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Ubm^i

The

Practical
From

Exemplar of Architecture
fine

"THE ARCHITECTURAL REVIEW."

examples and
details lor the use of those

Being measured drawings and photographs of

to

who

desire

study the work of the masters

in

.Architectural design

and construction

together with other

examjiles not previously published

the whole selected and edited by

Mervyn

E.

Macartney,

B.A.,

F.R.I.B.A.

II'"

iiilcnliiiii

(if

the

best

lorm

(il

instruction;
their

accompanied by
hiciditv

PuAi
(M-

\l

r-lxiJ.Ml'I.Al^

|ili(itoi^r;iphs

\alue ami

are

.\K(

HITIXTLRE

i.S

bv

consitlerably
jud^jini;

increased.
the

The

ex|5erimeiu,
of

mean.s of

phcitna^raphs

fruin

mainhas
il

letters

en-

and measured drawings

to

courai.;ement

received,
()riyinall\\

ix-en

widely

place

before

.\rcbitects

an

absolutely
of
all

appreciated.
to reprini
toriu,

was intended

reliable

and correct reproduction

that

uKJst of the illustralKJiis in bo(jk

pertains to the practice of Architecture, so

tliat

but
it

by

priniinj;

them as separate
be
in

an .Architect, or for that matter auN'one,

plates

is

thotii^ht that ihey will

could

reproduce
to

a a

gi\-en

sul\ject
I(

from
is

moi'e

handy form

for reference.

chimnev-stack

door-kimli.

iioi

.\s tar as jiossible the constructioi^ of the

intended that the host of adaptors should

iDe

details

is

clearly indicated; btit

it

must be

increased so

much

as to ensure that the

borne
old,

in

mind

lli.ii

the

examples are maiidy

adaptations should be correct.

The

dull

and

thai paint

cannot be remoxed from

stri|)])ed

idp\ist will exist under an\' circumstances;

Wdotlwork,
staircase

or
sollil

])laster lu

from

he caniKjt

lie

eliminated, but

he

can be

di.scUise

the

actual

proxided with " ])ot-hooks " that are worth

imitatinij.

construcliiiii.

Though

not
it

the
is

aim of the
still

'l"he

I'lditor

wiiuld

be

t:l;id

to
is

hear of

Pra( TK
lation to
llie

\i.

|-'xi-:jipi.ai^

conso-

I'.xampk-s
to

l(ir

fmiiie issue;

it

his desire
of-

know

that

under the worst aspect

be hiwcrecl.
It

publish

standard

exam]iles

prin-

slantlard

will

not

is

cipally

British

Architecture, and

t(j

make

recoi;nisrd

lli.il

measured drawings are the

them as

re]3re,sentati\e as possible.

The Practical Exemplar of Architecture.

Balustrading
Gowane's
paved terrace
Stirliiii;' (l)uilt in

(Stone and Iron).

it

less pleasant

in

design

is

the balustrading

to

the

Rialto,

X'cnice

(i)lates

45-47,
it

2iul
is

llospital, or iIk; (iuilclliall at

.series).

fhe string on which

and, with
the

stands

1639), possesses a fine stone-

strong,

console

blocks, ex-

(plates 1-2, ist reprint) raised

In
llic

tremely effective.
I'"nglish
lliar
'*.:;lian.
'

a few feet abov'c a bowling' urecn.

projects into the i;reen, allowing the

ironwork
Ilie

is

much
in
It

less fanciful

centre a landing on the level of the tcriMrc

lli^jlits

wrought

iron

iialcony

fi'om

*'ta

is

.dmost lidious

design, yet
is

of steps to descend to the ri^lu and

left.

withal exlrcmel)' |)Ieasing.

])lan

curved on
it

At the near end another llii^ht of steps (not shown in the photograph) goes down to the
road.

happ\

ilexice,

although

ailds to

the difficulty of workmanship.

scrolls

\\
art;

here the
halved,

This latter has a raking balustrading.

cross one

another thev

The

curious detail of the newels should be

;

noted

and

it

will

be

seen

that

purely

and lh(\ are bountl with metal straps where Only the uprights are mortised ilie\ touch.
into the stone, the scroll-work

utilitarian

considerations

have imparteil a
I

being based
the
is

character of tlirectness and siinplicily.

balusters

he

on a

flat

band of
.\

iron

some inches above

of
<S
1

are

admiral)l\-

adapted

to

their

stone.

sim])le design

balu.strading
-82,

purpose.

Their massive

j)ro|)ortions allow ol

used on the small britlge (plates

series) near

2nd
is

the wide spacing so suitable in garden tlesign.

San
of
is

Lio, X'enice.
iron
lient
in

Ihe
the

scroll

Comparison with the stone staircase Irom Glasgow (see below), where balusters ol almost uncouth robustness and somewhat
similar design are used
is

one

piece

simplest
of

manni'r,
rings on

and

finished

with a Ijorder

the lop.

Cast iron pedestals give

to the
tlesign.

interesting.
built
in

the necess.u'x

stability

1659; (plates 40staircase the stone antl e.xterior

44,

Gla.sgow

College

was

2nd

series)
it

was erected some time before

riuin

Chimncy-pieccs.
ci)ini)lele

1690, for

is

recorded that the balustrading

that

accomplishment of the
is

and heraklic animals were added

year.
" In

Renai.s.sance tradition

shown
3-6,

in

the chim-

ney-piece
"

from
Offices

the

Metropolitan
ist

Water
re])rint).

1690 a rail ol stone bakistradwas put on the great stair leailing ing
I'^ore

Hoard's

(plates
it

01 Wren's period,
car\ ing,
for its
in

has a great wealth of

(irinling

"to the

Hall, with a lion anil a

first

probabl)

In

Gibbons,
grapes
;

"unicorn upon the

turn, at a cost
.Sterling."

ornament,
daintily

bruit, flowers anil

"of

Twelve

Pounds
uj

festoons crown the centre panel

birds

The Annals

Old Glasgow

Cullcgc.

The Collecre and staircase were demolished towards the end of the last century. Parts of the former were re-erected in the
shape of a Gate Lodge to the new LIni\ and the .staircase also was rebuilt.
worth noting that the door
lintel is

ersii\
It

and flower, or hang limp in the pendants, which fall in a fret of implements of fi.shing, fish, shells, Fhe coal carving. in a j)erfect marvel ot of arms is not the least of the ornaments;
poise

on

tendril

is

its

projection, tlesign, antl the vigour of

the

a nmnolith

carving

of

the

mantling

antl

accessories,

extending from side to

side,

including the

make
period.

it

upper parts of
tion of the

pilasters.

Tlie original posi-

a fine example of the work of this All the details of the mouldings are

doorway was immediately facing

from Orta,
is

well designed.

The

Corinthian capitals are

the head of the stairs.

I'he stone balustrade

beautifully carved.
Italy
in-

The plaster u[)per mem-

bers of the cornice are a curious leature.

plea.sant effect
is

(plates

48-50,

2nd

series),

extremely

obtained by the inlay of oak

teresting.
is

A curious
diamond
is

feature of the balusters

in

forming the frame to the marble jamb.s, which

are

the raised

the middle, and the

in

moulded

to the

l\

pical

pedestal bearing a shield set

of the balustrade

the

midst

In quite a dilTerent

wave manner

.section.
is

the chim-

unusual.

More vigorous

niy-i>iece at the .St)ane

Museum

(plates 7-S,

The Practical Exemplar of Architecture.

Chimney-pieces
1st
(coutinued).

shape
its

is

to

be found

in

endless variety of

reprint).

Of white

marble,
it

ilelicate

detail at

flutinos

and quiet
Sir

desitrn oive

an

cftect of

the

utmost reticence, not without a severe

beautv.
of the

John

Soane,

the

architect

Moyns Park, Blickling Hall, North Mymms, and generally all over the country. The skill of the bricklayer was never greater than at this time. The example
from
.\.i).

Ikuik of England, was the desiL;ner,

is

.Silchester

(plates

11-12,

ist

reprint)

and
of

it

a characteristic
for

and

fine

example
the
old

1634, belongs to the

lasted,

new type which

to

his

manner
stone

internal

work.
in

has
day.

with

\ariations,

the present
ijin.

The
Dininobuilt
in

chimney-piece

rhe

slight recesses, only

deep,

room of

Argyll's Lodging, StirliuL;,

i,

the arched tops to the panels, the projecting

bricks

1632 (plates 9-1

Scotland.
in

ist reprint), is a

make
near

it

a fine example.

