your Please, decision Monsieur, -it is a little game we play. They put He bows and walks it onaway, the bill, brushing LASZLO I tear past the Renault, bill who is approaching the up. Well? table. It is very convenient.

31. 32. 33. 34. The man reaches into his vest RENAULT ILSA STRASSER pocket, brings out a ring with a large aquamarine Monsieur Captain, Merely tothe Laszlo, discuss stone. boy who is some it ismatters not? playing the piano, arising from somewhere your presence I haveon... seen him. French soil.LASZLO BERGER You will find a market there Yes. for this ring. RENAULT LASZLO I am forced to sell is Sam? This it hardly at aRENAULT great the time sacrifice. or the I am Captain Renault, Prefect place... of Police. ILSA LASZLO Thank you, but Yes. STRASSER I hardly think -(hardening) LASZLO Then Yes. we What shall isRENAULT BERGER it state you another want? time Then He came and perhaps from another for place. Paris the with lady. Tomorrow Rick. The at ring ten, is in quite the RENAULT unique. Prefect's office. With Mademoiselle. (amiably) ILSA He holds it down Merely Rick? for Who's to their welcome he? view, you begins to to twist the stone, which is apparently Casablanca screwed and LASZLO to wish the you setting. a Captain pleasantRenault, stay. RENAULT ItIis amnot under often INSERT: The ring your we have Mademoiselle, in authority. Berger's so distinguished you hand. Isare it In in your the a Rick's setting underneath the visitor. and order stone Rick that is isa we -faint come impression to your of the Lorraine Cross of General office? De Gaulle. LASZLO ILSA Thank Is what? you. ILASZLO RENAULT hope you'll forgive interested. Yes,Captain, me, I (amiably) am very but the present French Let us administration say that RENAULT it is has my request. not BERGER always Well, That is Mademoiselle, been a much so cordial. more he's pleasant May theI Good.of a present kind word. Miss manIlsa that, Lund? well, if I were a woman and I were not around, I should RENAULT LASZLO be in love (lower voice) I with Very wasRick. well. informed But you were what a fool theI am What beautiful is to your name? most talking a beautiful woman ever woman to Renault and Strasser visit another about Casablanca. bow shortly, man.That then waswalk a off. BERGER gross understatement. Berger... And walks at your service, Renault On the dance stands floor, as Strasser A girl with aup. guitar appears in a spotlight andsir. begins playing. ILSA You are veryRENAULT kind. Ilsa sees someone approaching. Mademoiselle LASZLO Lund, Monsieur Laszlo, This time may they I LASZLO present really Major mean to Won't Heinrich stop me. youStrasser. join ILSA us? Victor! The German bows, but their RENAULT ILSA is not the slightest recognition from either Ilsa If Victor, you or Laszlo. will I'm permit afraid LASZLO me. for you. (calls (in a low to the voice) waiter) Oh, MeetEmil. me inPlease, aLASZLO few minutes a bottle atof the your I bar. Weam have best sure been champagne, youin will difficult excuse and put me it if on I places am mynot (louder) bill. before. gracious... but you I do Major see, not think Strasser... we want I toam buy a He puts a hand the Czechoslovakian. over ring. hers. But EMIL Ilsa thank smiles you for back at him, but her eyes are still Very showing troubled. well, it sir. to me. STRASSER a Czechoslovakian Berger takes the You cue. were He sighs, LASZLO puts the-ring away. now Captain, you are aplease. subject of the No, German Reich. BERGER Such a bargain. RENAULT But if that is LASZLO No. yourPlease, decision Monsieur, -it is a I'm on game French it little wesoil. play.What Theyis put youon want me. I tear He bows and walks it away, theof bill, brushing past the Renault, bill who is approaching the up.table. It is very convenient.

32. 33. 34. 35. INT. RICK'S CAFE - AT THESTRASSER RENAULT ILSA BAR - LATER Monsieur Captain, Merely tothe Laszlo, discuss boy who is some it ismatters not? playing Berger is sipping the piano, arising a drink. from somewhere your Laszlo presence casually I haveon... takes a place next to him. French seen him. soil.LASZLO Yes. RENAULT LASZLO Sam? is This (tohardly Fydor) RENAULT the time or the A I champagne place... am Captaincocktail, Renault, please. Prefect of Police. ILSA Yes. FYDOR STRASSER Yes, M'sieur. (hardening) LASZLO Then Yes. we What shall isRENAULT it state you another want? Laszlo takes out time He came aand cigarette. from another Paris Berger place. with leans Tomorrow Rick. over to give him a light. at ten, in the RENAULT Prefect's office. With Mademoiselle. (amiably) ILSA MerelyWho's Rick? to welcome he? BERGERyou to Casablanca (in a low and LASZLO wish you a voice) I Captain pleasant recognize Renault, stay. you RENAULT It from Iis amthe not under news often photographs, your we have Mademoiselle, authority. so distinguished Monsieur you Isare it Laszlo. in your a Rick's visitor. and order Rick that iswe --come to your office? LASZLO In a concentration LASZLO camp, one is ILSA apt Thank Is what? toyou. loseIa RENAULT hope little you'll weight. forgive me, Captain, (amiably) but the present French Let us administration say that BERGER RENAULT it is has my request. not We always Well, That read is Mademoiselle, been five a much so times cordial. morethat he's pleasant you May theI were present kind word.killed of a Miss man in Ilsa that, five Lund? different well, if I places. were a woman and I were not around, I should RENAULT LASZLO be in love I with Very wasRick. well. informed But LASZLO you were what a fool theI am most (smiles talking beautiful to a wryly) beautiful woman ever woman to Renault and Strasser As visit about youanother Casablanca. see, bow it shortly, man. wasThat true then was every walk a off. time... gross understatement. Thank the good Lord you Renault On the dance stands floor, found as Strasser me, A girl Berger. walks withIaup. am guitar looking appears in a spotlight andfor begins a man playing. byILSA the name of Ugarte. He Youis are tovery help RENAULT kind. me. MademoiselleLASZLO Lund, Monsieur Laszlo, This time may they I BERGER LASZLO present really Major mean to Won't Heinrich stop (shaking me. youStrasser. joinhis us?head) M'sieur Laszlo, Ugarte cannot The German bows, evenbut help their himself. RENAULT ILSA is not Hethe is slightest under recognition from either Ilsa arrest If Victor, you or Laszlo. for will I'mmurder. permit afraid He me. forwas you. arrested (calls here totonight. the waiter) Oh, Emil. Please, LASZLOa bottle of Laszlo absorbs your I Wethe am have best sure shock been champagne, you quietly. in will difficult excuse and put me it if on I places am mynot bill. before. gracious... but you see, Major Strasser... I am a He puts a hand Czechoslovakian. over hers.EMIL Ilsa smiles back at him, but her eyes are still Very troubled. well, sir. STRASSER -You were a Czechoslovakian LASZLO now youfind are out aplease. subject of the No, I will Captain, what Berger German Reich. knows. RENAULT LASZLO toward Ilsa nods. Laszlo No. Please, rises, starts Monsieur, it is the a far end of the I'm on game French it bar. little wesoil. play.What Theyis put youon want me. I tear the bill it theof bill, up. It is very convenient.

33. 34. 35. 36. INT. RICK'S CAFE - AT THEBERGER ILSA STRASSER BAR - LATER (CONT'D) Captain, Merely Tomorrow tonight the discuss boy there who some ismatters playing a Berger is sipping the piano, arising meeting a drink. from at somewhere the your Laszlo Caverne presence casually I du have Bois. on... takes a place next to him. If seen French you him. soil. come -would He stops as a gendarme moves RENAULT LASZLO into the background. Sam? is This (tohardly Fydor)the time or the INT. RICK'S CAFE A place... champagne - AT ILSA'S cocktail, TABLE please. NIGHT ILSA Yes. FYDOR STRASSER ILSA Yes, M'sieur. (hardening) (to waiter) Then you Will we shall askRENAULT the state piano another player Laszlo takes out time to He come came aand cigarette. over from another here, Paris Berger place. please? with leans Tomorrow Rick. over to give him a light. at ten, in the Prefect's office. With Mademoiselle. WAITER ILSA Very Rick?well, Who'sMademoiselle. he? BERGER (in a low LASZLO voice) Sam wheels inI Captain the recognize piano Renault, to you RENAULT Ilsa's from I amtable. the under news On his face is that funny fear. photographs, your Mademoiselle, And authority. to tell Monsieur you the Isare it truth, Laszlo. in your Rick's Ilsa herself is not as self-possessed and order Rick that as iswe she --come tries to to your appear. There is something behind office? this, some LASZLO mysterious, deep-flowing feeling. In a concentration ILSA camp, one is apt Is what? to lose a RENAULT little weight. (amiably) ILSA Hello, Let us Sam. say that BERGER RENAULT it is my request. We Well, That read is Mademoiselle, five a much times morethat he's pleasant you the were kind word.killed of a man in SAM that, five different well, if I places. Hello, were a Miss womanIlsa. and IIwere never not expected around, Ito should see LASZLO you be again. in love with Very Rick. well. But LASZLO what a fool I am talking (smiles to aILSA beautiful woman wryly) Renault and Strasser As It's about you been another see, bow a long shortly, it man. was time. true then every walk off. time... Thank the good Lord you Renault On the dance stands floor, found as Strasser me, A girl Berger. SAM walks withIaup. am guitar looking appears in a spotlight andYes, for begins aMiss man playing. by theAname Ilsa. lot of water Ugarte. He is the under to help bridge. RENAULT me. MademoiselleLASZLO Lund, Monsieur He sits down and Laszlo, Thisis time ready may they I BERGER to present really play. Major mean to Heinrich stop (shaking me. Strasser. his head) M'sieur Laszlo, ILSAUgarte cannot The German bows, evenbut help their himself. ILSA is not Hethe is slightest under recognition from either Ilsa arrest Victor, or Laszlo. for I'mmurder. afraid He forwas you. arrested here tonight. LASZLO Laszlo absorbs I Wethe am have sure shock been you quietly. in will difficult excuse me if I places am not before. gracious... but you see, Major Strasser... LASZLO I am a He puts a hand I Czechoslovakian. over hers. Ilsa smiles back at him, but her see. eyes are still troubled. BERGER STRASSER a intense Czechoslovakian -You were (with LASZLO now you are out a subject of the I will devotion) find what Berger German Reich. But knows. we who are still free will do all we can. We are organized, LASZLO toward Ilsa nods. Laszlo M'sieur rises, -- underground starts like the far end of the I'm on French soil. What is it bar. everywhere else. you want of (MORE) me.

34. 35. 36. 37. Ilsa gives INT. RICK'Shim CAFE a tolerant - AT THEBERGER STRASSER BAR - LATER smile. (CONT'D) He looks very uncomfortable. Merely tonight Tomorrow discuss there some ismatters a Berger is sipping arising meeting a drink. from at the your Laszlo Caverne presence casually du Bois. on... takes a place next to him. If French you would soil.ILSA come -When will he be back? He stops as a gendarme moves LASZLO into the background. This is (tohardly Fydor) SAMthe time or the INT. RICK'S CAFE A place... Not champagne tonight AT ILSA'S cocktail, no more. TABLEHe please. NIGHT ain't coming. He went home. FYDOR STRASSER ILSA Yes, M'sieur. (hardening) (to waiter) ILSA Then Will Does you we he shall always ask the state leave piano another soplayer early? Laszlo takes out time to come aand cigarette. over another here, Berger place. please? leans Tomorrow over to give him a light. at ten, in the SAMPrefect's office. With He never Mademoiselle. -- I WAITER mean -Very well, (desperately) Mademoiselle. BERGER He's got (in a girl low LASZLO voice) up at the -Sam wheels inI Captain Blue the recognize piano Parrot Renault, to you --Ilsa's He from Igoes amtable. the under there news On his face is that funny fear. photographs, your all And the authority. to time... tell Monsieur the Is it truth, Laszlo. your Ilsa herself is not as self-possessed order that aswe she come tries to to your appear. There is something behind office? this, some LASZLO ILSA mysterious, deep-flowing feeling. In Sam, a concentration you used to becamp, a much one is apt better to lose liar.a RENAULT little weight. (amiably) ILSA Hello, Let us Sam. say that BERGER SAM it is my request. We Leave That read is him five a alone, much times more Miss that pleasant Ilsa. you were You're word.killed bad luck in SAMfive to him. different places.Miss Ilsa. I never Hello, expected to see ILSA LASZLO you again. Very (softly) well. LASZLO Sam, play (smiles itILSA wryly) once for old Renault and Strasser As It's time's you been see, sake. bow a long shortly, it was time. true then every walk off. time... Thank the good Lord you On the dance found floor,me, A girl Berger. SAM withIaam guitar looking appears in a spotlight andYes, for Ibegins don't aMiss man playing. know by the Ilsa. what Aname lot you of mean, Ugarte. water He under Miss isIlsa. to help the bridge. me. LASZLO He sits down and Thisis time ready they BERGER ILSA toreally play. mean to Play stop it, (shaking me. Sam. Play his head) "As Time M'sieur Goes By." Laszlo, ILSAUgarte cannot even of Some help the himself. old ILSAsongs, He is Sam. under arrest Victor,for I'mmurder. afraid SAM He forwas you. arrested I can't remember here SAM tonight. it, Miss Ilsa! Yes, ma'am. LASZLO Laszlo Of course absorbs he can. Wethe have He shock doesn't beenquietly. in want difficult to play it. He seems Sam begins toplaces play abefore. number. He is nervous, waiting for anything. But even so, when LASZLO it comes he gives a little start... He puts a hand I see. over hers. Ilsa smiles back at him, but her eyes are still troubled. BERGER ILSA Where(with is Rick? intense LASZLO I will devotion) find out what Berger But knows. we who are SAMstill free will do all (evading) we can. We are organized, Ilsa nods. Laszlo M'sieur I don't rises, -- underground know. starts I ain't toward seen like the himfar end of the bar. everywhere all night. else. (MORE)

35. 36. 37. 38. Softly INT. Ilsa RICK'S gives she feeds him CAFE a him - ATthe tolerant THEfirst BERGER BAR -line, smile. LATER (CONT'D) He looks speaking veryit: uncomfortable. Tomorrow night there is a Berger is sipping meeting a drink. at the ILSA Laszlo Caverne casually du Bois. takes a place next to him. "You If you must would remember ILSA come -this......" When will he be back? He and -stops Sam aspicks a gendarme it up,moves singing: LASZLO into the background. (to Fydor) SAM INT. RICK'S CAFE A Not champagne tonight AT ILSA'S cocktail, no SAMmore. TABLEHe please. NIGHT ain't coming. You mustHe remember went home. this, A kiss is still a kiss, FYDOR ILSA A sigh is just Yes, a sigh, M'sieur. (toThe waiter) fundamental ILSA things Will Does you apply, heAs always ask time the leave goes piano by..... soplayer early? Laszlo takes out to come a cigarette. over here, Berger please? leans over to give him Rickacomes light. swinging out of SAM the gambling room. He has heard the music andHe henever is livid. -- I WAITER mean -Very well, (desperately) Mademoiselle. BERGER He's got (in a girl low SAMvoice) up at the -Sam wheels inI Blue And the recognize when piano Parrot two to you -lovers Ilsa's He from goes woo, table. the there news They On his face is that funny fear. photographs, all And both the sayto time... I tell love Monsieur the you,truth, On Laszlo. that Ilsa herself is not as self-possessed you can rely, as she Notries matter towhat appear. There is something behind the this, futuresome brings, LASZLO ILSA mysterious, As time deep-flowing goes feeling. In Sam, by. a concentration you used to becamp, a much one is apt better to lose liar.a little weight. ILSA RICK Hello, What the Sam. -- ! BERGER SAM Sam, I've told We Leave you read --him !five alone, times Miss that Ilsa. you were You're killed bad luck in SAMfive to him. different He stops abruptly, places. Hello, stops Miss speaking Ilsa. I never and stops moving. Sam looks over his expected shoulder toat see ILSA Rick youand again. stops playing. Ilsa knows why even before (softly) sheLASZLO turns and looks. She knows who she'll see when Sam, she (smiles play turns. itILSA wryly) once She turns for old slowly. She isn't breathing much. As It's time's you been see, sake. a long it was time. true every time... Thank the good Lord you Rick isn't breathing found me, atBerger. all. SAM It's I am a wallop, looking a shock. For a long moment he for Yes, I just don't aMiss man looks know by at Ilsa. the what her. Aname lot youHe of mean, starts Ugarte. water moving forward, his eyes riveted He under Miss is on Ilsa. to the her. help bridge. She me. is looking at him, too. He Samsits putsdown his and stool ison ready topBERGER ILSA to of play. the piano and wheels it quickly away.Play Ilsait, (shaking doesn't Sam. notice. his head) Play "AsShe Time still looks at Rick. M'sieur Goes By." Laszlo, ILSAUgarte cannot Renault chooses even Some this help of moment the himself. oldto songs, make He is his Sam. under entrance, along with Laszlo. arrest for murder. SAM He was arrested I can't remember here SAM tonight. it, Miss Ilsa! Yes, ma'am. RENAULT Laszlo Of course absorbs he can. theHe (to shock doesn't Ilsa) quietly. want to play it. He seems Sam evenbegins more scared. to play a number. He is nervous, waiting for anything. But even so, when LASZLO it comes he gives a little start... I see. ILSA I'll hum it for you. BERGER ILSA She starts toWhere hum.(with Sam is Rick? begins intense to play it very softly. devotion) But we who are SAM ILSA still free will do Sing all (evading) it, weSam. can. We are organized, M'sieur I don't know. -- underground I ain't seen likehim everywhere all night. else. SAM I don't know(MORE) the words!

36. 37. 38. 39. Softly Ilsa gives she feeds him a him tolerant the first BERGER ILSA smile. line, (CONT'D) He looks speaking veryit: uncomfortable. Tomorrow (under night herthere breath) is a meetingRick. Hello, at the ILSA Caverne du Bois. If you "You must would remember ILSA come -this......" She offers her When hand will andhe hebe takes back? it. He and -stops Sam aspicks a gendarme it up,moves singing: into the background. SAM RENAULT INT. RICK'S CAFE Not You tonight know AT ILSA'S each no SAM other? more. TABLEHe - NIGHT ain't coming. You mustHe remember went home. this, A kiss There's no answer is still fromaeither. kiss, ILSA A sigh is just a sigh, (toThe waiter) fundamental ILSA things Will Does you apply, heAs always ask time RENAULT the leave goes piano by..... soplayer early? to Well come then, over dohere, you also please? know -Rick comes swinging out of SAM the gambling room. He has heard the music andHe henever is livid. -- I WAITER ILSA mean -Very This well, is (desperately) Mr.Mademoiselle. Victor Laszlo. He's got a girl SAM up at the -Sam She wheels says itin in Blue And the a funny when piano Parrot two way to -lovers Ilsa's -Heas goes if woo, table. she's there They On frightened his face is to that say it funny and fear. yet all both would And the sayto rather time... I tell lovesay the you, it truth, On herself that Ilsa than herself have is not someone as self-possessed else.you Rick can measures rely, as she No Laszlo tries matter to with what appear. a look, There thenis looks something at Ilsa and behind smiles. the this, future There some brings, ILSA ismysterious, perhaps As time some deep-flowing goes mockery in the feeling. way he smiles. Sam, you used to be a much by. better liar. ILSA RICK LASZLO Hello, Whathears One the Sam. -a great ! SAM Sam,deal I'veabout told Leave you Rick -in him !Casablanca. alone, Miss Ilsa. You're bad luck SAM to him. He stops abruptly, Hello,stops Miss speaking Ilsa. RICK I never and stops moving. Sam looks over his expected And shoulder aboutto Victor at see ILSA Rick you Laszlo and again. stops playing. Ilsa knows why even everywhere. before (softly) she turns and looks. She knows who she'll see when Sam, she play turns. itILSA once She turns for old slowly. She isn't breathing much. It's time's been sake. a long LASZLO time. Won't you join us for a drink? Rick isn't breathing at all. SAM It's a wallop, a shock. For a long moment he Yes, I just don't Miss looks know Ilsa. RICK at what her. A lot youHe of mean, starts water moving forward, his eyes riveted under Misson I'll Ilsa. join the her. bridge. you. SheIis never looking drink at him, too. unless I'm alone. He Samsits putsdown his and stool ison ready topILSA to of play. the piano and wheels it quickly away.Play Ilsait, doesn't Sam. RENAULT notice. Play "AsShe Time still looks at Rick. Goes By." Well! A precedent ILSA is being Renault chooses Some broken. this of moment the Er, old Emil! to songs, make his Sam.entrance, along with Laszlo. SAM I can't remember SAM LASZLO it, Miss Ilsa! Yes, ma'am. (as they RENAULT sit Of course he can. He (todoesn't Ilsa) want to play it. He seems Sam evenbegins more scared. toSee play what a number. I have He found is nervous, for waiting for anything. Butyou even --so, a wandering when it comes escort. he gives a little start... ILSA She doesn't seem I'llto hum have it heard, for you. and Renault looks off in the direction she is looking. ILSA She starts toWhere hum. Sam is Rick? begins to play it very softly. RENAULT Well, you were SAM ILSA asking about Sing and Rick (evading) it, Sam. he is. here I Mademoiselle, don't know. I may ain't I present seen him -all night. SAM I don't knowRICK the words! Hello, Ilsa.

37. 38. 39. 40. Softly Ilsa gives she feeds him a him tolerant the first ILSA LASZLO smile. line, He looks speaking veryit: uncomfortable. Thank(under you. Iher try. breath) Hello, Rick.ILSA "You must remember ILSA RICK this......" She offers her When We hand all will and try. he he You be takes back? succeed. it. -- and Sam picks it up, singing: SAM RENAULT Not You I can't tonight know get each no over SAM other? more. -- you He two. ain't coming. You She mustasking was He remember wentabout home. this, youAearlier, kiss There's no answer is still Rick, from in aeither. kiss, way that A sigh madeis mejust a sigh, The extremely jealous. fundamental ILSA things Does heAs apply, always time RENAULT leaveby..... goes so early? Well then, do ILSA you also know -Rick comes swinging (to out Rick) of SAM the gambling room. He has heard the music andI He he wasn't never is livid. -- I sure ILSA meanwere you -- the same. This is Let's (desperately) see, Mr.the Victor lastLaszlo. time we He's got a girl met... SAM up at the -She says it in Blue And a funny when Parrot two way -lovers -Heas goes if woo, she's there Theyfrightened to say it and yet all both would the sayrather time... I love RICK say you, itOn herself that than have someone else.Was you Rick can it measures "La rely, Belle No Laszlo matter Aurore"? with what a look, then looks at Ilsa and smiles. the future There brings, ILSA is perhaps As time some goes mockery in the way he smiles. Sam, you used by. ILSA to be a much better How nice. liar. You remembered! But of course --LASZLO RICK that was the day WhatGermans One the hears the -a marched ! great SAM Sam,deal I've into about told Paris. Leave you Rick -in him !Casablanca. alone, Miss Ilsa. You're bad luck RICKto him. He stops abruptly, Not anstops easy speaking day RICKto forget, and stops was moving. Sam looks over his And it? shoulder about Victor at ILSA Rick Laszlo and stops playing. Ilsa knows why even everywhere. before (softly) she turns and looks. She knows who she'll see when Sam, she play turns. itILSA once She turns for old slowly. She isn't breathing much. time's sake.LASZLO No. Won't you join us for a drink? Rick isn't breathing at all. SAM It's a wallop, a shock. For a RICK long moment he I just don'tlooks remember know every RICK at what her. detail. youHe mean, starts The moving forward, his eyes riveted Misson I'll Germans Ilsa. join her. wore you. She gray, Iis never looking you wore drink at blue. him, too. unless I'm alone. Sam puts his stool on topLASZLO ILSA of the piano and wheels it quickly away.Ilsa, Play Ilsait, doesn't I don't Sam. RENAULT notice. Play to wish "AsShe be Time the still looks at Rick. Goesto Well! one By." Asay precedent it, butis it's being late. Renault chooses broken. this moment Er, Emil! to make his entrance, along with Laszlo. SAM RENAULT I can't (glancing remember LASZLO atit, Miss Ilsa! (as they RENAULT sit) Of course he can. This He is (todoesn't aIlsa) very interesting want to play it. He seems even more scared. See what cafe -- IIcongratulate have found for you. you -- a wandering escort. ILSA RICK She doesn't seem I'llto And Ihum congratulate have it heard, for you. and you.Renault looks off in the direction she is looking. She starts to hum. Sam begins LASZLO to play it very softly. What for? RENAULT Well, you were ILSA asking about Sing and Rick it, here Sam. RICK he is. Mademoiselle, (glancingmay at I Ilsa) present -Oh -- your work. SAM I don't knowRICK the words! Hello, Ilsa.

38. 39. 40. 41. Softly she feeds him the first ILSA line, speaking it: LASZLO RICK Thank Not at (under you. all.Iher try. breath) Hello, Rick.ILSA He takes the check "You must fromremember the RICK waiter. this......" She offers her Wehand all and try.he You takes succeed. it. -- and Sam picks it up, singing: LASZLO Oh, please, I'd RENAULT rather... You I can't knowget each over SAM other? -- you two. You was She mustasking remember RICK about this, youAearlier, kiss There's no answer is still Rick, Tonight's from in aeither. on kiss, way me. that A sigh madeis mejust a sigh, The extremely jealous. fundamental things apply, As time RENAULT goes by..... Well then, Another precedent do ILSA you broken. also know This -Rick comes swinging has been (to out a Rick) of most the interesting gambling room. He has heard the music andevening. Ihe wasn't is livid. sure ILSA you were the same. This is Let's see, Mr.the Victor lastLaszlo. time we They all rise. met... Rick helpsSAM Ilsa on with her wrap. She says it in And a funny when two waylovers -- as if woo, she's Theyfrightened to say it and yet both would sayrather I love RICK LASZLO say you, itOn herself that than have someone else.Was you Rick can it (to measures "La rely, Rick) Belle No Laszlo matter Aurore"? with what a look, then looks at Ilsa and smiles. the like I'd future There tobrings, come is perhaps back. As time some goes mockery in the way he smiles. by. ILSA How nice. You RICK remembered! But of that. Do course --LASZLO RICK that was the day WhatGermans One the hears the -a marched ! Sam,deal great I've into about told Paris. you -Rick in!Casablanca. ILSA (extending RICKa hand to He stops abruptly, Not an Rick) stops easy speaking day RICKto forget, and stops was moving. Sam looks over his Will And it? shoulder about you say Victor atgood Rick Laszlo night and stops to Sam playing. Ilsa knows why even for everywhere. before me? she turns and looks. She knows who she'll see when she turns. ILSA She turns slowly. She isn't breathing much. No. RICK LASZLO I Won't will. you join us for a drink? Rick isn't breathing at all. RICKIt's a wallop, a shock. For a long moment he I just remember looks every ILSA RICK at her. detail. He starts The moving forward, his eyes riveted There's I'llon Germans join her. still wore you. She gray, nobody Iis never looking you inwore drink theat blue. him, too. world unlesswho I'mcan alone. play "As Time Sam puts his stool Goes By" on top like LASZLO of Sam. the piano and wheels it quickly away.Ilsa, Ilsa doesn't I don't RENAULT notice. wish to She be the still looks at Rick. Well! one toAsay precedent it, RICK butis it's being late. Renault chooses He broken. this hasn't moment Er, played Emil! toit make in his a long entrance, along with Laszlo. time. RENAULT (glancing LASZLO at A pause. Ilsa smiles. (as they wristwatch) RENAULT sit) So This itis (to is. aIlsa) And verywe interesting have a curfew here See what cafe in -- Casablanca. IIcongratulate have ILSAfound Itfor would you. Good never you -night. do a for wandering the Chief escort. of Police to beRICK found drinking Rick She doesn't and Laszlo seem after Andnod to I hours congratulate good have night heard, and have to and you. each toRenault fine other. looks Laszlo offand in Ilsa the direction start tohimself. the she door, is looking. Renault with them. LASZLO Hold on Rick,What watching for? them LASZLO RENAULT go. Well,(signaling you were asking the about Rick waiter) and here RENAULT'S RICK he is. VOICE I'd I'm Mademoiselle, better afraid (glancing we're get may you atalmost I Ilsa) apresent cabthe -- -this last Oh --time ones yourof left. work. night I hope -- gasoline we rationing haven't overstayed --RICK our welcome. Hello, Ilsa.

39. 40. 41. 42. The revolving door is heard ILSA LASZLO RICK turning as Rick continues to watch. Thank Not at (under you. all.Iher try. breath) Hello, Rick. He takes EXT. RICK'S theCAFE check - NIGHT from the RICK waiter. She offers her Wehand all and try.he You takes succeed. it. The three come out. Renault LASZLO walks off to the curb, blows his whistle. Laszlo Oh, please, lights I'd RENAULT a cigarette, rather... speaks very casually. You I can't knowget each over other? -- you two. She was asking RICK about you earlier, There's no answer Rick,from Tonight's in aeither. on way LASZLO me. that made me extremely A very puzzling jealous. fellow, this Rick. What sort RENAULT is he? Well then, Another precedent do ILSA you broken. also know This -Ilsa doesn't look has been at (tohim. a Rick) most With interesting an effort she keeps her voice steady.evening. I wasn't sure ILSA you were the same. This is Let's see, Mr.the Victor lastLaszlo. time we They all rise. met... Rick helpsILSA Ilsa on with her wrap. She says it in I a really funnycan't way -say. as if I met she's himfrightened to say it and yet inwould Paris. rather WeLASZLO RICK were say it herself than have someone else.acquaintances... Was Rick it (to measures "La Rick) Belle Laszlo Aurore"? with a look, then looks at Ilsa and smiles. I'd like There to come is perhaps back. some mockery in the way A cab heis smiles. heard to draw up. ILSA They move off toward it. How nice. You RICK remembered! But CAMERA PANS UP ofto Do course that. the neon --LASZLO that signwas above thethe dayentrance: "RICK'S" One Germans the hears a marched great deal into about Paris. Rick in Casablanca. ILSA (extending RICKa hand to DISSOLVE TO: Not an Rick) easy day RICKto forget, was EXT. RICK'S CAFE Will And it? about you NIGHT say Victor goodLaszlo night to Sam for everywhere. me? The sign is now dark, illuminated ILSA only as the revolving beacon from the No.airport strikes RICK LASZLO it. I Won't will. you join us for a drink? INT. RICK'S CAFE - MAIN ROOM RICK- NIGHT I remember every ILSA RICK detail. The The customersThere's I'll Germans havejoin all still wore gone. you. gray, nobody IThe never you house inwore drink the lights blue.are out. Rick sits at a world unless table. who I'm There can alone. play is a"As jigger Timeglass of bourbon on the table directly Goes By" in like front LASZLO Sam.of him -- and another glass empty on the table Ilsa, before I don't RENAULT an wish empty to chair. be the Near at hand is a bottle fromone Well! which toAthis say precedent it, one RICK but drink, is it's being exactly, late. has been poured. Rick just He broken. hasn't sits, Er, played staring Emil!itat inthe a long drink. His face is entirely expressionless. time. RENAULT (glancing LASZLO at A Sam pause. comesIlsa in and smiles. stands (as they wristwatch) hesitantly sit) before him. So This itis is. a And verywe interesting have a curfew here cafe in -- Casablanca. I congratulate ILSA SAM It would you. Good never Boss.night. do for the Chief of Police to beRICK found drinking Rick No answer, and Laszlo asafter And Rick nod I drinks. hours congratulate good night and The have to beacon you. each to fine continues other. Laszlo its and Ilsa gyration, startilluminating tohimself. the door,him Renault and Sam with alternately. them. LASZLO Hold on Rick,What watching for? them LASZLO go. (signaling the waiter)RENAULT'S RICK VOICE I'd I'm better afraid (glancing we're get you atalmost Ilsa) a cabthe -this last Oh --time ones yourof left. work. night I hope -- gasoline we rationing haven't overstayed -our welcome.

40. 41. 42. 43. The revolving door is heard LASZLO RICK SAM turning as Rick continues to watch. Thank Not You atyou. goin' all. to I bed, try. boss? He takes EXT. RICK'S theCAFE check - NIGHT from the RICK waiter. We all (filling try. You his succeed. glass) The three come No. out. NotRenault right LASZLO now. walks off to the curb, blows his whistle. Laszlo Oh, please, lights I'd RENAULT a cigarette, rather... speaks very casually. Sam looks at Rick I can't closely, get over realizes -- youhe two. is in a grim mood. She was asking RICK about you earlier, Rick, in aon Tonight's way LASZLO SAM me. that made me extremely A very (lightly) puzzling jealous. fellow, this Rick. You plannin' What sort RENAULT on goin' is he?to bed in Another the nearprecedent future? ILSA broken. This Ilsa doesn't look has been at (tohim. a Rick) most With interesting an effort she keeps her voice steady.evening. I wasn't sure RICK you were the same. Let's see, the last time we No. They all rise. met... Rick helpsILSA Ilsa on with her wrap. Pause. I really can't say. I met him in Paris. WeLASZLO RICK were Was it acquaintances... (to "La Rick) Belle SAM Aurore"? I'd ever You like goin' to come toback. bed? A cab is heard to draw up. ILSA They move off toward it. How nice. You RICK remembered! But CAMERA PANS UP ofto Do No. course that. the neon -- that signwas above thethe dayentrance: "RICK'S" the Germans marched into Paris. ILSA SAM (extending (still trying) RICKa hand to DISSOLVE TO: Not I ain't an Rick) easy sleepy dayeither. to forget, was EXT. RICK'S CAFE Will it? -you NIGHT say good night to Sam for me? RICK The sign is now Good. dark, Have illuminated aILSA drink. only as the revolving beacon from the No.airport strikes RICK it. I will. SAM INT. RICK'S CAFE No. Not MAIN me.ROOM RICK- NIGHT I remember every ILSA detail. The The customersThere's Germans have all still wore gone. RICK gray, nobody Theyou house inwore the lights blue.are out. Rick sits at a world No? table. Then whoThere don't can play is have a"As jigger a drink. Timeglass of bourbon on the table directly Goes By" in like front LASZLO Sam.of him -- and another glass empty on the table Ilsa, before I don't SAM an wish empty to chair. be the Near at hand is a bottle fromBoss, one which tolet's this say it, one get RICK but drink, outit's of exactly, here. late. has been poured. Rick just He hasn't sits,played staring itat inthe a long drink. His face is entirely expressionless. time. RENAULT RICK No, sir. (glancing I'm waiting at for a lady. A Sam pause. comesIlsa in and smiles. stands wristwatch) hesitantly before him. So it is. And SAM we have a curfew here Please, in Casablanca. boss, ILSA SAM let's It go.would There's Good never Boss.night. nothin' dobut fortrouble the Chief forof you here. Police to be found drinking Rick No answer, and Laszlo asafter Rick noddrinks. hours good night and RICK The have to beacon each to fine continues other. Laszlo its and Ilsa gyration, startilluminating tohimself. She's the door, coming him Renault back. and Sam with I know alternately. them. she's coming back. Hold on Rick, watching them LASZLO SAMgo. Boss!(signaling SAM the Boss,waiter) we'll take RENAULT'S the car VOICE and I'd I'm drive better afraid all night. we're get RICK you almost We'll a cab get the -this last drunk. time ones (not We'll left. of looking night go I fishin' hope at --him) gasoline we and rationing haven't overstayed Yes? -our welcome.

