Beruflich Dokumente
Kultur Dokumente
Dropped D Tuning
Dm
Intro
000 241
4
& b 4
3
2
0
0
0
3
2
0
0
0
m
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
E
B
G
D
A
D
T
A
B
3
2
0
0
0
2 0
2 0
2 0
x3 20 1 0
00 0 2 4 1
&b
& b
.
J
0 0
0 0
1 1
1 1
T
0 0
A 03 3 00
B
0 2
0 2 0
1 1
3 3
2 2
3 0
Verse
1 1
3 3
2 2
1 1
3 3
2 2
1.Gon-na build
1 1
3 3
2 2
1
3
2
1
3
2
Dm
00 0 2 41
&b
j . j
& b
.
J
1 1
1 1
1
3 3
3 3
3
T
2 2
2 2
2
A
0
0
3
B 0
11
me
a log
cab
1
3
2
in
1
3
2
2 0
on
1
3
2
1
3
2
a mount
j
.
ain
1
3
2
0
Dm
x 32 0 1 0
0 0 0 2 41
&b
& b
J
16
T
A
B
so
0
1
0
0 2
high
0
1
0
1 1 1
3 3 3
2 2 2
3 0
So
1
3
2
j j
.
I
1
3
2
3 0
lie
as
Wil -
1 1
3 3
2 2
Dm
0 0 0 2 41
j
w
rid - in by
.
J
. J .
J
& b .
J
1 1
1 1
1 1
1 1
1 1
3 3
3 3
3 3
3 3
3 3
T
2 2 0 22 2
2 2
2 2
2 2 2 0
A 0
0
0
3
B
0
21
1 1
3 3
2 2
see
1 1
3 3
2 2
can
x3 20 1 0
&b
he goes
0 0
1 1
0 0
0 3
0 2
0
1
0
1
3
2
1 1
3 3
0 22 2
Chorus
Dm
0 0 0 24 1
&b
. j .
Oh the Cuck-oo
hes
.
& b
1
1
1 1
1 1
1 1
3
3
3 3
3 3
3 3
T
2
2
2 2 0 22 2
2 2
A 0
0
0
B
0
0
26
.
a pret - ty bird
1
3
2
1 1
3 3
2 2 2 0
1 1
3 3
2 2
He war -
1
3
2
Dm
x 32 0 1 0
w
.
as he flies
And he nev - er
.
.
J
J
& b .
& b
n
31
T
A
B
bles
1
3
2
0 0 0 2 41
0
1
0
0 2
0
1
0
1 1
3 3
2 2 2 0
1 1
1
3 3
3
2 2 0 2 2
1 1
3 3
2 2
3 0
x3 20 1 0
&b
j
j
& b
1
3
T
2
A
0
B 0
36
hol-lers cuck - oo
1
3
2
till
1
3
2
1 1
3 3
2 2
1
3
2
the fourth
1
3
2
n
day
1
3
2
J
of
1 1
3 3
2 2
0 2
Ju -
1
3
2
Dm
0 0 0 2 41
&b w
& b
41
ly
x 32 0 1 0
&b
47
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
T
A
B
2 0
2 0
0 0
1 1
0 0
0
1
0
0 3
.
& b
53
2.Jack of dia
1 1
3 3
2 2
1 1
1 1
3 3
3 3
2 2 0 22 2
3 0
1
3
2
1
3
2
j
.
monds
1 1
3 3
2 2
3 0
&b
& b .
J
T
A
B
monds
1 1
1 1
3 3
3 3
2 2 0 22 2
Ive known
1
3
2
1
3
2
j
.
you
1
3
2
J
of
Jack of dia -
1
3
2
1
3
2
0 0 0 24 1
0 0
1 1
0 0
Dm
x3 20 1 0
000 241
&b
58
2 0
Dm
0 0 0 2 41
Verse
Dm
T
A
B
old
0 2
0
1
0
.
J
0
1 1
3 3
2 2
1 1
3 3
2 2
0 3
&b
63
Youve robbed
my
& b .
J
T
A
B
poor pock
1 1
3 3
2 2
1 1
3 3
2 2
3 0
& b
# n
ver
T
A
B
1
3
2
2 1 0
and
0 0
1 1
0 0
ets
of
1
3
2
1 1
3 3
2 2 2 0
1
3
2
sil -
1
3
2
00 0 2 41
j
& b .
