Beruflich Dokumente
Kultur Dokumente
Rolland Golden: Life, Love, and Art in the French Quarter, page 7
Contents
20 Alexander Payne: Interviews 28 Anywhere But Here 27 The Architecture of William Nichols 16 Asian Comics 4 Assassins, Eccentrics, Politicians, and Other Persons of Interest 17 Autobiographical Comics 20 Baz Luhrmann: Interviews Behold the Proverbs of a People 33 19 Black and Brown Planets 16 Boys Love Manga and Beyond 12 The Civil War in Mississippi 18 Clockwork Rhetoric The Complete Folktales of A. N. Afanasev 32 22 Conversations with Jerome Charyn 6 Conversations with Steve Martin 30 Critical Interventions in Caribbean Politics and Theory 15 Dave Sim: Conversations eath, Disability, and the Superhero 18 D 9 Ed Kings Mississippi 23 Eleanor H. Porters Pollyanna 23 Faulkner and Film 25 Free Jazz/Black Power 29 Gone to the Grave 30 The Grenada Revolution 21 Harmony Korine: Interviews He Stopped Loving Her Today 13 19 Hearths of Darkness 15 Howard Chaykin: Conversations 14 Insider Histories of Cartooning 17 Japanese Animation 13 Joan Blondell 10 The Lakes of Pontchartrain 24 Listen to This: Miles Davis and Bitches Brew 5 A Mickey Mouse Reader 2 Mississippi Eyes 12 Mississippi in the Civil War 26 The Mississippi Secession Convention 31 The Music of the Netherlands Antilles 24 Negotiating Difference in French Louisiana Music 11 Perilous Place, Powerful Storms 21 Peter Bogdanovich: Interviews 29 The Port Royal Experiment 6 Rolland Golden 1 The Search for Good Wine 28 Searching for the New Black Man 14 Seth: Conversations 4 Song of My Life: A Biography of Margaret Walker 27 Southern Ladies and Suffragists 26 The State of Health and Health Care in Mississippi 25 Time in Television Narrative To Write in the Light of Freedom 8 Until You Are Dead, Dead, Dead 10 32 A Vulgar Art 5 Walt before Mickey 8 Wednesdays in Mississippi
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The paper in the books published by the University Press of Mississippi meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. Postmaster: University Press of Mississippi. Issue date: June 2014. Two times annually (January, June), plus supplements. Located at: University Press of Mississippi, 3825 Ridgewood Road, Jackson, MS 39211-6492. Promotional publications of the University Press of Mississippi are distributed free of charge to customers and prospective customers: Issue number: 2 Illustrations and photographsFront cover: Windsor Christmas, 1970, by Rolland Golden, courtesy Rolland Golden; back cover: Jim Boebel and a local man mount shotgun watch in the front room of the community center. Firebombing by the Ku Klux Klan was an ever-present danger. Library books were donated by Friends of SNCC groups in the North. Matt Herron
WINE FOOD
The Search for Good Wine is a highly entertaining and informative book on all aspects of wine and its consumption by nationally syndicated wine columnist John Hailman, author of the critically acclaimed Thomas Jefferson on Wine. Hailman explores the wine-drinking experiences and tastes of famous wine lovers from jolly Ben Franklin and the surprisingly enthusiastic George Washington to Julius Caesar, Sherlock Holmes, and Ernest Hemingway among numerous other famous figures. Hailman also recounts in fascinating detail the exotic life of the founder of the California wine industry, Hungarian Agoston Haraszthy, who introduced Zinfindel to the United States. Hailman gives calm and reliable guidance on how to deal with snobby wine waiters and how to choose the best wine books and travel guides. He simplifies the ABCs of winegrape types from the delicate Pinot Noirs of Oregon to the robust Malbecs of Argentina and from the vibrant new whites of Spain to the great reds (old and new) of Italy. The entire book is dedicated to finding values in wine. As Hailman says, Everyone always wants to know one basic thing: How can you get the best possible wine for the lowest possible price? His new book is highly practical and effective in answering that eternal question and many more about wine. A judge at the top international wine competitions for over thirty years, Hailman examines those experiences and the value of blind tastings. He gives insightful tips on how to select a good wine store, how to decipher wine labels and wine lists, and even how to extract unruly Champagne corks without crippling yourself or others. Hailman simplifies wine jargon and effectively demystifies the culture of wine fascination, restoring the consumption of wine to the natural pleasure it really should be. John Hailman, Oxford, Mississippi, has worked as a wine consultant, a nationally syndicated weekly wine columnist, and a regular wine judge for over twenty years. He is also a retired federal prosecutor at the U.S. Attorneys office in Oxford, Mississippi. He is the author of Thomas Jefferson on Wine and From Midnight to Guntown, both from University Press of Mississippi.
OCTOBER, 240 pages (approx.), 6 x 9 inches, bibliography, index Cloth $29.95T 978-1-62846-136-7 Ebook available
T ips for choosing the right wine for the right occasion S tories of famous wine lovers such as Thomas Jefferson and Benjamin Franklin I nformation on some of the most famous and lesser-known wines Suggestions on where to enjoy good wine E xplanation of wine terminology Tips for buying, serving, and storing good wine
INCLUDES
John Hailman (right) with Monticello winemaker Gabriele Rausse in the restored Monticello vineyards, courtesy the author.
Mississippi Eyes
The Story and Photography of the Southern Documentary Project Matt Herron Foreword by John Dittmer
Mississippi Eyes is the chronicle of the events and the powerful witness of five young photographers in the Southern Documentary Project, working during the pivotal summer of 1964 in the segregated South. Together they captured the sometimes violent, sometimes miraculous process of social change as segregation resisted then gave way to a new beginning toward social justice. With 160 black-and-white photographs, this book begins in the winter mud of the Mississippi Delta and ends in Atlantic Citys convention hall as the Mississippi Freedom Democratic Party delegation challenged the official Mississippi delegates to the National Democratic Convention. The Southern Documentary Project was the brain child of Matt Herron, a budding photojournalist who had moved with his family to Mississippi in 1963 to work in civil rights and shoot picture stories for Life, Look, and the Saturday Evening Post. Drawing on advice from his friend, legendary documentary photographer Dorothea Lange, he pulled together a shoestring budget, recruited photographers with civil rights experience, and completed the summer with a file of unforgettable photographs. Along the way, Southern Documentary photographers suffered beatings and nearly died at the hands of a sheriffs posse in Selma, Alabama. They documented elsewhere a moving service in a sharecroppers church and captured inspirational encounters between Ivy League student teachers and black children in Freedom Schools. They followed the heartbreaking struggle of a young boy to confront the murder of his older brother by Klansmen. Mississippi Eyes is the only book to provide a firsthand account of what it was actually like to photograph the civil rights struggle in the Deep South. Matt Herron, San Rafael, California, has been a photographer, writer, and photojournalist for most of his life. He has been an ocean voyager, an environmental activist (with Greenpeace), a welder, and a labor organizer. Today he directs Take Stock, a stock photography agency specializing in historical civil rights and farm labor images.
AVAILABLE, 144 pages, 10 x 10 inches, 160 b&w photographs, foreword, appendix, index Cloth $45.00T 978-1-933945-18-7 Distributed for Talking Fingers Publications
IN WORDS AND PICTURES THE INCREDIBLE STORY OF PHOTOGRAPHERS DOCUMENTING THE FREEDOM SUMMER
CHANGE THROUGHOUT
Left then clockwise: Matt Herron, Philadelphia, Mississippi, 1965 Bob Fitch; Edie Black with some of her students Matt Herron; Mississippi Freedom Democratic Party supporter on the Atlantic City Boardwalk George Ballis; Reverend J. J. Russell giving the invocation Matt Herron
Song of My Life
Carolyn J. Brown
Margaret Walker (19151998) has been described as the most famous person nobody knows. This is a shocking oversight of an award-winning poet, novelist, essayist, educator, and activist as well as friend and mentor to many prominent African American writers. Song of My Life reintroduces Margaret Walker to readers by telling her storyone that many can relate to as she overcame obstacles related to race, gender, and poverty. Walker was born in 1915 in Birmigham, Alabama, to parents who prized THE FIRST BIOGRAPHY education above all else. Obtaining that OF THE MUCH ADMIRED education was not easy for either her AUTHOR OF THE NOVEL parents or herself, but Walker went on to earn both her masters and doctorJUBILEE AND THE POEM ate from the University of Iowa. WalkFOR MY PEOPLE ers journey to become a nationally known writer and educator is an incredible story of hard work and perseverance. Her years as a public figure connected her to Richard Wright, Langston Hughes, Alex Haley, and a host of other important literary and historical figures. Song of My Life opens with her family and those who inspired herher parents, her grandmother, her most important teachers and mentorsall significant influences on her reading and writing life. Chapters trace her path over the course of the twentieth century as she travels to Chicago and becomes a member of the South Side Writers Group with Richard Wright. She was accepted into the newly created Master of Fine Arts Program at the University of Iowa. Back in the South, she pursues and achieves her dream of becoming a writer and college educator as well as wife and mother. Walker struggles to support herself, her sister, and later her husband and children, but she overcomes financial hardships, prejudice, and gender bias and achieves great success. She penned the acclaimed novel Jubilee, received numerous lifetime achievement awards, and was a beloved faculty member for three decades at Jackson State University in Jackson, Mississippi. Carolyn J. Brown, Jackson, Mississippi, is a writer, editor, and independent scholar. She is the author of A Daring Life: A Biography of Eudora Welty and has taught at Elon University, the University of North CarolinaGreensboro, and Millsaps College.
