Sakis Rouvas technical rider.

HOUSE P.A. SYSTEM

Front of house speaker system should be of the highest quality possible. It should be a stereo, high fidelity, three- or four- way system plus subs capable of reproducing 30Hz 20 kHz and sustaining 110db without distortion at the front of house mix position, and should adequately and consistently cover the audience area in a stacked and/or flying configuration. PREFERENCES: V-DOSC, Dv-dosc

F.O.H.
MIXING CONSOLE WHICH, IS MANDATORY TO FULFILL THE TECHNICAL SPECS 48x input channels (6X SI MODULES), 8x effect returns, CD, house announce. 4-Band, fully parametric or sweepable frequency EQ, 48v phantom power, phase reversal, insert point, high pass filter, and mute on each input channel min 16 x auxiliary sends (FULL PROCESSED 2 X XO MODULES) at the front off house position and 16 aux outputs at the stage box ( 2 X MO MODULES) , Back-up Power Supply Unit(s) PREFERENCES: INNOVASON SY-80 + STAGE BOX In case that we have an analog mixer it should be YAMAHA 4000PM or MIDAS HERITAGE 2000 PROCESSING and EFFECTS: in case off analog mixer bold & italics 15 X Channels of high-quality, full-feature compressors (BSS,DRAWMER,DBX) 8 X Channels of full-feature, frequency-tunable gates (BSS,DRAWMER) 1x Lexicon 480L or 960 -- 2 X PCM 80,90 1x Yamaha SPX 1000 or SPX99 0 multi-effect unit 1x minidisk deck, wired for playback and record. No portables

1x CD player wired for playback. No portables MONITOR SYSTEM

MIXING CONSOLE WHICH, IS MANDATORY TO FULFILL THE TECHNICAL SPECS ONLY THE SECOND DESK AND THE CABLE Back-up Power Supply Unit(s) PREFERENCES: INNOVASON SY-80 In case that we have an analog mixer it should be YAMAHA 4000PM or MIDAS HERITAGE 3000 ( minimum 16 aux outputs). PROCESSING: in case off analog mixer bold & italics 1x high-quality, 1/3 oct. gra phic EQs to be inserted at side fills mix. PREFS: XTA CQ 600, Klark-Teknik, BSS 10x Channels of high-quality, full-feature compressors ( dbx,BSS) 8x Channels of full-feature, frequency-tunable gates (BSS 504) 2x multi-effect units PREFS: Yamaha SPX 990,1000; REV 500 WEDGES / SIDE FILLS / DRUM FILL: 2x Identic al, 2way active floor wedges with 1,3/4 Hf driver and 1 x 15 low f (GT mix). PREFS: 115 FM,MTD 115a 2x 2way active speakers per side, with 1, 4 horns and 1 x 15 plus 1x 218 Sub for side fill. (Flying if possible ) PREFS: ARCS + SB218-DVSUB All necessary processing, amplification, and cabling

MICROPHONES
PLEASE REFER TO THE SAKIS ROUVAS STAGE PLOT / INPUT LIST FOR MICROPHONE REQUIREMENTS. Please be sure to include all necessary stands, cables, clips, and hardware ( drum mounts, etc.).

Sakis Rouvas technical rider.

NOTES
All system components are expected to be 100% operational. Any and all substitutions to and variations from these requirements must be approved by tour's engineers and/or production manager prior to day of show. If no item PREFERENCES are listed, options must be discussed with and approved by tour's engineers and/or production manager prior to day of show. NO EXCEPTIONS. The system must be accompanied by at least (1) competent and knowledgeable technician, who may be required to engineer for support acts. The tour does NOT share consoles, either FOH or monitor. Separate consoles, processing, etc. will be necessary for support acts. The tour shall provide intro & outro music for entire evening. For aesthetics, promoter/sound company needs to supply black cloth or scrim to cover amp racks, backs of consoles, etc. MIX POSITION LOCATIONS: F.O.H.: Please consider the mix location carefully and arrange seat-kills (please refer to the tour rider) as necessary. Extreme mix positions, to either the side or rear of a venue, are unacceptable, as is mixing from under a balcony. If the proposed location is clearly not ideal from a sound mixers point of view, this must be discussed IN ADVANCE between the sound company, the promoter, and tours production manager. Monitor Console: STAGE-LEFT Please make sure that all racks are well illuminated, and located to allow convenient access to controls and easy visual monitoring of displays. Do not locate ANY racks under the consoles. COMMUNICATIONS & RETURNS: Two-way exclusive communication between the F.O.H. and Monitor mix positions. A talkback mic at F.O.H. which shows up as an input on the monitor console. Two returns from FOH connected at stereo aux or matrix out which shows up as inputs to monitor desk. POWER REQUIREMENTS: The Sound Power Service must be on transformer isolated phases, separate from the lighting power service.