-
Dm
x 32 0 1 0
68
1 1
1 1
3 3
3 3
2 2 0 2 2 2
j j
.
j
w
gold
0 2
0
1
0
.
.
J
J
0
1
0
2 0
0 0
1 1
0 0
0 0
1 1
0 0
0 3
1 1
3 3
2 2
1 1
3 3
2 2
0 3
Dm
0 0 0 24 1
000 321
j j
j .
.
&b
73
T
A
B
0
0
0
0
0
3
2
0
3
2
0
0 0 0 2 41
5 fr.
j
.
1
3
2
5
6
5
6
3
2
0
0
0
0 1
0
j j
. .
3
0
0
0
000 321
&b
78
T
A
B
..
5 fr.
5
6
j j
5
6
Dm
x3 20 1 0
0 0 0 24 1
02
j
j
j
j .
j . j
J
0
2
1
0
2
3
0
1 1
3 3
2 2
0 1
3
2
00 0 3 2 1
00 0 2 4 1
5 fr.
000 321
.. j
j j .
.
& b
j j
. j j .
n
..
83
T
A
B
1
3
5
6
5
6
0
0
0 1
3
2
0
3
2
3
3
3
5
6
x 32 0 1 0
5 fr.
5
6
0
2
Dm
0 0 0 2 41
& b
88
T
A
B
3
2
0
1
3
2
0
J
0
0
1
3
2
1
3
2
1
3
22
1
3
2
.
0
ww
ww
ww
1
3
2
0
0
0
1
3
Basic Strums
Hammer-Ons
For Dm:
Dm
C
x3 20 1 0
00 0 2 41
4
& b 4 ..
.
.
T
A
B
For Dm:
Dm
For C:
1 1
3 3
2 2
1
3
2
1
3
2
Dm
0 0 0 2 41
. .
. .3
0 0
1 1
0 0
0
1
0
0
1
0
1
3
2
1
3
2
1
3
2
1
3
2
1
3
2
00 0 2 4 1
1
3
2
0
1
0
0
1
0
0
1
0
0
1
0
1
3
2
1
3
2
1
3
2
1
3
2
1
3
2
1
3
2
Dm
1 1
3 3
2 2
0
1
3
2
Dm
000 241
x 32 0 1 0
& b
n
0
1
3
2
0 0 0 2 41
T
A
B
1 1
1 1
3 3
3 3
2 2 0 2 2 2
For Dm:
Dm
.
.
Pull-Offs
C
x 32 0 1 0
& b
0
0 0 0 24 1
.. .. ..
For C:
T
A
B
Dm
00 0 2 41
0 0 0 24 1
1 1
3 3
2 2
1 1
3 3
2 2
0 3
1 1
1 1
3 3
3 3
2 2 0 2 2 2
1 1
3 3
2 2
0 3
Dm
x3 20 1 0
00 0 2 4 1
& b
T
A
B
1 1
3 3
2 2
1 1
3 3
2 2
1 1
3 3
0 2 2 2 2
Pull-off on C
0 2
0 0
1 1
0 0
0 0 0 2 41
& b
0
1
0
0
1
0
1
3
2
1
3
2
3
1
3
2
1
3
2
T
A
B
2 1 0
3 0
00 0 2 4 1
b b
2 1 0
As a triplet:
m
Dm
0 0 0 2 41
& b b
0 3
Dm
0 0 0 2 41
1 1
3 3
2 2
1 1
3 3
2 2
Dm
x 32 0 1 0
0 0
1 1
0 0
T
A
B
1 1
3 3
2 2
2 1 0
1
3
2
1
3
0 2 2
2 1 0
Dm
0 0 0 2 41
&b
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
T
A
B
T
A
B
3
2
0
0
0
2 0
High Dm Shape
000 321
www
b
& w
ww
T
A
B
5
6
7
0
0
0
0 0 0 2 41
.
0 0
1 1
0 0
0 0
1 1
0 0
0 3
2 0
1 1
3 3
2 2
3 0
Dm
5 fr.
Dm
x 32 0 1 0
& b
0 0 0 2 41
000 321
1
0
0
0
0
5
6
3
0
5 fr.
