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PARTES 1 $ * / ) 3 4 6 . 12 11 1$ 1* 1/
CONTENIDO Estrategias para el estudio y el apre di!a"e de te#tos Las %u &io es del le gua"e ' Cara&ter+sti&as de los ,erte-rados La pre0istoria y sus etapas Los r+os de la Pe + sula I-1ri&a Las arra&io es populares La e,olu&i5 de las ideas so-re el u i,erso Riesgos aturales El orige de Al7 dalus El so ido Las e&esidades de las pla tas La &iudad 8edie,al La arrati,a de %i&&i5 Tra sporte de los utrie tes e el i terior de la pla ta
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Este Cuader o de estrategias para la 8e"ora del estudio y del apre di!a"e 0a sido reali!ado por los siguie tes 8ie8-ros del Grupo de Tra-a"o de Orie ta&i5 e Se&u daria e el &urso $2117$21$9 7 :ra &is&o :er ; de! <la &o 7 =os1 A to io Guerrero A drades 7 A a Cristi a Ga dol%o 7 Va essa Du,ige >a&+as 7 Nuria Ur-a o L5pe! 7 >iguel gel Val,erde Gea
tie e Bue ser 8uy ,isual@ es u di-u"o de los &o &eptos &la,e de u te#to@ por lo Bue te dre8os Bue es%or!ar os e reali!arlo de %or8a Bue se %a,ore!&a la ,isuali!a&i5 del 8is8o? Proceso: % &niciamos el esquema con el ttulo del tema en letras maysculas. % Primer nivel de jerarquizacin de las ideas del esquema: los ttulos de cada prrafo. 'ecordamos cuantos son y repetimos que (numerar ayuda a memori"ar). *+untas ideas principales tiene este te,to- Las escribimos a continuacin del ttulo del tema. % Segundo nivel de jerarquizacin de las ideas: con las ideas secundarias organi"amos este nivel. .olvemos a recordar que (numerar ayuda a memori"ar). *+untas ideas secundarias tiene este prrafo- Las escribimos a continuacin de las ideas principales. % Tercer nivel de jerarquizacin: en este nivel completamos y desarrollamos, si es conveniente, las ideas secundarias de cada prrafo del te,to con una o dos palabras, que contengan !ec!os, fec!as o datos de inter#s para completar el estudio del tema. 6. ESTRATEGIAS DE MEMORIZACIN Y RECUPERACIN DE LA IN4ORMACIN: Para %a,ore&er el re&uerdo y la re&upera&i5 de las ideas@ esta estrategia reBuiere "o$% !&'()& de las ideas@ !%!+("()& de las 8is8as y estrategias o pro&edi8ie tos para %a,ore&er su f(7a"()& 8 !"-%! a"()&? Los pasos a teriores %a&ilitar; la &o8pre si5 F&rea&i5 de 8ar&os de re%ere &ia 8;s a8pliosA y la &o e#i5 e tre las ideas por 8edio de estrategias aso&iati,as Bue %a,ore!&a el re&uerdo? Por &o siguie te@ &o8-i are8os e las le&turas di%ere tes estrategias@ e orde de 8e or a 8ayor &o8ple"idad@ e tre las Bue desta&a8os las siguie tes9 a9 E'+ a+!:(a' a'o"(a+(va': A&r5sti&os Historieta Aso&ia&i5 de i8;ge es9 >e8ori!ar i8;ge es del esBue8a para %a,ore&er su %i"a&i5 ? ;9 E'+ a+!:(a' "o$% !&'(va': Para%rasear9 =ugar a e#pli&ar &o otras pala-ras las ideas del te#to? =ugar a ser pro%esor o pro%esora9 E#pli&ar a otros &o8paIeros o &o8paIeras de la &lase los &o te idos del te8a Bue se estudia Pregu tarse e tre s+? Autopregu tas9 Ha&erse pregu tas so-re los &o te idos %u da8e tales del te#to? "9 E'+ a+!:(a' *! o :a&(0a"()& *! #a (&fo $a"()&: Nu8erar las ideas de &ada p;rra%o9 DNu8erar ayuda a 8e8ori!arE? Di-u"ar el diagra8a del esBue8a9 >e8ori!ar su di-u"o y e#pli&ar &ada parte del di-u"o? El procedimiento de trabajo consistir en combinar las diferentes estrategias enunciadas en el prrafo anterior. Por ejemplo, les pedimos que realicen por escrito un acrstico de una parte del esquema para facilitar su memori"acin. /espu#s podemos reali"ar, de forma oral, un parafraseo de otra parte del esquema para favorecer la e,presin y comprensin de las ideas. Por 0ltimo, les pedimos que memoricen el dibujo del esquema y que lo e,pliquen de forma oral mientras lo dibujan en su libreta o en la pi"arra de forma esquemtica.
<. ESTRATEGIAS DE EXPRESIN ESCRITA: Estudiar por esBue8as@ 8e8ori!ar las ideas &la,e@ reBuiere Bue el estudia te do8i e u as estrategias -;si&as de e#presi5 es&rita? Por &o siguie te@ es e&esario e tre arse e la e#presi5 ade&uada de ideas por 8edio de9 aA E'+ a+!:(a' %a a !'" (;( f a'!' 8 %. afo' 9 4 a'!' "o +a' Fde alrededor de $2 pala-rasA &o u orde &laro Fsu"eto@ ,er-o@ &o8ple8e tosA? U;("a"()& *! #a (*!a % (&"(%a# e el pri8er p;rra%o? -A E'+ a+!:(a' %a a !'"o:! %a#a; a'9 Tra-a"ar el -'o *! "o&!"+o !' +!,+-a#!' para e la!ar &o &orre&&i5 las di%ere tes %rases y p;rra%os? Sustituir los ,er-os DserE y DestarE por pala-ras &o 8;s %uer!a y sig i%i&ado? Ev(+a #a' !%!+("(o&!' *! %a#a; a' @ el uso de 8uletillas y el a-uso de geru dios@ ad,er-ios ter8i ados e 8e te@ par;%rasis ,er-ales@ et&? E,itar ta8-i1 las estru&turas Bue 0aga pesados y e re,esados los es&ritos@ &o8o el a-uso de %rases su-ordi adas? Estos tie e Bue ser se &illos y &o8pre si-les? &A U'o *! '(:&o' *! %-&+-a"()&9 Uso del pu to y seguido F%raseA y del pu to y aparte Fp;rra%oA? Uso de la &o8a? e podra proponer a los estudiantes las siguientes actividades 1combinadas en las diferentes lecturas2 para el entrenamiento en las !abilidades bsicas de la e,presin escrita. Estas actividades se podrn combinar de forma oral y3o escrita: 'edactar frases con ideas del esquema. 'edactar prrafos con partes de un esquema. 'esponder oralmente y por escrito las (4utopreguntas), como si fuese un e,amen de preguntas breves. 'edaccin del esquema completo. e puede !acer de forma oral y, en otros momentos, escrito a la manera de un e,amen tipo ensayo.
Cua do esta-le&e8os u a &o8u i&a&i5 &o otras perso as@ lo 0a&e8os &o disti tas i te &io es@ &o disti tas %i alidades? Las i te &io es o %i alidades &o8u i&ati,as &o &o8u i&a&i5 so las %u &io es del le gua"e? CLASI4ICACIN Cada u a de las %u &io es del le gua"e est; rela&io ada &o los di%ere tes ele8e tos de la &o8u i&a&i5 9 e8isor@ re&eptor@ 8e sa"e@ &5digo@ &o te#to y &a al? E#iste las siguie tes %u &io es del le gua"e9 4-&"()& !f! !&"(a#? El 0a-la te prete de tra s8itir al re&eptor u a i %or8a&i5 so-re u a realidad? E"?9 4yer cay una tormenta sobre la ciudad? 4-&"()& "o&a+(va? El e8isor prete de i %luir e el re&eptor para Bue 1ste a&tGe de u a deter8i ada 8a era? E"?9 Luis, abre la ventana, por favor? 4-&"()& !,% !'(va? El e8isor -us&a e#presar se ti8ie tos@ opi io es@ deseosJ E"?9 56u# !ambre tengo a estas !oras de la ma7ana8 4-&"()& f.+("a? El Bue 0a-la e8plea la le gua para &o8pro-ar Bue se 8a tie e a-ierto el &a al de &o8u i&a&i5 ? E"?9 *9e escuc!is bien a! atrs4-&"()& %o2+("a? La i te &i5 del e8isor es lla8ar la ate &i5 so-re la le gua utili!ada@ &rear -elle!a &o la le gua? E"?9 El mar sonre a lo lejos. /ientes de espuma labios de cielo.
1:ederico ;arca Lorca: (La balada del agua del mar).2
a&to de
4-&"()& $!+a#(&:?1'+("a? La le gua se usa para 0a-lar so-re ella 8is8a? E"?9 Los
1. ESTRATEGIAS DE LECTURA RPIDA: c2 Lectura de los ttulos, palabras en negrita, dibujos, etc., del te,to. d2 Lectura de la primera frase de cada prrafo.
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e2 Piensa en la informacin que se obtiene de esta lectura y con#ctala con las ideas previas que tienes sobre el tema. 1?1? ESCRI<E UNA :RASE7RESU>EN SO<RE LAS IDEAS PREVIAS KUE HAS O<TENIDO DE LA LECTURA RPIDA DEL TELTO9 MDE KUN TRATA EL TELTOO
2. ESTRATEGIAS DE SELECCIN Y COMPRENSIN DE LAS IDEAS CLAVE eA L!"+- a *!+!&(*a o "o$% !&'(va *! "a*a %. afo? %A /-'"a !& !# *(""(o&a (o si 5 i8os de las pala-ras des&o o&idas y es&ri-ir a l;pi! su sig i%i&ado e &i8a de di&0a pala-ra? gA Lo"a#(0a #a (*!a % (&"(%a# o +1+-#o *!# %. afo? 0A /-'"a #a' (*!a' '!"-&*a (a' de di&0o p;rra%o? $?1? VOCA<ULARIO9 <us&a si 5 i8os de las siguie tes pala-ras9
$?$? PRRA:OS DEL TELTO9 Es&ri-e el t+tulo y las ideas se&u darias? $? 1?