NOVEMBER, 144 pages (approx.), 6 x 9 inches, 93 b&w illustrations, chronology, appendices, bibliography, index Cloth $20.00T 978-1-62846-147-3 Ebook available
BIOGRAPHY ANIMATION
NEW IN PAPERBACK
Disneys Early Years, 19191928 Timothy S. Susanin Foreword by Diane Disney Miller
For ten years before the creation of Mickey Mouse, Walt Disney struggled with, failed at, and eventually mastered the art and business of animation. Most biographies of his career begin in 1928, when Steamboat Willie was released. That first Disney Studio cartoon with synchronized sound made its main characterMickey Mousean icon for generations. But Steamboat Willie was neither Disneys first cartoon nor Mickey Mouses first appearance. Prior to this groundbreaking achievement, Walt THE UNTOLD STORY Disney worked in a variety of venues OF TEN CRITICAL, and studios, refining what would become known as the Disney style. In FORMATIVE YEARS IN Walt before Mickey, 19191928, TimTHE GREAT othy Susanin creates a portrait of the PRODUCERS LIFE artist from age seventeen to the cusp of his international renown. After serving in the Red Cross in France after World War I, Walt Disney worked for advertising and commercial art in Kansas City. Disney used these experiences to create four studiosKaycee Studios, Laugh-O-gram Films, Disney Brothers Studio, and Walt Disney Studio. Using company documents, private correspondence between Disney and his brother Roy, contemporary newspaper accounts, and new interviews with Disneys associates, Susanin traces Disneys path. The author shows Disney to be a complicated, resourceful man, especially during his early career. Walt before Mickey, a critical biography of a man at a crucial juncture, provides the missing decade that started Walt Disneys career and gave him the skills to become a name known worldwide. Timothy S. Susanin, Villanova, Pennsylvania, is the general counsel of a Fortune 500 company, and a former federal prosecutor, Navy JAG, and television legal commentator. His work in animation history and criticism has been published in Didier Ghezs Walts People volumes and on MichaelBarrier.com.
SEPTEMBER, 384 pages, 6 x 9 inches, 50 b&w illustrations, foreword, bibliography, index Paper $25.00T 978-1-62846-163-3 Ebook available
Ranging from the playful to the factfilled and the thoughtful, this collection tracks the fortunes of Walt Disneys flagship character. From the first fullfledged review of his screen debut in November 1928 to the present day, Mickey Mouse has won millions of fans THE FIRST ANTHOLOGY and charmed even the harshest of critTO CHART THE DISNEY ics. Almost half of the eighty-one texts in A Mickey Mouse Reader document CHARACTERS ASCENT the Mouses rise to glory from that first TO THE RANK OF cartoon, Steamboat Willie, through GLOBAL ICON his seventh year when his first color animation, The Band Concert, was released. They include two important early critiques, one by the American culture critic Gilbert Seldes and one by the famed English novelist E. M. Forster. Articles and essays chronicle the continued rise of Mickey Mouse to the rank of true icon. He remains arguably the most vivid graphic expression to date of key traits of the American characterpluck, cheerfulness, innocence, energy, and fidelity to family and friends. Among press reports in the book is one from June 1944 that puts to rest the urban legend that Mickey Mouse was a password or code word on D-Day. It was, however, the password for a major pre-invasion briefing. Other items illuminate the origins of Mickey Mouse as a term for things deemed petty or unsophisticated. One piece explains how Walt and brother Roy Disney, almost single-handedly, invented the strategy of corporate synergy by tagging sales of Mickey Mouse toys and goods to the release of Mickeys latest cartoon shorts. In two especially interesting essays, Maurice Sendak and John Updike look back over the years and give their personal reflections on the character they loved as boys growing up in the 1930s. Garry Apgar, Bridgeport, Connecticut, is an art historian and former cartoonist and journalist. He is the author of Mickey Mouse: Emblem of the American Spirit and coauthor of The Newspaper in Art.
OCTOBER, 336 pages (approx.), 6 x 9 inches, 12 b&w illustrations, introduction, appendices, bibliography, index Cloth $35.00T 978-1-62846-103-9 Ebook available
Rolland Golden
Rolland Golden
In the early twentieth century, the French Quarter had become home to a vibrant community of working artists attracted to the atmosphere, architecture, and colorful individuals who populated the scene (and who also became some of its first preservationists). Louisiana native Rolland Golden was one of these artists to live, work, and raise a family in this most storied corner of New Orleans. Replete with ninety-four black-and-white and fifty-four color photographs and illustrations, many never before seen, his memoir of that AN EXTRAORDINARY life focuses on the period of 1955 to RECOLLECTION OF 1976. Golden, a painter, discusses the particular challenges of making a living HOW AN ARTIST LIVED from art, and his story becomes a family AND WORKED IN THE affair involving his daughters and his FRENCH QUARTER beloved wife, Stella. BEFORE ITS GENTRIFI Goldens studio sat in a patio on Royal Street, around the corner from CATION Preservation Hall where old-time musicians played Dixieland Jazz. Golden sketched and painted many of them in a visual style that encompassed realism and gradually developed into abstract realism. Golden recalls work that he did in historic preservation, sketching architecture for publications such as the Vieux Carre Courier, and he relates his studies with renowned regionalist painter John McCrady. The artist frankly discusses his experiences with the display, representation, and sale of his work, presenting a little-explored yet crucial part of a working artists life. The memoir concludes with Golden and his wife traveling to the premiere of his exhibition in Moscow, having been selected by a Russian envoy as the only American artist to have a one-man touring exhibition in the former Soviet Union.
Rolland Golden, Folsom, Louisiana, and Natchez, Mississippi, has won countless awards from New York to California. He has held over one hundred one-man shows in galleries, cultural centers, and museums in the United States. His works reside in museums such as the New Orleans Museum of Art; the Pushkin Museum, Moscow; and the Ogden Museum of Southern Art.
SEPTEMBER, 368 pages (approx.), 6 x 9 inches, 94 b&w photographs/illustrations, 54 color illustrations Cloth $35.00T 978-1-62846-128-2 Ebook available Left then clockwise: Worn Out, 1973; Tomatoes, Lady, 1961; Rolland painting in Burgundy St. studio, 1967; courtesy Rolland Golden.
Wednesdays in Mississippi
Debbie Z. Harwell
As tensions mounted before Freedom Summer, one organization tackled the divide by opening lines of communication at the request of local women: Wednesdays in Mississippi (WIMS). Employing an unusual and deliberately feminine approach, WIMS brought interracial, interfaith teams of northern middle-aged, middle- and upper-class women to Mississippi to meet with their southern counterparts. Sponsored by the National Council of Negro Women (NCNW), WIMS operated on the belief that the northern participants gender, age, and class would serve as an entre to southerners who had dismissed other civil rights activists as radicals. The WIMS teams respectable appearance and quiet approach enabled THE STORY OF BRAVE them to build understanding across race, region, and WOMEN WHO MET religion where other overtures had failed. TO BUILD BRIDGES The only civil rights program created for women by women as part of a national organization, WIMS BETWEEN THE offers a new paradigm through which to study civil RACES AND END rights activism, challenging the stereotype of FreeSEGREGATION dom Summer activists as young student radicals and demonstrating the effectiveness of the subtle approach taken by these women. The book delves into the motivations for womens civil rights activism and the role religion played in influencing supporters and opponents of the civil rights movement. Lastly, it confirms that the NCNW actively worked for integration and black voting rights while also addressing education, poverty, hunger, housing, and employment as civil rights issues. After successful efforts in 1964 and 1965, WIMS became Workshops in Mississippi, which strived to alleviate the specific needs of poor women. Projects that grew from these efforts still operate today. Debbie Z. Harwell, Kingwood, Texas, teaches in the Honors College at the University of Houston and serves as the managing editor of Houston History. Her work has appeared in the Journal of Southern History.
SEPTEMBER, 256 pages (approx.), 6 x 9 inches, appendix, bibliography, index Printed casebinding $65.00S 978-1-62846-095-7 Ebook available
MEDIA STUDIES
Ed Kings Mississippi
Rev. Ed King and Trent Watts
A COLLECTION AND
EXAMINATION OF THE
William Sturkey, Chapel Hill, North Carolina, is a postdoctoral fellow in the Department of History at the University of North Carolina at Chapel Hill. His work has appeared in the Journal of Mississippi History and the Journal of African American History. Jon N. Hale, Charleston, South Carolina, is an assistant professor at the College of Charleston in South Carolina. His work has appeared in the Journal of African American History, History of Education Quarterly, South Carolina Historical Magazine, and Journal of Social Studies Research.
FEBRUARY, 176 pages (approx.), 6 x 9 inches, 25 b&w illustrations, introduction, index Printed casebinding $40.00S 978-1-62846-188-6 Ebook available Margaret Walker Alexander Series in African American Studies
Ed Kings Mississippi: Behind the Scenes of Freedom Summer features more than forty unpublished black-and-white photographs and substantial writings by the prominent civil rights activist Rev. Ed King. The images and text provide a unique perspective on Mississippi during the summer of 1964. Taken in Jackson, Greenwood, and Philadelphia, the photographs showcase informal images of Martin Luther King Jr., Andrew Young, Mississippi civil rights workers, and college student volunteers in the movement. Ed Kings AN EXTRAORDINARY PHOwritings offer background and insights on the motivations and work of Freedom Summer TOGRAPHIC DOCUMENTARY volunteers, on the racial climate of Mississippi FROM BEHIND THE SCENES during the late 1950s and 1960s, and on the DURING THE STRUGGLE FOR grassroots efforts by black Mississippians to CIVIL RIGHTS enter the political arena and exercise their fundamental civil rights. King, a native of Vicksburg and a Methodist minister, was a founder of the Mississippi Freedom Democratic Party and a key figure in the civil rights movement in the 1960s. As one of the few white Mississippians with a leadership position in the movement, his words and photographs offer a rare behind-the-scenes chronicle of events in the state during Freedom Summer. Historian Trent Watts furnishes a substantial introduction to the volume and offers background on the Freedom Summer campaign as well as an overview of Kings civil rights activism from the late 1950s to the present day. Rev. Ed King, Jackson, Mississippi, was a major figure in the civil rights movement in Mississippi. A chaplain at Tougaloo College, he also became a key leader of the Mississippi Freedom Democratic Party (MFDP). In the 1963 Freedom Vote mock campaign and election, King ran for lieutenant governor and Aaron Henry, president of the Mississippi NAACP, ran for governor. King was an MFDP delegate to the 1964 and 1968 Democratic National Conventions and helped found the Mississippi Civil Liberties Union. Trent Watts, Rolla, Missouri, is associate professor of American studies at the Missouri University of Science and Technology. He is the author of One Homogeneous People: Narratives of White Southern Identity, 18901920 and White Masculinity in the Recent South.