0
0
0
0
5
7
0
0
0
0
0
0
0
7
0
6
0
Embellished Alternate
Fingerpicking Version
Dm
Dm
x3 20 1 4
000 241
0 0 0 2 41
0
0
0
2
0 1 0
3
2
0
0
0 0 0 24 1
3 0
00 0 3 2 1
5 fr.
j j
.. # j
.
w
b
&
T
A
B
000 321
5 fr.
Dm
x 32 0 14
0 0 0 2 41
5
6
3
3 0
0
3
4
5
0
j . .. j
. j w
& b .
T
A
B
5
6
3
2
0
3
2
0
0
3
5
6
0 0 0 1 11
ww
w
&b w
ww
T
A
B
10
10
10
0
0
0
10 fr.
xx 3 21 1
8
8
9
10
0
8
9
10
0
2
3
2
3 0
Dm
xx 3 21 0
8 fr.
8 fr.
Dm
0 0 0 11 1
10 fr.
.. j
10
10
10
10
0
0
13 10
0
10
12 10
0
j
. j
10
10
12 0
0
10
0
0
13 10
0
12 10
0
Dm
xx 3 21 0
0 0 0 24 1
j
j j j
. j j .
&b
T
A
B
10
12 12
10
13 10
12 10
0
8 fr.
8
8
9
10 10
9
10
10
10 10
8
10
1 0
3
2
Delias Gone
Dropped D Tuning
Verse
#
& # 44
& # 44
E
B
G
D
A
D
2
3
2
2
3
2
#
& #
#
& #
First
3
0
0
time
he shot
3
0
0
3
0
0
3
0
0
it was
2
3
on
her
0
0
she bowed
0
0
0
2
0
0
0
j her
0
0
0
j
n j
2
1 1
2
0
2
0
0
11
1
2
A7
0
0
0
a Christ
Em
D7
T
A
B
T
A
B
j
j
- j mas night
j
head
and
died
0
2
0
2
&
##
Chorus
De - lias gone
j
j
# #
&
n
2 2
3
T
A
B
one more
0 0
0 0
0
0
#
& #
A7
0
0
2
0
n #
0
j
j
j
.
Em
De - lias gone
round
Em
A7
2 3 4 0
2 0
j
j
De - lias gone
one more
round
Oh
De - lias gone
j
& #
n #
12
T
A
B
&
2
3 3
2
2 2
3 3
2 2
3 3 3
0 0 0
0 0 0
Verse
##
..
D
16
3
0
0
2
3 3 3
2 2
0
.
.0
0 0
0 0
0 0
.
J
0
2
0
tor
the doc
j j j j
j
2
2
12
simile on repeat
2
3
2
3
0
0
2.Send for
the doc
3. See additional lyrics.
& # ..
T
A
B
3
0
0
0
0
2 3 4 0
tor came
j Dj
7
too late
j
j
2
3
2
3
0
0
2 0
2
0
1
2
&
##
j j j
Em
Send for
j j
j
#
j
& #
20
T
A
B
3
0
0
5
#
& # j j j j
24
D7
#
& #
T
A
B
2
3
2
0
Oh De
2
3
2
lias gone
2
1
2
2
1
2
28
# # j
& n
T
A
B
De - lias gone
2
3 3 3
2 2 2
3
2
One more
3
0
0
3
0
0
3
0
0
one more
3 3
0 0
0 0
round
3
0
0
Em
13
A7
j
.
oh
De - lias gone
0 0 0
0 0 0
0 0 0
0 0
2 2
0 0
j
j
oh De - lias gone
3
0
0
0
2
0
0
0
2
0
0
round
3 3
0 0
0 0
b n
3
3
Chorus
j
j
3
0
0
#
& #
3
0
0
5
0
A7
lia straight
0
2
n #
0
2 3 4 0
2 0
n #
2
3
2
1 2
2 3 3
0
j
j
D7
j Dj j j j j j
#
n
b
& #
Instrumental Break
32
T
A
B
3
0
7
0
10
10
7 5
7 5 3
2
4 3
0
1
2
E
A
D
G
j
j
j
j
j
j
j
j j
j j
##
j
#
&
37
T
A
B
0 2
02
3 2 1 0
0
0
0
0
D
G
A
j j
j
# # j . n # b j n j j j
&
42
2
0
2
2
0 1 2
3
2
3 0
j j
# # j j
..