Goddard's

good example of the form the early Renaissance took

in

Green,
1st

Less refined than

the profiles of the

reprint)

contemporary work
it

the south of England,

if

Proljably

a
it

Cranbrook (plates 23-25, shows an interesting stack. development of the Tudor

leads
in

is still

effective

and

chimney,

mouldings are coarse, they are vigorous and A Renaissance nioiit in scale with the whole.
has given
frieze,

common
wise.

type

way to Kent-chimneys
the

the

ijuite

set angle-

Close at hand,
dift'erent

Dog Kennel
ist

Cottage

the idea for the carving of the

is

gives a

but scarcely less interesting

reprint).

which

beautifully executed

and

fills

type

(plates

20-22,

Very
13-15,

the space in a satisfactory way.

One

fe^Uure
figure

imposing are the chimneys (plates

1st

of the

new movement,

the

terminal

(received through Dutch agency), was, perhaps from its novelty, was much affected by the designers and carvers of the time,
to their undoing.
it

Royal College Hospital, Chelsea, designee! by Wren between 1682The stone cornice makes a good 1692.
reprint)
for
finish.

In the present

instance

26-27,
similar

1st

Marlborough College, Wilts, (plates reprint) has chimneys somewhat

design.

cannot be said to have succeetled.

in

The Adam mantel

is

(plate

t,[,

2nd

series)
pillars

A
4,

bold and well-designed stack belongs

i

typical of that desit^ner.

Curious

to the Choir-house, .Salisbury (plates

2ntl
series).

and
Is

form

the

jambs, and
elaborate

delicate

enrichments
are

Another
2nd

fine

e.xample

are used throughout.

taken from a small cottage near

Several
Included
In

chimney-pieces

(plates

105-106,
set

series).

Westerham The double

extremely

the account of Hatton

"),

Garden
to

chimneys,
simple,

angle-wise,

are

(under

"

Panelling
In

and one of the early

Renaissance
Inlgo Jones.
is

the

room
2nd

attributed
in

and make a good finish to the fine base with its numerous oftsets and diverse
materials.

simple specimen
90,
series)

wood
the

shown

(plate

from

workhouse, Meopham, Kent.

Colonnades.
The
stone
screen
to
ist

the

Admiralty
Is

Chimney

Stacks.
feature

Buildings (plates 98-104,

of

reprint)

one
Is

Robert
in

Adam's
his

earliest

works.

It

There Is, in our architecture, no more English than the chimneys. A

shown
without

book on Architecture, but

side.
Its

natural

the

square openings at each

growth of the re(|uirements of our climate, they are extremely logical and straightforward, and always look what they are. One has but to recall Chambers's vases doing duty as chimneys to realize the value of traditional methods. The chimneys from Eton College (plates 16-19, 1st reprint) are
typical of the

Fhese openings were cut after

erection,

and

two

pillars

were
finest

taken
stone

out

of

the

colonnade

to

Its

detriment.

Perhaps
from

the

screen
Is

In

P2ngland (plates 61-69, 2nd series)

that

Hampton Court
pillars,

Palace.

Wren was

fond of coupleci

and

here, as in the

end of the i6th century.

This

great porticoes to St. Paul's Cathedral and

The Practical Exemplar of Architecture,

Colonnades
the
(continued).

Cupolas.
ii li
I

colonnade

at

(incnw

lospilal,

he

has employed

thciii.

A
it

line
It

halustradinLf
is

Being
height
to

usually

raise<l

considerable
re(|uires

forms part of the

desij^n.

raised well
in
1><\

abov(;

the

eye,

cupola

above the
the centre
stals

cornice, as
is

oiit^lu

and
l>eai-

be carefully designed.
part

The contour

of

marked

1>\
1

hold rar\ cd jxde-

the domeil
carelul

especially
for

needs the most

carrying vases.
of

hr

pedestals
linel\
all

trophies

war which are The capitals and details are

car\ cd.

perspective plays strange Ireaks with sjiherical bodies. The

consideration,

extrenielv

cupola,

Clare
1st

College,
is

beautiful.

31-35,
screen,

re|)rint),

Cambridge (plates a charming example

lend
In

Another
to

Queen
It

;\nne's

Walk,
l)elonL;s

ol

feature
to

that

can

great

deal

Barnstaple (plates 57-60, 2nd series)

a
is

of
th<!

interest

a the

roof

this
is

example,
successful,

later

period.

was

huilt

in

1713,

shape of

lead work

and

Fhe pillars are much too short, and the whole screen has the appearance of being sunk in
not a \'ery
successful
desiL;n.

the ground. the

Fhis

is

further increa.sed

by

The details are heavy balustrading. coarse and not very interesting, but the desiofns for the cartouches and the carxinLi'
are fairly good.

and the design of the pine-apple finial is well pro|)orti<)ned, giving a good finish to the dome. The wooden pilasters, the archheaded windows, the cornice with its numerous breaks, are all pleasant features.
All

Mallows'

Church,

London Wall,

was
1765.

built

by

(ieorge

inunediately
Its
in
It

on
stone

his

Davis the yoiniger, return from Italy in

(plates

cupola

36-39,

isl

reprint)

this

example takes the place of

filling

a spire.

Cornices.
A
quite
girth

looks ver\- well, and, w^ith the

aid
to

of

the

\ases

the
the

angles,
scjuare

joins

nice

judgment
its

is

recjuired
It

pro-

on

remarkal)ly
the

well

to
is

tower. the
small

portion a cornice to
tlifferently
is

position.

"reads"
its
full

Again,
attached
lead

cornice

broken

round
of
its

in

actualitw

when
does on

pillars.

The shape
is

e.xposed, from

what
to
l)e

it

])aper,
in
its

dome and

cross

also oood.

and great care has

desitrn.

exercised

"the orders" a definite proportion ol)tains and lessens the chances of making mistakes. But there are few rules to guide one to the size of the ordinary crowning cornice to a building. The wooden example fi'oni the .Sti'and
In

the

use

of

Doors and Doorways.

Monlen
ant!

College,

Blackheath
ist

(Doors
reprint),

Doorways)

(plates 40-47,

(plates 27-2S, 1st rejirint)

is

of

an ordinar\

type, but
to
its

is

boldly designed and well fitted

was built by lulward mason in 1695. It is rangle, and Wren is

be
responsible;
lor

Strong
built

as master round a (|uad-

usually

allowed

to

height

from the ground.

Hospital
(Sir

riit-

two

the

general

scheme.*

from

Chelsea

Christopher
isl

Wren,
great

architect) (plates
Init

29-30,

re])rlnt)

excellent

are less usual,

ver\

interesting.

llie

W'e always feel that in s])ite of the most workmanshi|) and exquisite car\ing, the main doorway fails as a piece of
proportion, that the arrangement of the two

projection
b)'

ot

the

coronas

is

note-

worthy, as
is

this

device added imjjortancc!

stone (ornice

given to the cornices.

figures in the pediment is rather unhappy, and that the doorwa\' to the south wing
is

charming

little

is

that

too

loft\

.\ll

the
the

details are,

however,
tradition

from the Choir-house, .Salislmrv (plate o, 2nd series), antl various wooil ami ])laster
cornices of yood
the

good,
of

and show
late
ijtli

force

of the

the
I

tcnlur).

design are shown

aiiioii''

he ])roportion of the doorway to the

is

drawinofs

of

Hatton (iarden

and

the

Chapel
See A. R.

much more

satisfactory.
1 21,

Again,
and plans.

room

attributed to Inigo Jones

Vol. 22, p. 274^ vol. 23, pp. 49,

for full description

The Practical Rxcniplar of Architecture.

Doors and Doorways
the carving
is
_t;ootl,

{tonunncd).

The doorways
([)lates
2

illustrated

from Salisbury
-''"^^

and the fretted panels arrangement. charming doors are a of the A door somewhat similar in design to the main door of Morden Coll(>ge is that from Bromley College (plates S3-S5, 2nd series). In l)oth cases an arched opening
is

and

and

86-93,

series)

exemplify the variety to be found within a

small area.

With

the exception of the bold

contained

\^\

Doric
Init

pillars

and a segis

mental pediment,
fully

the

latter

heauti-

proportioned,

to
is

the the

(plates

way superior Of somewhat the same period first. wooden doorway from Carey Street 4S-51, 1st reprint). Too much jiraise
in

every

cannot be given to

this

its

general
the

pro-

portions are excellent,

are of extreme beauty,

and

all

details

example from the Choir House (late 17th century), these doorways all belong to the iSth century, and display much excellent detail and carving. A pleasant example (plate 63-64, 2nd series) from the Loggia at Hampton Court is also shown. The door from Stresa, Italy (plates 92 and 94, 2nd series), shows a curious arrangement of panels. Numerous examples of interior doors will be found among the Hatton Garden drawings.

many
ways.

of

them being
console

enriched
blocks,

in

\arious

The The

the capitals, and the carving of the

raising
for

festoons, are in the finest style.