OCTOBER, 176 pages (approx.), 8 x 8 inches, 42 b&w photographs, introduction, bibliography, index Cloth $40.00T 978-1-62846-115-2 Ebook available
NEW IN PAPERBACK
NEW IN PAPERBACK
An Unexpected Bayou Country History 18221946: Pioneer Families: Terrebonne Parish, Louisiana Christopher E. Cenac Sr., M.D., F.A.C.S., with Claire Domangue Joller Foreword by Clifton Theriot, C.A.
Cloth $69.95T 978-0-9897594-0-3 Ebook available A 2014 Louisiana Endowment for the Humanities Book of the Year
The History and Passion of Latino Cooking Zella Palmer Cuadra Photography by Natalie Root Foreword by Chef Adolfo Garcia
Improvised Responses to Katrina and Rita Edited by Barry Jean Ancelet, Marcia Gaudet, and Carl Lindahl
Louisiana.
OCTOBER, 208 pages, 6 x 9 inches, 8 b&w illustrations, 18 maps, bibliography, index Paper $30.00S 978-1-62846-167-1 Ebook available
The Lombard Plantation House in New Orleanss Bywater S. Frederick Starr Photography and illustrations by Robert S. Brantley
NEW IN PAPERBACK
NEW IN PAPERBACK
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NEW IN PAPERBACK
NEW IN PAPERBACK
Joan Blondell
Matthew Kennedy
Joan Blondell: A Life Between Takes is the first major biography of the effervescent, scene-stealing Joan Blondell (19061979), who conquered motion pictures, vaudeville, Broadway, summer stock, television, and radio. Born the child of itinerant vaudevillians, she was on stage by age three. With her casual sex appeal, distinctive cello voice, megawatt smile, luminous saucer eyes, and flawless timing, she came into widespread fame in Warner Bros. THE FIRST MAJOR musicals and comedies of the 1930s, including Blonde Crazy, Gold Diggers BIOGRAPHY OF AN of 1933, and Footlight Parade. ACTRESS WITH A Frequent costar to James Cagney, LONG AND LUSTROUS Clark Gable, Edward G. Robinson, and CAREER Humphrey Bogart; friend to Judy Garland, Barbara Stanwyck, and Bette Davis; and wife of Dick Powell and Mike Todd, Joan Blondell was a true Hollywood insider. By the time of her death, she had made nearly 100 films in a career that spanned over fifty years. Privately, she was unerringly loving and generous, while her life was touched by financial, medical, and emotional upheavals. Meticulously researched, expertly weaving the public and private, and featuring numerous interviews with family, friends, and colleagues, Joan Blondell: A Life Between Takes traces the changing face of twentieth-century American entertainment through the career of this extraordinary actress. Matthew Kennedy teaches anthropology at the City College of San Francisco and film history at the San Francisco Conservatory of Music. He is the author of Marie Dressler: A Biography and Edmund Gouldings Dark Victory: Hollywoods Genius Bad Boy.
SEPTEMBER, 312 pages, 6 x 9 inches, 28 b&w illustrations, filmography, bibliography, index Paper $25.00T 978-1-62846-181-7 Ebook available Hollywood Legends Series
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Seth
14
NEW IN PAPERBACK
NEW IN PAPERBACK
Dave Sim
Howard Chaykin
Conversations Edited by Brannon Costello
One of the most distinctive voices in mainstream comics since the 1970s, Howard Chaykin (b. 1950) has earned a reputation as a visionary formal innovator and a compelling storyteller whose comics offer both pulp-adventure thrills and thoughtful engagement with real-world politics and culture. His body of work is defined by the belief that comics can be a vehicle for sophisticated adult entertainment and for narratives that utilize the mediums unique properties to explore serious themes with intelligence and wit. THE REALITY IS Beginning with early interviews in THAT I DONT FEEL fanzines and concluding with a new interview conducted in 2010 with the LIKE DOING MORE volumes editor, Howard Chaykin: ConCOMPLEX MATERIAL versations collects widely ranging disIS STEPPING AWAY cussions from Chaykins earliest days as FROM MY ORIGINAL an assistant for such legends as Gil Kane and Wallace Wood to his recent GOALS OF BEING AN work on titles including Dominic ForENTERTAINER. tune, Challengers of the Unknown, and American Century. The book includes 35 line illustrations selected from Chaykin, as well. As a writer/artist for outlets such as DC Comics, Marvel Comics, and Heavy Metal, he has participated in and influenced many of the major developments in mainstream comics over the past four decades. He was an early pioneer in the graphic novel format in the 1970s, and his groundbreaking sci-fi satire American Flagg! was an essential contribution to the maturation of the comic book as a vehicle for social commentary in the 1980s. Brannon Costello, Saint Gabriel, Louisiana, is associate professor of English at Louisiana State University and the coeditor with Qiana J. Whitted of Comics and the U.S. South (published by University Press of Mississippi).
DECEMBER, 328 pages, 6 x 9 inches, 35 b&w illustrations, introduction, chronology, index Paper $30.00S 978-1-62846-177-0 Ebook available Conversations with Comic Artists Series
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Asian Comics
John A. Lent
Grand in its scope, Asian Comics dispels the myth that, outside of Japan, the continent is nearly devoid of comic strips and comic books. Relying on his fifty years of Asian mass communication and comic art research, during which he traveled to Asia at least seventy-eight times and visited many studios and workplaces, John A. Lent shows that nearly every country had a golden age of cartooning and has experienced a recent rejuvenation of the art form. THE WIDE-RANGING, AUTHORITATIVE STORY As only Japanese comics output has received close and by now voluOF THRIVING COMICS minous scrutiny, Asian Comics tells the PRODUCTION AND story of the major comics creators outside of Japan. Lent covers the nations CREATIVITY IN ASIA and regions of Bangladesh, Cambodia, China, Hong Kong, India, Indonesia, Korea, Malaysia, Myanmar, Nepal, the Philippines, Singapore, Sri Lanka, Taiwan, Thailand, and Vietnam. Organized by regions of East, Southeast, and South Asia, Asian Comics provides 178 black and white illustrations and detailed information on comics of sixteen countries and regionstheir histories, key creators, characters, contemporary status, problems, trends, and issues. One chapter harkens back to predecessors of comics in Asia, describing scrolls, paintings, books, and puppetry with humorous tinges, primarily in China, India, Indonesia, and Japan. The first overview of Asian comic books and magazines (both mainstream and alternative), graphic novels, newspaper comic strips and gag panels, plus cartoon/humor magazines, Asian Comics brims with facts, fascinating anecdotes, and interview quotes from many pioneering masters, as well as younger artists. John A. Lent, Drexel Hill, Pennsylvania, has founded and chaired or edited numerous organizations and periodicals, including Asia and Pacific Animation and Comics Association, Asian Research Center on Animation and Comic Art, Asian Popular Culture group of the Popular Culture Association, Asian Cinema Studies Society, Malaysia/Singapore/Brunei Studies Group, the International Journal of Comic Art, and Asian Cinema. He is the author or editor of seventy-six books.
JANUARY, 400 pages (approx.), 8 x 11 inches, 178 b&w illustrations, bibliography, index Printed casebinding $60.00S 978-1-62846-158-9 Ebook available
In recent decades, Boys Love (or simply BL) has emerged as a mainstream genre in manga, anime, and games for girls and young women. This genre was first developed in Japan in the early 1970s by a group of female artists. By the late 1970s, many amateur women A CRITICAL EXAMfans were getting involved and creINATION OF THE ating and self-publishing homoerotic BEAUTIFUL BOY parodies of established male manga characters and popular media figures. LOVE COMICS THAT The popularity of these encouraged ENTHRALLED FANS a surge in the number of commercial IN JAPAN AND THEN titles. Today, a wide range of products, produced both by professionals and WORLDWIDE amateurs, is rapidly gaining a global audience. This collection provides the first comprehensive overview in English of the BL phenomenon in Japan, its history and various subgenres and introduces translations of some key Japanese scholarship not otherwise available. Boys Love Manga and Beyond looks at a range of literary, artistic, and other cultural products that celebrate the beauty of adolescent boys and young men. In Japan, depiction of the beautiful boy has long been a romantic and sexualized trope for both sexes and commands a high degree of cultural visibility today across a range of genres from pop music to animation. Mark McLelland, Corrimal, New South Wales, Australia, is professor of gender and sexuality studies at the University of Wollongong. Kazumi Nagaike, Oita, Japan, is associate professor in the Center for International Education and Research at Oita University. Katsuhiko Suganuma, Okayama, Japan, is a lecturer in the school of humanities at the University of Tasmania. James Welker, Naka-ku, Japan, is associate professor of cross-cultural studies at Kanagawa University.