3. ESTRATEGIAS DE ORGANIZACIN DE LA IN4ORMACIN: % &niciamos el esquema con el ttulo del tema en letras maysculas. % Primer nivel de jerarquizacin de las ideas del esquema: los ttulos de cada prrafo.
% Segundo nivel de jerarquizacin de las ideas: con las ideas secundarias organi"amos este nivel. % Tercer nivel de jerarquizacin: en este nivel completamos y desarrollamos las ideas secundarias de cada prrafo del te,to con una o dos palabras, que contengan !ec!os, fec!as o datos de inter#s para completar el estudio del tema. *?1? REALIPA UN ESKUE>A CON LAS IDEAS PRINCIPALES Q SECUNDARIAS DEL TELTO9
Ttulo:
1.
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Ttulo del segundo prrafo:
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6. ESTRATEGIAS DE MEMORIZACIN Y RECUPERACIN DE LA IN4ORMACIN: /?1? REALIPAR UN ACRRSTICO PARA RECORDAR LAS :UNCIONES DEL LENGUA=E9
/?$? =UEGO DEL PARA:RASEO9 E#pli&ar &o otras pala-ras las de%i i&io es Bue se da e el te#to so-re las %u &io es 1'+("a' del le gua"e? Las pri &ipales "a a"+! de los a i8ales ,erte-rados so 9 4-&"()& !f! !&"(a# ? - Posee esBueleto i ter o &o "o#-$&a v! +!; a#@ lla8ado e doesBueleto? 4-&"()& "o&a+(va? Tie e si8etr+a -ilateral@ es de&ir@ si di,idi8os su &uerpo por la 8itad@ las dos 4-&"()& partes f.+("a? so si81tri&as? -
/?*? DI<U=AR EL DIAGRA>A DEL ESKUE>A9 Posee &uatro !,+ !$(*a*!' Bue parte del tro &o y puede te er %or8a de patas@ alas o aletas?
Tie e '('+!$a &! v(o'o9 e la parte dela tera se e &ue tra el !&"2fa#o de tro del &r; eo y e la parte de atr;s la $2*-#a !'%(&a#@ e la &olu8 a ,erte-ral?
- E la &a-e!a se e &ue tra los 5rga os de los se tidos? <. ESTRATEGIAS DE EXPRESIN ESCRITA: )?1? ENU>ERA LAS :UNCIONES DEL LENGUA=E9 - Su utri&i5 es @!+! )+ ofa? Puede ser 0er-+,oros@ &ar +,oros u o8 +,oros?
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1. ESTRATEGIAS DE LECTURA RPIDA: 1?$? Es&ri-e u a %rase7resu8e so-re las ideas pre,ias Bue 0as o-te ido de la le&tura r;pida del te#to? MDe Bu1 trata el te#toO
2. ESTRATEGIAS DE SELECCIN Y COMPRENSIN DE LAS IDEAS CLAVE $?1? VOCA<ULARIO9 Es&ri-e el sig i%i&ado de los siguie tes &o &eptos@ si o lo sa-es puedes utili!ar el di&&io ario? E doesBueleto9 Si8etr+a -ilateral9 E#tre8idades9 E &1%alo9 >1dula espi al9 Heter5tro%a9 $?$? VOCA<ULARIO9 Es&ri-e u si 5 i8o@ s+ puedes@ de las pala-ras a teriores?
$?*? PRRA:OS DEL TELTO9 Es&ri-e el t+tulo y las ideas 8;s i8porta tes?? TSTULO9
3. ESTRATEGIAS DE ORGANIZACIN DE LA IN4ORMACIN: *?1? REALIPA UN ESKUE>A CON LAS IDEAS PRINCIPALES Q SECUNDARIAS DEL TELTO9
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/?)?7 Ela-ora u test &o 12 pregu tas y p;saselo a u &o8paIero? <. ESTRATEGIAS DE EXPRESIN ESCRITA: )?1? Co testa a las pregu tas Bue 0as ela-orado e la a&ti,idad /?*? TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT )?$? Reda&ta el esBue8a Bue 0as ela-orado? TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT
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La 0istoria de la 0u8a idad se di,ide e dos gra des periodos@ 8ar&ados por u a&o te&i8ie to 8uy i8porta te@ la (&v!&"()& *! #a !'" (+- a? Estos dos periodos so 9 aA La P !@('+o (a9 a tes de apare&er la es&ritura? -A La @('+o (a9 despu1s de apare&er la es&ritura 0asta 0oy?
La Pre0istoria es la etapa 8;s larga y s5lo sa-e8os de ella gra&ias a los restos e terrados Bue el 0o8-re 0a ido e &o tra do? Se di%ere &ia tres gra des etapas e la Pre0istoria9 1B ETAPA: EL PALEOLATICO Bue dur5 0asta el aIo 6?222 a?C? Sig i%i&a piedra a tigua@ 0a&+a las 0erra8ie tas &o piedra tallada y el 0o8-re ,i,+a de la &a!a y re&ole&&i5 ? Era 58adas? Se di,ide e tres periodos9 TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT aA Paleol+ti&o I %erior9 :a-ri&a los pri8eros ute silios y apare&e el f-!:o. TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT -A Paleol+ti&o >edio9 Se per%e&&io aro los ute silios? TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT &A Paleol+ti&o Superior9 Apare&e el 0o8-re &o sus &ara&ter+sti&as a&tuales y reali!a TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT las pri8eras 8a i%esta&io es art+sti&as@ !# a +! -%!'+ !@ pi ta do e las paredes TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT de las &ue,as? TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT 2B ETAPA: EL NEOLATICO Bue dur5 desde el 6222 0asta el /?222 a?C? Sig i%i&a piedra TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT ue,a@ 0a&+a las 0erra8ie tas &o piedra puli8e tada? Des&u-riero la agri&ultura y TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT ga ader+a y se 0i&iero sede tarios? Apare&e el "o$! "(o? TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT 3B ETAPA: LA EDAD DE LOS METALES Bue dur5 desde el /?222 a?C 0asta el siglo LI TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT a?C? Se lla8a as+ porBue 0a&+a las 0erra8ie tas &o $!+a#!'? Se disti gue tres TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT gra des periodos segG el 8etal utili!ado9 TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT aA Edad del Co-re9 8etal &o po&a dure!a? TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT -A Edad del -ro &e9 8;s duro y resiste te? &A Edad del Hierro9 8uy resiste te? Co8e !5 a usarse la es&ritura? Apare&i5 el &o8er&io@ Bue al pri &ipio se -asa-a e el trueBue y posterior8e te &o8e !aro a utili!ar la $o&!*a.
1. ESTRATEGIAS DE LECTURA RPIDA: 1?*? Es&ri-e u a %rase7resu8e so-re las ideas pre,ias Bue 0as o-te ido de la le&tura r;pida del te#to? MDe Bu1 trata el te#toO
2. ESTRATEGIAS DE SELECCIN Y COMPRENSIN DE LAS IDEAS CLAVE $?1? VOCA<ULARIO9 Es&ri-e el sig i%i&ado de los siguie tes &o &eptos@ si o lo sa-es puedes utili!ar el di&&io ario? Piedra tallada9 Piedra puli8e tada9 N58adas9 TrueBue9 $?$? VOCA<ULARIO9 Es&ri-e u si 5 i8o de las pala-ras a teriores?
$?*? PRRA:OS DEL TELTO9 Es&ri-e el t+tulo y las ideas 8;s i8porta tes??
