ChameleonBusinessPlan TABLEOFCONTENTS: I.Introduction A.PremiseofChameleon B.Chameleon:MissionStatement C.Chameleon:ExecutiveSummary D.Chameleon:ObjectivesandGoals E.Chameleon:MantrasandManifestos II.TheProduction A.Chameleon:TheCreator B.Chameleon:FilmandTheaterRights C.Chameleon:OrganizationSummary D.Chameleon:Programming E.Chameleon:StartupSummary F.

Chameleon:FundraisingSummary III.SynopsisofChameleon IV.ProductsandServices V.MarketAnalysisSummary VI.StrategyandImplementation A.FundraisingStrategy a.Events b.Milestones B.MarketingStrategy a.PromotionalStrategy b.Content c.Creative C.DigitalAdvertisingStrategy a.Brand b.Content c.Audience d.InnovationandIntegration e.SocialMedia VII.WebPlanSummary VIII.StateofPlay

A.Chameleon:ManagementSummary B.Chameleon:PersonalPlan C.Chameleon:PropsBreakdown D.Chameleon:SetDesign E.ConceptoftheTheaterExperience F.ConceptoftheFilmExperience G.ConceptoftheVisualExperience IX.FinancialPlan A.Chameleon:BudgetBreakdown B.Chameleon:ImportantAssumptions C.Chameleon:BreakevenAnalysis D.Chameleon:ProjectedSurplusorDeficit E.Chameleon:ProjectedCashFlow F.Chameleon:ProjectedBalanceSheet X.Appendix A.CompanyBiographies B.IndividualBiographies C.FundingForecast D.PersonnelPlan I.INTRODUCTION PremiseofChameleon Chameleon combines the artistry of stage, film, puppetry, and dance in a story thateducates how we become the person we are in this universe through our many reincarnations. It talks about the acceptance of love even after death because love is more potent because even in death, you are still in the memories of those who keep you alive. It also reaffirms that we are born with a twin soul and everyone in this Earth was born with a partner that helps on this journeyofselfdiscovery. Twinflameswillneverdiebutliveonforeverthroughunboundtime. Nicholas Osborne and Savannah Lancaster have a transcendental experience as the twin flames are put under hypnosis conducted by the guise ofClementine.As the flames awake in interim,ClementinetakesthemintoPurgatoryinorderrevealto theloverswhatwouldhappen to them if they never reconnectin thislifetime to mend thekarmasofthe past.Theloversstruggle to find their existence in reality as they escape the fantasies awaiting for their dreams to manifest. Clementine, anenlighten slave connected to the lovers, guides them down the levels of purgatory revealing them the answers to their karmic offering. The lovers are in Purgatory healing theirsoulsfromthe past. Clementine showsthemhowrealitywillbeiftheynevermetat all as a result of theirkarmic disconnection. In the end, Clementine finds theway to thelightas

sheisreadytoascendforshebreaksthecursethattiesNickandSavannahtogether. For both Nicholas and Savannah, they become anunbearablecursetoeachother. Savannahis confinedtotheconfusionofwhatishumanlyrightorwhatisspirituallymanifesteddestiny. During the lovers evolution of universal love, Clementines four parables: The Curse of St. Clementine, Confessions of the Angry God, Under the Canvas Skies, and The Crescents Crusade, reveal theanswers to questions Nicholas and Savannah havebeenstrivingtothefind the answers to. Their curse of love comes from what is right to the world and what is right to them. The answerslieintheevolutionoftimeandspaceandthetangibleemotionsthatcollide in them. Chameleon fusesballet and other dances with space imageries to create the dream world that unitesthesoulsofNicholasandSavannah. I.INTRODUCTION ChameleonMissionStatement To heal old wounds of the past, one must learn let go of all the things that hold us back. The central themes of Chameleon are theknowledgeofbirth, death,andthemeaningofcarpediem. In this narrative piece, the catharsis of letting go to all the fearsinsideenablesustoredirectthe retrogative ties that stops us from ascending from the Purgatory we live in. In essence, our imaginary perception offears is what delaysusfromunderstandingallthethingswelivebehind. As a society, we have been conditioned to believe that there isnothing beyond death andthat notionhasforcedmanytofeardeathitself. In the world of Chameleon,it isselfevidentthatinordertobe bornagain,onemustdieandbury the old fleshandbones into the ground. Death is the symbolofrejuvenationanditiskey tonote that it is not to be seen withtrepidation. The meaning of death does not constitutein amortality lost but a key to the fifth dimension of a circular existence. Chameleon explores the fivestages of Purgatory throughout the show as Clementine, the narratives mediator whose own ulterior motives is at the progress of the twin flames, Nicholas Osborne and Savannah Lancaster. Clementine teaches the mates that we live in a circular life cycle as oppose to linearity. Our souls are etheric incarnations capable to have multiple lives in alternate universes for which is called circular life cycle. Therefore, we are simultaneously living a past, present,andfuture life. The story encompasses not to fear death for love is more potent than death itself. The only certainty for the born is to die and to die we must be reborn. If we die without living then you never existed.Whenyourememberandrespectthepassedonloves,thantheyliveinmemories foreverthushavingeverlastinglight. All of our lives, the entanglements of the physical manifestationsaround us makes it harder for us to let go of all that we need to leave behind in order tocome in one with our highest being. Through tidal retrogrades and remnants of uncleared karma, the souls of the living dread the

drearyaspectsoflifeoutsideoftheworldtheyhavegrowncomplacentto. Chameleon evokes thejourneyoftwinflamestakinganExodustotheplanesofPurgatory tofind the answers of theirexistence.Thetwinflameslearnthateverythingtheyhavedoneintheirlives is by happenstance and not a mere coincidental notionofserendipity.Theytraveltothedeepest levelsoftheirmindthroughaguidedhypnosisperformedbytheirsharedguardian,Clementine,a deceased slave, travels down to Purgatory with the modern incarnations ofVictor and Miranda Payne, theloversshe cursed to reincarnate untiltheylearnedhowtoforgotheirtraumasoftheir first life. Clementine herself has not been able to release her soul for she needs to make amendswiththoseshehurt. Chameleons true testament is the visceral realities of being confronted with your own immortality and the actions we do withthetimegiventousisthe causeandeffectofourcourse in action. Everything in lifeis a domino effect thatleavesapapertrailbehind.Whatwedointhis lifetimewillbecarriedontothenext.Inlife,youreapwhatyousow. Chameleons mission is to provide cultural entertainment alternative much seen through commercial and mainstream arts while celebrating the artistic achievement of individual independent artists by nurturing their various talents and and marrying them in the sweeping escapade that is Chameleon, the transmediaexperience.Throughthis,theteamishardatwork promoting the art of cinema, theatre, literature, dance, music, and technology through a comprehensiveweavingreadytobeshowcased aroundtheworld.ThemaingoalforChameleon is topremiere itat theBroadwaystageinNewYorkwheretheart connoisseursaroundtheworld enjoythegenesisofexperimentaltransmediaworkonthebiggeststageonEarth. Chameleon is a transmedianarrativethatjuxtaposesthecomponentsofdance,film,music,and stage into a 90 minute transcendental thrill ride. The message of this show is to expose the beauty of karmic confrontations that determine the levels of ascension to a paradise fargone from the purgatory we reside in. Purgatory is a very realhomeinthisstory.Itistheplacewhere we live in when we mend the wounds of the past life to reincarnate in a new cycle ready to correctthetransgressionsthathavebeenbornwithus. Chameleon will becomethebaseforartsappreciation forawidespectrumoflocal,national,and global cultural communitiesandparishioners alike. The production teamthrivesinthenecessity to cooperate under the sentiments of inclusion, respect, and joy through the achievements of membersoftheclanthatfocusesonthedevelopmentofcreativityandideas. Chameleon has the power to reach a wide audience because of its paranormal and literary influences. Chameleon beautifully weaves classic, modern, and electronic music to create the ambience that connects the stories ambitious juxtapositions of stage,dance, and film. Inspired by such classics as Dantes Divine Comedy, Samuel Barbers Adagio for Strings, and film sequencesfromFred Astaires The Bandwagon and Gene Kellys Singin intheRainBroadway MelodywithCydCharisse,ChameleondefiesGoliathproductionsinthedigitalage.

The power of Chameleon is that is the beacon of hope for projects championed by the crowdsourcing world. It becomes a wonderful pay it forward effect for which the fans and audience members partake in founding your particular project.Theshowhaspowertogenerate fansinrapidsuccessionwhichwelcomesthenotionthatshowhaslegs. The goal we have for this show is to first present this project in its birthplace, Miami, Florida, through a series of fundraising events that will lead up to thefirst performance of the project in the summer of 2013. We are inviting investors, nonprofit organizations, theater goers, upincoming celebrities, and pressandmediatocometothe eventinordertosparkawareness to the project.The penultimate goals for Chameleon is to tour it selectedcities with a series of concert venue shows and and gallery performances while cultivating the world that is Chameleon with various emerging artists around the world. With that, we want totakeittoNew York and have it workshopped before producing an investors and press only preview of the show. The ultimate goal is to see this project thrive on the Broadway stage with a successful touringcompanyperformingthematerialaroundtheworld. The way we can get there is through awareness and media exposure in artsdriven cities such as Miami, Los Angeles,NewYork,andSanFrancisco.Captivating thesecitiesthatareenriched with art connoisseurswill bring theright amount of artists to promote and join theChameleons experience.Thetruekeytothisprojectslongevityistheworldshungerforagreatawakening. We are entering an age of enlightenment in which people want to break through the fifth dimension and locate their higher selves. Only then, we can understandthat life is a series of cause and effect actions for which everybody is responsible. We are all connected in this evolutionary chain and what Chameleon exposes are how one insignificant moment can becomethecatalystfortherestofourexistence. Chameleon is amilestoneintheworldofstage,music,dance,andcinema.Itisthetestamentof unbridle love that transcends the realms of reality. Love and sacrifice are the two elemental vehiclesforthenarrativesgroundbreakingtransmediaexperience. I.Introduction:ExecutiveSummary Chameleon is an allegorical tale of twin flames taking an Exodus toPurgatorydiscovering their purposes in lifeinthelivingyears.TwinFlames(thephenomenoninquestion)isthehumansoul that has the mostvibrating soul match connected to anotherperson.Together,theyformasoul family beyond the etheric body, whichisthethirdlevelof developmentalphysiquewehavewhen we are conceived before astral, mental, spiritual, emotional, and physical life form takes place. Twin Flames meet before they decide to incarnate to plan their lives out and meet in the physical. Many people who are not aware of this start experiencing an intense increase in precognitive dreams, hallucinatory visions, and clairvoyant predictions that surround the Twin Flameexperience.

Many of the twin flames are not ready to even meet and realize the realities ofwhy they have been sent to this Earth unfulfilling their missions on Earth. Earth is just base for the Flames to experience grounding techniques and recharge their batteries for their higher beam purposes. The reason why most twin flames (one or the other) decides not not meet is that thevibratory changes in our molecular bodies become soheightenedandstrongthatcosmicvibrationsbring forthatsunamiofemotions.Thefeelingsbecomeoverwhelmingandsomepeoplearenotready. The reason being is that in order to be at the glory of ones counterpart, which extends well beyond the physical romantic relationship, is completesurrenderingofonesself.Onceonecan be complete with oneself, the guides can easily repair any karmas that havebeen manifested. When we can transform into the manifestation that we wereborntodo,ourphysicalitychanges aswell.Webecomelivingembodimentsofempathicbliss. Because the project is an ambitious and driven production, we are seeking funding for initial startup expenses to be used to help pay the dancers, actors, producers, filmmakers, set designers, makeup artists, costume designer, musicians, marketing team, and graphic designers to help createthe transmedia effect. We also seek tofundbuildout,rent,equipment, andinitialcashtohandlethefirstfewmonthsofexpenses. Belowisalistofwhereyourmoneywillbeallocated: Props StageEquipment MarketingandBranding SetDesign LightingEquipment PaymentofCastandCrew Costumes Publicity Merchandise

Our annual revenue will continue with a combination of memberships,ticketprices,admissions to programs, productandservicessales,fundraisingactivities,andbrandandmerchandise.We have already formed several strategic alliances with various organizations and businesses that will help or have helped tomake the travelling theatreshowanexperiencenevertobeforgotten. DuringthefirstyearoftheChameleon,ourbusinessgoalsareinfivemaincategories: 1. Openingthespacesuccessfully. 2. Generating earned revenue from a combination of ticket sales, product and service sales,andadditionalfundraising. 3. Keepinggrossprofitmarginshigh. 4. Raising substantial percentages of revenue from grant sources to develop and maintain membershiplevel.