FEBRUARY, 304 pages (approx.), 6 x 9 inches, 42 b&w illustrations, introduction, bibliography, index Printed casebinding $65.00S 978-1-62846-119-0 Ebook available
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ANIMATION JAPAN
NEW IN PAPERBACK
NEW IN PAPERBACK
Japanese Animation
East Asian Perspectives Edited by Masao Yokota and Tze-yue G. Hu
Contributions by Kenny K. N. Chow, Sheuo Hui Gan, Hiroshi Ikeda, Sonoko Ishida, Tokumitsu Kifune, Joon Yang Kim, Dong-Yeon Koh, Masashi Koide, Akiko Sano, Akiko Sugawa-Shimada, Nobuyuki Tsugata, Yasushi Watanabe, and Makiko Yamanashi
Autobiographical Comics
Life Writing in Pictures Elisabeth El Refaie
A troubled childhood in Iran. Living with a disability. Grieving for a dead child. Over the last forty years the comic book has become an increasingly popular way of telling personal stories of considerable complexity and depth. In Autobiographical Comics: Life Writing in Pictures, Elisabeth El Refaie offers a long overdue assessment of the key conventions, formal properties, and narrative patterns of this fascinating genre. The book considers eighty-five works of North American and European provenance, works that cover a broad A FRUITFUL READING range of subject matters and employ OF THE BEST NORTH many different artistic styles. Drawing on concepts from several AMERICAN AND disciplinary fieldsincluding semiotEUROPEAN AUTOics, literary and narrative theory, art hisBIOGRAPHICAL tory, and psychologyEl Refaie shows COMICS that the traditions and formal features of comics provide new possibilities for autobiographical storytelling. For example, the requirement to produce multiple drawn versions of ones self necessarily involves an intense engagement with physical aspects of identity, as well as with the cultural models that underpin body image. The comics medium also offers memoirists unique ways of representing their experience of time, their memories of past events, and their hopes and dreams for the future. Furthermore, autobiographical comics creators are able to draw on the close association in contemporary Western culture between seeing and believing in order to persuade readers of the authentic nature of their stories. Elisabeth El Refaie, Cardiff, United Kingdom, is a senior lecturer at Cardiff University. Her work has been published in Studies in Comics, Visual Studies, and HUMOR: International Journal of Humor Research, among other periodicals.
DECEMBER, 282 pages, 6 x 9 inches, 37 b&w illustrations, bibliography, index Paper $30.00S 978-1-62846-174-9 Ebook available
Japanese Animation: East Asian Perspectives makes available a selection of viewpoints from media practitioners, designers, educators, and scholars working in the East Asian Pacific. This collection not only engages a multidisEAST ASIAN CRITIQUES ciplinary approach in understanding AND DISCUSSION OF A the subject of Japanese animation but also shows ways to research, teach, and POWERFUL JAPANESE more fully explore this multidimenEXPORT AND POPULAR sional world. ART FORM Presented in six sections, the translated essays cross-reference each other. The collection adopts a wide range of critical, historical, practical, and experimental approaches. This variety provides a creative and fascinating edge for both specialist and nonspecialist readers. Contributors works share a common relevance, interest, and involvement despite their regional considerations and the different modes of analysis demonstrated. They form a composite of teaching and research ideas on Japanese animation. Masao Yokota, Tokyo, Japan, is professor of psychology at Nihon University and former chair of the Japan Society for Animation Studies. Tze-yue G. Hu, Colma, California, is an independent scholar and author of Frames of Anime: Culture and Image-Building.
DECEMBER, 321 pages, 6 x 9 inches, 30 b&w line illustrations, introduction, index Paper $30.00S 978-1-62846-179-4 Ebook available
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Clockwork Rhetoric
Edited by Barry Brummett
Essays by David Beard, Elizabeth Birmingham, Joshua Gunn, Mirko M. Hall, Lisa Horton, Andrew Mara, John M. McKenzie, Kristin Stimpson, Mary Anne Taylor, John R. Thompson, and Jaime L. Wright This unique book explores how the aesthetic and cultural movement of Steampunk persuades audiences and wins new acolytes. Steampunk is a style grounded in the Victorian era, in clothing and accoutrements modeled on a heightened and hyperextended HOW THE LANGUAGE age of steam. In addition to its modOF THE IMAGINATIVELY eling of attire and other symbolic STYLED MOVEMENT trappings, what is most distinctive is its ATTRACTS FOLLOWERS adherents use of a machined aesthetic based on steam engines and early TO STEAMPUNK electrical machinerygears, pistons, AESTHETIC shafts, wheels, induction motors, clockwork, and so forth. Precursors to steampunk can be found in the works of Jules Verne and H. G. Wells. The imagery of the American West contributed to the aestheticrevolvers, locomotives, and rifles of the late nineteenth century. Among young people, steampunk has found common cause with Goth style. Examples from literature and popular culture include William Gibsons fiction, China Mivilles novels, the classic film Metropolis, and the BBC series Doctor Who. This volume recognizes that steampunk, a unique popular culture phenomenon, presents a prime opportunity for rhetorical criticism. Steampunks art, style, and narratives convey complex social and political meanings. Chapters in Clockwork Rhetoric explore topics ranging from jewelry to Japanese anime to contemporary imperialism to fashion. Throughout, the book demonstrates how language influences consumers of steampunk to hold certain social and political attitudes and commitments. Barry Brummett, Austin, Texas, is Charles Sapp Centennial Professor in Communication and Chair of the Department of Communication Studies at the University of Texas at Austin. He is the author of A Rhetoric of Style and Rhetorical Homologies: Form, Culture, Experience.
SEPTEMBER, 224 pages (approx.), 6 x 9 inches, 4 b&w illustrations, introduction, bibliography, index Printed casebinding $60.00S 978-1-62846-091-9 Ebook available
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Hearths of Darkness
Tony Williams
Essays by Marleen S. Barr, Gerry Canavan, Grace L. Dillon, M. Elizabeth Ginway, Matthew Goodwin, Edward James, De Witt Douglas Kilgore, Malisa Kurtz, Robin Anne Reid, Lysa M. Rivera, Patrick B. Sharp, and Lisa Yaszek Black and Brown Planets embarks on a timely exploration of the American obsession with color in its look at the sometimes contrary intersections of politics and race in science fiction. The contributors, including De Witt Douglas Kilgore, Edward James, Lisa LITERARY EXPLOYaszek, and Marleen S. Barr, among RATIONS INTO THE others, explore science fiction worlds RADICAL, HOPEFUL of possibility (literature, television, and film), lifting blacks, Latin Americans, RACIAL FUTURES and indigenous peoples out from the IMAGINED BY SCIENCE background of this historically white FICTION genre. This collection considers the role of race and ethnicity in our visions of the future. The first section emphasizes the political elements of black identity portrayed in science fiction from black America to the vast reaches of interstellar space. In the next section, analysis of indigenous science fiction addresses the effects of colonization, helps discard the emotional and psychological baggage carried from its impact, and recovers ancestral traditions in order to adapt in a post-Native-apocalyptic world. Likewise, this section explores the affinity between science fiction and subjectivity in Latin American cultures from the role of science and industrialization to the effects of being in and moving between two cultures. By infusing more color into this otherwise monochrome genre, Black and Brown Planets imagines alternate racial galaxies in which people of color determine human destiny. Isiah Lavender III, Baton Rouge, Louisiana, is an assistant professor of English at Louisiana State University. He is the author of Race in American Science Fiction.
OCTOBER, 256 pages (approx.), 6 x 9 inches, 11 tables, index Printed casebinding $60.00S 978-1-62846-123-7 Ebook available
Hearths of Darkness traces the origins of the 1970s family horror subgenre to certain aspects of American culture and classical Hollywood cinema. Far from being an ephemeral and shortlived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. A THOROUGH STUDY Subsequent chapters investigate OF A MOVIE GENRE the key works of the 1970s by direcTHAT REACHED ITS tors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, CULTURAL ZENITH and Tobe Hooper, revealing the disIN THE 1970S BUT tinctive nature of films such as Bone, Its REMAINS INFLUENTIAL Alive, God Told Me, Carrie, The Exorcist, TODAY Exorcist 2, and The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Tony Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s. After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction. Tony Williams, Carbondale, Illinois, is a professor of English and area head of film studies in the English Department at Southern Illinois University. His recent books include The Cinema of George A. Romero: Knight of the Living Dead; John Woos Bullet in the Head; and George A. Romero: Interviews (published by University Press of Mississippi).
DECEMBER, 368 pages (approx.), 6 x 9 inches, bibliography, index Printed casebinding $85.00S 978-1-62846-190-9 Paper $40.00S 978-1-62846-107-7 Ebook available
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BIOGRAPHY FILM
BIOGRAPHY FILM
Alexander Payne
Interviews Edited by Julie Levinson
Since 1996, Alexander Payne (b. 1961) has made six feature films and a short segment of an omnibus movie. Although his body of work is quantitatively small, it is qualitatively impressive. His movies have garnered numerous accolades and awards, including two Academy Awards for Best Adapted Screenplay. As more than one interviewer in this volume points out, he maintains an impressive and unbroken winning streak. Paynes stories of human strivings and follies, alongside his mastery of the craft of filmmaking, mark INDEPENDENT MEANS him as a contemporary auteur of unONE THING TO ME: IT common accomplishment. In this first compilation of his interMEANS THAT REGARDviews, Payne reveals himself as a captiLESS OF THE SOURCE vating conversationalist as well. The OF FINANCING, THE discussions collected here range from DIRECTORS VOICE IS 1996, shortly after the release of his first film, Citizen Ruth, to the 2013 debut of EXTREMELY PRESENT. his most recent film, Nebraska. Over his . . . ITS WHERE YOU career, he muses on many subjects FEEL THE DIRECTOR, including his own creative processes, NOT A MACHINE, AT his commitment to telling charactercentered stories, and his abiding admiWORK. ration for movies and directors from across decades of film history. Critics describe Payne as one of the few contemporary filmmakers who consistently manages to buck the current trend toward bombastic blockbusters. Like the 1970s director-driven cinema that he cherishes, his films are small-scale character studies that manage to maintain a delicate balance between sharp satire and genuine poignancy. Julie Levinson, Newton, Massachusetts, is professor of film at Babson College and has been the film curator for several arts organizations and film festivals. She is the author of The American Success Myth on Film as well as book chapters and articles on a wide range of topics including screen acting, genre and gender, documentary film, and metafiction.
