Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Still

Shot Type:

Close up

Angle:

Cut

Transition out:

Cut

Scene duration

High, Looking Down 0:00-0:11

Intro, showing the rappers location. Has Title onscreen with director. Production company name.

Lip Sync

Yes

No x

Scene Number:

Storyboard Page:

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Shot Type: Cut Transition out: Cut

Angle: Scene duration 0:11-0:15

Studio activity; showing group of people inside the studio

Lip Sync

Yes

No x

Scene Number:

Storyboard Page:

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Pan Cut

Shot Type:

Transition out: Thirsty on Twitter.

Medium to Close up Cut

Angle: Scene duration 0:15 0:22

Camera focuses on the producer of the song, the man in the studio producing the beat is also on twitter (Relates to lyrics)

Lip Sync

Yes

No x

Scene Number:

Storyboard Page:

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Still Cut

Shot Type:

Close up Cut

Angle: Scene duration 0:22-0:25

Transition out: Thirsty on twitter

Shot of producer on twitter on his phone.

Lip Sync

Yes

No x

Scene Number:

Storyboard Page:

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Shot Type: Cut Transition out: You-Boo-boo

Medium close up Cut

Angle: Scene duration

Low angle shot 0:25-0:29

Introducing the rapper Kendrick lamar.

Lip Sync

Yes x

No

Scene Number:

Storyboard Page:

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Shot Type: Cut

Medium

Angle:

low

Transition Cut Scene out: duration You Td you turned down, you thirsty, you boo-boo. Huhh. Rapper, in the studio, recording the new having fun and flashes of him at his end goal performing live on stage. ( future Footage) Lip Sync Yes x No

Scene Number:

Storyboard Page:

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Shot Type:

Medium

Angle: Scene duration

low 0:34-0:42

Seamlessl Transition Cut y out: Uh, im tryna learn something new Kendrick becomes bit more serious. Low angle to make him look more powerful.

Lip Sync

Yes x

No

Scene Number:

Storyboard Page:

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Shot Type: Cut

Medium

Angle: Scene duration 0:42-0:51

Transition Cut out: They say his the key to my blessing.. Performing live on stage. Future footage, him being at the top achieving his goal. (Non-linear formatted music video)

Lip Sync

Yes x

No

Scene Number:

Storyboard Page:

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Shot Type:

Medium

Angle: Scene duration

Transition out: Im back chilling with a friend of mine

Eye line to low 0:51-1:09

Kendrick becoming more and more Lip Sync serious, ( use of low angle) but showing his still having fun ( eye line shot) Storyboard Page:

Yes x

No

Scene Number:

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Shot Type: Cut Transition Cut out: (bridge) imma cut you off ( hook) Kendrick on stage to clips of him in the studio. Relating to him working and where it got him, on stage and how they both relate and its still the same him.

Angle: Scene duration 1:09-1:21

Lip Sync

Yes x

No

Scene Number:

Storyboard Page:

10

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement:

Zooming in.

Shot Type:

Transition in: Song lyric Narrative /Direction

Cut

Transition out: Cause every-time you come around

Medium close up ( Behind) to normal standard shot. Cut

Angle:

High eye line shot 1:21-1:44

Scene duration

Scene goes back into the studio, similar to actual music video where the cut back to the studio footages.

Lip Sync

Yes x

No

Scene Number:

Storyboard Page:

11

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric

Shot Type: Cut Transition out:

Over The Shoulder Shot Cut

Angle: Scene duration 8:00

Narrative /Direction

motivation It's more than making enemies my nigga Oh, that's not your memo? Then tell me why you constant stressing on how much you well connected like centipedes my nigga? Kendrick Lamar goes into a new verse as Lip Sync Yes No we start talking about gangsters faulting x their pistols. The gangster also telling Kendrick pregnant women in the neighbourhood. Storyboard Page:

Scene Number:

12

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric

Shot Type: Cut

Angle:

Narrative /Direction

Transition Cut Scene 16:00 out: duration I function with you and you flaunt your pistol Every second tell me how you pressed him at the Monte Crystal Where so-and-so from, and what neighbourhoods beefing Who baby momma's a rat, and who got killed last weekend That shit is mad depressing, bringing me down The gangster also tells Kendrick Lamar Lip Sync Yes No about pregnant women in the x neighbourhood, where so and so is from, beef which could be possibly going on in the hood and who got killed last weekend.