Exteriors.
The
Choir-house, Salisbury (plates
is

of the architrave to

make a base

the

1-8,

vase is good. A comparison between the doorways from a house in Botolph Lane (plates 54-56, 1st reprint) and from Marlborough College (plates 52-53, ist reprint) gives a good idea of the differences in design In between the 17th and iSth centuries. the first, \irility is the marked characteristic
the architrave, the

jnd series)

situated to the north-west of

the cathedral, and was built at the end of the

17th century.

Tradition ascribes

it

to Sir
in

Christopher Wren,
to

who

in

1668 was called

make
;

a report on

the condition

of the

cathedral

the simple door panels, the strong break of

and he may have been invited from this connection to make a draught for the building. W^hoever the architect was, he
has displayed a playful fancy
in

vigorous mouldings,
the

all
;

the design,

mark
while

it

as belonging to the earlier period

and a

fine feeling for detail.

is

While the comit

in

the

latter

character

is

less

position of the front

larly well proportioned.

unusual,

is

singu-

robust.

The elliptical headed

The door from

(plates
97,

the Close, Canterbury

scries),
in

windows, with their delicate coigns and simple

architraves round the heads, are delightful.

99-100, 2nd

shows the
the design
is

Renaissance influence strongly

of
its

The

feature of the front

is

of course the

enrichments.
it is

If

the carving

trifle

doorwa)',

and the arrangement of and the use of nail-heads as a decoration, are very good. Fhe winged cupids fill in the pointed top panels remarkably well, ami all the details are well antl
crude
effective,

design

and masculine in the brackets and hood are good,

which
is

bold

the panels,

carefully executed.

very original piece

and the elliptical window over gives point to Fhe iron railing to the steps is extremely it. simple and effective, and the whole composition marks the entrance in a most decisive way. The main cornice of stone
is

of

work is the doorway from Clare College, Cambridge (plates 95-96, 2nd series). The
working out of the stone details is extremely interesting. Another clever design is the doorway from St. John's College, Cambridge (plates 97-98, 2nd series). It is placed so
close to the corner that there
is little

designed with a small cove, a favourite

in

profile

Salisbury,

and looks very

small,
it

well.

Although
adequate
roof
is

comparatively

is

of
is

piece with the rest of the front, and

finish to the brick wall.

an

Fhe

tiled

hipped, and ornamented with dormers

room

for

the jamb, bur

it

has been so arranged as to

in

which have cornices similar in design to the It should be noticed that one at the eaves.
the three sets of coigns, to the corners of the

look well without being

the least cramped.

The Practical Exemplar of

Exteriors
{continued')

Architecture,
is

73,

1st

re])rint)

a Inie example of

i8th

building', to the

windows,

lo the door, arc all

cenlur)

ironwork, and doubtless inlluenced

of different sizes.
l)old

The Imck clcxation has a

and simple chlinncx in the middle, with a window on each side similar to those ol If the outside with its fancy and the front. playfulness, is like Wren, the .same is no less
true

The gate it.self is comand is in strong contrast to the elaborate overthrow ornamented witii A |ileasant feature leaf and repousse work.
by the brench smith.
paratively simple,
is

the

binl

jierched

on the top torming a

of

the interior.
lintel

The moulded stone

lii-e-place,

fmial.

jambs and
simple oak
ends, are

forming the

the

tor

The construction of the side panels strength is extremely good, and their
is

panellini.;,

the raised desks at the

ot

design

interesting.

Prom
tine

the

same
is

all

reminiscent
to

his work.

The
daVsed

county (Berkshire) another

taken.

exam|)le

curved ramjis
effect,

the panellinL; ha\-e a line

curious feature- ot the WoK'cilon

and
.\

i^ive

imj)ortance

to

the

ends.

plaster cornice with a coved bedfinishes

gate (plates 73-75, 1st re|)rint) is the curvetl construction carrying the overthrow and
the fine scrolls joining are few points of
pfates
it

mouUlinu
ceiling
;

the

room

aj^ainst
in

ilat
is

to the gate.

I'here

and the space over,

the roof,

similarity

between these
latter
is

utilized as a dormitorv.

the

ironwork

of the

con-

siderably stouter, and the details are (|uite

ditlerent.

Garden Gates.
The ironwork
78,
ot

.Salisbury

is

extremel) rich

in

Georgian

ironwork of a simple character.

"j"]-

With

their

this

S4ate

(plates

piers these three gates from the Close (plates

2nd

series)

is

extremely
sufficient

delicate

in

70-76, 2nd series) form the most charming

design,

and is a being so heavy as

view of the garden.
the
details

bar

without
with
the

examples, and show

how
thei

it

is

possible

to

to

interfere

gain a good effect from

simjilest elements.

On

the other hand,

are

Those
similar,
in

marked
and

Nos.

and
is

are

very

of

the
;

woodwork
to

not
poor.

although the latter

is

particularly

good

the

brackets are
the
it

design,

more simple without the lit>ht and

that
is
.so

Probably

it

belongs

19th

century,

delicate

lamp-carrier
of the

pleasant a

and

is

interesting on that

on no other

feature

tormer.

Scroll
trilling
rest,

panels

on

account.

each side of the gate, a

cresting,

ornamental
bans,

and,

for

the

straight

make

the design, and fine smithwork gives

Gates and Gate-piers.

To
us.

an added charm. on a larger

fine
rail

Somewhat
is

similar,

though
3.

scale,

the gate
for

No.

A
with

Tijou we owe the impetus

which
left

extending
compo.scd
at
It

some distance on
plain
bars,

has given us most of the ironwork

to

each
scroll

side,

of

Frenchman, it is not known when When Wren he came to this country. iampton Court he commenced work at already found Tijou working there, and it
I

panels

intervals,
is

gives

the

gate

im|)ortance.

witler

than
is

the others,

and
to
it.

the

tanciful

cresting
is

not

attached

Phis ironwork
is

extremely simple.

him we owe the magnificent series of Aftergates and grilles to be found there. wards he worked at .St. Paul's, ilesigning
is

to

There
all

no elaborate beaten leafwork, and

is

the effect

got by nice distribution

.scrollwork.

ot

straight

bars

and simple
is

In

the

splendid

screens

antl

other

ironwork
besides,

their finish

there
scrolls
in

some; tliversity.
finish
in

.Somering,

about the church,

lie

executed,
of

times

the

little

several gates for the

hou.ses

noblemen.

sometimes
sionally
rarely,
is is

solid
llai

round,

which
ram's

occa-

His book on designs for hammered ironwork was published in 1693, when he had finished his work at Ham])loii CoLirt. The gate at Aldermaslon (plates 68-

beaten

like a coin, or, like

more
horn.

worked out
to

Phe

piers

these

gates
detail.

show

some

variety of design

and

In Salisbury,

The Practical Exemplar of Architecture.

Gates and Gatc-picrs
a
{cotiUnned).

The Roper
of

gateway, Canterbury (plates

is

common

feature

is

the

ornamentation

101-102,
teresting
{larts

2nd
bit

series),

an extremely

in-

their faces Ijy

sunk panels, and, for a heel cornice, a coved mouldino-. to the mouKl Coigns in l)rick and stone are another form of decoration, and the fniial may take the
shape of
various
l>a]l

of

brickwork.

The

various

are carefully adjusted, the

for

wide door-

way

base,

then

three-light
all

window,
help to

then the circle under the apex,

or pineapple or lamp.

These
in

make

forms

are

all

exemplified

the

good composition. Crow-steps are not as a rule easy to manage, but these
a

gates here shown.

The

steps to the gate

are successfully designed.

The

original door

with the long- wings are an extremely plea.sant piece of design, as is also the fine walling of
brick and Hint with stone copings.

has perished, but probably one similar to

that from
reprint)
.Staple

Inn (plates
It

103-104, 2nd

was used.
lower
part

should
the

be
brick

noticed

that

the

of

jambs

has been worn away.

Gate-piers.
The
shall

gate-piers from
57-65,
ist

Hampstead Marreprint)

Market Crosses.
The Town
into

(plates

were

built

Council of Aberdeen entered

with

between 1662-1665 (see note below plate 62, They are in brick and stone, 1st reprint).

contract
in

John
a
site

Montgomery,

mason,

16S6 to

l)uild

new

cross,

as

and ornamented with a profusion of carving and capped with such varied forms of vases, as to make them extremely balls, etc., None of them pos.sess the interesting.
quiet
dignity,

near as possible to the

of the old one.