OCTOBER, 224 pages (approx.), 6 x 9 inches, introduction, chronology, filmography, index Printed casebinding $50.00S 978-1-62846-109-1 Ebook available Conversations with Filmmakers Series
Baz Luhrmann
Interviews Edited by Tom Ryan
Though he has made only five films in two decadesStrictly Ballroom, William Shakespeares Romeo + Juliet, and the Oscar-nominated films Moulin Rouge!, Australia, and The Great GatsbyAustralian writer-director Baz Luhrmann (b. 1962) is an internationally known brand name. His name has even entered the English language as a verb, as in to Baz things up, meaning to decorate them with an exuberant flourish. Celebrated by some, loathed by others, his work is underscored WHEN YOU TAKE PEO- by what has been described as an aesthetic of artifice and is notable for PLE ON A JOURNEY both its glittering surfaces and recurAND ITS A SUCCESS, ring concerns. In this collection of interviews, EVERYONE LOVES Luhrmann discusses his methods and YOU. IF YOU TAKE his motives, explaining what has been THEM AND THE SHIP important to him and his collaborators from the start and how he has been SINKS, THE HATRED able to maintain an independence AND ANGER IS SO from the studios that have backed his INTENSE, ITS ALMOST films. He also speaks about his other UNBEARABLE. artistic endeavors, including stage productions of La Bohme and A Midsummer Nights Dream, and his wife and collaborative partner Catherine Martin, who has received four Academy Awards for her work with Luhrmann. Tom Ryan, Victoria, Australia, has lectured in cinema studies at several universities in Australia and the United Kingdom, has been writing for newspapers and magazines for more than thirty years, and was the film critic for the Sunday Age from its inception in 1989 until 2012. He has been a regular contributor to the Ages arts pages for more than two decades and has wide experience in broadcasting.
NOVEMBER, 176 pages (approx.), 6 x 9 inches, introduction, chronology, filmography, index Printed casebindng $50.00S 978-1-62846-149-7 Ebook available Conversations with Filmmakers Series
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BIOGRAPHY FILM
BIOGRAPHY FILM
Harmony Korine
Interviews Edited by Eric Kohn
Harmony Korine: Interviews tracks filmmaker Korines stunning rise, fall, and rise again through his own evolving voice. Bringing together interviews collected from over two decades, this unique chronicle includes rare interviews unavailable in print for years and an extensive, new conversation recorded at the filmmakers home in Nashville. After more than twenty years, Harmony Korine (b. 1973) remains one of the most prominent and yet subversive filmmakers in America. Ever since his THE FACT THAT THESE entry into the independent film scene FILMS EXIST IS A as the irrepressible prodigy who wrote VICTORY. THE VICTORY the screenplay for Larry Clarks Kids in 1992, Korine has retained his stature as IS IN THE CREATION. the ultimate cinematic provocateur. He both intelligently observes modern social milieus and simultaneously thumbs his nose at them. Now approaching middle age, and more influential than ever, Korine remains intentionally sensationalistic and ceaselessly creative. In 1995, Korine was discovered while skateboarding and became the bad boy teen writer behind Kids. He parlayed this success into directing the dreamy portrait of neglect Gummo two years later. With his audacious 1999 digital video drama Julien Donkey-Boy, Korine continued to demonstrate a penchant for fusing experimental, subversive interests with lyrical narrative techniques. Surviving an early career burnout, he resurfaced with a trifecta of insightful works that built on his earlier aesthetic leanings: a surprisingly delicate rumination on identity (Mister Lonely), a gritty quasi-diary film (Trash Humpers), a blistering portrait of American hedonism (Spring Breakers), which yielded significant commercial success. Throughout his career he has also continued as a mixed media artist whose fields include music videos, paintings, photography, publishing, songwriting, and performance art. Eric Kohn, Brooklyn, New York, is the chief film critic and a senior editor for Indiewire as well as the manager of the Criticwire Network. His writing has appeared in the New York Times, Cineaste, Filmmaker, and other publications. He is a member of the New York Film Critics Circle.
DECEMBER, 224 pages (approx.), 6 x 9 inches, introduction, chronology, filmography, index Printed casebinding $50.00S 978-1-62846-160-2 Ebook available Conversations with Filmmakers Series Order online at www.upress.state.ms.us
Peter Bogdanovich
Interviews Edited by Peter Tonguette
Before he was the Academy Award nominated director of The Last Picture Show, Peter Bogdanovich (b. 1939) interviewed some of cinemas great masters: Orson Welles, Alfred Hitchcock, John Ford, and others. Since becoming an acclaimed filmmaker himself, he has given countless interviews to the press about his own career. This volume collects thirteen of his best, most comprehensive, and most insightful interviews, many long out-of print and several never before published in their entirety. They cover A MOVIE SHOULD more than forty years of directing, with BE LIKE A DREAM. IT Bogdanovich talking candidly about his great triumphs, such as The Last PicWASHES OVER YOU, ture Show and Whats Up, Doc?, and his YOU DONT KNOW overlooked gems, such as Daisy Miller WHATS AFFECTING and They All Laughed. YOU, YOU CANT DO Assembled by acclaimed critic Peter Tonguette, also author of a new critical ANYTHING ABOUT IT; biography of Bogdanovich, these interYOURE TAKEN AWAY. views demonstrate that Bogdanovich is not only one of Americas finest filmmakers, but also one of its most eloquent when discussing film and his own remarkable movies. Peter Tonguette, New Albany, Ohio, is a freelance writer whose work has appeared in the New York Times, Wall Street Journal, Christian Science Monitor, Weekly Standard, Sight & Sound, Film Comment, and many other publications. Also the author of Orson Welles Remembered and The Films of James Bridges, he is author of a forthcoming critical biography of Peter Bogdanovich.
JANUARY, 208 pages (approx.), 6 x 9 inches, introduction, chronology, filmography, index Printed casebinding $50.00S 978-1-62846-184-8 Ebook available Conversations with Filmmakers Series
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BIOGRAPHY LITERATURE
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Appearing first as a weekly serial in the Christian Herald, Eleanor H. Porters Pollyanna was first published in book form in 1913. This popular story of an impoverished orphan girl who travels from Americas western frontier to A THOROUGH live with her wealthy maternal Aunt EXAMINATION Polly in the fictional east coast town of Beldingsville went through forty-seven OF THE CONTEXT printings in seven years and remains AND IMPACT OF in print today in its original version, as THE IRREPRESSIBLY well as in various translations and adapOPTIMISTIC LITERARY tations. The storys enduring appeal lies in Pollyannas sunny personality and DARLING in her glad game, her playful attempt to accentuate the positive in every situation. In celebration of its centenary, this collection of thirteen original essays examines a wide variety of the novels themes and concerns, as well as adaptations in film, manga, and translation. In this edited collection on Pollyanna, internationally respected and emerging scholars of childrens literature consider Porters work from modern critical perspectives. Contributors focus primarily on the novel itself but also examine Porters sequel, Pollyanna Grows Up, and the various film versions and translations of the novel. With backgrounds in childrens literature, cultural and film studies, philosophy, and religious studies, these scholars extend critical thinking about Porters work beyond the thematic readings that have dominated previous scholarship. Roxanne Harde, Camrose, Alberta, Canada, is associate professor of English, associate dean (Research), and a McCalla University Professor at the Augustana Faculty of the University of Alberta. She has published extensively on American women writers, childrens literature, and popular culture. Lydia Kokkola, Lule, Sweden, is professor of English and education at Lule University of Technology, Sweden. She is the author of Fictions of Adolescent Carnality.
NOVEMBER, 272 pages (approx.), 6 x 9 inches, introduction, afterword, bibliography, index Printed casebinding $65.00S 978-1-62846-132-9 Ebook available Childrens Literature Association Series
Considering that he worked a stint as a screenwriter, it will come as little surprise that Faulkner has often been called the most cinematic of novelists. Faulkners novels were produced in the same high period as the films of classical Hollywood, a reason itself for considering his work alongside this dominant form. Beyond their era, though, A COLLECTION Faulkners novelsor the ways in which EXPLORING THE they ask readers to see as well as feel EXTENSIVE CONNEChis worldhave much in common with film. That Faulkner was aware of film, TIONS BETWEEN THE and that his novels own thinking beNOBEL LAUREATES trays his profound sense of the medium WORK AND CINEMA and its effects, broadens the contexts in which he can be considered. In a range of approaches, the contributors consider Faulkners career as a scenarist and collaborator in Hollywood, the ways his screenplay work and the adaptations of his fiction informed his literary writing, and how Faulkners craft anticipates, intersects with, or reflects upon changes in cultural history across the lifespan of cinema. Drawing on film history, critical theory, archival studies of Faulkners screenplays, and scholarship about his work in Hollywood, the nine essays show a keen awareness of literary modernism and its relation to film. Peter Lurie, Richmond, Virginia, is associate professor of English and film studies at the University of Richmond. He is the author of Visions Immanence: Faulkner, Film, and the Popular Imagination and has published numerous articles on Faulkner and film. Ann J. Abadie, Oxford, Mississippi, is associate director emerita of the Center for the Study of Southern Culture at the University of Mississippi and the coeditor of numerous volumes in the Faulkner and Yoknapatawpha Series.
SEPTEMBER, 272 pages (approx.), 6 x 9 inches, 17 b&w illustrations, introduction, index Printed casebinding $65.00S 978-1-62846-101-5 Ebook available Faulkner and Yoknapatawpha Series
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LOUISIANA ETHNOMUSICOLOGY
Listen to This
Victor Svorinich
Sara Le Menestrel explores the role of music in constructing, asserting, erasing, and negotiating differences based on the notions of race, ethnicity, class, and region. She discusses established notions and brings to light social stereotypes and hierarchies at work in the evolving French Louisiana music field. She also draws attention to the interactions between oppositions such as black and white, urban and rural, differentiation and creolization, and local and global. Le Menestrel emphasizes the imHOW LOUISIANA portance of desegregating the underMUSICIANS AND AUDIstanding of French Louisiana music and situating it beyond ethnic or racial ENCES NEGOTIATE identifications, amplifying instead the WITH DIFFERENCE AND importance of regional identity. MusiSHAPE A COMMON cal genealogy and categories currently MUSICAL HERITAGE in use rely on a racial construct that frames African and European lineage as an essential difference. Yet as the author samples music in the field and discovers ways music is actually practiced, she reveals how the insistence on origins continually interacts with an emphasis on cultural mixing and creative agency. This book finds French Louisiana musicians navigating between multiple identifications, musical styles, and legacies while market forces, outsiders interest, and geographical mobility also contribute to shape musicians career strategies and artistic choices. The book also demonstrates the decisive role of nonnatives enthusiasm and mobility in the validation, evolution, and reconfiguration of French Louisiana music. Finally, the distinctiveness of South Louisiana from the rest of the country appears to be both nurtured and endured by locals, revealing how political domination and regionalism intertwine. Sara Le Menestrel, Paris, France, is a cultural anthropologist and a research fellow at the National Center for Scientific Research in Paris. Her research interests include the anthropology of music and the anthropology of disaster through post-Katrina and postRita Louisiana. She is the coeditor of Working the Field: Accounts from French Louisiana, also published by University Press of Mississippi.