TSTULO9
ETAPAS DE LA PREHISTORIA
3. ESTRATEGIAS DE ORGANIZACIN DE LA IN4ORMACIN: *?1? REALIPA UN ESKUE>A CON LAS IDEAS PRINCIPALES Q SECUNDARIAS DEL TELTO9
6. ESTRATEGIAS DE MEMORIZACIN Y RECUPERACIN DE LA IN4ORMACIN: /?1? Ela-ora u a &ade a para re&ordar las etapas de la Pre0istoria y sus periodos9
/?$ A0ora eres tG el pro%esor y tie es Bue e#pli&arle a otro &o8paIeroCa de la &lase lo Bue 0as puesto e tu esBue8a? /?*?7 Reali!a pregu tas &ortas del te#to y %or8Glaselas oral8e te a tu &o8paIero? TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT /?/?7 Aso&ia &ada idea &o la etapa &orrespo 7 Piedra a tigua? 7 Apare&e el %uego? 7 Piedra tallada? 7 Apare&e la 8o eda? 7 Piedra ue,a? 7 Es&ritura? 7 Sede tarios? PALEOLSTICO aA I %erior9 -A >edio9 &A Superior9 /?)?7 Ela-ora u test &o 12 pregu tas y p;saselo a u &o8paIero? <. ESTRATEGIAS DE EXPRESIN ESCRITA: )?1? Co testa a las pregu tas Bue 0as ela-orado e la a&ti,idad /?*? TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT )?$? Reda&ta el esBue8a Bue 0as ela-orado? TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT
1
die te9 7 Piedra puli8e tada? 7 Herra8ie tas &o 8etales? 7 Arte rupestre? 7 Co8er&io7trueBue 7 Apare&e el &o8er&io? 7 Des&u-re la agri&ultura y la ga ader+a? 7 N58adas? EDAD DE LOS >ETALES
NEOLSTICO
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R1o' % (&"(%a#!'9 so los Bue dese8-o&a dire&ta8e te e el 8ar? Af#-!&+!': r+os Bue dese8-o&a e otro r+o? C-!&"a: territorio re&orrido por u r+o pri &ipal y sus a%lue tes? V! +(!&+!': &o "u to de tierras &uyos r+os ,ierte sus aguas e el 8is8o 8ar? E la Pe + sula I-1ri&a 0ay tres9 VERTIENTE MEDITERRNEA So& "o +o' 8 %o"o "a-*a#o'o'@ e#&epto el E-ro@ ya Bue dis&urre por u a !o a de &li8a 8editerr; eo &o po&as llu,ias? R2:($!& ( !:-#a @ dis8i uye -asta te e ,era o y puede des-ordarse e otoIo y pri8a,era? R1o' % (&"(%a#!': E E; o9 a&e e la Cordillera Ca t;-ri&a? Es largo y &audaloso? A%lue tes9 Arag5 @ Gallego@ Segre@ =al5 y Huer,a E JF"a : a&e e el Siste8a I-1ri&o? A%lue tes9 Ga-riel E S!:- a9 a&e e la Cordillera Su--1ti&a? A%lue te9 >u do? VERTIENTE CANT/RICA Co +o' 8 "o& f-! +! %!&*(!&+!: a&e e la Cordillera Ca t;-ri&a &er&a del 8ar Ca-*a#o'o' 8 *! 2:($!& !:-#a 9 ya Bue pasa por !o as de -asta tes llu,ias? R1o' % (&"(%a#!': 7 Pa+s ,as&o9 /(*a'oaG O (aG D!;a 8 N! v()&. 7 Ca ta-ria9 Pa'G Sa7aG /!'a8aG Na&'a 8 D!;a. 7 Asturias9 S!##a 8 Na#)&? VERTIENTE ATLNTICA La :o': porBue a&e e 8o taIas le"a as del O&1a o Atl; ti&o? Ca-*a#o'o: la 8ayor+a pasa por !o as de a-u da tes llu,ias? R1o' % (&"(%a#!': Gali&ia9 de &audal a-u da te y r1gi8e regular? EM(Ho su a%lue te Sil? Otros r+os so el Ta8-re y el Ulla? >eseta9 los 8;s largos de la pe + sula? Su &audal tie e estia"e e ,era o y &re&idas e pri8a,era y otoIo? E D-! o9 dis&urre por la Su-8eseta Norte? A%lue tes9 Pisuerga@ Esla@ Ada"a y Tor8es? E Ta7o9 atra,iesa la Su-8eseta Sur? Es el 8;s Largo? A%lue tes9 =ara8a@ Al-er&0e@ Ti1tar y Alag5 ? E G-a*(a&a9 dis&urre por la Su-8eseta Sur? A%lue tes9 P; &ara@ CigUela y PG"ar? ANDALUCAA EV! +(!&+! $!*(+! .&!a: so &ortos ya Bue a&e e la &ordillera Pe i-1ti&a? Caudal es&aso e irregular@ tie e gra des &re&idas e otoIo y pri8a,era y estia"e e ,era o? R+os9 G-a*(a oG G-a*a#@o "!G G-a*a#f!o 8 A#$a&0o a. E V! +(!&+! a+#.&+("a: so largos y &audalosos? Su pri &ipal r+o es el G-a*a#5-(v( Bue re&oge la 8ayor parte del agua de la &o8u idad? Na&e e la sierra de Ca!orla@ =a1 y dese8-o&a e Sa lG&ar de <arra8eda? A%lue tes9 Guadali8ar@ =; dula@ Guadiato@ Viar@ Ge il??? Otros r+os9 Ti to@ Odiel@ Guadalete y <ar-ate
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1
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 3.EL!! *!'%a"(o "a*a a%a +a*oG a&o+a #a' %a#a; a' o !,% !'(o&!' 5-! *!'"o&o0"a'G %o'+! (o $!&+! #a' ;-'"a' !& !# *(""(o&a (o 8 "o%(a '- '(:&(f("a*o .Co%(a !# vo"a;-#a (o (&("(a# TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT 6.EI&+! o:a a# +!,+o @a"(2&*o#! % !:-&+a': 1.E 2.E 3.E 6.E <.E J.E <.E. A@o a !a#(0a -&a #!"+- a :!&! a# *! +o*o !# +!,+o 8 *a !'%-!'+a' a #a' % !:-&+a' *!# (&+! o:a+o (o: 1.E 2.E 3.E 6.E <.E J.E
COMPRENDEMOS LAS IDEAS CLAVE 1.EL!! *!+!&(*a$!&+! "a*a %. afo "o$% !&*(!&*o 8 !,% !'a&*o "o& +-' %a#a; a' #o 5-! '! *("! !& "a*a -&o. 2.ELo"a#(0a #a (*!a % (&"(%a# o +1+-#o *! "a*a %. afo? TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT TTTTTTTTTTTTTTTTTTTTTTTTTTTTTT 3.ECo$%#!+a #a (*!a % (&"(%a# "o& *!+a##!' ($%o +a&+!'. Te propo e8os u e"er&i&io e el Bue tie es Bue 0a&er uso de tu i8agi a&i5 ? Te ,a8os a dar u a idea pri &ipal Bue tG ,as a &o8pletar &o u os &ua tos *!+a##!' ($%o +a&+!' Bue se te o&urra ? Re&uerda Bue esos detalles tie e Bue estar sie8pre re%eridos a la idea pri &ipal? Puede ser argu8e tos Bue la de%ie da o la dese&0e 9 IDEA PRINCIPAL9 E& #a P!&1&'-#a I;2 ("a @a8 + !' v! +(!&+!'.
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII ESTRATEGIAS DE ORGANIZACIN DE LA IN4ORMACIN:
So ????????????????????????????????????????????????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????????????????????????????????????????????? V! +(!&+! ?????????????????????????????????????????????????????????????????????????????????????????????????????????? Ca&+.; ("a ?????????????????????????????????????????????????????????????????????????????????????????????????????????? ?????????????????????????????????????????????????????????????????????????????????????????????????????????? So ????????????????????????????????????????????????????????????????? ??????????????????????????????????????????????????????????????? R1o' ?????????????????????????????? :a##!:o ?????????????????????????????? ' So ????????????????????????????????????????????????????????????????? ???????????????????????????????????????????????????????????????????????? R+os Bue ??????????????????????????????????????????????????????????????? atra,iesa la ??????????????????????????????????????????????????????????????? >eseta ??????????????????????????????????????????????????????????????? ??????????????????????????????????????????????????????????????? ??????????????????????????????????????????????????????????????? R+os atl; ti&os de ??????????????????????????????????????????????????????????????? A dalu&+a ???????????????????????????????????????????????????????????????
V! +(!&+! A+#.&+("a
3.EA@o a va' a @a"! #o "o&+ a (o 5-! !& #o' !7! "("(o' a&+! (o !'G !' *!"( G +! *a$o' !# $a%a *! #a P!&1&'-#a I;2 ("a 8 +F %o&!' #o' 1o' 8 #o "o&v(! +!' !& -& +!,+o '!:-(*o.
MEMORIZACIN Y RECUPERACIN DE LA IN4ORMACIN 1.EJ-!:o % of!'o Ka 8 a#-$&oKa: E,%#("a a o+ o "o$%aH! o o "o$%aH! a *! #a "#a'! #o' "o&+!&(*o' *!# +!$a. D!'%-2' "a$;(a* #o' %a%!#!'. 2.ET (v(a#: !a#(0a* !& %a !7a' % !:-&+a' !& +a 7!+a' 5-! *!%o'(+a 2(' !& -& !"(%(!&+!G *!'%-2' ( !'%o&*(!&*o a#+! &a+(va$!&+! .
3.E G a;a !# +!,+o 8 !'"F"@a#o !& va (a' o"a'(o&!' P ($! o "o& !# +!,+o *!#a&+! 8 #-!:o '(& 2#. 6.ER!##!&a #a f("@a '(:-(!&+! '(& $( a !# +!,+o 8 a&o+a "o& #a %a#a; a CECCO !& o7o "-a&*o @a8a' +! $(&a*o "a*a %-&+o 8 @a8a' "o$% o;a*o 5-! !'+. ;(!&:
1. E# +!,+o + a+a *!# '(:-(!&+! +!$a: 2. E# +1+-#o !': 3. E'+. *(v(*(*o !& #a' '(:-(!&+!' %a +!': 6. La' %a#a; a' *!'"o&o"(*a' 'o&: <.La' ($.:!&!' 5-! !"-! *o *!# +!,+o 'o&: J.V-!#vo a !"o *a !# !'5-!$a *! "a*a a%a +a*o. L.Co& #o' !'5-!$a' *!#a&+! !% o*-0"o !# +!$a o a#$!&+! 8 "o$% -!;o #o 5-! $! fa#+a.