The market
differs
1

cross (plates 51-56, 2nd series)

its

somewhat from

original plan.

In

83

the cross was taken

down and

altered

however,

of

the

piers
ist

in

so as to convert the

interior

into a

shop.

Lincoln's Inn Fields (plates 66-67,

print),

re-

which were ciesigned by Inigo Jones. These are noble in scale, and are the most The vase and corbeautiful in England. and is extremely proportioned, nice is well
interesting in design.

Again in 1842 it was removed and rebuilt, and the arches which had been closed were opened up, and the Royal and the City arms were placed in compartments side by side, and the portraits of the Scottish Kings were arranged consecuti\'ely. As it stands, it is unique among market
crosses.

The

carving of the

effigies,

the

Gateways.
The garden gateway from Woolhampton

House
in

(plates 77-7<S,

ist reprint)

shows
the

coats of arms, and the ornaments are treated broadly and simply, and are very effective, and the details of the mouldings

a type
for

general

use

in

the i8th century

are extremely vigorous.

In the lower part,

external

doors.
in

The
is

order and

hexagonal
with
the

on

[)lan,

it

becomes

figure

pediment are varied

which
tions.
is

a great
in
its

many

with twelve sides at the entablature level,

ways,
blocks of

angles jutting out over the

the
arches.

key
is

but the chief variation

altered
to

the proportion,

In

effect

this

suit

varying posiin
all

These doorways are found

of the
country.

most charming.

parts

Argyll's

Lodging was

built in

1632,

and

Panelling.
The
from No.
general disposition of the rooms
26, Ilatton Garden, may be seen from the plans of the staircase and hall On the ground (plate no, 1st reprint).

gateway (plates 76-77, ist reprint) is a most unusual one, and might almost have been inspired by Sanmichele's Palazzo dei It is vigorous in its conception, Diamante. and suo-o-ests unsettled times and the stress
the
of war.

floor are the

Dining and Breakfast rooms

The Practical Exemplar of Architecttdre.

Panelling
(continued)

house
I

is

the oak staircase (plates

It is

109- 113, the

(marked Conunittee and Museum) and on the first are two Drawing' rooms (marked Cambridge antl Skimicrs' Wards). The panellinj^', in deal, was ot ihe ordinary type; a plain ovolo moulding with
raised panel,

St

reprint).

quite different from

usual stair of this period, with the exception

of the carved spandrils of

effect
is

tlie ste])s,

and the

With

its

one of extreme grace and delicacy. low handrail and long curved ramps
it

with a chain

rail

dividinj^

it.

joining

to

the

newels, and

ihe

playful
it

In the lower Hoors an architrave, frieze, antl

design of the balusters and newels,

excellent specimen of
1

is

an

cornice were desis^jned to finish the panelling,

Sth century work.

but on the second tloor a bold plaster cornice

The
2nd
anil
it

design
is

ol

this

room
to

(plates 32-39,

only was used.

series)

attributetl

Inigo

Jones,
17th
in

Ihe mantel-pieces were extremely varied

and
well
interesting;, but
in spite ot

obviously belongs to the early

a s^reat deal
particularly

century.

Ihe
in

])anelling

was found
in

of first-rate

carving'

were

not

farmhouse
it

Hedtordshire, so built
;

that

designed.

The

proportions

of

the

upper parts

were often

clumsy, especiall)

those in the Dining (plate 22, 2nd series) and Breakfast rooms (plate 17, 2ntl series). The one in the Drawing room (plate 1^, 2nd series) contained a picture, and was a
much, better piece of design.
In the .Skinners'
isl
rei)rint),

all the was with great difficulty removed l)lnning was ilone from the back, and suggests that the casing which containetl it was built

round

it.

The

extraortlinary length of

the

|)ilasters (thirteen

diameters) should be noted,

all

and the great projeition of

proportion to their depth.
tion of the dentil blocks,

the cornices

in

With the excep-

ward,
fine

1st

floor

(plate

Si,

the

which are rudely cut

vigorously carved architrave,

architra\'e

marble jambs are surrounded with a to which an

shelf
in the Atlam st)"le had two adjacent rooms on the marble jambs of similar section

out of the solid, there are no enrichments on

the mouldings. At the end of the century and throughoLit the iSth, the members of

been added.
second
places.
floors

In

cornices

were

invariably carved with

eggbut

and-tongue
here,

antl

other

enrichments,
incised

(plates 84,

1st

reprint)

contained
these

the

firestill

instead

of these,

arabesijues
the trie/es
capitals

Several

of

mantels

of \aried design are carved on

preserved the

fine stoves of the period.

and
is,

soffits.

The carving of the

of

I he good. Dining room doors (plate 24,- 2nd series) reminded one of those shown in dibbs's book, which was

The doorways
cartouche

are

\ery
the

in

spite

crudeness,

\'ery

vigorous

fanciful

over

and
ters,

effective, while the ct)nstruction of pilas-

columns, entablatures,

etc., is

excellent,

published

in

1731.

In this

room a very

and the joinings are as close as the da\ they hir is the chief wood were put together.
used
in

suggestive piece of design was the arrange-

the construction, anil although never

it

ment of the
23,

fire-place

and cupboards (plate

side.

painted

is

in excellent
its

preservation.
tlat

Ihe
is

2nd
a

series)

on either

The
of

fronts

stone fire-place with

also interesting.

car\

eil

frieze

of the cupboards were

to
in

made
door

mahogany
architraves,

fine

iletail.

Nearly every moulding

room,
the

Aw

unusual feature was the ])ainting of

black,
in

the

Dining
dado,

the ceiling

whereon the

l)irds
i)ills

were

skirting,

anil

architraves

under

picked out
feet.
1

light

blue with red

and

the main cornice, was most vigorously carved.

he original position of the entrance

On
In

the second floor landing

was an archway
ist

door was to the right of the tue- place, and

cleverly

designed

(plate

8^,

reprint).

one of Hatty l.angley's books, "The City and County Muiltler's and Workman's Treasury of Design," is given a drawing of
the

pattern

of the

marble
1

floor

used

in

the staircase hall (plates 109-

10, ist reprint).

The most charming

piece of

work

in

the

was secret on the room side on the outside In by the Doric door-piece. it was framed iloor is a iIk; view at the eiul of llu- room shown; this is a recent alteration. Originally the pillars, cornices, and |)ediment formeil a kind of niche, and were raised up from the floor. This is reconstructed in the drawintr.
;

The Practical Exemplar of Architecture.

Pine End
The
88,
1st

(Gabic).

Tombstones.
These tombstones
series) both date
first

oablc from
is

Pine

End
Its

(plates 87-

(plates

10-

13,

2nd

reprint)

an

interesting-

example

from the i8th century.

a type
in

The
use
in

of brick and
is

flint

work.
too Hat,

oeneral design

example
century
are
is

is

common
profile

not particularly successful, the curves at

sides
beino-

that

for

-Sarcophagus
the
clear,

tombs.
of

Its

the

but the

arrange-

details

vigorous,

the the

ment of the Hat brick pilasters and the pediment under the chimney is very good.

corners

wonderfully

while

carving of the egg and dart is .sharp and good. The tomb from Tisl)ur\ Churchyard
is

Screens
A
fine late

(Wood).

of a
at

much
once

less

common

kind.

An

excellent

Gothic screen is the one Church (plates S9-92, ist reprint). Great fancy is shown in the elaborate design of the fretted cornice and the frieze with its curious winged figures. The cusped -leaded jxmels are also very
from
.Silchester

design, the
it

daintily panelled

pilasters give

grace.

An

the

pilasters,

and architrave is returned round capped by a cornice whose

character
of
lightness

lower members are also returned. These It mouldings have all very fine profiles. dates from 1740, while the first belongs to
the latter half of the centur)'.

interesting.

1st

Lincoln College, Oxford (plates 93-97, reprint), has a fine early renascence

screen

made

in

1631.

Reading Desks.
the

Staircases.
.Seventeenth
tho.se
in

Laurention
a

Michael Angelo was the architect of Library and he- may have
sketch
for

century

staircases

were,

as a rule, built of heavier scantlings than

the

succeeding

century.

The

earlier, too,

preferred a solid to a cut string.

Reading Desks They are (plates 116-117, 1st reprint). well designetl and the mouldings are very good. An interesting detail is the moulded base. Fanciful carving ornaments the

made

the

The example from

in
1

Clare College, Cambridge

panels.

