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Making Movement through

Motion Pictures

Period films & videos from 1968 to 1975
programmed by Julia Reichert and Ariel Dougherty



FILM played a significant role in conjunction with this conference.
In fact, a work-in-progress screening of LEFT ON PEARL ignited the
whole idea for A Revolutionary Moment.

The conference featured two evenings of screenings of documentaries
about Second Wave feminism, including Joan Bradermans Heretics.
Jennifer Lees Feminist: Stories from Womens Liberation, Catherine
Russos A Moment in Her Story, Susie Rivo and the 888 Womens History
Projects Left on Pearl, Liane Brandons Anything You Want to Be,
and excerpts from Mary Dores Shes Beautiful When Shes Angry. A third
evening featured a range of films from the early 1970s, selected by Julia
Reichert and Ariel Dougherty.

Two workshops focused entirely on womens filmmaking. Numerous others
included film as a component of the context of recording issues of the period.





S NAKINu N0vENENT thiough N0TI0N PICT0RES Naich 29, 2u14 A Revolutionaiy Noment

MAKING A MOVEMENT THROUGH MOTION PICTURES
PROGRAM NOTES: Films of the Period 1968 1975
programmed by Julia Reichert and Ariel Dougherty

For A REVOLUTIONARY MOMENT Conference / Boston University

Saturday March 29, 2014 7:30 pm GSU Conf Auditorium

This selection of films from the period includes documentary, fiction, experimental &
animated works from all over the US. These film clips and shorts will introduce viewers to
authentic voices from the birth of the Women's Liberation Movement. The works are
pointedly a response to omission of voices and /or distortion of viewpoints in mainstream
corporate media that still persists today. While here we show only US based work, this
movement was international. Hurray for independent and radical feminist media making!!


MAKE OUT 5 mins NYC Drama
B&W 1970 16mm / DVD Third World Newsreel
by NY Newsreel Collective
As a young couple make out in a car, we hear the woman's stream
of consciousness thoughts. She worries about her reputation and
whether he'll try to "go all the way." This film is best used with
discussions and/or materials about date rape. The film is a vibrant
document of the early second wave women's movement, and the
concerns and thinking of young women at that time. This film is unique
in the Newsreel collection, as it was filmed with actors, with a voice-
over script created from a women's group discussion.
Newsreel collectives evolved in response to the Vietnam War and as liberation
movements mobilized worldwide. This network produced large numbers of short
16mm documentaries quickly and inexpensively and would distribute them almost
always with someone accompanying them to discuss the content, providing an
alternative media that would increase public awareness of topical issues. The goal,
though, was not just to educate, but to inspire action for change.

THREE IN THE PARK 7 mins NYC Drama
Color 1971 16mm / DVD provided by filmmaker
to Ariel Dougherty NY Public Library
by Bernadette Beekman, @ Age 18, YOUTH
Girlfriends out for a day in the Park meet a young man who creates
an awkward triangle with racial overtones. The placid, pastoral setting
helps smooth over the strong and disturbing undercurrents.
Youth filmmaking began in the early 1960s initially in settlement
houses to teach youth technical skills and develop self-
empowerment. Youth Film Distribution Center in the late 60s
provided an organized vehicle for these works to reach a wide
audience. Ariel estimates that maybe 25% of these films were by girls
and form an important body of work for Girl Studies programs.

I AM SOMEBODY 30 mins NYC + NC Doc
Color 1970 16mm / DVD Icarus Films
by Madeline Anderson (selection)
In 1969, 400 poorly paid black women--hospital workers in
Charleston, South Carolina--went
on strike to demand union
recognition and a wage increase,
only to find themselves in a
confrontation with the National
Guard and the state government.
Supported by such notables as
Andrew Young, Charles Abernathy,
and Coretta Scott King, the women
nonetheless conducted a strike
under the guidance of District 1199, the New York based union, and
the Southern Christian Leadership Conference. A testament to the
courage of these women who would not be humbled, the now classic
I AM SOMEBODY is both an inspiring film and an important historical
record.