&
47
T
A
B
1.
57
75
0
0
0
0
3
2
0
0
0
2
3
2
.
.
2 0
3 2 1 0
0
0
0
0
5
2
0
2
2
j
j
2
2
2
0
0
3
0
Chorus
Delias gone, one more round, Delias gone
Delias gone, one more round, oh Delias gone
2. Send for the doctor, the doctor came too late
Send for the minister to set our Delia straight
Repeat Chorus
3. Delia, oh, Delia, tell me where have you been so long
Everybodys been talking about poor Delias dead and gone
Repeat Chorus
14
3 0
T
A
B
3 0
Basic Strum
& #
T
A
B
A7
0 0 0 13 2
2
3
2
2
3
2
A7
3 x0 0 0 1
x0 2 0 3 0
1 0 20 3 0
w
ww
w
w
3
0
0
0
0
2
0
2
0
A7
3 x0 0 0 1
x0 2 0 3 0
0
2
0
2
0
2
3
0
0
3
0
0
0
2
0
0
2
0
D7
0 0 0 1 32
000 213
# j
j
& #
Ton - y
shot
his De - lia
it was on
a Christ
first
mas
night
x0 2 0 3 0
time
he shot
her
she
bowed
her
head
A7
0 0 0 13 2
3 x0 0 0 1
x0 2 0 3 0
0 0 0 1 32
#
& #
De - lias gone
one more
De - lias gone
round
De - lias gone
A7
3 x0 0 0 1
#
& #
The
A7
3 x0 0 0 1
#
& # .
one more
round
15
died
x0 2 0 3 0
and
0 0 0 13 2
De - lias gone
(ii)
(V7)
(I)
G
3 x0 0 0 1
Em
23 40 0 0
A7
x0 2 0 3 0
D
0 0 0 13 2
#
& #
first time
#
& #
j
.
he
shot her
she
bowed
(V7)
(I7)
A7
x0 2 0 3 0
D7
000 213
one more
one more
T
A
B
0
0
0
0
2
0
0
16
F #m
3 x0 0 0 1
0
2
0
lias gone
x0 2 0 3 0
# #
&
3
0
0
000 132
Oh De
(I)
A7
x0 2 0 3 0
De - lias gone
x0 2 0 3 0
A7
23 40 0 0
3
0
0
round
(V7)
7
2 3 4 0 00
round
(ii)
m
3 x0 0 0 1
3 x0 0 0 1
(ii)
Em
died
Em
2 34 00 0
(IV)
De-lias gone
and
G
3 x0 0 0 1
De - lias gone
her head
(IV)
#
& #
Em
134111
2 3 4 0 00
3
0
0
2
2
2
D7
0 0 0 13 2
000 213
j
## .
&
T
A
B
3 2 1
0
3
0
0
0
2 0
3 0
2
0
0
5
2
0
2
2
2
2
3 5 7
17
0 1 2
2
0
3
2
0
0
2
3
2
j
j j
.
A7
n #
n
0
0
0
0
0
0
A
j
j
#
..
0
0
A
j
j
##
j j
&
#
T
A
B
..
10
Em
D7 G
#
& # n
7 10
0
1
T
A
B
1
2
3
0
n n
2
3
3
2
D7
5 7
2
3
2
j
j . .
10 0 3
& # n #
n
T
A
B
Fingerpicked Instrumental
G/Bx
x
7 5
0
0
3
0
3 2 1 0
0
0
0
Capo 2
Dropped D Tuning
Instrumental
3
j
#
j
j .
& # 44
Bm
E
B
G
D
A
D
T
A
B
Bm
T
A
B
5
7
6
7
0
0
...
0
0
0
6
0
3 2 0
0 4 2 0
7
0
3
4
0
2
2 420
2 0
18
A7
A 7sus4
0 0
0 0
2
3
2
0
0
j
j
j
..
.
j
j
.
.. J
J
2 3
0
0 2
3
Em
3
0
3
4
B
G
j
j j
..