41. 42. 43. 44. The revolving door is heard SAMturning as Rick continues to RICK watch. Not goin' You Shut at upall. and togo bed, home, boss? will you? He takes EXT. RICK'S theCAFE check - NIGHT from the RICK SAM waiter. No, suh. (filling I'm staying his glass) right here. The three come No. out. NotRenault right LASZLO now. walks off to the curb, blows his sits Sam whistle. downLaszlo Oh, at the please, lights piano, I'd astarts cigarette, rather... to play speaks softly. verySuddenly casually. Sam Rick looks bursts atout Rick --closely, realizes he is in a grim mood. RICK Tonight's onRICK LASZLO SAM me. A very (lightly) (really puzzling drunk fellow, now) this Rick. You They plannin' grab WhatUgarte sort RENAULT on goin' is and he? she to walks bed in Another the in. nearprecedent Well, future? that's the broken. way it This Ilsa doesn't look has been goes. at One him. ain, most With one interesting an out. effort she keeps her voice steady.evening. (pause)RICK No. Sam -They all rise. Rick helpsILSA Ilsa on with her wrap. Pause. I really can't SAMsay. I met him in Paris. (still Weplaying) LASZLO were acquaintances... Yeah,(to boss? Rick) SAM I'd ever You like goin' to come toback. bed? A cab is heard to draw up. RICK They move off toward it. Sam -- if it's RICK December, in CAMERA PANS UP Do No. Casablanca, to that. the neon what sign time above is the it in entrance: "RICK'S" New York? ILSA SAM (extending (still trying) SAM a hand to DISSOLVE TO: I Myain't watch Rick) sleepy stopped. either. EXT. RICK'S CAFE Will-you NIGHT say good night to Sam for me? RICK The sign is now Good. I bet dark, Have they're illuminated a drink. all asleep onlyin asNew the revolving beacon from the York. airport I'll strikes bet RICK they're it. asleep I all will. over America SAM -INT. RICK'S CAFE No. Not (with MAIN me.ROOM sudden - NIGHT vehemence) ILSA The customersThere's Of have allall the still gone. gin RICK nobody joints The house in inthe all lights are out. Rick sits at a world No? the table. Then towns whoThere don't can in all play is have the a"As jigger aworld, drink. Timeglass she of bourbon on the table directly Goes walksBy" into in like mine! front Sam.of him -- and another glass empty on the table(irritably) beforeSAM an empty chair. Near at hand is a bottle fromBoss, What's whichlet's this that one get you're RICKdrink, outplaying? of exactly, here. has been poured. Rick just He hasn't sits,played staring itat inthe a long drink. His face is entirely expressionless. time. RICK SAM No, A little sir. I'm somethin' waiting offor my a own. lady. A Sam pause. comesIlsa in and smiles. stands hesitantly before him. SAM RICK Please, boss, ILSA SAM let's go. There's Good Boss.night. nothin' but trouble for you here. Rick No answer, and Laszlo as Rick noddrinks. good night RICK The to beacon eachcontinues other. Laszlo its and Ilsa gyration, startilluminating toShe's the door, coming him Renault back. and Sam with I know alternately. them. she's coming back. Hold on Rick, watching them SAMgo. Boss! SAM Boss, we'll take RENAULT'S the car VOICE and I'd drive better all night. get RICK you We'll a cab get -this drunk. time (not We'll of looking night go fishin' at --him) gasoline and rationing Yes? stay away -until she's gone.

42. 43. 44. 45. The revolving door is heard SAMturning as Rick continues to RICK watch. You goin' Shut Play up and it! togo bed, home, boss? will you? EXT.starts Sam RICK'Sto CAFE play - "As NIGHT Time RICK SAM Goes By." No, suh. (filling I'm staying his glass) right here. The three come No. out. NotRenault right now. walks off to theDISSOLVE curb, blows TO: his sits Sam whistle. downLaszlo at thelights piano,astarts cigarette, to play speaks softly. verySuddenly casually. Sam Rick EXT. looks bursts CHAMPS atELYSEES out Rick --closely, IN SPRING realizes - DAY he is in a grim mood. Rick is driving a small, open LASZLO SAM RICK car slowly along the boulevard. Close A very behind (lightly) (really puzzling him, drunk with fellow, now) herthis arm linked in his, sits Ilsa. Rick. You They plannin' grab WhatUgarte sort on goin' is and he? she to walks bed in the Well, in. near future? that's the way it Ilsa doesn't look goes.at One him. in,With one an out. effort sheDISSOLVE keeps her TO: voice steady. (pause)RICK EXT. BOAT ON THE No. Sam SEINE -- NIGHT ILSA Pause. An orchestra is I really playing can't French SAMsay. music. I metBy him themselves, at the rail of the in boat, Paris. (still stand Weplaying) were Rick and Ilsa. They are transported by acquaintances... Yeah, the night, boss? SAM by the music, by each other. You ever goin' to bed? A cab is heard to draw up. RICK They move off toward DISSOLVE it. TO: Sam -- if it's RICK December, in CAMERA INT. RICK'S PANS PARIS UP No. Casablanca, to APARTMENT the neon what sign - DAY time above is the it in entrance: "RICK'S" New York? Ilsa fixes flowers at theSAM window. Rick opens champagne. She joins him. (still trying) SAM DISSOLVE TO: I Myain't watchsleepy stopped. either. EXT. RICK'S CAFE - NIGHT RICK Who are you really? RICK What were The sign is now Good. you I bet dark, before? Have they're illuminated aWhat drink. alldid asleep only you do? in asNew the revolving beacon from the What York. airport did I'll you strikes bet think? they're it. asleep all over America SAM -INT. RICK'S CAFE No. Not (with MAIN me.ROOM sudden ILSA- NIGHT We said vehemence) "no questions." The customersOf have allall thegone. gin RICK joints The house in all lights are out. Rick sits at a No? the table. Then townsThere don't inRICK all is have the a jigger aworld, drink. glass she of bourbon on the table directly Here's walks into looking inmine! front at of you, him kid. -- and another glass empty on the table(irritably) beforeSAM an empty chair. Near at hand is a bottle They drink. fromBoss, What's whichlet's this that one get drink, you're outplaying? of exactly, here. has been poured. Rick just sits, staring at the drink. His face is entirely INT. SWANK expressionless. PARIS CAFE - NIGHT RICK SAM No, A little sir. I'm somethin' waiting offor my a own. lady. Sam comes Rick and Ilsa in and dancing. stands hesitantly before him. SAM RICK INT. ILSA'S PARIS Please, Well,APARTMENT stop boss, it. SAM let's You DAY know go. There's what I Boss. nothin' want to but hear. trouble for you here. ILSA No answer, asARick franc drinks. for your RICK SAM Thethoughts. beacon continues its gyration, illuminating She's No, I coming don't. himback. and Sam I know alternately. she's coming back.RICK In America they'd SAM RICK bring only a Boss! penny... Play it. it'd YouSAM played be about it all for her Boss, they're and you we'll worth, can take play I guess. the it for carme. and drive all night. RICK We'll get drunk. (not We'll looking ILSA SAM go fishin' at him) and Yes? staywilling I'm not away sure until to I be -she's overcharged gone. -come on -- tell me.

43. 44. 45. 46. SAM RICK You Shut Play I was goin' up it! just and to wondering. go bed, home, boss? will you? Sam starts to play "As Time RICK SAM ILSA Goes By." No, suh. Yes? (filling I'm staying his glass) right here. No. Not right now. DISSOLVE TO: Sam sits down at the piano, RICK starts to play softly. Suddenly Sam looks Rick EXT. bursts CHAMPS atELYSEES out Rick Why-Iclosely, was IN SPRING so lucky realizes - DAY -- why he is I in a grim mood. should find you waiting for me Rick is driving to a come small, along. open SAM car slowly along the RICK boulevard. Close behind (lightly) (really him, drunk with now) her arm linked in his, sits Ilsa. You plannin' They grab Ugarte ILSA on goin' and she to walks bed in the there in. Why near future? Well, that's is no other the way manit in my goes. One in, one out. life? DISSOLVE TO: (pause)RICK EXT. nods. Rick BOAT ON THE No. Sam SEINE -- NIGHT An orchestra is playing French Pause. ILSA SAM music. By themselves, at the rail of the Well, boat, (still that's stand playing) easy. RickThere and Ilsa. was. They are transported by He's Yeah, thedead. night, boss? SAM by the music, by each other. You ever goin' to bed? RICK DISSOLVE TO: I'm Sam sorry. -- if it's We RICK said December, "no in INT. RICK'S PARIS No. questions." Casablanca, APARTMENT I'll what - DAY never time is ask it in another. New York? Ilsa fixes flowers at theSAM window. Rick opens champagne. She kisses joins him. him. (still trying) SAM I Myain't watchsleepy stopped. either. EXT. A PARIS STREET - DAYRICK Who are you really? RICK What were Stupefied people Good. you I bet stare before? Have they're from aWhat drink. all their did asleep windows. you do? in New A frightened group of Parisians What York.did cluster I'll you bet think? around they're a loud-speaker asleep wagon. A harsh German voice all over barks America out SAM the -- tragic news of the Nazi push toward Paris. No. Not (with me.sudden ILSA We said vehemence) "no questions." Of all the gin RICK joints in all No? Nothing the Then towns will don't inRICK all stop have the then aworld, drink. now. she Here's Wednesday walks into looking -mine! Thursday at you,at kid. the latest (irritably) -- they'll SAM be in Paris. They drink. Boss, What'slet's that you're get outplaying? of here. ILSA INT. SWANK PARIS CAFE (frightened) - NIGHT RICK SAM No, Richard, A little sir. they'll I'm somethin' waiting find offor out my a own. your lady. Rick and Ilsarecord. dancing. It won't be safe for you here. SAM RICK INT. ILSA'S PARIS Please, Well,APARTMENT stop boss, it.let's You DAY know go. There's what I nothin' want to but hear. trouble RICK for you here. I'm on theirILSA blacklist A already franc for -- their your RICK SAM thoughts. roll of honor. She's No, I coming don't. back. I know she's coming back.RICK CUT TO: In America they'd RICK bring only a INT. LA BELLEpenny... Play AURORE it.-it'd You DAY SAM played be about it all for her Boss, they're and you we'll worth, can take play I guess. the it for carme. and A small cafe in drive theall Montmartre. night. We'll Sam is getat the piano, drunk. We'llILSA SAM go fishin' and staywilling I'm not away sure until to I be -she's overcharged gone. -come on -- tell me.

44. 45. 46. 47. RICK ILSA Shut Play I wasit! up (trying just andwondering. go tohome, shakewill off you? the mood) Sam starts toSam play --"As allTime the SAMGoes ILSA -- what By." do you No, suh. Yes? call them? I'm --staying hot piano right players, here. they say they never took a DISSOLVE TO: Sam sits downlesson at thein piano, their RICK starts lives.to play softly. Suddenly Rick CHAMPS EXT. bursts ELYSEES out Why-I was IN SPRING so lucky - DAY -- why I should find you SAM waiting for me Rick is driving to a Mahself, come small, along. I studied open RICK car twelve slowly years. along the boulevard. Close Juilliard behind (really Foundation, him, drunk with now) her Newarm York. linked in his, sits Ilsa. They grab Ugarte ILSA and she walks in. there Why Well, is that's ILSA no other the way manit in my goes.-life? Well One all in, the one best out. theories DISSOLVE TO: are going (pause) under these days. EXT. nods. Rick BOAT ON THE Sam SEINE -- NIGHT Rick comes into view, bearing a champagne bottle and An orchestra is playing French glasses. ILSA SAM music. By themselves, at the rail of the Well, boat, (still that's stand playing) easy. RickThere and Ilsa. was. They are transported by He's Yeah, thedead. night, boss? RICK by the music, by each other. Henri wants us to finish this bottle and then RICKthree more. DISSOLVE TO: I'm Sam sorry. -(pouring) if it's We said December, "no in INT. RICK'S PARIS questions." He Casablanca, says APARTMENT he'll I'll what water - DAY never time his is ask garden it in another. with New York? champagne before he lets Ilsa fixes flowers the Germans at thedrink window. anyRick of it. opens champagne. She kisses joins him. him. SAM He hands a glass My watch to Ilsa stopped. then Sam. EXT. A PARIS STREET - DAYRICK Who are you really? SAM RICK What were Stupefied people you This I bet stare before? sorta they're from takes What all their did the asleep windows. you do? sting inouta New A frightened group of Parisians What bein' York.did cluster Occupied, I'll you bet think? around they're doesn't a loud-speaker asleep it, wagon. A harsh German voice Mister all over barks Rick? America out the -- tragic news of the Nazi push toward Paris.(with sudden ILSA We said vehemence) "no questions." RICK You Of all said the it! gin RICK joints in all Nothing the towns (towill Ilsa) inRICK all the stop then world, now. she Wednesday Here's walks into looking -mine! Thursday at you,at kid. the latest (irritably) -- they'll be in Paris. Theysound The drink. of a What's loudspeaker that you're blaring playing? in German comes up from the street. Rick and IlsaILSA look at each other, then hurry INT. to the SWANK window. PARIS CAFE (frightened) - NIGHT SAM Richard, A little they'll somethin' find of out my own. your Rick and Ilsarecord. dancing. It won't RICK be safe for My youGerman's here. a RICK little rusty... INT. ILSA'S PARIS Well,APARTMENT stop it. You DAY know what I want to hear. ILSA RICK It's I'm on the their Gestapo. ILSA blacklist They say they A expect already francto for --be their your SAM in Paris thoughts. roll tomorrow. of honor. They No, Iare don't. telling us how to act RICK CUT TO: In America they'd RICK bring only a INT. LA BELLEpenny... Play AURORE it.-it'd You DAYplayed be about it all for her they're and you worth, can play I guess. it for me. A small cafe in the Montmartre. Sam is at the piano, playing "As Time Goes By." ILSA SAM Ilsa is leaning on the piano, listening. There I'm is willing notevidently sureto I be --something overcharged on her -- mind. come on -- tell me.

45. 46. 47. 48. RICK ILSA I wasit! Play (trying (smiling just wondering. to faintly) shake off With the whole mood) world crumbling Sam starts toSam we play pick --"As all this Time the ILSA time Goes -- to what By." fall do in you Yes? call love.them? -- hot piano players, they say they never took a DISSOLVE TO: lesson in their RICKlives. EXT. CHAMPS ELYSEES Why Yeah. I was Pretty IN SPRING so lucky bad timing. DAY -- why I should (looks find you SAMher) at waiting for me Rick is driving to Mahself, Where a come small, were along. I studied you open ten car twelve years slowly ago? years. along the boulevard. Close Juilliard behindFoundation, him, with her Newarm York. linked in his, sits Ilsa. ILSA Why Ten there years is ago? ILSA noLet's othersee... man in my life?-Well (thinks) all the best theories DISSOLVE TO: are Oh, going yes. Iunder was having these days. a brace EXT. nods. Rick BOAT ON THE put SEINE on my teeth. NIGHTWhere were you? Rick comes into view, bearing a champagne bottle and An orchestra is playing French glasses. ILSA RICK music. By themselves, at the rail of the Well, I was boat, that's looking stand easy. for Rick aThere and job.Ilsa. was. They are transported by He's thedead. night,RICK by the music, by each other. Pause. Ilsa looks Henriat wants him tenderly. us to finish this bottle and then RICKthree more. DISSOLVE TO: I'm sorry. (pouring) We ILSA said "no INT. RICK'S PARIS questions." He Rick says APARTMENT -- he'll Hitler I'll water orDAY never nohis Hitler, ask garden another. with kiss champagne me. before he lets Ilsa fixes flowers the Germans at thedrink window. anyRick of it. opens champagne. She Rickkisses joins takeshim. him. her in his arms, kisses her hungrily. While He they hands are a locked glassin toan Ilsa embrace then Sam. the dull boom of cannons is EXT. heard. A PARIS They separate. STREET - DAYRICK Who are you really? SAM What were Stupefied people you stare This before? sortafrom takes What ILSA their did windows. the you do? sting outa A frightened group of Parisians What did bein' (frightened) cluster Occupied, you think? around doesn't a loud-speaker it, wagon. A harsh German voice Mister Was that barks Rick? cannon out the firetragic -- or news just of the Nazi push toward Paris. my heart pounding? ILSA We said "no questions." RICK You said it!RICK Nothing (to (grimly) will Ilsa) RICK stop then now. Wednesday Here's That was looking the -- Thursday new atGerman you,at kid. 77. theAnd latest judging-bythey'll the sound, be in about Paris. Theysound The drink. of a thirty loudspeaker five miles blaring awayin --German comes up from the street. Rick and (another IlsaILSA look boom) at each other, then hurry INT. to the SWANK window. PARIS And CAFE getting (frightened) - NIGHT closer every minute. Richard, they'll find out your Rick and Ilsarecord. dancing. It won't RICK be safe for My youGerman's here. a little rusty... INT. ILSA'S PARIS APARTMENT - DAY ILSA RICK It's I'm on the their Gestapo. ILSA blacklist They say they A expect already francto for --be their your in Paris thoughts. roll tomorrow. of honor. They are telling us how to act when they come RICK marching in. CUT TO: In America they'd bring only a INT. are They LA BELLE silent, penny... AURORE depressed. -it'd DAY be about all they're worth, I guess. A small cafe in the Montmartre. Sam is at the piano, playing "As Time Goes By." ILSA Ilsa is leaning on the piano, listening. There I'm is willing evidently to besomething overcharged on her -- mind. come on -- tell me.

46. 47. 48. 49. Sam shrugs helplessly, walks RICKoff. Ilsa looks at Rick. ILSA I was(smiling (trying just wondering. to faintly) shake off With the whole mood) ILSA world crumbling Sam It's we pick -strange, all this the ILSA time Rick -- to what --fall Ido really you in Yes? call know love.so them? very --little hot piano about players, you. they say they never took a lesson in their RICKlives. Why I Yeah. know I was Pretty very solittle lucky bad timing. -- whyyou about I -should just the (looks find fact you SAM at that her) waiting you had foryour me to Mahself, teeth Where come straightened. were along. I studied you ten twelve years ago? years. Juilliard Foundation, New York. ILSA Why Don't Ten there years joke, is ago? Rick. ILSA noLet's other Yousee... man in my are life?-Well danger. (thinks) all must You the best leave theories Paris. are Oh, going yes. Iunder was having these days. a brace Rick nods. put on my teeth. RICK Where were you? Rick comes into We view, must leave. bearing a champagne bottle and glasses. ILSA RICK Well, I was that's looking ILSA easy. for aThere job. was. He's dead. (without RICK looking at Pause. Ilsa looks Henriat him) wants him tenderly. us to finish this bottle Yes, ofand course then RICK -three we... more. I'm sorry. (pouring) We ILSA said "no questions." He Rick says -- he'll Hitler I'll RICK water ornever nohis Hitler, ask garden another. with kisstrain The champagne me. for Marseilles before he lets leaves the at five. Germans I'll drink pickany youof upit. at She Rickkisses takes him. her the inhotel his arms, at four-thirty. kisses her hungrily. While He they hands are a locked glassin toan Ilsa embrace then Sam. the dull boom of cannons is EXT. heard. A PARIS They separate. STREET - DAYILSA (quickly) SAM Stupefied people This No, stare not sorta atfrom takes the ILSA their hotel. the windows. sting I have outa A frightened group of Parisians bein' things (frightened) cluster Occupied, to do in around doesn't the city a loud-speaker it, before wagon. A harsh German voice Mister Was I leave. that barks Rick? cannon I'll out meet the fire you tragic --at orthe news just of the Nazi push toward Paris. my station. heart pounding? RICK You said it!RICK Nothing (to (grimly) will Ilsa) stop then now. Wednesday Here's That was looking the -- Thursday new atGerman you,at kid. 77. theAnd latest judging-bythey'll the sound, be in about Paris. The sound of a thirty loudspeaker five miles blaring awayin --German comes up from the street. Rick and (another IlsaILSA look boom) at each other, then hurry to the window. And getting (frightened) closer every minute. Richard, they'll find out your They look through record. theIt window won't RICKat bethe safe crowd for collected around the loudspeaker. My youGerman's Sam here. comes a over. little rusty... ILSA RICK SAM It's I'm Germans'll Dem on the their Gestapo. blacklist be They here say mighty they expect already soon. Dey'll to --be their in come Paris roll lookin' tomorrow. of honor. fer They you... are There's telling a us price howon toyour act when head.they come marching in. CUT TO: INT. They Ilsa are LA reacts BELLE silent, with AURORE depressed. worry. - DAY A small cafe in the Montmartre. RICK Sam is at the piano, playing "As Time I left Goes a By." note Ilsa in myis apartment. leaning on the piano, listening. There They'll is evidently know where something to find on me.her mind.

47. 48. 49. 50. Sam shrugs helplessly, walks ILSAoff. Ilsa looks at Rick. RICK Why not? (trying (smiling The captain to faintly) shakeon off a ship can. With It thedoesn't whole mood) ILSA world seem fair... crumbling Sam It's we pick -strange, all this the time Rick -- to what --fall Ido really you in Suddenly Ilsaknow call love. starts them? so to very cry --little hot softly. piano about players, you. they say they never took a lesson in their RICKlives. I Ilsa Yeah. know -Pretty very what's little bad the timing. about you -matter? just the (looks fact SAM at that her)you had your Mahself, teeth Where straightened. were I studied you ILSA ten twelve years ago? years. Juilliard (controlling Foundation, herself) New York. Nothing, darling. ILSA It's just that Don't Ten years Ijoke, -- I ago? love Rick. ILSA Let's you Youso see... are much in and WellI-danger. (thinks) hate allthe You theGermans must best leave theories so Paris. much. It are Oh,sort going yes.of Iunder -was having these days. a brace put on (stops, my teeth. RICK looks Where at were you? Rick comes into We view, must him) leave. bearing a champagne bottle and glasses. Oh Rick -- It's RICKa crazy world -anything I was looking canILSA happen for a -job. If you shouldn't (without get RICK away looking -- If at -- if Pause. Ilsa looks Henriat something him) wants him should tenderly. us tokeep finish us this bottle apart Yes, of -and course Wherever then-three they we... more. put you -(pouring) wherever ILSAI'll be -- I He want Rick says you -- he'll Hitler to know RICK water or-nohis Hitler, garden with kisstrain The champagne me. for Marseilles before he lets leaves She can't go on. the at five. She Germans lifts I'll drink her pickface any youof to upit. his. at He kisses her gently. Rick takes her the inhotel his arms, at four-thirty. kisses her hungrily. While He they hands are a locked glassin toan Ilsa embrace then Sam. the dull boom of cannons is heard. They separate. ILSA No. Kiss (quickly) me as SAMthough -- as This No, not sorta at takes the ILSA hotel. the sting I have outa bein' things (frightened) Occupied, to do in doesn't the cityit, before Mister Was I leave. that Rick? cannon I'll meet fire you --at orthe just my station. heart pounding? RICK You said it!RICK All right. (to (grimly) Ilsa) The Gare de Leon at Here's That a quarter was looking the to five. new atGerman you, kid. 77. And judging (a by thought the sound, strikes about The sound of a thirty loudspeaker him) five miles blaring awayin --German comes up from the street. Rick Say and -(another why Ilsa don't look boom) we atget each married other, then hurry to the window. AndMarseilles? in getting closer every minute. They look through the window RICK ILSAat the crowd collected around the loudspeaker. My German's Sam (evasively) comes a over. little rusty... That's too far ahead to plan... ILSA SAM Rick is happyIt's Dem andGermans'll excited the Gestapo. atbe the They here thought say mighty they of leaving with Ilsa. expect soon. Dey'll to be in come Paris lookin' tomorrow. fer They you... are There's telling a us price howon toyour act when head.they come RICK marching in. Yes, that is too far ahead. I They Ilsa are reacts silent, with wonder depressed. worry. if the engineer on the train could marry us? RICK I left a note ILSA in my apartment. They'll (laughing know where nervously) to find me. Oh, Rick...

48. 49. 50. 51. Sam shrugs Rick grabs helplessly, the letter. He walks ILSA RICK fumbles off. as Ilsa helooks triesat toRick. open it. Why not? (smiling The captain faintly) on a ship INSERT -- THEcan. With LETTER It thedoesn't whole ILSA world seem fair... crumbling It's we pick strange, this time Rickto --fall I really in Suddenly which Reads: Ilsa"Richard, know love. starts so to very Icry cannot little softly. go about withyou. you or ever see you again. You must not ask why. Just believe that I love you. Go, my darling, and God RICKbless you. Ilsa." I Ilsa Yeah. know -Pretty very what's little bad the timing. about you -matter? just the (looks fact atthat SAM'S her) VOICE you had (O.S.) your teeth Boss, Where that's straightened. were you ILSA the ten last years call. ago? Boss,(controlling do you hear me? herself) Hurry up. Nothing, The train... darling. ILSA It's just that Don't Ten years Ijoke, -- I ago? love Rick. Let's you Youso see... are much in The raindropsand danger. pour I(thinks) down hate Youthe must letter, Germans leave smudging so Paris. much. the writing. The train gives It Oh,a sort yes. long, of I mournful -was having whistle. a brace put on (stops, my teeth. RICK looks Where at were you? We must him) leave. DISSOLVE TO: Oh Rick -- It's RICKa crazy world -INT. RICK'S CAFE anything I was - MAIN looking can ROOM ILSA happen for - NIGHT a -job. If you shouldn't (without get away looking -- If at -- if Rick Pause. stares Ilsa at looks something hisat him) drink. him should tenderly. There keep is no us sound of music now, utter silence. apart Yes, Samof has --course Wherever gone home. -- they we... Rick's put eyes are caught by something and you his -- wherever headILSA turns. I'll be -- I want Rick you -- Hitler to know RICK or-no Hitler, Ilsa is standing kissin The train me. thefor doorway. Marseilles In the leaves darkness it is She can't go on. at five. She lifts I'll her pickface you to up his. at He kisses her gently. Rick takes her the inhotel his arms, at four-thirty. kisses her hungrily. While they are locked in an embrace the dull boom of cannons is heard. They separate. ILSA No. Kiss (quickly) me as though -- as thought No, not it at were the ILSA hotel. the last I have time. things (frightened) to do in the city before He looks intoWas Iher leave. that eyes, cannon I'll then meet kisses fire you --her at orthe -just as though it were the lastmy station. time. heart Over pounding? the scene Sam is again playing "As Time Goes By." RICK All right. (grimly) The Gare de Leon at DISSOLVE TO: That a quarter was the to five. new German 77. And INT. GARE DE LYON judging (aDAY by thought the sound, strikes about thirty him) five miles away -A teeming rain Say spatters -(another why against don't boom) wethe getroof married of the building. There is a hectic, AndMarseilles? in getting fevered closer excitement every evident minute. in the faces of those who stand on the platform -- this is the last train They look fromthrough Paris. the window ILSAat the crowd collected around the loudspeaker. Sam (evasively) comes over. Rick glances at That's his watch, too farthen ahead upto atplan... the clock. It is two minutes before five. RainSAM is pouring over his head and shoulders. Rick is happyDem andGermans'll excited atbe the here thought mighty of leaving with Ilsa. soon. Dey'll come lookin' fer Sam appears with you... an envelope There's aclasped price on inyour his hand. head. RICK Yes, that isRICK too far ahead. I Ilsa reacts with Where wonder worry. is ifshe? the Have engineer you seen on the her? train could marry us? SAM RICK She I left done a checked note ILSA in out my apartment. of the hotel, They'll (laughing Boss. know But where nervously) this to here find note me. came Oh, Rick... just after you left.

49. 50. 51. 52. She sits Sam Rick shrugs grabs down helplessly, the in letter. the chair walks He RICK fumbles before off. the Ilsa as he empty looks tries glass. at toRick. open Herit. eyes are searching Why not? hisThe face, captain but there on a is ship no expression on INSERT it except -- a THE cold can. LETTER and It impassive doesn't ILSAseem one. fair... He sits down, too, and reaches for his It's glass strange, and half-gestures Rick -- I really with it toward her. Suddenly which Reads: Ilsa"Richard, know starts so to very Icry cannot little softly. go about withyou. you or ever see you again. You must not ask RICK why. Just believe that I love you. Go, my darling, Mind if and I? God RICKbless you. Ilsa." I know Ilsa --very what's little the matter? about you -just the fact SAM'S ILSA thatVOICE you had (O.S.) your teeth that's Boss, No... straightened. ILSA the last call. Boss,(controlling do you hear me? herself) Hurry up. Nothing, The train... darling. ILSA It's just RICK that Don't Why did Ijoke, -you I love Rick.you have to You come so are much to in The raindropsand danger. Casablanca? pour I down hate Youthe must There letter, Germans leave are other smudging so Paris. much. the writing. The train gives It places. a sort long, of mournful -whistle. (stops,RICK looks at We must him) leave. ILSA DISSOLVE TO: Ohwouldn't I Rick -- have It's come a crazy if I world had -INT. RICK'S CAFE anything known - MAIN that can ROOM you ILSA happen were - NIGHT -- If you here. shouldn't Believe (without me, get Rick, away looking that's -- If at the -- if Rick stares at something truth. hishim) drink. I didn't should There know. keep is no us sound of music now, utter silence. apart Yes, Samof has --course Wherever gone home. -- they we... Rick's put eyes are caught by something and you his -- wherever headRICK turns. I'll be -- I want you Funny about to your know RICK voice. -How it Ilsa is standing hasn't The in train the changed. for doorway. Marseilles I can Instill the leaves darkness it is She can't hard to tell go that on. hear at five. She she's it lifts -I'll there. "Rick her pick dear, face you to I'll up his. atgo He kisses her gently. with the hotel you anyplace. at four-thirty. We'll get on Rick's expression a train hardens. together and we'll never stop. All ILSAmy life, forever No. Kiss more!" (quickly) me as ILSA though -- as thought Rick. No, not it at were the hotel. the last I have time. things to doILSA in the city before He looks She starts into forward. Please Iher leave. eyes, Her don't. I'll then face meet kisses is eager you her atand the --pleading. as thoughRick it were half gets the last to his station. time. feet. Over the scene Sam is again playing "As Time Goes By." RICK We Allclosed right.up The atGare one o'clock. de Leon at DISSOLVE TO: a quarter to five. INT. GARE DE LYON (aDAY thought ILSAstrikes I came him) back. I had to talk to A teeming rain you. Say spatters -- why against don't wethe getroof married of the building. There is a hectic, in Marseilles? fevered excitement evident in the faces of those Her manner who isstand a little on the uncertain, platforma-little this tentative is the last -train but with from a quiet Paris.determination ILSA beneath it. (evasively) Rick glances at That's his watch, too far RICK then ahead upto atplan... the clock. It is two minutes before I five. saved Rain my first is pouring drink to over have his head and shoulders. Rick is happywith and excited you. at the thought of leaving with Ilsa. Samreaches He appearsfor with the anbottle. envelope clasped in his hand. RICK Yes, that isILSA RICK too far ahead. I Where Not wonder tonight. is ifshe? the Have engineer you seen on the her? train could marry us? SAM RICK She done checked Especially tonight. ILSA out of the hotel, (laughing Boss. But nervously) this here note came Oh, Rick... just after you left.

50. 51. 52. 53. She sits Rick grabs down thein letter. the chair HeILSA RICK fumbles before the as he empty tries glass. to open Herit. eyes are searching Why not? Please. his Rick. The face, captain but there on a is ship no expression on INSERT it except -- a THE cold can. LETTER and It impassive doesn't seem one. fair... He sits down, too, and reaches for his glass andRICK half-gestures with it toward her. Suddenly which Reads: Ilsa"Richard, Mostly startsIto remember Icry cannot softly. the go with wow you or ever see you again. You finish. must not A guy ask RICK standing why. Just onbelieve a that I love you. Go, my darling, Mind if and platform, I?and God RICK the bless lastyou. train Ilsa." Ilsa -about towhat's pull out, the and matter? Sam pushing him to SAM'S ILSA getVOICE on --(O.S.) and Boss, No... the guy that's justILSA the last there standing call. Boss,a with (controlling do comical you hear look me? herself) onHurry his face, up. Nothing, The train... because his darling. insides RICK It's hadjust just that Why did been I kicked -you I love have you out. to come so much to The raindropsand Casablanca? pour I down hate the There letter, Germans are other smudging so much. the writing. The train gives It places. a sort long, of mournful -ILSA whistle. (stops, (after alooks pause) at Can Ihim) tell you ILSA a story, Rick? DISSOLVE TO: Ohwouldn't I Rick -- have It's come a crazy if I world had -INT. RICK'S CAFE anything known - MAIN that can ROOM you RICK happen were - NIGHT -- If you here. Has shouldn't Believe it got me, get aRick, finish, awaythat's --honey, If the -- has if Rick stares at it something truth. his gotdrink. a I twist? didn't should There know. keep is no us sound of music now, utter silence. apart Sam has -- Wherever gone home. they Rick's put eyes are caught by something and you his -- wherever headILSA RICK turns. I'll be -- I I want Funny don't you about know to your know the finish -voice. yet. How it Ilsa is standing hasn't in the changed. doorway. I can Instill the darkness it is She can't hard to tell go that on. hearShe she's it lifts -- there. "Rick RICK herdear, face to I'll his. go He kisses her gently. Maybe with you oneanyplace. will comeWe'll to you get ason Rick's expression you a train go hardens. along. together and we'll never stop. All ILSAmy life, forever No. Kiss me as more!" ILSA though -- as It's thought Rick. about it a were girl the who last wastime. very young. She had ILSA just come to He looks She starts into forward. Paris Please her eyes, from Her don't. then face her home kisses is eager in her Oslo. and --pleading. At as thoughRick it were half gets the last to his the time. feet. house Over ofthe some scene friends Sam is sheagain playing "As watches She Time Goes as met By." heatakes man -another a verydrink. great and good man. They RICK became friends -he We became closed her upILSA at teacher. one o'clock. She had DISSOLVE TO: been I canbrought understand up very how you feel. INT. GARE DE LYON provincially, - DAY ILSA and he opened up for I came herback. a whole RICK I had beautiful to talkworld to A teeming rain you. And spatters funny about against your the looks. roof of the building. There is a hectic, They've fevered changed excitement a little.evident At in the faces of those Her manner who isstand least a little on from the uncertain, that platform firsta-day. little this Andtentative is the last -train but with from a quiet Paris. the determination other days. How beneath long was it.it we had, honey? Rick glances at his watch, RICK then up at the clock. It is two minutes before I five. saved Rain my first ILSA is pouring drink to over have his head and shoulders. with I didn't you.count the days. Samreaches He appearsfor with the anbottle. envelope RICKclasped in his hand. All hail the happy days! (takes another RICK ILSA Where Not tonight. drink) is she? Have you seen her? When there were no questions asked, and faith SAM was something RICK She Especially all done in one checked piece-tonight. out of the hotel, Boss. But this here note came just after you left.