GROWING UP
FEMALE
50 mins OH Doc
B&W 1970 16mm / DVD New Day Films
by Julia Reichert and Jim Klein (selection)
The socialization of the American woman is presented through a
personal look into the lives of six females. Their ages range from 4 to
35 and their backgrounds vary from poor black to upper-middle class
white. We see in action the many forces that shape women's self-
conception: parents, teachers, guidance counselors, media, pop
music and the institution of marriage.
In 2012 placed on National Film Registry


NEAR THE BIG CHAKRA 14 mins
OR Experimental (selection)
Color 1972 16mm / DVD Canyon Cinema
by Anne Severson AKA Alice Anne Parker
A movie by Oregonian Anne Severson that consisted entirely of
vaginas, and what vaginas they were. Marni Jackson, Women &
Film: International Festival Toronto, 1973 The impression made by
this film, its impact has been enormous. ! This film is a new
approach to our femininity. Agnes Varda, Image and Sound

IT HAPPENS TO US 32 mins NYC Doc
Color 1972 16mm / DVD New Day Films
by Amalie Rothchild (selection)
Released in 1972, this film remains the classic plea for a
woman's legal right to choose. Four methods of abortion are fully
described by a physician and pertinent medical statistics are
interspersed throughout. It presents the most cogent arguments,
through the personal stories of a wide range of women both rich
and poor, young and older, black & white, married & unmarried, as
to why ending a pregnancy must remain an available choice. It
reminds people of the consequences when it was illegal and what
life was like before Roe vs Wade.





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DOMESTIC TRANQUILLITY 7m NYC Drama
B&W 1973 16mm / DVD Womens Silverscreen Roadshow
by Harriet Kriegel
The film revolves around the conflict of a mother of three who
enjoys motherhood but feels thwarted by having given up her career as
an artist. Art has become objects she now dusts.
One of five short dramas produced & completed in Women Make Movies community
workshop in Spring 1973 and shown at the Women and Film International Festival that June
in Toronto. In New York Public Library and Museum of Modern Art permanent collection.

SONGS SKITS POETRY AND PRISON LIFE
26 mins NY State Doc + (selection)
B&W 1974 EIAJ shot on ! / edited on 1
DVD from Ariel Dougherty Archives / Schlesinger Library
by Women of Bedford
Hills Correctional Facility
During the summer of 1973,
approximately 80 women from the
Bedford Hills Correctional Facility
(the only minimum/maximum
security prison for women in New
York State) participated in a
twelve week program and taped
each other as they sang songs, read poetry, acted out skits and
discussed their grievances. Funded by the America The Beautiful Fund,
the composite tape was edited by Ariel Dougherty, teacher of the
program.

DYKETACTICS 4 mins CA Experimental
B&W 1974 16mm / DVD Barbara Hammer
by Barbara Hammer
A popular lesbian "commercial," 110 images of sensual touching
montages in A, B, C, D rolls of "kinaesthetic" editing. "The images are
varied and very quickly presented in the early part of the film, introducing
the characters, if you will. The second half of the film slows down
measurably and all of a sudden I found myself holding my breath as I
watched the images of love-making sensually and artistically captured." -
Elizabeth Lay, Plexus

INTERNATIONAL VIDEOLETTERS 25 mins
San Francisco Doc / News (selection)
B&W 1975 ! video EIAJ / Schlesinger Library
by Just Us Video 1976 Interface Productions, Inc.
Jaime of Just Us introduces the news: A clip in a studio for
Margie Adams album SONGWRITER. Linda Tillery, on drums; the
Lily Theatre troupe rehearsing Moonlighting; and a concert, first,
Cris Williamson at the piano, followed by Holly & Timothy Near, Meg
Christian & Cris performing SISTERSONG. Timothy gives an
empowering lesson in deaf signing.
VIDEOLETTERS evolved out of two feminist media conferences in 1975 as an
experiment to increase communications and a news exchange among feminist
communities. Bi-monthly videotapes were produced and exchanged among 14
womens communities across the US & internationally: Rochester, LA, Tucson,
Chicago, Santa Cruz, San Francisco, San Diego, Portland, Tampa, Boston,
DC, NYC, Toronto, and Sydney. As many as fifty tapes were produced. Today
only three known tapes survive.

CHICANA 23 mins LA Doc (selection)
Color 1979 16mm / DVD Women Make Movies
by Sylvia Morales
CHICANA traces the history of Chicana and Mexican women
from pre-Columbian times to the present. It covers women's role in
Aztec society, their participation in the 1810 struggle for Mexican
independence, their involvement in the US labor strikes in 1872,
their contributions to the 1910 Mexican revolution & their
leadership in contemporary civil rights causes. Using murals,
engravings & historical footage, CHICANA shows how women,
despite their poverty, have become an active part of the political
and work life in both Mexico and the US.

