00:00:11:Low to the body. 00:00:13:There you go. Go low, set him up. 00:00:19:That's all you got?

00:00:25:What you got, huh? What you got? 00:00:27:What you got? 00:00:29:Hey, man, whoa.|Look, you gonna kill him. 00:00:36:Hey, man, you okay? 00:00:42:Luther Stubbs? 00:00:44:Yeah, who wants to know? 00:00:46:I'm a fan. I saw your bout in St. Louis|three years ago. 00:00:51:Bloodiest fight I've ever seen. 00:00:52:The other boxer didn't even make it|to the hospital. 00:00:55:Died in the ring. 00:00:57:Yeah, well, you know,|everybody gotta go sometime. 00:01:01:I wanna know what it felt like to take|another life with your own hands . 00:01:05:Guy didn't even cut me, man.|Now, move. 00:01:08:- Not till I get what I came for.|- And what might that be? 00:01:12:- Your killer instinct.|- Whoa, what...? 00:01:44:And since it's time|for Quake's yearly inventory, 00:01:47:I have to count everything|in the restaurant, 00:01:49:down to the last swizzle stick.|It's gonna take days. 00:01:51:Guess that's why you get paid|the medium-sized bucks. 00:01:53:And which bucks|would those be, exactly? 00:01:58:Okay. Okay, what's wrong|with this picture? 00:02:00:Aside from me|not getting paid enough? 00:02:02:No, what is Grams' statue|still doing in the living room? 00:02:05:We talked about it last night,|remember? 00:02:07:Yes, I do remember,|and I thought that we agreed 00:02:09:that it was an eyesore|and was going back to storage. 00:02:12:That is before I learned that storage|downtown is now 90 bucks a month 00:02:16:and storage here is free. 00:02:17:So I called Phoebe,|and we decided she could stay here. 00:02:20:And last I checked,|we were still living in a democracy. 00:02:24:Okay. But, Piper, she's ugly. 00:02:26:Majority rules, sis,|unless you can move her. 00:02:35:Okay. Okay, that didn't work. 00:02:38:It's solid marble. It took eight of|Phoebe's bouncer friends to move it . 00:02:42:It's too heavy for you. 00:02:44:You know, my powers|are still growing, and one day... 00:02:47:You can move it into the basement.|But until then, suffer. 00:02:53:Phoebe. 00:02:59:Phoebe? 00:03:04:Hi. I was just... 00:03:07:Opening up a can of whup-ass. 00:03:09:Yeah, those are some serious moves.|Where did you learn that? 00:03:12:Okay, I'm busted. I confess. 00:03:15:I got tired of being the one in the family|with the passive power, 00:03:19:so I started taking|self-defence classes, 00:03:21:which I've been putting|on my new credit card. 00:03:23:And this thing? 00:03:25:Oh, that's Slam Man.|Got him off an infomercial. 00:03:30:Great, another eyesore. 00:03:31:It' a total and complete martial-arts|training system. 00:03:35:And with their easy-instalment|payment plan... 00:03:37:Which you also put on|your new credit card. 00:03:40:He's gonna pay for himself|the first time I kick ass 00:03:42:on some unsuspected gnarly beast. 00:03:46:- Come on, wanna see some moves?|- No.

00:03:48:Come on. Come on. 00:03:52:You know, that is so unfair. 00:03:55:Hey, demons do not play fair. 00:03:59:- Gotcha.|- So, Daniel-san. 00:04:02:Okay, okay. Uncle. Okay, okay. 00:04:04:- I didn't hear you say it.|- Pheebs, let go. 00:04:15:- Phoebe, what is it?|- What did you see? 00:04:21:I saw you die. 00:06:06:- Hi.|- Hi. 00:06:08:We're gonna need a lot more of this. 00:06:10:You couldn't sleep either, huh? 00:06:11:No, I was up all night. 00:06:13:I couldn't get that image of Prue|getting killed out of my head. 00:06:17:- Is that the sword?|- Yeah. I drew it from memory. 00:06:20:I can't find it|in the Book of Shadows yet. 00:06:22:I wish that thing had an index. 00:06:24:I wish you had a closer look|at the killer's face. 00:06:26:Yeah, well, if somebody|tries to impale my sister, 00:06:29:they're gonna have to|get through me. 00:06:31:- Oh, good, coffee.|- Why are you dressed up? 00:06:36:Because they don't have|casual day at Buckland's. 00:06:38:Wait, you promised you would stay|home so we could figure this out. 00:06:42:Yeah, and then Claire called,|and she has a client 00:06:45:that wants to put a major collection|on the block. 00:06:47:If we get this account, it would|be a serious coup for Buckland's. 00:06:50:Can't Claire get somebody else|to do it? 00:06:52:I've worked so hard to get Claire|to trust me with something like this. 00:06:55:Why should someone else|get all the glory? 00:06:57:I'll take "the nasty demon that wants|you dead" for a hundred, Bob. 00:07:01:I can't believe you would risk your life|to impress your boss. 00:07:05:You cannot leave the house. 00:07:07:Okay, relax. 