5. Includingoutreachasamaingoaltoincludevariousaudiences. Chameleons mission is to create a riveting love story about twin flames concurrently reliving their lives in alternate realities inthishighoctanetransmedia experience.Inordertofullyengage the audience in the multidimensional storytelling odyssey, the creators of Chameleon have woven the worlds of theatre, film, technology, and dance together and have merged it with the concept of taking this transmediaproduction onanationwidetourinamobiletheatreexperience that resembles the glory years of Cirque du Soleil and Vaudevillian shows of the late 19th and early 20th century. Our goal is to build an art installation mobilestagethatwillbeenhancedwith LED lights, flat screen projectionsinveinofthemovie theatreexperience,andatravellingtroupe of skilledandprofessionalentertainersincluding MiamisownMercuryWolff,SwanGanz,andthe dynamic Kikimoramix (a circus, theater, and burlesque production). The kaleidoscopeof visual arts come alive with the scriptednarrative of Jennifer Brigittes world of transitory love thatlives foreverinunboundtime. Key areas of our marketing strategy include membership development, development of the Founding Circle, the official Chameleon Newsletter and other direct mailings, telemarketing, onsite marketing of Chameleon products and services, targeted advertisements, general listings, the website, radio and Public Service Announcements (PSA), flyers, programs, and brochures,thedatabase,andpresscontacts. Chameleon has begunan extensive fundraising campaign toprovideinitialstartupcostsforthe traveling theatre troupe. Each area of need will be strategically matched with a potential donor, starting with construction costs and ending with festival grants.Theareasoffundraisinginclude the Startup Donor Drive, grantdevelopment,fundraisingevents,hiringfundraisingprofessionals, andsponsorshipagreements,aswellasresearchofotherfilmandtheatrefestivaloperations. Chameleons website www.?.com will be an example of the creativity and style for thetheatre, film, technology, art, and dance societies. The website will have strategic directional links onall pages to lead to the purchase of tickets, merchandise, fundraiser, and uptodate news of the new theatrical production. Chameleon will also be linked to various viral marketing website attached to the brand that will keep an active interaction with audience. Alongside an official Chameleon blog, the production will have official social media sites torevitalize thefanbase. In order to venture out and find fanbases, the stories of our Chameleon lovers will be send to various publications, all of which will be linked to our website. All of these sites, including merchandiseandpromotions,willmutuallybenefitbybeinglinkedatmanystrategicpoints. Our core target for the Chameleonis the type of person who appreciates the arts, whether itis theatre, cinema, music, dance, or visual arts, and is interested in an alternative to the commercial offeringsoftheirconcertentertainmentexperience.Thiscoremarketexistsinallthe categories of our main markets, as described in detail in the Market Segmentation section, and our target markets are based onthebiggestpercentagesofthepie,butwewouldliketodevelop the smaller percentages of the pie also, so we are targeting certain markets to develop that

support. With our singular focus to composite the related arts, we have a solid direction to align our production with the top touring management in order to enhance our cinema and theatre arts presentation across the nation. For Chameleon to achieve this, the fellowship behind this production willturntoconcertsponsorshiptohelpinvestinourbrand.TheideaforChameleonis to seek outvenuesthatwillhosttheexperimentaltheatreshowonthecrosscountrypromotional tour. The first yearofChameleonwillbepreviewsinselectedcitiessuch asMiami, LosAngeles, San Francisco, New York, and Chicago that will introduce the nation to this neoVaudevillian spectacle. In addition to touring nationwide, beginning early 2014, executive producers Jennifer Brigitte and Heather Perez will be unveiling the art installation at Burning Man 2013, the MacDowell Colony residency, and as of January 28,2013, wewill beofficiallytakingChameleon overseas in Slovenia from mid September till late November as part of DClinic Art residencyin whichwewillpreviewChameleoninEuropeansoilforthefirsttime. In order to afford the adventuroustouringexperience,theexecutiveproducersofChameleonwill approach potential sponsors like beverage companies that will ensure the optimum advertisement with the correctPR,brought to you by Rock It Lab. Therefore a marketing focus will be on these benefits of participating in the Chameleon. We willalso seek financial theatre grants from organizations suchas the JamesL.Knight Foundation,BurningMan,andThePuffin FoundationaswellcrowdfundingthroughIndiegogo. The chartbelowshowsthesufficientgrowthofnetworththatwillensureastablefinancialincline for the next three years. As thebusinessplanandpresskitcontinuetodevelop,wewillcontinue toshowourestimatesmonthlyandyearly. I.INTRODUCTION ChameleonObjectiveGoals Like every project, Chameleon is crafted with a high level of sensitivity andcompatibleregardto reach the the goals that will bypass this project from Miami frontiers to become a global sensation. Here are the business goals that our crew have to obtain for this project through short,mid,andlongtermgoals. SHORTTERMGOALS: These are goals the production crew of Chameleon will obtain in our first year as we embarkonthisjourney. Create a Miami conscience awareness through booked events starting on December and hitting the firststrideinthesummer2013.OurhopeistopremiereChameleonatthe Manuel Artime Theater in 2013 before we embark on our journey to New York in Fall

2013. The Chameleon crew will be sending out proposals to organizations and sponsors to help fund the future shows and mini tour. We are teaming up with Rockitlab to help create our social mediapresence and help expand onthebrandsofthefellowmembers oftheChameleoncrew. We will be sendingout the official electronicpresskittorenownedmusicians,artists,art companies, and investors to get funding forsuch anendeavor.TheEPKwillbeavailable through Blurbs ebook app that will allow the prospecting investor to buy and view our app. The app cost $9.99. The money from the app will help generate revenue to our production funds. Even ifonedecidestopass ontheproject,thegenerosityofbuyingthe app is enough. The app will contain a video commercial of our viable product,thepress kit,images suchasposterandlogo,andsneakpreviewof threerecordedtracksfromthe official Chameleon soundtrack featuring Miami artists Mercury Wolff, SwanGanz, and KevinKage. Request meetings with potential investors through coordinating an investor only reading oftheshow. As ofFebruary2013,wewillofficiallygointopreproduction ofChameleonsavantegarde film project. The film will beatthehelmofHeatherPerez,theface ofMercuryWolff. One of the prominent short term goals is to send the the piece to Sundance Film Festival 2014 under their newcategory,theNewFrontier.Ourvisionisto seekdistributionandbe abletoopenthefilminmovietheaters. We seektoobtaingrantsfromreputablefoundationssuchastheJamesL.KnightCenter and Burning Man 2013 to showcase our art installation. We hopeto enterresidenciesin Europebytheendofnextyear. We seek to obtain endorsements from brands like Cupcake Vodka, Bacardi and from celebritiesthankstoRockitlab. Chameleons visionistoraiseover$10,000throughcrowdfundingalonewhichhelpswith theApril27,2013event.

LONGTERMGOALS: Even though all the artists involved with Chameleonwill have other projects soon,this avante garde centerpiece of modern transmedia art have long term goals we seek to obtaininthenexttwoyears. Attend project meetings with potential investors. Fly out to cities to speak to artists, musicians,globalbrands,anduniversitieswiththeprojectsbusinesskitonhand. BeginChameleonsworkshoppingprocessinNewYork. Collaborate with the New York City Ballet to become the hosting partiesfor the shows stagedancersandactors. Hostaninvestorsandpressonlyproduction(OneNightOnly)inNewYork. PresenttheshowatRadioCityMusicHall.

HaveartexhibitsinNewYork,LosAngeles,andSanFrancisco. HaveaminiUStourasacitytocityexpansion. PremieretheprojectatfestivalssuchasSundanceFilmFestivalandtheFringeFestival. ObtainanoffBroadwaytheaterandopentheshowforasmallrun. Open the showon the Broadway stage alongside thegreats such as Wicked, The Lion King,andCompany. OpenaresidencyatLosVegasatoneoftheirsprawlingtheaters. KEYSTOSUCCESSFORCHAMELEON: Production Quality: We have a duty to uphold with the Chameleon brand that any material we release under our name is to be of the very best quality for those who will investinus,whetheritiswiththeirmoneyortime. Implementation of Business Structure: Every authorized delegate in the Chameleon brand has the task to delegate to their teams theirdutiesinordertocoordinatetheirjobs tomakethisprojectsuccessfullyhappen. Marketing: The Chameleon brand has the duty to create and uphold the stipulations in themarketingcontractinordertobringawarenesstothisproject.

I.INTRODUCTION ChameleonManifestoandMantra MANIFESTO: WEBELIEVEinthepowerofbeing. WEBELIEVEinintuition. WEBELIEVEinloveafterdeathandthatdeathisnottheendofallbeing. WE BELIEVE that dreams are past experiences brought back to our present tohelp us withourfuture. WE BELIEVE in the notion to venerate who we used to be and toforgiveourselves for pasttransgressions. WEBELIEVEwechangeourskinstohealoldwounds. WE BELIEVE in infiniteloveandthepowerthateverysoulhasatwinflamesearchingfor therighttomanifest. WEBELIEVEinthepowerofCHAMELEON.

MANTRA: The dreamland lovers skins change like the skin of the chameleon that crawls on the floor, welcomingthemtothenewworld.Thenexttimetheywillbe seen,they willhavethetoolstofight one more war and it will be up totheir adherenceifthey winoronegoodkicktothebeginningof

the rest of their lives. Together, nothing could tear them apart, not even a world full of ghouls readytognawattheirmysteriousskins.CLEMENTINE II.THEPRODUCTION Chameleon:TheCreator The principal writer of Chameleon is Miami playwright, screenwriter, actress, and event coordinator Jennifer Brigitte. When Brigitte first conceived the story of Chameleon, it was the summer of her impendingJunior yearof high school. She was enrolled in Westwood Christian School, a religious Southern Baptist institution, where the ideas of reincarnation and karma where strictly prohibited and Buddhist beliefs were viewedascosmichumanism.Itwasstrange to Brigitte that theydisapproved the notion of karma yet theywould teachtheproverbofreaping what you sow. This very concept is in fact karma but at last, the system of retrogrades and Sagan's cause and effect theory was not enough for them to see just how similar various religionsare. At the age of 16, Brigitte jotted down ideas for this reincarnation story. Thestory was going to produce11differentlifetimesinfourdifferentperiods. Here is an excerpt of what the 16 years old Brigitte conceived in her bedroom one rocky afternoon: PLOT: Through the periods of fantasy and reality, doomed lovers foragethrough their livesto be with one another. They are tantalized at touch for when the weave theirspells they depart from the world. A curse of fate pulls them backtogetheronlytoseparatethemat sporadic timing. They are sunk in whirling dimensions. Their old bodies cover thesoil between the grasses only to know that their souls do not rest. They travel along with time.Theirsoul reincarnatesinunusualfacesandtheirloveisageless.Asthe fireburns bright, the curse does not die. Inwhatevercircumstancestheyfallinto,Todeathdous apartfightstheurgesofthebodiesofdesire. ORIGINALLOVERS: Set in the Bible times, a thief is in prison for high crime and treason. The thief is too loyal and proud to snitch against his alliance. The Roman soldiers hire a conceited deceitful harlot to romance him. The harlotandthethieffallinlove.Heischainedtothe pillars and thrownknives andspearsbytheRomansoldiers.Theyoungwomanisforced to watch his cruel death. She was put on trial and convicted on that same day. Shewas beheaded. FANTASY:

Interweaving the four classic fairytales and giving them their dark tones. The fairytales are restored to their ideal creations. The fairytales used are Hans Christensen Andersons The Little Mermaid, and the Brothers Grimms Rapunzel, Cinderella, and SleepingBeauty. PERIODICALS: During the Egyptian era, pharaohs daughter falls in love with a Hebrew slave. They were both killed in a sudden attack. In the 1800s, pirates sail across the Atlantic in a stolen ship out to findgoldintheseaacaptive falls intorridlovewithherkidnapper.In the early 1900s,duringtheearlysilentfilmdaysofHollywood,astarletintherise meets a troubled but wealthy man. They engage in a scandalous affair thatrocked Hollywood but in the midst of the controversy, the rising star and her beau become internationally celebrities in their tragic and mysterious deaths. In the late 1930s early 1940s at the peak of WW2, a young wife and mother nurses the dying soldiers of the war. Her husband is airlifted from the battle ground andsendto thesmallhospitalwherehiswife is at. He dies in her care at theeyes of theiryoungtenyearsoldson.Themothertakes her son to undisclosed apartment building and starves him todeath. The widow drinks herselftodeath. MODERN: A widow is a nun after her husband dies tragically in a plane crash twenty years ago. Ever since her husbands death, she devoted her entirelifetoGod.Herhusbandisthe only man she has ever mate with. In her solidarity, sheconfideswithatenyears oldboy who is her husband. They embark in a religiously immoral affairthat shocks the world. The young boy tragically dies in a pool. The nun commits suicide while the priest performstheyoungchild'seulogyearlySundaymorning. FUTURISTIC: Kidnapped in 2030, a young interpreter knows too muchwhenthemanshetriestosave fallsinlovewithher.Thetworunagainsttimeastheyarechasedbytheirkidnappers. ENDOFTHEIRREINCARNATEDSOULS: The story continues to take place in the futuristic era. Their purpose is complete Obviously they need to be together because theplot refers it. Alsotheyneedtogetrid of the bad karma and the people killing them. The only way toendtheireternaltravelis todefythecurse. ELEVENDIFFERENTSETTINGS: 1.Originallovers 2.Rapunzel 3.Cinderella

4.SleepingBeauty 5.TheLittleMermaid 6.Egyptianera 7.Piratesera 8.GoldeneraofHollywood 9.WW2era 10.TheNunandthealtarboyera 11.Futuristicera Brigitte was a peculiar teen with a penchant for ambitious storytelling but at last, nothing ever came of it. It was July 2005 when she typed this original concept. As time passed by, Chameleon was a distant memory. She never wrote that script. Three years later, on February 2008, the second incarnation of Chameleon was born. Thisincarnation of the project was very different. She was heavily inspired by Disney films. When Brigitte was growing up,WaltDisney was her inspiration. She grew up watching his films and learned the art of detail and scene design. The first film that opened her eyes to the world of films was Disneys 1989 classic The Little Mermaid. When The Little Mermaidwas released, it had been 23 years since the death of the companys founder and patriarch. After his death on December 5, 1966, the company saw a decline in the quality of its films and in their box office receipts. Beforethe1960s,thecompany retired its use of hand ink cells and segued into the art of xerography which debuted with the successof101Dalmatians. In 1989, the tale of the feisty red headed mermaid with the voice of an angel and a rebellious streak opened at the multiplexes and it was the first Disney fairy tale to be produced since 1959s classic Sleeping Beauty. Brigitte was four when she discovered Ariel for the very first time. She identified with the mermaid who dreamed of something much more than a life of anonymityinthegreatwaters.Shewantedtoexplorewhatwasoutthere. Brigitte describes the moment when she first laid eyes on Ariel. Shewantedtoemulateherand escape intothe world she lived in because like Brigitteherself,shefeltstiltedinaworldthatcan offer so much more. From the outside world, we could say Ariel was just another spoiled rebellious teenager but to Brigitte she was not. She could not allow herself to become another drone living under the rules of people who did not stimulate her growthbutstipendhercreativity to be who she really is. When Ariel sang reprise of her signature song, Part of YourWorld, Brigitte remembers how she scampered towards the floor and glued her eyes on the television set. She fell in love with movies.I did not want fall in love with a mantobeapartofhisworld.I fell in love with the art of film and I wanted to becomeimmersed intoit.I knewmy destinyliesin making beauty in the form of the arts as a result of Ariel and I owe my life to Jodi Benson because with her voice, it awakened me to the possibilities of goingbeyondwhatpeopleexpect of me. Listeningto her voice makes me feel euphoric, brand new, asif I were onanotherworld

flying high above me.IthankArielforrescuingmeandallowingmetoseemyfullpotentialasthe artistIamandtheartistIwillbecome. The Little Mermaid is the mother of Renaissance animated feature films in the Walt Disney Company. It singlehandedly revived the company, saving itfrombankruptcyintheeighties.The Little Mermaid gives birthtoitsfirstfeministprincess,Ariel.UnlikeSnowWhite,Cinderella,and Aurora beforeher, Arielisnotcomplacent.Shedoesnotsitaroundherhiddencauldronandsing to be a part of the world she wished to live in. Her dream is to be human and feel the need to conquer insteadof allowing the world passes her by. She is a proactive figureinthemovement of regaining independence. In the other fairy tale films, thewomen hadtoberescued inorderto escapetheconfinementsintheirlives. Ariels altruism is that she believes the world could never be an evil placebecausehumanslike Eric exist. She wants to believe thatgoodstillexistevenwhenweareamongsuchcruelty.John Musker and Roger Clemmens created such a serene world where humanity has not been tampered. In theiconicsceneafterArielrescuesEricfromthe shipwreck,Arielkneelsbeforethe rockandsingsfromherheartthewords, Idontknowwhen Idontknowhow ButIknowsomethingsstartingrightnow Watchandyoullsee/SomedayIllbe Partofyourworld. The words of Howard Ashman and the composition of Alan Menken andthebeautifullyinnocent and vulnerable voice of Jodi Benson was the centerpiece of the movie. It defined the movies themeoffightingtomakeyourdreambecomeareality. The Little Mermaid shaped and molded this new incarnationof thetaleaboutreincarnation. The followingistheloglineforthesecondversionofChameleon: ANUNTITLEDREINVENTEDDISNEYINSPIREDCHARACTERFILM: Seven Characters Seven Stories Seven Different Ensemble Cast Crews Seven Different AcclaimedDirectorsbringingforththeirinterpretationtothe wonderfulDisney classicswithathrowbackandmixtureoftheoriginalfairytalesstoriesmixed. MoviesandStoriestobeusedandstudied: SnowWhiteandtheSevenDwarfs Cinderella TheLittleMermaid

SleepingBeauty Aladdin BeautyandtheBeast HunchbackofNotreDame A Bit of Psychology and Religion: If able, I want to be to add a spin of the seven deadly sins as the catapult to the purposes. I want to assign a sin to each segment and make thatsinprevalenttotheoutcomeofthefilm. SinsandtheCorrespondingFilm: SnowWhiteandtheSevenDwarfsEnvy CinderellaGluttony TheLittleMermaidSloth SleepingBeautyWrath AladdinGreed BeautyandtheBeastPride HunchbackofNotreDameLust BooksofEachSubject: SnowWhiteandtheSevenDwarfsBrothersGrimm CinderellaTheBrothersGrimm,CharlesPernault TheLittleMermaidHansChristianAnderson SleepingBeautyTheBrothersGrimm,CharlesPernault AladdinRichardBurton BeautyandtheBeastMadameLePrincedeBeaumont HunchbackofNotreDameVictorHugo EightDirectors: PeterJacksonBeautyandtheBeast AlfonsoCuaronSnowWhiteandtheSevenDwarfs GuillermodelTorroTheHunchbackofNotreDame JulianSchnabelTheLittleMermaid ChristopherNolanSleepingBeauty TerryGilliamCinderella BazLuhrmannAladdin MarcForesterOldManandDyingWife At first, she wanted to use seven storiesthat have shaped and molded herlifeandthat

she wanted to recreate. In the end, Brigitte decided to makeversions of the following films: Aladdin BeautyandtheBeast TheLittleMermaid TheHunchbackofNotreDame SleepingBeauty PeterPan SnowWhiteandtheSevenDwarfs The project of Chameleon has become an extension of Jennifer Brigitte. Ithastakenhertonew heightsasawriter. II.THEPRODUCTION Chameleon:FilmandStageRights As of January 31, 2013, undertheregistrationofthe LibraryofCongress,JenniferBrigitteowns the rights to Chameleon. Under the Library of Congress, thecopyrightisownedbytheauthorof the intellectual property for remainder of herlifetimeplusthe70 yearsaftertheauthor'sdeath.In this time, the members of theBrigitte Estate set up byJenniferBrigitteandherfamilymembers inherlateryears. Jennifer Brigitte owns the branding of the project(filmandtheatre).Theauthorisalsotheowner of the copyright. The author of Chameleon, under the Library of Congress, has assigned a claimant (Heather Perez) to haveastakeintherightsofChameleonthroughwrittenagreement. HeatherPerezisthetheExecutiveProduceralongsideJenniferBrigitteinthisproject. JenniferBrigittealsoownsthetenyearcopyrightthroughWritersGuildofAmerica. II.THEPRODUCTION Chameleon:OrganizationSummary For many years, the cast and crew of Chameleon have been cultivating their brashof unique talents all over SouthFlorida.Whether itisHeatherPerezstransformationintoMercuryWolffor Manuel Venegas seamless transition into three of Miamishottestbands:Tusk,MarsyMercurio, and Tampoka, thetimingis finally right for our mission tohaveapermanent namebrandthatis ready to tour around the world. Our new focus will be the development of the transmedia production which will provide a space for yearround programming that will in a near future branch off to different sequels and other productions all in vein of the heart and soul of Chameleon.

Chameleon is the new face ofavantegardewherewegoaboveandbeyondtheenchantmentof Cirque du Soleil.Asnotedinthepast,CirqueduSoleil(aperformancetroupethatstartedtouring in 1980) is only a fraction of theambitiousundertakingofChameleonastheyareknownfortheir character driven circus performing arts show. What sets Chameleon apart from RIngling Brothers and Cirque du Soleil is that we marry the freakshow aspect of Ringling Brothers with the sophistication of Cirque du Soleil. The feat is that our show is not just a pantomime dance show withjawdroppingacrobaticsandavisualfeastforthe eyes,butitcombinesthesenseand sensibility of a traditionally written Broadway manuscript and the spectacle of the silent film juxtaposedwith modern electronic, classical, beat,andmeditationmusic.Theshowwillnotonly become a cultural anchor for mainstream theatreand filmshowsbuta stapleforartcitiesready to spark the cultural and societal arts in the communities. Besides a presentation space unlike any other, we will have a "museum"aspect concentrating on premiering our artists works from their own personal setlist collections to further expose their name in the business in order to formawellroundedculturalnetwork. We have formed alliances with various businesses,residencies,andorganizationsthatwillhelp makeChameleonandfuturespinoffsasuccess. Collaborative presentations will be a major part of Chameleon, such as accompaniment by musical duets, dancers, orperformanceartists.Wewillspecializeinthecollaborationofvarious differentartiststhatwillbringtheiruniquetalentstoincorporateintoourshow. II.THEPRODUCTION B.Chameleon:Programming One of the most important aspects of bringing this show together isto prepare a programming schedule. ProgrammingforChameleonwillbevariedwith awidespectrumofactivitiesthatlocal parishioners and visiting contingencies will enjoy. Our company alsopromises to offer several workshops and auditions city to city for young talents in every field to come and join the Chameleon experience and our other shows. The wide variety of auditions in the visual arts, music, performing arts, and dance will then be followed with rigorous and extensive two week training to prepare the newcomers to theopportunity ofalifetime.TuesdaythroughSaturday will have regular programmingof theproductionandeverymonth,wewillproduceaspecialeventto commemorate a certain that represents the spirit of the show. We will also produce amonthly Meet the Artists every second Sunday of the month where fans will get to meetwith theartists. The meet and greet will be broadcast online for fans who cannot come. Tocommemorate Art Walk, on every second Saturday of the month, the cast and crew of Chameleon will host a gallery show for its fans and provide a screeningofindependentfilmsfromfilmmakersandfans alike. CHAMELEON MONTHLY CALENDAR (This does not include the monthly festivals or galleryshowings)