JANUARY, 400 pages (approx.), 6 x 9 inches, 26 color illustrations, 16 b&w illustrations, 3 graphs, bibliography, index Printed casebinding $75.00S 978-1-62846-145-9 Ebook available American Made Music Series
Listen to This stands out as the first book exclusively dedicated to Daviss watershed 1969 album, Bitches Brew. Victor Svorinich traces its incarnations and inspirations for ten-plus years before its release. The album arrived as the jazz scene waned beneath the rise of rock and roll and as Davis (1926 1991) faced large changes in social conditions affecting the African American consciousness. This new climate served as a catalyst for an experiment that many considered a major departure. Daviss new music projected rock THE FIRST CLOSE and roll sensibilities, the experimental essence of 1960s counterculture, yet CRITICAL TREATMENT also harsh dissonances of African OF THE ALBUM THAT American reality. Many listeners emSHOOK JAZZ WITH ITS braced it, while others misunderstood ELECTRIC SOUND AND and rejected the concoction. Listen to This is not just the story ROCK-INFLUENCED of Bitches Brew. It reveals much of the STYLE legend of Miles Davishis attitude and will, his grace under pressure, his bands, his relationship to the masses, his business and personal etiquette, and his response to extraordinary social conditions seemingly aligned to bring him down. Svorinich revisits the mystery and skepticism surrounding the album and places it into both a historical and musical context using new interviews, original analysis, recently found recordings, unearthed session data sheets, memoranda, letters, musical transcriptions, scores, and a wealth of other material. Additionally, Listen to This encompasses a thorough examination of producer Teo Maceros archives and Bitches Brews original session reels in order to provide the only complete day-to-day account of the sessions. Victor Svorinich, Whippany, New Jersey, is a music faculty member at Kean University in Union, New Jersey, and owner of the Guitar Academy. His published work includes Electric Miles: A Look at the In a Silent Way and On the Corner Sessions.
FEBRUARY, 176 pages (approx.), 6 x 9 inches, 15 b&w illustrations, 22 musical examples, bibliography, index Printed casebinding $55.00S 978-1-62846-194-7 Ebook available American Made Music Series
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NEW IN PAPERBACK
Essays by Melissa Ames, Frida Beckman, Lucy Bennett, Molly Brost, Jason W. Buel, Sarah Himsel Burcon, Kasey Butcher, Melanie Cattrell, Michael Fuchs, Norman M. Gendelman, Jack Harrison, Colin Irvine, J. P. Kelly, Jordan Lavender-Smith, Casey J. McCormick, Kristi McDuffie, Aris Mousoutzanis, Toni Pape, Gry C. Rustad, Todd M. Sodano, Janani Subramanian, and Timotheus Vermeulen
This collection analyzes twenty-firstcentury American television programs that employ temporal and narrative HOW SHIFTS IN TIME experimentation. These shows play AND STORYLINE with time, slowing it down to unfold CREATE NARRATIVE narrative through time retardation INTRIGUE ON and compression. They disrupt the chronological flow of time itself, using TELEVISION flashbacks and insisting that viewers be able to situate themselves in both the present and the past narrative threads. Although temporal play has existed on the small screen prior to the new millennium, never before has narrative time been so freely adapted in mainstream television. The essayists offer explanations for not only the frequency of time-play in contemporary programming, but also the implications of its sometimes disorienting presence. Drawing upon the fields of cultural studies, television scholarship, and literary studies, as well as overarching theories concerning postmodernity and narratology, Time in Television Narrative offers some critical suggestions. The increasing number of television programs concerned with time may stem from the following: recent scientific approaches to quantum physics and temporality; new conceptions of history and posthistory; or trends in late-capitalistic production and consumption, in the new culture of instantaneity, or in the recent trauma culture amplified after the September 11 attacks. In short, these televisual time experiments may very well be an aesthetic response to the climate from which they derive. These essays analyze both ends of this continuum and also attend to another crucial variable: the television viewer watching this new temporal play. Melissa Ames, Champaign, Illinois, is assistant professor of English at Eastern Illinois University. She is coeditor of Women and Language: Essays on Gendered Communication across Media.
NOVEMBER, 337 pages, 6 x 9 inches, introduction, index Paper $30.00S 978-1-62846-173-2 Ebook available
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This multidisciplinary book provides the most accurate and most recent SURVEY OF THE information on health and health care in HEALTH CARE CRISIS IN the state of Mississippi. The editor and ONE OF THE NATIONS contributors explain why the state finds itself in precarious health conditions POOREST STATES and reveal the prevailing circumstances as the state debates a path toward a comprehensive health care system for its citizens. They show who has had access to good health care and celebrate the heroes who struggled to provide health care to all Mississippians. The essays contribute to the debate on how the health care system might be restructured, reconstructed, or adjusted to meet the needs of all people, regardless of race, ethnicity, socioeconomic status, and national origin. The issue of health disparities and socioeconomic status leads to a relevant discussion of whether health and access to quality care are a right of all people, or the privilege of a few. The volume offers a clear understanding of health care trends in the state from the eighteenth and early nineteenth centuries up to the present and the prospects of transcending the obstacles of its own creation over the past two centuries. It likewise highlights the economic challenges that Mississippi confronts and how wise and realistic its priorities are in meeting the needs of its diverse populations, particularly racial and ethnic minorities.
A COMPREHENSIVE
The Mississippi Secession Convention is the first full treatment of any secession convention to date. Studying the Mississippi convention of 1861 offers insight into how and why southern states seceded and the effects of such a breech. Based largely on primary sources, this book provides a unique insight into the broader secession movement. There was more to the secession convention than the mere act of leaving the Union, which was done only three days into the deliberations. The THE FIRST EXAMINArest of the three-week January 1861 TION OF THE ENTIRE meeting as well as an additional week CONVENTION AND THE in March saw the delegates debate and pass a number of important ordinances MEN WHO DELIBERthat for a time governed the state. As ATED THERE seen through the eyes of the delegates themselves, with rich research into each member, this book provides a compelling overview of the entire proceeding. The effects of the convention gain the most analysis in this study, including the political processes that, after the momentous vote, morphed into unlikely alliances. Those on opposite ends of the secession question quickly formed new political allegiances in a predominantly Confederate-minded convention. These new political factions formed largely over the issues of central versus local authority, which quickly played into Confederate versus state issues during the Civil War. In addition, author Timothy B. Smith considers the lasting consequences of defeat, looking into the effect secession and war had on the delegates themselves and, by extension, their state, Mississippi. Timothy B. Smith, Adamsville, Tennessee, teaches history at the University of Tennessee at Martin. He is the author, editor, or coeditor of twelve books, including Mississippi in the Civil War: The Home Front and James Z. George: Mississippis Great Commoner (both published by University Press of Mississippi).
OCTOBER, 320 pages (approx.), 6 x 9 inches, 13 b&w illustrations, 5 maps, appendices, bibliography, index Printed casebinding $60.00S 978-1-62846-097-1 Ebook available
Mario J. Azevedo, Ph.D., M.P.H., M.A., Pearl, Mississippi, former chair of the Department of Epidemiology and Biostatistics, former associate dean of the School of Health Sciences, and former dean of the College of Public Service is interim chair and professor in the Department of History and Philosophy at Jackson State University.
FEBRUARY, 480 pages (approx.), 8 x 11 inches, 66 figures and tables, introduction, bibliography, index Printed casebinding $75.00S 978-1-62846-000-1 Ebook available
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Building the Antebellum South in North Carolina, Alabama, and Mississippi Paul Hardin Kapp with Todd Sanders Foreword by William Seale
The Architecture of William Nichols is the first comprehensive biography and monograph of a significant yet overlooked architect in the American South. William Nichols designed three major university campusesthe University of North Carolina, the University of Alabama, and the University of Mississippi. He also designed the first state capitols of North Carolina, Alabama, and Mississippi. Nicholss architecture profoundly influenced the built landscape of the South but due to fire, neglect, and demolition, much of his work was A RESTORATION OF lost and history has nearly forgotten his THE LEGACY OF ONE tremendous legacy. OF THE SOUTHS In his research onsite and through archives in North Carolina, Alabama, MOST PROLIFIC Louisiana, and Mississippi, Paul Hardin AND INFLUENTIAL Kapp has produced a narrative of the ARCHITECTS BEFORE life and times of William Nichols that THE CIVIL WAR weaves together the elegant work of this architect with the aspirations and challenges of the antebellum South. It is richly illustrated with over two hundred archival photographs and drawings from the Historic American Building Survey. Paul Hardin Kapp, Urbana, Illinois, is director of the Historic Preservation Program and associate professor of architecture at the School of Architecture, University of Illinois at Urbana-Champaign. He is coeditor of SynergiCity: Reinventing the Postindustrial City. From 2002 until 2008, he was the historical architect and campus historic preservation manager for the University of North Carolina at Chapel Hill. Todd Sanders, Jackson, Mississippi, works in the Historic Preservation Division of the Mississippi Department of Archives and History. He is the author of Jacksons North State Street.