CROCUS 7 mins MN Animation
Color 1970 16mm MOMA Circulation /
DVD provided by filmmaker to Ariel Dougherty
by Suzan Pitt
Naked, a heterosexual couple, aroused, prepare for sex, but
the awakened, thirsty baby interrupts. Once the baby is settled
again in his crib the couple renews their lovemaking. Vegetables,
flowers, and birds float through the doorway, around the room over
the pair then out a window. The conclusion is affirming about the
womans chosen work.
___________________________________________________________________
THE DISTRIBUTORS

Third World Newsreel www.twn.org 545 Eighth Ave, Suite 550, New York,
NY 10018 tel. 212.947.9277 fax. 212.594.6417 twn@twn.org One of two surviving
newsreels (the other is California Newsreel), TWN distributes documentaries from Africa,
Asia, Latin America, Palestine and the US.

New Day Films www.newday.com/ 190 Route 17M Suite D, Harriman, NY 10926
tel. 888.367.9154 fax. 845.774.2945 orders@newday.com New Day Films, founded in
1972 as a filmmaker-run cooperative for films about women, empowers filmmakers. Over the
years New Day's collection has expanded to include many multi award winning films, with an
emphasis on gender, race, history and the environment. New Day's diverse membership of
over 100 filmmakers make decisions democratically.

Women Make Movies www.wmm.com 115 W 29
th
St, suite 1200, New York,
NY 10001 tel. 212.925.0606 fax. 212.925.2052 orders@wmm.com Incorporated in
1972, Women Make Movies is a multicultural, multiracial, non-profit arts organization which
facilitates the production, promotion, distribution, and exhibition of independent films and
videotapes by and about women.

Canyon Cinema www.canyoncinema.com 1777 Yosemite Ave Suite #210 | San
Francisco, California 94124 tel. 415.626.2255 info@canyoncinema.com Canyon Cinema
is an organization of filmmakers, which supports, promotes, distributes and preserves
cinematic works of art. They are devoted especially to the art of film, as opposed to works
transfer to video/DVD.

Icarus Films www.icarusfilms.com 32 Court St, Brooklyn, NY 11201 tel.
718.488.8900 fax. 718.488.8642 mail@icarusfilms.com Icarus Films distributes innovative
and provocative documentary films from independent producers around the world. Of special
note: Fundi: The Story of Ella Baker by Joanne Grant.
Museum of Modern Art Circulating Film & Video Library
www.moma.org/learn/resources/circulatingfilm#aboutcircfilm 11 West 53
rd
St, New
York, NY tel 212.708.9400 MOMA has an extensive catalog of cinematically historic
film works. In addition to Pitts work, look for Lois Webers films (& much more).

Schlesinger Library www.radcliffe.harvard.edu/schlesinger-library 3
sJames Street, Cambridge, MA tel. 617.495.8647 in Ariel Dougherty archives.
Once permission is granted material can be viewed privately via Vimeo; Two other
VIDEOLETTERS are in the Getty Collection: www.getty.edu/research/library/
1200 Getty Center Dr, Suite 1100, Los Angeles, CA 90049-1688 tel.
310.440.7335 One by Susan Mogul of the Womans Building; the other by
Spectra Feminist Media Project of DC on the Coalition of Labor Union Women.
Barbara Hammer 17 DVDs by Barbara Hammer available for
personal and institutional sales: including Dyketactics and Other Films of the
1970s. Visit www.barbarahammer.com

New York Public Library Reserve Film & Video Collection,
http://www.nypl.org/locations/lpa/reserve-film-and-video-collection Library for the
Performing Arts, 40 Lincoln Center Plaza, Manhattan, NY 10023-7498 tel
212.870.1741 NYPL has a large collection of titles of youth films from the 1960s &
1970s. A plan for their restoration and preservation is underway.

Womens Silverscreen Roadshow 1580 Caballo Road, Truth or
Consequences, NM 87901-3013 575.740.5868 ArielCamera@gmail.com An
evolving tour of a collection of women-made films from communities of 1970s to
present. DOMESTIC TRANQUILLITY & a few other early WMM shorts available via
the Roadshow.