MONDAY: 5:006:30 PM: Monday Walk Through and Backstage Focus: Every Monday, Chameleon will telecast online a weekly roundup and backstage of everything that is Chameleon including cast andcrewinterviews. 6:008:00 PM and 10:0012:00 MIDNIGHT: The traveling museum andconcessionsopenforthe general public. The museum remains open until 8:00 PM and reopens at 10:00 PM (after the show) for twomorehours.Atthemuseum,fanscanbuymemorabiliaandotherarticlesfromthe show.Theconcessionwillopenduringintermission. 8:0010:00PM:Showtimewitha15minuteINTERMISSION. 10:00PM12:00MIDNIGHT:MeetandGreet TUESDAY: 5:007:00 PM: Sacred Circle: The doors will open every Tuesday for Meditation and Healing circles to provide power and higher consciousness to our guests of honor, the fans. We will provideasacredcircleforfanstomeditateandtoconnectwiththeirhigherpower. 6:008:00 PM and 10:0012:00 MIDNIGHT: The traveling museum andconcessionsopenforthe general public. The museum remains open until 8:00 PM and reopens at 10:00 PM (after the show) for twomorehours.Atthemuseum,fanscanbuymemorabiliaandotherarticlesfromthe show.Theconcessionwillopenduringintermission. 8:0010:00PM:Showtimewitha15minuteINTERMISSION. 10:00PM12:00MIDNIGHT:MeetandGreet WEDNESDAY: 5:007:00: LoveAroundtheWorld:OneveryWednesday ofthemonth,wecelebratelovestories around theworld as we screen films with thethemeoflove.Aswecelebratethelovestoryfrom thesetcountryofthemonthaswestudythecountryasanaudienceandcrew. 6:008:00 PM and 10:0012:00 MIDNIGHT: The traveling museum andconcessionsopenforthe general public. The museum remains open until 8:00 PM and reopens at 10:00 PM (after the show) for twomorehours.Atthemuseum,fanscanbuymemorabiliaandotherarticlesfromthe show.Theconcessionwillopenduringintermission. 8:0010:00PM:Showtimewitha15minuteINTERMISSION. 10:00PM12:00MIDNIGHT:MeetandGreet

THURSDAY: 5:007:00PM:TheUndergroundExperiment:On everyThursdayofthemonth,wewillshowcase experimental films from independent and mainstream artists that has captured the hearts and filmmakersalike. 6:008:00 PM and 10:0012:00 MIDNIGHT: The traveling museum andconcessionsopenforthe general public. The museum remains open until 8:00 PM and reopens at 10:00 PM (after the show) for twomorehours.Atthemuseum,fanscanbuymemorabiliaandotherarticlesfromthe show.Theconcessionwillopenduringintermission. 8:0010:00PM:Showtimewitha15minuteINTERMISSION. 10:00PM12:00MIDNIGHT:MeetandGreet FRIDAY: 5:007:00 PM: Bridging the Gap: On every Friday of the month, we will host Bridging the Gap. Bridging the Gap is designed to explore the new and innovative forces in the visual and performing arts scene nationwide and globally. Together we want to provide a concert experience like no other, promoting bands all around the stateandwidening the fan basesthat willultimatelyfollowtheiridolswherevertheymaygo. 6:008:00PM:Thetravelingmuseumandconcessionsopenforthegeneralpublic.Themuseum remains open until 8:00 PMandreopensat10:00PM(aftertheshow)fortwomorehours.Atthe museum, fans can buy memorabilia and otherarticlesfromtheshow.Theconcessionwillopen duringintermission. 8:0010:00PM:Showtimewitha15minuteINTERMISSION. 10:00 PM 12:00MIDNIGHT: Meet the Artists: On everyFridayofthemonth, wewill haveaMeet the Artists where fans will meet the collaborators and masterminds that made the world of Chameleon happen. The difference between the MeetandGreet and the MeettheArtistsisthat the Meet and Greet is for fans who buy the VIP Access and Backstagepasses while the Meet theArtistsisweeklyfreepanelwiththestarsandcreatorsoftheshow. 12:001:00AM:MeetandGreet SATURDAY: 5:007:00: Expressions: Through word, music and dance, the artists expose the inner monologues of their art through the expression of performance art.Expressions is designed to explore the new and innovative forces in the visual and performing art scene nationwide and globally. Together, we want to provide a dinner experience that includes bringing the audience

andtheperformersclosertogether. 6:008:00 PM and 10:0012:00 MIDNIGHT: The traveling museum andconcessionsopenforthe general public. The museum remains open until 8:00 PM and reopens at 10:00 PM (after the show) for twomorehours.Atthemuseum,fanscanbuymemorabiliaandotherarticlesfromthe show.Theconcessionwillopenduringintermission. 8:0010:00PM:Showtimewitha15minuteINTERMISSION. 10:00PM12:00MIDNIGHT:MeetandGreet SUNDAY: 12:002:00PMand10:0012:00MIDNIGHT:Thetravelingmuseumandconcessionsopenforthe general public. The museum remains open until 2:00 PM and reopens at 10:00 PM (after the show) for twomorehours.Atthemuseum,fanscanbuymemorabiliaandotherarticlesfromthe show.Theconcessionwillopenduringintermission. 2:004:00PM:Showtimewitha15minuteINTERMISSION. 4:008:00 PM. The Essential Guide Under the Stars: Every Sunday, we will celebrate onetwo films ofarenownactorwhohasmadeacontributioninsocietythroughtheirworks.Eachmonth, we will celebrate an actor and devote four Sundays of the month to their craft. We will commemorate them with memorabilia, trailers, and ahistoricoverviewoftheirchosenfilmsand career. 8:00PM10:00PM:MeetandGreet II.THEPRODUCTION: Chameleon:StartUpSummary Our Startup expensesare based on the costs of building ourmobiletheaterthatincludes state in the art stage, LED lighting, and film projector screen. We also havetopaytheartistsfortheir construction efforts and and ability in designing the world of Chameleon. We need to also buy materials to produce mobilize museum tents for our mobile art galleries that will have utensils such as electricity and air condition to be able to host parishioners to our area. We need drywood walls to be able to hang art up and furniture. We need a steady flow of money to generate publicity for the marketing and operational expenses needed to get up and running for the first couple months until we get on our feet financially through programming, retail, and servicesincome. Rigal Scenic Artist from Miami, Florida have agreed to become the official home to the

architecture and designof Chameleon, becoming the source of helpingcreatethestage and mobile theater for our production. Rigal Scenic Artist provides unique lighting, seating, couches, bars, dance floor, castles or custom stages,furniture rental and elegant accessories. WithRigal Scenic Artist at helm, our team will be able to achieve theperfectionneededtocreatethismobilizedtravelingcircus. Dancin Lights Productions from Atlanta, Georgia, is thehottestandneweststagedesign company who specializes inhighqualityLEDLightingSystems. Theirmobilelightingrigs are perfect for any kind of lighting needs you mayhavefromDj's,rockbands,livemusic events, to wedding events. They bring excitement and life to needed forthe Chameleon mobileintelligentlightshow. KikimoraStudiofromMiami,FloridapresentsThemedevents,Circus,Acrobats,Arial acts,Stiltswalkers,Fireperformance,Glowshow,Burlesqueperformance,world dance,Theatre,acting,Mime,Bellydance,BrazilianSambadanceCarnival,Bollywood, AfricandanceaswellasCostumedesignandfashionstyling.Theywillbringingusthe performersneededtoexecutetheshowtoitsfullest.

An important alliance in the development is align with an internationally known electronics sponsorthatwillprovideuswithcomputers,projectionequipment,andsupplies. Here is a side chartthatdisplays thefour major components to execute our firstyear needs to helpmakeChameleonhappenexpenses,assets,investment,andloan. II.THEPRODUCTION: Chameleon:FundraisingSummary Chameleon has begunan extensive fundraising campaign toprovideinitialstartupcostsforthe production. Each area of need will be strategically matched with apotential donor, starting with construction costs and ending with festival grants. From there, wearemovingourproductionto nationwide venues with the ultimate goals to reach residencies in both the Broadway Theater StageandLasVegasBellagioorCaesarsPalace. Startup Donor Drive: Donor list development is the first step of the StartUp Donor Drive and is already in motion, withthe development of a prospect list fromourtargeted supporters with the heed to capture potential new ones. We striveto match the various levels of sponsorship through our Founding Circle and membership to assure a good match of donors with donor levels.Creationofspecialcategoriesandtargeteddonations are being worked on for local businesses such as hotels, whichwillgetalongtermdeal with tieins to participation for Chameleon. Specific InKind donation needs are being assembled as well, to match donorswith needed items. Mailing of the SolicitationLetter will be done in stages as the permits are negotiated, because the letter for donations should be specific about location, and the revenue required for buildout is required to finalize the lease.The firstletterswillbelimitedtodonorswhowilldirectly affectbuildout

commencement. Fundraising events such as the Tim Burton party and the Enter theChameleonMusic Festival will continue to bring revenue for the production. A variety ofsmaller events will also be developedtocreaterevenue,suchas movie premieres,andanupcomingevents beingplannedaswespeak. Fundraising professionals will be hired from many areas that will help with an internationalselectionofsponsorshiprevenueandinkinddonations. Sponsorship agreements will provide exclusive sponsorship in a specific industry (such as airline alliances or electronics or automotive industry). This will create an ongoing relationship with sponsors and develop ties that create bonds and pride in sponsorship. Research of other troupes and productions that helps to form a fundraising target market,andprovidesvaluableinformation.

There are several levelsofparticipation.Donationscanbe eithercashornoncash(inkind),and are tax deductible. In the21st century, creations such as Chameleon leave an indelible markin theworldofcrowdfunding.WehavecreatedanIndiegogothatwillallowordinarypeoplesuchas yourselfbecomepartoftheaction.HereisthecompleteIndiegogoPerksPackage: The To Sir, With Love Package $5: Personalized thank you card from the showrunners, JenniferBrigitteandMercuryWolff,withanautographphotographofthecastandcrew. The It Happened One Night Package $10: Your name in the credits in the program as a contributing backer to the show and personalized thank you card from the showrunners, JenniferBrigitteandMercuryWolff,withanautographphotographofthecastandcrew. The Some Like it Hot Package $15: Your very own Chameleon accessories pack: a Chameleon tshirt, a piece of handmade jewelry, and an autographed copy of the soundtrack, produced by the incredible Kevin Kage. Plus, your name in the credits in the program as a contributing backer to the show and personalized thank you card from the showrunners, Jennifer Brigitte and Mercury Wolff, with an autograph photograph of the cast and crew and a personalized thank you card from the showrunners, Jennifer Brigitte and Mercury Wolff,withan autographphotographofthecastandcrew. The Eternal Sunshine for a Spotless Mind Package $25: An autographed copy ofthebook written by showrunner Jennifer Brigitte, a lobby card, your very own Chameleon accessories pack: a Chameleon tshirt, a piece of handmade jewelry, and an autographed copy of the soundtrack, produced bytheincredibleKevin Kage,yournameinthecreditsintheprogramasa contributing backertotheshowandpersonalizedthankyoucardfromtheshowrunners,Jennifer BrigitteandMercuryWolff,withanautographphotographofthecastandcrew. The Portrait of Jennie Package$50:Aframedandautographed drawingofChameleonsset