51. 52. 53. 54. Ilsa, Rick She sits grabs shuddering, down thein letter. the gets chair HeILSA up. fumbles before the as he empty tries glass. to open Herit. eyes are searching Please. his Rick. face, but there is no expression on INSERT it except -- a THE cold LETTER and impassive ILSA one. He sits down, too, and reaches for his I'll glass go now. andRICK half-gestures with it toward her. which Reads: "Richard, Mostly I remember I cannotthe go with wow you or ever see you again. You finish. must not A guy ask RICK standing why. Just onbelieve a that I love you. Go, my darling, Mind if platform, (asand I? she and God walks the bless last away) you. train Ilsa." about I guess toneither pull out, of our and stories Sam pushing was veryhim funny. to SAM'S ILSA getVOICE on --(O.S.) and Boss, No... the guy (then that's just instanding the a moment last there call. he Boss,a with adds) do comical you hear look me? onHurry his face, up. But The you because train... might his insides RICK tell me had just just who it Whywas been did kicked you youleft haveme out. tofor. comeWas to it The raindropsLaszlo Casablanca? pour down -- or the There were letter, there are other smudging others the writing. The train gives in places. a between long, mournful -ILSA or aren't whistle. you the kind that (after tells? a pause) Can I tell you ILSA a story, Rick? DISSOLVE TO: Ilsa has tears I in wouldn't her eyes. haveShe come stops if Iin had the doorway, looks INT. RICK'S back at CAFE known him, - then MAIN that she ROOM you RICK turns were - NIGHT here. and walks out. Has Believe it got me,aRick, finish, that's honey, thehas Rick's Rick stares head slumps at it truth. his gotover drink. a I twist? didn't the There table, know. is his no sound body sagging. of music now, utter silence. Sam has gone home. Rick's eyes are caught by something and his headILSA RICK turns. FADE OUT. I Funny don't about knowyour the finish voice. yet. How it Ilsa IN: FADE is standing hasn't in the changed. doorway. I can Instill the darkness it is hard to tell that hear she's it -- there. "Rick RICK dear, I'll go INT. RENAULT'S Maybe with OFFICE you oneanyplace. will DAY comeWe'll to you get ason Rick's expression you a train go hardens. along. together and we'll Strasser is with never Renault. stop. All my life, forever more!" ILSA It's Rick.about aSTRASSER girl who was very young. I strongly She had suspect ILSA justthat comeSenor to She starts forward. Paris Pleasefrom Ugarte Her don't. left face her thehome is Letters eager in Oslo. of and pleading. At Rick gets half to his the Transit feet. house with of some Herr friends Blaine. she I She watches as met would heatakes man suggest -another ayou very search drink. greatthe and good cafe man. immediately They RICK became and thoroughly. friends -he We became closed her upILSA at teacher. one o'clock. She had been I canbrought understand RENAULT up very how you feel. provincially, ILSA and he opened up for I came herback. a whole RICK I had beautiful to talkworld to of you. And knowledge funny about andyour thoughts looks. and ideals. They've Everything changed a little. she ever At Her manner isknew least a little or from ever uncertain, that became first was aday. little because Andtentative -but with a quiet of thehis determination other goodness. days. How And beneath long she looked was it.it up we at had, him honey? and worshipped him with a feeling RICK she supposed was love I saved -- my first ILSA drink to have with I didn't you.count the days. RICK He reaches for the(definitely bottle. RICK All hail interrupting) the happy days! I heard (takes a story ILSAonce. In fact, another I've Not tonight. heard drink)a lot of stories in my When time. there They were went no along questions with the asked, sound andof faith RICK a tinny was piano something in the Especially all parlor in one downstairs. piece-tonight. "Mister, I met a man when I was only a kid", they'd always begin.

52. 53. 54. 55. Ilsa, She sits shuddering, down in the gets chair up. ILSA STRASSER before the empty glass. Her eyes are searching Please. As to his Her Rick. face, Laszlo, but wethere want is himno expression on it except a cold watched and impassive twenty ILSA four one. hours He sits a day. down, too, and reaches for his I'll glass go now. andRICK half-gestures with it toward her. Mostly I remember RENAULT the wow finish. (reassuringly) A guy RICK standing on a Mind platform, It may if (as interest I? she andwalks the you last away) to know train about I that guess at tothis neither pullvery out, ofmoment and stories our Sam M'sieur pushing was Laszlo very is him funny. onto ILSA his get way onhere. -- and No... the guy (then just instanding a momentthere he with a adds) comical look on his face, CUT TO: But because you might his insides RICK tell me had just just who EXT. PREFECTURE it WhyOF been was did kicked POLICE you youleft have out. - DAY me tofor. comeWas to it Laszlo Casablanca? -- orThere were there are other others People are packed in places. between around-the ILSA orentrance. aren't you Laszlo the and Ilsa make their way kind through that (after the tells? a jam. pause) Can I tell you ILSA a story, Rick? Ilsa has tears I in wouldn't her eyes. haveShe come stops if Iin had theDISSOLVE doorway,TO: looks back atknown him, then that she you RICK turns were here. and walks out. INT. RENAULT'S Has Believe OFFICE it got me, - DAY aRick, finish, that's honey, thehas Rick's head slumps it truth. gotover a I twist? didn't the table, know. his body sagging. Renault and Strasser rise as Laszlo and Ilsa are ushered in. Renault moves forwardILSA RICK to offer Ilsa his hand. FADE OUT. I Funny don't about knowyour the finish voice. yet. How it FADE IN: hasn't changed. RENAULT I can still hear I am delighted it -- "Rick RICK todear, see you I'll both. go INT. RENAULT'S Maybe with OFFICE you oneanyplace. will DAY comeWe'll to you get ason you a train go along. together ILSA and we'll Strasser is with never Thank Renault. stop.Captain. you, All my life, forever more!" ILSA Laszlo bows to It's both about men,abut STRASSER girl offers who was hisvery hand to neither. young. I strongly She had suspect ILSA justthat comeSenor to Paris Pleasefrom Ugarte don't. left her the RENAULT home Letters in Oslo. of At the Transit Mademoiselle, house with of some Herr may friends Blaine. I present she I She watches as met would Major heatakes man suggest Strasser? -another ayou very search drink. greatthe and good cafe man. immediately They became and thoroughly. friends -he became her ILSA STRASSER teacher. She had been I canbrought It's aunderstand pleasure, RENAULT up very how you feel. Fraulein. provincially, If Rick has the and Letters, he opened he up is Ilsa bows to Strasser for muchher tooaas smart whole Renault RICK to beautiful let offers us find world her a chair. of Andknowledge them funny there. about andyour thoughts looks. and ideals. They've Everything changed a little. she ever At knew leastor from ever that STRASSER became first was day. because And of You thehis give other goodness. him days. credit How Andfor long shetoo looked was it up much we at had, cleverness. him honey? and worshipped My impression him with was that a feeling he's just she supposed another was love blundering -American. ILSA I didn't count the days. RICK RENAULT Quite(definitely so. But RICK we mustn't underestimate All hail interrupting) the happy American days! I blundering. heard (takes a story another once. In fact, I've heard (innocently) drink)a lot of stories in my I When was time. there with They them were went when no along questions theywith the blundered asked, sound andof into faith a tinny Berlin was piano something in 1918. in the all parlor in one downstairs. piece-"Mister, Strasser looks I at methim. a man when I was only a kid", they'd always begin.

53. 54. 55. 56. Ilsa, shuddering, gets up. ILSA STRASSER LASZLO Please. As I think to Her Rick. it Laszlo, would be webest wantif him we watched with proceed twenty ILSA the four business. hours a day. I'll go now.RICK Mostly I remember RENAULT STRASSER the wow finish. (reassuringly) (now A guy asRICK cold standing as on a platform, It may (as Laszlo) interest she andwalks the you last away) to know train about I that Very guess at well, tothis neither pull M'sieur very out, ofmoment and stories our Laszlo, Sam M'sieur we pushing was Laszlo willvery not is him funny. mince onto his get words. way onhere. -- and You are the an escaped guy (then just prisoner instanding a moment ofthere the he with Reich. a adds) comical So far you look have on been his face, CUT TO: But because fortunate you might his enough insides tell inme had eluding just just who us. EXT. PREFECTURE it been YouOF was have kicked POLICE you reached left out. - DAY me Casablanca for. Was it -Laszlo it is my --duty or were to see there that others you People are packed in stay between around in Casablanca. -the ILSA orentrance. aren't you Laszlo the and Ilsa make their way kind through that (after the tells? a jam. pause) Can I tell you LASZLO a story, Rick? Ilsa has tears Whether in heror eyes. not She you stops succeed inin theDISSOLVE doorway,TO: looks back atfulfilling him, then she your RICK turns duty and is, walks of out. INT. RENAULT'S Has course, OFFICE it got problematical. - DAY a finish, honey, has Rick's head slumps it gotover a twist? the table, his body sagging. Renault and Strasser riseSTRASSER as Laszlo and Ilsa are ushered in. Renault moves Not at forward all. Captain ILSA to offer Renault's Ilsa his hand. FADE OUT. I signature don't know is the necessary finishon yet. every FADE IN: exit visa. RENAULT I am delighted RICK to see you both. INT. RENAULT'S Maybe OFFICE one-will DAY LASZLO come to you as you I amgo perfectly along. ILSA aware of the Strasser is with Thank Captain's Renault. you,official Captain.duties. ILSA Laszlo bows to It's both about men,abut STRASSER girl offers who was hisvery hand to neither. young. I strongly (turns She had suspect tojust Renault) that comeSenor to Paris Ugarte Captain, from left would her the RENAULT home you Letters think in Oslo. of it is At the Transit Mademoiselle, possible house with that of some Herr may M'sieur friends Blaine. I present Laszlo she I met would Major willareceive man suggest Strasser? -- ayou very visa? search greatthe and good cafe man. immediately They became and thoroughly. friends -he became her STRASSER RENAULT teacher. She had been It's I am brought a afraid pleasure, not. RENAULT up very Fraulein. I regret, provincially, If M'sieur. Rick has the and Letters, he opened he up is Ilsa bows to Strasser for muchher tooaas smart whole Renault to beautiful let offers us find world her a chair. of them knowledge there. LASZLO and thoughts and ideals. Well, perhaps Everything RENAULT I shall shelike everit knew in Casablanca. or (extending everSTRASSER became his was handbecause of Youhis give togoodness. Laszlo) him credit Andfor shetoo looked up How much at nice cleverness. himto and see STRASSER worshipped you. My impression Did you him with have was And that Mademoiselle? a feeling good he's night's just she supposed another rest? was love blundering -American. LASZLO (shaking RICK RENAULT hands) Very Quitegood, (definitely so. But thank we you. mustn't underestimate interrupting) American I blundering. heard a story RENAULT once. In fact, I've heard That's (innocently) strange. a lotNo ofone stories is in my supposed I was time. with They to them sleep went when well along they inwith the Casablanca. blundered sound of into a tinny Berlinpiano in 1918. in the parlor downstairs. "Mister, Strasser looks I at methim. a man when I was only a kid", they'd always begin.

54. 55. 56. 57. Ilsa, shuddering, gets up. LASZLO STRASSER Asthink I to(smiles) Her itLaszlo, would be webest wantif him we watched proceed Do not be twenty with inILSA the such four business. a hurry, hours a day. I'll go Laszlo. M'sieur now. You have all the time in the RENAULT STRASSER world. You may be in(now (reassuringly) Casablanca asRICK coldindefinitely... as It may (as Laszlo) (suddenly interest she walks leans youaway) to know I that Very guess at well, forward) neither this M'sieur very ofmoment our stories Laszlo, M'sieur we was Laszlo Or will you very not ismince may funny. on leave his words. way Lisbon for here. You are tomorrow. an escaped (thenOn prisoner inone a moment condition. of the he Reich. adds) So far you have been CUT TO: But fortunate you might enough LASZLO tell inme eluding just who us. EXT. PREFECTURE it And YouOF was that have POLICE you reached is? left - DAY me Casablanca for. Was it -Laszlo it is my --duty or were to see there that others you People are packed in stay between around in Casablanca. -the STRASSER orentrance. aren't you Laszlo the and Ilsa make their way kind You through know thatthe the tells? leaders jam. of the Underground Movement LASZLO in Prague, Ilsa has tears in Whether in Paris, heror eyes. in not Amsterdam, She you stops succeed in inin theDISSOLVE doorway,TO: looks back atBrussels, fulfilling him, thenin she your Oslo, turns duty inand is, Belgrade, walks of out. INT. RENAULT'S in course, OFFICE Athens... problematical. - DAY Rick's head slumps over the table, his body sagging. Renault and Strasser riseLASZLO STRASSER as Laszlo and Ilsa are ushered in. Renault moves Yes Not -at forward even all. in Captain toBerlin. offer Renault's Ilsa his hand. FADE OUT. signature is necessary on every FADE IN: exit visa. STRASSER RENAULT I am in Even delighted Berlin.to Ifsee youyou will both. INT. RENAULT'S furnish OFFICEme - DAY with LASZLO their names and their I am perfectly exact whereabouts ILSA aware of -theyou Strasser is with Thank will Captain's Renault. have you,your official Captain. exitduties. visa in the morning... Laszlo bows to both men, but STRASSER offers his hand to neither. I strongly (turns suspect RENAULT to Renault) that Senor Ugarte Captain, (tongue left would the RENAULT inyou Letters cheek) thinkof it is Transit Mademoiselle, And possible the honor with thatHerr may of M'sieur having Blaine. I present Laszlo served I would Major the willThird receive suggest Strasser? Reich! ayou visa? search the cafe immediately and thoroughly. STRASSER RENAULT LASZLO It's I am a Before afraid pleasure, France not. RENAULT fell Fraulein. I I regret, was in a If M'sieur. German Rickconcentration has the Letters, camphe for isa Ilsa bows to Strasser much year.too That as smart is Renault honor to let offers enough us find her for a chair. them a lifetime. there. LASZLO Well, perhaps RENAULT I shall like it in Casablanca. (extending STRASSER his hand You give will to Laszlo) him givecredit us thefor names? too How muchnice cleverness. to see STRASSER you. My impression Did you have was And that Mademoiselle? a good he's night's LASZLO just another rest? blundering If I didn'tAmerican. give them to you in LASZLO ILSA You need (shaking notRENAULT be hands) concerned about Very Quite me. good, so. But thank we you. mustn't underestimate American blundering. RENAULT LASZLO That's (innocently) (prepares strange.to Norise) one is supposed I Iswas that with all tothem sleep you when wish well they toin tell us? Casablanca. blundered into Berlin in 1918. Strasser looks at him.

55. 56. 57. 58. STRASSER LASZLO I think As to(continuing) (smiles) Her itLaszlo, would be webest wantif him we watched proceed Do Andnot what be twenty with if inyou the such four track business. a hurry, hours downa day. M'sieur these men Laszlo. and kill Youthem? have What all the if you time murdered in the RENAULT STRASSER world. all of us? You From may be every in(now (reassuringly) Casablanca corner as of cold Europe indefinitely... as hundreds It of may men Laszlo) (suddenly interest -- thousands leans you -to would know that Very at rise well, up forward) this to M'sieur take very our moment Laszlo, places. M'sieur we Laszlo Or will Even you not Nazis ismince may on leave can't his words. way Lisbon for kill here. You are that tomorrow. an escapedOn fast.... prisoner one condition. of the Reich. So far you have been CUT TO: fortunate enough LASZLO STRASSER in eluding us. EXT. PREFECTURE And You Herr OF that have Laszlo, POLICE reached is? you DAY Casablanca have a -it reputation is my duty forto eloquence see thatwhich you People are packed stay I canaround in now Casablanca. understand. the STRASSER entrance. But Laszlo in and Ilsa make their way You one through know respect the the you leaders jam. are mistaken. of the Underground You said theMovement LASZLO enemies in of Prague, the in Whether Reich Paris, could orin not all Amsterdam, you be replaced. succeed in in DISSOLVE TO: Brussels, fulfilling But there in is your Oslo, oneduty exception inis, Belgrade, of-INT. RENAULT'S in course, no OFFICE Athens... one could problematical. - DAY take your place in the event anything... er... Renault and Strasser unfortunate riseshould LASZLO STRASSER as Laszlo occur and toIlsa you are ushered in. Renault moves Yes Not -while at forward you even all. were in Captain toBerlin. trying offer Renault's Ilsa to escape. his hand. signature is necessary on every exit visa. STRASSER RENAULT LASZLO I Even You amwill delighted in Berlin. not dare to Ifsee to you interfere you will both. furnish with me me here. with LASZLO This their is names still and their I am perfectly Unoccupied exactFrance. whereabouts ILSA aware Any ofviolation -theyou Thank will Captain's of neutrality have you,your official Captain. will exitreflect duties. visa inon the morning... Captain Renault. Laszlo bows to both men, but STRASSER offers his hand to neither. (turnsRENAULT to Renault) Captain, M'sieur, (tongue would in so RENAULT infar you cheek) think as it is it in is Mademoiselle, And possible my power... the honor that of may M'sieur having I present Laszlo served Major the willThird receive Strasser? Reich! a visa? LASZLO Oh, no. I don't STRASSER RENAULT LASZLO believe I had It's I am a Before ever afraid heard pleasure, France of not. fell him Fraulein. Ibefore. regret, I was in a M'sieur. German concentration camp for a Ilsa bows to Strasser year. That asis Renault RENAULT honor offers enough her for a chair. a lifetime. (slyly)LASZLO Ah Well, -- my perhaps mistake RENAULT I shall -- What like made it in Casablanca. (extending STRASSER his hand You will to Laszlo) give us the names? How nice to see STRASSER you. Did you have And Mademoiselle? a good night's LASZLO rest? If I didn't give them to you in a concentration LASZLO ILSAcamp where you You more had need (shaking not be "persuasive hands) concerned methods" about Very me.your at good, disposal, thank you. I certainly won't give them to you now. RENAULT LASZLO The passionate That's conviction (prepares strange. into Norise) his one voice is now reveals the crusader. supposed Is that all to sleep you wish well toin tell us? Casablanca.

56. 57. 58. 59. STRASSER LASZLO ILSA Oh. I think (smiles) (continuing) it would be best if we proceed Do Andnot what be with if inyou thetrack such business. a hurry, down Renault picksM'sieur these up the men papers Laszlo. and kill from Youthem? his havedesk. all What the if you time murdered in the STRASSER world. all of us? You From may be every in(now Casablanca corner asRENAULT of cold Europe indefinitely... as hundreds I ofam men making Laszlo) (suddenly -- thousands outleans the report -- would now. We Very rise haven't well, up forward) to quite M'sieur take our decided Laszlo, places. whether we Or he will Even you committed not Nazis may mince leave can't suicide words. for or kill Lisbon You that died are tomorrow. trying an escaped fast.... to escape. On prisoner one condition. of the Reich. So far you have been fortunate enough LASZLO STRASSER in eluding us. And You Herrthat have Laszlo, (after reached is? ayou pause) Casablanca have a -You it reputation is are myquite duty forfinished to eloquence see that with which you us? stay I canin now Casablanca. understand. STRASSER But in You one know respect theSTRASSER you leaders are mistaken. of the Underground You said (bows) theMovement LASZLO enemies in of Prague, the For in Whether Reich Paris, the could time orin not all being. Amsterdam, you be replaced. succeed in in Brussels, fulfilling But there in is your Oslo, oneduty exception inis, Belgrade, of-As Ilsa and Laszlo in course, no Athens... oneleave, could problematical. a take young your officer place comes in in. When the door has closed: the event anything... er... unfortunate should LASZLO STRASSER occur to you Yes Not -while atyou even all. were in Captain RENAULT Berlin. trying Renault's to escape. signature (to the is officer) necessary on every Undoubtedly exit visa. their STRASSER LASZLOnext step will Even You will be in to Berlin. not the dare Black Ifto you Market. interfere will furnish with me me here. with LASZLO This their is names still and their I am perfectly Unoccupied exactFrance. whereabouts YOUNG aware OFFICER Any ofviolation -theyou Yes, will Captain's of neutrality Captain. have your official By will exit the duties. reflect visa way -inon the another morning... Captain visa Renault. problem has come up. STRASSER Renault looks at himself (turnsin RENAULT tothe Renault) mirror. Captain, M'sieur, (tongue would in so infar you cheek) think as it is it in is And possible my power... the honor that RENAULT of M'sieur having Laszlo served Show the willThird her receive in. Reich! a visa? LASZLO Oh, no. I don't RENAULT LASZLO believe I had I am heard Before ever afraid France of not. fell him Ibefore. regret, I was in a M'sieur. German concentration camp for a year. That is RENAULT honor enough for a lifetime. (slyly)LASZLO Ah Well, -- my perhaps mistake I shall -- What like made it me in think Casablanca. youSTRASSER had -You will give us the names? STRASSER LASZLO And Mademoiselle? Well -- now that LASZLO we're here -Ifman a I didn't who murdered give them twoto you in a concentration Germans -- IILSA wouldn't camp where mind you You more had having need a few not words "persuasive be concerned with methods" him. about me.your disposal, I certainly at won't give them STRASSER to you now. (wryly)LASZLO The passionate You conviction would (prepares find inthe to his rise) conversation voice now reveals the crusader. a Istrifle that all one-sided. you wish to tell us? (pause) Signor Ugarte is dead. Laszlo and Ilsa look at each other.

57. 58. 59. 60. STRASSER LASZLO ILSA ANNINA But, Senor Oh. (smiles) (continuing) Ferrari, that is all Do we Andhave not what be left. if inyou such What track acan hurry, down we do? Renault picksM'sieur these up the men papers Laszlo. and kill from Youthem? his havedesk. all What the if you time murdered in the FERRARI world. all of us? You From may be every in(shrugs) Casablanca cornerRENAULT of Europe indefinitely... hundreds I Perhaps ofam men making (suddenly -ifthousands you outhad leans theareport -talk would with now. We Captain rise haven't up forward) to quite Renault take -our decided places. whether Or he Even you committed Nazis may can't leave suicide for or kill Lisbon that died tomorrow. trying fast.... to escape. OnANNINA one condition. (her lips tight) We have already LASZLO STRASSER talked with him. And Herrthat Laszlo, (after is?ayou pause) have a She takes herYou reputation husband's are quite arm, forfinished eloquence predatory with which tous? leaving. I can now understand. STRASSER But in You one know respect theFERRARI you STRASSER leaders are mistaken. of the I Underground You amsaid sorry. (bows) theThat Movement enemies is all in of I Prague, the can For suggest. in Reich Paris, the could time inall being. Amsterdam, be replaced. in Brussels, But there in is Oslo, one exception in Belgrade, -As Ilsa and Laszlo in no Athens... oneleave, could a take young your officer place comes inCUT in. TO: When the door has closed: the event anything... er... INT. BLUE PARROT unfortunate CAFE - DAY should LASZLO occur to you Yes while --you even were in RENAULT Berlin. trying to escape. The bar is much less (topretentious the officer) than Rick's, but well populated. Undoubtedly their STRASSER LASZLOnext step will Even You will be in to Berlin. not the dare Black Ifto you Market. interfere will Rick enters just furnish withas meFerrari me here. with This is their ushering is names stillJan andand Annina from out of his their Unoccupied office. exactFrance. whereabouts YOUNG OFFICER Any violation -- you Yes, will of neutrality Captain. have yourBy will exit the reflect visa way -inon the another morning... Captain visa Renault. FERRARI problem has come up. (patting Annina's Renault looks at himself shoulder) in RENAULT the mirror. There M'sieur, (tongue -- don't in so inbe far cheek) too as it is in downhearted. And my power... the honor RENAULT Perhaps of having youserved can come Show the Third to herterms in. Reich! with Captain Renault. LASZLO Oh, no. I don't LASZLO believe I had DISSOLVE TO: Before ever heard France of JAN fellbefore. him I was in a INT. FERRARI'S German OFFICE concentration - DAY camp for a year. That is RENAULT honor enough for Ferrari's huge a frame lifetime. (slyly) is rolling with laughter. Ah -- my mistake -- What made me think youFERRARI STRASSER had -Five You will hundred givefrancs us thefor names? an exit visa....? LASZLO Well -- now that LASZLO we're here -Jan and Annina Ifare a man I didn't standing who murdered give before them twohim to you like infrightened children. a concentration Germans -- I wouldn't camp where mind you had more having a few "persuasive words with methods" him. at your disposal, FERRARI I certainly won't(continuing) give them STRASSER to you now. Young(wryly) man, in Casablanca five The passionate hundred You conviction would francs find inwill the hisconversation buy voice you now a reveals the crusader. pound a trifle of sugar, one-sided. but not an exit visa.(pause) Signor Ugarte is dead. Laszlo and Ilsa look at each other.

58. 59. 60. 61. LASZLO ILSA ANNINA RICK I never Oh. But, Senor (continuing) drink Ferrari, in thethat morning. is all we have And every whatleft. if time you What you track candown send we mydo? Renault picksshipment these up the men papers over, and kill from it'sthem? his a little desk. What short. if you murdered FERRARI all of us? From every(shrugs) cornerRENAULT of Europe hundreds I Perhaps ofam men making -ifthousands you out FERRARI had theareport -talk would with now. We Captain rise haven't up (chuckling) to quite Renault take -our decided places. whether Carrying he Even committed Nazis charges, can't suicide kill my friend, or that died carrying trying fast.... tocharges... escape. ANNINA (pulling (her lipsout tight) a We have chair) already LASZLO STRASSER talked with him. Here Herr -Laszlo, (after sit down. ayou pause) have There's a She takes hersomething You reputation husband's are quite Iarm, for want finished eloquence predatory to talk with over which tous? leaving. with I canyou, now anyhow. understand. But in one respect FERRARI you are mistaken. STRASSER Rick sits down I You as amsaid Ferrari sorry. (bows) theThat hails enemies isaall waiter. of I the can For suggest. Reich the could timeall being. be replaced. But there isFERRARI one exception -As Ilsa and Laszlo no one (to leave, could the a waiter) take young your officer place comes inCUT in. TO: When the door has closed: The the bourbon. event anything... er... INT. BLUE PARROT unfortunate CAFE (to Rick, DAY should sighing occur to you whiledeeply) you were RENAULT trying to escape. The bar is much Theless news (topretentious about the officer) Ugarte than upset Rick's, me but well populated. Undoubtedly very much. their LASZLOnext step will You will be to not the dare Black to Market. interfere Rick enters just withas meFerrari here. RICK This is ushering is stillJan and Annina from out of his You're Unoccupied office. a fat France. YOUNG hypocrite. OFFICER Any violation You Yes, don't of neutrality Captain. feel anyBy will sorrier the reflect way for --on another Ugarte Captainthan visa Renault. I FERRARI problem do. has come up. (patting Annina's Renault looks at himself shoulder) in FERRARI RENAULT the mirror. There M'sieur, (eyeing -- don't in so Rick be fartoo closely) as it is in downhearted. Of my course power... not. RENAULT Perhaps What upsets you can me come Show is the to her fact terms in.that with Ugarte Captain is dead Renault. and no one knows LASZLO where those Letters Oh, no. of I don't Transit believe are. I had DISSOLVE TO: ever heard of JAN him before. INT. FERRARI'S Thank OFFICE you-very DAY RICK much, Signor. (dead pan) RENAULT Ferrari's Rick watches huge the Practically frame couple (slyly) is as rolling nothey one.move with toward laughter. the door. Then he walks in the Ah direction -- my mistake of Ferrari. -- What made me think youFERRARI had -Five hundredRICK francs for an exit visa....? Hello, Ferrari. LASZLO Well -- now that we're here -Jan andFerrari Signor Annina a turns are man standing who around, murdered before pleased twohim tolike see Rick. frightened children. Germans -- I wouldn't mind having a fewFERRARI words with him. Good morning, FERRARI Rick. (continuing) STRASSER Young(wryly) man, in RICK Casablanca five I hundred You see would the francs bus findis will the in. conversation buy I'll you take a my pound a trifle shipment of sugar, one-sided. withbut me.not an exit visa.(pause) Signor Ugarte FERRARI is dead. No hurry. I'll have it sent Laszlo and Ilsa over. look Have at a each drink other. with me.

59. 60. 61. 62. ILSA ANNINA RICK And Oh. But, I never the Senor drink carrying Ferrari, in charges. thethat morning. is all we have And every left. timeWhat you send can we mydo? Renault picksshipment up the papers over, FERRARI from it's his a little desk. short. (smiling) FERRARI Naturally (shrugs) there RENAULT will be a few I am making Perhaps incidental if expenses you out FERRARI had thea-report talk with now. We haven't Captain (chuckling) (looking Renault quite at-decided Rick whether Carrying he committed squarely) charges, suicide my friend, or died carrying trying That isto the charges... escape. proposition ANNINA I have for whoever (pulling (her lips has out tight) those a Letters. We have chair) already LASZLO talked with him. Here -(after sit down. a RICK pause) There's She takes hersomething You husband's are (dryly) quite Iarm, want finished predatory to talk with over tous? leaving. with I'll you, tell anyhow. him when he comes in. STRASSER FERRARI Rick sits down I as am Ferrari sorry. (bows) That FERRARI hails isaall waiter. I can For suggest. Rickthe -- time I'll being. put my cards on the table. IFERRARI think you know As Ilsa and Laszlo where(to leave, those theLetters a waiter) youngare. officer comes CUT in. TO: When the door has closed: The bourbon. INT. BLUE PARROT CAFE (to Rick, DAY RICK sighing Well,deeply) you'reRENAULT in good company. The bar is much The Renault less news (topretentious and about theStrasser officer) Ugarte than probably upset Rick's, me but well populated. Undoubtedly very thinkmuch. so, too. their I came nexthere stepto will give be them toathe chance Black toMarket. ransack Rick enters just my place. as Ferrari RICK is ushering Jan and Annina from out of his You're office. a fatYOUNG hypocrite. OFFICER You Yes, Captain. don't feel any FERRARI By sorrier the way for -another Ugarte Rick --than visa don't I FERRARI problem do. be a fool. has come Take up. me into (patting your confidence. Annina's You Renault looksneed at himself shoulder) a partner in FERRARI the -- mirror. There(eyeing -- don't Rick be too closely) But Rick isn't downhearted. Oflistening course not. to RENAULT Perhaps What He him. upsets you iscan looking me outside through the open come Show is the door, to her fact terms in. where that with Ilsa Ugarte Captain andis Laszlo dead have paused Renault. and no one knows where those Letters of Transit are. DISSOLVE TO: JAN INT. FERRARI'S Thank OFFICE you-very DAY RICK much, Signor. (dead pan) Ferrari's Rick watches huge the Practically frame couple is as rolling nothey one.move with toward laughter. the door. Then he walks in the direction of Ferrari. FERRARI Five If I hundred could lay RICK francs my hands for an on exit visa....? Hello, those Letters, Ferrari.I could make a fortune. Jan andFerrari Signor Annina turns are standing around,before pleased him tolike see Rick. frightened children. RICK So could I. And FERRARI I'm a poor Good businessman. morning, FERRARI Rick. (continuing) Young man, in RICK FERRARI Casablanca five I hundred see havethe afrancs proposition bus is will in.buy I'll foryou whoever take a my pound hasshipment those of sugar, Letters. withbut me. Inot will an exit visa. handle the entire transaction, get rid of the FERRARI Letters, take No allhurry. the risk I'll --have for it a small sent over. percentage. Have a drink with me.

60. 61. 62. 63. EXT. LINEN STALL (OUTSIDERICK ANNINA BLUE PARROT) - DAY But, I And never the Senor drink carrying Ferrari, in charges. thethat morning. is all Ilsa examinesAnd we a napkin have every left. which timeWhat you an Arab can we send vendor mydo? is endeavoring to sell. There shipment is a sign over, on FERRARI the it'scounter a little by the display which reads: "700 short. francs". (smiling) FERRARI Naturally (shrugs) there will be a few It is apparent Perhaps incidental that Ilsa if expenses you is FERRARI aware had a-of talk Rick's with approach, but she is pretending Captain to (chuckling) (looking be Renault absorbed at-Rick in the napkin to escape his notice. Carrying squarely) charges, my friend, carrying That is the charges... proposition ANNINA I have for whoever (pulling (her lips has ARAB out tight) those a Letters. We ...You have chair) will already not talked find a with treasure him. Here like -this sit indown. RICK all Morocco, There's She takes hersomething Mademoiselle. husband's (dryly) Iarm, want Only predatory toseven talk over hundred to leaving. with francs. I'll you, tell anyhow. him when he comes in. FERRARI Rick sits comesdown up. I as am Ferrari sorry. That FERRARI hails isaall waiter. I can suggest. Rick -- I'll put my cards on the table. IFERRARI RICK think you know You're where(to those being theLetters waiter)are. cheated. CUT TO: The bourbon. INT. Ilsa BLUE takesPARROT a split CAFE (to second Rick, DAY RICK tosighing compose herself. When she turns to Rick, Well, herdeeply) manner you're is in politely good company. formal. The bar is much The Renault less newspretentious and about Strasser Ugarte than probably upset Rick's, me but well populated. very thinkmuch. so, too. ILSA I came here to It give doesn't them amatter, chance thank to ransack you. Rick enters just my place. as Ferrari RICK is ushering Jan and Annina from out of his You're office. a fatARAB hypocrite. You don't Ah -- feel the lady any FERRARI sorrier is a friend for of Ugarte Rick's? Rick --than For don't I FERRARI friends do. be a fool. of Rick's Take we me have into (patting a your small confidence. Annina's discount.You Seven hundred need shoulder) a partner francs, FERRARI -did I say? You There can have (eyeing -- don't it for Rick be two too closely) hundred. But Rick isn't downhearted. Oflistening course not. to Perhaps What He him. upsets you iscan looking me outside through the open come is the door, tofact terms where that with Ilsa Ugarte Captain andis Laszlo dead have paused in front of the Renault. andlinen no one bazaar. knows Laszlo where those leaves Ilsa and proceeds toward Letters the Blue of Transit Parrot.are. JAN Thank you very RICK much, Signor. Excuse (dead me, pan) I'll be getting back. Rick watches the Practically couple as nothey one.move toward the door. Then he Ferrari walksnods, in the takes direction a longof drink. Ferrari. Rick walks toward the door, where he meets Laszlo FERRARI coming in. Laszlo stops, addresses himIf politely. I could lay RICK my hands on Hello, those Letters, Ferrari.I could make a fortune. LASZLO Signor Ferrari Good turns morning... around, pleased to see Rick. RICK So could I. And FERRARI RICKI'm a poor Good businessman. morning, (not pausing) Rick. Senor Ferrari is the fat gent at the table. RICK FERRARI I see havethe a proposition bus is in. I'll for whoever take He continues my hasshipment outside. thoseLaszlo Letters. withlooks me. I will after him with a puzzled expression. handle the entire transaction, get rid of the FERRARI Letters, take No allhurry. the risk I'll --have for it a small sent over. percentage. Have a drink with me.