S NAKINu N0vENENT thiough N0TI0N PICT0RES Naich 29, 2u14 A Revolutionaiy Noment


Making Movement through Motion Pictures

A sampling of twelve Films and Video produced during the period 1968 to 1975
programmed by Julia Reichert (a founder of New Day Films)
and Ariel Dougherty (a founder of Women Make Movies)

An Intiouuction
by Aiiel Bougheity piesenteu befoie the film scieening,
Naich 29, 2u14, A Revolutionaiy Noment, Boston 0niveisity

Sliue Talk


B&W piouuction still fiom Suzanne Aimstiong shoot, }0ST
L00KINu (a Women Nake Novies piouuction) by Susan Neiselas





It is fantastic to leain that LEFT 0N PEARL
has been the impetus foi this confeience.

Let's all salute the powei of film!!

!""#$%




Left, covei }eanne Bentancouit book, Women In Focus (1974);
iight, flyei foi scieening of viueoletteis, Washington, BC, 1976


About half of the films }ulia anu I have
selecteu, weie shot with a Bolex. - the cameia
helu by the woman in the miiioi (ait by Suzan
Pitt). This cameia is a 16mm woikhoise. It
means the pictuie anu voice aie not lip-synceu
to one anothei. voice anu othei sounus aie
ovei-laiu.
0n the iight is a woman, uiawn, caiiying a
half-inch poita-pak tape ueck anu in hei
stietcheu out aim a cameia. These viueo
iecoiueis weie ievolutionaiy new tech in the
peiiou enabling meuia activists to iecoiu anu
immeuiately playback sessions. Some of the
most iauical anu uynamic feminist mateiial
was iecoiueu on these poita-paks..
Film is physical, anu tactical. viueo is
electionic with invisible impulses oi waves.
The two uiffeient meuia come fiom anu
iegistei in oui human synapse in uiffeient
ciicuitiy.
6 NAKINu N0vENENT thiough N0TI0N PICT0RES Naich 29, 2u14 A Revolutionaiy Noment




'()* + ,(-./ 01/234 5(- 67894:




List (thiee pages) fiom Confeience of Feminist Film & viueo
0iganizations, Bougheity papeis, Schlesingei Libiaiy




These weie most of the women's gioups
opeiating in film anu viueo in the 0S at the
stait of 197S. It's impoitant to note that these
gioups weie spieau out acioss a goou poition
of the countiy.

I quote fiom a pioposal in 197u by the NY
Women's viueo Collective to the NYSCA:
"Pioposeu Pioject: !"#$%&'(%)* ,'*- ,./0 ')
,-'1- 2'3%4*.$% 1.) .00'0* ') *-% 14)01'450)%006
&.'0')7 48 . ,4(%)90 :';%&.*'4) 7&45$ 42%& . <6
(4)*- $%&'43= !


;<=>?4 @"! /A B,BC !// 52D<







Piouuction shot fiom ! #$%&' !()*'+,)$&%, pioviueu by Naiy
Tiseo



Foi this scieening tonight we show 0NLY
woiks on BvBs. We've been thiough the
tiansfei to vBS phase, now we aie in the BvB
eia. What's next.

As I woikeu with a few filmmakeis to get
theii 16mm films tiansfeiieu to BvB we all
chuckleu about how the BvB piocess costs as
much as the oiiginal piouuctions.

Nany impoitant woiks like }ackie Sheaiei's
A NIN0R ALTERATI0N oi Alile Shaion
Laiken's Y00R CBILBREN C0NE BACK T0
Y00 - both shoit naiiatives by Afiican
Ameiican women aie not on BvB.

Fai too much mateiial is not ieauily
available. We neeu a massive campaign to
ensuie that the 197us woiks iemain available
to auuiences in multiple foimats.

7 NAKINu N0vENENT thiough N0TI0N PICT0RES Naich 29, 2u14 A Revolutionaiy Noment

66



Scieen shot of Kaplan's aiticle (http:bit.lyNBwBeY) with
an oveilay of fiames fiom the actual film pioviueu by Sheila
Paige, uiiectoi.




@=11=>(E.4

Feminist filmmakeis maue fai too few
naiiatives. We aie still making fai too few.
Naiiatives instill visions - pioviue us
oppoitunity to see wheie we might go oi came
fiom. They can cieate hope anu view of a
place we might giow into.