EXPRESIN ESCRITA 1.EE& %a !7a "o& o+ o "o$%aH! oKaG %o&#! -& !,a$!& *! J % !:-&+a' 'o; ! !# +!$a 8 2#K!##a +! #o %o&! a +(. Co (:! "a*a -&oKa !# !,a$!& *!# "o$%aH! oKa $( a&*o !# +!,+o. 2.E E,%#("a "o& #o 8a a% !&*(*oG #a '(:-(!&+! ($a:!&:
El &ue to@ la leye da y el 8ito so las tres %or8as pri &ipales de la arrati,a popular? E# "-!&+o %o%-#a El &ue to popular es u a &a a"()& ; !v! ! (&:!&(o'a@ &uya %i alidad es e trete er y@ e o&asio es@ dar algu a e seIa !a de tipo pr;&ti&o o 8oral? Los &ue tos populares suele desta&ar por su '!&"(##!0G ; !v!*a* ! (&:!&(o ? Nor8al8e te prese ta u le gua"e &er&a o al 0a-la &o8G @ &o 8u&0as e#presio es %i"as9 <rase una ve"???V =aba una ve"???V > colorn colorado, este cuento se !a acabado ??? Los %! 'o&a7!' Bue protago i!a los &ue tos populares suele ser -asta te esBue8;ti&os y &o %re&ue &ia represe ta algG ,alor@ algG ,i&io o algu a a&titud9 la -o dad@ la ,iole &ia@ la astu&ia??? Por este 8oti,o@ se los des&ri-e de u a 8a era -re,e@ dire&ta y se &illa? I &luso a ,e&es se o8ite su o8-re y solo se ide ti%i&a por el &argo Bue o&upa @ el o%i&io Bue dese8peIa o las &ualidades Bue los &ara&teri!a 9 la 8adrastra@ el rey@ el 8ayordo8o@ el !apatero??? E"e8plo9 P! 'o&a7! =ua si 8iedo C-a#(*a* Vale t+a D!'" (%"()& Este era u 8u&0a&0o lla8ado =ua Bue o &o o&+a lo Bue era el 8iedo? E'+ -"+- a *! #o' "-!&+o' %o%-#a !' Los &ue tos populares suele prese tar los 0e&0os siguie do u o *!& " o&o#):("o? Ha-itual8e te@ el &ue to respo de a esta estru&tura9 Ma "o &a a+(vo A"o&+!"($(!&+o (&("(a# A""(o&!' S(+-a"()& f(&a# Nrase u a ,e! u a iIa lla8ada Caperu&ita ro"a Bue ,i,+a e el -osBue? U d+a su 8adre le pidi5 Bue le lle,ara u a &esta a su a-uela? Caperu&ita se e &o tr5 &o el lo-o y le &o t5 do de i-a? E to &esJ El leIador sal,5 a Caperu&ita y a su a-uela del lo-o %ero!?
C#a'(f("a"()& *! #o' "-!&+o' %o%-#a !' A pesar de su e or8e ,ariedad@ se puede desta&ar *o' +(%o' de &ue tos populares9 los &ue tos 8ara,illosos y los &ue tos realistas? 7 Los "-!&+o' $a av(##o'o' prese ta 0e&0os %a t;sti&os e los Bue &o %re&ue &ia i ter,ie e la 8agia o algu a %uer!a so-re atural? E tre sus perso a"es 0ay -ru"as@ 0adas@ pri &esas e &a tadas??? Su %i alidad es e trete er y sorpre der al le&tor? 7 Los "-!&+o' !a#('+a' arra 0e&0os &otidia os protago i!ados por perso a"es e#tra+dos de la realidad? Su %i alidad es e trete er al le&tor@ au Bue e o&asio es i &luye u a peBueIa e seIa !a o u a &r+ti&a so&ial? La #!8!&*a La #!8!&*a es u a arra&i5 Bue se prese ta &o8o u a 0istoria e la Bue se 8e!&la lo real y lo i8agi ario? Ge eral8e te@ las leye das se rela&io a &o u lugar@ u ele8e to de la aturale!a@ u perso a"e o u a&o te&i8ie to &o &reto?
E 8u&0os &asos@ las leye das trata de "usti%i&ar deter8i ados ritos o rasgos propios de u pue-lo o de u a &o8u idad?
E# $(+o El $(+o es u relato protago i!ado por dioses y 01roes e el Bue se trata de dar u a e#pli&a&i5 %a-ulosa a deter8i ados 0e&0os o realidades@ &o8o la &rea&i5 del U i,erso@ la apari&i5 del ser 0u8a o@ el orige de &iertas espe&ies aturalesJ?
La 8ayor+a de las &ulturas 0a desarrollado sus propios 8itos? E la literatura o&&ide tal@ los 8itos Bue 0a te ido 8ayor i %lue &ia so los 8itos gre&orro8a os?
1. LECTURA RPIDA? Despu1s de 0a-er utili!ado la estrategia de le&tura r;pida Fle&tura de los t+tulos@ pala-ras e egrita@ de la pri8era %rase de &ada p;rra%oJA se &o8e ta oral8e te las ideas pri &ipales del te#to le+do? Para ello a ota aBu+ las ideas pri &ipales le+das?
2. LECTURA COMPRENSIVA9 2.1. VOCA/ULARIO: E'" (;! !# '(:&(f("a*o *! #a' '(:-(!&+!' !,% !'(o&!': 7 tie8pos re8otos9 7 e seIa !a 8oral9 7 orde &ro ol5gi&o9 7 %uer!a so-re atural9 7 0e&0os &otidia os9 2.2. E'" (;! #a' (*!a' ($%o +a&+!' *! "a*a ;#o5-! *!# +!,+o: Las arra&io es populares
El &ue to popular
La Leye da
El 8ito
3. ORGANIZA LAS IDEAS CLAVE DEL TEXTO EN UN ESOUEMA9 O-! +!&:a a# $!&o' 3 &(v!#!' *! % of-&*(*a*. 7 Ku1 so 9 7 Ku1 so 9
7 Tipos9
6. ESTRATEGIAS DE MEMORIZACIN Y RECUPERACIN DE LA IN4ORMACIN: 6.1 U&! "o& f#!"@a': Las arra&io es populares El &ue to popular Estru&tura populares Clasi%i&a&i5 populares La Leye da El 8ito de los &ue tos
7 So de dos tipos9 8ara,illosos y realistas? 7 Relato protago i!ado por dioses y 01roes e el Bue se trata de dar u a e#pli&a&i5 %a-ulosa a deter8i ados 0e&0os?
7 Sigue u orde &ro ol5gi&o? 7 Narra&i5 Bue se prese ta &o8o u a 0istoria e la Bue se 8e!&la lo real y lo i8agi ario? 7 Relatos %i&ti&ios &reados por el pue-lo y tra s8itidos oral8e te de ge era&i5 e ge era&i5
7 Narra&i5 -re,e e i ge iosa Bue suele desta&ar por su se &ille!@ -re,edad e i ge io?
6.2 E#a;o a % !:-&+a' "o +a' 5-! (&"#-8a "o&+!&(*o *! +o*o !# +!,+o. L-!:o % !:F&+a'!#a' a -& "o$%aH! oKa.
<. ESTRATEGIAS DE EXPRESIN ESCRITA: <.1 Co&+!'+a %o !'" (+o #a' % !:-&+a' !#a;o a*a' "o& a&+! (o (*a*.
U o de los pri8eros o-"eti,os de la astro o8+a %ue propo er u $o*!#o Bue e#pli&ara &ua to o-ser,a-a el ser 0u8a o e el u i,erso? SegG el $o*!#o a"+-a#@ la tierra gira alrededor del Sol@ Bue o es si o u a estrella 8;s e tre los $(#!' *! $(##o&!' 5-! fo $a& !# -&(v! 'oP %! o QC-.#!' @a& '(*o #o' $o*!#o' $.' ($%o +a&+!' 5-! @a& % !"!*(*o a# a"+-a#RE
QCMO VAMOS A ESTUDIAR ESTE TEXTOR 1. LECTURA RPIDA Va8os a e&0ar u ,ista!o al te#to a tes de &o8e !ar a leer &ada p;rra%o?
MIRA &o dete ie do las p;gi as Bue tie es dela te? Kui!;s las siguie tes pregu tas te puede ayudar para %i"arte e aspe&tos i8porta tes? Te dar; algu as pistas para &o8pre der de Bu1 ,a este te#to? Nos %i"are8os e los siguie tes aspe&tos9 Los t+tulos Bue apare&e ? Su ta8aIo y &olor? Los p;rra%os Bue apare&e y la u8era&i5 Bue tie e ? El te#to &oloreado Los di-u"os Bue a&o8paIa ?
PISTAS: A0ora seguro Bue sa-es de&ir8e@ de Bu1 ,a el te#to? Co u a pala-ra para e8pe!ar es
su%i&ie te9
Q@ 0ay 8;s &osas del te#to Bue s1? Si 8iro los di-u"os Bu1 ,eo? A ,er si sa-es de&ir8e Bu1 puede ser o Bu1 ,es9
CONOZCO: >e i8agi o 8i ,ida real y las &osas Bue 0ago 0a-itual8e te? MKu1 tie e Bue ,er &o 1ste te8aO E to &es@ sa-es algo 8;s? Es&ri-e lo Bue sepas &o tus pala-ras9
TATULOS: a tes de e8pe!ar a leer@ ,a8os a sa&ar los t+tulos Bue apare&e e el te#to@ os puede ayudar a &o8pre der lo Bue ,a8os a leer? U tru&o9 el ta8aIo os i di&a Bue &ua to 8;s gra de 8;s ge eral es la i %or8a&i5 Bue tie e? Por eso os %i"are8os e el 8;s gra de para ir es&alo a do los ta8aIos9
LEER: Es el 8o8e to de leer dete ida8e te los p;rra%os pues ya &o o&e8os los t+tulos Bue e &a-e!a &ada p;rra%o y ,a8os a estar ate tos a las pala-ras desta&adas e &!: (+a@ pare&e Bue di&e &osas i8porta tes? Para %a&ilitar la &o8pre si5 @ a 8edida Bue lee8os@ ,a8os
es&ri-ie do las pala-ras Bue o e te da8os y -us&a8os el si 5 i8o Bue 8e"or &o o&e8os despu1s de leer el p;rra%o &o8pleto?