with a certification of authenticity, signed by Miami artist Crystal Rose, an autographed copy of the book written by showrunner Jennifer Brigitte, a lobby card, your very own Chameleon accessories pack: a Chameleon tshirt, a piece of handmadejewelry,andanautographedcopy of the soundtrack, produced by the incredible Kevin Kage, your name in the credits in the program as a contributing backer to the show and personalized thank you card from the showrunners, Jennifer Brigitte and Mercury Wolff, with an autograph photographofthecastand crew. The Little Mermaid Package $75: A copy ofChameleonthefilmwithinterviews from thecast and crew, a framed and autographed drawing of Chameleons set with a certification of authenticity, signed by Miami artist Crystal Rose,, an autographed copy of thebook written by showrunner Jennifer Brigitte, a lobby card, your very own Chameleon accessories pack: a Chameleon tshirt, a piece of handmade jewelry, and an autographed copy of the soundtrack, produced by the incredibleKevinKage,yournamein thecreditsintheprogramasacontributing backer to the show andpersonalizedthankyoucard from theshowrunners,JenniferBrigitteand MercuryWolff,withanautographphotographofthecastandcrew. The Sunset Boulevard Package $100: A signed copy of the Chameleon Business Plan only seen by investors and sponsors, a sneak peak at the shows recording studio, Durty Mics, a copy of Chameleon the film with interviews from the cast and crew, a framed and autographed drawing of Chameleons set with a certification of authenticity, signed by Miami artist Crystal Rose, an autographed copy of the book written by showrunner Jennifer Brigitte, a lobby card, your very own Chameleonaccessoriespack:aChameleontshirt, apieceofhandmadejewelry, and an autographed copy of the soundtrack, produced by the incredible Kevin Kage,yourname in the credits in the program as a contributing backer to the show and personalized thank you card from theshowrunners,JenniferBrigitteandMercuryWolff,withanautographphotographof thecastandcrew. The All That Jazz Package $250: We will wine and dine you as we will fly you over to the premiere of Chameleon on April 27, 2013 to attend the shows Miami premiereandafterpartyat Villa 221, a signed copy of the Chameleon Business Plan onlyseenbyinvestorsandsponsors, a sneak peak at the shows recording studio, Durty Mics, a copy of Chameleon the film with interviews from the cast and crew, a framed and autographed drawing ofChameleonssetwith a certification of authenticity, signed by Miami artist Crystal Rose, an autographed copy of the book written by showrunner Jennifer Brigitte, a lobby card, your very own Chameleon accessories pack: a Chameleon tshirt, a piece of handmadejewelry,andanautographedcopy of the soundtrack, produced by the incredible Kevin Kage, your name in the credits in the program as a contributing backer to the show and personalized thank you card from the showrunners, Jennifer Brigitte and Mercury Wolff, with an autograph photographofthecastand crew. The Defiant Ones Package $500: A post Chameleon dinner celebrating with the cast and crew on April 28, 2012, we will wine and dine you as we will fly you over to the premiere of

Chameleon on April 27, 2013 to attend the shows Miami premiere and afterparty at Villa 221, a signed copy of the Chameleon Business Plan only seen by investors and sponsors, a sneak peak at the shows recording studio, Durty Mics, a copy of Chameleon the film with interviews from the cast and crew, a framed and autographed drawing of Chameleons set with a certification ofauthenticity,signedbyMiamiartistCrystalRose,an autographedcopyofthebook written by showrunner Jennifer Brigitte, a lobby card, your very own Chameleon accessories pack: a Chameleon tshirt, a piece of handmade jewelry, and an autographed copy of the soundtrack, produced bytheincredibleKevin Kage,yournameinthecreditsintheprogramasa contributing backertotheshowandpersonalizedthankyoucardfromtheshowrunners,Jennifer BrigitteandMercuryWolff,withanautographphotographofthecastandcrew. The Rebel Without a Cause Package $750: An autographed print out of the Chameleons double script (stage and film) witha personalized note by the writer herself, Jennifer Brigitte, A post Chameleon dinner celebrating with the cast and crew onApril28, 2012, we will wine and dine you as we will fly you over to the premiere of Chameleon on April 27, 2013 to attend the shows Miami premiere and afterparty at Villa 221, a signed copy of the Chameleon Business Plan only seen by investors and sponsors, a sneak peak at the shows recording studio, Durty Mics, a copy of Chameleon the film with interviews from the cast and crew, a framed and autographed drawing of Chameleons set with a certification of authenticity, signed by Miami artist Crystal Rose, an autographed copy of the book written by showrunner Jennifer Brigitte, a lobby card, your very own Chameleon accessories pack: a Chameleon tshirt, a piece of handmadejewelry,andanautographedcopyofthesoundtrack,producedbythe incredibleKevin Kage, your name in the credits in the program as a contributing backer to the show and personalized thank you card from the showrunners, Jennifer Brigitte and Mercury Wolff,withan autographphotographofthecastandcrew. The Gone with a Wind Package $1,000: An autographed print out of CHameleons Theme Song Music Sheet, an autographed print out of the Chameleons double script (stage and film) with a personalized note by the writer herself, Jennifer Brigitte, A post Chameleon dinner celebrating with the cast and crew on April 28,2012,wewillwineanddineyouaswewillflyyou over to the premiere of Chameleon on April 27, 2013 to attend the shows Miami premiere and afterparty at Villa 221, a signed copy of the Chameleon Business Planonly seen by investors and sponsors, a sneak peak at the shows recording studio, Durty Mics, a copy of Chameleon the film with interviews from the cast and crew, a framed and autographed drawing of Chameleons set with a certification of authenticity, signed by Miami artist Crystal Rose, an autographed copy of the book written by showrunner Jennifer Brigitte, a lobby card, your very own Chameleon accessories pack: a Chameleon tshirt, a piece of handmadejewelry, and an autographed copy of the soundtrack, produced by the incredible Kevin Kage, your name in the credits in the program as a contributing backer to the show and personalized thank you card from the showrunners, Jennifer Brigitte and Mercury Wolff, with an autograph photographofthe castandcrew. Thefollowingwillbethesponsorshippacksexclusivelyforsponsorsandinvestorsalike:

III.SYNOPSISOFCHAMELEON Logline: The spirit of a dead slave (Clementine) hypnotizes Nicholas Osborne, a funeral home practitioner, and Savannah Lancaster, a reclusive and embattled movie star, and takes their astralbodiestothedepthsofPurgatoryinordertofindthemeaningoflife. ThePitch: One cold night, miles away from each other, two unsuspecting souls who have never met struggle to keep balance as their heads hurt. The fall onthe floorandare sedated. The chants hypnotize them and awaken their souls. Under the meditation, Nicholas and Savannah are guided through the five layers of Purgatory to understand the meaning of their luciddreamingin which both loverstransfer thesamedreamseverynight.InPurgatory,theyrevisittheirpastlives and acknowledgethe traumas that have held them backfromlivingasuccessfullife.Theirspirit guide, a deceased slave who united them many lifetimes ago must save them from their own retrogradesinorderforhertoascendandfinallyrestinpeace. Synopsis: SAVANNAH LANCASTER, a beautiful and enigmatic movie actress, walks over to the movie theaterandtakesaglimpseofherselfinherownfilm. Shewalksinsidethetheaterandgaspsfor air.Hervisageonthescreen,inallitsblackandwhiteglory, ispainful tothesomberactresswho has lost her will to speak. The world around Savannah is spiraling out of control. Savannah faints from the down whirl spiral and enters and transitory meditation. Her body goes limp. Savannahsoutofbodyexperienceisattunedwithherartfilm,MarcysPlayground. Miles away from Savannah, NICHOLAS OSBORNE watches families mourn for the deadathis funeral home.Nicholas solemnly looks onatthedeadandwatchestheireverymove.Everything from the dedication notes, to the mournful goodbyes captivates the very studious man. He watches family come inandout and as he walks backwards, his world spinsoutofcontrol.His legs are wobbly and hecannot breath. He is unable to continueto move. The worldisrevolving aroundhim.Nickfaintsonthefloorandtravelsinatransit. As their minds travels to the strange plains of their transitory meditation, Nick finds himselfin a familiar territory, a beautiful beach outside as the sun is rising. He awakens in the shore as he sees the beautiful Savannah emergefromthe waterandruntohisarms.Theloversfroliconthe waters as they findacavetohide.Insidethe cave,theyaremetwiththeirdeadbodies.Theyare lostandconfusedastheywatchtheyaregreetedwiththeircorpsesinsideacaveofdarkness. For five years, Nick and Savannah have known each other through dreams as their worlds outside the fantastical planes were crashing. Nick was the spoiledson of an oil tycoonandheir to the Texan fortune. He was the living embodiment of the rich playboy living the life of

decadence and hubris that surrounded tragic icons such as F. Scott Fitzgerald and his wife Zelda. His vacuous life came toa screeching halt after a series of dreams involving a beautiful dead Gypsy woman started visiting him. The gypsy fell in love with a repressed aspirant priest whose father demanded him to live in the monastery to hide away from the worlds cruelty. As the dreams progressed, he realized many parallels between the world of Sebastian and Alexandra and his life. He discovers his father, a man attests to hate, is the same man who oppressed him longago. Soon, he believes he hascreatedan incarnation ofthis gypsywoman in the spirit of a dream woman. The beautiful woman encompasses all the attributes all the qualities the women inhislifelack.Butwhenheseesthiswoman inthebigscreenadaptationof This Side of Paradise, a novel that closely resembles his life and reputation thus far, he is convinced she is twin flame. Soon, the visage of the young actress haunts him. After his discovery, he receives a crushing blow when his young sister Cecilia kills herself after taking a speedball in the desert.He runs away from the Texas plantations to find himself in the facesof the dead that seem to haunt him. His quest to find the womanof his dreams leads him to his strange obsession with dead people. He operates a traveling funeral home service where he goes from city to city embalming the dead to suppress his dreams of the woman he cannot attain. As Nick battles to reinvent himself from the AmoryBlainecharacterhehimselfwantstodisown, Savannah is a studious actress at New York University who starves and craves for attention. She is an ambitious actress whoworksdayandnighttoperfect herworthasthebestupcoming actress. Behind closed doors, the ambitious beauty begins her cycle of dreams in which she sees a beautiful circus performer contorting on the stage as all the worlds tragedies surround her. The Vaudevillian performer falls in love with the circus patron and performer. In her wild dreams, she and her lover are surrounded by envy and cruelty. The lovers are killed for their love. Savannahbeginsusingherdreamsasawaytobecomeherreallifemovieroles.Shesoon wins thecovetedroleofRosalindConnageinThisSideofParadise.Shequicklystartsdreaming of a man she never met. In her dreams, they are great lovers and she convinces herself he is indeed real. After creating such memorable characters such as the a farmers daughter rebuilding her plantation after a savage war leaving her family in destitute and a disenchanted 1950s housewife with multiple personalities, she has become the most important emerging artist of her generation. But when the dreams become too muchofaburden,shedropsoutof thespotlight.Shehaslosthervoicebecauseherinspirationhasdrivenhermad. Convinced heis the reason forher demise, Nick decides its better to never meet astheyhave beaten themselves throughdreams without manifesting into the real world. He istiredandfeels used because his relationship with this woman is not real, not corporal.This angers Savannah who antagonizes Nick to a breaking point, revealing his darkest hours after the death of sister. She tells him Cecilia died knowing the lack of manNickwould turnouttobe.Thewordsfeellike daggers to Nick. CLEMENTINE appears to the lovers who she feels need to reconcile with themselves in orderto heal the painofthepast. Clementine,asorceressandclairvoyant,takes the lovers down to the levels of Purgatory and show them how their prior lives helped shape whom they have become. Clementine explains that each level representsthe five unavoidable