61. 62. 63. 64. EXT. LINEN STALL (OUTSIDEARAB RICK BLUE PARROT) - DAY And I never have thesome drink carrying tablecloths in charges. the morning. -- some Ilsa examinesnapkins And a napkin every --which time you an Arab send vendor my is endeavoring to sell. There shipment is a sign over, on FERRARI the it'scounter a little by the display which reads: "700 short. francs". (smiling) ILSA Naturally I'm reallythere not interested. will be a few It is apparent incidental that Ilsaexpenses is FERRARI aware-of Rick's approach, but she is pretending to (chuckling) (looking be absorbed ARAB at Rick in the napkin to escape his notice. Carrying Only one squarely) charges, moment --my friend, carrying That is the charges... proposition I have The Arab hurriedly for whoever (pulling exits.has ARAB There out those ais a Letters. small silence. Ilsa pretends to examine ...You chair) the willgoods not find on the a treasure counter. Here like -this sit indown. RICK all Morocco, There's something Mademoiselle. (dryly) I want RICK Only toseven talk over hundred with francs. Why I'lldid you, tell you anyhow. him come when back? he comes To tell in. me why you didn't show up at Rick sits comesdown up. the asrailway Ferraristation? FERRARI hails a waiter. Rick -- I'll put my cards on the table. IFERRARI RICK ILSA think you know You're where(to (quietly) those being theLetters waiter)are. cheated. The Yes.bourbon. Ilsa takes a split(to second Rick, RICK tosighing compose herself. When she turns to Rick, Well, herdeeply) manner you'reRICK is in politely good company. formal. The Well, Renault news you and about can Strasser tell Ugarte meprobably upset now. I'm me very reasonably thinkmuch. so, too. sober. ILSA I came here to It give doesn't them amatter, chance thank to ransack you. She looks at him my place. quietly.RICK You're a fatARAB hypocrite. You don't Ah -- feel the lady any ILSA FERRARI sorrier is a friend for of Ugarte Rick's? I Rick don't --than For think don't I friends do. I bewill, a fool. ofRick. Rick's Take we me have into a your small confidence. discount.You Seven hundred need a partner francs, FERRARI RICK -did I say? You can not? Why have (eyeing it for After Rick all, two closely) hundred. I was stuck But Rick isn't Of with listening course one railroad not. to him. What ticket. upsets He is looking Ime outside Reaching through the under open is think the the door, counter, I'm fact where entitled that he Ilsa Ugarte takes toand know. out is Laszlo dead a sign have reading: paused "200 in front francs" of the andlinen replaces no one bazaar. knows the other where sign Laszlo those leaves with Ilsa it.and proceeds toward Letters the Blue of Transit Parrot.are. RICK I'm sorry I was RICKin no condition to Excuse receive (dead me, visitors pan) I'll be getting when you back. Practically called on meno last one. night. Ferrari nods, takes a long drink. Rick walks toward the door, where he meets Laszlo FERRARI ILSA coming in. Laszlo stops, addresses himIf It politely. I doesn't could lay matter. my hands on those Letters, I could make a fortune. ARAB LASZLO Ah! GoodFor morning... special friends of Rick's we have a special RICK discount. So could I. And RICKI'm a poor businessman. (not pausing) He replaces the second signis with third which reads: "100 Senor Ferrari theafat gent francs." at the table. FERRARI I have a proposition for whoever RICKlooks He continues outside. has thoseLaszlo Letters. I will after him with a puzzled Your story had me transaction, a little expression. handle the entire confused. maybe it was the get rid ofOr the Letters, take Bourbon. all the risk -- for a small percentage.

62. 63. 64. 65. EXT. LINEN STALL (OUTSIDERICK ARAB BLUE PARROT) - DAY And I Did have thesome you carrying run tablecloths out on charges. me because -- some Ilsa examinesyou napkins a napkin couldn't --which take anit? Arab Because vendor is endeavoring to sell. There you isknew a sign what on FERRARI it the would counter be by the display which reads: "700 like francs". -(smiling) hiding ILSA from the Naturally I'm police really -- sneaking there not interested. will around be a few It is apparent incidental corners that Ilsa -- running expenses is aware away -of Rick's all theapproach, but she is pretending time?to (looking be absorbed ARAB at Rick in the napkin to escape his notice. Only one squarely) moment -That is the proposition ILSA I have The Arab hurriedly for can You whoever exits. believe has ARAB There those that isif a Letters. small you silence. Ilsa pretends to examine ...You want to. the willgoods not find on the a treasure counter. like this inRICK all Morocco, Mademoiselle. (dryly)RICK Only seven hundred francs. Why Well, I'lldid tell I'm you him not come when running back? he away comes To tell any in. me whyI'm more. yousettled didn't now show-upabove at Rick comes up. the a saloon, railway it's station? FERRARI true -- but walk up Rick a flight. -- I'll You'll put my find cardsit on worth the table. your while. IILSA RICK think you know You're where(quietly) those beingLetters cheated. are. Ilsa shakes her Yes. head. Ilsa takes a split secondRICK to compose herself. When she turns to Rick, Well, her manner you'reRICK is in politely good company. formal. Well, All Renault the you same, and can Strasser tell mecome you'll probably now.to I'm me. reasonably Some thinknight so, too. sober. -ILSA you'll I camelie here toto It Laszlo give doesn't them -- you'll amatter, chance bethank to there! ransack you. She looks at him my place. quietly. ARAB ILSA Ah -No, Rick. the You lady ILSA FERRARI see, is ait friend happens of Rick's? I that Rick don't Victor -- think For don't friends Laszlo I bewill, a is fool. ofmy Rick. Rick's husband. Take we me have into a your small confidence. discount.You Seven Rick stares at hundred need her. a partner francs, RICK -did I say? You can not? Why have After it forall, two I hundred. was stuck But Rick isn't with listening one railroad to ILSA him. ticket. He is looking I outside Reaching through the under open think And the door, has counter, I'm been where entitled for he Ilsa some takes toand know. time out Laszlo -a sign have reading: paused "200 in front francs" of the andlinen replaces (pause) bazaar. the other Laszlosign leaves with Ilsa it.and proceeds toward the Blue Parrot. ILSA Last night IRICK saw what has I'm sorryto happened I you. was RICKin The noRick condition I to loved Excuse receive in me, Paris visitors I'll-beIgetting when you could tell back. called him. He'd on understand me last night. -Ferrari nods, takes (after a long a drink. pause, Rick her walks toward the door, where he meets eyes Laszlo clouding) ILSA coming in. Laszlo stops, addresses himBut It politely. doesn't the Rick matter. who looked at me with such hatred in his eyes -who snarled at ARAB LASZLO me -Ah! GoodFor morning... (shakes special herfriends head) of Rick's have aCasablanca special I'll bewe leaving soon. discount. We'll never see RICKeach other again. (not We knew pausing) very little He replaces the second sign with third which reads: "100 about Senor each Ferrari other is when theafat we were gent francs." in at love the table. in Paris. If we leave it that way, perhaps when we RICK He continues outside. think of Laszlo each other looks --after we'llhim with a puzzled Your story had days me a -little expression. remember those not confused. Or it was the-Casablanca --maybe not last night Bourbon.

63. 64. 65. 66. EXT. LINEN STALL (OUTSIDELASZLO ARAB RICK BLUE PARROT) - DAY I have Did You yousome see, run my dear, tablecloths out onthe me word because -- has some Ilsa examinesgone napkins you a napkin couldn't around, --which take I am ana it? Arab marked Because vendor man.is endeavoring to sell. There you isknew a sign what onit the would counter be by the display which reads: "700 like francs". -- hiding ILSA FERRARI from the I'm really police (to --Ilsa) sneaking not interested. around It is apparent corners As that leader Ilsa --of running is all aware illegal away of Rick's all theapproach, but she is pretending time?to be absorbed activities in ARAB Casablanca, in theInapkin am to escape his notice. an Only influential one momentand -- respected man, but it would ILSA not be worth The Arab hurriedly Youlife my can exits. believe to do ARAB There anything that isif afor small you silence. Ilsa pretends to examine ...You want M'sieur to. the will Laszlo. goods not You, find on the a treasure however, counter. likeathis are different in allmatter. Morocco, Mademoiselle. RICK Only seven hundred francs. Why Well, did I'm you not come LASZLO running back?away To tell any me whyI'm more. Signor yousettled Ferrari didn't thinks showit now -upmight above at Rick comes up. the a just saloon, railway be possible it's station? true to obtain -- but an walk up a visa exit flight. forYou'll you. find it worth your while. RICK ILSA You're (quietly) beingILSA cheated. Ilsa shakes her Yes. You head. mean -- for me to go on Ilsa takes a split alone?second to compose herself. When she turns to Rick, her mannerRICK is politely formal. Well, All the you same, can FERRARI tell mecome you'll now.to I'm me. alone. reasonably Some And only night sober. -ILSA you'll lie to It doesn't Laszlo -- you'll matter, bethank there! you. She looks at him quietly.LASZLO I will stay here, ARAB Ilsa, and ILSA keep on trying. Perhaps in of a Ah No, -Rick. the lady You ILSA see, is ait friend happens little while... Rick's? I that don't Victor For Laszlo think friends I will, is ofmy Rick. Rick's husband. we have a small discount. Seven FERRARI Rick stares at hundred her. francs, RICK did I say? You -- We might as all, well bewas frank, can Why have not? it for After two I hundred. stuck M'sieur. It will a miracle with one railroad ILSA take ticket. I tothe get you out ofsome Casablanca. Reaching under think And has counter, I'm been entitled for he takes to time know. out-a sign reading: And replaces the Germans outlawed "200 francs" and (pause) thehave other sign with it. miracles. Even when I knew ILSA you in Paris. Last night IRICK saw what has She walks away I'm happened into sorry the to Icafe was you. ILSAtowards in The noRick condition Laszlo I and Ferrari. Rick stares after to loved We receive are her in only -Paris visitors then interested --exits I could when inyou the tell two opposite direction. called him. visas, He'd on Signor. me last night. understand -(after a pause, her eyes clouding) ILSA LASZLO CUT TO: It But Please, doesn't the Rick Ilsa. matter. who We looked mustn'tat beme INT. BLUE PARROT with hasty. CAFE such-hatred DAY in his eyes -who snarled at ARAB me -friends Ferrari is helping Ah! For (shakes Ilsa special into ILSA hera head) chair.of Rick's we have aCasablanca special I'll be (firmly) leaving soon. discount. We'll never see FERRARI each other I again. was just We knew telling veryMonsieur little He replaces the second sign with a third which reads: "100 Laszlo about each that, other unfortunately, when we were I francs." am in not loveable in Paris. to help Ifhim. we leave it that way, perhaps when we RICK think of each ILSA other -- we'll Your story had days me a -little Oh. remember those not confused. Or it was the-Casablanca --maybe not last night Bourbon.

64. 65. 66. 67. ARAB RICK LASZLO Ilsa, I Did You have you see, Isome run won't my dear, tablecloths out let onyou the me stay because word -- here. some has napkins you gone You couldn't must around, -get to take I am America. it? a marked Because And man. you knewme believe what -- somehow it would-beI'll likeout get -- -hiding I'll ILSA FERRARI from jointhe you... I'm really police (to --Ilsa) sneaking not interested. around corners As leader --of running ILSA all illegal away all the time?(slowly) activities in ARAB Casablanca, I am Only an Do influential you one really moment want and -- me respected to go on man, but alone, Victor? it would ILSA Do you not really be worth The Arab hurriedly Youlife my want can to exits. believe to stay doThere here anything that -iswithout if afor small you me? silence. Ilsa pretends to examine want to. M'sieur the Laszlo. goodsYou, on the however, counter. are a different LASZLO matter. (not very RICK Why did Well, convincingly) I'm you not come LASZLO running back?away To tell any me whyI'm more. Signor Ye-es, you Ferrari I would. settled didn't thinks showit now -upmight above at the a just saloon, railway be possible it's station? true to obtain -- but an walk Ilsa smiles faintly. up a visa exit flight. forYou'll you. find it worth your while. ILSA (quietly) ILSA Ilsa shakes her Yes. You I see. head. mean When -- I for had metrouble to go on alone? out of Lilles, why getting didn't you leave RICK me there? And Well, All when the Iyou was same, can sick FERRARI tell you'll in Marseilles mecome now.to I'm me. alone. reasonably Some And and held only night you sober. -up you'll for two lieweeks to Laszlo and you-were you'll in danger be there! every LASZLO She looks at him minute quietly. of the time -- why I will you stayleave here, Ilsa, and didn't ILSA me then? keepRick. on trying. Perhaps in a No, You ILSA see, it happens little while... I that don't Victor think Laszlo LASZLO I will, is my Rick. husband. (with a wry smile) FERRARI Rick stares at I her. meant to, but RICK something -- We might as up. wellII be frank, Why always not? held After me all, love was stuck you M'sieur. ItIlsa. will a miracle with very one railroad much, ILSA take ticket. I to get you out ofsome Casablanca. think And has I'm been entitled for to time know.-And the Germans (pause) ILSAhave outlawed miracles. Ferrari Even when isIwaiting knew ILSA you for inour Paris. Last night I saw what has answer. She walks away happened into the tocafe you. ILSAtowards The Rick Laszlo I and Ferrari. AT Rick THE stares BAR after loved We are her in only -Paris then interested --exits I could in the tell two opposite direction. him. visas, He'd Signor. understand -Ferrari is talking(after to a waiter. a pause, Ilsa herand Laszlo come up to him. eyes clouding) LASZLO CUT TO: But Please, the Rick Ilsa.who We looked mustn'tat beme INT. BLUE PARROT with hasty. CAFE such-hatred DAY LASZLO in his eyes -who snarled We've come to atame decision. -For Ferrari is helping the present (shakes Ilsa into we'll ILSA herahead) chair. go on looking for I'lltwo be (firmly) leaving exit visas. Casablanca Thank you soon. very We'll No, Victor. much. never see FERRARI each other I again. was just We knew telling veryMonsieur little Laszlo about each that, other FERRARI unfortunately, when we were I am in not love (getting able in Paris. toto help his Ifhim. we leave it that feet) way, perhaps when we think of Excuse me. each IILSA will other be-atwe'll the bar. Oh. remember those days -- not He bows and goes. Casablanca -- not last night --

65. 66. 67. 68. RICK LASZLO Ilsa, Did You you see, (not I won't run my turning) out dear, let onyou the me stay because word has here. youcourse. gone You Of couldn't must around, get Itto take I becomes am America. it? a marked Because an And man. you knewme believe instinct. what -- somehow it would-beI'll likeout get -- -hiding I'll FERRARI from jointhe you... police (to --Ilsa) sneaking FERRARIaround corners As leader (meaning --of running ILSA all Ilsa) illegal away all the time? activities I observe (slowly) that in Casablanca, you in one I am an you Do respect influential really are a very want and fortunate respected me to go on man, but alone, man... Victor? M'sieur it would ILSA Doam I not you moved be worth really to Youlife my want make can to stay one believe to more dohere anything suggestion that -- without iffor you -- why, me? want M'sieur I do not to.Laszlo. know. Because You, however, it are a different cannot possibly LASZLO matter.me, profit but... (not have very you RICKheard about Well,convincingly) Signor I'm Ugarte not LASZLO running and the Letters away any more. Signor Ye-es, of Transit? I'm Ferrari I would. settled thinks now it -- might above a saloon, just be possible it's true to obtain -- but an walk Ilsa smiles faintly. up a visa exit flight. for LASZLO You'll you. find it worth your while. Something. ILSA Ilsa shakes her You I see. head. mean When -- I for FERRARI had metrouble to go on alone?Letters getting Those out ofwere Lilles, not found why on didn't when Ugarte you leave they RICK arrested me there?him. And All the when I was same, sick FERRARI you'll in Marseilles come to me. alone. Someheld And and only night you -LASZLO up you'll for two lieweeks to Laszlo and you (after -were you'll ain pause) danger be there! every LASZLO Do minute you know of the where timethey -- why are? I will you stayleave here, Ilsa, and didn't ILSA me then? keepRick. on trying. Perhaps in a No, You FERRARI see, it happens little while... Not that for Victor sure, Laszlo LASZLO M'sieur. is my But husband. I will venture (with a a wry guess smile) -- that FERRARI Rick stares at Ugarte I her. meantleft to, those but something Letters with -- We might as up. wellIbe frank, M'sieur always held Rick. me love you M'sieur. ItIlsa. will very much, ILSA take a miracle to get out ofsome Casablanca. Ilsa's face darkens. And hasyou Laszlo been for quietly time observes. -And the Germans (pause) ILSAhave outlawed miracles. Ferrari Even when isIwaiting knew LASZLO you for inour Paris. Rick? answer. She walks away into the cafe ILSAtowards Laszlo and Ferrari. AT Rick THE stares BAR after We are her only -- then interested FERRARI exits in the two opposite direction. He visas, is aSignor. difficult customer, Ferrari is talking that Rick. to a waiter. One never Ilsa knows andwhat Laszlo come up to him. he will do, or LASZLO why. But it is CUT TO: worth Please, a chance. Ilsa. We mustn't be INT. BLUE PARROT hasty. CAFE - DAY LASZLO We've come to a decision. For Ferrari is helping the present Ilsa into we'll ILSAa chair. go on looking for two (firmly) exit visas. Thank you very No, Victor. much. FERRARI I was just telling Monsieur Laszlo that,FERRARI unfortunately, I am not Well -(getting able goodto luck. to help his But him. be careful-feet) Excuse me. IILSA will be at the bar. His eyes flick Oh. in the direction of the bazaar outside. He bows and goes. FERRARI You know you're being shadowed?

66. 67. 68. 69. LASZLO FERRARI Ilsa, You see, (not (bows) I won't my turning) dear, let you the stay word here. has You gone Of course. were must around, gracious get Itto Ibecomes am America. to a marked share an And it man. with believe instinct. me.me Good -- day, somehow -- I'll Mademoiselle.... get out -- I'll FERRARI join M'sieur. you... (to Ilsa) FERRARI As leader (meaning ofLASZLO ILSA all Ilsa) illegal Good activities I observe day. (slowly) that in Casablanca, you in one I am an you Do respect influential really are a very want and fortunate respected me to go on EXT. BLUE PARROT man,CAFE alone, man... but Victor? M'sieur itDAY would Doam I not you moved be worth really to my life want make to stay one to more dohere anything suggestion -- without for -- why, me? Ilsa and Laszlo M'sieur I do come notout Laszlo. know. of the Because You, cafe however, it and start down the marketplace. cannot are a different possibly LASZLO matter.me, profit but... (not have very you heard about Signor convincingly) Ugarte LASZLO and the Letters Always Signor Ye-es, of Transit? Rick. Ferrari I would.thinks it might just be possible to obtain an He Ilsa watches smilesIlsa faintly. exit out visa of the for LASZLO corner you. of his eye as they go along. Something. ILSA You I see. mean When -- I for FERRARI had metrouble to go on DISSOLVE TO: alone?Letters getting Those out ofwere Lilles, not found why on INT. RICK'S CAFE didn't Ugarte - MAIN you ROOM when leave they-arrested me NIGHT there?him. And when I was sick FERRARI in Marseilles alone. Rick and Renault And are and held onlyat you the LASZLO upbar. for two weeks and you (after wereain pause) danger every LASZLO Do minute you know of the where RICK timethey -- why are? I will stay here, Ilsa, and That didn't was you some leave going-over me then? your keepgave on trying. Perhaps in a men my place FERRARI this afternoon. little Not We just forwhile... sure, got cleaned LASZLO M'sieur. up in Buttime I will to open. venture (with a a wry guess smile) -- that FERRARI Ugarte I meantleft to, those but something Letters with -- We might as up. wellIbe frank, M'sieur always held Rick. me RENAULT love you M'sieur. ItIlsa. willhe take a miracle I very told much, Strasser wouldn't to get you out quietly ofhere. Casablanca. Ilsa's face darkens. find the Laszlo Letters observes. But I And the Germans have outlawed told my men to ILSA be especially miracles. destructive. Ferrari is waiting LASZLO You know forhow ourthat Rick? impresses answer. Germans. (pours himself ILSA a AT THE BAR We are drink) only FERRARI interested in two He Rick visas, is-aSignor. difficult have you got customer, these Ferrari is talking that Letters Rick. toof a waiter. One never Transit? Ilsa knows andwhat Laszlo come up to him. he will do, or LASZLO why. But it is Rick looks atworth Please, him aamoment chance. Ilsa. We mustn't be hasty. LASZLO We've come to LASZLO RICK a decision. For Thank the present (steadily) you very we'll ILSA much. go on looking Louis for two (firmly) --exit are you visas. Pro-Vichy Thank you or They all get up. Free very No, Victor. French? much. ILSA RENAULT FERRARI And Wellfor -(getting your good coffee, luck. to his But Signor be -I careful-shall feet) miss that when we leave Casablanca. Excuse me. I will be at the bar. His eyes flick in the direction of the bazaar outside. He bows and goes. FERRARI You know you're being shadowed?

67. 68. 69. 70. LASZLO FERRARI RICK I see(bows) Ilsa, (not I won't Yvonne turning) has letgone you over stay to here. You Of course. the were must gracious enemy. get Itto becomes America. to share an And it with believe instinct. me.me Good -- day, somehow -- I'll Mademoiselle.... get out -- I'll RENAULT join M'sieur. you... Who knows? In FERRARI her own way she may constitute (meaning LASZLO ILSA Ilsa) an entire second Good I observe front. day. (slowly) I think that it's you in time onefor me Do flatter respect to you really areMajor a very want Strasser me to go fortunate a on EXT. BLUE PARROT alone, man... little. CAFE Victor? M'sieur See - DAY youI Do later, am you moved really Rick. to want one make to stay morehere suggestion -- without -- why, me? Ilsa He strolls and Laszlo away. I do come notout know. of the Because cafeit and start down the marketplace. cannot possibly LASZLO profit me, but... (not have very you GERMAN heard OFFICER about Signor convincingly) (arrogantly, Ugarte LASZLO and the to Letters Always Ye-es, of Transit? Carl) Rick. I would. French seventy-fives. He Ilsa watches smilesIlsa faintly. out of the LASZLO corner of his eye as they go along. Something. YVONNE (somewhat ILSA tight I see. already) When I FERRARI had trouble DISSOLVE TO: Pick getting Those up Letters a out whole ofwere Lilles, rownot of 'em, why found on INT. RICK'S CAFE Carl didn't Ugarte --MAIN you ROOM when leave they-arrested me NIGHT there?him. And when (gesturing) I was sick in Marseilles Rick and Renault -andstarting are heldat you the here LASZLO upbar. for andtwo -- weeks and you (after wereain pause) danger every Do minute you know of the where RICK GERMAN timethey -OFFICER why are? That didn't was (cutting you some leave going-over in)me then?your We menwill gavebegin my place FERRARI withthis two.afternoon. Notjust We for got sure, cleaned LASZLO M'sieur. up in Buttime I In the background will to open. a venture (with French a a wry officer guess smile) -makes thata remark which causes laughter Ugarte I meant fromleft his to, group. those but something Letters It is evidently with directed at the GermanM'sieur always officer held Rick. andme RENAULT his up. French I love companion. you The German officer turnsI very toward told much, Strasser theIlsa. group, he his wouldn't face red. Ilsa's face darkens. find theLaszlo Letters quietly here. observes. But I told my men to GERMAN ILSA be especially OFFICER destructive. Ferrari (clipping is waiting LASZLO You his know forhow words) ourthat Will Rick? impresses answer. the gentleman Germans. who made the remark (pours kindly himself repeatait? AT THE BAR drink) FERRARI He Rick is-a have difficult FRENCH you got customer, OFFICER these Ferrari is talking that I Letters made Rick. to it. of a waiter. One what Transit? And never Ilsa Iknows said andis what Laszlo come up to him. he will none of your do, or business. why. But it is Rick looks atworth him aamoment chance. GERMAN LASZLO OFFICER We've come to LASZLO RICK a decision. For Thank the present (steadily) you very we'll much. go on looking Louis for two --exit are you visas. Pro-Vichy Thank you or They all get up. Free very French? much. ILSA RENAULT FERRARI Serves And Wellfor --me your good right coffee, luck. forBut asking Signor be a-I direct careful-shallquestion. miss thatThe when subject we leave is Casablanca. closed. His eyes flick in the direction of the bazaar outside. Rick gazes at Yvonne and a German officer approaching the bar. FERRARI You know you're being shadowed?

68. 69. 70. 71. LASZLO FERRARI RICK STRASSER ...You I see(bows) (not Yvonne see, turning) Captain, has gonethe over to You Of course. the situation were enemy. gracious is Itnot becomes as tomuch share an under it with instinct. control me.as Good youday, believe. Mademoiselle.... RENAULT M'sieur. Who knows? In FERRARI RENAULT her own way she maydear My constitute (meaning Major, LASZLO Ilsa) an are we entire trying second to Good I observe front. cooperate day. I think that your with you in it's time government. onefor me respect to But flatter we cannot areMajor a regulate very Strasser fortunate thea EXT. BLUE PARROT man... little. feelings CAFE M'sieur See ofDAY youIpeople. our later, am moved Rick. to make one more suggestion -- why, Ilsa He strolls and Laszlo away. I do come notout know. of STRASSER the Because cafeit and start down the marketplace. cannot (eyes possibly him closely) profit me, but... have Captain Renault, you GERMAN heard are OFFICER you about Signor entirely (arrogantly, Ugarte certain LASZLO andwhich the to Letters side Always of Transit? you're Carl) Rick. on? French seventy-fives. He watches Ilsa out of the LASZLO RENAULT corner of his eye as they go along. Something. Frankly, I have YVONNE no conviction, if that (somewhat is whattight you mean. I blow with already) the FERRARI wind, and the DISSOLVE TO: Pick Thoseup prevailing Letters a whole wind were row is blowing not of 'em, found from on INT. RICK'S CAFE Carl Ugarte Vichy. --MAIN whenROOM they-arrested NIGHT him. (gesturing) Rick and Renault -- starting are at the here LASZLO STRASSER bar. and -And if (after it should a pause) change? Do you know where RICK they GERMAN OFFICER are? That was (cutting some RENAULT going-over in) your We menwill gave (smiles) begin my place FERRARI withthis two.afternoon. Not We Surely just forthe sure, got Reich cleaned M'sieur. does upnot Buttime in admit I In the background will to that open. a venture possibility? Frenchaofficer guess -makes thata remark which causes laughter Ugarte fromleft his group. those Letters It is evidently with directed at the GermanM'sieur officerRick. andRENAULT STRASSER his French companion. The German officer turnsI We toward told are Strasser concerned the group, he about his wouldn't face more red. Ilsa's face darkens. find than the Casablanca. Laszlo Letters quietly here. We know observes. But that I told everymy French men to GERMAN province be especially OFFICER in Africa destructive. (clipping LASZLO You his know words) how that Will Rick?the gentleman impresses Germans. who made the remark (pours kindly himself repeatait? drink) FERRARI He Rick is-a have difficult FRENCH you got customer, OFFICER these that I Letters made Rick. it. of And One what Transit? neverIknows said is what he will none of your do, or business. why. But it is Rick looks atworth him aamoment chance. GERMAN OFFICER I will make it LASZLO RICK my business -Thank(steadily) you very much. The German officer Louis raises -- are his you fist Pro-Vichy and the or French officer They all to prepares getdefend up. Free French? himself. There are exclamations from the people nearby. Rick steps between the two men. ILSA RENAULT And forme Serves your right RICK coffee, for asking Signora-direct I shallquestion. don't miss disturbances like thatThe when subject we in leave is my Casablanca. closed. place. Either lay off politics or get out. Rick gazes at Yvonne and a German officer approaching the bar. Strasser and Renault have been watching from their table:

69. 70. 71. 72. INT. GAMBLING ROOM - NIGHT FERRARI RICK STRASSER I see(bows) ...You Yvonne see, Captain, has gonethe over to Annina crosses You the situation towere enemy. a roulette gracious is nottable, as tomuch share where under itJan is bending over the spinning with control wheel. me.as Good you She day, believe. watches breathlessly over his shoulder. Mademoiselle.... RENAULT M'sieur. Who knows? In RENAULT her own way she maydear My constitute Major, LASZLO JANwe an are entire trying second to Good front. cooperate Black day. again... I think with your it's government. time for me to flatter But we cannot Major regulate Strasser thea EXT. BLUE PARROT little. feelings CAFESee ofDAY you our ANNINA later, Rick. people. (handing him some Ilsa He strolls and Laszlo away.come chips) out of STRASSER the cafe and start down the marketplace. This is (eyes allhim we have, closely) Jan. Do you Captain think Renault, weGERMAN should? are OFFICER you entirely (arrogantly, certain LASZLO which to side Always you're Carl) Rick. on? JAN French (bitterly) seventy-fives. He watches Ilsa We out might ofas the well RENAULT corner haveof nothing his eye as they go along. as Frankly, two hundred I have YVONNE francs. no conviction, if that (somewhat is whattight you mean. I He begins to scatter blow with already) the the chips wind, recklessly and the over DISSOLVE the board. TO: Annina looks at Pick prevailing him upfor a whole a wind moment, row is blowing of comes 'em,to from a silent resolve, and INT.walks RICK'S toward CAFE Carl Vichy. the --MAIN hallway. ROOM - NIGHT (gesturing) INT. Rick RICK'S and Renault CAFE -- starting are MAIN at ROOM the here STRASSER bar. -and NIGHT -And if it should change? Annina looks in Rick's direction, RICK GERMAN OFFICER steels herself to That was (cutting some RENAULT going-over in) your We menwill gave (smiles) begin my place withthis two.afternoon. We Surely justthe gotReich cleaned does upnot in time admit In the background to that open. a possibility? French officer makes a remark which causes laughter from his group. It is evidently directed at the German officer andRENAULT STRASSER his French companion. The German officer turnsI We toward told are Strasser concerned the group, he about his wouldn't face more red. find than the Casablanca. Letters here. We know But that I told everymy French men to GERMAN province be especially OFFICER in Africa destructive. is honeycombed (clipping You his with know words) traitors how that Will impresses just the waiting gentleman Germans. their who chance made --the remark waiting, (pours kindly perhaps, himself repeat for ait? a leader. drink) Rick -- haveFRENCH RENAULT you got OFFICER these I Letters made (casually, it. of And Transit? what lighting I said is none of a cigarette) your business. Rick looks atAhim leader a moment like... Laszlo? GERMAN OFFICER I will make it RICK STRASSER my business -(steadily) (nods) The German officer Louis I haveraises -been arethinking. his you fist Pro-Vichy and It is the or too French officer prepares to defend Free dangerous French? himself. if weThere let him arego. exclamations It from the people nearby. may beRick too steps dangerous between if we the let two men. him stay. RENAULT Serves me right RICKfor asking a direct I don'tquestion. likeRENAULT disturbances The subject in my is closed. place. (thoughtfully) Either lay off politics or I see getwhat out.you mean... Rick gazes at Yvonne and a German officer approaching the bar. Strasser and Renault have been watching from their table:

70. 71. 72. 73. INT. GAMBLING ROOM - NIGHT STRASSER RICK I see ...You He is?Yvonne see, Captain, Well, has goneRenault Captain the over tois Annina crosses the situation getting toenemy. a roulette broadminded. is nottable, as much Sit where under down. Jan is bending over the spinning control wheel. as you Shebelieve. watches breathlessly over his shoulder. RENAULT RICK Who knows? Drink? Ah, of In RENAULT her ownnot course way-she maydear My mind constitute if I? Major, JANwe an are entire trying second to front.again... cooperate Black I think with your it's government. time for me to flatter But we cannot Major ANNINA regulate Strasser thea little. feelings Oh, no--See of our you ANNINA later, Rick. people. (handing himas (nervously, some Rick He strolls away. pours) chips) STRASSER This is M'sieur (eyes allhim Rick we --have, closely) what sort Jan. of Do you man Captain think is Captain Renault, weGERMAN should? Renault? are OFFICER you entirely (arrogantly, certain which to side you're Carl) on? RICK JAN French (bitterly) (shrugging) seventy-fives. We might Like any other as well RENAULT man... have nothing as Frankly, two (pause) hundred I have YVONNE francs. no conviction, Only if that more (somewhat isso. whattight you mean. I He begins to scatter blow with already) the the chips wind, recklessly and the over the board. Annina looks at Pick prevailing him upfor a whole a wind ANNINA moment, row is blowing of comes 'em,to from a silent resolve, and walks toward Carl I Vichy. mean the ---hallway. is he trustworthy? Is his word...? (gesturing) INT. RICK'S CAFE -- starting - MAIN ROOM here STRASSER -and NIGHT -And if it should RICK change? Annina looks in Just Rick's a minute. direction, GERMAN Who told OFFICER steels you herself to to approach him.ask Herme mind (cutting that? made RENAULT in) up, she makes her way to his table. We will (smiles) begin with two. Surely the Reich ANNINA does not admit In the background He that did. a possibility? French Captain ANNINA officer Renault makes did.a remark which causes laughter M'sieur from his Rick? group. It is evidently directed at the German officer andRICK STRASSER his French companion. The German officer turnsI We toward thought are concerned the so. group, RICK about his face more red. Yes? than (pause) Casablanca. We know that Where's every French yourGERMAN husband? province OFFICER in Africa is honeycombed (clipping ANNINA his words) with traitors Will Could just the waiting I speak gentleman ANNINA their to you who chance --made just --the remark for At waiting, the a moment? kindly roulette perhaps, repeat table forit? -a leader. trying to win enough for our exit visa. Rick looks atOf her. course heFRENCH RENAULT is losing. OFFICER I made (casually, it. And what lighting I said is Rick looks atnone her closely. of a cigarette) yourRICK business. How A leader did you like... get in Laszlo? here? You're under age. RICK GERMAN OFFICER I will How long make areit STRASSER you mymarried? business -(nods) ANNINA The German officer I came haveraises with been Captain thinking. ANNINA his fist Renault. and It is the too French officer prepares to defend dangerous (himself. if weThere let him arego. exclamations It from the people nearby. may beRick too steps dangerous RICK between if we the let two men. him stay. (cynically) I should have RICK known. I don't likeRENAULT disturbances in my place. (thoughtfully) Either ANNINA lay off politics or My I see getwhat husband out.is youwith mean... me, too. Strasser and Renault have been watching from their table:

71. 72. 73. 74. INT. GAMBLING ROOM - NIGHT STRASSER RICK ANNINA (CONT'D) ...You He A devil is? Well, see, has the Captain, Captain people the Renault by theis Annina crosses situation getting throat. to a roulette broadminded. So is Jan not and table, asI, much Sit we... where under down. we Jan is bending over the spinning control did not wheel. as you want She our believe. watches children breathlessly to over his shoulder. grow up in such RICKa country. Drink? Ah, of RENAULT course not -My dear mind if I? Major, JANwe are trying to RICK cooperate Black (wearily) again... with your government. Butyou So we decided cannot ANNINA regulate to go tothe America. feelings Oh, no-- of our ANNINA people. (handing (nervously, ANNINA himas some Rick Yes. But chips) pours) we do STRASSER not have much This M'sieur money, is (eyes and alltravel Rick him we --have, closely) what is sort Jan. so Do of you man Captain difficult think is Captain Renault, we andshould? expensive Renault? are youM'sieur. entirely It took much certain morewhich than we side you're on? thought to get JANhere. Then RICK Captain (bitterly) (shrugging) Renault sees us and he We Like is might soany kind. as well other He RENAULT man... wants haveto nothing help us. as Frankly, two (pause) hundred I havefrancs. no conviction, Only if that more isso. what RICKyou mean. I He begins to scatter blow bet. I'll with the the chips wind, recklessly and the over the board. Annina looks at prevailing him for a wind ANNINA moment, is blowing comes to from a silent resolve, and walks toward I Vichy. mean the-hallway. isANNINA he trustworthy? Is his He tells word...? me that he can get an INT. RICK'S CAFE exit-visa MAINfor ROOM STRASSER us. - NIGHT But... And if (she it should hesitates) RICK change? Annina looks in Just ButRick's we a minute. have direction, no money. Who told steels you herself to to approach him.ask Herme mind that? made RENAULT up, she makes her way to his table. (smiles) RICK Does Surely hethe know Reich ANNINA that? does not admit He that did. possibility? Captain ANNINA Renault did. M'sieur Rick? ANNINA Oh, yes. RICK STRASSER I Wethought are concerned so. RICK about more Yes? than (pause) Casablanca. RICK We know that willing give Where's And every heFrench is your still husband? province into Africa youhoneycombed an exit visa? is ANNINA with traitors Could just waiting I speak ANNINA their to you chance -- just -for At waiting, the a moment? roulette perhaps, ANNINA table for -a leader. trying to Yes, win M'sieur. enough for our exit visa. Rick looks atOf her. course heRENAULT is losing. Rick looks down at(casually, his drink for lighting a moment. Rick looks at her closely. a cigarette) RICK How A leader did you like... get RICKin Laszlo? here? You're under And you age. wantRICK to know...? How long areSTRASSER you married? (nods) ANNINA I Will came have hewith been keepCaptain thinking. ANNINA his word? Renault. It is too dangerous (simply) if we let him go. It Six may weeks. be too dangerous RICK if we let him stay. (cynically) Rick nods. I should have known. RENAULT (thoughtfully) ANNINA My We I see husband come what from is you Bulgaria. with mean... me, Things too. are very bad there, M'sieur. (MORE)

72. 73. 74. 75. INT. GAMBLING ROOM - NIGHT RICK ANNINA (CONT'D) Hedevil A M'sieur, is? Well, has youthe Captain are people a man. Renault by Iftheis Annina crosses getting throat. someone to a roulette broadminded. So loved Janyou... and table, I,very Sit we... where down. much, we Jan is bending over the spinning didthat so not wheel. wantShe your ourwatches happiness children was breathlessly to the over his shoulder. grow thing only up in in such RICK the a world country. that Drink? she wanted Ah, and... of course shenot did-a bad mind if thing toI? make JAN RICK certain of it, Black(wearily) could again... you forgive her? So you decided ANNINA to go to America. Oh, no-ANNINA RICK Nobody (handing (nervously, ever loved ANNINA himas me some Rick that much. Yes. But chips) pours) we do not have much This M'sieur money, isand alltravel Rick we ANNINA --have, what is sort Jan. so Do of you man difficult But, think is M'sieur, Captain we andshould? expensive if Renault? he never M'sieur. It took if knew... much the more girl than kept wethis thought bad thing tolocked get JANhere. RICK in her Then heart... Captain That (bitterly) (shrugging) would Renault be all sees right, us and he We Like is might wouldn't soany kind. as other it?well He man... wants haveto nothing help us. as two (pause) hundred francs. Only more so. RICK He begins to scatter I'll bet. (harshly) the chips recklessly over the board. Annina looks at Youhim want for myaadvice? ANNINA moment, comes to a silent resolve, and walks toward I mean the-hallway. isANNINA he trustworthy? Is his He tells word...? me that ANNINA he can get an INT. RICK'S CAFE exitOh, yes, visa MAIN please. for ROOM us. - NIGHT But... (she hesitates) RICK Annina looks in Just ButRick's we a minute. have direction, no RICK Who told money. steels you herself to to approach him.ask Go Her back me mind that? tomade Bulgaria. up, she makes her way to his table. RICK Does he knowANNINA that? He M'sieur did. Captain RickANNINA -- Renault if you knew did. M'sieur what it Rick? means ANNINA to us to be able Oh, to leave yes. Europe RICK-- to get to I America... thought so. RICK Yes? (pause)RICK willing to -give Where's And But he if is Jan your still should husband? find out youis ansuch exitavisa? He ANNINA boy. In many ways Could I am so I speak muchANNINA -toso you much -- just older for At than the ahe moment? roulette is. ANNINA table -- trying to Yes, win M'sieur. enough for our exit visa. Rick looks atOf her. course heRICK is losing. Rick looks down at(getting his drink up) for a moment. Rick looks atWell her closely. -- everyone RICK in Casablanca How has did a problem. you get RICK Yours in here? may You're work under out. And you Excuse age. wantme. RICK to know...? How long are you married? ANNINA I Will came hewith keepCaptain ANNINA his word? Renault. (simply) Six weeks. RICK (cynically) (still looking at Rick nods. I should his have drink) known. He always has. ANNINA There is a silence. My come We husband from isBulgaria. with me, Things too. are very bad there, M'sieur. (MORE)

73. 74. 75. 76. ANNINA (CONT'D) RICK Good He A M'sieur, devil is? evening. Well, has youthe Captain are people a man. Renault by Iftheis getting loved throat. someone broadminded. So Janyou... and I,very Sit we... down. much, we didthat so not your wantLASZLO our children happiness wasto the grow evening. only Good up in in thing such RICK the You a see, country. world we that are Drink? she here wanted again. Ah, and... of course shenot did-a bad mind if thing toI? make RICK certain of it, could(wearily) you forgive RICK her? Sotake I you that decided as ANNINA togreat a go to America. Oh, no-compliment to RICK Sam. Nobody (nervously, (to ever Ilsa) loved ANNINA as meRick that much. Yes. I suppose But pours) we todo you not Sam have means much M'sieur money,of Paris and Rick --travel well ANNINA -- what -ishappier sort so ofdays. man difficult But, is M'sieur, Captain and if expensive Renault? he never M'sieur. It took if knew... much the ILSA more girl than kept wethis thought bad thing (quietly) tolocked get RICK here. in her Then heart... Captain That Indeed, (shrugging) would Renault he be all does. sees Could right, uswe and have he Like istable wouldn't a soany kind. very other it?He close man... wants toto Sam. help us. (pause) Only more so. RICK LASZLO I'll bet. (harshly) (who has been looking You want around) my advice? ANNINA I And mean as -faris from ANNINA he trustworthy? Major Strasser Is his He as tells possible. word...? me that ANNINA he can get an exityes, Oh, visaplease. for us. But... (she hesitates) RICK Just But Well, we athe minute. have geography no RICK Who told money. might you beto a ask Go little back me that? difficult to Bulgaria. to arrange -RICK Ilsa looks atDoes Rickhe intently knowANNINA that? as he confers with the headwaiter. He M'sieur did. Captain Rick -- Renault if you knew did. what it means ANNINA to us to be able Oh, to leave yes. Europe RICK HEADWAITER -- to get to I America... thought (to Ilsa so. and Laszlo) Right(pause) this way, RICKif you please -willing to -give Where's And But he if is Jan your still should husband? find out youis ansuch exitavisa? He LASZLO boy. In many ways I am so (tomuch Rick) ANNINA -- so much older At than Thank the he you roulette is. very ANNINA much. table -- trying to Yes, win M'sieur. enough for our exit visa. Of course heRICK is losing. Rick looks down at( (getting his drink up) for a moment. Rick looks atWell her closely. -- everyone in Casablanca has a problem. RICK Yours may work out. And you Excuse wantme. RICK to know...? How long are you married? Annina looks down at the tablecloth. ANNINA Her lips are trembling. Will he keepANNINA his word? (simply) ANNINA Six weeks. (tonelessly) RICK Thank(still you --looking M'sieurat Rick. Rick nods. his drink) She gets up. Exits. He always has. ANNINA Therewalks Rick is a among silence. We come the tables, from Bulgaria. dead-pan Things as usual. He stops short as he sees are Ilsa very and bad Laszlo there, entering. M'sieur. He comes up to them. (MORE)

74. 75. 76. 77. He saunters toward the gambling ANNINA room. RICK (CONT'D) A devil M'sieur, Good evening. has youthe arepeople a man.by Ifthe throat. loved someone So Janyou... and I,very we... much, we CUT TO: didthat so not your wantLASZLO our children happiness wasto the INT. GAMBLINGGood grow only ROOMevening. up thing - NIGHT in in such the You a see, country. world we that are she wanted here again.and... she did a bad Rick comes in, thing looks totoward make RICK certain the roulette of it,wheel. Jan and Annina are alone could there. (wearily) you forgive RICK her? Sotake I you that decided as a togreat go to America. compliment to RICK CROUPIER Sam. Nobody (to ever Ilsa) Jan) loved ANNINAme that much. Yes. I Do suppose you But wish we toto do you not place Sam have means another much money, Paris bet, M'sieur? of and --travel well ANNINA -ishappier so days. difficult But, M'sieur, and if expensive he never M'sieur. It took if knew... much the ILSA JAN more girl than kept wethis thought bad No thank thing (quietly) to you locked get --here. in her Then heart... Captain That Indeed, would (juggling Renault he be all does. his sees Could right, two uswe and have he istable wouldn't a soremaining kind. very it?He close wants chips) toto Sam. help us. We can't leave without tipping, can we, Annina? RICK LASZLO I'll bet. (harshly) (who has been looking She just looks You atwant him, around) my dumb advice? with misery. And as far from ANNINA Major Strasser He as tells possible. me that RICK ANNINA he can get an exityes, Oh, visathe (to please. forcroupier) us. But... I'll take (she over hesitates) RICK the wheel. But Well, we (to the have Jan; geography no RICK dead-pan) money. might be a Have Go little back you difficult to tried Bulgaria. twenty-four to arrange -tonight? RICK Ilsa looks atDoes Rickhe intently knowANNINA that? as he confers with the Jan headwaiter. looks at Rick, M'sieur then Rick at-the ifchips you knew in his hand. Pause. what it means ANNINA to us to be able Oh, to leave yes. Europe HEADWAITER -- to get to America... (to Ilsa and Laszlo) Right(pause) this way, RICKif you please -willing to -give And But he if is Janstill should find out youis ansuch exitavisa? He LASZLO boy. In many ways I am so (tomuch Rick) -- so much older than Thankhe you is. very ANNINA much. Yes, M'sieur. RICK Rick looks down at(to (getting hisIlsa) drink up) for a moment. Well I'll -have everyone Sam play in"As Casablanca Time has GoesaBy." problem. I think RICK Yours that's may work your out. And you favorite Excuse want number? me. to know...? Annina looks down at the tablecloth. ANNINA ILSA Her lips are trembling. Will he (smiling) keep his word? It is. ThankANNINA you. (tonelessly) RICK She follows Laszlo Thank(still to youtheir --looking M'sieur table. at Rick. his drink) She Rickgets walks up. toExits. He Sam, always leans has. over, whispers something to him. Sam shakes his head, but starts to play "As Time Goes By." Therewalks Rick is a among silence. the tables, dead-pan as usual. He stops short Rick looks as hein sees Ilsa's Ilsadirection, and Laszlobut entering. she seems He comes to be up paying to them. no particular attention.

75. 76. 77. 78. Jansaunters He withdraws toward his hands. the gambling In ANNINA RICK the background, room. Carl draws a little closer. M'sieur, Good Rick evening. spins you the are wheel. a man. Nobody If speaks while it spins. When someone it stops loved Rick you... callsvery out:much,CUT TO: so that yourLASZLO happiness was the INT. GAMBLINGGood only ROOMevening. thing - NIGHT in RICK the see, You worldwe that are she wanted here Number again. twenty-four. and... she did a bad Rick comes in, thing looks totoward make certain the roulette of it,wheel. Jan and Annina Carl gasps. are alone The could croupier there. you forgive shoves RICK her? a pile of chips toward Jan. I take that as a great compliment to CROUPIER RICK Sam. Nobody Take it (to ever and Ilsa) Jan) loved come don't me that back. much. I suppose Do you wish toto you place Sam another means In the background Paristwo bet, M'sieur? of other -- well ANNINA customers -- happier aredays. seen walking out. One of them is But, complaining M'sieur, to if Carl. he never knew... if the ILSA JAN girl kept this badthank No thing (quietly) you locked CUSTOMER -- in her heart... Thatsure Indeed, You would (juggling he this be place does. all his Could right, two is honest? we have wouldn't a table remaining very it? close chips) to Sam. We can't leave CARL without tipping, can we, (fervently) Annina? RICK LASZLO As honest (harshly) (who as hasthe been day looking is long! She just looks You atwant him, around) my dumb advice? with misery. And as far from ANNINA Major Strasser as possible. (all choked RICK ANNINA up) M'sieur Oh, yes, (toRick, please. the croupier) I -I'll take over RICK the wheel. She kisses him Well, and(to exits theJan; geography towards RICK dead-pan) Jan might --be atathe cashier's desk. Have Go little back you difficult to tried Bulgaria. twenty-four to arrange -tonight? Ilsa looks at Rick intently RICK ANNINA as he confers with the Jan headwaiter. looks at Rick, M'sieur (to then Rick croupier) at-the ifchips you knew in his hand. Pause. He puts the two what chips it means on twenty-four. to us to be able to leave Europe HEADWAITER -- to get to Rick spins the America... wheel. (to Ilsa and Laszlo) Right(pause) this way, if you please -Jan looks straight But ifahead. Jan should The croupier find outwatches -Rick. In the background, He Carl is such looks aLASZLO boy. at the In wheel, many ways fascinated. I am so (tomuch Rick) -- so much older The wheel stops than Thank spinning. he you is. very much. RICK Twenty-four. (getting (to Ilsa)up) Well I'll -have everyone Sam play in"As Casablanca Time The croupier pushes has GoesaBy." problem. a pile I think of Yours chips that's may onto work your the number. Jan reaches for it. out. favorite Excuse number? me. Annina looks down at the tablecloth. RICK ILSA Her lips are trembling. (not (smiling) even looking at It is. Jan) ThankANNINA you. Leave(tonelessly) it there. She follows Laszlo Thank to youtheir -- M'sieur table.Rick. Jan hesitates. Annina looks at Rick. She Rickgets walks up. toExits. Sam, leans over, whispers something to him. Sam shakes his head, but starts ANNINA to play "As Time Goes By." Rick walks among the (totables, Jan) dead-pan as usual. He stops short Rick looks as hein sees Leave Ilsa's Ilsa itdirection, and Laszlobut there. entering. she seems He comes to be up paying to them. no particular attention.

76. 77. 78. 79. INT. He Jan saunters withdraws RICK'S CAFE toward his-hands. the gambling MAIN ROOM In RICK the - NIGHT room. background, Carl draws a little closer. Good Rick evening. spins the wheel. Nobody speaks while it a In spins. corner When near itthe stops bar, Rick Jancalls is pressing out: bills CUT upon TO: Renault. LASZLO INT. GAMBLINGGood ROOMevening. - NIGHT RICK You see, we are here again. Number twenty-four. RENAULT Rick comes in, No, looks no, toward not here. theCome roulette to mywheel. Jan and Annina Carl gasps. are alone The office croupier there. in the shoves RICK morning. a pile We'll of chips do toward Jan. I take thatbusiness-like. everything as a great compliment to CROUPIER RICK Sam. Take it (toand Ilsa) Jan) don't JAN come back. I suppose Do We'll yoube wish there toto you place at Sam six. means another In the background Paristwo bet, M'sieur? of other -- well customers -- happier aredays. seen walking out. One of them is complaining RENAULT to Carl. I'll be there ILSA JAN at ten. No thank (quietly) (smiling youCUSTOMER -but Indeed, You sure (juggling insincere) he this does. place his Could two is honest? we have How a table happy remaining very I am close for chips) both to Sam. of you. We can't Still -- it's leave CARL very without strange tipping, that can won. you we, (fervently) Annina? LASZLO As honest (who as hasthe been day looking is long! Shelooks He just off looks toward at him, around) thedumb bar,with seesmisery. Rick there. And as far from ANNINA Major Strasser as possible. (all choked RICK up) RENAULT M'sieur Well,(to perhaps Rick, the croupier) I not --so strange I'll aftertake all.over Run RICK the along wheel. now. I'll She kisses him see Well, and you (to exits the in Jan; geography the towards dead-pan) morning. Jan might --be atathe cashier's desk. Have little you difficult tried twenty-four to arrange -tonight? ANNINA Ilsa looks atThank Rick you intently soRICK much, as he Captain confers with the Jan headwaiter. looks at Rick, Renault. (to then croupier) at the chips in his hand. Pause. He puts the two Howchips were on thetwenty-four. receipts tonight? She and Jan, beaming withHEADWAITER happiness, go off. Renault looks Rick afterspins her, the regretfully. wheel. (to Ilsa CROUPIER and Laszlo) Well Right-this a couple way, if ofyou thousand please -Jan INT.looks RICK'S straight CAFE less-than ahead. AT THE I thought The BAR croupier - CONTINUOUS they would watches Rick. In the background, be.Carl looks LASZLO at the wheel, fascinated. (to Rick) The Rickwheel smiles stops slightly Thank spinning. you and very goes much. out. INT. HALLWAY - NIGHT RICK Twenty-four. (to Ilsa) Rick enters from I'llthe have gambling Sam play room. "As Carl Time comes up to him The and croupier they walkpushes Goes towards By." a pile the I think bar. of chips that's onto your the number. Jan reaches for it. favorite number? CARL (solicitously) RICK ILSA May I(not (smiling) get you evenalooking cup of coffee, at M'sieur It is. Jan) Thank Rick?you. Leave it there. She follows Laszlo to their RICK table. Jan hesitates. No, Annina thanks. looks at Rick. Rick walks to Sam, leans over, whispers something to him. Sam shakes his head, but starts ANNINA CARL to play "As Time Goes By." I wish (to toJan) tell you that it is a Rick looks inLeave privilege Ilsa's itdirection, there. to work for butyou. she I seems to be paying no particularwill attention. tell Fydor. Nothing exciting ever happens at the bar.

77. 78. 79. 80. INT. He Jan saunters withdraws RICK'S CAFE toward his-hands. the gambling MAIN ROOM In RENAULT the - NIGHT room. background, Carl draws a little closer. Rick (good-naturedly) spins the wheel. Nobody speaks while it a In spins. corner When near I it forgive the stops bar, you Rick Jan this calls istime. pressing out: However, bills CUT upon TO: Renault. I will be in tomorrow night INT. GAMBLINGwith ROOMa-breath-taking NIGHT RICK brunette. It Number willtwenty-four. makeRENAULT me very happy if Rick comes in, she No, looks loses. no, toward not here. theCome roulette to mywheel. Jan and Annina Carl gasps. are alone The office croupier there. in the shoves morning. a pile We'll of chips do toward Jan. He smiles, walks everything into the business-like. gambling room. CROUPIER RICK Meanwhile, Fydor Takeand it (toCarl and Jan) don't JAN have been come whispering back. together. Fydor looks towards Do yoube We'll Rick wish there with to at place great six. another admiration. With giant strides In the background he moves bet,towards two M'sieur? other him. customers are seen walking out. One of them is complaining RENAULT to Carl. I'll be there FYDOR JAN at ten. No thank (grandly) (smiling youCUSTOMER -but You haf sure (juggling insincere) done thisaplace beyootiful his two is honest? thing! How happy remaining I am for chips) both of you. And he takes Rick's We can't Still -face leave it's between CARL very without strange histipping, huge that paws and plants a resounding kiss can won. you we, on (fervently) his Annina? forehead. As honest as the day is long! Shelooks He just off looks toward at him, thedumb bar, RICK with seesmisery. Rick there. (recovering) ANNINA Why, you (allRussian choked RICK -RENAULT up)! M'sieur Well,(to perhaps Rick, the croupier) I not --so strange He swears under I'll after his take all. breath over Runas the along Laszlo wheel. now. comes I'llup to him. She kisses him see and you (to exits in Jan; the towards dead-pan) morning. Jan -- at the cashier's desk. Have you tried LASZLO twenty-four tonight? M'sieur Blaine, ANNINA may I discuss Thank you confidential something soRICK much, Captain with you? Jan looks at Rick, Renault. (to then croupier) at the chips in his hand. Pause. He puts the two Howchips were on thetwenty-four. RICK receipts tonight? She and Jan, beaming (still withangry happiness, at go off. Renault looks Rick afterspins her, the regretfully. wheel. Fydor) CROUPIER Well This -is certainly a couple of mythousand night for Jan INT.looks RICK'S straight CAFE less hearing -than ahead. ATconfidences. THE I thought The BAR croupier - CONTINUOUS they would watches Rick. In the background, be.Carl looks at the wheel, fascinated. Rick is glancing in Ilsa's LASZLO direction, pretending not to do The Rickwheel so. Renault smiles stops slightly comes spinning. up to andhim. goes out. INT. HALLWAY - NIGHT RICK RENAULT Twenty-four. As I suspected, you're a rank Rick enters from sentimentalist. the gambling room. Carl comes up to him The and croupier they walkpushes towards a pile the bar. of chips onto the number. Jan reaches for it. RICK Why? CARL (solicitously) RICK May I(not get you even RENAULT alooking cup of coffee, at M'sieur Jan) (chidingly) Rick? Leave Why doit you there. interfere with my little romances? RICK Jan hesitates. No, Annina thanks. looks at Rick. RICK Put it down as ANNINA CARL a gesture to love. I wish (to toJan) tell you that it is a Leave privilege it there. to work for you. I will tell Fydor. Nothing exciting ever happens at the bar.

78. 79. 80. 81. INT.withdraws Jan RICK'S CAFE his-hands. MAIN ROOM In RENAULT RICK the - NIGHT background, Carl draws a little closer. ItRick seems (good-naturedly) spins to be the the wheel. general Nobody speaks while it a In spins. corner When near I impression it forgive the stops bar, you Rick inJan this Casablanca calls istime. pressing out: However, thatbills I upon Renault. I have will those be in Letters. tomorrow night with a breath-taking RICK brunette. It Number willtwenty-four. makeLASZLO RENAULT me very happy if she No, loses. no, (looking not here. at him Come to my Carl gasps. The office croupier steadily) in the shoves morning. a pile We'll of chips do toward Jan. He smiles, walks everything Have into you?the business-like. gambling room. RICK Meanwhile, Fydor Takeand it Carl and don't JAN RICK have been come whispering back. together. Fydor looks towards We'll I don't be Rick want there with toat do great six. anything admiration. to With giant strides In the background he moves either towards two bolster other him. customers or dispel are the seen walking out. One of them is impression. complaining RENAULT to Carl. I'll be there FYDOR at ten. A pause. (grandly) (smiling CUSTOMER but You haf sure insincere) done thisaplace beyootiful is honest? thing! How happy I am LASZLO for both of you. And he takes Rick's Still Suppose -face we it's proceed between CARL very strange under his huge the that paws and plants a resounding kiss you assumption won. on (fervently) histhat forehead. you have the As Letters? honest as the day is long! He looks off toward the bar, RICKsees Rick there. (recovering) ANNINA RICK Why, you (all (shrugging) Russian choked RENAULT -up)! M'sieur Well, Go ahead. perhaps Rick, I not --so strange He swears under after hisall. breath Runas along Laszlo now. comes I'llup to him. She kisses him see and you exits in the towards LASZLO morning. Jan -- at the cashier's desk. You must know LASZLO that it's very M'sieur Blaine, important I get ANNINA may of out I discuss Thank you confidential something Casablanca. soRICK much, Captain with you? Renault. (to croupier) How were theRICK receipts tonight? She and Jan, beaming Why you (still with any more angry happiness, than at any goof off. Renault looks after her, regretfully. the other Fydor) thousands CROUPIERwho are Well stuck This -is here? a couple of certainly mythousand night for INT. RICK'S CAFE less hearing -than ATconfidences. THE I thought BAR - CONTINUOUS they would be. LASZLO Rick is glancing Whether in Ilsa's Victor LASZLO direction, Laszlo, the pretending man, not to do RickRenault so. smiles comes slightly I won't gets up outto and take ishim. goes not much important out. of your at time. Is there all. But it's some my place privilege privateto -- ? INT. HALLWAY beNIGHT one of the RENAULT leaders of a As I suspected, great movement. RICKYou you're know a what rank I Rick enters from sentimentalist. Come have the up gambling been todoing. my office. room. You know Carl what comes up to him and they walkit towards means the to the bar. work -- to the lives -- of thousands RICK and QUICK DISSOLVE TO: Why? thousands ofCARL people that I be INT. RICK'S OFFICE free to (solicitously) - NIGHT reach America and May I getmy continue you work. RENAULT a cup of coffee, Rick is seated M'sieur at his (chidingly) Rick? desk. Why do you interfere RICK with my little romances? RICK No, thanks. There's no use fencing around. You've come about RICK those Letters PutTransit, of it down haven't as CARL a gesture you? to love. I wish to tell you that it is a privilege toLASZLO work for you. I will I have. tell Fydor. Nothing exciting ever happens at the bar.

79. 80. 81. 82. INT. RICK'S CAFE - MAIN ROOM RENAULT RICK - NIGHT It seems (good-naturedly) (lighting to be the a general In a corner near I impression forgive the cigarette) bar, you inJan this Casablanca istime. pressing However, thatbills I upon Renault. I Wasn't have will those be in it? Letters. tomorrow night with a breath-taking brunette. It will makeLASZLO RENAULT me very happy if My she No,friends loses. no, (looking notin here. the at him Underground Come to my tell office me steadily) in that theyou morning. have quite We'llado He smiles, walks record. everything Have into you? You the business-like. ran gambling guns to room. Ethiopia. You fought against the Fascists Meanwhile, Fydor in Spain. and CarlRICK JAN have been whispering together. Fydor looks towards We'll I don't be Rick want there with toat do great six. anything admiration. to With giant strides he moves either towards bolster him. RICK or dispel the I impression. was well paid RENAULT on both occasions. I'll be there FYDOR at ten. A pause. (grandly) (smiling but You haf insincere) doneLASZLO a beyootiful thing! Yes How -happy butIthe am LASZLO for bothside winning of you. And he takes Rick's would Still Suppose have -face we it's paid proceed between very youstrange under his better. huge the that paws and plants a resounding kiss Isn't you assumption won. on ithis strange that forehead. you that have youthe always Letters? happened to be on the He looks off toward side ofthe thebar, under-dog? RICKsees Rick there. (recovering) RICK Rick thinks aWhy, moment. you (shrugging) Russian RENAULT -- ! Well, Go ahead. perhaps not so strange He swears under after hisall. breath Run RICK as along Laszlo now. comes I'llup to him. seeIyou As always in the say, LASZLO morning. I am a poor You must man. business know LASZLO that it's very M'sieur Blaine, important I get ANNINA may of out I discuss Thank you confidential something Casablanca. soLASZLO much, Captain with you? Renault. Are you enough of a businessman to appreciate RICK an offer of a She and Jan, beaming Why you hundred (still with any more thousand angry happiness, than francs? at any goof off. Renault looks after her, regretfully. the other Fydor) thousands who are stuck This is here? certainly RICK my night for INT. RICK'S CAFE I hearing appreciate - ATconfidences. THE BAR it -- CONTINUOUS but I don't accept it. LASZLO Rick is glancing Whether in Ilsa's Victor LASZLO direction, Laszlo, the pretending man, not to do so. Renault comes I won't gets up outto take ishim. not LASZLO much important of your at time. Is there all. I'll But it's raise some my offer place my privilege private to two to -- ? be one of hundred thousand the RENAULT leaders francs. of a As I suspected, great movement. RICKYou you're know a what rank I sentimentalist. Come have up todoing. been my RICK office. You know what it you If means offered to theme work a million -- to the lives -francs --of orthousands RICK three francs and -QUICK my DISSOLVE TO: Why? thousands answer would of be people the same. that I be INT. RICK'S OFFICE free to - NIGHT reach America and continue my work. RENAULT LASZLO Rick is seated at his (chidingly) desk. Why do you interfere RICK with my little I'm notromances? interested RICK in world There's I'm events. no use a saloon fencing keeper. around. You've come Politics areabout RICK for grown-ups. those Letters PutTransit, of it down haven't as a gesture you? to love. LASZLO (looking LASZLO at him I have. closely) That wasn't always your attitude.

80. 81. 82. 83. RENAULT RICK LASZLO Then It seems you (good-naturedly) (lighting to be are saving the a general them for I impression someone forgive cigarette) else? you in this Casablanca time. However, that I I Wasn't have will those be in it? Letters. tomorrow night with a breath-taking RICK brunette. It No.will I may make even LASZLO meput very a happy match if to My she them friends loses. some (looking day. in the at him Underground tell me steadily) that you have quite a He smiles, walks record. Haveinto you? You theran LASZLO gambling guns to room. Ethiopia. You Thenfought I don't against understand. the Fascists There Meanwhile, Fydor in must Spain. and be Carl someRICK have reason been whywhispering you together. Fydor looks towards I don't won't let Rick want mewith to do have great them. anything admiration. to With giant strides he moves either towards bolster him. RICK or dispel the I impression. was well paid RICKon both occasions. There is. I suggest FYDOR that you A pause. ask your (grandly) wife. You haf doneLASZLO a beyootiful thing! Laszlo looks at Yeshim, -- but puzzled. the LASZLO winning side And he takes Rick's would Suppose have face we paid proceed between youunder his better. huge the paws and plants a resounding kiss Isn't assumption on ithis strange that forehead. LASZLO you that have youthe always Letters? I beg your happened pardon? to be on the side of the under-dog? RICK (recovering) RICK Rick thinks aWhy, Imoment. said you (shrugging) --Russian ask your --wife. ! Go ahead. He swears under his breath RICK LASZLO as Laszlo comes up to him. As My I wife! always say, LASZLO I am a poor You must man. business know LASZLO that it's very M'sieur Blaine, important I get RICKout may of I discuss something Casablanca. Yes. confidential LASZLO with you? Are you enough of a businessman He goes out, leaving to appreciate Laszlo RICK an tooffer stareof after a him. Why you hundred (still any more thousand angryfrancs? than at any of From downstairs thewe other Fydor) hearthousands the soundwho of male are voices raised in song. stuck This is here? certainly RICK my night for I hearing appreciate confidences. it -- but I don't INT. RICK'S CAFE accept - MAIN it. ROOM LASZLO - NIGHT Whether Victor LASZLO Laszlo, the man, Two German officers, I won't gets outbeer take is not LASZLO mugs much important in of hand, your at time. are standing by the piano, singing Is there all. I'll But raise theit's some "Wacht my offer place my am privilege Rhine." private to two to Sam, -- ? looking very uncomfortable, beis hundred one accompanying of thousand the leaders francs. them. ofEverybody a in the room is looking atgreat them.movement. RICKYou know what I Come been have up todoing. my RICK office. You know what Suddenly Sam stops it you If means playing. offered to theme work a million -- to the lives -francs --of orthousands three francs and -QUICK my DISSOLVE TO: thousands answer would ofSAM people be the same. that I be INT. RICK'S OFFICE free Dat'sto all NIGHT reach I know America of dat and song. continue my work. LASZLO Rick An officer is seated swears I at see. his atYou Sam desk. intend in German, usinggrabs the him and lifts him off the stool. Letters A German yourself RICK officer some day? sits at the piano and the officers resume I'm nottheir interested RICK singing. in world There's I'm events. no use a RICK saloon fencing keeper. around. At the bar, aNot You've Politics French at all. come officer areabout forstarts grown-ups. thoseforward. Letters Fydor leans of Transit, (bitterly) haven't you? I'm much tooLASZLO comfortable here to travel. (looking LASZLO at him I have. closely) That wasn't always your attitude.

81. 82. 83. 84. INT. RICK'S CAFE - STAIRWELL RICK- NIGHT LASZLO It seems Then you (lighting to be are saving the a general them for Rick stands on impression someone thecigarette) steps else? in listening Casablanca to the thatofficers I sing -his expression Wasn't have deadpan. those it? Laszlo Letters. comes down from the office. His lips are very tight as RICK he listens to the song. He proceeds downNo. theIstairs. may even LASZLO put a match to My them friends some (looking day. in the at him Underground tell me steadily) that you have quite a CUT TO: record. Have you? You ran LASZLO guns to Ethiopia. INT. RICK'S CAFE You Thenfought IMAIN don't ROOM against understand. - NIGHT the Fascists There in must Spain. be someRICK reason why you Strasser is on I his won't don't feet let want me now, to singing have dothem. anything withto the other two officers. Otherwise, either bolster the room RICK oris dispel deadly the quiet. Renault is by the door to I impression. the was gambling well paid RICK room. on both We can't tell from his expression what occasions. There he is is.thinking. I suggest that you A pause. ask your wife. Laszlo crosses the floor to LASZLO the orchestra. He asks Sam Laszlo looks something. Sam at Yes looks him, -- but puzzled. toward the LASZLO Rick, winning who side nods almost imperceptibly. would Suppose have we paid proceed youunder better. the Isn't assumption it strange that LASZLO you that have youthe Sam and the orchestra always Letters? I beg your happened start pardon? to toplay be on the the first few bars of the "Marseillaise". side of the under-dog? RICK Rick Seated thinks beside aImoment. the said German (shrugging) -- ask officer, your wife. Yvonne jumps to her feet: Go ahead. RICK LASZLO YVONNE As My I wife! always (singing) say, LASZLO I am a poor You business "Allons mustenfants know that man. de it's la patrie very -important " I get RICKout of Casablanca. Yes. LASZLO And Laszlo: Are you enough of a businessman He goes out, leaving to appreciate Laszlo RICK an tooffer stareof after a him. Why you thousand hundred any more LASZLO than any of francs? From downstairs the "Lewe other jour hear de thousands the gloire sound est who ofarrive male are voices -raised in song. stuck !" here? RICK I appreciate it -- but I don't INT. RICK'S Someone in the CAFE accept back - MAIN of it.the ROOM LASZLO room - NIGHT adds his voice. A woman joins in. A French Whether officer Victorsteps Laszlo, defiantly the man, forward and Two German stands beside officers, gets Laszlo. outbeer Others is not LASZLO mugs stand important in hand, at their at are tables. standing by the piano, singing all. raise I'll But theit's "Wacht my offer my am privilege Rhine." to two to Sam, looking very uncomfortable, Rick's expression beis hundred one accompanying hasn't of thousand the changed. leaders francs. them. Renault ofEverybody a is smiling in the room is looking faintly butat we great them. still movement. can't tell Youwhat knowhe what thinks. I have been doing. RICK You know what Suddenly Sam stops it you If means playing. offered to theme work a million -- to the lives -francs --of orthousands three francs and -- my thousands answer would ofSAM people be the same. that I be free Dat'sto all reach I know America of dat and song. continue my work. LASZLO An officer swears I see. atYou Samintend in German, usinggrabs the him and lifts him off the stool. Letters A German yourself RICK officer some day? sits at the piano and the officers resume I'm nottheir interested singing. in world events. I'm a RICK saloon keeper. At the bar, aNot Politics French at all. officer are forstarts grown-ups. forward. Fydor leans over quietly and lays (bitterly) a restraining hand on his arm. I'm much tooLASZLO comfortable here to travel. (looking at him CUT TO: closely) That wasn't always your attitude.