CLAVES: Qa est;s preparadoCa para sa&ar las ideas pri &ipales y las ideas se&u darias? Re&uerda Bue las ideas pri &ipales tie e i %or8a&i5 8;s ge eral y las se&u darias e#pli&a y desarrolla estas ideas? Por eso@ suele respo der a pregu tas tales &o8o9 MKu1 esO@ MC58o se reali!aO Sigue 8i &o se"o9 es&ri-e solo pala-ras o %rases -re,es Bue pueda represe tar esa idea? IDEA PRINCIPAL IDEAS SECUNDARIAS
3. ORGANIZACIN DE LA IN4ORMACIN ESOUEMA: para orga i!ar las ideas del te#to@ ,a8os a reali!ar u esBue8a? Sigue los pasos para ir &o8pleta do &ada &asillero? 1( Po e8os u t+tulo a uestro esBue8a9 e letra 8ayGs&ula para Bue destaBue? $( E &a"a8os las ideas pri &ipales -a"o el t+tulo? Pode8os utili!ar esas pregu tas &la,es para &o8pre der 8e"or la idea? Prue-a a po erlas e las l+ eas de u i5 ? *( Es el tur o de las ideas se&u darias Bue se i &luir; -a"o la idea pri &ipal? /( Co8pleta8os el esBue8a &o toda la i %or8a&i5 Bue &o te ga uestro te#to? Algu os &o se"os9 7 E u8erar te ayuda a re&ordar? 7 Puedes po er u di-u"o Bue te re&uerde esa idea o pala-ra
6. MEMORIZACIN Y RECUPERACIN DE LA IN4ORMACIN Es el 8o8e to de 8e8ori!ar el esBue8a@ por eso ,a8os a 0a&er u os e"er&i&ios pre,ios Bue te %a&ilitar; la tarea9 Pala-ras &o8pli&adas9 elige las pala-ras Bue te resulte &o8pli&adas y -us&a la 8a era de 8e8ori!arlas &o &osas Bue te resulte %a8iliar y rasgos &ara&ter+sti&os Bue lo di%ere &ie del resto? Por e"e8plo9 Mo*!#o Es el 8odelo do de el geo FTierraA est; e el &e tro :!o"2&+ ("o F&1 tri&oA Di-u"o 8is pala-ras9 puedo 0a&er uso de los di-u"os para re&ordar &ada ele8e to? Por e"e8plo9
Tierra
Nu8era9 po los G8eros a ,arias ideas? Por e"e8plo9 Mo*!#o' 1? Geo&1 tri&o $? Helio&1 tri&o *? A&tual
Para%rasea9 e#pli&a el esBue8a desde el pri &ipio &o tus pala-ras? E&+ !&!$o' &-!'+ a $!$o (a "o& a#:-&o' 7-!:o': M! +o"a '! !#K#a % of!'o Ka: e#pli&a a los &o8paIerosCas de &lase e la pi!arra el esBue8a Bue 0as apre dido? Si o te a&uerdas de algo@ puedes pregu tarles a ellosCas para &o8pletarlo? /-'"a$o' *( !""(o&!'9 Ha&er pregu tas a u &o8paIeroCa so-re el esBue8a desde di%ere tes 3 dire&&io es? Por e"e8plo9 MKui1 estudia el orige y la e,olu&i5 del u i,ersoO MKu1 8odelo &o &i-e la tierra &o8o el &e tro del u i,ersoO Co"oE#o"o: Re&orta8os los &asilleros de uestro esBue8a y los desorde a8os? Va8os a i te tar re&o8po erlos? I&+! "a$;(o *! f("@a': &o ,arios esBue8as 8e!&lados@ sa&a8os tar"etas Bue 0ay Bue i ter&a8-iar 0a&ie do pregu tas al &o8paIeroCa? Solo ga a la %i&0a si &o sigue adi,i ar la pregu ta Bue le 0a&e8os? <. ESPRESIN ESCRITA Pro-are8os uestra &apa&idad para es&ri-ir lo Bue sa-e8os? Para ello@ ,a8os a seguir u a serie de pasos Bue os ayudar; a orga i!ar uestro pe sa8ie to?
M( (*!a favo (+a: elige la idea Bue 8e"or te sa-es y prue-a a es&ri-ir &o u a %rase se &illa? Pero s5lo u a idea@ o te gas prisa e es&ri-ir todo lo Bue te sa-es?
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2
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P! f!""(o&o $( (*!a: La idea Bue 0as es&rito puede &o8pletarse &o 8;s i %or8a&i5 &o8o ya sa-es? Va8os a pro-ar i &orpora do otra idea pero usare8os u a u i5 para Bue o pare!&a dos ideas i depe die tes?
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Co& o *!& 8 "o&"(! +o: Qa est;s preparadoCa para i te tarlo &o todo el esBue8a pero o ol,ides Bue pri8ero 0ay Bue orga i!ar uestra 8e te? Re&uerda Bue ya sa-e8os Bue 0ay ideas pri &ipales o ge erales Bue despu1s so e#pli&adas por las ideas se&u darias? Elige tus ideas pri &ipales y agrGpalas &o sus ideas se&u darias@ despu1s &o ti Ga &o8pleta do la i %or8a&i5 adi&io al? Cua do ter8i es &o u a idea@ usa otro p;rra%o para es&ri-ir otra? Seguro Bue lo &o sigues?
>odelos
Geo&1 tri&o
Helio&1 tri&o
A&tual
MIRA
ORGANIZA
LEE
RECUERDA
ESCRI/E
L. RIESGOS NATURALES
6
1
RIESGOS NATURALES. Los riesgos aturales so %e 58e os de la aturale!a Bue a8e a!a la ,ida o propiedades Fedi%i&ios@ &ulti,os@ ga adoJA de las perso asV por ta to@ puede te er &o se&ue &ias &atastr5%i&as? E EspaIa e#iste los siguie tes riesgos aturales9 aA T! !$o+o'? La posi-ilidad de Bue se produ!&a e uestro pa+s 8e or Bue e otras !o as del 8u do? No o-sta te@ se 0a su%rido se+s8os@ so-re todo e el sureste de la pe + sula? -A E -%"(o&!' vo#".&("a'. Este riesgo a%e&ta so-re todo a las Islas Ca arias de la Pal8a@ Te eri%e y La !arote? &A O#a' *! f 1o? Tie e lugar ge eral8e te dura te el i ,ier o Fau Bue a ,e&es se produ&e e pri8a,eraA@ &ua do pe etra e la pe + sula i-1ri&a 8asas de aire %r+o pro&ede tes del orte y oreste de Europa? Las olas de %r+o o&asio a te8peraturas 8uy -a"as y 0eladas Bue per"udi&a los &ulti,os y di%i&ulta las &o8u i&a&io es? dA I&-&*a"(o&!'? Se o&asio a &ua do el &audal de los r+os y torre tes &re&e repe ti a8e te y se des-orda de-ido a las llu,ias torre &iales o al des0ielo de las 8o taIas? Puede &ausar i8porta tes daIos 8ateriales Fdestru&&i5 de ,i,ie das@ ,+as de &o8u i&a&i5 @ &ose&0asJA y@ e algu as o&asio es@ la 8uerte de perso as y a i8ales? Las i u da&io es se produ&e so-re todo e las !o as &er&a as a las &ostas 8editerr; ea y &a t;-ri&a? eA S!5-1a'? So u %e 58e o %re&ue te y se de-e a la ause &ia prolo gada de pre&ipita&io esV se produ&e so-re todo e la 8itad sur de la Pe + sula I-1ri&a y e el ;rea 8editerr; ea? O&asio a daIos e la agri&ultura y@ por ta to@ e la e&o o8+aV ta8-i1 puede a%e&tar a la ,ida diaria de las perso as ya Bue o 0ay agua su%i&ie te para el &o su8o? C(!&"(a' Na+- a#!' 1> *! ESO.
1. ESTRATEGIAS DE LECTURA RPIDA. 1?/? TRAS HA<ER LESDO EL TELTO@ ESCRI<E UNA :RASE CON LA IDEA KUE RESU>A DE KUN TRATA EL TELTO?
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2. ESTRATEGIAS DE SELECCIN Y COMPRENSIN DE LAS IDEAS CLAVE. $?1? VOCA<ULARIO9 <us&a u la Bue apare&e ? Pe etra ? Per"udi&a ? O&asio a ? $?$? PRRA:OS DEL TELTO9 Es&ri-e las ideas i8porta tes de &ada p;rra%o? $? I trodu&&i5 ? si 5 i8o de las siguie tes pala-ras y re%or8ula la %rase e
*? Terre8otos?
)? Olas de %r+o?
3? I u da&io es?
4? SeBu+as? 3. ESTRATEGIAS DE ORGANIZACIN DE LA IN4ORMACIN. *?1? REALIPA UN ESKUE>A CON LAS IDEAS PRINCIPALES Q SECUNDARIAS DEL TELTO KUE HAS SACADO EN EL APARTADO ANTERIOR?
2.
Ttulo:
3.
4.
5.
6.
6. ESTRATEGIAS DE MEMORIZACIN Y RECUPERACIN DE LA IN4ORMACIN. /?1? INVENTA UNA HISTORIA O CADENA PARA RECORDAR LOS CINCO :ENR>ENOS?
<. ESTRATEGIAS DE EXPRESIN ESCRITA. )?1? ESCRI<E LA PREGUNTA KUE HARSAS SI :UESES PRO:ESOR?
EL EMIRATO INDEPENDIENTE
E el aIo 4)2@ e Da8as&o@ la %a8ilia de los A-asidas se 0i!o &o el poder del isla8 asesi a do a &asi todos los 8ie8-ros de la %a8ilia O8eya? Solo u o de ellos@ el "o,e A;*! a$.&@ &o sigui5 es&apar y llegar a la Pe + sula I-1ri&a@ do de logr5 0a&erse &o el poder e Al7 dalus? E el aIo 4)3 se pro&la85 !$( (&*!%!&*(!&+! *! C) *o;a &o el o8-re de A;*! a$.& I? Este t+tulo sig i%i&a-a Bue los go-er adores de Al7 dalus de"a-a de o-ede&er pol+ti&a8e te al &ali%a de Da8as&o@ au Bue siguiero re&o o&ie do su autoridad religiosa? Los pri8eros tie8pos de la 0istoria de Al7 dalus %uero tur-ule tos? Los e8ires se e %re taro a las i &ursio es 8ilitares de los %ra &os y de los &ristia os Bue se 0a-+a re%ugiado e el orte@ y ta8-i1 se produ"ero u8erosas re,ueltas i ter as? 1. ESTRATEGIAS DE LECTURA RPIDA:
"#daptado de $iencias Sociales %& 'S() 'ditorial Santillana*
$statua de -+derramn I en -lmu.,'ar. "-/-" 0U$1 Los ra+es asentados en la *ennsula 'rearon una 'ultura propia llamada andalus.