(plates 105- loS, 1st reprint)

was constructed

688, and
of

while the balusters are of a

application at a later date,
typical

Windows
The window from
i

(Stone).

type
the
of

common
earlier
is

heavy strings and newels are

the century.

Very

clever

and

Ainesbury (plates 18-120, 1st reprint) is slightly flamboyant in character. It is an effective and at the

beautiful
to

the

way

the newels are designed

same time

a simple design.

take

the

raking
a

handrails
is

at

different

levels

and interesting
with
panel on the

the

formation

of

Well-houses.
This
Orta,
Italy

the

string

deeply
soffit
is

recessed

panel.

The

a good method
soffit.

type

of

buikling,

Well-house,
series)
is is

of joining on to the plaster

(plates

107-109,
of uses.

The
(plates
1

staircase

from
1st

Hatton
is

Garden
briefly

09-

13,

reprint)

common one in able to many kinds

a

2nd gardens and

adapt-

As

a summer-

considered

in

the note on

Hatton Garden.

An

external stone stair from

is

Glasgow

University

noticed under " Balustrading."

This example differs from the generality by the depth of the shortness oi the pillars, its frieze and further abridged by the addition of pedestals. The high frieze admits of a domed ceiling
house
it

is

most common.

Stalls.

of considerable

rise.

.Stone

is

used for the

spirit

of

delight

seems

to

have

pillars, etc.,

architrave and cornice, and stone

the

worked the canopies over the stalls in the Chapel of King's College (plates 11 4- 115, i.st reprint). They are wonderful examples of the medieval workman's unrestrained
fancy.

slates

on

roof

white plaster for

The introduction of the frieze and between the

effect.
floor, laid in

brackets of the cornice has a pleasant

Flints are u.sed for the

a simple

and

effective

pattern.

The
Plate
1.

Practical

Exemplar

Balustrading

(stone).

of

Architecture.

Stone Balustrading, the Guildhall,

Stirling,

Scotland.

The
Plate 2.

Practical

Exemplar

Balustrading

(stone).

of

Architecture.

f FNXRE

OF

jaRL.U-SJTE'.K.

10

II

INCHES

SEieriON OF COPINC.

"f

^1
I

1- 2'8y:i'

-BRUlSTtRS
SQUftRt

THROOOUT-

Try

enA
t-

i=:

circr

^-'2 i555

m
If

m
II

H
i

EttvaTioN.

FEET.

llllllllllll

PLftN.

Stone Balustrading, the Guildhall, Stirling, Scotland. III/ Dnmii hv Frmicis liiicoii Mciisitrcil

The
Plate 3.

Practical

Exemplar

Chimney-pieces

(wood).

of

Architecture.

The
Plate 4.

Practical

Exemplar

Chimney-pieces

(wood).

of

Architecture.

AHX.HMCm

h H H H H H
I

SOliXyrEET

hH
The

I I

Metropolitan

Water Board's "

London, England.
Mcasun-il

New River" Offices, Rosebery Avenue, Clerkenwell, Chimney-piece in the Withdrawing Room. ttiul Draun bv T. Fi;inl; Gr

Plate 5.

Chimney-pieces

wood

he Practical Exemplar

of ArcKitecture.

^^^

The
Plate 6.

Practical

Exemplar

Chimney-pieces

(wood).

of Architecture.

c
OD

C c o

UJ

c o
-1

U
3 c QJ >

-
(U

2 o

>

^.^ 1)

a.

"SIS
^
(U

> o
00

13

2
i:

(0

1^ o
tt:

The
Plate
7.

Practical

Exemplar

Chimney-pieces (marble).

of Architecture.

Chimney-piece

at the

Soane Museum,

13,

Lmcoln's Inn Fields,

London, England.

The
Plate 8.

Practical

Exemplar

Chimney-pieces

(marble).

of

Architecture.

J-

mf

SHUFIS

SULID AND IN ...DEPTH tOUAL TO TH[ WIDTH OF THt PIlAiTCR.IHE TRCAT

5IDC

MCNTATTHC BEmC IX-

ACFLY SIMILAH TO THE FRONT THE PILASTER 15 BUILT

UP. SEE DETAIL

SFFET
I

M M M
I I

DETAIL

AT

A. A.

DETAIL

AT B

'/
I I

IliCHES

1-1

Chimney-piece

at the

Soane Museum,
Mciisurci/ inul

13, Lincoln's Inn Fields,

'i.v

London, England.

/)/<(;(

f"cinR;,s-

lUicoii.

The
Plate 9.

Practical

Exemplar

Chimney-pieces

(stonej.

of

Architecture.

Enlarged

detail of carving

on Lintel.

General View of Clumney-piece.

Stone Chimney-piece

in

Old Dining-room, Argyle's Lodging,

Stirling,

Scotland.

1632.

The
Plate
10.

Practical

Exemplar

Chimney-pieces

(stone).

of

Architecture.

(5^

-^

r^\_Plate
11.

L.nimney-pieces (stone)

Chimney
r^\

otacks.

The
of

Practical

Exemplar

Architecture.

Chimney

Stacks.

Chimney

at

Manor Farm,

Silchester,

Berkshire,

England.

The
Plate
12.

Practical

Exemplar

Chimney

Stacks.

of Architecture.

yy ^-'r'^

>

The
Plate
13.

Practical

Exemplar

Chimney

Stacks.

of

Architecture.

Chimney, Royal Hospital, Chelsea, County

of

London, England.

The
Plate
14.

Practical

Exemplar

Chimney

Stacks.

of Architecture.

Chimneys, Royal Hospital, Chelsea, County

of

London, England.

Plate

15.

Chimney

The

Practical

Exemplar

Stacks.

of Architecture.

Chimney, Royal Hospital, Chelsea, County

of

London, England.

Mctisiircil unci Didztii hv Fnnici'i liiicaii.

The
Plate
16.

Practical

Exemplar

Chimney

Stacks.

of Architecture.

Chimney, Eton College, Berkshire, England.

Plate

17.

Chimney

The

Practical

Exemplar

Stacks.

of Architecture.

Roll r/4 WIDE

Q < O
uj

Flaunched

UP V/ITH Cementat
TXE Angles

This Course dies out here but has ^4-' projection at angle
I

Note. For joinhng of

Brickwork see Photograph

-2
7-

Detai

OF
Lead
l^UTTER

Cap
Plan of Cap

Joint

(LOOKING down)

(looking UP)

This Course is coved out To 'i MORE PROJECTION AT THE Angle than here

Plan of Base

Chimney, Eton College, Berkshire, England.

Measured
ciiul

Drawn

by Francis Bacon.

The
Plate
18.

Practical

Exemplar

Chimney

Stacks.

of Architecture.

Chimney, Eton College, Berkshire, England.

The
Plate
19.

Practical

Exemplar

Chimney

Stacks.

of Architecture.

Note. For jointing of

Brickwork see Photograph

IZ
I

12

24
.

36
I

.iihiml

Detai

OF Cap
Detai
AT
L

OF
o

Base

FlashikIg-,

Gutte r-,

JOINT

(looking upj

Plan of Cap

Plan of Base

Plate 20.

Ch imney

The

Practical

Exemplar

Stacks

of

Architecture.

General View,

Dog Kennel

Cottage, Cranbrook,

Kent, England,

showing Chimney-stack.

The
Plate 21.

Practical

Exemplar

Chimney

Stacks.

of

Architecture.

Detail

View, Chimney Stack, Dog Kennel Cottage,

Cranbrook, Kent, England.

The
Plate 22.

Practical

Exemplar

Chimney

Stacks.

of

Architecture.

HALr

PLAN
L90KING
IIP

note:

FOK JOINTING
or BRICKWORK

j-EE

PHOTO

Chimney

Stack,

Dog Kennel

Cottage, Cranbrook,

Kent, England.

Mcasurcil and Drau-ii by

HA

McOiiecii.

The
Plate 23.

Practical

Exemplar

Chimney

Stacks.

of Architecture.

c
JO
00

c
UJ

o o
_Q

C
(0

u
V c c V

o
(0

o
o

c E
IE

The
Plate 24.

Practical

Exemplar

Chimney

Stacks.

of Architecture.

Detail

View, Chimney Stack, Goddard's Green, near Cranbrook, Kent, England.

The
Plate 25.

Practical

Exemplar

Chimney

Stacks.

of

Architecture.