00:07:09:Phoebe's had premonitions before,|and we've affected the outcome, right ? 00:07:12:That's true, but... 00:07:14:In your premonition,|it was a man who killed me. 00:07:16:Well, I'm going to Buckland's|to meet a female client, 00:07:18:and Claire will be with me|every step of the way. 00:07:21:Besides, now that you've warned me,|I'll watch my back. 00:07:24:- I can handle this. Promise.|- The promise that we want from you 00:07:27:is that you'll come straight home|from Buckland's. 00:07:30:Will it stop you from worrying? 00:07:47:The client's in my office. Remember|what I told you on the phone. 00:07:50:This women's family|has more money than God, 00:07:53:and if we land this account, it could|put Buckland's in the black for y ears. 00:07:57:- Exactly. You ready?|- Course I am. 00:08:03:Helena Statler, I would like you to meet|Prue Halliwell, 00:08:06:one of our best and brightest|young specialists. 00:08:09:- Hi.|- "Best and brightest." 00:08:10:- That's quite an introduction.|- Yes, it is. Maybe I should get a rais e. 00:08:14:Let's have a seat, shall we? 00:08:17:Miss Halliwell, my brother and I hold|an extensive collection of antiqu ities. 00:08:22:If we were to retain your firm, 00:08:24:you'd be cataloguing, appraising|and selling the finest pieces 00:08:27:you'd see in your career,|maybe your life. 00:08:30:Just what kind of collection|are we talking about, exactly? 00:08:33:The kind that occupies three buildings|at Warehouse Flats.

00:08:36:We have art and artefacts from every|period and movement in history, 00:08:40:from Egyptian mummies|to Jasper Johns. 00:08:44:We would want a sample appraisal,|of course. 00:08:46:Prue will be there today, if you like. 00:08:49:At the Warehouse Flats? 00:08:51:Is that a problem? 00:08:54:No. No, I'm sure that I can handle it. 00:09:04:Twelve potato ricers? What kind of|restaurant needs 12 potato ricers? 00:09:08:Just put them in back|with the box of the lemon reamers. 00:09:12:- Okay.|- I just called Buckland's, 00:09:14:and they said that Prue|left the office for a meeting. 00:09:16:What? She promised|she would go straight home. 00:09:19:Wait, it gets worse. 00:09:20:I finally found that crystal sword|in the Book of Shadows... 00:09:26:It's the symbol of the Lords of War. 00:09:28:They're a clan|of supernatural warriors. 00:09:30:They've been around|since time began. 00:09:32:- What do they want?|- To start war. 00:09:35:They've started most of the major wars|in history. 00:09:37:Once they're done in one place,|they get reincarnated 00:09:40:in some other part of the world|and start all over. 00:09:42:- So is he flesh and blood?|- Yes, but the Book says that 00:09:45:as long as they have their sword,|they're not only protected, 00:09:48:they're immune to|the weapons of man. 00:09:51:So we have this invulnerable guy|running around with a sword 00:09:54:who wants to start a war? 00:09:55:The Lords of War may be invulnerable,|but they do have a code of honour . 00:09:59:And when one of them is disgraced,|he has to steal his abilities back. 00:10:03:So, what does this have to do|with Prue? 00:10:04:One of the things he has to steal back|is the magic of a first-born wit ch. 00:10:08:They're supposed to be the strongest. 00:10:11:- Piper, where...?|- Not now. Not now. 00:10:14:Okay. I'll call the night-shift manager,|see if he can cover for me. 00:10:17:You call Prue on her cell phone.|We gotta find her, quickly, okay? 00:10:43:Miss Statler? 00:10:49:Please. 00:10:52:Miss Statler. 00:10:56:Hello, Miss Halliwell. 00:10:59:Oh, I'm sorry,|I hope I didn't scare you. 00:11:02:- No, I don't really scare easily.|- What do you think of our collectio n? 00:11:07:I think that you have exquisite taste. 00:11:11:My brother and I have been collecting|our entire lives. 00:11:14:It's our binding passion. 00:11:15:- Is this a Roman vessel?|- Why don't you tell me. 00:11:18:I've never seen one|in such good condition. 00:11:21:The handles represent Venus, 00:11:23:and the relief details scenes|of Roman baths in Caracalla. 00:11:27:It probably dates back to 210 B.C.|It's very rare and priceless. 00:11:31:Wow, Claire, was right.|You really are something. 00:11:35:What can you tell me about this item? 00:11:42:It's a pillory. 00:11:43:The markings are Castilian, so I'd say|it dates back to the Inquisition . 00:11:48:But it's missing a piece. 00:11:50:The victim's arms are held in place|by a bolted restraint. 00:11:55:Prue Halliwell, my brother, Gabriel. 00:11:59:I'd shake your hand,|but it's clearly otherwise engaged.