Guerreros 8usul8a es represe tados e el 8a us&rito ;ra-e de la >aBa8at Al7Hariri del siglo LI?
f2 Lectura de los ttulos, palabras en negrita y fotos del te,to. g2 Lectura de la primera frase de cada prrafo. !2 *6u# sabes sobre 4l%?ndalus-
$?1? VOCA<ULARIO9 <us&a si 5 i8os de las siguie tes pala-ras9 Ci,ili!a&i5 9 Isla89 E8ir9 Cali%a9 Tur-ule tos9 I &ursio es9 Ase tados9 >a us&rito9 $?$? LECTURA DE LOS PRRA:OS DEL TELTO9 Es&ri-e el t+tulo o idea pri &ipal de &ada p;rra%o? 6?
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3?
% Primer nivel de jerarquizacin de las ideas del esquema: los ttulos de cada prrafo. % Segundo nivel de jerarquizacin de las ideas: con las ideas secundarias organi"amos este nivel. % Tercer nivel de jerarquizacin: con !ec!os, fec!as o datos de inter#s para completar el estudio del tema.
*?1? REALIPA UN ESKUE>A CON LAS IDEAS PRINCIPALES Q SECUNDARIAS DEL TELTO9 Co8pleta el ter&er i,el &o las ideas se&u darias del te#to?
Primer nivel egundo @ercer nivel
1.
Ttulo:
2.
/?1? Utili!a la t1& i&a de la ASOCIACIRN DE I>GENES para re&ordar las ideas pri &ipales del te#to9
/?$? AUTOPREGUNTAS9 Es&ri-e / pregu tas so-re las ideas pri &ipales y se&u darias del te#to? Reali!a estas pregu tas a tu &o8paIero o &o8paIera y ,i&e,ersa? 1? $? *? /?
<. ESTRATEGIAS DE EXPRESIN ESCRITA: )?1? Respo de la pregu ta &orta siguie te9 MPor Bu1 A-derra8; lleg5 a Al7 dalusO
)?$? Desarrolla la siguie te pregu ta9 La &o Buista de la pe + sula i-1ri&a por los 8usul8a es y el e8irato depe die te de Da8as&o?
X. EL SONIDO
1
Va8os a e&0ar u ,ista!o al te#to a tes de &o8e !ar a leer &ada p;rra%o?
MIRA &o dete ie do las p;gi as Bue tie es dela te? Kui!;s las siguie tes pregu tas te puede ayudar para %i"arte e aspe&tos i8porta tes? Te dar; algu as pistas para &o8pre der de Bu1 ,a este te#to? Nos %i"are8os e los siguie tes aspe&tos9 Los t+tulos Bue apare&e ? Su ta8aIo y &olor? Los p;rra%os Bue apare&e y la u8era&i5 Bue tie e ? El te#to &oloreado Los di-u"os Bue a&o8paIa ?
PISTAS: A0ora seguro Bue sa-es de&ir8e@ de Bu1 ,a el te#to? Co u a pala-ra para e8pe!ar es
su%i&ie te9
Q@ 0ay 8;s &osas del te#to Bue s1? Si 8iro los di-u"os Bu1 ,eo? A ,er si sa-es de&ir8e Bu1 puede ser o Bu1 ,es9
CONOZCO: >e i8agi o 8i ,ida real y las &osas Bue 0ago 0a-itual8e te? MKu1 tie e Bue ,er &o 1ste te8aO E to &es@ sa-es algo 8;s? Es&ri-e lo Bue sepas &o tus pala-ras9
TATULOS: a tes de e8pe!ar a leer@ ,a8os a sa&ar los t+tulos Bue apare&e e el te#to@ os puede ayudar a &o8pre der lo Bue ,a8os a leer? U tru&o9 el ta8aIo os i di&a Bue &ua to 8;s gra de 8;s ge eral es la i %or8a&i5 Bue tie e? Por eso os %i"are8os e el 8;s gra de para ir es&alo a do los ta8aIos9
LEER: Es el 8o8e to de leer dete ida8e te los p;rra%os pues ya &o o&e8os los t+tulos Bue e &a-e!a &ada p;rra%o y ,a8os a estar ate tos a las pala-ras desta&adas e &!: (+a@ pare&e Bue di&e &osas i8porta tes? Para %a&ilitar la &o8pre si5 @ a 8edida Bue lee8os@ ,a8os es&ri-ie do las pala-ras Bue o e te da8os y -us&a8os el si 5 i8o Bue 8e"or &o o&e8os despu1s de leer el p;rra%o &o8pleto?
CLAVES: Qa est;s preparadoCa para sa&ar las ideas pri &ipales y las ideas se&u darias? Re&uerda Bue las ideas pri &ipales tie e i %or8a&i5 8;s ge eral y las se&u darias e#pli&a y desarrolla estas ideas? Por eso@ suele respo der a pregu tas tales &o8o9 MKu1 esO@ MC58o se reali!aO Sigue 8i &o se"o9 es&ri-e solo pala-ras o %rases -re,es Bue pueda represe tar esa idea? IDEA PRINCIPAL IDEAS SECUNDARIAS
W. ORGANIZACIN DE LA IN4ORMACIN ESOUEMA: para orga i!ar las ideas del te#to@ ,a8os a reali!ar u esBue8a? Sigue los pasos para ir &o8pleta do &ada &asillero? 1( Po e8os u t+tulo a uestro esBue8a9 e letra 8ayGs&ula para Bue destaBue? $( E &a"a8os las ideas pri &ipales -a"o el t+tulo? Pode8os utili!ar esas pregu tas &la,es para &o8pre der 8e"or la idea? Prue-a a po erlas e las l+ eas de u i5 ? *( Es el tur o de las ideas se&u darias Bue se i &luir; -a"o la idea pri &ipal? /( Co8pleta8os el esBue8a &o toda la i %or8a&i5 Bue &o te ga uestro te#to? Algu os &o se"os9 7 E u8erar te ayuda a re&ordar? 7 Puedes po er u di-u"o Bue te re&uerde esa idea o pala-ra X. MEMORIZACIN Y RECUPERACIN DE LA IN4ORMACIN Es el 8o8e to de 8e8ori!ar el esBue8a@ por eso ,a8os a 0a&er u os e"er&i&ios pre,ios Bue te %a&ilitar; la tarea9 Pala-ras &o8pli&adas9 elige las pala-ras Bue te resulte &o8pli&adas y -us&a la 8a era de 8e8ori!arlas &o &osas Bue te resulte %a8iliar y rasgos &ara&ter+sti&os Bue lo di%ere &ie del resto? Por e"e8plo9 D!"(;!#(o' DDe&ir -ellosE Di-u"o 8is pala-ras9 puedo 0a&er uso de los di-u"os para re&ordar &ada ele8e to? Por e"e8plo9
Ti8-re
Nu8era9 po los G8eros a ,arias ideas? Por e"e8plo9 C-a#(*a*!' 'o&(*o *!# 1? Velo&idad $? I te sidad *? To o /? Ti8-re
Para%rasea9 e#pli&a el esBue8a desde el pri &ipio &o tus pala-ras? E&+ !&!$o' &-!'+ a $!$o (a "o& a#:-&o' 7-!:o': 1
M! +o"a '! !#K#a % of!'o Ka: e#pli&a a los &o8paIerosCas de &lase e la pi!arra el esBue8a Bue 0as apre dido? Si o te a&uerdas de algo@ puedes pregu tarles a ellosCas para &o8pletarlo? /-'"a$o' *( !""(o&!'9 Ha&er pregu tas a u &o8paIeroCa so-re el esBue8a desde di%ere tes dire&&io es? Por e"e8plo9 M A Bu1 &ualidad perte e&e la alta y -a"a %re&ue &iaO M Por do de se propaga el so idoO Co"oE#o"o: Re&orta8os los &asilleros de uestro esBue8a y los desorde a8os? Va8os a i te tar re&o8po erlos? I&+! "a$;(o *! f("@a': &o ,arios esBue8as 8e!&lados@ sa&a8os tar"etas Bue 0ay Bue i ter&a8-iar 0a&ie do pregu tas al &o8paIeroCa? Solo ga a la %i&0a si &o sigue adi,i ar la pregu ta Bue le 0a&e8os?
1Y. ESPRESIN ESCRITA Pro-are8os uestra &apa&idad para es&ri-ir lo Bue sa-e8os? Para ello@ ,a8os a seguir u a serie de pasos Bue os ayudar; a orga i!ar uestro pe sa8ie to?
M( (*!a favo (+a: elige la idea Bue 8e"or te sa-es y prue-a a es&ri-ir &o u a %rase se &illa? Pero s5lo u a idea@ o te gas prisa e es&ri-ir todo lo Bue te sa-es?
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P! f!""(o&o $( (*!a: La idea Bue 0as es&rito puede &o8pletarse &o 8;s i %or8a&i5 &o8o ya sa-es? Va8os a pro-ar i &orpora do otra idea pero usare8os u a u i5 para Bue o pare!&a dos ideas i depe die tes?
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Co& o *!& 8 "o&"(! +o: Qa est;s preparadoCa para i te tarlo &o todo el esBue8a pero o ol,ides Bue pri8ero 0ay Bue orga i!ar uestra 8e te? Re&uerda Bue ya sa-e8os Bue 0ay ideas pri &ipales o ge erales Bue despu1s so e#pli&adas por las ideas se&u darias? Elige tus ideas pri &ipales y agrGpalas &o sus ideas se&u darias@ despu1s &o ti Ga &o8pleta do la i %or8a&i5 adi&io al? Cua do ter8i es &o u a idea@ usa otro p;rra%o para es&ri-ir otra? Seguro Bue lo &o sigues?