13

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric

Shot Type: Cut

Angle:

Transition Cut Scene 5 seconds out: duration Speak on something with some substance that can get us both paid rather than telling me how these niggas jocking your style or his rims ain't bigger, pussy nigga, I'ma cut you off Kendrick Lamar tells the gangster what hes telling Kendrick is depressing, hed rather he something with substance that will both of them paid. Lip Sync Yes No x

Narrative /Direction

14

Bradley Bablee

Mr.Sleeman Storyboard

Scene Number:

Storyboard Page:

Camera Movement: Transition in: Song lyric

Shot Type: Cut

Angle: 5 seconds

Transition Cut Scene out: duration Cause every time you come around you be hollering that whoop-de-whoop, blase-blah He say, she say, oh my God Shut the fuck up... hoe Every time you come around you be hollering that whoop-de-whoop, blase-blah He say, she say

Narrative /Direction

Kendrick then tells us that people in the Lip Sync hood had no ambition while he raps saying wooty woo, blahzay blah which is people talking rubbish. Also telling us hell cut off anyone who is irrelevant to his life

Yes

No x

Scene Number:

Storyboard Page:

15

Bradley Bablee Scene Number:_____

Mr.Sleeman Storyboard Storyboard Page:_____

Camera Movement: Transition in: Song lyric

Shot Type: Cut

Angle: 24 seconds

Narrative /Direction

Transition Cut Scene out: duration Uh, I'm tryna learn something new I'm tryna better my chances of becoming a star I'm tryna feel the vibe of Mona Lisa, studying art Now paint that picture, life behind bars Kendrick Is rapping in the studio how hes Lip Sync trying to learn something new in life, bettering himself as a person if he would like to make it in the music industry.

Yes

No x

16

Bradley Bablee

Mr.Sleeman Storyboard

Scene Number:_____ _____

Storyboard Page:-

Camera Movement: Transition in: Song lyric

Shot Type: Cut Transition out:

Mid shot Cut

Angle: Scene duration

High 14 Seconds

Cause everytime you come around, you be hollering that "Whoop-de-whoop, blah-zay-blah, he say, she say" Oh my God, shut the fuck up... ho Everytime you come around, you be hollering that "Whoop-de-whoop, blah-zay-blah, he say, she say"
He is going to be rapping to the camera while being a high angle shot. Lip Sync Yes yes No

Narrative /Direction

Scene Number:_____

Storyboard Page:_____

17

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric

Shot Type: Cut Transition out:

Mid-long shot Cross disolve

Angle: Scene duration

Eye level 9 seconds

Oh my god, shut the fuck up Keep it running, Ali So tell 'em, "Shut the fuck up!" Tell 'em, "Shut the fuck up!" Yeah, bitch, you boo-boo, you T'd, you turnt down, you thirsty *repeated in different ways* Keep all that
He will just be in the studio now, with his friends surrounding him and him rapping about all these girls being thirsty. Lip Sync Yes No No

Narrative /Direction

18

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Shot Type: Cross dissolve Transition out:

Mid angle Quick cut

Angle: Scene duration

canted 8 seconds

Yeah, bitch, you boo-boo, you T'd, you turnt down, you thirsty, Tell em shut the fuck up, Tell em shut the fuck
Students that have turnt me down before while trying to promote my mixtape will now be celebrating that Ive finally made it. Lip Sync Yes No No

19

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Shot Type: Quick cut Transition out:

Long shot Quick cut

Angle: Scene duration

Eye level 8 seconds

yeah *igga you td, you turnt down you thirsty you thirsty,you boo boo you turned down you boo boo you td
Students that have turnt me down before while trying to promote my mixtape will now be celebrating that Ive finally made it. Lip Sync Yes No

20

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Shot Type: Quick cut Transition out:

Action shot Quick cut

Angle: Scene duration

Eye level 8 seconds

You boo boo you turnt down, you thirsty you td you turned down, you boo boo, you turned down
The popping of a champagne bottle to celebrate the main artist success and that even though I was at the bottom I still made it to the top through hard work Lip Sync Yes No

21

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

Shot Type: Quick cut Transition out:

Mid angle dissolve

Angle: Scene duration

High 9 seconds

You weave your bitch weave, you weave, you weave, you weave, haha Were in the studio now and celebrating the success of my song that has finally came together and the place where I made my dream. Lip Sync Yes No

22

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Dissolve

Shot Type:

Transition out:

Numerous Angle: different angles: Mostly long shot seamless Scene duration

Mostly Eye level 13 seconds

You boo boo, you td( Lyrics end while the beat carries on playing)
23

Bradley Bablee Narrative /Direction

Mr.Sleeman Storyboard Lip Sync Yes No No

This will be found footage of Kendrick Lamar concert in America to indicate that Ive made it worldwide and I am finally star now.

Camera Movement: Transition in: Song lyric Narrative /Direction

Shot Type: Seamless Transition out:

Mid shot Fades to black

Angle: Scene duration

Low angle 12 seconds

No lyrics just the beat playiung

It will be a shot of me just dancing around, celebrating and being proud of what I achieved even if it was a tough road. Lip Sync Yes No No

24

Bradley Bablee

Mr.Sleeman Storyboard

Camera Movement: Transition in: Song lyric Narrative /Direction

No movemet Black screen

Shot Type: Transition out:

No shot Black screen

Angle: Scene duration

No angle 7 seconds

No lyrics just the beat playing

Lip Sync Yes No

25

Bradley Bablee

Mr.Sleeman Storyboard

26