obstacles that hold us back from letting go and ascend to high above the materialism of the world. In the world of thechameleon, there are five lairs every soul must walk through in Purgatory to discover the worldin whichthey live,breath, and died in. Theyshalldieaspiritualdeathinorder to understand that the reality they live in is not the entity of truth but one of the many alternate planes in this cosmic circular life cycle. They key of life is to open eachplaneanddiscoverthat one doesnotneedtoescaperealitytoentertheir higherplanes.Whatweneedisto feedtheego to the cause and destroy it in order to reach high above the pecking order. Kill the ego and survivetheturbulenceteachesushowweshouldlivethelifeaccordinglytoourparadise. Purgatory is known as the habitat for the lost souls carrying out the wills to mend their venial sins. In Chameleon,Purgatoryhasfivelairsinsidethemouthscave.Insidethevertigo,thesouls live their lives in a loop cycle.Forthemodernlovers,NickandSavannah,theyareoppressedby all the things need to leave behind. The lovers fate lies in how they have manifested in each others lives. Each lair is an acknowledgement of how positive manifestationdoesnotequateto the control dramas one creates intheirexistenceasthemain purposeforchangeinthiswordis to transform youre above and beyond and become the catalyst for the healing of the world. Combined with the elements of Earth, Water, Fire, Air, and Light, Clementine and the lovers witness the lovers plagued with the obstacles that deter them from their ascending point. Everything is at risk for Clementine as she watches their fall as herderailment.Theirbitterness and complete ineptitude to save themselves from the gallows of sacrifice and love plunges her into the depths ofuncertainty. Her curse andallthatit representsiswhyClementinecannotfree herselffromherdisparagingsituationasthesourceofthetwinflamesunhappiness. The first lair of Purgatory is the tale of The Crescents Crusade. When Countess CELINE DAWSON witnesses brothers deaths by the hands of pirates in her dreams, the past of her boyfriend, JULIAN CARROLL, comes back to haunt him. In a race to break her impending arranged marriage, Julian and Celine embark on a journey to rediscover their ties of the USS Manifestothatbindsthemtogether. Plagued by the recent deaths her two brothers, Elijah and Roger Dawson, Countess Celine Dawson is announced to be married off to the heir to the Scottish throne, Prince Ian Dume, a snarly ruthless man withboutsofangerofamanifestchildbeast.Ontheeveofhernuptialswith Dume, Evelyn is taken away into a nightmare when her brothers visit her. In this dream, she watches her brothers live their secret lives away from their blue blood lives in Dover, England. Roger and Elijah (a lawyer and a doctor respectively) help the Napachee Creek Aborigines in their reservation in Cook Islands, New Zealand off the coast of Rarotonga when Captain Selvaggio headlines The Red Enigma pirate ship and massacres the tribe, including her brothers. As the dreams progress, Celine realized her brothers death were targeted murders. Elijah and Rogerknewtoo much about the New Zealand corrupt government. The czarprofited from the civilian deaths and bootlegged cocaine. During Rogers case, he tried and sentenced Selvaggios men to prison and indicted the czar incumbent. In the two years of private phone

calls and secret meetings between Elijah, Roger, and JulianBrody,Celinessecretsuitor,Elijah married the Aborigines Chief Indian Queen and delivered their son, Andrew River Dawson. As the nightmare reached its end, Celine witnesses Selvaggio and his menruthlessly murder her brothers because of their involvementwiththeUSSManifesto,anEastIndianshippingand trade ocean liner that breeds seven sister vessels Manifest Destiny, Destiny, Dreamweaver, Escapade,Mermaid,Adam,andtheChameleon. As she awakens from the nightmare,Celine is called to the library where she triestorevealthe truth in front of her parents and Ian buttonoavail.Sheisbelievedtobedelusional.Celinewalks out of the library when Julian is at the front door wishing her the very best in life. The lovers cannot hide their discontent much longer. Not long after he is dismissed by Ian and Celines parents, Julian reentersthehomethroughCelineswindowsill.Herevealstoherthetruthofwho is. His name isJulianCharlesCarroll,thesonofshippingtycoonCharles BlackwoodCarrolland his wife Matilda, and the heir to the Crescent sword and the seven vessel league of the USS Manifesto. When Julian was ten years old, Selvaggio killed his parents and left him for dead in ordertogaintheCarrollsinheritance. With this new knowledge, Celine and Julian set sail to avenge the deaths of their family members and recoverJuliansbirthright, the Crescents sword, for which he fights to the death with Selvaggioandhis men inTheCrescentsCrusade.Along theway,theloversmeettheirrag tag team led by Oscar, the Skipper of the USSManifestoandfamilyfriendoftheCarrolls.Julian andCelinesailacrosstheseastoclaimwhatbelongstothem. In this lair, Clementine guides to the world manifested by the touch of the metaphysics. Metaphysics clarifies thebeliefsandnotionsofthecosmologyofourexistence.Everythinginour life is a direct result of cause and effect. Our actions have repercussions and we are recompensed by the retrograded karma surged from one life to the next. In The Crescents Crusade,CelineandJulianhavereturnedto makeamendstothosewhomhavedestroyedthem. They seek justice for their pastby claiming theirbirthrightandavengingthedeathsofthosethey loved. Subconsciously, Celine and Julian are ratifying the karmas of their past lives as they are the younger lives that learned how to stay alive above the demons that have tore them apart. They are the keys for us tounlock the mystery that spared them their livesinthiscycleinorder toclosethebookinthenext. In the story, Clementine explains to Nicholas and Savannah that in order for us to be free to ascend our souls mustbe freed to purge out our transgressions and clean ourselves from any impurities. We are to be whole withself and surrenderourselvestothelovetheonepersonthat lovesyouthemost,yourself. Clementine takes them down to the world of Under the Canvas Skies, a dark Victorian Impressionistic world set inside a dark deranged circus tent. The lights burn bright in center stage. The circus symbolizes the terrorizing chaos of the creator. A circus naturally scares children into long time freight. The ringleader of the story represents the majordomo of this

frightening mayhem. She presents the audience the freaks of the world, the heroes who have chosentoescapeherwrathandtheonesheneedstokill. The Impressionistic detailing of the sufferings of our mankind led in the handsof aRingmaster. She humiliates her freaks to the point of their slow, painful, fatal demise. The humiliation she serves is unbearable and horrific towatch.Togetherwiththe masterillusionist,theydegradethe lovers by caging a contortionist and her husband, the heir of the circus, into the ventriloquist dummy. In 1891, LEWIS PATRICK mourns theloss of his beloved grandfather, Grand Marshall Patrick, the grandfather of the modern day freak show circus. Raised by his grandfather since he was four years old after the tragic deaths of his parents, Lewis is the new patriarch in the family. Upon his Grand Marshalls passing, Lewis claims hisinheritance.Amongthemoney,heinherits a young new theater troupe in London Square namedtheGrandMasquerade.Itisinthistheater where he meets the love of his life, EVELYN BRADFORD, a former child prodigy and circus contortionist, and the two mastersof mayhem that spawns seven yearsofturmoilinthelivesof Lewisandeveryoneaffectedaroundhim. Among the new members of Patricks circus troupe are HAROLD DEAN and VIOLA RUTH. Harold, Evelyns former lover, is an abusive beast who uses his body as a pillar of fear for anybody who out of his control. The Master Illusionist, son of very famous magicians in their time, obsesses over Evelyn. When she falls in love, marries, and bears Lewis their children, Harolds Samsonlike strength diminishes as he masterminds the destruction of the Patrick legacy. By his side is Viola Ruth, daughter of the menacing plantation owner Edward Andrew Ruth,andEvelynsstepsister. Evelyn is the illegitimate daughter of Violas father and his enslaved mistress, PatsyBradford. When Marianne Boyles, Violas mother, discovers the existence of this extramarital affair, she murders them in the plantation fields and cares for Evelyn who melts her heart.SoonMarianne discovers Evelyns out of this world talent and begins exhibiting her around the country. Viola tags along and quickly becomes her duo partner but Evelyn is thestarattraction.Consumedby jealousy, Viola represses her hatred. It resurfaces in full vengeance when she falls in love with Lewisin1891,onlyforLewisandEvelynfallforeachother. Seven years pass and inthe seven years, Lewis and Evelyn givebirthtotheirtwins,adaughter name Vivienne Helena and a son name Robert Douglas Patrick in 1894. But by 1898, fearing their untimely demise presiding over Patricks reign, Lewis and Evelyn close the circus, infuriating Harold and Viola. They devise a plan to destroy inthe familyfromwithinbuttheirhate consumesthemlikewildfire. In the end, a child is senselessly murdered and the Ventriloquist, the Contortionist, the Ringleader, and the Master Illusionist are aligned to fight in the gauntlet of this cirque de macabre.

Under the CanvasSkies teaches us about the power of relationships. As we grow in a cyclical humanity, we encounter people that help shape us the man webecome.Theactionswedoare solitary. Everything we do hasimpenetrableconsequences.InBuddhistteachings,everytimea person acts is not defined by the outward appearance but by actions of the mind. Your real intentions cannot escapewho you are and what yourecapable of doing. In this circus epic,the villains (Harold Dean and Viola Ruth) paint the torrid picture of two loversscorn by therejection of the heroes. This isthe catalyst of their demise. In the outward appearance,they proclaimed that everything they did, they did it for love. But love is incorruptible.When pure love becomes the venom andweaponofdestruction,itceases toholdtheformoflove.Ifonehastouseloveto hurt others, theactions and intents glaring displaythedistortionofromance.Itneverwasloveto begin with. In the lives of Lewis and Evelyn, they learned that wecome in contact with different walks of life to understand the structures of good and evil. They learn the true testament to relationship basedon good intentions isbuildupontheessenceofmind,body,andsoul.Actions based on chicanery merit will produce the fruits of unhappiness. In this lifetime, we are also taught that every story must come to an end. As humans, we must return to the Earth to regenerate and ascend, taking with us the experiences that shape our lives. We die and resurrect with the rise of the Phoenix and for twin flames, this symbolizes the power of a relationship. As Clementine is ready to takethem tothenextlair,sherealizesthe painanddepravityendured bysolarplexuscouple,consumesSavannahwho fallonthefloorcradlinghersoul's formerhost. The lost of Savannah's voice in the real world has becomethe tragedy of her life. She has yet been able to let go of her past,thepastthatherfirst mothercursedherwith.Heartbrokenbyher daughter'srejection,ClementineexplainsthatifNicholasandSavannahwerenotgivena chance to learn life experiences through the eyes of different worlds, they would have been two lost souls unable to ascend. Everyone in this planet has a mission in lifeto complete. Fate is what are born with. Destinyis what your are born to do despite your fate. With this fate laiddown by the law of this blessing in disguise, Clementine feels guilty that her own undoing brought the perishing of two souls now stuck in the Purgatory awaiting to ascend. But with plenty of lives undertheir belt,theyrealizethatlifeworksinmysteriousways.Theyhadtofeedtheiregostothe handsofdeathinordertoreignagain. The trio casts down to the third lair of Purgatory, Confessions of an Angry God, the world of SEBASTIAN CATHARINA andALEXANDRA,newlyproclaimedQueenoftheGypsies.Sebastian is the son of the longdeceased Queen of the Gypsies, Sahara, and Lord Cornell. Lord Cornell hides the secrets ofhis corrupt lifein the temples of St. Lucas Cathedral. His brother,Marcus, mysteriously vanishes after the murder of Sahara. Cornell imprisons his handsome son and forces him into the priesthood. Sebastian has never left thechurchandhis only companion is Father Leonardo. Consumed by the guilt and racial hatred for falling in lust with the race he detests. Ashamed, the power of religious indoctrination and the plight of unholy consume, he murders his wife and locks his son inside the church, condemning him for his own sin. He sacrifices his son to the hands ofa dogmatic church in exchangefor admissionto Heaven. He