82. 83. 84. 85. INT. RICK'S CAFE - STAIRWELL RICK- NIGHT LASZLO STRASSER Then you (lighting (under arehis saving abreath) them for Rick stands on someone You the see cigarette) steps else? what listening I mean? If toLaszlo's the officers sing -his expression Wasn't presence deadpan. it? inLaszlo a cafecomes can inspire down from the office. His lips are very this tight unfortunate as RICK he listens demonstration, to the song. He proceeds downwhat No. theIstairs. more may will even LASZLO put presence his a match to in My them Casablanca friends some day. in bring theon? Underground I advise tell that me this that place yoube have shut quite up at a CUT TO: record. once. You ran LASZLO guns to Ethiopia. INT. RICK'S CAFE You Thenfought IMAIN don't ROOM against understand. - NIGHT the Fascists There in must Spain. be someRENAULT reason why you Strasser is on won't his(innocently) feet let me now, have singing them. with the other two officers. Otherwise, But everybody the room RICK seems is deadly to be quiet. Renault is by the door to I having the was gambling well suchpaid a RICK good room. on both time. We can't tell from his expression what occasions. There he is is.thinking. I suggest that you ask your wife. STRASSER Laszlo crosses Much thetoo floor good to LASZLO athe time. orchestra. The place He asks Sam Laszlo looks something. Sam at Yes islooks him, to --be but puzzled. toward closed. the Rick, winning who side nods almost imperceptibly. would have paid you better. Isn't it strange LASZLO RENAULT that you Sam and the orchestra always I But beg I your have happened start pardon? no excuse to toplay beto on the close the first it.few bars of the "Marseillaise". side of the under-dog? RICK STRASSER Rick Seated thinks beside aImoment. the said German (snapping) -- ask officer, your wife. Yvonne jumps to her feet: Find one. RICK LASZLO YVONNE Renault thinks As MyaI wife! moment, always (singing) then say, he I am blows a poor a loud blast on his whistle. The room business "Allons immediately enfants man. de grows la patrie quiet.-All eyes turn toward him. " RICK Yes. LASZLO And Laszlo: Are you enough RENAULT of a businessman He goes out, leaving to appreciate (loudly) Laszloan tooffer stareof after a him. hundred thousand LASZLO francs? From downstairs "Lewe jour hear dethe gloire sound est ofarrive male voices -raised in song. !" RICK I appreciate it -- but I don't INT. RICK'S Someone in the CAFE accept back - MAIN of it.the ROOM room - NIGHT adds his voice. A woman joins in. A French officer steps defiantly forward and Two German stands beside officers, Laszlo.beer Others LASZLO mugs stand in hand, at their are tables. standing by the piano, singing I'll raise the "Wacht my offer am Rhine." to two Sam, looking very uncomfortable, Rick's expression hundred is hasn't accompanying thousand changed. francs. them. Renault Everybody is smiling in the room is looking faintly butat wethem. still can't tell what he thinks. RICK Suddenly and Strasser Sam the stops If you two playing. offered others are me aconspicuously million alone. The singing growsfrancs more fervent. -- or three "Contre francs nous --de mynos tyrannie..." answer wouldSAM be the same. Dat's all I know of dat song. One by one the German officers LASZLOstop singing. They stare An officer out resentfully swears I see. toward atYou Sam the intend intables. German, usinggrabs the him and lifts him off the stool. Letters A German yourself officer some day? sits at the piano and the officers Ilsa glances proudly resume their at Laszlo singing. as she sings. The music swells as the song is finished RICK on a high, triumphant note. At the bar, aNot French at all. officer starts forward. Fydor leans over quietly and lays (bitterly) a restraining YVONNE hand on his arm. I'm Vivamuch La France. too comfortable Vive La here to Democracie. travel. CUT TO: Strasser crosses the floor to Renault.

83. 84. 85. 86. INT. RICK'S CAFE - STAIRWELL LASZLO STRASSER CROUPIER - NIGHT Then winnings, Your you (under arehis saving sir. breath) them for Rick stands on someone You the see steps else? what listening I mean? If toLaszlo's the officers sing -his expression presence deadpan. inLaszlo a RENAULT cafecomes can inspire down from the office. His lips are very this tight unfortunate (putting as RICK he thelistens demonstration, bills to the song. He proceeds downwhat No. theIstairs. more in may his even will pocket) put presence his a match to in themThank Casablanca Oh. some you day. bring very on? much. I advise that this (to the place crowd) be shut up at CUT TO: once. Everybody out LASZLO at once! INT. RICK'S CAFE Then-IMAIN don't ROOM understand. - NIGHT There The cafe begins must tobe empty somegradually. RENAULT reason why you Strasser is on won't his(innocently) feet let me now, have singing them. with the other two officers. INT. RICK'S Otherwise, CAFE But everybody ATthe ILSA'S room seems TABLE is deadly to-be CONTINUOUS quiet. Renault is by the door to having the gambling such a RICK good room. time. We can't tell from his expression Strasser walks what There up. he His is is.thinking. manner I suggest is heavily that youcordial. ask your wife. STRASSER Laszlo crosses Much thetoo floor good to STRASSER athe time. orchestra. The place He asks Sam Laszlo looks something. Sam at Fraulein, islooks him, to betoward puzzled. closed. thereRick, is something who nodsIalmost imperceptibly. must warn you about. LASZLO RENAULT Sam and Ilsa motions the orchestra to I But beg aIchair, your have start pardon? no and excuse to heplay sits. tothe close first it.few bars of the "Marseillaise". RICK STRASSER Seated besideIthe said German (snapping) -- ask officer, your wife. Yvonne jumps to her feet: Find one. LASZLO YVONNE Renault thinks Myawife! moment, (singing) then he blows a loud blast on his whistle. The room "Allons immediately enfants de grows la patrie quiet.-All eyes turn toward him. " RICK Yes. And Laszlo: RENAULT He goes out, leaving (loudly) Laszlo to stare after him. Everybody isLASZLO to leave From downstairs "Le immediately! we jour hear dethe gloire This sound cafe est ofarrive is male voices -raised in song. !" closed until further notice! Someone INT. An angry RICK'S in murmur the CAFE back starts - MAIN of the among ROOM room the NIGHT adds crowd. his voice. A woman joins in. A French officer steps defiantly forward and Two German stands beside officers, Laszlo.beer Others RENAULT mugs stand in hand, at their are tables. standing by the piano, singing Clear the "Wacht room atam once! Rhine." Sam, looking very uncomfortable, Rick's expression is hasn't accompanying changed. them. Renault Everybody is smiling in the room is faintly Rick looking comes butat quickly wethem. still upcan't to Renault. tell what he thinks. Strasser and Suddenly Sam the stops two playing. others RICK are conspicuously alone. The singing growsWhat's more fervent. the idea? "Contre You can't nous de nos tyrannie..." close me up.SAM On what grounds? Dat's all I know of dat song. One by one the German officers RENAULT stop singing. They stare to find An officer out resentfully swears I am toward at shocked Sam the in -tables. German, shockedgrabs him and lifts that there is gambling goingat onthe piano and him off the stool. A German officer sits in here! the officers Ilsa glances proudly resume their at Laszlo singing. as she sings. The music swells as the song is finished on a high, triumphant note. RICKstarts forward. Fydor leans At the bar, a French officer (at a restraining loss) over quietly and lays YVONNE hand on his arm. Well,La I'll be --Vive La Viva France. Democracie. CUT TO: The croupier comes out of the gambling room and up to Renault. crosses the floor to Renault. Strasser

84. 85. 86. 87. INT. RICK'S CAFE - STAIRWELL STRASSER CROUPIER ILSA - NIGHT Yourthe And winnings, (under other his alternative? sir. breath) Rick stands on You the see steps whatlistening I mean? If toLaszlo's the officers sing -his expression presence deadpan. inLaszlo a RENAULT STRASSER cafecomes can inspire down from the office. His lips are very this My dear tight unfortunate (putting Fraulein, as he thelistens demonstration, perhaps bills to you the song. He proceeds downhave what the stairs. more already in his will pocket) observed his presence that in in Oh. Thank you Casablanca bring human very on? life much. Iis advise cheap. that this (to the place crowd) be shut up at CUT TO: She looks at him. once.He bows Everybody outand at exits once! as Laszlo arrives at INT.table. the RICK'S CAFE - MAIN ROOM - NIGHT The cafe begins to empty gradually. RENAULT Strasser INT. RICK'S is CAFE on his -(innocently) feet AT THE now, ENTRANCE singing - LATER with the other two officers. INT. RICK'S Otherwise, CAFE But everybody ATthe ILSA'S room seems TABLE is deadly to-be CONTINUOUS quiet. Renault is by the helps Laszlo door to Ilsa having theon gambling such withaher good room. wrap. time. We can't tell from his expression Strasser walks whatup. he His is thinking. manner is heavily cordial. ILSA STRASSER Laszlo crosses What Much thehappened too floor good to STRASSER with athe time. orchestra. Rick? The place He asks Sam something. Sam Fraulein, islooks to betoward closed. thereRick, is something who nodsIalmost imperceptibly. must warn you LASZLO about. (looking RENAULT at her Sam and Ilsa motions the orchestra to ButaIchair, closely) have start no and excuse to heplay sits. tothe close first it.few bars of the "Marseillaise". We'll discuss it later. Come -STRASSER Seated besideIt the isGerman (snapping) not safe officer, for Herr Yvonne Laszlo jumps DISSOLVE to herTO: feet: to Find stay one. in Casablanca. INT. HOTEL ROOM - NIGHT YVONNE Renault thinks a moment, (singing) then ILSA he blows a loud blast on his Ilsa whistle. and Laszlo The room "Allons This enter. immediately morning enfants No words youde grows implied are la patrie quiet. spoken, it was -All andeyes we sense turn a tension toward him. between " the not safe two. for him to leave. Laszlo And Laszlo: goes to the window, STRASSER RENAULT looks out -- across the street, a man is standing That in is (loudly) the alsodoorway true. Except of a house. for one Everybody destination. isLASZLO to leave "Le immediately! jour (leaning de gloire LASZLO This closer) cafe est arrive is -To !" Our closed return faithful until to Occupied friend furtheris notice! France still under a safe conduct from me. Someone An angryin murmur the back starts of the among room theadds crowd. his voice. A woman joins in. A French officer ILSA steps defiantly forward and stands beside Laszlo. (with Others intensity) RENAULT stand at their tables. And Clear what thevalue room is at that? once! You may Rick's expression recall hasn't what German changed. guarantees Renault is smiling faintly Rick comes butquickly we ofstill security upcan't to have Renault. tell been what worth he thinks. in the past. Strasser and the two others RICK are conspicuously alone. The singing growsWhat's more fervent. the idea? STRASSER "Contre You can't nous de nos tyrannie..." There close are me up. only Ontwo what other grounds? alternatives for him -- neither One by one the ofGerman them pleasant. officers RENAULT stop singing. They stare out resentfully I am toward shocked the-tables. shocked to find that there is gambling going on ILSA in here! Ilsa glances proudly What areat they? Laszlo as she sings. The music swells as the song is finished on a high, triumphant note. RICK STRASSER a loss) It is(at possible YVONNE the French Well,La I'll be --Vive authorities Viva France. will findLa a reason to Democracie. put him in the concentration The croupier comes out of the gambling room and up to camp here. Renault. crosses the floor to Renault. Strasser

85. 86. 87. 88. STRASSER CROUPIER ILSA LASZLO To tell Your And the winnings, (under other you the his alternative? sir. truth, breath)my dear, You I amsee frightened, what I mean? too.If SoLaszlo's shall presence I remain hiding in a RENAULT STRASSER cafe frightened can inspire in a this My hotel dear unfortunate (putting room Fraulein, -- or theshall demonstration, perhaps billsI carry you what have on the more already inbest his will I pocket) observed can? his presence that in in Oh. Thank you Casablanca bring human very on? life much. Iis advise cheap. that this (to the place ILSA crowd) be shut up at She looks at him. once.He bows Everybody Whatever Iout would and at exits once!you'd say, as Laszlo arrives at the table. carry on. The cafe begins to empty gradually. RENAULT INT. RICK'S CAFE -(innocently) AT THELASZLO ENTRANCE - LATER INT. RICK'S CAFE Since But everybody AT ourILSA'S friend seems TABLE Rick tohas be CONTINUOUS Laszlo helps Ilsa refused having onsuch with us there aher good wrap. istime. little Strasser walks alternative. up. His manner is heavily cordial. ILSA STRASSER Ilsa turns away What Much and happened too sits good on STRASSER with athe time. edge Rick? The ofplace the bed. Laszlo follows her with Fraulein, is to his beeyes. closed. there Heis issomething looking at I her steadily and thoughtfully must-warn butyou in LASZLO no about. way antagonistically. (looking RENAULT at her Ilsa motions to ButaIchair, closely) have no and LASZLO excuse he sits. to close it. We'll One would discuss think itthat later. if Come -sentiment wouldn't STRASSER persuade him, It is(snapping) money not safe for Herr Laszlo DISSOLVE TO: would. to Find stay one. in Casablanca. INT. HOTEL ROOM - NIGHT ILSA Renault thinks a moment, (ill atthen ILSA ease) he blows a loud blast on his Ilsa whistle. and Laszlo The room This Did enter. he immediately morning -- No Didwords you he grows implied give areany quiet. spoken, it reason? was All andeyes we sense turn a tension toward him. between notthe safe two. for him to leave. LASZLO Laszlo goes to Hethe suggested window, STRASSER RENAULT that looks I out ask -you. across the street, a man is standing That in is (loudly) the alsodoorway true. Except of a house. for one Everybody destination. isILSA to leave Ask immediately! me? (leaning LASZLO This closer) cafe is To Our closed return faithful until to Occupied friend furtheris notice! France still He crosses tounder her. a safe conduct from me. there. An angry murmur starts among the crowd. He draws the shade. ILSA LASZLO He said (with -- intensity) "Ask RENAULT your wife." I And Clear don't what thevalue know room why ILSA is at that? he once!that. said You may recall Victor,what please German don't guarantees go to the Rick comes quickly of Underground security up to have Renault. meeting been tonight. worth in the past. LASZLO RICK What's (soberly) the idea? STRASSER You can't There I close must. are me up. only Ontwo what other grounds? alternatives (adds with forahim smile) -- neither of Andthem besides, pleasant. RENAULT it isn't often that I am a shocked man has --ashocked chance to find that there is gambling going on display heroics ILSA before his wife. in here! What are they? ILSA RICK Strasser's Don't joke. After STRASSER a loss) It threats is(at possible tonight the -- French Victor, I'm Well, I'll be -- find a reason authorities frightened! will to put him in the concentration The croupier comes out of the gambling room and up to camp here. Renault.

86. 87. 88. 89. CROUPIER ILSA LASZLO To tell Your And the winnings, other you the alternative? sir. truth, my dear, I am frightened, LASZLO too. So shall I remain Ilsa -- when hiding RENAULT STRASSER I was frightened in the in a My dear hotel concentration (putting room Fraulein, -- camp or theshall perhaps bills -- were I carry you you have on lonely the already inin best his Paris? I pocket) observed can? that in Oh. Thank you Casablanca human very life much. is cheap. Their faces are barely (to the visible ILSA crowd) in the darkness. She looks at him. Everybody Whatever He bows Iout would and at exits once!you'd say, as Laszlo arrives at the table. carry on. ILSA The cafe begins Yes, toVictor. empty gradually. I was. INT. RICK'S CAFE - AT THELASZLO ENTRANCE - LATER INT. RICK'S CAFE Since - AT ourILSA'S friend LASZLO TABLE Rick has CONTINUOUS Laszlo helps Ilsa refused on (sympathetically) with us there her wrap. is little Strasser walks alternative. I up. knowHis howmanner it is is to heavily be lonely. cordial. (quietly) ILSA Ilsa turns away What Is and there happened sits anything on STRASSER with theyou edge Rick? want of the to bed. Laszlo follows her with Fraulein, tell his me?eyes. there Heis issomething looking at I her steadily and thoughtfully must-warn butyou in LASZLO no about. way antagonistically. (looking ILSA at her Ilsa motions to a chair, closely) (very low) and LASZLO he sits. No, We'll One Victor would discuss think -- there itthat later. isn't. if Come -sentiment wouldn't STRASSER persuade him, Silence. Then... It is would. money not safe for Herr Laszlo DISSOLVE TO: to stay in Casablanca. INT. HOTEL ROOM - NIGHT LASZLO ILSA I love (ill youat very ILSA ease) much, my dear. Ilsa and Laszlo This Did enter. he morning -- No Didwords you he give implied areany spoken, it reason? wasand we sense a tension between notthe safe two. forILSA him to leave. Yes. Yes, I know. LASZLOVictor -Laszlo goes to whatever Hethe suggested window, I do, STRASSER that looks will I out you ask -believe you. across the street, a man is standing that That in -is the that alsodoorway -true. Except of a house. for one destination. ILSA Ask me? (leaning LASZLO closer) You To Ourreturn do faithful notto even Occupied friend haveis to France still say it. He crosses toI her. under there. willabelieve. safe conduct from me. He bends draws down, the shade. kisses herILSA LASZLO cheek. He said (with -- intensity) "Ask your wife." I And don't what know value why LASZLO ILSA is he that? said that. You may recall Good Victor, night, what please German dear. don't guarantees go to the Ilsa finds itof Underground impossible security have to meeting look been at tonight. worth him. in He switches off the light. the past. ILSA Good night, dear. LASZLO (soberly) STRASSER LASZLO She watches him There I Our must. go, friend are then... only outside two other will think alternatives we have (adds retired with fornow. ahim smile) -I will neither go of And in them abesides, fewpleasant. minutes. ILSA it isn't often Victor! that a man has a chance to He sits down on display the bed heroics beside ILSAbefore her. A his silence wife. falls between them. It grows What strained. are they? Finally -ILSA Don't joke. After STRASSER LASZLOStrasser's It threats is(quietly) possible tonightthe -- French Victor, I'm authorities frightened! Ilsa -- ? will find a reason to put him in the concentration camp here. ILSA Yes? Pause.

87. 88. 89. 90. LASZLO ILSA To tell And the (not other you what the alternative? she truth, my dear, I am frightened, intended LASZLO to too. say) So shall Please I remain Ilsa --be when hiding careful. STRASSER I was frightened in the in a My dear hotel concentration room Fraulein, -- camp or shall perhaps -- were I carry you you have on lonely the already best in Paris? I LASZLO observed can? that in Of Casablanca course. human life is cheap. Their faces are barely visible ILSA in the darkness. He Shekisses looks her at him. Whatever on the He forehead bows I would and and exits say,goes you'd as out Laszlo thearrives door. She at stands the table. there for carry a few on. seconds, ILSA then crosses to look out the window --Yes, the figure Victor.in I the was.doorway has gone. INT. RICK'S CAFE - AT THELASZLO ENTRANCE - LATER She moves away Since fromour thefriend window, LASZLO Rick then has puts on her wrap. After Laszloahelps second's Ilsa refused pause, on (sympathetically) with us she there her walks wrap. is little to the door and goes out. alternative. I know how it is to be lonely. (quietly) ILSA DISSOLVE TO: Ilsa turns away What Is and there happened sits anything onwith theyou edge Rick? want of the to bed. Laszlo INT. follows RICK'S her OFFICE with tellhis me? - NIGHT eyes. He is looking at her steadily and thoughtfully -- but in LASZLO no way antagonistically. Rick and Carl are bent (looking over ILSA at ledgers. her Carl is very busy figuring. closely) (very low) LASZLO No, We'll One Victor would discuss think -- there itthat later. isn't. if Come -sentiment wouldn't CARL persuade him, Silence. Then... Well money-would. you are in pretty good DISSOLVE TO: shape, Herr Rick. INT. HOTEL ROOM - NIGHT LASZLO ILSA I love (ill youat very RICK ease) much, my dear. Ilsa and Laszlo How Didenter. long he --can No Didwords Ihe afford give areto any spoken, stay reason? and we sense a tension between closed? the two. ILSA Yes. Yes, I know. LASZLOVictor -Laszlo goes to whatever Hethe suggested window, I do, CARL that looks will I out you ask -believe you. across the street, a man is standing thatweeks Two in -- the that --doorway -maybe three. of a house. ILSA Ask me? LASZLO RICK You Our do faithful (gets not even up) friend haveis tostill say it. He crosses toMaybe her. I there. willIbelieve. won't have to. A bribe has worked before. In the He bends draws down, the shade. meantime, kisses her everyone LASZLO cheek.stays on salary. He said -- "Ask your wife." I don't know why LASZLO ILSA he said that. He walks to the Good Victor, door. night, please dear. don't go to the Ilsa finds itUnderground impossible to meeting look at tonight. him. He switches off the light. ILSA CARL Goodthank Oh, night, you, dear. LASZLO Herr Rick. Fydor will be (soberly) veryLASZLO happy to hear it. She watches him I Our owe must. go, friend him then... money. outside will think we have (adds retired with now. a smile) I will go And in abesides, few minutes. ILSA RICK it isn't often Victor! that (at a man the has door) a chance to He sits down You on display the lock bed heroics up, beside Carl. before her. A his silence wife. falls between She them. gets It up. grows strained. Finally -CARL ILSA Don't joke. After LASZLOStrasser's Yes, threats dear? (quietly) tonight -- Victor, I'm frightened! Ilsa -- ? She hesitates. After a pause... ILSA Yes? Pause.

88. 89. 90. 91. LASZLO ILSA CARL To tell (not (with you what athe smile) she truth, my dear, I won't. am frightened, intended Good LASZLO night, to too. say)Herr So shall Rick. Please I remain Ilsa --be when hiding careful. I was frightened in the in a hotel room -concentration RICK or shall camp -- were I carry you on the lonely Good night, best in Paris? I Carl. LASZLO can? Of course. Theirgoes Rick faces out. are barely visible ILSA in the darkness. He kisses herWhatever on the forehead I would and say,goes you'd out the door. She stands there for carry a few on. seconds, ILSA then crossesCUT to look TO: out the window --Yes, the figure Victor.in I the was.doorway has gone. INT. RICK'S APARTMENT - NIGHT LASZLO She moves away Since fromour thefriend window, LASZLO Rick then has puts on her wrap. After It is a dark. second's Rick refused pause, comes (sympathetically) usin, she there lights walks is little to a lamp the door -- Ilsa andis goes there out. facing him, her alternative. I know facehow white it but is to determined. be lonely.Rick pauses in astonishment. (quietly) DISSOLVE TO: Ilsa turns away Is and there sits anything on theyou edge want of the to bed. Laszlo INT. follows RICK'S her OFFICE with tellhis me? - NIGHT eyes. RICK He is looking at her steadily and thoughtfully How -didbut youin get noin? way antagonistically. Rick and Carl are bent over ILSA ledgers. Carl is very busy figuring. (very low) LASZLO ILSA No, One Victor The would think stairs -from there thatisn't. the street. if sentiment wouldn't CARL persuade him, Silence. Then... Well money-would. you are RICKin pretty good shape, I told Herr you this Rick. morning you'd come around -LASZLO ILSA but this is a I little love (ill you ahead at very RICK of ease) much, schedule. my dear. How Did long he (mock --can Did politeness) Ihe afford give to anystay reason? closed? Won't you sit ILSA down? Yes. Yes, I know. LASZLOVictor -whatever He suggested I do, CARL ILSA that will I you ask believe you. thatweeks Two -(seating that -- maybe -herself) three. Richard, I had ILSA to see you. Ask me? LASZLO RICK You do (gets not even up) RICKhave to say it. He crosses toMaybe her. I So will I'mIbelieve. Richard won't have again. to.We're A bribe has backworked in Paris. before. In the He bends down, meantime, kisses her everyone LASZLO cheek.stays on salary. He said -- "Ask ILSAyour wife." I don't know why Please... LASZLO he said that. He walks to the Good door. night, dear. Ilsa finds it impossible to RICK look at him. He switches off the light. (lightsCARL ILSA a cigarette) Good Oh, Yourthank night, unexpected you, dear. Herr visit Rick. isn't Fydor will connected be very byLASZLO happy any chance to hear with it. She watches him I the Our owe go, Letters friend him then... money. outside of Transit? will think we have retired now. I will go Ilsa remains silent. in a few minutes. ILSA RICK Victor! (at the door) He sits down You on the lock bed up, beside RICK Carl.her. A silence falls between She them. gets It up. grows Itstrained. seems while Finally I have --those Letters, I'll CARL never be lonely. I will. ThenLASZLO I am going to the Yes, dear? meeting (quietly) of the ILSA -Ilsa -- ? She hesitates. After a pause... RICK (interrupting) ILSA Don't Yes? tell me where you're going. Pause.

89. 90. 91. 92. ILSA CARL RICK I went (not (with through what a smile) all she that with I won't. your husband. intended Good LASZLO night, It's to say) noHerr deal. Rick. Please Ilsa --be when careful. I was in the concentration RICK ILSA camp -- were you lonely Good I know night, in Paris? how you Carl. LASZLO feel about me, Of andcourse. I don't blame you. But I'm Theirgoes Rick faces out. are asking barely youvisible to put in your the feelings darkness. He kisses heraside on the for forehead something andmore goes out the door. She stands there for important. a few seconds, ILSA then crossesCUT to look TO: out the window --Yes, the figure Victor.in I the was.doorway has gone. INT. RICK'S APARTMENT - NIGHT RICK She moves away Dofrom I have theto window, LASZLO hear again then puts what on a her wrap. After It is a dark. second's Rick great pause, comes (sympathetically) man in, your shelights walks husband to a lamp is? theAnd door -- Ilsa andis goes there out. facing him, her what I know face anhow white important it but is to determined. cause be lonely. he's Rick pauses in astonishment.fighting (quietly) for? DISSOLVE TO: Is there anything you want to INT. RICK'S OFFICE tell me? - NIGHT RICK ILSA Howwas It didyour you cause, get in?too. In your Rick and Carlown areway, bentyou over ILSA were ledgers. fighting Carl for is very busy figuring. the same (very thing. low) ILSA No, The Victor stairs -from there the isn't. street. CARL RICK Silence. Then... Well Well,-I'm you not are RICK fighting in pretty forgood shape, I told Herr anything you anymore this Rick. morning -- except you'd come around myself. I'm the -LASZLO but only this cause is I'm a I little interested love you ahead very in RICK of now. much, schedule. my dear. How long (mock can politeness) I afford to stay A pause. Ilsaclosed? Won't deliberately you sit ILSA takes down? a new approach. Yes. Yes, I know. Victor -whatever I do, CARL ILSA will you believe that Two Richard, weeks -(seating that we --loved -maybe herself) each three. other once. Richard, If those I had days to see meant you. anything at all LASZLO RICK to you -You do (gets not even up) RICKhave to say it. I Maybe Sowill I'mIbelieve. Richard won't RICK have again. to.We're A bribe has backworked in Paris. (harshly) before. In the He bends down, meantime, I kisses wouldn't her everyone bring cheek. upstays Parison if I salary. were you. It's ILSA poor salesmanship. Please... LASZLO He walks to the Good door. night, dear. ILSA Please listen RICK to me. If you knew what (lights really ILSA CARL a cigarette) happened. If Good Oh, you Yourthank knew night, unexpected the you, dear. truth Herr visit -Rick. isn't Fydor will connected be very by happy any chance to hear with it. She watches him I the owe go, Letters him then... money. of RICK Transit? (cuts in Ilsa remains silent. ILSA RICK Victor! (at the door) You lock up,RICK Carl. She gets up. It seems while I have those Letters, I'll CARL never be lonely. I will. ThenLASZLO I am going to the Yes, dear? meeting of the ILSA -Richard, you can ask any price She hesitates. you After choose. a pause... RICKyou must give But me those (interrupting) Letters. Don't tell me where you're going. Pause.

90. 91. 92. 93. CARL RICK ILSA I went (not (with (her through what temper a smile) all she flaring) that with You I won't. your want husband. intended Good to feel night, It's to say) sorry noHerr deal. forRick. Please yourself, be careful. don't you? With so much at stake, RICK ILSA all you can Good I think know night, of how isyou Carl. LASZLO your feel ownabout feelings. me, Of and Onecourse. I woman don't has blame hurtyou. you,But andI'm you Rick goes out. asking take your yourevenge to put your on the feelings rest He kisses heraside of onthe the for world. forehead something You're andmore goes a coward, out the door. She stands there for important. and a --few seconds, then crossesCUT to look TO: out the window -- the figure (breaks) in the doorway has gone. INT. RICK'S APARTMENT Oh, Richard, - NIGHT RICK I'm sorry. But She moves away Do you're from I have the ourto window, last hear hope. again then Ifputs what you on a her wrap. After It is a dark. second's Rick great don't pause, comes man helpin, your she us,lights walks husband Victorto aLaszlo lamp is? theAnd door -- Ilsa andis goes there out. facing him, her what will face an diewhite important in Casablanca. but determined. cause he's Rick pauses in astonishment.fighting for? DISSOLVE TO: RICK INT. RICK'S OFFICE What of - NIGHT it? I'm RICKgoing to die in ILSA How It Casablanca. was didyour you cause, get It'sin? just too. the Inspot your Rick and Carlown for areway, it. bent Now, you over were ifledgers. you fighting -- Carl for is very busy figuring. the same thing. ILSA He stops short. TheShe stairs is holding from the a small street. revolver in her hand. CARL RICK Well Well,-I'm you not are RICK ILSA fighting in pretty forgood shape, I anything All told right. Herr you anymore this IRick. tried morning --to except reason you'd come myself. with around you. I'm I the -tried but only everything. this cause is I'm a little interested Now I want ahead in those RICK of now. schedule. Letters. Get How themlong (mock for can me. politeness) I afford to stay A pause. Ilsaclosed? Won't deliberately you sit takes down? a new approach. RICK I don't haveCARL ILSA to. Two Richard, weeks (seating (reaching we --loved maybe herself) into each three. hisother once. Richard, pocket) If those I had days to see meant you. anything They're right at all RICK here. to you -(gets up) RICK Maybe So I'mIRichard won't RICK ILSA have again. to.We're A bribe has backworked Put them in Paris. (harshly) onbefore. the table. In the meantime, I wouldn'teveryone bring upstays Parison if I salary. were you. It's ILSA RICK poor salesmanship. Please... (shaking his head) He walks to the No.door. ILSA Please listen RICK to me. If you knew what (lights really CARL ILSA a cigarette) happened. If Oh, you Yourthank knew unexpected the you, truth Herr visit -Rick. isn't Fydor will connected be very by happy any chance to hear with it. I the owe Letters him money. of RICK Transit? (cuts in) Ilsa remains silent. I wouldn't believe RICK you, no matter (at what theyou door) told me. You'll You say lock anything up,RICK Carl. now, to get what you It seems want.while I have those Letters, I'll CARL never be lonely. Rick walks over I will. to a table Then Iand am opens going a tocigarette the box, but finds it empty. meeting of the ILSA -Richard, you can ask any price you choose. But RICKyou must give me those (interrupting) Letters. Don't tell me where you're going.

91. 92. 93. 94. Rick walks over to her. Suddenly CARL RICK ILSA she flings herself into his arms. I went (with (her through temper a smile) all flaring) that with You I won't. your want husband. Good to feel night, It's sorry noHerr deal. forRick. yourself, don't ILSAyou? With so much (almost at stake, RICK ILSA hysterical) all you can Good I Richard, think know night, of how I istried you Carl. your feel to ownstay about feelings. away. me, and I One thought I woman don't I has blame would hurtnever you. you,But see andI'm you Rick goes out. asking again... take your you that revenge to you put were your on the feelings out rest of aside my of life. thefor world. The something day You're youmore left a coward, Paris, important. if andyou -- knew what I went through! CUT TO: How much (breaks) I loved you... how INT. RICK'S APARTMENT much Oh, Richard, I still - NIGHT RICK love I'm sorry. you --But Do you're I have ourto last hear hope. again Ifwhat you a It is Her words dark. are Rick great don't smothered comes man helpin, your as us,he lights husband Victor presses aLaszlo lamp is? her And -tight Ilsato ishim, there facing her kisses him,passionately. her what will face an diewhite important in She Casablanca. but isdetermined. cause lost in he's hisRick embrace. pauses in astonishment.fighting for? INT. RICK'S APARTMENT - NIGHT RICK What of it? I'm RICKgoing to die in ILSA There is a bottle How It Casablanca. was did ofyour champagne you cause, get It'sin? just on too. the the In table spot yourand two halffilled glasses. own for way, it. Now, you were if you fighting -for the same thing. ILSA He stops short. TheShe stairs is holding from ILSAthe a small street. revolver in her hand. ...We were married RICK three weeks Well,Victor when I'm not got RICK ILSA fighting word they for I anything needed All told right. you him anymore this in I tried Prague. morning --to except Just reason you'd a come myself. two-line with around you. I'm item I the -tried in but only the everything. this cause paper, is I'm a little interested "Victor Now I want ahead Laszlo in those of now. apprehended. schedule. Letters. Get Sent them to (mock for concentration me. politeness)camp." A pause. IlsaThe Won't deliberately months you sit went takes down? by. a Then newcame approach. a rumor that he RICK was dead. I don't ( haveILSA to. Richard, (seating (reaching we loved herself) into each hisother once. Richard, pocket) If those I had days to see meant you. anything They're right at all here. to you -RICK So I'm Richard RICK ILSA again. We're backthem Put in Paris. (harshly) on the table. I wouldn't bring up Paris if I were you. It's ILSA RICK poor salesmanship. Please... (shaking his head) No. ILSA Please listen RICK to me. If you knew what (lights really ILSA a cigarette) happened. If you Your For knew the unexpected last the truth time, visit -putisn't them on connected the table.by any chance with the Letters of RICK Transit? (cuts in) RICK Ilsa remains silent. I You'll wouldn't havebelieve to killyou, me to noget matter them. If what Laszlo you told -- ifme. theYou'll the say cause anything means so RICK now, much, to get you what won't you It seems stop want. at anything... while I have Well, those go Letters, ahead, shoot. I'll You'll never be belonely. doing Rick walks over me to a favor. a table and opens a cigarette box, but finds it empty. ILSA She rises, still Richard, pointing you the can gun ask at anyhim. price Her finger rests on the trigger. youShe choose. is summoning But you nerve must give to press it. But her hand trembles me those and the Letters. pistol falls to the table. She breaks up, covering her face with her hands.