00:12:02:- What are you doing?|- Killing a witch. 00:12:05:Your ancestor's power emanated|from her hands. 00:12:08:- No doubt yours does too.|- My ancestor? 00:12:11:A witch named Brianna. 00:12:13:You're not the only one|who's done her research. 00:12:50:How did she do that? 00:12:52:She's not like her ancestor. 00:12:54:She channels her power|through her eyes, not her hands. 00:12:56:I won't make that mistake again. 00:12:59:She knows about us now. We have to|move fast, attack her at home. 00:13:03:No. Home is where she has|the power of three to protect her. 00:13:07:We'll think of another way. 00:13:13:I hit Gabriel in the chest with an axe,|and he didn't even bleed. 00:13:16:As long as he has his sword,|he's immune to the weapons of men, 00:13:20:which we could have told you|if you hadn't turned off your cell phone. 00:13:24:Yeah, well, I got away, and I'm fine. 00:13:26:Okay, I found our ancestor Brianna. 00:13:30:She was our great-great-great-aunt. 00:13:33:She could move things|with her mind, like Prue. 00:13:36:Now, she disgraced Gabriel|during the Crimean War. 00:13:39:She used her power|to take away his sword. 00:13:41:I guess Gabriel is trying to earn|his abilities back. 00:13:45:Great, so some guy couldn't keep it|in his sheath, 00:13:47:and now I'm marked for death. 00:13:49:Well, some men can be very sensitive|about their weapons. 00:13:53:Lords of War and their weapons|are supposed to be inseparable, 00:13:56:like Thor and his hammer. 00:13:57:And I guess Brianna was able to send|his sword hundreds of miles away. 00:14:02:All right, a sword I can move.|But hundreds of miles away? 00:14:05:I'm not that powerful. 00:14:06:I thought about that,|and I found this incantation. 00:14:10:"To multiply your strength,|recite these words at length." 00:14:15:All right, so all I have to do is say|this incantation, and I'll be str onger. 00:14:19:Hopefully strong enough|to separate Gabriel and his sword. 00:14:23:- Sounds like a plan to me.|- Time out. Bad idea. 00:14:26:Why, because it's mine? 00:14:27:No, because there might be|a power-of-three solution to this. 00:14:31:Yeah, but the Book of Shadows|doesn't say that. 00:14:34:And besides, it's me he's after,|not you or Phoebe. 00:14:36:Okay, okay, so maybe we should just|lay low for a few days. 00:14:40:- You know, use up our sick days.|- And wait for Gabriel to find us? 00:14:43:- No.|- He might hurt one of you to get to me. 00:14:46:I will not take that risk. 00:14:47:Okay, Prue, but... Wait. Okay, wait.|At least let us vote on this. 00:14:51:All right. All in favour of me saying|the incantation raise their hands . 00:15:02:Sorry, sis, majority rules. 00:15:05:But, Prue... 00:15:07:"Take my powers, blessed be|Multiply their strength by three" 00:15:12:- What?|- You know what. 00:15:14:I'm sorry,|but I really don't have a problem 00:15:16:with Prue saying the incantation. 00:15:18:The problem is we're in this together, 00:15:20:and together, we're supposed|to solve our problems. 00:15:22:And together, we rely on the Book|of Shadows when we're in trouble. 00:15:26:Think about it, Piper. What's|the worst thing that can happen? 00:15:32:- What did I tell you?|- Don't... Don't be fresh to me. 00:15:35:- You'd better run. Hurry.|- I'm going, I'm going. 00:15:44:- Oh, my God.|- Oh, my God.