sells his ravaged soul to the saints and patrons of the holy relics.Hishandsomeson,trainedto become a priest all his life, wishes to leave the confines of the church whose very steps are stained with the bloodof his mother. Sebastian longs to overthrow his religious oppression and free himself from the religious entities that damn the world. Years later, Sebastian falls inlove with Alexandra, the new Queen of the Gypsies. The worlds of Cornell and the gypsies collide once again when Alexandra and his son Sebastian uncover the secrets of the Catharinas past thatarevaultedinsidethecathedralcorridorsofSt.Lucas. In the tale, years afterthestrangepassingof Lord CornellswifeSaharaCatharina,Cornellvisits his son Sebastian, named after the martyr St. Sebastian, at St. Lucas Cathedral where his brother, Father Leonardo, presides over the church. Overcome by his hate for the gypsy race, he hides his sons trueidentity from him and sacrifices his son to the priesthoodin order to be forgiven of his transgressions. Unaware of his past, Sebastian spends his life usedasavessel of purity, hidden from the worlds supposed monstrosity. His penchant for curiosity is suppressed by hisdoubtthathewillneverconvincehis handlerstolethimroamfreeforjustone day. The only world he knows is the world of Cornells malevolent god. Hisonly escape away from the words of the god that confineshimarethesinnersattheconfessionalsbooth.Masking his guilt, Cornell finds himself at peace with himself as he lives vicariously through his sons attemptstobetheholymanhewasforcedtobecome. In reality, Sebastian never feelscontempt with the role that heplaysinSt.LucasCathedralorin his fathers life. Fascinated by the world out there, he always feels his needforcompanionship. In this person he sees the endless possibilities of ascending totheheightsoftranquility.Nottoo far away from the sacred doors of the church, roams a free Alexandra, the new Queen of the Gypsies.ThebeautifulgypsyandhertribearepersecutedalongthecobblestoneroadsofRome. On the Carnival of Lights,a festivalcelebrating the gypsies, LordCornellmeetwhathebelieves is theincarnationofhisdeadwifeSahara.Cornellisconsumedwithlustandguiltasshehinders his cleansing. Attacked by amobofignorantcivilians,AlexandrarunstoSt.Lucasforsanctuary. It is at St. Lucas where Alexandra,the valiantdreamlikegypsy,discovers Sebastianandfallsin love with him. Confused by the feelings of love and guilt he feels, he agrees to conduct Alexandras confessionsupon her request. The lovers break the wall that separatesthem.The vitality beholden in their raptureawakensasavagewartokeeptheconfessionsofLordCornells pastasecret. As hisguiltconsumesCornell,hechasesAlexandraaroundthecityofRome,decryingherifshe will not take his handin marriage.The spell he was able to foil Sahara but proves tobefutileto Alexandra for she sees right through his cruelty. Cornell punishes her for not runningawaywith him. When hissonrunstothearmsofthegypsy,Cornelldeclaresaracewarbetweenthewhite men and the gypsy warriors. With newfoundloveontheirside,AlexandraandSebastianfight to break the racial barriers pledged by the hate of theaspirantpriestsvengefulfather.Thesecrets unravel as Bandit confronts Cornell and reveals his true identity. He is Marcus Catharina, the missing brother of Cornell and Leonardo. Cornell murders Bandit and sparks the catalysttothe onset war in whichtheQueenoftheGypsiesistriedforthecrimesofheresy,witchcraft,andthe

murder of Marcus Catharina, known in the gypsies circles as the Royal Jester of the Gypsies. Alexandra is sentencedto death by stake. Sebastian confronts his father abouthistruelineage, a Gypsy King. The gypsies deny Cornells fantasy of Heaven above hell and hold him accountable for all his sins. Alexandra and Sebastian pave the way for their souls to find their waybacktowovenbandheartforgenerationstocome. Religion is the largest component in the brutal saga of the priest and gypsy. Religious persecutions have always been at the forefront of many wars. A system of organized beliefs, cultural systems, and world views, religion proclaims to be the source of enlightenment. Yet, when we face the history of religion, truth be told, organized religion fathered bigotry and indoctrinated hysteria. The problem with religion is not the needto believein the powers higher than self. Itiswhensaidreligionforcesyoutocondemnandpersecuteyourselfandothersinthe name of a god masked as a benevolent wayshower. It is the crystallization of archaicdogmas composed by men with malicious intent, going back to cause of effect of how an ecclesiastical parish can hypocritically use organize religion and the good faithof its followers to carry out its agenda. When religion becomes solely thebase for faith to congregatewith the multitude of beliefs and converse with different systems without thwarting to violence, it is not religionbutthesingularity of humane faith and acceptance. Religion has beenproventohavethepowertoignitewarsand corruption. For one to ascend, we must be able to be face to facewith religious fire breathing dragon as it rears its ugly head in the war of self and organization.We mustfight and conquer such oppression as a survivor without losing oneself. Religion only oppresses those who allow to be oppressed by it. It should not have any bearing onwho we love and how we are going to live our life. In order to ascend, one must cut ties with the forces that can consume us into fanaticalwhirlwindhungryanddeprivedbyallureofthecardinalsins. Stuck in the sick cycle world of Confessions of an Angry God, this time itisNicholaswhofeels powerless to the fall ofthegypsylovers.Herecognizes that religionoutofexcessisthedescent of man's demise. It is Clementine who tells the lovers that weakwilled men need a religion to hide from their sins. Nicholas falls on floor to cradle the host of his father. Surroundedby the strain between hisfather and him, heisfacedbytherealityofhisdisownment.Heneverwanted to belikehisfather.Evenslayingthebeasttoquench thefiresbetweenhisfather'sunrulycontrol in his son's life, Nicholas cannot be happy with returning home to bury the demons. One must forgive those who oppress us but never look back. They must become their own person. He must return and clear the negative tides between him and hisfather so they can successfully breakthechasm. As Clementinepreparesthemforherworld,shelearnsaboutthe dailystrugglesofNicholasand Savannah. Nicholas confesses about his selfdestructive past, a rebellious teenager expelled from three boarding schools leading the life of a decadent Casanova who loathed the world of decadent wealth yet he was a victim of the greed and pride wealthhad. His sister, Cecile, died five years ago ofa speedball after herboyfriend left her.ThissparkedadeadrevivalinNicholas. Hepackedhisbagsandwentcitybycityasatravellingfuneralhomeundertaker.

Savannah, on theotherhand,wasabright studentfromNewYorkUniversitywhenshewascast in the role of Rosalind Connage in Gus Van Sant's adaptation ofaFitzgeraldclassic.Savannah acknowledges howshe isable to see the future through dreams. SheconfirmstoNicholasthat she saw his sister's horrific death. She questions how she is able to even do that. Clementine explains to themthatwhentwinsoulsmeetattheethericbody,thesoulshaveasynergeticbond inwhichdreamsandthoughtstravelontransitandmessagesarerelayed. In order to ascend, one must let go of all material entities that hold them back from reaching enlightment. We are composed ofchakras of andwhen wetuneeverychakra,wecanenterthe world of the Chameleon. Nicholas and Savannah infer to Clementine to take them to the next world. This next world is a difficult world for Clementine. It is pure darkness with read glowing lights around them. The sound of destruction of animalistic carnality is shoved in The Curse of St. Clementine. Starcrossed rouge lovers living in Massachusetts battle their racial and socioeconomic classes above all the critiques. Their love and agony grow into violation and obsessionwhichleadsthemintotheiruntimelydoom. VICTOR LEVINE is a handsome rich suitor during the Salem Witch Trials. He is a part of a prominent family yet heis vacantand alone. Victor is always surroundedbyyoungandfrivolous rich girls but heisapathetictothem.Nothingsurpriseshimanymoreandhehasgrowntodetest that aboutthe debutantes. He meets an aristocratic virginal girlname MIRANDA YOUNG. Soon his love for Miranda becomes a scandal in the aristocratic community becauseof the rumors pertaining her past. She is the daughter of the deceased Jeremiah Young and his plantation house slave, Clementine Payne. When Clementine becomes pregnant, he whips her and excommunicates her. Clementine gives birth to a beautiful girl. Jeremiah and his family take Miranda awayfromhermotherandlavishherinthefrivolousworld.Yearslater,Clementinefinds Jeremiah and demands to see her daughter. When shesees in a visionthat her daughter is a twinflamewiththeLevine'sonlychild,sheevokestheirsoulsandbindsthemtogetherinorderto clear them from the fates of becoming lostinthesecularworld.Shecursesthemtoreturnback on Earth togainthewisdomoftotalsurrender.Butwhenherdespairturnsintorage,shekillsher daughter's father in cold blood, unleashing the tragic karma bound by the ties of her daughter and the Casanova's energy. As Victor grows of age, he falls deeper and deeper in love with Miranda. His obsessioncrazes him to the point of a suicidal pact.If hecannothaveMiranda,no onecan. Miranda is a sultrybeautifulnaverichgirlwhodoesnotfeelthesenseofbelonging.Bybirth,she is the daughter of Jeremiah Young (a rich plantation owner) but her color of skin and mother's lineage marks her as theugly sideof wealth. She istheinferiordarkieinthecourtofwhitemen. One day while walking throughthe gardens of the labor cans, Miranda sets her eyes on young Victor. Their lives change instantly. Victor wants a chance to better himself asa human being while Miranda wantsa better life awayfromthehypocrisyoftheracial.ShenaivelyteasesVictor

and manipulates a love in which he invents to be a great love story. Doomed for their socioeconomic and racial class, Miranda naively stands behind Victor whom she denies she lovesyetsheloseshervirginitytohim.Mirandabecomespregnant. Both in their malicious and sardonic manner, Victor and Miranda tragically fall inlove with each other. Victors family vehementlydeniesMirandaasVictorsloverandshutshimoutofhisrights. Embittered by his by his parents betrayal and his moral embarrassment of having committed the crime of sex before marriage with Miranda, he lures her into a suicide pact only which Miranda backs out due to her advance pregnancy. Everyone inthetownknowssheispregnant. Mirandas water prematurely breaks and Victor delivers his daughter in aravine.Theweakbaby dies three hours later leaving her parents devastated. Miranda is terribly week after giving birth. She realizes how muchinhisownsickanddemented mindhow muchVictorlovesherandhow much she loves him. Victor buries his daughter and reinstates the suicide pact with Miranda. Miranda realizes she is at a dead end. Their only chance of ever being happy is dead and returning in another life. If they returntothevillage,theywillbesentencedtodeathforwitchcraft. Miranda agrees to die if it is alongside Victor, her one true love. Victor issatisfiedthatat least theybirthedtheirdaughterwithlove,sincerity,andexcitement. The love story takes precedent during the Salem Witch Trials. The lives of Victor andMiranda cross paths as years before. On the day of her execution, she foresees the futures of her daughter and the Levines youngest son and brands them with the cursethatsetsinthepathof karmic discovery for five life spans until they are able to eradicate the curse set by St. Clementine. The distortion of wealth is what consumes many to commit atrocities. Wealth is the gain of material goods to create the illusion of abundance. For us to ascend, we must know how to create and build wealth and beabletounderstandhowwecandemonizeit.Weshouldhavethe understanding ofgood vs. evil wealth and yet be able tochoose to do well withit.Itisunderthe Air chakrathatwealthisnotedthatisthemereappearanceofmaterialwealththatconsumesus. Wealth is corrupted when we buildhierachal denominations that separate us for our class and race. When greedblindsustocorruptthefoundationof perseverance,theloveofmoney distorts alllogic. For Clementine, shecomesfacetofacewithherworld.Shequenchestheirneedforredemption with song from her healing soul. She conducts a spiritualchanttoletgooftheguiltshehasand release Nicholas and Savannah of the curse. The eight hosts are able to be freed from Purgatory,atlasttoreunitewitheachotheragain. This leaves the coupleemptyinside.Withoutthecurse, theycanrewritetheirdestiny.Theyhave the freedom to choose anybody but the lovers are uncomfortable. They leave Clementine's worldabsolvedfromtheircurse. TeaserEnding:

Clementine takes them Behind the Red Shield.SheshowsthemwhattheworldofNicholasand Savannahwould be likeiftheynevercrosspaths.Sheguidesthemintheworldwheretheyhave theallthepowerintheworldbutitcomeswithaprice. ActualEnding: Afterwitnessingtheworldwheredonotexist,NicholasandSavannah'semotionsseepout.They acknowledge that in order to gain the wisdom of knowledge ofwho they are, they cannot allow each other to consume one another. They have to forego the world's tangible belongings that hinder us from seeing the light. They surrender their souls to themselves and quitallowing the illusion of a chased dream to dominate their lives. They have faith that one day, they will meet andtimenolongerisaproblemforthem. With the tools they have gained to finish their livesandascend,Clementine'sworkonthisEarth isdone.Allherplanetsareindirectmotionassheascendswithtranquility. As fate has it, young love prevails.Withpatience in due time, Savannah recoversfromhervow of silence and Nicholas returns home to forgive his father. As the NewYear commences, the powers that be, Nicholas and Savannah finally meet at a masquerade ball where they discuss metaphysicsandreincarnationundertherulingoftheChameleon. IV.PRODUCTSANDSERVICES The productsandservicesthatwillbeavailablearein order toenhancethebrandofChameleon, bringing a cultural relevance to the mainstream rounded art experience to a new level. The standardofqualityisbasedoncreativityandimaginationfromChameleonsdevelopmentteam. Hereareseveralcategoriesofourservices: 1. Ourprogrammingwillprovideawidevarietyofareasandspecializesincateringtotarget markets. 2. OurbookstoreprovidesatheofficialcollectionofbookswrittenbyJenniferBrigitteorher clients.TheofficialbookiscalledChameleonandwillsellamongothermerchandise. 3. Ourgalleryisashowcaseforinternationalartistsspecializinginmovingimages, photography,graphicsrelatedtofilm,andrelatedarts.Monthlychangesinthe installationswillkeepthelookoftheChameleonfreshandalive,andwillattractrepeat visitors. 4. MiamiMediaLabwillbethehometoourmeetingspaceforcorporations,songwriting sessions,andstudioworkandtime,andwillbeinconjunctionwithothervenuestohost industryonlyeventsforartistsandprojectslikeChameleon.MiamiMediaLabisthe inhouseentitythatservesastheproductionhousetocreateourmajorproductionsof Chameleon.

