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Global
21 October 2009

Co
m
to Coving
Uni

Journo
Debate

image source: worldjournalismincrisis.org


by Teodora Beleaga

W
orld renowned reporters, produc-
ers, editors, professional bloggers,
radio DJ’s and academics will gather
in Coventry on the 28th of October
in an attempt to answer the crafts’
currently most important question: “Is world jour-
nalism in crisis?”
The event is organised by senior journalism
lecturer John Mair on behalf of Coventry Univer-
sity and is sponsored by Richard Peel on behalf of
Camelot Plc and the industry’s essential website,
journalism.co.uk.

“superb line-up @journalismnews) and the entire event will be live


web-cast.”
from the industry The Humber Lecture Theatre will accommodate
speakers from four different continents (Europe,

on an extremely America, Africa and Asia), either in person or by


video-chat. Producer of the conference, John

timely subject”
Mair confessed: “I am delighted. The big names
are coming to Coventry via modern technology
to discuss the big issues. This is exactly where a
Judith Townend, speaker for the event and re- modern university should be - at the heart of the
porter for journalism.co.uk said: “Journalism.co.uk contemporary debate”.
is thrilled to be supporting an event with such a The global conference starts at 2pm on the 28th
superb line-up from the industry on an extremely of October in the Humber Theatre. It is free and
timely subject. We’re looking forward to hearing a open to all. For more details on speakers and reg-
global mix of views from the academics and jour- istration please visit www.worldjournalismincrisis.
nalists - and we’re especially interested to see if org .
there will be any crisis-deniers in their midst. The
interactive element is equally exciting: we’ll be Follow the Buzz for a Special Edition on the Con-
gathering audience questions via Twitter (follow ference on the 29th of October 2009
Jon Snow follows Murdoch’s
trend on news charge
by Teodora Beleaga

picture courtesy of Pete Woodbridge


„„ Access to news content, espe- tent available and easy accessible to
cially professional journalistic content everyone across the globe. However,
posted on the internet should be paid content quality is the main debat-
for, argued Jon Snow, Channel 4’s Face able issue on this matter. For the time
of the News last week. being, both Murdoch and Snow say a
“Free news on the internet... I think fee would suggests a better quality.
it’s fine; but if you are looking for very Arguing that charging for content
high quality, specific information about on the internet will be the only way
something, then you have to pay for it.” journalists will still make a living in
said Snow at the Coventry Cathedral, the future, Snow thinks people will
during a Coventry Conversation lecture find news subscriptions natural. “I Jon Snow speaking at the Cathedral
he lead as a visiting professor. think there will always be free informa-
Jon Snow’s comment on charging tion on the internet, but if you want Channel 4 news, very very little, maybe
news on the internet follows a rather guaranteed information, of high qual- 10 cents, 10p a night or 5p a night. A
intriguing craft’s trend set by the Mur- ity, then I think you may have to pay million and a half 10ps will go a long
dochs, especially in response to the for it; and we will need you to pay for way, every night.” He pushed this
biggest news search engine, Google, it, either wise we won’t be able to earn example even further commenting on
who gives anyone free access to read a living.” how critical the subscription fee would
the news. Google even created the Moving from paid for internet news be for journalists and media producers:
Google Reader, about two years ago, content to news on TV, Jon Snow said: “Seven million a week 10ps might keep
in an attempt to make internet con- “I think actually people will pay for us alive.”

Interested in Radio?

Being one of the presenters that
Just do it!

image source: wilsonhs.org


started worked with Radio 6Music
image source: bbc.co.uk

since its early beginnings, its “just


gone-digital” days, he still believes
there’s a future for radio, especially for
digital radio. As he puts it: “Digital radio
is an ever expandable field, because
one can create niches of types of listen-
BBC’s Gideon Coe ers”. The role of a radio like 6Music is
by Diana Teodora Popovici quite important, claims Coe, as “the
amount of music released these days
„„ Radio 6Music’s presenter, Gideon is huge and most of the good and you love it.”
Coe, starred at last Wednesday’s Coven- talented artists get lost in the ocean of Coe admits that starting work with
try Conversation. releases”. 6Music captures those tunes a radio station can be difficult, so he
He shared with Coventry students a so that listeners can enjoy them and recommends students to: “Go where
few moments of his career as a sport good-artists don’t have to suffer. you can, do what you can, often for no
journalist, as well as a radio presenter. For Coventry students he recom- money. BBC radio might be hard to get
He reminisced his Glastonbury days, mended working in radio only for into, but commercial radios such as
being sent there as a journalist, de- those really interested in doing radio: Kerrang! for example, which is based in
scribing them as both fun and exhaust- “You shouldn’t go to work for a radio Birmingham, should also be taken into
ing days. just for the sake of it... you should go if account.”
The student and staff newsletter of the Media and
Communications department of Coventry School
of Art and Design
Edited by Teo Beleaga
Submissions invited to teo.beleaga@gmail.com
With many thanks to Pete Woodbridge, Diana Popovici
and John Mair.

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