J'CALr
l""T""
l

FOR

CAN AND CLCYATlONr

r
1

rrrr
4
r

r-^
n=R

./CALC

DHTAIuy

rcHT

RAir

FLAN

AA

WMT TLAN

D-t)

Chimney

Stack, Goddard's Green, near Cranbrook, Mciisuix-il and Drawn by H. A. McQueen.

Kent, England.

The
Plate 26.

Practical

Exemplar

Chimney

Stacks.

of

Architecture.

Chimney

at

Mcasiircil

Marlborough College, Wiltshire, England. and Drawn by Francis Bacon.

Plate 27.

Chimney Stacks

Cornices.

The
of

Practical

Exemplar

Architecture.

Chimney

Stacks,

Marlborough College, Wiltshire, England.

i^OW GKOtfMD 35' o*

Wooden

Cornice,

No. 164a, Strand, City

driiwii bv

of

Westminster, England.

McasKrcJ ami

A Ml On fen.
.

The
Plate 28.

Practical

Exemplar

Cornices (wood).

of Architecture.

-a

c C

-o

03

Z
U
c V o O
o

The
Plate 29.

Practical

Exemplar

Cornices

(wood).

of

Architecture.

Two Wooden

Cornices,

Royal Hospital, Chelsea, London, England.

The
Plate
30.

Practical

Exemplar

Cornices

(wood).

of Architecture.

lO

rvftUNCKiMC

TQ

UTTtK

Two Wooden

Cornices,

Royal Hospital, Chelsea, London, England.

liiicon.

Measured mul Drau-ii by Francis

The
Plate 31,

Practical

Exemplar

Cupolas (wood).

of

Architecture.

Cupola, Clare College, Cambridge, England.

The
Plate 32.

Practical

Exemplar

Cupolas (wood).

of

Architecture.

Joile

^^

^'

i-^

'^-^

-^-h'

^'

f^^

f ^^/

Cupola, Clare College, Cambridge, England.

Measured
iiiui

Elevation and Plan.

Dniicii by G. Herbert Parry.

Plate 33.

Cupolas (wood).

The

Practical

Exemplar

of Architecture.

BA5ETD
PIIASTIKS

SCALE

H-LH

rl

.1

.1

^i

-j

T-

''

Z^ WCHU

Cupola, Clare College, Cambridge, England.

-Uc.rwnv,/
,,,/

Details

Dn,ic by

Herbert Perry.

The
Plate
34.

Practical

Exemplar

Cupolas (wood).

of Architecture.

INCHES

ODRNICE H
"

LEADM^RK ATBA5E
OFDOME

LEAD
DRESSED a/l^

ciLL

:/\:

Cupola, Clare College, Cambridge, England. Mccisnrcil und Druu-n by U Herbert Parry.

Details.

The
Plate 35.

Practical

Exemplar

Cupolas (wood).

of Aicliitecture.

XAi-E-

!H

l\

j|

4\

,tl

1^1

/I

f'

)\/.VCHES

Cupola, Clare College, Cambridge, England.

Pilaster Capital.
.

View and

Detail.

Measured and Drawn by O. Herbert Parry.

1 he Practical
Plate 36.

Exemplar

Cupolas

(stone).

of

Architecture.

Cupola, All Hallows Church, London Wall, City of London, England.

The
Plate 37.

Practical

Cupolas

Exemplar

(stone).

of

Architecture.

The
Plate 38.

Practical

Exemplar

Cupolas

(stone).

of

Architecture.

Cupola, All Hallows Church, London Wall, City of London, England.

Detail

View

of

Upper and Lower

Part.

The
Plate 39.

Practical

Exemplar

Cupolas

stone \

of

Architecture.

Cupola, All Hallows Church, London Wall, City of London, England.

The
Plate 40.

Practical

Exemplar

Doors and Doorways (wood).

of

Architecture.

Morden

College, Blackheath, Kent, England.

Doorway

to

South Wing.

The
Plate 41

Practical

Exemplar

Doors and Doorways (wood).

of Architecture.

SCALE OF FEET FOR GENERAL DRAWINGS.

WS.

TTTTl

X
^t113 DOOE BVILT VP -IMD'BJinT PREVEMTS jOinT5 BEIMG SHEWM.

J
I

FEET.

jTHI5 RETVCMS VMDEB TOP or TR/lhSOME

' TR>lM50Mt:
13

5QB3t

DOOR WING
U U

TO

DEPTH orMODinc/lTION " rc/iMc roc Of

MLICriT

5T0N E STCiNG AT FIRST rL0C2

LEVEL,
L-i -t=t-\

Ui

u-i

u-i

u-i

u-i

t-j

u-i

fNCflCS

SKETCH or BRACKET OF HOOD OVER WING DOORS.

THIS
RilRT

SECTION OVER
BR/ICKETS
CVRVED BETWEEM

SECTION
OVEIE

BMCKrfS

KEYSTONE

OF MOOD.

MOVLDS

5
I

6
I

7
' ' i

I
I I

'

|~r-

zflNCr;:3

KT/STONE

SC4LE FOR

DET/1IL5 tf^oRlZONTAL LINE

Details of Doorway to South Wing. Blackheath, Kent, England. by A.J. Ilcaley. and Drawn by A Bough. Measured Door Details of Measured and Drann hy T. Frank Green.

Morden

College,

The
Plate 42.

Practical

Exemplar

Doors and Doorways

(stone).

of Architecture.

Morden

College,

Blackheath,

Kent, England.

Main Doorway.

The
Plate 43.

Practical

Exemplar

Doors and Doorways

(stone).

of

Architecture.

TlIP0lilMPWl)-iJilO-WE-

tudmot
It

REM

II)(JlDB^^3HirCMrH!la

"ll]FaP-W]0FI10^T:

^^

INI

i'

'f

.FT

The
Plate 44.

Practical

Exemplar

Doors and Doorways

(stone).

of Architecture.

Morden

College,

Blackheath, Kent, England.

Frank Green.

Details of

Main Doorway.

McLisitrccl Hint circiifii by T.

The
Plate 45.

Practical

Exemplar

Doors and Doorways (wood).

of

Architecture.

a-

Q
c C
-J

o o

_C
-id

o
n3

CQ

~o

c
1)

-a

Plate 46.

Doors and Doorways (wood).

The

Practical

Exemplar

of Architecture.

CVP?

CHAPEL DGDE

DGDCWATTOChl^PfL
I

10

11
I

12
I

13

15
I

5c>^LC or
Details of

rzzT

Doorway

to

Chapel.
T.

Measured and drawn hv

Frank Green.

Detail \'ie\v of Panels to Cliapel

Dorir-

Morden

College,

Blackheath,

Kent, England.

The
Plate 47.

Practical

Exemplar

Doors and Doorways (wood).

of Architecture.

OKETCHCS or FLOWERS 43 AT O
TME 4
V4PIETin:5
-

PERSPECTIVE

MERE SMEWN

BEINC.'./

V5ED

INDISCEIMIMTEUy.

&1BVED
PIECCED,

R4NEL

34MC MOLD TOR

J>]MB /IND INTI2/3D05

OF.4PCIiW4Y

LEFT HAND SPANDREL

TO

m
/""
'''

OTNC Wt>

4Df

IMiWl'OTKlt

Mord en

Details of College, Blackheath. Measured itinl ili\i^i-ii hy T Frank

Doorway
Orceii

to

Chapel.

The
Plate 48.

Practical

Exemplar

Doors and Doorways (wood).

of Architecture.

Doorway removed from

A'ou'
til

House

in

Carey

Street, City of Westminster,

England.

the \'ictoriii

ami Albert

Mtisctiin,

South

Kcitsiiigtuii

Loiiilnn.

The
Plate 49.

Practical

Exemplar

Doors and Doorways (wood).

of

Architecture.

DOORW4Y
FROM A
N

H0V5E

C>^REY STwc.

PL/IN

.^T

2
I

PLAH

Ai

C
TOPCOVteiNG

PLAINS LOOKING VP.

FACE or

PBOBABUE

WALl.

wrTH

HOOD

(Tizcv/Nn

ELEVATION

SECTION OM CENTRE LINE

The
Plate 50.

Practical

Exemplar

Doors and Doorways.

of Architecture.

uo
3

10

II

12

13

14

,15

Doorway
Carey

in the

Victoria and Albert

Museum, removed from

Details.
(hccii.

House

Street, City of Westminster,

England.
Frank

Maistin-il mill ilnm'ii by T.

Plate 51.

Doors and Doorways.

The

Practical

Exemplar

of Architecture.

PROBABLE

FACt

OF

BRICKWORK
.