00:15:57:- Prue?|- What? 00:16:00:Okay. 00:16:04:One, two, three. 00:16:14:Hello. There are other people in|this house that have styling needs too . 00:16:18:- Is there a Prue in there also?|- One of them, yes. 00:16:22:I'll have to wash my hair in the kitchen|sink to get to work on time. 00:16:25:Do you know which one|is the real Prue yet? 00:16:27:Oh, I don't know. It could be|the upstairs-bathroom-hogging Prue 00:16:30:or the downstairs-|bathroom-hogging Prue 00:16:32:or the sitting-in-the-kitchen-|drinking-all-the-coffee Prue. 00:16:36:- Is there a problem?|- Aside from you going off 00:16:38:and casting a spell that's kept|all our bathrooms busy 00:16:41:for the past three hours, nothing. 00:16:43:Don't blame me.|I didn't cast the spell. 00:16:45:- Great. You're a clone.|- Well, no, I'm not exactly a clone. 00:16:48:I do have all of Prue's memories 00:16:50:up until the time that she cast the|spell. So in a lot of ways, I am Pr ue. 00:16:54:Then it is your fault. 00:16:56:No, it's not, and neither is|the lack of hot water. 00:16:59:- Oh, you didn't. Jeez.|- This is ridiculous. 00:17:04:This is like... This is like|The Parent Trap, with a B cup. 00:17:07:I think I might have just found a way to|take some of the Disney out of our life. 00:17:15:- You look great.|- No, you look great. 00:17:17:- Is my skirt tight enough?|- Yes. 00:17:19:It's perfect. 00:17:23:Okay, which one of you|is the real Prue? 00:17:27:Stop that. 00:17:28:- I'm the real Prue.|- Okay, then you get the black sweater. 00:17:33:- Phoebe, what are you doing?|- I'm colour-coding. 00:17:35:It's the only way we're gonna|be able to tell you apart. 00:17:38:- Okay, clone A gets the pink sweater.|- Thank you. 00:17:41:- Clone B gets the blue one.|- Thanks. 00:17:43:Good thinking with the sweaters. 00:17:44:Thanks, but it's only|a temporary solution. 00:17:47:And what about the spell? 00:17:48:Oh, the spell is temporary too. We're|only here as long as we're needed . 00:17:52:We were called for a reason.|Once the reason's gone, 00:17:54:the spell wears out, we disappear. 00:17:55:- Once we vanquish Gabriel.|- How are we planning on doing this? 00:17:59:Funny that you should ask.|See, I was thinking... 00:18:01:That we could find Gabriel by tracking|down the ownership records 00:18:04:to that Roman vessel. 00:18:06:In Buckland's antiquities database. 00:18:09:That's why I called my assistant... 00:18:13:Our assistant,|and she's already on it. 00:18:16:- Are we good or what?|- So once you know where he lives, 00:18:19:are you sure you have the power|to do the job? 00:18:23:Observe. Ladies, shall we? 00:18:40:Enough said? 00:18:44:I'll get that. 00:18:46:- I'll get the phone.|- Wait, I should... 00:18:49:Should hide. 00:18:54:- Andy, hi.|- Hi. 00:18:56:- Can I come in?|- Now's not really a good time. 00:18:59:Wow, that is a nice tie. 00:19:01:- Thanks.|- So, what did I do now?

00:19:05:- I don't know, you tell me.|- Whatever it is, I have an alibi. 00:19:09:Good thing this is a social call then. 00:19:11:Social call, really?|Now you're starting to look suspicious. 00:19:15:Remember a few months ago 00:19:16:we ordered tickets|to the Bay Area Music Awards? 00:19:20:They came in the mail.|I thought you might want them. 00:19:27:- That is so sweet.|- You can take anyone you want, 00:19:30:even an old boyfriend who's just a|friend now but who loves good music. 00:19:34:I'll take that under consideration. 00:19:37:Yeah, you ponder that. 00:19:40:I'll see you. 00:19:48:- Why did we break up with him?|- He broke up with us first, remember? 00:19:53:Too bad. 00:19:57:Houston, we have a problem. 00:19:59:Raging clone hormones? 00:20:01:No. That was Claire calling. 00:20:04:She said that if I... Well, one of us|don't get to the office pronto, 00:20:09:- you'll be looking for a new job.|- Okay. Okay, we can swing this. 00:20:13:No, no. Wait, you're not seriously|thinking of leaving the house. 00:20:15:You can't hide three yous|at the office. 00:20:18:Two of us may not be able|to separate Gabriel 00:20:20:from his sword,|but we can certainly fight him off. 00:20:22:Which means two of us can go|and save Prue's job, 00:20:25:and whoever's left behind|can go to the Quake with Piper. 00:20:28:- Oh, no, no, no, no, no. Forget it.|- Piper, you have an active power. 00:20:32:Besides, Phoebe, your premonition,|it didn't happen at Quake, right? 00:20:36:- I can't be sure.|- Still, worse-case scenario, 00:20:40:Piper freezes Gabriel, and she runs. 00:20:43:No, no, I don't like this idea.|I don't like it at all. 00:20:46:I think we should all stay together,|all five of us. 00:20:48:I think Piper's right. 