92. 93. 94. 95. Rick walks over to her. Suddenly RICK ILSA she flings herself into his arms. I went You remember (her through temper there all flaring) thatawith was You yourwant telephone husband. to call? feel It's Asorry friend no deal. for of Victor's. yourself, They don't ILSA were you?hiding With so in a freight much (almost at car stake, on ILSA hysterical) the all outskirts you can of I Richard, Paris. think knowof how He I is was you tried your sick feel to own and about stay feelings. needed away. me, and I me. One thought I woman don't didn't I has blame would tell hurtyou you. never you, because But see andI'm you asking again... you takewouldn't your you that revenge tohave put left you your were on the feelings out Paris rest of-aside my and of life. the they for world. The would something day You're have youcaught more left a coward, Paris, you. important. if So... andyou --well, knew you whatknow I went thethrough! rest. How much (breaks) I loved you... how much Oh, Richard, I stillRICK love I'm sorry. you --But Do It's you're I still have ourto a last hear story hope. again without Ifwhat you ana Her words areending. great don't smothered man helpyour as us,he husband Victor presses Laszlo is? her And tight to him, kisses her passionately. what will an dieimportant (looks in She Casablanca. at her iscause lost in he's his embrace. fighting directly) for? INT. RICK'S APARTMENT What about - NIGHT now? RICK What of it? I'm ILSAgoing to die in There is a bottle It Casablanca. was ofyour champagne cause, It's ILSA just on too. the the In table spot yourand two halffilled glasses. own for way, it. (simply) Now, you were if you fighting -for the same I'll never thing. have the strength to He stops short. go She awayis from holding ILSA you again. a small revolver in her hand. ...We were married RICK three weeks Well,Victor when I'm not got RICK ILSA fighting word they for anything needed And All Laszlo? right. him anymore in I tried Prague. --to except Just reason a myself. two-line with you. I'm item I the tried inonly the everything. cause I'm paper, interested "Victor Now I want Laszlo in those ILSA now. apprehended. Letters. Get Sent Richard, them to forconcentration you'll me. help him camp." now, A pause. IlsaThe deliberately months went takes by. a Then newcame approach. a rumor that he RICK was dead. I don't (pause) haveILSA to. Richard, I was(reaching lonely we loved before, into each his but other now I once. had nothing pocket) If those left days -- not meant even anything hope. They're right at all here. to you -(places her hand on his) RICK ILSA Put them Until (harshly) I met on you. the table. I wouldn't bring up Paris if I were you. It's RICK poor salesmanship. But why (shaking didn'this youhead) tell me all No. this? ILSA Please listen to me. If you knew what really ILSA happened. If you For knew Victor themade last theme truth time, promise -put to them keep on the marriage our table. a secret. I knew his plans and RICK his friends. If the Gestapo (cuts in) found RICK out I was his I You'll wife, wouldn't Victor havebelieve to felt kill it you, me would to noget be matter them. If dangerous what Laszlo for you metold -and ifme. for theYou'll those the say cause working anything means withso now, us... much, to I get you what kept won't my you stopwant. promise. at anything... Well, go ahead, shoot. You'll be doing Rick walks over me to a favor. a table RICK and opens a cigarette box, but finds it empty. Then you got word he escaped? She rises, still pointing the gun at him. Her finger rests on the trigger. She is summoning nerve to press it. But her hand trembles and the pistol falls to the table. She breaks up, covering her face with her hands.

93. 94. 95. 96. Rick walks over to her. Suddenly ILSA she flings herself into his arms. You remember (heratemper (in whisper) there flaring) was a You telephone I wish want I didn't to call? feellove Asorry friend you for of much. so Victor's. yourself, They don't ILSA were you?hiding With so in a She draws hisfreight much face(almost at down car stake, to on hysterical) hers. the all outskirts you can of Richard, Paris. think of HeI is was tried your sick to own and stay feelings. needed away. EXT. ALLEY - NIGHT I me. One thought I woman didn't I has would tell hurtyou never you, because see and you again... you takewouldn't yourthat revenge have you left were on the out Paris rest of-Laszlo and Carl my and of make life. the they world. their The day would way You're have you through caught left a coward, the Paris, you. darkness toward Rick's. if So... andyou --well, knew you whatknow I went thethrough! rest. How much (breaks) I loved you... how The headlights much Oh, ofRichard, a I speeding stillRICK love I'mcar sorry. you sweep --But toward them and they flatten themselves It's you're still our against a last story hope. a without wall. If you The an lights move Her words past them and areending. don't smothered they continue help as us,he down Victor presses the Laszlo alley. her tight to him, kisses her passionately. will (looks die in She Casablanca. at her is lost in his embrace. directly) QUICK DISSOLVE TO: INT. RICK'S APARTMENT What about - NIGHT now? RICK INT. RICK'S CAFE What-of MAIN it?ROOM I'm going NIGHT to die in There is a bottle Casablanca. of champagne It's ILSA just on the thetable spot and two halffilled and Laszlo glasses. Carl forenter it. (simply) Now, and cross if youtoward -the bar, out of breath from their I'll exertion. never have the strength to He stops short. go She awayis from holding ILSA you again. a small revolver in her hand. ...We were married CARL three weeks when I think Victor we lost got RICK ILSAthem, word they Herr needed And Laszlo. All Laszlo? right. him in I tried Prague. to Just reason a two-line with you.item I tried in the everything. paper, "Victor Now I want Laszlo those ILSA LASZLO apprehended. Letters. Get Sent Richard, I'm themafraid to forconcentration you'll me. they caught help him camp." some now, of The others. won't the months you? You'll went by. see Then he gets came a rumor that he out? RICK was dead. I don't (pause) have to. CUT TO: Rick nods. I was(reaching lonely before, into his but now I INT. RICK'S APARTMENT had nothing pocket) - NIGHT left -- not even hope. They're right ILSA here. Rick and IlsaThen hearhe'll (places voices have below. herhis hand Rick work on crosses -- all to the door. Ilsa stands just the in things his) backhe's of ILSA him. beenShe living makes for. a move as if to come out but Rick's Put them Until Iarm met onbars the her you. table. way. A pause. INT. RICK'S CAFE - BALCONY RICK ABOVE MAIN ROOM - NIGHT But why (shaking didn't RICK his youhead) tell me all Rick walks out All No. this? toexcept the railing, one. Hecalls won'tdown. have you. RICK ILSA Ilsa puts herWhat For Victor head the happened? on made last Rick's me time, promise shoulder. put to them keep on the marriage our table. a secret. I knew Both Carl andhis Laszlo plans look and ILSA up. his friends. If I the can't Gestapo fight found RICK it anymore. out I was I ran his away You'll wife, from Victor have you to felt once. kill itI me would can't to get be do it them. dangerous again. If Laszlo I for don't me-and know iffor the what's those the right cause any working means with longer. so us... much, You'll I kept you have won't my to stop promise. think at anything... for both ofWell, us, go Richard ahead, shoot. -- forYou'll all ofbe us. doing me a favor. RICK Then you gotRICK word he escaped? She rises, still I'vepointing already the madegun up at ourhim. minds. Her finger rests on the trigger. She is summoning nerve to press it. But her hand trembles and the pistol falls to the table. She breaks up, covering her face with her hands.

94. 95. 96. 97. Rick walks over to her. Suddenly ILSA CARL she flings herself into his arms. You remember Yes, I (in come. a whisper) there was a telephone I wish I didn't call? love A friend you so of much. Victor's. They ILSA RICK were hiding in a She draws hisfreight face(to (almost down car Carl to on hysterical) hers. as the heoutskirts comes of Richard, Paris. upHe the Iwas tried stairs) sick toand stay needed away. EXT. ALLEY - NIGHT me. I thought want I didn't youIto would tell turnyou never outbecause the see you again... you light wouldn't at the thatrear have you entrance. were Paris left out of It -Laszlo and Carl my make and might life. they attract their The day would way the have you through police. caught left the Paris, you. darkness toward Rick's. if youwell, So... knew you whatknow I went thethrough! rest. How much I loved CARL you... how The headlights much But ofFydor a I speeding still always RICK love car puts you sweep -- toward out that them and they flatten themselves It's still light before... against a story a without wall. The an lights move Her words past them and areending. smothered they continue as he down presses the alley. her tight to him, kisses her passionately. (looks She at RICK her is lost in his embrace. Tonight directly) he forgot. QUICK DISSOLVE TO: INT. RICK'S APARTMENT What about - NIGHT now? INT. climbs Carl RICK'S up CAFE to-the MAIN balcony ROOM -with NIGHT Rick. There is a bottle of champagne ILSA on the table and two halffilled and Laszlo glasses. Carl enter (simply) andRICK cross toward the bar, out of breath from their I'll exertion. never (low voice, have the strength to go away indicating fromILSA youthe again. door) ...We Miss Lund. were I married CARL want you three to take weeks when I her think home. Victor we lost got RICKthem, word they Herr needed And Laszlo. Laszlo? him in Prague. Just a Carl's eyes grow two-line enormous itembut in he theasks paper, no questions. "Victor Laszlo ILSA LASZLO apprehended. Sentafraid Richard, I'm to concentration you'll they CARLcaught help him camp." some now, of The won't the Yes,others. months Herr you?Rick. went by. You'll see Then he gets came a rumor that he was dead. out? As Carl goes to the (pause) door, Rick starts downstairs. CUT TO: Rick nods. I was lonely before, but now I INT. RICK'S APARTMENT had nothing - NIGHT left -- not even CUT TO: hope. ILSA Rick INT. and RICK'S Ilsa CAFE Then hear -he'll (places voices MAIN ROOM have below. herhis hand NIGHT Rick work on crosses -- all to the door. Ilsa stands just the in things his) backhe's of him. beenShe living makes for. a move as if to come Laszlo out isbut at Rick's the Until bar, Iarm met wrapping bars you.her a way. bar towel around a cut in A his pause. wrist. Rick arrives from upstairs, looks questioningly INT. at the RICK'S injured CAFE hand. - BALCONY RICK ABOVE MAIN ROOM - NIGHT But why didn't RICK you tell me all Rick walks out All this? toexcept the railing, one. LASZLO Hecalls won'tdown. have you. It's nothing. Just a little cut. We had to get RICK ILSA through a window. Ilsa puts herWhat Victor headhappened? on made Rick's me promise shoulder. to keep Rick picks upour a bottle marriage of whiskey a secret. and I pours knew a drink. Both Carl andhis Laszlo plans look and ILSA up. his friends. If I the can't Gestapo fight found RICK it anymore. out I was I ran his away wife,from This might Victor you come CARL felt once. init handy. Iwould can'tbe do it dangerous again. (excitedly) I for don't me and know for what's those Herr right working Rick, any with longer. the us... police You'll I kept break have myup our to promise. think meeting! for We both get ofaway us, so close Richard a shave -- forlike all this. of us. RICK Then you gotRICK word he escaped? Come I've up already here,made Carl. up our minds. Carl looks up wonderingly, then starts toward the stairway.

95. 96. 97. 98. ILSA CARL RICK Don't You Yes, remember I (in you come. aever whisper) there wonder wasif a it's telephone I worth wishall I didn't call? I this? A mean love friend you what of much. so Victor's. you're fighting They RICK were for?hiding in a She draws hisfreight face(to down car Carl to onhers. as the heoutskirts comes of Paris. upHe the was stairs) LASZLO sick and needed EXT. ALLEY - NIGHT me. I We want might I didn't you asto well tell turn question you outbecause thewhy youbreathe. light we wouldn't at theIf have rear we stop left breathing, entrance. ParisIt -Laszlo and Carl andmake might we die. they attract their If would we way the stop have through police. fighting caughtthe you. our darkness toward Rick's. So... well, enemies, theyou world know will thedie. rest. CARL The headlights But ofFydor a speeding always RICKcar puts sweep out toward that them and they flatten themselves It's of light What still before... it?against aThen story it'll a without wall. be out The an lights move past them andof ending. they itscontinue misery. down the alley. (looks at RICK her Tonight directly) he forgot. LASZLO QUICK DISSOLVE TO: Whatknow You about how now? you sound, M'sieur INT. climbs Carl RICK'S up CAFE Rick? to-the MAIN Like balcony ROOM a man-with who's NIGHT Rick. trying to convince of ILSA something that Laszlo and Carl in enter his (simply) heart andRICK cross he doesn't toward believe. the bar, out of breath from their I'll exertion. Each never of (low usvoice, haveathe has destiny. strength Forto go away good or indicating fromevil. for youthe again. door) Miss Lund. ICARL want you to take I her think home. we lost RICKthem, Herr And Laszlo. I get Laszlo? the point. Carl's eyes grow enormous but he asks no questions. ILSA LASZLO Richard, I'm I wonder afraid you'll if they you CARLdo. helpIhim caught wonder some now, of if won't the you Yes,know others. Herr you? that Rick. You'll you're seetrying he gets to out? escape from yourself and that As Carl goes to you'll the door, never Rick succeed. starts What downstairs. CUT TO: Rick nods. you're meant to do will follow INT. RICK'S APARTMENT you wherever - NIGHT you go. That is CUT TO: what I mean by ILSA your destiny. Rick INT. and RICK'S Ilsa CAFE Then hear -he'll voices MAIN ROOM have below. his NIGHT Rick work crosses -- all to the door. Ilsa stands just the in things backhe's of RICK him. beenShe living makes for. a move as if to come Laszlo out isbut at Rick's the You bar, seem arm wrapping tobars knowher all a way. bar about towel my around a cut in A his pause. wrist. Rick destiny. arrives from upstairs, looks questioningly INT. at the RICK'S injured CAFE hand. - BALCONY ABOVE MAIN ROOM - NIGHT RICK LASZLO Rick walks out All You tosee, except the railing, M'sieur one. LASZLO He Rick, calls won't Idown. have a know you. good It's deal nothing. moreJust about a you little than cut. you We had suspect. to get RICK Ithrough know, for a window. Ilsa puts herinstance, What headhappened? on Rick's that you shoulder. are in love Rick picks upwith a bottle a woman. of whiskey and pours a drink. Both Carl and Laszlo lookILSA up. Rick puts down I his can't glass, fight RICK stares it anymore. at Laszlo. I ran away This from mightyou come CARL once. in handy. I can't do it again. (excitedly) I don't know what's He shoves theHerr right glass Rick, any across longer. thethe police bar You'll break to Laszlo. have up our to think meeting! for We both get ofaway us, so close Richard a shave -- for LASZLO like all this. of us. Thank you. RICK Laszlo takes it Come I've inup already a swallow. here,made Carl. Rick up our is now minds. pouring one for himself. Carl looks up wonderingly, then starts toward the stairway.

96. 97. 98. 99. ILSA CARL RICK LASZLO No one Yes, Don't I (in you come. is ato ever whisper) blame. wonder I demand if it'sno I wishall worth explanation. I didn't this? I ask love I mean only you what one so much. you're fighting thing. RICKfor? She draws his face(to down Carl to hers. as he comes He sits down. Their upeyes the hold stairs) LASZLO across the table. EXT. ALLEY - NIGHT I want We might you asto well turn question out thewhy light we breathe. at theIf LASZLO rear we stop entrance. breathing, It Laszlo and Carl might we You make die. have attract their If the weLetters way the through stop police. fighting of Transit. the our darkness toward Rick's. enemies, You will not the give worldthem willto die. me. I want my wifeCARL to be safe... The headlights But M'sieur ofFydor a speeding Rick, always RICK I car ask puts sweep you out astoward that a them and they flatten themselves lightof What favor before... to it? use against Then the Letters it'll a wall. beto out The lights move past them andtake of they its her continue misery. away from downCasablanca. the alley. RICK Rick looks atTonight him incredulously. he forgot. LASZLO QUICK DISSOLVE TO: You know how you sound, M'sieur INT. climbs Carl RICK'S up CAFE Rick? to-the MAIN Like balcony ROOM aRICK man-with who's NIGHT Rick. trying to convince You love herof that something much? that Laszlo and Carl in enter his heart andRICK cross he doesn't toward believe. the bar, out of breath from their Each exertion. of (low usvoice, has LASZLO a destiny. For good or Apparently indicating foryou evil. think the door) of me only as Miss the Lund. leader ICARL want of ayou cause. to take Well, I her think am home. also wealost human RICKthem, being. Herr Laszlo. I get(looks the point. away, then Carl's eyes grow enormous quietly)but he asks no questions. Yes, I love her LASZLO that much. I'm I wonder afraid ifthey you CARLdo. caught I wonder some of if At this moment the you Yes, there others. know Herr is that Rick. a sharp you're knock trying on the to front door of the cafe, followed escapeby from theyourself entranceand of several that gendarmes. Rick As Carl andgoes Laszlo to you'll rise the door, never as a French Rick succeed. starts officer What downstairs. walks CUTinto TO: the lighted area,you're addresses meant Laszlo. to do will follow INT. RICK'S APARTMENT you wherever - NIGHT you go. That is CUT TO: what I mean by FRENCH yourOFFICER destiny. Rick INT. and RICK'S Ilsa CAFE M'sieur hear - voices MAIN Laszlo, ROOM below. you NIGHT Rick will crosses come to the door. Ilsa stands just within us. back We of have RICK him. a warrant She makes fora move as if to come Laszlo out isbut at Rick's the You bar, your seem arrest. arm wrapping tobars knowher all a way. bar about towel my around a cut in his wrist. Rick destiny. arrives from upstairs, looks questioningly INT. at the RICK'S injured CAFE hand. - BALCONY LASZLO ABOVE MAIN ROOM - NIGHT On what charge? LASZLO Rick walks out You tosee, the railing, M'sieur LASZLO Rick, callsIdown. know a good It's deal nothing. more FRENCH Just about a OFFICER you little than cut. you Captain We had suspect. to Renault get RICK Ithrough know, will discuss for a window. What with instance, that happened? thatlater. you you are in love Rick picks upwith a bottle a woman. of whiskey and pours a drink. Both Carl Laszlo looks andat Laszlo Rick,look who smiles up. ironically. Rick puts down his glass,RICK stares at Laszlo. This might come CARLin handy. RICK (excitedly) LASZLO He shoves theHerr It glass isRick, perhaps across thethe apolice strange bar to break Laszlo. up our circumstance meeting! We that get weaway should so be close in love a shave withLASZLO the like same this. woman. Thank you. Rick straightens up in his RICK chair. Laszlo walks over to the table. Laszlo takes it Come inup a swallow. here, Carl. Rick is now pouring one for himself. Carl looks up wonderingly, then starts toward the stairway.

100. 97. 98. 99. INT. RENAULT'S OFFICE - DAY CARL RICK LASZLO Yes, Don't No one Iyou come. is ever to blame. wonder I demand if it'sno Rick and Renault. worth all this? explanation. I ask I mean onlywhat one you're fighting thing. RICKfor? (to Carl RENAULT as he comes He sits down....If Their up we eyes the canhold stairs) LASZLO prove across at the the trial table. I We that want might heyou was asto well atturn the question out meeting, thewhy we light we will breathe. have at the grounds If LASZLO rear we stop entrance. to hold breathing, him. It might we You die. have attract If the weLetters the police. stop fighting of Transit. our enemies, You will not theRICK worldthem give willto die. me. I want You haven't my wifeany CARL to be actual safe... proof, But M'sieur and Fydor you Rick, know always RICK it. I ask puts Youyou might out asthat a just light What favor as well of before... to it? let useThen him thego it'll Letters now.beto out of its take her misery. away from Casablanca. RICK RENAULT Rick looks atTonight Ricky, him incredulously. Ihe would forgot. LASZLO advise you not You to interest know howyourself you sound, tooM'sieur much Carl climbs up Rick? into what the Like happens balcony aRICK manto with who's Laszlo. Rick. trying If to You by convince any love chance herof that you something much? were tothat help in himhis escape heart -RICK he doesn't believe. Each of (low usvoice, has LASZLO a destiny. For good or Apparently indicating foryou evil. RICK think the door) of me only as Miss the Lund. (cutting leader I want of in)ayou cause. to take Well, I her What amhome. also makesayou human RICK think being. I'm I interested? get(looks the point. away, then Carl's eyes grow enormous quietly)but he asks no questions. Yes, I love her LASZLO RENAULT that much. I Because wonderone: if you CARL Youdo. have I wonder bet tenif At this moment you Yes, thousand there know Herr is that francs Rick. a sharp you're that knock trying Laszlo on the to front door of the cafe, followed escape will escape. by from theyourself entrance Two: Youand of have several that the gendarmes. Rick As Carl andgoes Laszlo to you'll Letters rise the door, never as of a Transit... French Rick succeed. starts officer What Nowdownstairs. don't walks into the lighted area,you're bother addresses meant to deny Laszlo. toit... do will Andfollow then you wherever might do you it simply go. That because is CUT TO: what you don't I mean like by FRENCH your Strasser's OFFICER destiny. looks. INT. RICK'S CAFE M'sieur As a-matter MAIN Laszlo, ROOM of fact, you NIGHT will I don't come with like us. themWe either. have RICK a warrant for Laszlo is at the You bar, your seem arrest. wrapping to know all a bar about towel my around a cut in his wrist. Rick destiny. arrives from RICKupstairs, looks questioningly at the injured Well, hand. they're LASZLO all excellent On reasons... what charge? Yes, LASZLO I have the You Letters, see, M'sieur Louis. LASZLO But Rick, I'mIusing know a good It's deal them nothing. myself. more FRENCH I'm Just about selling a OFFICER you little than outcut. my you Captain We had place suspect. and to Renault getIthrough leaving know, will Casablanca for discuss a window. on instance, that with you thatlater. you are in love Rick picks upwith a bottle a woman. of whiskey and pours a drink. Laszlo looks at Rick, who smiles ironically. Rick puts down his glass,RICK stares at Laszlo. This might come RICKin handy. It seems that LASZLO destiny has taken He shoves thea It glass hand. is perhaps across the a strange bar to Laszlo. circumstance that we should be In dignified silence in love Laszlo withLASZLO the crosses same woman. to the police officer. Together theyThank walk toward you. the door. Rick's eyes follow Rick straightens them, but his expression up in his reveals chair.nothing Laszlo of walks hisover feelings. to the table. Laszlo takes it in a swallow. Rick is now pouring one for himself. DISSOLVE TO:

100. 101. 98. 99. INT. RENAULT'S OFFICE - DAY RICK LASZLO Don't No Ilsa one Lund. you is to ever blame. wonder I demand if it'sno Rick and Renault. worth all this? explanation. I ask I mean onlywhat one An amazed incredulity you're fighting thing. is written for?on Renault's face. RENAULT He sits down....If Theirwe eyes canhold LASZLO RICK prove across at the the trial table. We that That might he was ought asto well atrest the question meeting, your fears why we we will about breathe. have my helping grounds If LASZLO weLaszlo stop to hold breathing, escape. him. we You He's die. have theIf the last weLetters stop one Ifighting want of Transit. to our see enemies, You in America. will not theRICK worldthem give willto die. me. I want You haven't my wifeany to be actual safe... proof, M'sieur and you Rick, knowRICK RENAULT it. I ask Youyou might as a just What favor as well of (shrewdly) toit? let useThen him thego it'll Letters now.beto out of take Butits Iher still misery. away don't fromunderstand. Casablanca. You did not come RENAULT here to tell Rick looks atme Ricky, him that. incredulously. I You would LASZLO have advise the Letters you not You of to Transit. interest know howYou yourself youcan sound, fill tooM'sieur in much Rick? your in what name Like happens and aRICK man Miss to who's Lund's Laszlo. trying and If to You leave by convince any love any chance her time of that you something you much? were please. tothat help Why in are himhis you escape heart still --he interested doesn't believe. in Each what of happens us has LASZLO toaLaszlo? destiny. For good or foryou Apparently evil. RICK think of me only as the (cutting leader RICK of in)a cause. Well, interested in I What I'm amnot. also makes But ayou human RICK I think am being. I'm what to Ilsa and me. We I interested? gethappens (looks the point. away, then have a legal right to leave -quietly) that's true.her Butthat people have Yes, I love LASZLO RENAULT much. been held inyou Casablanca intenif I Because wonder one: if Youdo. have I wonder bet spite ofis their legal rights. At this moment you thousand there know that francs a sharp you're that knock trying Laszlo on the to front door of the cafe, followed escape will escape. by from theyourself entrance Two: Youand of have several that the gendarmes. RENAULT Rick and Laszlo you'll Letters risenever as of a Transit... French succeed. officer What Now don't walks into the Why should weto want toAnd hold you? lighted area,you're bother addresses meant to deny Laszlo. it... do will follow then you wherever might do you it simply go. That because is RICK what you don't I mean like by FRENCH your Strasser's OFFICER destiny. looks. Ilsa Laszlo's wife. M'sieur As a is matter Laszlo, of fact, you will I She don't come knows a good dealathat Strasser with like us. them We either. have RICK warrant for would like know.... You your seem arrest. toto know all about my destiny. RICK Well, they're LASZLO RENAULT all excellent On reasons... what charge? Yes, LASZLO I have the You Letters, see, M'sieur Louis. But Rick, I'mIusing know a good them deal myself. more FRENCH I'm about selling OFFICER you than out my you Captain place suspect. and Renault leaving I know, will Casablanca for discuss on instance, that tonight's with you that plane... later. you are the in last love with plane. a woman. Laszlo looks at Rick, who smiles ironically. Rick puts down his glass,RENAULT stares at Laszlo. What! RICK It seems that LASZLO destiny has taken Ithand. a is perhaps RICK a strange circumstance And I'm taking that a friend we should withbe me. In dignified silence in love (smiles) Laszlo with the crosses same woman. to the police officer. Together theyOne walk you'll toward appreciate. the door. Rick's eyes follow Rick straightens them, but his expression up in his reveals chair.nothing Laszlo of walks hisover feelings. to the table. RENAULT What friend? DISSOLVE TO:

100. 101. 102. 99. INT. RENAULT'S OFFICE - DAY LASZLO RICK No Ilsa Then one Lund. release is to blame. him andIbe demand at myno Rick and Renault. explanation. place a half I hour askbefore only one the An amazed incredulity thing. plane leaves. is written I'll arrange on Renault's for face. Laszlo to come RENAULT for the Letters He sits down.of ...If Their Transit. we eyes canhold That RICK prove across will at give the the trial you table. that ought That criminal he was grounds to atrest the toyour meeting, makefears an we will have about arrest. myIn helping grounds catching LASZLO Laszlo tothe hold escape. whale, him. You He'shave two small the the last fish Letters one will I slip want of Transit. to see through You in America. your will fingers. notRICK give To the them Germans to me. I want You haven't that my will wife beany to only be actual asafe... minor proof, M'sieur and you Rick, irritation. knowRENAULT it. I ask Youyou might as a just favor as well (shrewdly) tolet usehim thego Letters now. to take But Iher still away don't RENAULT fromunderstand. Casablanca. You did (puzzled) not come RENAULT here to tell Rick looks atme Ricky, There's him that. incredulously. Isomething You would have advise the I don't Letters you not of to Transit. understand interestabout You yourself can this fill too business. in much your in what Miss name Lund happens and --RICK she's Miss to Lund's Laszlo.and very If You leave by any beautiful, love any chance her time yes that you you -- much? were but please. you're to help Why are him you not escape that still way --about interested women.in How what do I happens know you LASZLO to will Laszlo? keep your Apparently end of the you bargain? RICK think of me only as the (cutting leader RICK of in)a cause. Well, interested in I What I'm amnot. also makes But ayou human RICK I think am being. I'm what make happens to Ilsa and me. We interested? I'll (looks the away, arrangements then have a legal right to in leave right quietly) now with Laszlo the-that's true. Butthat people have Yes, visitors' I love pen. her RENAULT much. been held in Casablanca inten Because one: You have bet spite ofis their legal rights. At this moment thousand there francs aRENAULT sharp that knock Laszlo on the front door of the cafe, followed will escape. Ricky, by I the willentrance Two: missYou you. of have several the gendarmes. RENAULT Rick and Laszlo Letters Apparently rise as of a Transit... you're French the officer Now don't only one walks into the Why should we who want toAnd hold you? lighted area,in bother addresses Casablanca to deny Laszlo. it... has even then less you mightthan scruples do it I.simply because RICK you don't like FRENCH Strasser's OFFICERlooks. Ilsa Laszlo's wife. M'sieur As a is matter Laszlo, of RICK fact, you will I She don't come knows a good dealathat Strasser with like us. Thanks... them We either. have warrant for wouldarrest. like to know.... your (he rises) Oh, by the way, RICKcall off your watchdogs Well, they're after LASZLO RENAULT all you excellent let him go. On I reasons... don't see. what want charge? Yes, them I around have the this afternoon. Letters, Louis. I'm taking But I'm nousing chances, Louis them myself. -- even FRENCH RICK I'm with selling you. OFFICER out my Captain place and Louis, I'll Renault leaving makewill aCasablanca deal discuss with on that tonight's you. with If you you plane... could later. get theLaszlo last on plane. a real charge -- one you could Laszlo looks at actually Rick, who holdsmiles on himironically. -- would that be a feather RENAULT in your cap? What! RICK It seems that RENAULT destiny has taken a Ithand. most certainly RICK would. And I'm taking a friend with me. Germany... In dignified silence (smiles) (corrects Laszlo crosses himself)to the police officer. Together theyVichy One walk you'll toward wouldappreciate. be the grateful. door. Rick's eyes follow them, but his expression reveals nothing of his feelings. RENAULT What friend? DISSOLVE TO:

100. 101. 102. 103. INT. shake They RENAULT'S hands. OFFICE - DAY RICK Ilsa release Then Lund. him and be at my Rick and Renault. place a halfFERRARI hour before the An amazed incredulity plane Oh -- to leaves. is getwritten out I'll ofarrange on Casablanca Renault's for --face. Laszlo to go to toAmerica... come RENAULT for the YouLetters are a ...If of lucky Transit. we canThat man. RICK prove will at give the trial you that ought That criminal he was grounds to atrest the toyour meeting, makefears an we will have about arrest. myIn helping grounds catching RICK Laszlo tothe hold escape. whale, him. He'sby two Oh, small the the last fish wayone will -I slip my want agreement to see through in America. your with fingers. Sam's always RICK To the been Germans he gets You haven't that twenty-five will bepercent any only actual a of minor proof, the and you know irritation. profits. That RENAULT it. still Yougoes. might just as well (shrewdly) let him go now. But I still don't RENAULT FERRARI understand. You I happen did (puzzled) not to come know RENAULT here he gets to tell ten me Ricky, There's percent. that. Isomething You would But have he's advise the I don't worth Letters you twenty not of to Transit. understand five. interestabout You yourself can this fill too business. in much your in what Miss name Lund happens and -- she's Miss to Lund's Laszlo.and very If leave by anyany beautiful, chance time yes RICK you you -- but were please. you're to help Why are him you not And escape that Abdul still way and --about interested Carl and women. Fydor in How-what do I happens they know with stay youto will the Laszlo? keep your place, or I end ofsell. don't the bargain? RICK (cutting RICK in) in What I'm not. makes But you RICK FERRARI I think am interested I'm what happens Ilsa Rick's and me. We interested? I'll Of course make theto they arrangements stay. have anow legal right to in leave -right wouldn't be with Rick's Laszlo without the them. that's true. But people have visitors' pen. RENAULT been held inRICK Casablanca inten Because one: You have bet spite of their legal thousand So long. francs RENAULT that rights. Laszlo will escape. Ricky, I willTwo: missYou you. have the RENAULT He walks to the Letters Apparently door,of stops, Transit... you're turns. the only Now don't one Why should we who want toAnd hold you? bother in Casablanca to deny it... has even then less you mightthan scruples doRICK it I.simply because RICK you don't Don't forget, like you Strasser's owe Rick's looks. a Ilsa Laszlo's wife. As a is hundred matter cartons of RICK fact, of American I She don't knows a good deal that Strasser like them Thanks... cigarettes. either. would(he like to know.... rises) Oh, by the way, RICKcall off your FERRARI watchdogs Well, I shall they're remember after RENAULT all you to excellent let pay him it to go. I reasons... myself. don't see. want Yes, them I around have the this afternoon. Letters, Louis. I'm taking But I'm nousing chances, Rick walks off. Louis them myself. -- even RICK I'm with selling you. out my place and Louis, I'll leaving make aCasablanca deal with on tonight's you. If you plane... could get theLaszlo last onCUT DISSOLVE TO: TO: plane. a real charge -- one you could EXT. BLUE AIRPORT PARROT actually NIGHT CAFE hold DAYon him -- would that be a feather RENAULT in your cap? Rick and Ferrari What! are seated at a table. RENAULT It most certainly FERRARI RICK would. Shall And I'm Germany... wetaking draw up a papers, friend with or is me. our handshake (smiles) good (corrects himself) enough? One you'll Vichy wouldappreciate. be grateful. RICK (getting RENAULT up) It's What certainly friend? not good enough. But since I'm in a hurry, it'll have to do.