In the 197us we feminist filmmakeis
evolveu new teims like wishful-filmmaking oi
fanumentaiy that you've nevei heaiu of, in
hopes these foims might take anu evolve.

This 197S aiticle by Ann Kaplan uiscusses
the uniqueness of Sheila Paige's -&.*%/0
1,223 4$.* 5&..6%*> in a sea of
uocumentaiies.





!<. FD/A/*G /H '.*(A(4> '()* 5=I(AJ





Scieen shots of ciowu funuing campaigns of foui of the
contempoiaiy histoiy films shown on the pievious two
nights.






In pait, naiiatives weie few uue to money.

Naybe touay access to money is BETTER
than evei - but way N0T u00B EN00uB.

Explicit feminist content in films aie
paiticulaily uifficult foi funueis to giasp anu
oi to want to funu.

Foitunately ciowu-funuing has emeigeu.
Bow many have paiticipateu in some kinu of
ciowu funuing effoit..

This enables a iange of new woiks to seek a
funuing auuience. But even heie weie neeu a
moie uevelopeu tool oi netwoik, so that each
pioject uoes not begin anew.




8 NAKINu N0vENENT thiough N0TI0N PICT0RES Naich 29, 2u14 A Revolutionaiy Noment



FA421(AJ ><. K(4>/1G




Rose Lowuei puts moie films into uistiibution at Filmmakeis
Coopeiative, 2u1u.



As the women's libeiation movement
uawneu some of us choose films as oui tool to
make feminist change. At the time, even then,
we knew we weie making histoiy.

If we aie going to ensuie a legacy of the
women's libeiation movementall these fims
neeu to be auueu to youi univeisity's meuia
collection. These films neeu to be put into
youi buugets anu puichaseu so new
geneiations get to enjoy anu leainin oui
own woius anu pictuieswhat oui movement
was like.



$!LBM + NOF$FO,P!Q"@







Clockwise, fiom uppei left: Film ieels of }oann Elam's unuei
aichiving; one of the five coveis of the too shoit-liveu
publication, ?4(%) @ A':(; still fiom viueofieex viueo on
August 197u Women's Naich uown Fifth Ave; viueo class at
the Women's InteiAit Centei, c. 1974.








I cannot unueiscoie enough the necessity
foi stuuy of this eia anu pieseivation of the
films fiom the biith of women's libeiation.
You within acauemia have an enoimous
iesponsibility heie.

0nlike publications like B%&%0'%0 that
helpeu uocument feminist ait, ?4(%) @ A':(
was shoit liveu. No cential publication exists
of feminist film & viueo. 0ui aichives, woiks
anu ephemeia aie scatteieu, anu in uespeiate
neeu of histoiic uetectives to uneaith anu
assemble them.

Foi new histoiic films to come of the peiiou
uon't neglect home movies anu amateui
filmmakeis as souice mateiial.
9 NAKINu N0vENENT thiough N0TI0N PICT0RES Naich 29, 2u14 A Revolutionaiy Noment


!KF 'L!LOF



Postei fiom iecent event in Pioviuence, RI






Even though New Bay Films anu Women
Nake Novies, anu otheis fiom the eaily 197us
cieateu new venues to get woiks befoie
auuiences, we neeu new sistei piogiessive
oiganizations to augment that woik, ueepen
the channels of uistiibution anu especially
exhibition.

We neeu an active giassioots scieening
campaign of these woiks that we aie showing
tonight anu many otheis incluuing those of the
last two nights.

The fiftieth anniveisaiies of many WLN
milestones come up ovei the next few yeais.
Why not a fifty states feminist film festival to
celebiate the gieat successes of feminism, anu
the woik we still have to uo.

Iueas abounu. Will powei to execute new
possibilities is neeueu.


P1(.)R=*.1=SJ*=()TD/*
S5.-(=FU2(>G



I'm making this tool to aiu us all in this
quest.

Please holu & iemembei in youi heait -

+ The Women's Novement Effecteu
Eveiyone
+ It took place in All coineis of the Countiy
+ It was Leaueiless Allowing The Nany to
Rise
+ We Women Weie Innovative anu uianu
in 0ui visions

Enjoy the films.



