wearable art - based on exotic plants/flowers from the Rainforest, using white paper/card and found packaging. No. of Lessons:8
Total Time: 10.5 hours Group:2 nd years
No. of Pupils:22 Aims: (what students will learn):
Study and gain appreciation for the sculptural wearable art of the following designers: Iris Van Herpen, Ralph Rucci, Una Burke and Sandra Backlund. Students will learn to observe and dissect the image of the exotic plants/flowers and from this They will apply the dissected image to their drawing of sculptural, wearable art. Students will learn a variety of assemblage and manipulation techniques using white paper/card- making three dimensional forms while referring to their image of exotic plants/flowers. Students will learn patience and precision with careful and repeated manipulation of paper and card forming. Students will learn to respond to their images using descriptive language.
Exotic plants
Overall Learning Outcomes for the Scheme: (what students will know about and develop in terms of skills on completion)
Observational skills students will analyze the form and structure of the exotic plants/flowers and independently choose areas of interest to them when creating prototypes. Drawing skills-students will develop a drawing of the exotic plant/flowers, investigating growth and formation. Apply visual knowledge gained from their line drawing - composing it on a fashion illustration provided for them when allocated to groups. Be able to identify the work of the designers Iris Van Herpen, Una Burke, Ralph Rucci and Sandra Backlund examining the multiple pieces which combine together in the work of Ralph Rucci, the multiple constraints which connect together and wrap around the body in the work of Una Burke. Technical ability Skills of using materials and processes with their 3-4 paper prototypes. Demonstrate ability to work in groups and make collective decisions - successfully designing/making sculptural, wearable piece of art. Communication skills student will confidently communicate their ideas and opinions within their group. Discussion skills Students will as a group, discuss their work with the class, explaining their individual work and how they combined it as a group.
Investigating/Exploring/Creating (include illustrations, especially your own work):
INVESTIGATING:
Students will investigate the images provided to them exotic plants/flowers by observation. They will investigate the different components that make up their image of the exotic plant/flowers.
This is an exotic plant which started growing from a tine seed. It is now large in scale. It grew outwards in different directions. Some parts of this plant protrude outwards more than other parts this could have been caused by obstructions in its way as it tried to grow. There are large, curving nodules all over the exterior of this plant. There are medium sized and smaller sized nodules layering up on top of the larger curved nodule. Small and medium nodules are making a spiraling pattern around the larger nodules. The plant looks like it is protecting something internally. It looks like it has a strong external armour.
I see sculptural, wearable art. The material is white card or paper which has been manipulated into numerous tubular shapes. These tubes extend out in all directions off the mannequin especially closer to the face. The tubes are made in different sizes/lengths. They are put combined in a very structured and cohesive form. Thought has been put into this process. The tubes were rolled horizontally across the paper, starting from the corner. (I assume it is paper as the shape is kept well card does not have the same effect). The color white is clean, sharp and effective
Sketch of sculptural, wearable art. Process of manipulating and assembling using white paper, paper lace doillies and cable ties.
EXPLORING:
Students will explore the images of exotic plant/flowers from the Rainforest by analyzing the components that make the form of the plant/flower. Students will choose the most interesting components from their images. Students will use words to describe the components in their plant/flowers. This will help them transform the word into paper. Students will explore a range of paper manipulation techniques by observing YouTube videos, handouts and teacher demonstration. Students will explore scale and composition through their drawings and assemblage of prototypes. As a group of 4, students will explore one chosen prototype from each in the group, analyzing how they will connect for the group design.
CREATING: Students will create a drawing of the exotic plant/flowers. This will give them an understanding of the components that make up the image. Students will create 3-4 prototypes by manipulating paper/card and found packaging. Students in their groups will create a design for one of the following parts of the body: torso, arms, shoulders/neck and legs. Once this is established, students will make the base out of card which is pliable and will hold their sculptural pieces. Students will re-create their chosen prototype individually having decided on scale, amount needed composition and design. Students will create a piece of sculptural art, using a full bodied mannequin as a base. All students will combine their sculptural, wearable art together on the mannequin creating one full bodied piece. Art history/critical and contextual studies (include illustrations):
Students will analyze the work of the following designers: Iris Van Herpen Una Burke Ralph Rucci Sandra Backlund Through this analysis, students will become familiar with the work of the designers. They will investigate basic paper manipulation techniques through YouTube(paper sculpture part 1 and 2. 058-paper quilling basic shapes and techniques tutorials part 1 and 3D origami, basic paper folding) and handouts provided for them.