00:20:50:The Book said it requires the|strength of three to take on Gabriel. 00:20:53:- It's not safe to split up.|- Okay, all who don't like the plan? 00:20:57:All who do? 00:21:01:Wow, once again,|majority rules. Ladies. 00:21:20:Hi, is Claire around? 00:21:22:She's been buzzing every 15 minutes.|You want me to get her? 00:21:25:Not yet. Did you dig up the information|on the Roman vessel? 00:21:29:Hot off the LaserJet. 00:21:33:Gabriel Statler's address. Good. 00:21:35:Okay, now I need for you to get me|photocopies of all my sales files 00:21:39:- for the quarter.|- That could take hours. 00:21:41:You're right. You know what, 00:21:43:I need you to get me copies|of everyone's files. 00:21:45:- That could take days.|- Then you better start now. Bye-bye. 00:21:58:Did you have to make her photocopy|all the files? 00:22:00:You wanted her to see us together? 00:22:03:No, but you didn't even thank her,|and you were so bossy. 00:22:07:That's why we're called "bosses." 00:22:09:All right, well, now that we have|Gabriel Statler's address... 00:22:12:No. All right, you stay here.|I will talk to Claire first. 00:22:15:- Why do you get to talk to Claire?|- I still have to work here 00:22:18:when all this is over. 00:22:20:- Prue, are you there?|- Claire. 00:22:26:- Claire, hi.|- I want an explanation for yesterday. 00:22:29:- What do you mean?|- Helena called 00:22:31:to tell me that she was so offended|by your behaviour 00:22:33:that she's taking her collection|to Christie's. 00:22:35:What happened? 00:22:37:Claire, I've already|made arrangements

00:22:40:to make a personal apology 00:22:42:and put Buckland's|back in the running. 00:22:44:As a matter of fact, I convinced|Miss Statler to meet me at her estate. 00:22:49:See, here's the address. 00:22:54:Okay. You really think|you can get this account back? 00:22:57:- I'd stake my job on it.|- Good, because you just did. 00:23:00:All right, I'll get my briefcase,|and we'll take my car. 00:23:03:- No.|- No? Oh, yes, yes, yes. 00:23:06:I'm not gonna leave you alone|with that client again. 00:23:11:- What was that?|- Hail Mary pass. 00:23:14:Okay. All right, let us think. 00:23:19:I got it. I will take Claire|to the wrong address, 00:23:23:pretend that we've been stood up|or something. 00:23:25:You call the other one of us at Quake. 00:23:28:- I love it when I'm so decisive.|- Okay, look, 00:23:32:you go get the other Prue|and take her to the manor, okay? 00:23:35:And we'll finish this. 00:23:42:Yeah, hey, Pheebs, it's me. 00:23:44:No, the real one. I'm just checking in. 00:23:46:We do that a lot, don't we? 00:23:48:Check in with our sisters, 00:23:49:make sure that they're okay. 00:23:51:Don't you think|that if there was a problem, 00:23:53:they would call us and let us know? 00:23:57:Phoebe, I'll call you back.|I have to go yell at myself. 00:24:02:Prue! 00:24:06:- Hi. Hi, you ready to go?|- Wow, did you change your sweater? 00:24:09:Yeah, black's more my colour.|Come on. 00:24:18:- Thank you for calling Quake.|- Piper, it's me. 00:24:21:- What colour?|- The pink one. 00:24:23:The real Prue just left|with Claire. 00:24:25:Look, I need you to get|the blue one to the manor. 00:24:28:We're meeting Prue there|before we go to Gabriel's estate. 00:24:30:I've been thinking. Have you guys|thought about what happens 00:24:33:after you separate Gabriel|from his sword? 00:24:36:The Book says that she took|the sword away, and that was it. Why? 00:24:39:Well, what if he still comes after you?|He's a warlord, remember? 00:24:42:Once we get the sword, we'll destroy it.|He would be crazy to take us o n. 00:24:46:Piper, don't worry. We have the plan,|and we have the power. 00:24:50:I just don't wanna lose you. 00:24:52:- Any of you.|- You won't. I promise. Bye. 00:25:00:The pink... 00:25:03:...one just called|and wants you to meet her. 00:25:07:Prue, what are you doing? 00:25:12:Trying today's special.|You know, I think it needs 00:25:15:a teeny bit more Parmesan. 00:25:17:I'm sure it's fine, since today's special|is glazed short ribs. 00:25:21:Then forget the Parmesan, because|if anybody knows food, it's my Piper. 00:25:25:What's your specialty? 00:25:27:All right, come on,|you guys get to work. 00:25:29:There you go.|Yeah, I know, it's thrilling. All right. 00:25:34:Yeah, I guess I shouldn't|pet the help. 00:25:37:What has gotten into you? 00:25:38:Or who has gotten into you? Because|you're nothing like the real Prue. 00:25:43:Actually, I'm exactly like the real Prue, 00:25:45:just the side that doesn't get to|come out and play enough. 00:25:49:I'm the flip side|of the corporate conservative clone. 00:25:54:All right, that's enough. 00:25:55:Get out of my kitchen|before my cooks overheat.