FEBRUARY, 352 pages (approx.), 7 x 10 inches, 232 b&w illustrations, 1 map, foreword, chronology, bibliography, index Printed casebinding $60.00S 978-1-62846-138-1 Ebook available
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Black Intellectuals in the Atlantic World and Beyond Edited by Kendahl Radcliffe, Jennifer Scott, and Anja Werner
Contributions by Keiko Araki, Ikaweba Bunting, Kimberly Cleveland, Amy Caldwell de Farias, Kimberly Gant, Danielle Legros Georges, Douglas W. Leonard, John Maynard, Kendahl Radcliffe, Edward L. Robinson Jr., Jennifer Scott, and Anja Werner
NEW IN PAPERBACK
Anywhere But Here brings together new scholarship on the cross-cultural experiences of intellectuals of African descent since the eighteenth century. The book embraces historian Paul Gilroys prominent thesis in The Black RECENT SCHOLARSHIP Atlantic and posits arguments beyond THAT EXPANDS THE The Black Atlantics traditional organization and symbolism. BOUNDARIES OF PAUL These essays expand categories GILROYS THE BLACK and suggest patterns that have united ATLANTIC individuals and communities across the African diaspora. They highlight the stories of people who, from their intercultural and often marginalized positions, challenged the status quo, created international alliances, cultivated expertise and cultural fluency abroad, as well as crafted physical and intellectual spaces for their self-expression and dignity to thrive. What, for example, connects the eighteenth-century Igbo author Olaudah Equiano with 1940s literary figure Richard Wright; nineteenth-century expatriate anthropologist Antenor Fermin with 1960s Haitian migrs to the Congo; Japanese Pan-Asianists and Southern Hemisphere Aboriginal activists with Jamaican-born Marcus Garvey; or Angela Davis with artists of the British Black Arts Movement, Ingrid Pollard and Zarina Bhimji? They are all part of a mapping that reaches across and beyond the boundaries typically associated with the Black Atlantic. Kendahl Radcliffe, Long Beach, California, is a lecturer of African American studies at University of CaliforniaLos Angeles and assistant professor of history at El Camino College, Compton Center. Jennifer Scott, Brooklyn, New York, is an assistant professor at the New School for Public Engagement, Parsons School of Art and Design History and Theory, and Pratt Institute Graduate School of Arts and Design. Anja Werner, Berlin, Germany, is an independent historian. Her publications include The Transatlantic World of Higher Education: Americans at German Universities, 17761914.
JANUARY, 256 pages (approx.), 6 x 9 inches, 10 b&w illustrations, bibliography, index Printed casebinding $65.00S 978-1-62846-155-8 Ebook available
Using the slave narratives of Henry Bibb and Frederick Douglass, as well as the work of W. E. B. Du Bois, James Baldwin, Walter Mosley, and Barack Obama, Ronda C. Henry Anthony examines how womens bodies are used in African American literature to fund the production of black masculine ideality and power. In tracing representations of ideal black masculinities and femininities, the author shows how black mens struggles for gendered agency are inextricably bound up with their complicated relation to white men HOW WOMENS and normative masculinity. The historiBODIES FUNCTION cal context in which this study couches WITHIN PRODUCTIONS these struggles highlights the extent to which shifting socioeconomic circumOF IDEAL AND stances dictate the ideological, cultural, PROGRESSIVE BLACK and emotional terms upon which black MASCULINITIES IN men conceptualize identity. Yet, Henry Anthony quickly moves AFRICAN AMERICAN to texts that challenge traditional LITERATURE constructions of black masculinity. In these texts she traces how the emergence of collaboratively gendered discourses, or a blending of black female/male feminist consciousnesses, are reshaping black masculinities, femininities, and intraracial relations for a new century. Ronda C. Henry Anthony, Indianapolis, Indiana, is associate professor of English and Africana studies at Indiana University Purdue University Indianapolis.
NOVEMBER, 205 pages, 6 x 9 inches, bibliography, index Paper $30.00S 978-1-62846-180-0 Ebook available Margaret Walker Alexander Series in African American Studies
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Before there was a death care industry where professional funeral directors offered embalming and other services, residents of the Arkansas Ozarksand, for that matter, people throughout the Southburied their own dead. Every part of the complicated, labor-intensive process was handled within the deceaseds community. This process included preparation of the body for burial, making a wooden coffin, digging the grave, and overseeing the burial ceremony, as well as observing a wide variety of customs and superstiA RICH SURVEY OF tions. FOLK PRACTICES These traditions, especially in rural PRIOR TO MORTUARIES communities, remained the norm up through the end of World War II, after AND THE FUNERAL which a variety of factors, primarily the INDUSTRY loss of manpower and the rise of the funeral industry, brought about the end of most customs. Gone to the Grave, a meticulous autopsy of this now vanished way of life and death, documents mourning and practical rituals through interviews, diaries and reminiscences, obituaries, and a wide variety of other sources. Abby Burnett covers attempts to stave off death; passings that, for various reasons, could not be mourned according to tradition; factors contributing to high maternal and infant mortality; and the ways in which loss was expressed through obituaries and epitaphs. A concluding chapter examines early undertaking practices and the many angles funeral industry professionals worked to convince the public of the need for their services. Abby Burnett, Kingston, Arkansas, is a former freelance newspaper reporter. She is the author of When the Presbyterians Came to Kingston: Kingston Community Church, 19171951.
OCTOBER, 352 pages (approx.), 6 x 9 inches, 65 b&w photographs, bibliography, index Printed casebinding $65.00S 978-1-62846-111-4 Ebook available
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Grenada experienced much turmoil in the 1970s and 1980s, culminating in an armed Marxist revolution, a bloody military coup, and finally in 1983 Operation Urgent Fury, a United Statesled invasion. Wendy C. Grenade combines various perspectives to tell a A DETAILED EXAMINACaribbean story about this revolution, TION OF THE BROAD weaving together historical accounts of slain Prime Minister Maurice Bishop, IMPLICATIONS OF MARXIST REVOLUTION, the New Jewel Leftist Movement, and contemporary analysis. There is much POLITICS, AND THE controversy: though the Organization EVENTUAL INVASION of American States formally requested intervention from President Ronald OF THE ISLAND Reagan, world media coverage was NATION largely negative and skeptical, if not baffled, by the action, which resulted in a rapid defeat and the deposition of the Revolutionary Military Council. By examining the possibilities and contradictions of the Grenada Revolution, the contributors draw upon thirty years of hindsight to illuminate a crucial period of the Cold War. Beyond geopolitics, the book interrogates but transcends the nuances and peculiarities of Grenadas political history to situate this revolution in its larger Caribbean and global context. In doing so, contributors seek to unsettle old debates while providing fresh understandings about a critical period in the Caribbeans postcolonial experience. This collection throws into sharp focus the centrality of the Grenada Revolution, offering a timely contribution to Caribbean scholarship and to wider understanding of politics in small developing, postcolonial societies. Wendy C. Grenade, Grenada, West Indies, is a lecturer in political science, Department of Government, Sociology and Social Work, Faculty of Social Sciences, the University of the West Indies, Cave Hill Campus, Barbados. She has authored several scholarly articles on politics in Grenada.
FEBRUARY, 320 pages (approx.), 6 x 9 inches, 3 tables, bibliography, index Printed casebinding $65.00S 978-1-62846-151-0 Ebook available Caribbean Studies Series
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In October 1999, eleven Antilleans attended the service held to commemorate the 150th anniversary of Frdric Chopins death. This service, held in the Warsaw church where the composers heart is kept in an urn, was an opportunity for these Antilleans to express their debt of gratitude to Chopin, whose influence is central to Antillean music history. Press coverage of this event caused Dutch novelist and author Jan Brokken to start writing this book, based on notes he took while living on Curaao from 1993 to 2002. AN EXPLORATION On Curaao, the history and legacy OF AN OVERLOOKED of slavery shaped culture and music, CARIBBEAN MUSICAL affecting all the New World. Brokkens portraits of prominent Dutch Antillean TRADITION AND THE composers are interspersed with culEUROPEAN, AFRICAN, tural and music history. He puts the AND NEW WORLD Dutch Caribbeans contributions into a broader context by also examining the INFLUENCES THAT nineteenth-century works by pianist CREATED IT Louis Moreau Gottschalk from New Orleans and Manuel Saumell from Cuba. Brokken explores the African component of Dutch Antillean musicexamining the history of the rhythm and music known as tamb as well as American jazz pianist Chick Coreas fascination with the tumba rhythm from Curaao. The book ends with a discussion of how recent Dutch Caribbean adaptations of European dance forms have shifted from a classical approach to contemporary forms of Latin jazz. Jan Brokken, Amsterdam, The Netherlands, was a journalist for several major Dutch papers. He is the author of the critically acclaimed and bestselling novels The Blind Passengers, The Sad Champion, Jungle Rudy, In The Poets House, and Baltic Souls. His works have been translated into several languages. Scott Rollins, Amsterdam, The Netherlands, has been a cultural entrepreneur in music, literature, and film for more than forty years. He has published three volumes of his own poetry, and his translations of Dutch and Flemish poetry have appeared in the Boston Review, Callaloo, and Five Fingers Review, among others.
JANUARY, 176 pages (approx.), 6 x 9 inches, glossary, bibliography, index Printed casebinding $60.00S 978-1-62846-185-5 Ebook available Caribbean Studies Series Order online at www.upress.state.ms.us
Edited by Carla Calarg, Raphael Dalleo, Luis Duno-Gottberg, and Clevis Headley
Printed casebinding $60.00S 978-1-61703-757-3 Ebook available
Caribbean Visionary
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A Vulgar Art
Ian Brodie
In A Vulgar Art Ian Brodie uses a folkloristic approach to stand-up comedy, leveraging the disciplines central method of studying interpersonal, artistic communication and performance. Because stand-up comedy is a rather broad category, people who study it often begin by relating it to something they recognize such as literature or theatre, and analyze it accordingly. A Vulgar Art begins with a more fundamental observation: someone is standing in front of a group of people, talking to them directly, and trying to make THE FIRST EXAMINAthem laugh. So this book takes the moTION OF STAND-UP ment of performance as its focus and shows that stand-up comedy is a colCOMEDY THROUGH THE LENS OF FOLKLORE laborative act between the comedian and the audience. Although the form of talk on the stage resembles talk among friends and intimates in social settings, standup comedy remains a profession. As such, it requires performance outside of the comedians own community to gain larger and larger audiences. How do comedians re-create that atmosphere of intimacy in a roomful of strangers? This book regards everything from microphones to clothing and LPs to twitter as strategies for bridging the spatial, temporal, and sociocultural distances between the performer and the audience. Ian Brodie, Sydney, Nova Scotia, Canada, is associate professor of folklore at Cape Breton University. He has served as president of the Folklore Studies Association of Canada and is currently the editor for Contemporary Legend: The Journal of the International Society for Contemporary Legend Research.