E
SIDE

FINISH /IT

SEt ELEVATION

OF

~\
J

'

PIL/ISTEf

Hi

%r-\r^
PIL/3STER

B>^SE or
PIL>:1STEP.

STEP.

10

,11

12

,13

,14

,15

16

17

15 ItiCflES

Doorway

in

the Victoria

and Albert Museum, removed from a House

Details.

in

Carey

Street,

City of Westminster, England.

Mciisiircil

and

ilyauii h\

T. Finiik Green.

The
Plate 52.

Practical

Exemplar

Doors and Doorways (wood).

of

Architecture.

Plate 53.

Doors and Doorways (wood).

The

Practical

Exemplar

of Architecture.

miiiii iiiiiiiin

L
a

INCMLS.

)(

XX

:x ^^

)o

^^Jir

>

Door

to

Common Room,
Mc(isiii\-il

Marlborough College, Wiltshire, England.

and
ilnrxtii

bv Fnnicis liacun.

The
Plate 54.

Practical

Exemplar

Doors and Doorways (wood).

of

Architecture.

The
Plate 55.

Practical

Exemplar

Doors and Doorways (wood).

of

Architecture.

PLflSrCRPflNEL
iiNciER-LflNbrNGwirn
UflTE

OFCOMPLETION

Door,

1st

floor landing,

of

House (now demolished) Botolph Lane, City

Measured
niul

of

London, England.

drawn by Norman Jexcson

The
Plate 56.

Practical

Exemplar

Doors and Doorways (wood).

of

Architecture.

Plate 57.

Gate and Wall

The

Practical

Exemplar

Piers.

of Architecture.

c
00

CQ

-o

rs

c
nj 10

Plate 58.

Gate and Wall

The
Piers.

Practical

Exemplar

of Architecture.

1260

25456789
No.
1 ,

FEET

Gate

Piers,

Hampstead Marshal

Berkshire, England.
For general view, see
plate 57.

Measuini

uiiJ

drawn

hx Fnnicis Bacon.

Plate 59.

Gate and Wall

The
Piers.
7
I

Practical

Exemplar

of

Architecture.

6
I

9
I

10
I

II

12

Details of

Wall
\

Pier,

No.

3,

and

tinial

on Gate Pier, No.

tiiiii (Irti-ii'ii

2,

Hampstead Marshall,

Berkshire, England.

Fur general

iew. see plate 57.

Mcitsurctl

hy

I'l-tiitcis liitcuii.

Plate 60.

Gate and Wall

The
Piers.
of

Practical

Exemplar

Architecture.

Gate Pier No.

Berkshire,

4,

Hampstead Marshall,

England.

Plate 61.

Gate and Wall

The Piers.

Practical

Exemplar

of Architecture.

Gate Pier No.

4,

Hampstead Marshall,
mid
draxcii h\ Frtiiicis

Berkshire,
Hiicoii.

England.

Mci'siiikI

Plate 62.

Gate and Wall

The
Piers.
of

Practical

Exemplar

Architecture.

this building his last

work.
built

He
and

is

reported to have stayed at

the house after

it

was
his

to

have died there.

is

In the

church close by

is

tomb on w hich
in

inscribed "

Here lyeth
built a

the body of Sir Balthazar Gerbier, Kt., Arch.,

stately
pile

who

of buildings

the year

16021665

for the

Kt.

Hon. William, Earl

fire in

of Craven, the greater part of

which

was destroyed by
re-built."

the year 1718, and never afterwards

is

The

attribution of these gate piers to Gerbier

disputed by Mr. Reginald Blomfield,

who

assigns
in

them

to

Captain Wynne, Gerbiers pupil, as more with Wynnes than CSerbier's other work.

consonance

Besides inferences based on the quality of the work,

Mr. Hlomfield supports his conclusion on certain statements in Walpiile's ,\necdotes, and by animadverting on Gerbier's
admittedly wild roving disposition, and his frequent straits
for

money.

He

further contends that Gerbier

was disgraced
and that he

and

di.scredited at the time of the Restoration

died in 1662, before the work in question was

Mr. Blomfield puts forward the view that

house
at

commenced. there was a prior

which Clerbier

Hampstead Marshall
architect.
built.

built in 1620, of

may have been

Upon

the site of this the

more

famous house was

V"

Gate Pier No.

Berkshire,

5,

Hampstead Marshall,

England.

Gate

Piers,

Hampstead Marshall. Hampstead

The house was destroyed The gate and
all

Marshall was a mansion built between the years 1662 and

1665 for the then Earl of Craven.

by

fire in

1718, and never afterwards rebuilt.

wall piers

shown on these pages are

originally

that remain of

what

must have been

and

one of the most magnificent

palaces in England.

Sir Balthazar Gerbier, a

is

contemporary
architect,

rival of Inigo Jones,

said to

have been the

and

The
Plate 63.

Practical

Exemplar

Gate and Wall

Piers.

of

Architecture.

Gate Pier No.

5,

Hampstead Marshall,

Berkshire,

England.

Mciisiirccl inul ilraziii by I'nnicis Hucuii.

The
Plate 64.

Practical

Exemplar

Gate and Wall

Piers.

of

Architecture.

Wall

Pier

No.

6,

Hampstead Marshall.

Berkshire,

England.

Plate 65.

Gate and Wall

The

Practical

Exemplar

Piers.

of Architecture.

Gate Pier No.

6,

Hampstead Marshall,

Berkshire,
lui,

England.

Mcirsin-L-ti tuul

draw): by Frtiiuis

The
Plate 66.

Practical

Exemplar

Gate and Wall

Piers.

of Architecture.

At No.

60,

Lincoln's

Inn Fields, City of Westminster, England.

The
Plate 67.

Practical

Exemplar

Gate and Wall

Piers.

of

Architecture.

DETAIL
AT

At No.

England. 60, Lincoln's Inn Fields, City of Westminster,

MciisniiJ
iii.i

Jr.ian by I-niiicis Hacoii

The
Plate 68.

Practical

Exemplar

Gates, Lodges, &c.

of Architecture.

>

-a

js
00

OQ

c
nj

DO

o
-J
-X)

a
(0

*.

v
to

The
Plate 69.

Practical

Exemplar

Gates, Lodges, &c.

of Architecture.

D^TAIL5
^-

GATE nCR

f INCHCJ"

Gate and Lodges

at

McLt.'itiifil

am!

Aldermaston, Berkshire, England. iliuixc-ii by Hugh A. McOkccii.

Details.

Plate 70.

Gates,

The

Practical

Elxemplar

Lodges, &c.

of Architecture.

00

o
-J

to

Q
-o

1)

c
UJ

S ^

1)

'SO

CQ

^ c = o
(rt

-I

E V

I
-

<
5

1)

DC

O
-o a
to

to

The
Plate

Practical

Exemplar

75.

Gates

(iron).

o(

Architecture.

The
Plate 76.

Practical

Exemplar

Gateways

(stone).

of

Architecture.

li

i*

I*

IT

IB

[9

Ll_

"^CME^ ^D^ Dt^fl'L^

Gateway

to

Argyle House,

Stirling,

Scotland.

Measured ami druwn bx Francis Bacon.

The
Plate
77.

Practical

Exemplar

Gateways

(stone).

of Architecture.

QQ

o e o
Q.

*^

a o

re

e v
re

e
re
.^^

o o c

oc

en

3 O

<
re

re

The
Plate 78.

Practical

Exemplar

Gateways

(stone).

of Architecture.

c
J2
60 = C o

- 5

oa =

X
E

3 O

^
i,

2 ^
a.~'.

c I

2 O
3

-o

<0

10

The
Plate 79.

Practical

Exemplar

Panelling,

Woodwork,

etc.

of

Architecture.

Woodwork
Doorway

formerly at No. 26, Hatton Garden. City of London, England.

"

Skmner

Ward.

The
Plate 80.

Practical

Exemplar

Panelling,

Woodwork,

etc.

of

Architecture.

c c
en

c
ca

oc

UJ

-o

c o c o

-J

-o =
(8

0)

-,

;? ^'

13

3
^.

_>>

Plate 81

Panelling,

Woodwork,

The
etc.
of

Practical

Exemplar

Architecture.

c
tq

ec

c c o
-a

UJ

e o o

'C

o
C o

nj

O O

c E

The
Plate 82.

Practical

Exemplar

Panelling,

Woodwork,

etc.

of

Architecture.

."t-i\77ji ':/

J--

DETW.

o/--

YY Y Y

3CAfJS.

Panelling,

Woodwork,
Measured and

etc..

formerly at No. 26,

Details of

Hatton Garden,

City of London, England.