EL SONIDO Ku1 es U a o da 8e&; i&a Bue pre&isa u 8edio 8aterial Fagua o aireA para propagarse de 8odo lo gitudi al? Velo&idad I te sidad C58o es Cualidades
Ti8-re
To o
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De&i-elios
D1-iles :uertes
Gra,es
<a"a %re&ue &ia
Agudos
Alta %re&ue &ia
MIRA
ORGANIZA
LEE
RECUERDA
ESCRI/E
Las plantas son seres aut(trofos2 fa+ri'an sus propias +iomol,'ulas 'aptando la energa del "ol
Los 8i erales del suelo pro&ede de la des&o8posi&i5 de restos de 8ateria org; i&a tales &o8o 0o"as@ 0e&es@ restos de a i8ales@ et&? Por a&&i5 de los des&o8po edores F-a&terias y 0o gosA@ esta 8ateria org; i&a se tra s%or8a e sales 8i erales? 1. ESTRATEGIAS DE LECTURA RPIDA.
$) +aturales %& 'S( ",icens ,ives*
LA EXPERIENCIA DE J. VAN HELMONT (1577-1644) Van Helmont, mdico y qumico flamenco, pens que adems de las sustancias del sustrato, tena que a!er otros elementos que sir"ieran de alimento a las plantas, adems del a#ua y del aire$ %&sequ 1'' (# de tierra en un orno y los puse en una maceta adecuada$ )a tierra se umedeci con a#ua de llu"ia$ *lant un sauce que pesa!a e+actamente 2 (# en esa tierra y la conser" constantemente ,meda con a#ua destilada o de llu"ia sin a-adirle nada ms$ .ap la maceta para impedir que el pol"o contaminara la tierra, slo de/ un a#u/ero para el tronco del r!ol$ 0l ca!o de cinco a-os saqu el r!ol del tiesto y lo "ol"a a pesar1 su peso a!a su!ido a 24 (#$ 3aqu la tierra del tiesto, la pes y o!tu"e un "alor de 44$5 (# apro+imadamente$ *or tanto, la tierra a!a perdido slo unos pocos #ramos y el r!ol a!a aumentado 22 5#$ *ero& 6de qu material se a!an formado los 22 (# de madera, corte7a y races8 3lo se podan a!er formado a partir del a#ua$9 : 6;unto "ari el peso del r!ol en cinco a-os de la e+periencia8 6< el de la tierra8 : =l r!ol a utili7ado las sustancias de la tierra y del a#ua para fa!ricar la del alimento$ 6>u fuente de ener#a a necesitado8 6;mo se denomina este proceso8
*?1? TRAS HA<ER LESDO EL TELTO@ ESCRI<E DOS :RASES KUE RESU>AN DE KUN TRATA EL TELTO EN CADA APARTADO? 1Z7 $Z7
1?$? MKUN SA<SAS O KUN OTRAS COSAS SA<ES DE LA NUTRICIRN DE LAS PLANTASO
2. ESTRATEGIAS DE SELECCIN Y COMPRENSIN DE LAS IDEAS CLAVE. $?1? <USCA LAS IDEAS PRINCIPALES DE CADA APARTADO FCONCEPTOS A Q A>PLSA LUEGO CADA UNA DE ELLAS CON IDEAS SECUNDARIAS? 1?1?MCR>O ES LA NUTRICIRN DE LAS PLANTASO
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*?1? REALIPA UN ESKUE>A CON LAS IDEAS PRINCIPALES Q SECUNDARIAS KUE HAS TRA<A=ADO EN EL TELTO?
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6. ESTRATEGIAS DE MEMORIZACIN Y RECUPERACIN DE LA IN4ORMACIN. /?1? CREA UN ACRRSTICO PARA RECORDAR DE KUN SE ALI>ENTAN LAS PLANTAS?
TRES
PREGUNTAS@
ESCRS<ELAS
RESPONDE
ELLAS
<. ESTRATEGIAS DE EXPRESIN ESCRITA. )?1? A[ADE CONECTORES ADECUADA>ENTE? A LA :RASE PARA KUE KUEDE ELPRESADA
\ utri&i5 &o "u to pro&esos seres ,i,os tra s%or8a susta &ias 8ol1&ulas propias\
Vas a trabajar este tema de Ciencias Sociales siguiendo paso a paso lo que te proponemos: LECTURA: 1. Lectura r!pida. Fjate en los ttulos, palabras en negrita, comenta las imgenes. ". Cuenta a continuaci#n lo que sab$as de lo que dice el te%to& lo que te suena o 'a conoc$as. (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( ((((((((((((((((((((((((((((((((((((((((((((((((((((( ). Lee despacio cada apartado& anota las palabras o e%presiones que descono*cas& posteriormente las buscas en el diccionario ' copia su signi+icado . _________________________________________________________________ _________________________________________________________________ _________________________________________________________________ _________________________________________________________________ _______________________________________________________ _______________________________________________________________ ,. -nterroga al te%to .aci/ndole preguntas: 1. ". ). ,. 0. 1. 0. . A.ora reali*a una lectura general de todo el te%to ' da respuestas a las preguntas del interrogatorio: 1. ". ). ,. 0. 1.
C234RE56E32S LAS -6EAS CLAVE 1. Lee detenidamente cada p!rra+o comprendiendo ' e%presando con tus palabras lo que se dice en cada uno. ". Locali*a la idea principal o t$tulo de cada p!rra+o . _________________________________________________________________ _________________________________________________________________ _________________________________________________________________ _________________________________________________________ ). Completar la idea principal con detalles importantes. Te proponemos un ejercicio en el que tienes que hacer uso de tu imaginacin. Te vamos a dar una idea principal que t vas a completar con unos cuantos detalles importantes que se te ocurran. Recuerda que esos detalles tienen que estar siempre re eridos a la idea principal. !ueden ser argumentos que la de iendan o la desechen" #$%& !R#'(#!&)" Las personas se agrupaban en determinadas *onas de la ciudad seg7n su o+icio u origen. (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( ((((((((((((((((((((((((((((((((((((((((((((((((((((( #$%& !R#'(#!&)" Una +unci#n esencial de las ciudades era albergar +erias ' mercados. (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( (((((((((((((((((((((((((((((((((((((((((((((((((((((((((( ((((((((((((((((((((((((((((((((((((((((((((((((( ESTRATE8-AS 6E 2R8A5-9AC-:5 6E LA -5;2R3AC-:5: 1. Vas a reali*ar a.ora un esquema de lla<es de cada apartado apartado del te%to. %squema de llaves"
). A.ora <as a .acer lo contrario que en el ejercicio anterior& es decir& te damos un esquema ' t7 los con<iertes en un te%to seguido.
TE=T2___________________________________________________________ _________________________________________________________________ _________________________________________________________________ _________________________________________________________________ ________________________________________________________ 3E32R-9AC-:5 > RECU4ERAC-:5 6E LA -5;2R3AC-:5 1. ?uego pro+esor@a ' alumno@a: E%plica a otro compaAero o compaAera de la clase los contenidos del tema. 6espu/s cambiad los papeles. ". Tri<ial: reali*ad en parejas preguntas en tarjetas que depositar/is en un recipiente& despu/s ir respondiendo alternati<amente . ). 8raba el te%to ' esc7c.alo en <arias ocasiones 4rimero con el te%to delante ' luego sin /l. ,. Rellena la +ic.a siguiente sin mirar el te%to '
1
anota con la palabra BECB2 en rojo cuando .a'as terminado cada punto ' .a'as comprobado que est! bien:
1. E# +!,+o + a+a *!# '(:-(!&+! +!$a: 2. E# +1+-#o !': 3. E'+. *(v(*(*o !& #a' '(:-(!&+!' %a +!': 6. La' %a#a; a' *!'"o&o"(*a' 'o&: <.La' ($.:!&!' 5-! !"-! *o *!# +!,+o 'o&: J.V-!#vo a !"o *a !# !'5-!$a *! "a*a a%a +a*o. L.Co& #o' !'5-!$a' *!#a&+! !% o*-0"o !# +!$a o a#$!&+! 8 "o$% -!;o #o 5-! $! fa#+a.
E=4RES-:5 ESCR-TA 1. En pareja con otro compaAero@a& ponle un e%amen de 1 preguntas sobre el tema ' /l@ella te lo pone a ti. Corrige cada uno@a el e%amen del compaAero@a mirando el te%to. ". Comenta las im!genes acord!ndote de lo estudiado .asta a.ora de la casa taller de un artesano ' de las partes de una ciudad medie<al.
El coc!e retorna a la autopista desde un mesn de carretera donde los viajeros !an cenado ligeramente. =os1 Lu+s Sa8pedro NARRADOR INTERNO Pa +("(%a e la 0istoria &o8o u perso a"e 8;s? Se e#presa e % ($! a %! 'o&a P-!*! '! !# % o+a:o&('+a de los 0e&0os o si8ple8e te u testigo?
>o, pobre miserable 'obinson +rusoe, despu#s de !aber naufragado durante una terrible tempestad, llegu# a esta desdic!ada isla, que llam# isla de la /esesperacin. Da iel De%oe Lo' %! 'o&a7!'? So los seres Bue reali!a las a&&io es? SegG su papel e la 0istoria@ se &lasi%i&a e % (&"(%a#!' y '!"-&*a (o'? E tre los pri &ipales desta&a el % o+a:o&('+a@ Bue lle,a el peso de la a&&i5 @ y el a&+a:o&('+a@ Bue se opo e a 1l? La + a$a? Es el &o "u to de a&&io es y a&o te&i8ie tos Bue se desarrolla e la arra&i5 ? Estas a&&io es se sitGa e u tie8po y e u espa&io@ Bue &o stituye el $a "o &a a+(vo ?