THE RAINFOREST /EXOTIC PLANTS The tropical rainforests are a breathtaking example of diversity of life forms. With its hot and humid climate, rainforest provides such favorable conditions that tropical rainforest plants and animals comprise almost 80% of biodiversity of the planet. The diversity of these plants can also be explained on the basis of specialization that different plant and animal species have undergone in the struggle for existence. Geography and Climate Tropical rainforests are spread around the equator in the countries of Asia, Africa, South and Central America and some Pacific Islands. The temperature in these rainforests vary between 35C to 20C with no specific hot or cold seasons. However, the average humidity is as high as 77% to 80%. The Amazon rainforests are the most famous of the different tropical rainforests of the world. Tropical Rainforest Plants A rainforest plants list includes thousands of species. Besides the tall evergreen trees (forming the emergent layer) and other smaller trees and herbs (belonging to the remaining layers), there are other plants too which are quite remarkable from the point of view of adaptation. They are: The Epiphytes: Epiphytes include orchids, bromeliads, lichens, mosses and ferns that grow on high branches of trees forming the canopy layer. These are non parasitic plants that derive moisture and nutrients from the air and use their roots merely for support.
The Lianas: These are woody vines that grow up the trunk of other trees and reach up in between the upper canopy layer where there is some gap so that they can get some sunlight. These woody wines also bear fruits and flowers.
The Stranglers: Also known as the killer trees in Spanish, the stranglers begin their life like epiphytes. The seeds are brought to the host tree by the birds. Then, the stranglers spread their roots on the ground where the host tree stands. As they grow, they suffocate and kill the host tree. The result is that an erect strangler is left with a hollow core. Stranglers are the members of the fig family.
Carnivorous Plants: Many of these plants derive nutrition from other animals. These have a central cavity filled with nectar that attracts insects. Once the insects enter the cavity, the downward pointing bristles prevent them from moving out. These plants usually have a lid or flap that close the opening to the cavity. The insect that is trapped inside is then, digested with the help of digestive juices released by the plant. Common carnivorous plants are the rafflesia, pitcher plant and venus fly trap.
Other Commercially Important Plants: Avocado, cashew, cardamom, cinnamon, clove, coffee, chocolate, mango, banana, papaya, peanut, pineapple, nutmeg, sesame, sugarcane, tamarind, turmeric, vanilla are just a few of the many plants that would feature in the tropical rainforests plants list.
These rainforests that are home to almost 2/3rd of the various life forms is threatened due to relentless deforestation. Clearing forests for agriculture and for obtaining wood, various spices and medicines that these forests provide, has led to a large number of flora and fauna to be enlisted as endangered rainforest animals and plants. These plants and animals weave a remarkable story of making the most of whatever growth conditions available to them. Hence we, human beings definitely need to take a lesson from them.
ICT: Photocopier, computer
Literacy: White paper, card, guillotine, glue guns, cello-tape, lace paper doilies, rainforest, YouTube, pliable, prototype, composition, scale, components, packaging, sculptural, torso, manipulating, transform, deforestation, flora, fauna, medicines, spices, assemblage, group of 4, torso, tubular, cohesive, process, nodules, pliant, surface texture, origami, exotic, patience, precision, carnivorous plants, venus fly-trap, papaya, avocado, carmadom, central cavity, nectar, rafflesia, the stranglers, killer trees, the lianas, woody vines, orchids, lichens, adaptation, moisture, emergent layer.
Numeracy: Students in their groups of 4 will use the guillotine to the measurements they choose whilst making their sculptural pieces/prototypes. Individually they will create 3-4 prototypes and choose 1 to combine with their group.
Teaching/Learning Strategies:
Introduce the project to the class briefly, explain lesson 1 to them, so as not to overload them with too much information. Allocate handouts to the students introducing them to the work of designers Una Burke, Iris Van Herpen, Ralph Rucci and Sandra Backlund. Allocate a student pack to individuals these will contain 3 images of exotic plants/flowers, a variety of materials (white card/paper, found packaging all of which will be white), A3 card on which to create their mood-board of drawings/images/drawings of prototypes. Read my descriptive piece on plant so students get a sense of detail and understanding of the 3 dimensional forms that is the plant. Show students YouTube video on paper manipulation techniques and show an image of sculptural wearable art made by teacher in order for students to see what is achievable. Demonstrate one paper manipulation technique using a word ie. Plant has thorns -show students how to make two types of thorns rolled and 3d triangles. Explain how students, as a group will make a base for the body from the list (arms, torso, legs, neck/shoulders). Demonstrate use of glue gun emphasizing that they ARE NOT TOYS! Aid students if they need help. Encourage students to be as creative as possible - there are no limitations to what they can create. Discussion after every class with the group on their progress of work ie are they finding it hard to manipulate the materials? Observing each others drawings/prototypes. Display of work on the full bodied mannequin so the class can critique each others work and give their opinion on where improvements can be made. Sculptural, wearable art could also be displayed at the foyer of the entrance to the school to showcase students work. Materials: White paper/card, cable ties, found packaging (egg boxes, toilet roll card), paper lace doilies, Q-tips, lollipop sticks, matchsticks (all white).
Safety Precaution: School bags under the desks Careful use of scissors Glue guns to be used in a safe manner under my supervision.