DECEMBER, 240 pages (approx.), 6 x 9 inches, discography, videography, bibliography, index Printed casebinding $60.00S 978-1-62846-182-4 Ebook available Folklore Studies in a Multicultural Word Series
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Legend-Tripping Online
Supernatural Folklore and the Search for Ongs Hat Michael Kinsella
Newslore
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NEW IN PAPERBACK
Autobiographical Comics
Life Writing in Pictures Elisabeth El Refaie
A fruitful reading of the best North American and European autobiographical comics Paper $30.00S 978-1-62846-174-9
Dave Sim
Japanese Animation
East Asian Perspectives Edited by Masao Yokato and Tze-yue G. Hu
Interviews with the creator of Cerebus Paper $30.00S 978-1-62846-178-7 Conversations with Comic Artists Series
Never before available in English, East Asian critiques and discussion of a powerful Japanese export and popular art form Paper $30.00S 978-1-62846-179-4
How the aftermath of the Great Depression convinced several African American writers to adopt a leftist outlook Paper $30.00D 978-1-62846-171-8 Margaret Walker Alexander Series in African American Studies
Joan Blondell
George Jones, Billy Sherrill, and the Pretty-Much Totally True Story of the Making of the Greatest Country Record of All Time Jack Isenhour
The first major biography of an actress with a long and lustrous career Paper $25.00T 978-1-62846-181-7 Hollywood Legends Series
A behind-the-scenes look at the creation of a country music masterpiece Paper $25.00T 978-1-62846-166-4 American Made Music Series
A history of overreaching, gridlock, intrigue, and the final catastrophic results along Americas most vulnerable coastline Paper $30.00S 978-1-62846-167-1
Howard Chaykin
Wide-ranging discussions with the comics artist known for the groundbreaking sci-fi satire American Flagg! Paper $30.00S 978-1-62846-177-0 Conversations with Comic Artists Series
The role of womens bodies in the productions of ideal and progressive black masculinities in African American literature Paper $30.00S 978-1-62846-180-0 Margaret Walker Alexander Series in African American Studies
34
Disneys Early Years, 19191928 Timothy S. Susanin Foreword by Diane Disney Miller
The untold story of ten critical, formative years in the great producers life Paper $25.00T 978-1-62846-163-3
Alice Faye
Gloria Swanson
Barbara Stanwyck
The Miracle Woman Dan Callahan
Cloth $35.00T 978-1-61703-183-0 Ebook available
Hollywood Enigma
Dana Andrews Carl Rollyson
Cloth $35.00T 978-1-60473-567-3 Ebook available
Beyond Paradise
Hollywood Madonna
Loretta Young Bernard F. Dick
Cloth $35.00T 978-1-61703-079-6 Ebook available
Lew Ayres
Wolf Tracks
How shifts in time and storyline create narrative intrigue on television Paper $30.00S 978-1-62846-173-2
Mary Wickes
Twains Brand
How red devil buses and self-taught artists have enlivened one Latin American nation Paper $30.00D 978-1-62846-172-5 Caribbean Studies Series
Forever Mame
A study of what made Mark Twain a pioneer of American comedy today Paper $30.00D 978-1-62846-176-3
Sitting Pretty
The Life and Times of Clifton Webb Clifton Webb and David L. Smith Foreword by Robert Wagner
Cloth $35.00T 978-1-60473-996-1 Ebook available
Garden of Dreams
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RECENTLY PUBLISHED
Acting My Face
A Memoir Anthony James
Cloth $25.00T 978-1- 61703-985-0
John C. Tibbetts and James M. Welsh Foreword by Kevin Brownlow Greeting by Vera Fairbanks
Embroidered Stories
Race Enterprise and the Fate of the Segregated Dollar Roberta J. Newman and Joel Nathan Rosen With contributions by Monte Irvin and Earl Smith
Printed casebinding $60.00S 978-1-61703-954-6
Interpreting Womens Domestic Needlework from the Italian Diaspora Edited by Edvige Giunta and Joseph Sciorra
Printed casebinding $65.00S 978-1-62846-013-1
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Printed casebinding $60.00S 978-1-62846-002-5
David Fincher
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Legend-Tripping Online
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Maude Schuyler Clay Introduction by Brad Watson Essay by Beth Ann Fennelly
EBOOKS AVAILABLE
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RECENTLY PUBLISHED
An Unexpected Bayou Country History: 18221946 Pioneer Families: Terrebonne Parish, Louisiana Christopher E. Cenac, Sr. with Claire Domangue Joller Foreword by Clifton Theriot
Cloth $69.95T 978-0-9897594-0-3
Media Lessons from Hurricane Katrina and the Deepwater Horizon Disaster Andrea Miller, Shearon Roberts, and Victoria LaPoe
Printed casebinding $60.00S 978-1-61703-972-0
Massive Resistance and the Fight to Preserve Segregation John Kyle Day
Printed casebinding $60.00S 978-1-62846-031-5
Fannie Lou Hamer and the Rhetoric of the Black Freedom Movement Maegan Parker Brooks
Printed casebinding $60.00S 978-1-62846-004-9
Lonesome Melodies
Post-Soul Satire
Black Identity after Civil Rights Edited by Derek C. Maus and James J. Donahue
Printed casebinding $60.00S 978-1-61703-997-3
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Todd Haynes
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The Vision of a More Perfect Multiracial Union Edited by G. Reginald Daniel and Hettie V. Williams
Printed casebinding $65.00S 978-1-62846-021-6
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Memory and Meaning Edited by Adrienne Lanier Seward and Justine Tally Foreword by Carolyn C. Denard
Printed casebinding $60.00S 978-1-62846-019-3
Fantasy, Mass Culture, and Modernism in the Art of Winsor McCay Katherine Roeder
Printed casebinding $60.00S 978-1-61703-960-7
Trouble in Goshen
Plain Folk, Roosevelt, Jesus, and Marx in the Great Depression South Fred C. Smith
Printed casebinding $60.00S 978-1-61703-956-0
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Essays on Southern Literature and Foodways Edited by David A. Davis and Tara Powell Foreword by Jessica B. Harris
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Alan Moore
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Paper $30.00S 978-1-62846-174-9 Ebook available
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Hand of Fire
Fantasy, Mass Culture, and Modernism in the Art of Winsor McCay Katherine Roedar
Printed casebinding $60.00S 978-1-61703-960-7 Ebook available
The Complete Comic Strips Compiled, translated, and annotated by David Kunzle
Disneys Early Years, 1919-1928 Timothy S. Susanin Foreword by Diane Disney Miller
Paper $25.00T 978-1-62846-163-3 Ebook available
Will Eisner
We Go Pogo
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41
MISSISSIPPI
Blues Traveling
Faulkner
Hurricane Katrina
Canoeing Mississippi
Ernest Herndon
Paper $20.00T 978-1-57806-222-5 Ebook available
Delta Land
Choctaw Tales
Growing Up in Mississippi
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MISSISSIPPI
Juke Joint
Wild Boar Hunting in the Mississippi Delta Melody Golding Introduction by Hank Burdine With recipes from Chef John Folse
My Mississippi
Photographs
Photography by Magdalena Sol Introduction by Rick Bragg Text by Barry H. Smith and Tom Lassiter
Cloth $38.00T 978-1-61703-150-2 Ebook available
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Donald C. Jackson
His Life, His Times, His Blues Philip R. Ratcliffe Foreword by Mary Frances Hurt Wright
Vicksburg
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Weapons of Mississippi
Kevin Dougherty
Cloth $25.00T 978-1-60473-451-5 Ebook available
43
LOUISIANA
Angola to Zydeco
Louisiana Lives R. Reese Fuller
Ebook available Cloth $25.00T 978-1-61703-129-8
Hydrocarbon Hucksters
Eyes of an Eagle
Jean-Pierre Cenac, Patriarch An Illustrated History of Early Houma-Terrebonne Christopher Everette Cenac, SR., M.D., F.A.C.S., With Claire Domangue Joller Foreward by Carl A. Brasseaux
Lessons from Louisiana on Oil, Politics, and Environmental Justice Ernest Zebrowski and Mariah Zebrowski Leach
Louisiana
Erna Brodber
Louisiana Cookery
Louisiana Rambles
The Cajuns
Les Cadiens et leurs anctres acadiens The Garden District of New Orleans
Creole Trombone
lhistoire raconte aux jeunes Shane K. Bernard Traduit de langlais par Faustine Hillard
Printed casebinding $18.00T 978-1-61703-779-5 Ebook available
Louisiana Voyages
The Travel Writings of Catharine Cole Martha R. Field Edited by Joan B. McLaughlin and Jack McLaughlin
As Spoken in Cajun, Creole, and American Indian Communities Senior editor Albert Valdman Associate editor Kevin J. Rottet
Printed case with jacket $40.00S 978-1-60473-403-4 Ebook available
44
LOUISIANA
The History and Passion of Latino Cooking Zella Palmer Cuadra Photography by Natalie Root Foreword by Chef Adolfo Garcia
Cloth $35.00T 978-1-61703-895-2 Ebook available
The Snare
Voodoo Queen
The Carville Letters and Stories of the Landry Family Claire Manes Foreword by Marcia Gaudet
TABASCO
Stories and Recipes from the Neighborhoods of New Orleans Elsa Hahne
The Lombard Plantation House in New Orleanss Bywater S. Frederick Starr Photography and illustrations by Robert S. Brantley
Improvised Responses to Katrina and Rita Edited by Barry Jean Ancelet, Marcia Gaudet, and Carl Lindahl
The Bicentennial History of Art in Louisiana Edited by Michael Sartisky and J. Richard Gruber Associate Editor, John R. Kemp
45