00:25:58:That's... No, I don't want that.|Thank you, really. 00:26:19:Blinded by the light? 00:26:27:You cut me, witch! 00:26:33:Prue? 00:26:40:Prue. 00:26:46:Come on. 00:26:48:Give it to me. 00:26:51:Where's her soul?|Where's her magic? 00:26:53:I've been tricked! 00:26:57:She has none. 00:26:59:Whoever this is,|it's not the real witch. 00:27:04:Are you okay? 00:27:07:No, I'm not. 00:27:17:Autopsy's scheduled for first thing|tomorrow morning, 00:27:20:but the case officer said you might|be able to ID the body now. 00:27:23:It's a homicide victim, right? 00:27:26:Somebody ran her through|with a bladed weapon, 00:27:29:so I'd call that a big yes. 00:27:35:No ID on the body,|but those are her personal effects. 00:27:47:Prue. 00:28:09:- Hey, Andy.|- Phoebe. 00:28:11:Sorry. 00:28:14:What did you do? 00:28:16:This is serious, Phoebe. 00:28:18:Look, in homicide,|I've done this many times before, 00:28:21:but this is the worst. 00:28:23:What...? 00:28:25:Prue's dead. 00:28:27:They found her body dumped|in a ravine near the Presidio. 00:28:32:Are you sure that it was Prue? 00:28:34:I saw the body. 00:28:38:Investigating officers 00:28:41:found a couple of drops of blood 00:28:43:on a path away from the ravine. 00:28:45:Blood that probably belonged|to the murderer. 00:28:47:- What was she wearing, Andy?|- Excuse me? 00:28:50:What colour was she wearing, Andy? 00:28:52:What colour? Phoebe,|did you just hear what I said? 00:28:54:Okay, Andy, now I'm serious. 00:28:56:Any idea what colour sweater she|was wearing when they found her? 00:28:59:I know it sounds strange, Andy,|but it's important. 00:29:03:I think the report said pink. 00:29:06:Thank God. 00:29:07:I just told you I saw your sister dead,|and you're relieved? 00:29:12:Well, Andy, it's no secret 00:29:16:that we fought at times. 00:29:18:What the hell kind of answer|is that, Phoebe? 00:29:20:Look, if you have any more ideas|about how to rearrange my business, 00:29:23:- you can just save it, because...|- Yeah, yeah. 00:29:25:Hi, Andy. 00:29:27:- Andy, nice tie.|- Prue, I was just at the morgue, and... 00:29:34:Okay, I may not be an expert, 00:29:37:but I think this is the time|when somebody hides. 00:29:40:- Prue, what's the matter?|- What is he doing here? 00:29:43:He saw you dead at the morgue,|obviously a clone, 00:29:45:and he thought it'd be better|to break the news here. 00:29:47:One of us is dead. I knew it. 00:29:49:- I felt it happen.|- What do you mean? 00:29:51:- I didn't feel anything.|- I was in the car with Claire, 00:29:54:and when she died,|I felt like it was me.