"Skinner's Ward."
Ihillcy.

dniii'u by

M.

U'.

The
Plate 83.

Practical

Exemplar

Panelling,

Woodwork,

etc.

of

Architecture.

Panelling,

Woodwork,

etc.,

formerly at No.

26,

Hatton Garden,

City of London,

England.

Archway

on Second-floor Landing.

The
Plate 84.

Practical

Exemplar

Panelling,

Woodwork,

etc.

of

Architecture.

-a

1 he Practical Exemplar
Plate 85.

Panelling,

Woodwork,

etc.

of

Architecture.

r
Panelling,

r
J^

r_^^j^
I

Details

Woodwork, etc., formerly at No, 26, Hatton Garden, of Archway and Room on Second Floor. \V IhilUy },\casurcil and tlrtru-u hy J. M

City of London, England.

The
Plate 86.

Practical

Exemplar

Panelling,

Woodwork,

etc.

of

Architecture.

^rj-yrj\i;

/./n/-.

77(1

^^

-.1

Panelling.

Details of

Woodwork, etc., formerly at No. Archway on Second Floor.

Mcasurcil
<!iul

26, Hatton Garden, City of London, England.

ihirvii hy

J M. W'.Hcillcy.

The
Plate 87.

Practical

Exemplar

Pine Ends (gables).

of Architecture.

Pine End, near Kingsgate Castle, North Foreland, Kent, England.

B'

-?%
y/>

iVf^^H^^'?
0)

3
OQ
era

- o
5:

? 3
3
02-

a.

3jnp9}ii|oaY
jBiduiaxig

P
I

|B3ipBjj an

(S9|qp)

spu-^

3uy

99

'Id

Plate 89.

Screens (wood).

The
of

Practical

Exemplar

Architecture.

*v

*%

. -]

(jeneral \'iew Irom the Nave.

Detail of Front of Screen.

View

of

Hack from

tile

Choir.

Screen, Silchester Church,

Berkshire,

England.

The
Plate 90.

Practical

Exemplar

Screens

(wood).

of Architecture.

UJ

-a

c
(8

00

p
CO

y/

..y^it
./
!

c
CO

The Practical Exemplar

Plate 91.

Screens (wood).

of

Architecture.

'

inovepfrce

"P

Screen, Silchester Church, Berkshire, England. Measured aiul dnmii by C Ihihcrt Puny.

The
Plate 92.

Practical

Exemplar

Screens (wood).

of

Architecture.

4:
Oakjupporl^i-^ Offva/LvtK

as-SS
fyoa.kpjJ23.

CORNICE
J-TFAn
^=^

/fxf^'

Screen, Silchester Church,

A/i'<J.vi(m/

Berkshire, England.
(}
.

Details.

and

Jniii-i:

hy

Herbert Parry

The
Plate 93.

Practical

Exemplar

Screens (wood).

of

Architecture.

Screen,

Lincoln College Chapel, Oxford,

England.

The
Plate 94.

Practical

Exemplar

Screens

(wood).

of

Architecture.

The
Plate 95.

Practical

Exemplar

Screens (wood).

of

Architecture.

Mcasurcil and ilrnnii

by

L.

Atlcinis.

The
Plate 96.

Practical

Exemplar

Screens (wood).

of Architecture.

iMDiN^roLLiy.i:
-

oxnmn

ni.\iT.i.-.^(ni;i;N~

Mciisiireil

mid

dniu-ii by L. K. Ailmiis.

The
Plate 97.

Practical

Exemplar

Screens (wood).

of

Architecture.

Detail of Screen

in

Lincoln College Chapel, Oxford,

England.

Plate 98.

Screens (stone).

1 he Practical Exemplar
ol

Architecture.

-T3

_2

00

UJ

c
i)

a u
en
>

<
_c

The
Plate 99.

Practical

Exemplar

Screens (stone).

of Architecture.

!'*.>

_\a_ S-

y*>J

O'
^^%~- I
'

-'

The
Plate

Practical

Exemplar

100.

Screens (stone).

of Architecture

U
"(5

c
en

(d

< H
B

(8

4)

The
Plate
101

Practical

Exemplar

Screens (stone).

of

Architecture.

o o

3 O

CO

Q
-^3

C
(g

00

U
to <u

1)

w u
en

E
-o

<
V

The
Plate

Practical

Exemplar

102

Screens

(stone).

of

Architecture.

c o
o
a.

C
J2
DC

c
<u

u
en

Plate

103.

The

Practical

Screens (stone).

Exemplar

of Architecture.

Q
01

'-a

00

c
UJ
:l

The
Plate

Practical

Exemplar

104.

Screens (stone).

of Architecture.

The Admiralty

Screen, Whitehall, City of Westminster, England.

I'.

Details.

Mc(i>^iin;l iuul .Inixcii hy Alhcrt

Bullock.

The
Plate
105.

Practical

Exemplar

Staircases

(wood).

of Architecture.

The
Plate

Practical

Exemplar

106.

Staircases

(wood).

of

Architecture.

<^.

R ^ k, ^
^
a

^
-^

^ ^

<

ti
a

The
Plate

Practical

Exemplar

107.

Staircases (wood).

of

Architecture.

CLARE COLLEGE
CA?fBmCfE
o
/ f

z
I

J
I

^
I

-r
I

6
I

/
1

i
1

mti
Jozfe

Sia^onJfni

J'h&b

Measured ami

ilniiiii

hy C. Herheif Parry.

The
is

staircase at Clare College

was probably designed as the

It

staircase to the library.

in

It

now

leads to the combination

it

room, which opens into the library.

cut
oft

has similar details to the screen

the dining-hall. from the gallery of which

floors is the finest

by a modern

panelled screen.
is

The newel between

two pieces
:

the

first

and second

example, but, unlike

it.

the one illustrated,

built

up

of

it

was, however, impossible to obtain a good photograph of

The
Plate

Practical

Exemplar

108.

Staircases

(wood).

of Architecture.

^m

DET?JL5 0F51A]RCA5E at ClARE

COLLEGE
'

'

f //va/s

Ahtisiircil tiiul di-iiMH by C.

lUrlicrt l\irry.

The
Plate

Practical

Exemplar

109.

Staircases (wood).

of

Architecture.

Staircase formerly at

No. 26, Hatton Garden, City

of

London, England.

The
Plate

Practical

Exemplar

110.

Staircases (wood).

of Architecture.

-o

as

00

-o

c o s o

U
c
.

?
a;

-a

"

O
2
=

(8

CO

The
Plate
111.

Practical

Exemplar

Staircases (wood).

of

Architecture.

Staircase formerly at

No. 26, Hatton Garden, City

Floor.

of

London, England.

Detail of Bracket,

Ground

The
Plate
112.

Practical

Exemplar

Staircases

(wood).

of Architecture.

Staircase formerly at

No. 26, Hatton Garden, City

draicii

of

London, England.

Details

Measured and

hy J.

M.

llalU-\

:f,.

The
Plate
113.

Practical

Exemplar

Staircases

(wood).

of

Architecture.

Staircase formerly at No. 26, Hatton Garden, City of London, England.

.l/.-,r.v;oV(/

Details.

and dran-n by J

.17.

\V

ll,illc_\\

The
Plate

Practical

Exemplar

114.

Stalls,

Choir (Canopy).

of

Architecture.

The
Plate

Practical

Exemplar

115.

Stalls,

Choir (Canopy).

of Architecture

B
(8

CO

o u

c V
-H

I * ~ o = 00
to

>,

00

p.

U
_c

o ^
13
ex 5

^
> o
>^ a.

o e

CO

QU

The
Plate
116.

Practical

Exemplar

Reading Desks.

of Architecture.

CIS

(0

c
.2

3
n3

-J

Q
00

c
(8

The
Plate

Practical

Exemplar

117.

Reading Desks.

of

Architecture.

Measured

itiul

ilmu'ii hv Sviliwv Senile

The
Plate
118.

Practical

Exemplar

Windows

(stone).

of

Architecture.

-o

Plate

119.

Windows

The
(stone).

Practical

Exemplar

of Architecture.

Window

on North side of Chancel, Amesbury Church, Wiltshire, England.

MLdsiiiLil
iiiui

tlniifii

hy

Frmuis

Biicoii.

The
Plate

Practical

Exemplar

120.

Windows

(stone).

of

Architecture.

DETRIL OF CORBEL TO RRCH OF INTERIOR HOOI

Window

on North side of Chancel, Amesbury Church, Wiltshire, England.

MciisitiyJ iUul ilrtinn hv I^nnicis Jiucon

Details.

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