Chameleononsiteandoffsitemerchandiseproduction: TheBookstore/GalleryLine AutographedLithographs ChameleonNovel ChameleonInspiredClothingLine ChameleonBrandPerfume ChameleonJewelryApparel ChameleonInspiredAlcoholicBeverages ChameleonInspiredHandbags ChameleonSpecial ChameleonFilm ChameleonTheaterandFilmSoundtrack ChameleonLobbyCards ChameleonPosters ChameleonAgenda TheTshirts V.MARKETANALYSISSUMMARY Chameleonsmarketanalysishasbeenbrokenupinthreesubjects. Thethreedivisionsare: Geographical: UnitedStates Switzerland Slovenia France CzechRepuplic India Japan Psychographics: Students LGBTCommunity CorporateOrganizations EntertainmentIndustry OlderGeneration AgeandGender:

Male:1824(15.7%) Female:1824(21.3%) Male:2534(30.3%) Female:2534(9%) Male:3544(6.7%) Female:3544(3.4%) Male:4554(4.5%) Female:4554(2.2%) 55+:(2.2%)

VI.STRATEGYANDIMPLEMENTATION Our singular focus is to be the premiere source of transmedia productions that excels in the worlds of cinema, stage, fashion, dance, and music through the technological worlds of transmedia design. My financial producer, Jorge Garcia from Brothers Collective, and I have opened ourheadquartersattheCriticalRecordingStudiosinMIami,FloridaoffofBiscayne.With our brand new office, we open it to our new artists (writers, artists, musicians) to provide our services.Thefollowingisareviewofourservicesforourcompany: Business Plan: Our company will work on ourclients businessplan.Wewillhaveahour consultation speaking to the artist about their brand. We will write their business plan thatcelebratestheirbrands. Press Kit: Alongside their business plan, we include music and video to optimize our clientsbranding. Book Option: Printing the book with Booksmart Blurbservicesusingthehighestquality HPprintingandbookbindingservices.Pricevaryonthepagelengthoftheplan. Ebook Option: Creating an app of your business plan and press kit with Booksmart Blurb. Songwriter Sessions: We will provide a hour long songwriting sessionsat the studio to workwithdifferentwritersforcollaborations. Artist Development: We are in the business of nurturing the artist and givingourspace for their growth. We take a lookatyourbrandand createyourbrandfromimagetostage showacttocreateyourbrandamarketableone. Screenwriting Services: We can provide independent companies the opportunity to

workwithourscreenwritersthroughstoryboards,outlines,drafts,andedit. Synopsis Outline CharacterNamesandBios DraftsandEdits

RegistrationWehavearegistrationfeeforartisttosignwithourcompany. Licensing: We provide the artist the service to register and copyright their brand with theLibraryofCongressandotherunions. Booking:Weprovidetheserviceofbookingshowcasesforourclients. Music Video Treatments and Storyboards: We provide a hourlongconsultationwiththe artists to tell us their vision and consult them. Send us your track beforehand. We designthetreatmentandstoryboard. Graphic Designer: We will provide you with our inhouse graphic designer to create posters,logos,cdpamphlets.amongotherthings. WebsiteDevelopment:Wewilldeveloptheartistswebsite. Entering the Chameleon, Chameleons very own interactive light show and stage, will be the main venue for film, theater, and dance appreciation, enrichment, and enjoyment of all the related arts. Therefore a marketing focus will be on these benefitsof visitingandparticipatingin anything that coincides with the production brand. Through our diverse range of programs, we willprovideanongoingdevelopmentintheappreciationandenjoymentthatourshowoffers. Keyareasofourmarketingstrategyincludethefollowing: The first stage of membership in Chameleon will be the development of the Entering the Chameleon Circle. Thiswill be the group of corporations and individuals who participated inthe ground floor construction phase of the Cinematheque, and will be acknowledged on a bronze plaque placed prominently on premise. Through either inkind or cash donations or a combination of both, membership in the Founding Circle of the Cinematheque will be achieved onseverallevels: FoundingPremiereSponsor($25,000andabove):Thislevelwillreceiveacustomizedbenefit packagethatindividuallysuitstheprovider,withthemostprominentpresentationcredit. FoundingSponsor($10,000andabove):Thislevelwillalsoreceiveacustomizedbenefit packagethatindividuallysuitstheprovider,withsecondmostprominentpresentationcredit,

customizedOnScreenAd,and160complimentaryticketstoregularattractions. FoundingPremierePatron($5,000andabove):Customizedsignageforsixmonthsand75 ticketstoregularscreenings. FoundingPatron($2,500):Customizedanimatedlogoforonemonth,customizedsignagefor onemonth,35ticketstoregularscreenings. FoundingDonor($1,000):Customizedadinprogrammesandnewsletter.20ticketstoregular screenings. FoundingFriend($500):Listinginprogrammesandnewsletter,10ticketstoregular screenings. ThelevelsofmembershipsforChameleonare: PremiereMember($100).Specialoffersfromcorporatesponsors,ChameleonTshirt,plus membershipbenefits. Member($50).Adiscountof12.5%forregularshowings,subscriptiontothenewsletter, invitationstospecialeventsandparties.StudentandSeniorAnnualMembersreceive25%off. Annualmembershipstartsthedaytheproductionbegins,butCharterandFoundingMembers payinadvance,allowingthosedoorstoopen! Regular ticket priceswill be$???for"OneNightMembers",$???for AnnualMembers,and$??? for Students and Senior Annual Members. Special events arepriced separately,anddon'tapply todiscountsunlessstated. ?, the Cinematheque Email Newsletter anddirectmailingswillbeourregularmarketingplatform for products, services, and events. It will also be a way to document the history of the Cinemathequeandshownewvisitorswhattheywillreceiveasamember. Telemarketing will be the followup to direct mailings to make the sale if the mailings haven't yet. Telephone calls will bea wayto keep in touch individually with members, andgetfeedback andrequests. Onsite Marketing ofChameleonproductsandserviceswillbeoneofourmost importantways to convey messages and direct people to revenue generating centers. There will be constant awareness of what one can see, do, and buy through a variety of imaginative graphic placements and "OnScreen Advertisements" and "teasers". With a captive audience ofthose who already made the effort to participate, we will be successful in spreadingthewordofallwe

havetooffer,enjoyingawordofmouthpushthatkeepspeoplecoming. Targeted Advertisements will form a diversity ofsupportfor the Chameleon. Advertisements from our sponsors aswellasourshowswilltargettheworldsofthestories themessuchasthe circus and the gypsy festivals.Ourprogrammingfocusesoncelebratingloveallaround.Wewill also promote our corporate sponsors in these targeted slots. The advertisements will heavily promote the telephone numberasawaytoknowthedetails,bycalling(phonenumber).Theinfo willchangeweekly. General Listings will also be broad in scope, giving information on types of nights and the number you can call for more information. Details will be provided in listings when needed and appropriate. The Website will always be mentionedinadvertisementsasaplaceto buyadvanceticketsand other products. Bysellingadvancetickets,wewillknowourcapacitiesinadvanceandbeableto judge when extra marketing is necessary. Once at the site, there will be constant direction to revenue generatingcenters,suchasthemerchandisepagefullofinterestingthingsto purchase. The website will also be a baseforourmissionofeducationwiththeChameleontour.Therewill beastrategicplacementoflinkstoandfromotherwebsites. Radio and PSAs will form a support group from a widerarea,andwewillparticipateincreative giveaways for awareness in targeted radio stations. Chameleon willspecialize in neoclassical and electronic music and the marketsthat appreciate theseunderavailablemusicstyleswillbe contactedbyradiowithcustomsoundmixesmadebyvolunteers. Flyers, programs, and brochures willbe an important source of information and education to convey the mission of theproductions brand. Chameleons archives will be a wealthof visual materialforarichtraditionofgraphicuse. The Database will be an ever changing animal, and like the website, it will require constant updating. There will be an expansion of our present database to the categories of Present Members (in all categories), Nonmembers but on the mailing list, Potential Donors, Alliances, Vendors, Distributors and Producers, and Volunteers. By keeping good track of our customers, we will be better suited to market to them in certain ways. When they arrive with an advance purchase or a membership card that can be swiped for identification, we will alwaysknowwho comestowhatandhowoftentheycome. Press Contacts will beexpanded toincludeaninternationalarrayofpublicationsandjournalists that are interested in the Chameleon and what is has to offer. Organized and well timed press releaseswillbeabletoinformavarietyoftargetmarketswhatishappening. A.FUNDRAISINGSTRATEGY

Startup Donor Drive. The Startup Donor Drive effort depends on the commitment of key volunteers to raise funds through corporate and individual contributorsthroughoutthearea.This includes leveraging the resources of corporate sponsors and initiating the Entering the Chameleonprogramwherebusinessesarepartneredwithspecificareasofneed.Sponsorsand Donors are recognized in numerous ways for the valuableroletheyplayintheorganization.We anticipatethedrivetocovertheopeningexpenses. Monthly revenues. Revenues for the 20132014 opening will be supported by programming and memberships at first, and development of products and services. The forecasted revenue ranges fluctuatefroma beginning low of just a few thousand dollars inour firstmonthwhenwe open our Brothers Collective business and start making revenue based on our services from artistsCreativeArtistDevelopersJenniferBrigitteandJorgeGarciamanage. Grants. Chameleon is currentlyseeking grants from BurningMan,thePuffinFoundation,Grace Kelly Playwright Award and others to not only seek recognition but principal foundation for the money coming through. Wearealsoseekingsponsorstoinvestinourprojectinordertofindthe resourcestomakethisshowcomealive. a.EVENTS b.MILESTONES B.MARKETINGSTRATEGY Our integrated production istomeettheneedsofourprofessionalshandtailoredcraftsmanship that will incite a spark withour audience. Miami Media Lab utilizesallof its departmentstomeet ourcompanytopstrategies. C.CONTENT At Chameleon, it is our duty to ensure the content of our production is king both for ourselves andouraudience. D.CREATIVE We call upon the besttalent in the industry to create the stylish,groundbreaking,andinnovative production that will endure our expected three years and become the next generation of high impactmarketing. E.DIGITAL

We use an evergrowing and everevolving digital advertising and social media to reach a wide range of desirable audience to widen our fanbase with merchandise, performance, and other commonalities.