00:29:58:Okay, but one crisis at a time. 00:30:01:Prue, you gotta go. Hide. Go. Get. 00:30:11:And I was in the morgue,|and you were on a slab. 00:30:15:Andy, you know what they say. 00:30:16:Everybody has a twin|out there somewhere. 00:30:18:Not like this. 00:30:20:There has to be a better explanation|for what I saw. 00:30:22:- Why do we have to come up with it?|- I know what I saw. 00:30:26:Okay, look, Andy, it means|the world to me that you came, 00:30:30:but I'm here. 00:30:32:And believe me,|I didn't get killed today. 00:30:34:You can see I'm very much alive.|And I'm fine, I promise. 00:30:37:Can't argue with that. 00:30:46:By the way, 00:30:49:did you make up your mind|about the concert? 00:30:51:What concert? 00:30:54:The Bay Area Music Awards. 00:30:56:Oh, you mean those tickets|we ordered months ago. 00:31:00:Did those tickets finally come in? 00:31:03:Yeah, they came in the mail. 00:31:08:Maybe I'll bring them over sometime. 00:31:20:All right, we need to do something. 00:31:22:Gabriel's going to find us, 00:31:24:and there aren't enough of us left|to defeat him. 00:31:26:- How do you know he's still after you?|- Because I'm still here. 00:31:29:And as long as I'm needed,|the spell is still on. 00:31:31:Do you think Gabriel knows|he didn't get the real Prue? 00:31:34:I'd bet on it. 00:31:35:We're gonna need more us's|to fight him. 00:31:38:- More Prues?|- Look, don't worry, 00:31:39:I'm never casting that spell again. 00:31:41:I wont risk any more me's. 00:31:43:- What about our plan?|- We will still use our powers 00:31:45:to sneak into Gabriel's estate. 00:31:47:Except we won't be alone|when we find him. 00:31:51:Prue, we're geniuses. 00:31:53:What are you people thinking? 00:31:55:Gabriel Statler|is a flesh-and-blood person 00:31:58:with a flesh-and-blood sister. 00:32:00:The only thing that protects him, that|makes him invulnerable, is that sword. 00:32:04:And Gabriel has this weird,|binding passion for Helena. 00:32:09:So if we grab her,|we can use her as leverage. 00:32:11:- A sword for his sister.|- That's your plan? 00:32:13:You think he won't protect|his own flesh and blood? 00:32:15:Okay, look, we grab Helena, 00:32:17:and he either trades his sword|for her life, 00:32:20:or we use her to buy more time|until we figure out a way 00:32:22:to separate him from his sword. 00:32:24:- Okay, so we'll go with you.|- No way. 00:32:28:Today, I felt my own death.|And when that sword went in, 00:32:31:I felt my life slipping away. 00:32:33:I couldn't even imagine if something|like that happened to either one o f you. 00:32:36:Okay? I'm more protective|of you guys. 00:32:45:Anything from surveillance? 00:32:47:I saw at least two women|identical to Prue Halliwell. 00:32:50:One was leaving the restaurant|in a blue sweater, 00:32:52:the other was entering the manor|in a black sweater. 00:32:54:We're gonna have to chance|an attack on her at home.

00:32:57:Just wait until the hours|right before dawn, 00:33:01:when they're certain to be asleep|and vulnerable. 00:33:10:Checkmate. 00:33:17:Can we have a word with Prue? 00:33:19:- Sure.|- Sure. 00:33:21:- The real Prue.|- Yeah, what's up? 00:33:24:In private, please, if you don't mind. 00:33:27:It's important. Sister stuff.|No offence. 00:33:31:None taken. 00:33:32:All right, I'll wait out in the hall. 00:33:39:I know what you guys are going to say.|Please don't try and talk me out of it. 00:33:43:Okay, forgive us|for not wanting you dead. 00:33:46:No, I appreciate that.|It's just that we'll be fine. 00:33:49:You don't know that.|The warehouse was a trap. 00:33:51:How do you know his house|isn't as dangerous? 00:33:53:Yeah, the Statlers don't seem like|the white-picket-fence type. 00:33:56:Well, it's our only option. 00:33:57:No, it isn't. Why go to him|when you're stronger 00:33:59:in your own home with us? 00:34:01:And wait for Gabriel to find us?|I don't think so. 00:34:04:He's a strategist, Prue. 00:34:05:Every move he's made has been|carefully planned. He's studied you. 00:34:09:And if he's learned anything about you,|it's how protective you are. 00:34:13:He knows you'll risk yourself|in order to save others, 00:34:15:especially your sisters. 00:34:17:It's exactly what he wants. 00:34:18:You'll only think that you have|the upper hand. 00:34:21:Okay, just for a moment, 00:34:24:don't think of us as sisters|that you need to protect. 00:34:26:Think of us as sisters|who can help you defend. 00:34:29:You guys are right.|And you're right about Gabriel too. 00:34:32:It's far too dangerous.|Okay, I need to... 00:34:37:We need to come up|with another plan. 00:34:40:So you guys have to tell|the other me. 00:34:42:You might be having this conversation|all over again. 00:34:45:- I'm not talking to that clone.|- You have to. 00:34:47:Did anybody take notes? 00:34:49:I'm not talking to that clone. 00:34:55:Prue? 00:34:56:She's gone. 00:34:57:Yeah, to Gabriel Statler's estate. 00:34:59:It's exactly what you would've done,|isn't it? 00:35:01:Yeah. She went to save all of us. 00:35:03:All right, we have to stop her|before she does something. 00:35:07:Gabriel. 00:35:10:Gabriel. Gabriel! 00:35:18:- My God, Helena.|- She tied me up. 00:35:27:This, in war terms, is what I believe|they call a reversal of fortune. 00:35:39:I'll make it easy for you. 00:35:42:Your sword for your sister. 00:35:49:Done. There's only one problem.|You're not the real Prue Halliwell. 00:35:54:Any woman smart enough|to clone herself 00:35:56:would not make the mistake|of confronting me here. 00:35:59:So tell me,|how many of you are there? 00:36:06:So then you're the last clone. 00:36:10:Let my sister go, 00:36:12:and I promise to make it quick|and painless 00:36:14:for you and the real Prue. 00:36:23:Don't make me do this.