CONTACTS
FOH ENGINEER: Nikko Chronopoulo :mobile 00306932411424, fax: 00302106841853 Email: eventco@otenet.gr

Sakis Rouvas technical rider.

CH
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31-32 33-34 35-36

INPUT
BASS KICK SNARE 1 SNARE 2 HI HAT TOM 1 TOM 2 FLOOR 1 FLOOR 2 OVERHEAD L OVERHEAD R TIMBALES EL. GT 1 EL. GT 1 EL. GT 2 EL. GT 2 KEYS 1 L KEYS 1 R KEYS 2 L KEYS 2 R KEYS 3 L KEYS 3 R KEYS 4 L KEYS 4 R BACK VOCAL 1 BACK VOCAL 2 BACK VOCAL 3 SPARE (VOCAL) SAKIS 1(VOCAL) SAKIS 2(VOCAL) EFFECT 1 EFFECT 2 EFFECT 3

INPUT LIST MIC MONITOR

ACTIVE DI D 112 or BETA 52 SM57 or BETA 98 SM57 or BETA 98 C 451 or BETA 98 Beta 56- SM 57 Beta 56- SM 57 Beta 56- SM 57 Beta 56- SM 57 C 451 or BETA 98 C 451 or BETA 98 C 451 or BETA 98 ACTIVE DI ACTIVE DI ACTIVE DI ACTIVE DI ACTIVE DI ACTIVE DI ACTIVE DI ACTIVE DI ACTIVE DI ACTIVE DI ACTIVE DI ACTIVE DI WIRELESS MIC 58 WIRELESS MIC 58 WIRELESS MIC 58 WIRELESS MIC 58 SM SM SM SM AVION 6 AVION 7 AVION 8 Comp Comp Comp Comp AVION 5 AVION 4 AVION 3 2 x 15 AVION 1 AVION 2 Comp

NOTES
Comp - GATE Comp - GATE Comp - GATE

Comp - GATE Comp - GATE Comp - GATE Comp - GATE

Comp - GATE Comp Comp

Sakis Rouvas technical rider.

BACKLINE REQUIRMENTS

A. BASS AMPLIFIER 1 X EBS HEAD B. DRUM KIT YAMAHA or PEARL 1X bass drum 22 1X snare 5- 5.5 2X toms 10, 12 2X floor toms 14, 16 1X hi-hats 13 2X crash 17, 18 2X splash 8 1X ride 22 1X china 18 2X timbales 1X bell clamp on kick 1X double kick pedal DW Cymbals zildjian k dark custom or A series. C. KEYBOARDS 1X MOTIF.7 ES8 + sustain, volume pedal 1X SY 85 + control peda l 1X AKAI S 3200 D. STANDS 3X stands for guitars and bass 2X DUAL stand for the keyboards ( X type) 8X music stands with light E. WIRELESS 3X Wireless system for guitars & bass

Sakis Rouvas technical rider.

STAGE PLOT

BACK VOCALS Ch 25-27 Avion 6-7-8

KEYS 1 Ch 17-20 Avion 4

DRUMS Ch 2-12 Avion 2

BASS Ch 1 Avion 1

KEYS 2 Ch 21-24 Avion 5

RISER: 5m X 2,5m X 40cm

GTR 1 Ch 13-14 2 x 15

GTR 2 Ch 15-16 Avion 3

RISER: 5m X 2,5m X 40cm

SIDE FILLS

SIDE FILLS