1u NAKINu N0vENENT thiough N0TI0N PICT0RES Naich 29, 2u14 A Revolutionaiy Noment

O.D=33(AJ !<. N/4> $D1..A(AJ BQ$RL$$Q"@ VV NOF$FO,P!Q"@


MAKING MOVEMENT THROUGH MOTION PICTURES
0ne evening's piogiam at A Revolutionaiy Noment confeience B0 Naich 29, 2u14


By Aiiel Bougheity Nay 1, 2u14


An invigoiating uiscussion emeigeu at the conclusion of showing the twelve
iauically uiffeient woiks iepiesenting feminist filmmaking of the eaily women's
libeiation movement. Regiettably we all (but especially myself) misseu }ulia's
viewpoint anu input, as a family emeigency hau sent hei home that moining at the
ciack of uawn.

As the 2%&/ :.0* %2%)* of A Revolutionaiy Noment confeience oui numbeis
hau uwinuleu to an auuience of about fifty, but a ueuicateu gioup it was who hung in
theie. The uiscussion centeieu exclusively aiounu pieseivation.

}ennifei Lee (FENINIST: ST0RIES FR0N W0NEN'S LIBERATI0N
http:www.feministstoiies.com ) bioaucast a bit of the uiscussion out in ieal-time
via Twittei:


A woman fiom Chicago mentioneu that all of }oann Elam (1949-2uu9) woiks
aie aichiveu at the Chicago Film Aichives.
http:www.chicagofilmaichives.oignewsjoann-elam-collection-upuate. Elam
maue one of the fiist films on sexual violence, RAPE (197S) still in uistiibution, but
only on 16mm, at Canyon Cinema (http:canyoncinema.comcatalogfilm.i=82S ).

I auueu that the foui founueis of New Bay Films, }ulia Reicheit, }im Klein,
Liane Bianuon anu Amalie Rothchilu hau all ueciueu that theii papeis anu woiks
will go to the Rubenstein Libiaiy at Buke 0niveisity.
(http:blogs.libiaiy.uuke.euuiubenstein2u12u4u2new-uay-films-events-at-
full-fiame-to-celebiate-iubenstein-libiaiy-acquisition ). Anu that my own
collection is at Schlesingei Libiaiy
(http:oasis.lib.haivaiu.euuoasisuelivei~schu1216 ). We aie cuiiently
uiscussing how some of the film woiks
(http:oasis.lib.haivaiu.euuoasisuelivei~schu1S6u ) can be maue available via
a piivate vimeo stieam.

11 NAKINu N0vENENT thiough N0TI0N PICT0RES Naich 29, 2u14 A Revolutionaiy Noment

Fuithei, I mentioneu that the Sophia Smith Collection at Smith College hau
acquiieu the collection of Aliua Walsh (19SS-2uu7)
(http:asteiia.fivecolleges.euufinuaiussophiasmithmnsss486.html), a cential
figuie in Women AitistsFilmmakeis. Sophia Smith also has all the viueos, ovei 6u,
which weie piouuceu at the National Congiess of Neighboihoou Women, incluuing
the celebiateu uocumentaiy by theii founuei Chiistine Noschese, W0NEN 0F TBE
N0RTBSIBE FIuBT BACK. (1974). The mateiial can all be vieweu on line:
http:meuia.smith.euuuepaitmentssscncnwncnw_playlist.html ) Fantastic!

Buiing oui uiscussion in ieal-time, one of }ennifei's tweets was 'favoiiteu' by
the LA baseu iauio show, Feminist Nagazine:


Catheiine Russo (A N0NENT IN BERST0RY
http:catheiineiussouocumentaiies.com) iaiseu the concein of how we might be
able to pay foi all this aichiving. Ny iesponse:


Extia effoit now neeus to go into the pieseivation piocess to ensuie that
these woiks aie enjoyeu by geneiations to come. The geiminal film anu viueo woik
of the Seconu Wave geneiation must be stuuieu anu unueistoou in the context of
theii peiiou. The moie anu bettei we collectively know oui feminist cinematic
histoiy, the gieatei enableu we will be to effect gianuei feminist film auvances in
the futuie. These woiks aie a vital moving visual iecoiu of the laboi, buist of iueas
anu mammoth change that women unueitook at the biith of the women's libeiation
movement.

To pieseive the film & viueo woiks of this peiiou theie is much woik to uo
anu money to iaise. Let's begin.

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