S-;:2&! o' &a a+(vo' !& % o'a Casi todas las o-ras arrati,as se &o8po e a&tual8e te e prosa? A &o ti ua&i5 se e#po e algu os de estos su-g1 eros? E# $(+o Los 8itos so relatos surgidos e las &ulturas a tiguas &o el %i de dar u a e#pli&a&i5 a &uestio es aturales@ religiosas o e#iste &iales? Los 8itos puede tratar so-re te8as ta di,ersos &o8o el orige del U i,erso y de los seres 0u8a os@ los %e 58e os aturales@ las 0a!aIas de dioses o 01roes???
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Los 8itos &a"!& v(&"-#a*o' a #a' " !!&"(a' !#(:(o'a' de u pue-lo? De a0+ Bue sus protago istas sea &o %re&ue &ia dioses o 01roes re,estidos de atri-utos so-re aturales? El &o "u to de 8itos &ara&ter+sti&os de u a deter8i ada &ultura se de o8i a $(+o#o:1a.
La #!8!&*a
Las leye das so relatos tradi&io ales e los Bue se re&oge a&&io es o su&esos e#traordi arios de "a ."+! fa&+.'+("o Bue se prese ta &o8o si real8e te 0u-iera o&urrido? Las leye das surge &o8o relatos orales Bue se di%u de de ge era&i5 e ge era&i5 e tre los 8ie8-ros de u a &o8u idad? Su %i alidad es e#pli&ar la e#iste &ia de u deter8i ado 0e&0o rele,a te? E# "-!&+o El &ue to es u a arra&i5 ; !v! de @!"@o' f("+("(o' Bue@ a di%ere &ia de lo Bue o&urre &o el 8ito y la leye da@ &o '! +o$a& "o$o !a#!'? El &ue to es u su-g1 ero 8uy &ulti,ado? Hay &ue tos Bue perte e&e a la tradi&i5 literaria y se ,a tra s8itie do por ,+a oral de ge era&i5 e ge era&i5 @ es el &aso de +aperucita 'oja@ Alancanieves??? La &ov!#a La o,ela es u a arra&i5 literaria !,+!&'a es&rita e prosa? La o,ela se disti gue por su "a ."+! a;(! +o y su &apa&idad para i &luir ele8e tos di,ersos e u !#a+o "o$%#!7o? Este &ar;&ter a-ierto o%re&e al autor u a gra li-ertad para i &orporar perso a"es@ i trodu&ir di,ersas 0istorias al 8is8o tie8po@ prese tar los 0e&0os e u orde disti to a aBuel e el Bue se supo e Bue se produ"ero J Todo ello da a la o,ela 8ayor &o8ple"idad Bue la Bue prese ta los de8;s su-g1 eros arrati,os? E tre las o-ras 8aestras de la o,ela u i,ersal desta&a el 6uijote@ de >iguel de Cer,a tes?
1. LECTURA RPIDA? Reali!a u a le&tura r;pida Fle&tura de los t+tulos@ pala-ras e egrita@ de la pri8era %rase de &ada p;rra%oJA@ luego se &o8e tar; oral8e te y e grupo las ideas pri &ipales del te#to? Para ello a ota aBu+ las ideas pri &ipales le+das?
2. LECTURA COMPRENSIVA9 2.1. VOCA/ULARIO9 Es&ri-e el sig i%i&ado de las siguie tes pala-ras o e#presio es9 7 prosa9 7 Los 8itos a&e ,i &ulados a las &ree &ias religiosas de u pue-lo9 7 su-g1 ero 8uy &ulti,ado9 7 poder de e,o&a&i5 9 2.2. E'" (;! #a' (*!a' ($%o +a&+!' *! "a*a ;#o5-! *!# +!,+o: Las arra&io es de %i&&i5
El 8ito
La leye da
El &ue to
La o,ela
7 7
7 Ku1 es
7 Ku1 es
7 Ku1 es
pri8era
Bue
se
7 A tago ista
7 Perso a"e
7 Perso a Bue relata los 0e&0os e perso a? 6.2 U+(#(0a -&a !:#a &!$o+2"&("a %a a $!$o (0a '-;:2&! o' &a a+(vo' !& % o'a v('+o'.
ter&era
6.3 E#a;o a % !:-&+a' "o +a' 5-! (&"#-8a& "o&+!&(*o *! +o*o !# +!,+o. L-!:o % !:F&+a'!#a' a -& "o$%aH! oKa.
<. ESTRATEGIAS DE EXPRESIN ESCRITA: <.1 Co&+!'+a %o !'" (+o #a' % !:-&+a' !#a;o a*a' "o& a&+! (o (*a*.
EL TRANSPORTE DE NUTRIENTES EL e INTERIOR LA PLANTA. Co8o ya 0e8os di&0o a LOS tes@ la %otos+ tesis se EN reali!a las 0o"as@ DE pero toda la 8ateria org; i&a Bue se ela-ora e las 0o"as de-e llegar a otras partes de la pla ta@ &o8o a las ra+&es y los %rutos? Por esto ,a8os a estudiar &58o se reali!a ese tra sporte por el iEL terior de la pla ta? DE LOS NUTRIENTES EN EL INTERIOR DE LA PLANTA. TRANSPORTE 1(?7 Se %or8a u l+Buido lla8ado SAVIA /RUTA@ Bue est; &o8puesto por agua y sales 8i erales Bue DE las ra+&es 0a re&ogido del suelo? EL TRANSPORTE LOS NUTRIENTES EN EL INTERIOR DE LA PLANTA. $(?7 La SAVIA /RUTA &ir&ula desde la ra+! por toda la pla ta de tro de u os tu-os lla8ados #!Ho'o' 0asta llegar a las 0o"as? *(?7 Cua do la SAVIA /RUTA llega a las 0o"as@ u a parte del agua Bue lle,a-a sale al e#terior a tra,1s de los esto8as? A este pro&eso se le lla8a + a&'%( a"()&. /?7 Se %or8a u l+Buido lla8ado SAVIA ELA/ORADA Bue est; &o8puesto por las susta &ias org; i&as Bue 0a &aptado la 0o"a dura te la %otos+ tesis? )(?7 La SAVIA ELA/ORADA &ir&ula desde las 0o"as a todas las partes de la pla ta por u os tu-os lla8ados #(;! (a&o'. 3(?7 La SAVIA ELA/ORADA se al8a&e a e los %rutos@ ra+&es@ tallos y se8illas?
1. ESTRATEGIAS DE LECTURA RPIDA: 1?1 Es&ri-e u a %rase7resu8e so-re las ideas pre,ias Bue 0as o-te ido de la le&tura r;pida del te#to? MDe Bu1 trata el te#toO
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1?$ A ota las pala-ras Bue &o sideres 8;s i8porta tes?
2. ESTRATEGIAS DE SELECCIN Y COMPRENSIN DE LAS IDEAS CLAVE $?1? VOCA<ULARIO9 Es&ri-e el sig i%i&ado de los siguie tes &o &eptos@ si puedes utili!ar el di&&io ario? Sa,ia -ruta9 Sa,ia ela-orada9 Tra spira&i5 9 Tu-os leIosos9 Tu-os li-eria os? $?$? PRRA:OS DEL TELTO9 Es&ri-e el t+tulo y las ideas 8;s i8porta tes? o lo sa-es
TSTULO9
Sa,ia <ruta
Sa,ia Ela-orada
3. ESTRATEGIAS DE ORGANIZACIN DE LA IN4ORMACIN: *?1? REALIPA UN ESKUE>A CON LAS IDEAS PRINCIPALES Q SECUNDARIAS DEL TELTO9
6. ESTRATEGIAS DE MEMORIZACIN Y RECUPERACIN DE LA IN4ORMACIN: /?1? Ela-ora u a &ade a para re&ordar los pasos del tra sporte de los pla tas9 utrie tes e las
/?$ A0ora eres tG el pro%esor y tie es Bue e#pli&arle a otro &o8paIeroCa de la &lase lo Bue 0as puesto e tu esBue8a? Para ello di-u"a u a pla ta e i di&a e ella los &o &eptos 8;s i8porta tes?
/?*?7 Elige la op&i5 &orre&ta9 La %otos+ tesis se reali!a e 9 aA La 0o"a? -A La ra+!? &A La se8illa? La sa,ia ela-orada est; %or8ada por9 aA Agua y sales 8i erales? -A Susta &ias org; i&as? &A Tu-os li-eria os? Los tu-os leIosos9 aA Es por do de &ir&ula la sa,ia ela-orada? -A Es do de se reali!a la %otos+ tesis? &A Es por do de &ir&ula la sa,ia -ruta? La sa,ia -ruta est; %or8ada por9 aA Agua y sales 8i erales? -A Susta &ias org; i&as? &A Tu-os leIosos? Los tu-os li-eria os9 aA Es por do de &ir&ula la sa,ia ela-orada? -A Es do de se reali!a la %otos+ tesis? &A Es por do de &ir&ula la sa,ia -ruta?
/?/?7 Rela&io a9 7Esto8as? 7Tu-os li-eria os 7SAVIA <RUTA 7Tra spira&i5 ? 7>ateria org; i&a? 7 SAVIA ELA<ORADA 7Tu-os leIosos? 7Agua y sales 8i erales?
/?)?7 Co8pleta los siguie tes e u &iados9 7 La TTTTTTTTTTTTTTT es el pro&eso e el Bue parte del agua Bue lle,a-a la sa,ia -ruta sale al e#terior por las 0o"as a tra,1s de los TTTTTTTTTTTT? 7 Toda la 8ateria TTTTTTTTTTTTTTT Bue se ela-ora e TTTTTTTTTTTTTTTTTTT? 7 La TTTTTTTTTTTTTTTTTTTTTTT &ir&ula desde la ra+! por toda la pla ta 0asta llegar a las TTTTTTTTTTTT? 7 La TTTTTTTTTTTTTTTTTTTTTTTTTTTTT &ir&ula desde las 0o"as a todas las partes de la pla ta? las TTTTTTTTTTTT de-e llegar a
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