00:36:24:Your sword for your sister, please. 00:36:41:Who has the reversal|of fortune now? 00:36:50:- Are you all right?|- What's going on? 00:36:53:He's killing her. 00:36:54:Oh, God, I can feel the sword. 00:36:57:I can't breathe. 00:37:02:It's over. She's gone. 00:37:15:Okay, now would be a good time|for plan B. 00:37:17:What about the evidence|that Andy talked about? 00:37:20:The trail of blood leaving the ravine|where they found the first Prue. 00:37:23:We can't assume it's Gabriel's. 00:37:25:The Book says he's invulnerable. 00:37:27:To the weapons of man.|That wouldn't include a crystal sword 00:37:30:that sucks away your soul. 00:37:32:Right, but I've already proven that you|can't take his sword away from him. 00:37:36:Why do we have to take it away? 00:37:38:Maybe we should try to bring Gabriel|and his sword even closer. 00:37:45:Pheebs, you are so smart. 00:38:00:Speaking of getting closer, 00:38:02:I think Gabriel's on his way here. 00:38:13:And these fingerprints|are cross-referenced? 00:38:15:Okay, I fingerprinted|Jane Doe myself. 00:38:18:The reference prints you asked for|for Prudence Halliwell 00:38:21:came out of her birth certificate|from the archives, 00:38:23:which I took the liberty of verifying|through her DMV records. 00:38:27:And Prue Halliwell's prints|are an identical match to Jane Doe's? 00:38:30:Down to the last whorl. 00:38:34:That's statistically impossible. Even|identical twins have a natural va riation. 00:38:38:Then I'd get on the horn|to Ripley's Believe It or Not, 00:38:40:because as far as forensic medicine|can tell, 00:38:43:this woman is Prue Halliwell. 00:38:51:You leave Ripley's out of the loop,|along with anyone else who isn't me . 00:39:22:You clever witch. 00:39:48:Hey, check out G.I. Joe. 00:39:55:It worked. 00:40:01:My weapon. 00:40:02:It's all yours. 00:40:06:No! 00:40:23:Peace at last. 00:40:25:Wow, too bad you didn't knock him|back into the statue. 00:40:32:That's his army.|Kidding, kidding, kidding. 00:40:40:Andy, it's 4 in the morning. 00:40:42:This isn't a social call, Prue.|I need you to come with me. 00:40:45:- Where to?|- City morgue. I'll drive. 00:41:05:Are you gonna tell me|what this is about, 00:41:07:because you haven't said a word|since we got in the car. 00:41:10:I'll show you what this is about. 00:41:17:I don't get it. 00:41:21:I had a body on this slab.|She was identical to you, 00:41:24:right down to your fingerprints. 00:41:26:Andy, I don't know|what you want me to say. 00:41:31:Ever since you came back into my life,|it's been one weird coincidence 00:41:34:after another,|and you don't know what to say. 00:41:36:Why don't you tell me|what you wanna hear. 00:41:42:Andy, I'm sorry, but there's nothing|but clothes on that slab, 00:41:45:so why don't you just take me home. 00:41:58:Curiously, the only item found|by the slain body of Helena Statler

00:42:01:was a blue sweater. 00:42:03:That's a shame,|because I kind of liked that sweater. 00:42:06:What's with the gift basket? 00:42:08:It's a thank you for my assistant.|Believe me, she earned it. 00:42:11:Tumbler number 345, 46 and 47. 00:42:16:And that, ladies, is the end|of Quake's yearly inventory. 00:42:20:And the end of crowded bathrooms,|the end of no hot water 00:42:23:and the end of three Prues|hogging all the good clothes. 00:42:27:You know, one day you might hear|what you actually sound like 00:42:30:when you say stuff like that. 00:42:31:And I will find myself|sassy and delightful. 00:42:34:I won't count on it. 00:42:36:All right, to me, myself and I,|and to you guys. 00:42:40:I couldn't have done it without you.|Thank you. 00:42:42:And to me, for kicking|some serious demon butt. 00:42:47:And to clones who vanish|without a trace. 00:42:49:Poor Andy. Do you think|he'll ever figure it out? 00:42:51:I don't know, but I wouldn't|underestimate him. 00:42:55:After what happened this morning,|we're gonna have to be extra careful.