J J
D ma j7
10
2
3
# # j .
&
J J
3
3
2
3
3
T
A 0 2 0 0 2 0 0 0 2 44 2 0 4 4 0
B
5
# # ...
&
Bm A7
0
0
0
3
4
0
Em
2
0
0 2
j
j
3 0
0 0
0 2
2
0
20
0
02
0
&
##
15
&
T
A
B
##
j
j
0 3
0 4
#
& #
Bm
3 2 0
3
2
1.The wat - er is
2
3
. 23
.
2
3
& #
23
I wings
0
5
#
& #
T
A
B
er have
0
0
0
Em
to fly
0
2
0 2
A sus4
0 420
2 0
j
j
.
J
Build
3
2
19
2
0
me a boat
2
0
2
2
j
.
J J
2
3
And neith
Bm
j
& #
T
A
B
Bm A7
j
.. j
2
0
j .
I can not cross o - ver
19
wide
..
% Verse
A7
2 0
3
4
0
F #m
0
4
2
2
#
& #
Bm
Em
j
.
& # .
J JJ
J
J
2
3
3
3
3
0
T
4
4
0
4
0
0
0
0
A
0
0
0
4
4 4
0
2
2
2
0
B 5
5
2
27
#
& #
To Coda
j
& #
0 2
my
love
3
4
3 20
35
T
A
B
ggg23
gg2
0
2
4
0
2
2
3
0
0
0 0
2
3
2
3
4
20
0
0
3.
A7
2
3
2
0
2
0
0
Bm A7
5 7 5
2 0
..
.
.
0
2
0
j 3
.
7
0
0
2
3
2
0
# .. j
& # gggg . .
Instrumental Break
Bm
j j j ..
0 2
A7
j j
. J
and I
.
J
shall row
1, 2, 4.
31
T
A
B
fi
And both
7 5 3
3
0
0
3
2
2
0
# # j . ..
&
.
J J
0
3
0
T 34
4
A 2 4 2 0 4 0 00
B
5
Bm
39
D
j j j j j A
.
...
J
w
.
E m A 7sus4
2 3
0 0
0 0
0
3
0
0
0
B
G
j
.
& # J ..
J
J J
3 2 0
2
0
3
3
3
0
T
4 2 0
4
4
0
A 0
4
4
4
0
2
2 0
0
B
5
2
m
44
2
0
ma j7
10 7 5
753
3 0
0 0
0 2
j
j
Em
5
7
6
20
02
. j
..
G
5
2
2
0 24
D.S. al Coda
&
##
(with repeat)
A7
j
.
&
T
A
B
3
2
0
20
4 2
2
3
2
51
0
2
0
T
A
B
21
and both
j
j shall row
# # ..
. j
&
4.I
lean my back
# # . j
.
& .
49
##
7
7
0
7 5 3
0
0
4 2
3
0
0 0
0
&
##
53
&
##
T
A
B
0
0
2
0
my love and
.
7
3
4
0
2 0
U U
0
0
1.
2.
2 3 2
3
2
Repeat Verse 1
3 x0 0 0 1
000 132
#
& # j
The wat - er is
wid
0 0 0 1 32
j
.
o - ver
I wings to fly
x0 2 0 3 0
#
& #
0 0 0 13 2
Give me a boat
22
A7
x0 2 0 3 0
#
& #
3 x0 0 0 1
row
0 0 0 1 32
my love and
#
& # j
The wat- er is
wid
I wings to fly
Build me a boat
A7
x0 2 0 3 0
0 0 0 1 32
Bm
o - ver
x0 2 0 3 0
x 1 3 42 1
#
& #
j
.
A7
x 1 3 42 1
#
& #
000 132
Bm
3 x0 0 0 1
0 0 0 1 32
3 x0 0 0 1
row
23
0 0 0 1 32
my love and
G6 Chord
Picking Pattern
G6
2 x 1 43 x
& # .. ..
T
A
B
.
.
2
3
2
3
.
.
2
3
0
2
3
0
2
3
2
3
2
3
ww
ww
w
0
0
0
0
5
B m7
Between Bm and Em
Bm
Em
# #
&
T
A
B
2
3
2
4
2
3
2
2
2
3
0
0
2
0 3 0
0
2
2
0 3 0
24
0 4 0
5
0
2
0
0