101. 102. 103. 104. They shake hands. RICK CLOSED By Ilsa Then Order Lund. release of the him Prefect and be of at Police my place a halfFERRARI hour before the An amazed incredulity plane Oh -- to leaves. is getwritten out I'll ofarrange on Casablanca Renault's for -DISSOLVE face. TO: Laszlo to go to toAmerica... come for the YouLetters are a INT. RICK'S CAFE of Transit. lucky - AT man. THEThat RICK ENTRANCE will give NIGHT you That ought criminal grounds to rest toyour makefears an Rick opens the about arrest. doormy to In helping admit catching RICKRenault. Laszlo the whale, escape. He'sby two Oh, small the the last fish wayone will -I slip my want agreement to see through in America. your with fingers. Sam's always RICK To the been Germans he gets that will twenty-five You're late. bepercent only a of minor the irritation. profits. That RENAULT still goes. (shrewdly) RENAULT But I was I still informed don't RENAULT FERRARI when understand. Laszlo was You I happen about did (puzzled) tonot to come leave know the here hehotel, gets to tell ten so I me There's percent. knew that. I would something You But have he's be onthe Itime. worth don't Letters twenty of understand five. Transit.about You can this fill business. in your Miss name Lund and --RICK she's Miss Lund's very and leave beautiful, I thought any time Iyes asked RICK you -- you but please. you're to tie Why up are not you And your that Abdul watchdogs. still way andabout interested Carl and women. Fydor in How-what do I happens they know with stay youto will the Laszlo? keep your place, or I end ofsell. don't the bargain? RENAULT Laszlo will not RICKbe followed I'm not. ButFERRARI here. RICK I am interested in what happens Ilsa Rick's and me. We I'll Of course make (looking theto they arrangements around) stay. have place anow legal right to leave -This right wouldn't be with won't Rick's Laszlo bewithout the in same the them. that's true. But people have without visitors' you, pen. Ricky. been held inRICK Casablanca in spite of their legal rights. So long. RENAULT RICK Ricky,be It'll I all willright, miss you. Louis. I've RENAULT He walks to the Apparently arranged door, stops, with you're Ferrari. turns. the only You'll one WhyCasablanca should weroulette. wanthas to even hold less you? in still win at who scruples than RICK I. RICK Renault smiles. Don't forget, you owe Rick's a Ilsa is cartons Laszlo's wife. She hundred RICKof American knows a goodRENAULT deal that Strasser Thanks... cigarettes. would like to ready? know.... Is everything (he rises) Oh, by the way, FERRARI call off your watchdogs I shall remember after RENAULT RICK you to let pay him it to go. I myself. don't see. (tapping want them his around pocket)this afternoon. I have the Letters I'm taking right no here. chances, Rick walks off. Louis -- even RICK with you. Louis, I'll make RENAULT a deal with you. me, Tell If you Rick could -- when get we Laszlo onCUT DISSOLVE TO: TO: a real charge searched the place, -- onewhere you could were EXT. BLUE AIRPORT PARROT actually they? NIGHT CAFE hold DAYon him -- would that be a feather in your cap? Rick Workmen andare Ferrari giving are a seated plane RICK its at a last-minute table. inspection. Fuel is beingIn pumped Sam'sinto piano. RENAULT its tanks. On the fuselage is painted: It most certainly FERRARI would. Shall Germany... we draw RENAULT up papers, or is our Serves handshake (corrects LISBON me right good himself) CASABLANCA forenough? not being Vichy would be grateful. musical! RICK DISSOLVE TO: The sound of a car(getting pulling up up)is heard. EXT. RICK'S CAFE It's-certainly NIGHT not good enough. But since I'm in a hurry, it'll On the door ahave hugeto placard do. is pasted. It reads:

102. 103. 104. 105. They shake Renault walks hands. toward the office. RICK CLOSED By Then Order release of the him Prefect and be of at Police my EXT. RICK'S CAFE place - NIGHT a halfFERRARI hour before the plane Oh -- to leaves. get out I'll ofarrange Casablanca for -DISSOLVE TO: Laszlo is paying Laszlo to go the to to cab America... come driver for while the YouLetters are Ilsa a walks toward INT.entrance. the RICK'S CAFE of Transit. lucky - AT man. THEThat ENTRANCE will give NIGHT you criminal grounds to make an Rick opens the arrest. door to Inadmit catching RICKRenault. LASZLO the whale, two by Oh, small (to the cab fish way driver) will -myslip agreement through Take your the with fingers. Sam's luggage always RICK To to the been the Germans he airport. gets that will twenty-five You're late. bepercent only a of minor the irritation. profits. That still goes. CUT TO: RENAULT INT. RICK'S CAFE I was - MAIN informed ROOM RENAULT FERRARI when - NIGHT Laszlo was I happen about (puzzled) to leave to know the hehotel, gets ten so I Rick opens the There's percent. knew door I to would something But admit he's be Ilsa. onworth Itime. don't She twenty goes into his arms. Her intensityfive. understand reveals the about strain this she business. is under. Miss Lund --RICK she's very beautiful, I thought Iyes asked ILSA RICK -- you but to you're tie up Victor not Abdul And your that watchdogs. thinks way andabout I'm Carlleaving women. and Fydor with How-him. do I Haven't they know with stay youyou will the told keep place, him? your or I end ofsell. don't the bargain? RENAULT Laszlo will not RICKbe followed Not here. yet. RICK FERRARI I'll Of course make (looking the arrangements they around) stay. Rick's This rightplace wouldn't nowbe with won't Rick's ILSA Laszlo bewithout the insame the them. But without visitors' it'syou, all pen. Ricky. isn't it? right, You were able RICK to arrange everything? So long. RENAULT RICK Ricky,be It'll I all willright, miss you. Louis. I've He walks to the Apparently arranged door, stops, with you're RICK Ferrari. turns. the only You'll one Everything. in Casablanca still win at roulette. who has even less scruples than RICK I. He Renault kisses smiles. herDon't -- asforget, he onceyou kissed owe her Rick's in Paris. a She looks at him with ahundred vaguelycartons questioning RICKof American look. He gently disengages himself. Thanks... cigarettes. RENAULT Is everything (he rises) ready? Laszlo comes in Oh,now. by the way, FERRARI call off your watchdogs I shall remember after RICKyou to let pay him it to go. I myself. don't (tapping wantLASZLO them his around pocket)this M'sieur afternoon. I have the Blaine, I'm taking Letters I don't right noknow chances, here. Rick walks off. how Louis to-thank even-with you. RENAULT Tell me, Rick RICK -- when we CUT DISSOLVE TO: TO: There's searchedno the time place, for that. where You were EXT. BLUE AIRPORT PARROT won't they? NIGHT CAFE have - DAY any trouble in Lisbon, will you? Rick Workmen andare Ferrari giving are a seated plane RICK its at a last-minute table. inspection. Fuel is beingIn pumped Sam'sinto piano. LASZLO its tanks. On the fuselage is painted: No. That is all FERRARI arranged. Shall we draw RENAULT up papers, or is our Serves handshake LISBON me right RICK good CASABLANCA forenough? not being Good. musical! (takes out RICKthe DISSOLVE TO: The sound of a carLetters) (getting pulling up up)is heard. EXT. RICK'S CAFE Here It's-are certainly NIGHT the Letters. not good Signed enough. in blank. But since You'll I'm RICK in a have just hurry, toit'll fill On the door ain have They're huge the to placard names. do. here. is Hide pasted. in my It office. reads:

103. 104. 105. 106. They Renault He hands shake walks them hands. toward to Laszlo, the who office. CLOSED takes them gratefully. By Order of the Prefect of Police EXT. RICK'S CAFE - NIGHT LASZLO FERRARI Oh -- toBlaine, M'sieur get outIof --Casablanca -DISSOLVE TO: Laszlo is paying to go the tocab America... driver while You are Ilsa a walks toward INT.entrance. the RICK'S CAFE lucky - AT man. THERENAULT'S ENTRANCE VOICE NIGHT (O.S.) Victor Laszlo! Rick opens the door to admit RICKRenault. LASZLO They wheel toward Oh, by the (to the office cab way driver) -door. my agreement Take with the Sam's luggage always RICK to been thehe airport. gets twenty-five You're late.percent RENAULT of the profits. Victor Laszlo, That still you are goes. under CUT TO: arrest... RENAULT INT. RICK'S CAFE I was - MAIN informed ROOM FERRARI when - NIGHT Laszlo was Ilsa and Laszlo I happen about areto both to caught leave know the hecompletely hotel, gets ten so Ioff guard. They Rick turn opens towardthe Rick. percent. knew door Horror I to would But admit is he's be in Ilsa. onIlsa's worth time. She twenty eyes. goes into his arms. Her intensityfive. reveals the strain she is under. RICK RENAULT I thought ...on a charge I asked ILSA RICK of accessory you to tieto up Victor And murder your the Abdul watchdogs. thinks and of I'm Carlleaving the couriers and Fydor with from -him. they Haven't whom stay with those Letters you the told place, were him? stolen. or I don't sell. RENAULT He walks up to Laszlo them,will notices not RICKtheir be followed bewildered expressions. Not here. yet. FERRARI Of course (looking they RENAULT around) stay. Rick's This wouldn't Oh, you place are bewon't Rick's surprised ILSA bewithout the about same them. my But without friend it's Rick? you, all right, Ricky. The explanation isn't it?is You quite were simple. able RICK to Love, arrange it seems, everything? So long. has triumphed RICK over virtue. It'll be all right, Louis. I've He walks tothe Obviously, the arranged situation door, stops, with delights RICK Ferrari. turns. Renault. You'll He is laughing as he turns toward Everything. still Rick. win atThe roulette. laughter dies in his throat. RICK He Renault In kisses Rick's smiles. her hand Don't -isas aforget, he gun, once which you kissed he owelevels her Rick's inat Paris. a Renault. She looks at him with ahundred vaguelycartons questioning of American look. He gently disengages himself. cigarettes. RICK RENAULT Is everything Nobody is going ready? to be arrested, Laszlo comes in Louis. now.Not for FERRARI a while yet. I shall remember RICK to pay it to Renault stares myself. open-mouthed (tapping LASZLO his forpocket) a moment. M'sieur I have the Blaine, Letters I don't rightknow here. Rick walks off. how to thankRENAULT -Have you lost RENAULT your mind? Tell me, Rick RICK -- when we DISSOLVE TO: There's searchedno the time RICK place, for that. where You were EXT. AIRPORT won't they? Yes. NIGHT Sit have down anyover trouble there. in Lisbon, will you? Workmen hesitates. Renault are giving In a plane Ilsa's RICK its face last-minute we see that inspection. her belief Fuel in Rick is has being come In pumped Sam's back. into piano. LASZLO its tanks. On the fuselage is painted: No. That is all arranged. RENAULT Serves LISBON me right RICK - CASABLANCA for not being Good. musical! (takes out the DISSOLVE TO: The sound of a carLetters) pulling up is heard. EXT. RICK'S CAFE Here-are NIGHT the Letters. Signed in blank. You'll RICK just have to fill On the door ain They're huge theplacard names. here. is Hide pasted. in my It office. reads:

104. 105. 106. 107. He handshalts Renault walks them for toward to Laszlo, a moment the who office. CLOSED and takes studies themRick. gratefully. Then he shrugs. By Order of the Prefect of Police EXT. RICK'S CAFE - NIGHT RENAULT LASZLO M'sieur Under the Blaine, circumstances, I -I willDISSOLVE TO: Laszlo is paying sit the down. cab driver while Ilsa walks toward INT.entrance. the RICK'S CAFE - AT THERENAULT'S ENTRANCE VOICE NIGHT (O.S.) He walks to aVictor table,Laszlo! sits down and reaches into his pocket. Rick opens the door to admit LASZLO Renault. They wheel toward the (to office cabRICK driver) door. Take the (sharply) luggage RICK to the airport. You're Keep your late. hands RENAULT on the table. Victor Laszlo, you are under CUT TO: Renault takesarrest... out a cigarette RENAULT case. INT. RICK'S CAFE I was - MAIN informed ROOMwhen - NIGHT Laszlo was Ilsa and Laszlo about areto both leave caught RENAULT the completely hotel, so Ioff guard. They Rick turn opens towardthe Rick. knew I door suppose Horror I to would admit you is be know in Ilsa. onIlsa's time. what She you eyes. goes areinto his arms. Her intensitydoing, reveals but the I strain wonder she if you is under. realize whatRENAULT RICK this means? I thought ...on a charge I asked ILSA of accessory you to tieto up Victor yourmurder the watchdogs. thinks of RICK I'm the leaving courierswith from him. whom I do.Haven't those We'llLetters have you told plenty were him? stolen. of time to discuss that RENAULT later. He walks up to Laszlo them,will notices not RICKtheir be followed bewildered expressions. Not here. yet. LASZLO There(looking won't be RENAULT around) any trouble at This Oh, airport, the you place arewon't surprised ILSA willbe there? the about samemy But without friend it's Rick? you, all right, Ricky. The explanation isn't it?is You quite were simple. able RENAULT to Love, arrange it seems, everything? has triumphed (sighing) RICK over virtue. It'll I'm afraid be all not. right, Louis. I've Obviously, the arranged situation (reproachfully, with delights RICK Ferrari. Renault. toYou'll He is laughing as he turns toward Everything. stillRick) Rick. win atThe roulette. laughter dies in his throat. Call off your watch-dogs, you He Renault In kisses Rick's smiles. her hand said! -isas a he gun, once which kissed he levels her inat Paris. Renault. She looks at him with a vaguely questioning look. He gently disengages Rick takes himself. a phone on a long RENAULT RICK cord, slides it across the table to Renault. Is everything Nobody is going ready? to be arrested, Laszlo comes in Louis. now.Not for a while yet. RICK Renault stares Just open-mouthed the (tapping same, LASZLO his for call pocket) athe moment. airport M'sieur I and have letthe Blaine, me Letters hear I you don't right tellknow here. them. how to thankRENAULT -Have you lost RENAULT your mind? Tell me, Rick RICK -- when we There's searchedno the time RICK place, for that. where You were won't they?Sit Yes. have down anyover trouble there. in Lisbon, will you? Renault hesitates. In Ilsa's RICKface we see that her belief in Rick has come In Sam's back.piano. LASZLO No. That is all arranged. RENAULT Serves (approaching me right RICKfor Rick) not being Good. musical! Put that gun down. (takes out the The sound of a carLetters) pulling RICK up is heard. Here Louis, are I the wouldn't Letters. likeSigned to shoot in blank. you. But You'll I will RICK just if have you take to fill one in They're more the step. names. here. Hide in my office.

105. 106. 107. 108. He hands Renault INT. GERMAN walks halts them CONSULATE toward to for Laszlo, a moment the - NIGHT office. who and takes studies themRick. gratefully. Then he shrugs. EXT. RICK'S Strasser is CAFE on the - phone. NIGHT RENAULT LASZLO M'sieur Under the Blaine, circumstances, I -I will Laszlo is paying sit the down. cab driver STRASSER while Ilsa walks toward the entrance.Hello... hello... RENAULT'S WhatVOICE was (O.S.) He walks to athat?... Victor table,Laszlo! sits down and reaches into his pocket. LASZLO They He hangs wheel uptoward the receiver the (to office cabmomentarily, RICK driver) door. presses a buzzer on his desk, then Take again the (sharply) lifts luggage theto receiver. the airport. Keep your hands RENAULT on the table. Victor Laszlo, STRASSER you are under CUT TO: Renault takesThis arrest... out a iscigarette Major Strasser... case. Have INT. RICK'S CAFE a squad - MAIN of ROOM police - NIGHT meet me at Ilsa and Laszlo theare airport both caught at RENAULT once. completely At once! off guard. They Rick turn opens towardthe Rick. I door Do suppose you Horror to hear? admit you isknow in Ilsa. Ilsa's what She you eyes. goes areinto his arms. Her intensitydoing, reveals but the I strain wonder she if you is under. Hanging up the realize receiver, whatand RENAULT this grabbing means? his cap, he hurriedly exits. ...on a charge ILSA of accessory to Victor the murder thinks of RICK I'm the leaving courierswith from him. whom I do.Haven't those We'llLetters have you told plenty were him? stolen. of timeDISSOLVE TO: to discuss that later. He walks EXT. AIRPORT up to - NIGHT them, notices RICKtheir bewildered expressions. Not yet. LASZLO The beacon atop There thewon't radiobe RENAULT tower any slowly troublerevolves at its light, dimmed by a heavy Oh, airport, the you fog. are The surprised ILSA will outline there? of about themy transport plane is barely visible. But friend it's Rick? all right, The explanation isn't it?is You quite were simple. able RENAULT to Love, arrange it seems, NEAR THE HANGAR everything? hasDOOR triumphed (sighing)over virtue. I'm afraid not. Obviously, A uniformedthe orderly situation (reproachfully, is ondelights RICK the telephone. Renault. to He is laughing as he turns toward Everything. Rick) Rick. The laughter dies in his throat. Call off your ORDERLY watch-dogs, you He In kisses Rick's her hand said! Hello, -isas a he gun, radio once which tower... kissed he levels her Lisbon inat Paris. Renault. She looks at him with aplane vaguely taking questioning off in five look. He gently disengages Rick takes himself. a phone minutes... on a long Thank RICKcord, you. slides it across the table to Renault. Nobody is going to be arrested, Laszlo He hangs comes up, in crosses Louis. now.Not toward for a car while that yet. has just arrived. RICK Renault stares Just open-mouthed the same, LASZLO for callathe moment. airport M'sieur and let Blaine, me hear I you don't tellknow them. how And to remember thankRENAULT -- this gun is Have youright pointed lost at your your mind? heart. RICK There's no time RICKfor that. You RENAULT won't Yes. Sit (as have down heany dials) over trouble there. in Lisbon, That is will my least you?vulnerable Renault hesitates. spot. In Ilsa's face we see that her belief in Rick has come back. (into phone) LASZLO No. Hello, That airport? is all -arranged. Captain Renault calling RENAULT from Rick's cafe.(approaching There'll RICK be two Rick) Letters Good. of PutTransit that gun for down. the Lisbon plane. There's (takes to be out nothe trouble about them.Letters) -- Good. RICK Here Louis, are I the wouldn't Letters. likeSigned to shoot in blank. you. But You'll I will just if have you take to fill oneCUT TO: in more the step. names.

106. 107. 108. 109. He hands Renault INT. GERMAN halts them CONSULATE to Laszlo, for a moment - NIGHT who RICK and takes studies themRick. gratefully. Then he shrugs. If you don't mind, Louis, you Strasser is on fill thein phone. the names. LASZLO RENAULT M'sieur Under (smiles) the Blaine, circumstances, I -I will sit down. That will make STRASSER it even more Hello... hello... official. RENAULT'S WhatVOICE was (O.S.) He walks to athat?... Victor table,Laszlo! sits down and reaches into his pocket. RENAULT They He hangs wheel uptoward the Youreceiver think the office ofmomentarily, RICK everything. door. presses a buzzer on his desk, then again (sharply) lifts the receiver. Renault takesKeep out his yourpen, hands RENAULT spreads on thethe table. papers on the fender of theVictor car. Laszlo, STRASSER you are under Renault takesThis arrest... out a iscigarette Major Strasser... case. Have a squad of police RICK meet me at Ilsa and Laszlo theare Mr. airport and both Mrs.caught at RENAULT Victor once. completely Laszlo. At once! off guard. They turn toward Rick. I suppose Do you Horror hear? you isknow in Ilsa's what you eyes. are doing, but IILSA wonder if you Hanging up the realize receiver, (towhat Rick) and RENAULT this grabbing means? his cap, he hurriedly exits. ...on awhat ...And charge about of you? accessory You'll to the murder still be here of RICK the couriers from -whom I do.those We'llLetters have plenty were of stolen. timeDISSOLVE TO: to discuss that RICKlater. He walks EXT. AIRPORT up to I'll them, NIGHT be notices all right, their Ilsa. bewildered You've expressions. done that for LASZLO me. The beacon atop There the (a won't radio moment, be RENAULT tower any then) slowly troublerevolves at its light, dimmed by a heavy And Oh, we'll the you airport, fog. are The always surprised will outline have there? of Paris about theto my transport plane is barely visible. remember. friend Rick? A few Themoments explanation that is were quiteours. simple. But RENAULT Love, if we're it seems, honest NEAR THE HANGAR we hasDOOR both triumphed (sighing) know you over belong virtue. with Victor. I'm afraid Younot. decided that once. Obviously, A uniformedthe orderly This situation time (reproachfully, is on it's delights the mytelephone. turn. Renault. to He is laughing as he turns towardRick) Rick. The laughter dies in his throat. At this moment Call Laszlo off walks your ORDERLY watch-dogs, up. you In Rick's hand said! Hello, is a gun, radiowhich tower... he levels Lisbonat Renault. plane taking off in five Rick takes a phone minutes... on a long Thank RICKcord, you. slides it across the table to Renault. Nobody is going to be arrested, He hangs up, crosses Louis. Not toward for a car while that yet. has just arrived. He salutes smartly as he recognizes RICK Renault alighting from Renault the car,stares closely Just open-mouthed followed the same, byfor call Rick, athe moment. hand airport in pocket. Laszlo and Ilsa emerge andfrom let the me hear rear. you tell them. And rememberRENAULT -- this gun is Have youright pointed lost RICK your at your mind? heart. (indicating the orderly) RICK RENAULT Yes. Sit Louis, (as could down he dials) you over spare there. this man That to help is locate my least the vulnerable luggage? Renault hesitates. spot. In Ilsa's face we see that her belief in Rick has come back. (into phone) RENAULT Hello, (bows airport? ironically) -- Captain Renault calling Certainly Ricky. RENAULT from Anything Rick's you cafe.(approaching say. There'll be two Rick) Letters of PutTransit that gun for down. the Lisbon plane. He nods curtly There's to theto orderly, be no trouble who escorts aboutLaszlo off in the directionthem. of the --plane. Good. RICK Rick takes the Letters of Transit out of Louis, his pocket, I wouldn't hands like them toto shoot Renault. you. But I will if you take oneCUT TO: more step.

107. 108. 109. 110. Renault INT. GERMAN halts CONSULATE for a moment - NIGHT RICK and studies Rick. Then he shrugs. If you (harshly) don't mind, Louis, you Strasser is on fill Well, thein phone. she the tried names. RENAULT everything to Under get those (smiles) the Letters. circumstances, But nothing I will sit down. That else will make worked. STRASSER Soit she even didmore her Hello... official. best to convince hello...me What shewas was He walks to astill that?... table, insits lovedown withand me.reaches That was into his pocket. all over long RENAULT ago, but for your He hangs up the Youreceiver sake think she pretended ofmomentarily, RICK everything. it wasn't presses -- a buzzer on his desk, then and again I(sharply) let lifts her the pretend. receiver. She was Renault takesready Keep out his your to pen, stay hands spreads inon Casablanca thethe table. papers so on the fender of theyou car. could leave. STRASSER Renault takesThis out a iscigarette Major Strasser... case. Have a squad of police RICK meet me at ILSA the and Mr. Richard! airport Mrs.at RENAULT Victor once.Laszlo. At once! I suppose Do you hear? you know what you are She makes a move doing, toward but Rick. IILSA wonder if you Hanging up the realize receiver, (towhat Rick) and this grabbing means? his cap, he hurriedly exits. ...And what about RICK you? You'll still(indicating be here RICK -- Renault) Don't I do. step We'llin have front plenty of him. of timeDISSOLVE TO: to discuss that RICKlater. EXT. AIRPORT I'll NIGHT be all right, RICK Ilsa. You've done that (wryly) for LASZLO me. The beacon atop And There the I(a thought won't radio moment, be tower Iany was then) slowly trouble forgotten. revolves at its light, dimmed by a heavy And the we'll airport, fog. The always will outline have there? of Paris theto transport plane is barely visible. remember. A few LASZLO moments that were It isours. time But to RENAULT go, if we're Ilsa. honest NEAR THE HANGAR we DOOR both (sighing) know you belong with Ilsa looks atVictor. I'm Rick afraid for You the not. decided last time. that She once. speaks under her A uniformed orderly breath. This time (reproachfully, is on it's the mytelephone. turn. to Rick) At this moment Call Laszlo off walks your ORDERLY ILSA watch-dogs, up. you said! Hello, God bless radio you, tower... Richard. Lisbon Tears have formed planein taking Ilsa's off eyes. in five She stands hesitating. Rick She turns, takesin cuts a runs phone before minutes... toward on she athe long can Thank plane. speak. cord, you. slides it across the table to Renault. He hangs up, crosses toward RICK LASZLO a car that has just arrived. He salutes smartly( (to as he Laszlo) recognizes RICK Renault alighting from the car, closely There's Justfollowed thesomething same, bycall Rick, you the hand should airport in pocket. Laszlo and Ilsa emerge know andfrom let before the me hear rear. you leave. you tell them. And remember -- this gun is pointed right RICK LASZLO at your heart. (indicating (sensing what the is orderly) coming) RENAULT Louis, M'sieur (as could Rick, he dials) you I do spare not ask thisyou man That to help explain is locate my anything. least the vulnerable luggage? spot. (into phone) RENAULT RICK Hello, But I'm (bows airport? going ironically) to-anyway. Captain It Renault Certainly might make calling Ricky. a difference from Anything Rick's toyou you cafe. say. later.There'll You saidbe you two knew Letters about of Ilsa Transit and me. for the Lisbon plane. He nods curtly There's to theto orderly, be no trouble who escorts aboutLaszlo off in the directionthem. of the --plane. Good. LASZLO Rick takes the Letters of Transit out of Yes. his pocket, hands them to Renault. CUT TO:

108. 109. 110. 111. INT. GERMAN CONSULATE - NIGHT RICK If you When the (harshly) don't plane mind, leaves, Louis, Louis. you Strasser is on fill Well, thein phone. she the tried names. everything to Renault shrugs. get those (smiles) Letters. But nothing That worked. else will make STRASSER Soit she even didmore her The plane's motors Hello... official. best to roar. convince hello... It slowly me What she taxis was was down the field. that?... still in love with me. That was A car comes speeding all overdown long RENAULT the ago, roadway but for toward your Rick and He hangs It Renault. up screams the Youreceiver sake think she topretended a ofstop. momentarily, everything. it wasn't presses -- a buzzer on his desk, then and again I let lifts her the pretend. receiver. She was Renault takesready out his to pen, stay RICK spreads in Casablanca the papers so on the fender of theyou car. could (in aleave. low STRASSER voice) Stay This where is Major youStrasser... are, Louis.Have a squad of police RICK meet me at ILSA Strasser alights the from Mr. Richard! airport and Mrs. theat car Victor once. andLaszlo. runs At once! toward Renault. Do you hear? She makes a move toward Rick. ILSA STRASSER Hanging up the What receiver, was (to the Rick) and meaning grabbing of that his cap, he hurriedly exits. ...Andcall? phone what about RICK you? You'll still(indicating be here -- Renault) Don't step in RENAULT front of him. DISSOLVE TO: Victor Laszlo RICK is on that plane. EXT. AIRPORT I'll NIGHT be all right, RICK Ilsa. You've He nods toward done thethat (wryly) plane, forwhich me. has reached the far end of The field the beaconand atop And isthe turning I(a thought radio moment, around. tower I was then) slowly forgotten. revolves its light, dimmed by a heavy And we'll fog. The always outline have of Paris theto transport plane is barely visible. remember. A few LASZLO STRASSER moments that were It is Why do ours. time you But to go, stand ifhere? we're Ilsa.Why honest NEAR THE HANGAR we don't DOOR both you know stop you him? belong with Ilsa looks atVictor. Rick for You the decided last time. that She once. speaks under her A uniformed orderly breath. This time is on it's RENAULT the mytelephone. turn. Ask M'sieur Rick. At this moment Laszlo walks ORDERLY ILSA up. Strasser makes Hello, God a step bless radio toward you, tower... Richard. the telephone Lisbon which is visible Tears have formed planein taking Ilsa's off eyes. in five She stands hesitating. Rick She turns, cuts in runs before minutes... toward shethe can Thank plane. speak. you. He hangs up, crosses toward RICK LASZLO a car that has just arrived. He salutes smartly(Letters (to as he Laszlo) recognizes in hand) Renault alighting from the car, closely There's M'sieur followed something Rick, by thank Rick, you you hand should forin pocket. Laszlo and Ilsa emerge know these. from before the rear. you leave. (significantly) And for everything. RICK LASZLO (indicating (sensing what the is There's a moment'scoming) orderly) pause as the two men look at one another. Louis, M'sieurcould Rick,you I do spare not ask thisyou man to help explain locate anything. LASZLO the luggage? And welcome back to the fight. (they shake RENAULT RICK hands) But I'm This time (bows going our ironically) to anyway. side will win. It Certainly might makeRicky. a difference Anything toyou you He turns and goes say. later. off You toward said the you plane. knew about Ilsa and me. He nods curtly to the orderly, RENAULT who escorts Laszlo off in the directionIof suppose the plane. you LASZLO know Rickthis takes isthe notLetters of Transit out of Yes. going his pocket, to be pleasant hands them for to either Renault. of us... and especially for you. I have to arrest you, of course.

109. 110. 111. 112. RICK STRASSER Hello... If When you the (harshly) don't plane Hello... mind, leaves, Louis, Louis. you fill in Well, she the tried names. everything to Renault shrugs. get those (smiles) Letters. RICK But nothing Thatthat else Put willdown! worked. make Soit she even didmore her The plane's motors official. best to roar. convince It slowly me she taxis was down the field. still in love STRASSER with me. That was A car comes speeding all over Give me down the long radio RENAULT the ago, roadway tower. but for toward your Rick and Renault. It screams You think sake she topretended a ofstop. everything. it wasn't -and I let her RICK pretend. She was Renault takesPut ready outdown his to pen, stay that RICK spreads in Casablanca phone orthe I'll papers so on the fender of theshoot. you car. could (in aleave. low voice) Stay where you are, Louis. Strasser pulls out a pistol RICK ILSA with his free hand and shoots Strasser quickly at alights Rick. Mr. from Richard! The and bullet Mrs. the car Victor misses. andLaszlo. runs Rick toward now shoots Renault. at Strasser, who crumples to the ground. She makes a move toward Rick. ILSA STRASSER Rick looks upward What at was (tothe the Rick) transport meaning of growing that smaller in the distance. ...Andcall? phone what about RICK you? You'll still(indicating be here -- Renault) He and Renault Don't bothstep turnin at RENAULT front the sound of him. of a car approaching. Four gendarmes Victor hurriedly Laszlo alight RICK is onand that run plane. to Renault, who turns to them. I'll be all right, RICK Ilsa. You've He nods toward done thethat (wryly) plane, forwhich me. has reached the far end of the field andAnd is turning I(a thought moment, around. RENAULT I was then) forgotten. And Major we'll Strasser's always have been Paris shot. to remember. A few LASZLO STRASSER moments that He looks at Rick. were It is Why do Rick ours. time youreturns But to go, stand ifhere? his we're Ilsa. gaze. Why honest His eyes are expressionless. we don't both you know stop you him? belong with Ilsa looks atVictor. Rick for You the decided last time. that She once. speaks under her breath. This time it's RENAULT my turn. Ask M'sieur Round up theRick. usual suspects. At this moment Laszlo walks ILSA up. Strasser makes God a step blesstoward you, GENDARME Richard. the telephone which is visible Tears just inside have formed the Yes, hangar in Captain. Ilsa's door.eyes. Rick She points stands the hesitating. revolver at Rick She turns, him. cuts in runs before toward shethe canplane. speak. LASZLO RICK Keep away (to Laszlo) (Letters fromin that hand) phone! There's Rick, M'sieur something thank you you should for Strasser stops know these. in his before tracks, you leave. looks at Rick, sees that he means business. (significantly) And for everything. LASZLO (sensing STRASSER what is There's a moment's(steely) coming) pause as the two men look at one another. I M'sieur would advise Rick, Iyou do not to ask you interfere to explainwith anything. LASZLO an officer of And Third the welcome Reich. back to the fight. (they shake RICK hands) But I'm This time going our RICK to anyway. side will win. It might I was willing make a difference to shoot Captain to you He turns and goes later. Renault... off You toward saidI'm and the youwilling plane. knew about to Ilsa and shoot you. me. RENAULT Strasser watches I suppose the plane you LASZLO in know agony. this His is not eyes dart toward the telephone. Yes. going He runs to be toward pleasant it, desperately for either grasps the receiver. of us... and especially for you. I have to arrest you, of course.

110. 111. 112. 113. His eyes follow the plane, RICK STRASSER which is now receding into the distance. When the Hello... (harshly) plane leaves, Louis. Hello... Well, she tried everything to Renault shrugs. get those Letters. RICK But nothing else Put I could that worked. use down! aSo trip... she did But her it The plane's motors best to doesn't roar. convince make It any slowly me she difference taxis was down the field. still our about in love bet, STRASSER with Louis. me.You That still was A car comes speeding all me Give owe over meten down the long thousand radio the ago, roadway tower. but francs. for toward your Rick and Renault. It screams sake she topretended a stop. it wasn't -and I let her RICK pretend. She was FADE OUT. ready Put down to that stay RICK in Casablanca phone or I'll so you could shoot. (in aleave. low The voice) End Stay where you are, Louis. Strasser pulls out a pistol ILSA with his free hand and shoots Strasser quickly at alights Rick. Richard! from The bullet the car misses. and runs Rick toward now shoots Renault. at Strasser, who crumples to the ground. She makes a move toward Rick. STRASSER Rick looks upward What at wasthe thetransport meaning of growing that smaller in the distance. phone call? RICK (indicating Renault) He and Renault Don't bothstep turnin at RENAULT front the sound of him. of a car approaching. Four gendarmes Victor hurriedly Laszlo alight is onand that run plane. to Renault, who turns to them. RICK He nods toward the(wryly) plane, which has reached the far end of the field andAnd is turning I thought around. RENAULT I was forgotten. Major Strasser's been shot. LASZLO STRASSER He looks at Rick. It is Why do Rick time youreturns to go,here? stand his Ilsa. gaze. Why His eyes are expressionless. don't you stop him? Ilsa looks at Rick for the last time. She speaks under her breath. RENAULT Ask M'sieur Round up theRick. usual suspects. ILSA Strasser makes God a step blesstoward you, GENDARME Richard. the telephone which is visible just inside the Yes, hangar Captain. door. Rick points the revolver at She turns, runs toward the plane. him. He leads the other three off. Rick and Renault look at each other. LASZLO RICK Keep away (Letters fromin that hand) phone! M'sieur Rick, RICK thank you for Strasser stops these. Thanks, in hisLouis. tracks, looks at Rick, sees that he means business. (significantly) And for everything. RENAULT (lightsSTRASSER a cigarette) There's a moment's Ricky, (steely) pause untilas this theaffair two men dies look at one another. down, I would itadvise might be youjust not as to well for interfere you towith disappear LASZLO an officer from of Casablanca. And Third the welcome Reich. I back understand to the fight. there's a Free (they French shake garrison hands)over at Bravvaville. This time our RICK If side you're will win. interested, I was willing I might to shoot be induced Captain He turns and goes to Renault... arrange off toward your and I'm the passage. willing plane. to shoot you. RENAULT RICK Strasser watches I suppose the (smiles) plane you in know agony. this His is not eyes dart toward the telephone. going My He Letters runs to be toward of pleasant Transit? it, desperately for either grasps the receiver. of us... and especially for you. I have to arrest you, of course.

111. 112. 113. His eyes follow the plane, RICK STRASSER which is now receding into the distance. When the Hello... Hello... plane leaves, Louis. Renault shrugs. RICK Put I could thatuse down! a trip... But it The plane's motors doesn't roar. makeIt any slowly difference taxis down the field. about our bet, STRASSER Louis. You still A car comes speeding Giveme owe meten down thethousand radio the roadway tower. francs. toward Rick and Renault. It screams to a stop. RICK FADE OUT. Put down that RICK phone or I'll shoot. (in a low The voice) End Stay where you are, Louis. Strasser pulls out a pistol with his free hand and shoots Strasser quickly at alights Rick. from The bullet the car misses. and runs Rick toward now shoots Renault. at Strasser, who crumples to the ground. STRASSER Rick looks upward What at wasthe thetransport meaning of growing that smaller in the distance. phone call? He and Renault both turn at RENAULT the sound of a car approaching. Four gendarmes Victor hurriedly Laszlo alight is onand that run plane. to Renault, who turns to them. He nods toward the plane, which has reached the far end of the field and is turning around. RENAULT Major Strasser's been shot. STRASSER He looks at Rick. Why do Rick youreturns stand here? his gaze. Why His eyes are expressionless. don't you stop him? RENAULT Ask M'sieur Round up theRick. usual suspects. Strasser makes a step toward GENDARME the telephone which is visible just inside the Yes, hangar Captain. door. Rick points the revolver at him. He leads the other three off. Rick and Renault look at each other. RICK Keep away from that phone! RICK Strasser stops Thanks, in hisLouis. tracks, looks at Rick, sees that he means business. RENAULT (lightsSTRASSER a cigarette) Ricky, (steely) until this affair dies down, I would itadvise might be youjust not as to well for interfere you towith disappear an officer from of Casablanca. the Third Reich. I understand there's a Free French garrison over at Bravvaville.RICK If you're interested, I was willing I might to shoot be induced Captain to Renault... arrange your and I'm passage. willing to shoot you. RICK Strasser watches the (smiles) plane in agony. His eyes dart toward the telephone. MyHe Letters runs toward of Transit? it, desperately grasps the receiver.

112. 113. His eyes follow the plane, STRASSER which is now receding into the distance. Hello... Hello... RICK I could Put thatuse down! a trip... But it doesn't make any difference about our bet, STRASSER Louis. You still Giveme owe meten thethousand radio tower. francs. RICK Put down that phone or I'll shoot. The End FADE OUT.

Strasser pulls out a pistol with his free hand and shoots quickly at Rick. The bullet misses. Rick now shoots at Strasser, who crumples to the ground. Rick looks upward at the transport growing smaller in the distance. He and Renault both turn at the sound of a car approaching. Four gendarmes hurriedly alight and run to Renault, who turns to them. RENAULT Major Strasser's been shot. He looks at Rick. Rick returns his gaze. His eyes are expressionless. RENAULT Round up the usual suspects. GENDARME Yes, Captain. He leads the other three off. Rick and Renault look at each other. RICK Thanks, Louis. RENAULT (lights a cigarette) Ricky, until this affair dies down, it might be just as well for you to disappear from Casablanca. I understand there's a Free French garrison over at Bravvaville. If you're interested, I might be induced to arrange your passage. RICK (smiles) My Letters of Transit?

113. His eyes follow the plane, which is now receding into the distance. RICK I could use a trip... But it doesn't make any difference about our bet, Louis. You still owe me ten thousand francs. FADE OUT. The End