Differentiation: Students who are finding it difficult drawing or making prototypes can keep it basic i.e. making conical shapes but numerous amounts of them. Fellow group members should be helping each other and learning from one another with this project. Any group, who finish quickly, can add to their sculptural wearable piece or help a group who might be a bit slower and in need of aid and ideas. Timeline/Sequence of Lessons:
Lesson 1: Introduce myself and four week project briefly. Explain the plan for todays lesson. Allocate student packs. Students will apply images to A3 mood-board and commence line drawings using pencil, on the mood-boards. Written piece about their plant shape, structure, how it is formed etc
Lesson2: Explain the plan for todays lesson. Students will finish their line drawings of images x3. They will write down words that describe their drawings form the images i.e. thorns, curly, nodules, spheres etc This will help students manipulate their materials from the buzz words. Observe good examples of students work at the end of class.Homework: refer to YouTube for basic paper manipulation techniques. Choose one and attempt to create it. Bring it in to class for lesson 3. Drawings complete.
Lesson 3: Explain the plan for todays lesson. Students will commence making prototypes manipulating the paper/card and other materials provided to them. Teacher Demonstration showing two examples to show what is achievable. Prototypes will be small scale dimensions 5inches x 5 inches. Observe each others work do students have issues with making prototypes? Refer to YouTube in class, showing students more basic paper manipulation. Prototypes 3-4 complete.
Lesson 4: Explain the plan for todays lesson. Students will show their homework and one or two will explain how it was made. Students allocated into their groups of 4. Allocated area of mannequin to work on i.e. torso. Students will work as a team and make the base needed for the torso etcThis will be made in card. Individuals will choose one of their prototypes and combine it with what their other team-mates choose. Team will choose one member to design their sculptural, wearable piece of art. Questions decided on should be : How many of each prototype is needed for the sculptural piece? What is the scale of each piece? Where will each piece go? Sketch will get started today with team members directing the student designing the piece allocating where they want each piece to go.
Lesson 5: Explain the plan for todays lesson. Students will finish sketch and individually commence there prototype. One student from each team will make the base (torso base etc), using the mannequin I will aid them with this - giving advice.
Lesson 6: Explain the plan for todays lesson. Teams continue to work on prototypes. I will scan each group, making sure they know what they are doing, aiding them if they need it and giving them tips. Students should be applying their pieces to the base as they go along, using a glue gun safely or cable ties. Discussion near end of class on everyones progress.
Lesson 7: Explain the plan for todays lesson. Students continue working on their individual pieces. They should be helping one another in the team if they feel they are falling behind. Team will work together as they apply pieces to the base making decisions as they go along adapting to changes if needs be.
Lesson 8: Explain the plan for todays lesson. Final lesson. All students should be at this stage be finishing their final prototypes and applying them to the base structure. If there are any teams finished early, they can join a slower team and help them complete their piece. Students need to think about how the pieces will attach to the mannequin punch holes with ribbon tie? Best option in my opinion but ask them for their ideas. Each team will dress the mannequin in their sculptural pieces. It will be displayed and photographed. Discussion on each teams input into the project where they happy with the end result? What would they change next time? How did they work as a team? Materials were they happy to use what they were given?
Assessment Rubric:Sculptural, wearable art - based on exotic plants/flowers from the Rainforest, using white paper/card and found packaging. Assessment criteria DRAWING Students should demonstrate: Observational skills: Concentrated observation of images (exotic plants/flowers x2/x3) which are provided for the students. Drawing skills: Sound studio drawing practices and attention to detail, analyzing images completely. Composing line drawing showing elements that combine to make up sections of the Assessment criteria 2.TECHNICAL ABILITY Students should demonstrate: Developing skills in the use of general materials and processes glue guns, paper and found packaging manipulation, use of cable ties.
Ability to be imaginative and creative with their materials.
Interpret their drawings into 3 dimensional forms. Assessment criteria 3. MAKING CRAFT Students should demonstrate: Confidence and ability with handling the materials ( using glue guns correctly, cutting paper/card to the measurements required by student, use of the guillotine correctly, constructing 3 dimensional forms correctly)
Display awareness of the possibilities of the craft. Assessment criteria 4. UNDERSTANDING AND ATITUDE Students should demonstrate: Willingness to cooperate and contribute to the sculpture workshop learning activities.
Willingness to persevere and overcome creative and technical challenges.
Openness to new subjects, ideas and methods. Evidence of learning exotic plant/flower.
Awareness of scale and proportion when composing the line drawings.
Good grasp on teasing out elements in line drawings that appeal to student this will help them to create their prototypes by way of paper manipulation. As a group one member will compose a line drawing with the instruction of the other team members. Drawing will consist of four components from each (4) students work.
Extract elements from drawings x2 or x3. Evidence of learning Evidence that the student: Effectively set up drawing area with a clear view of the images and drawing materials pencil.
Observed images closely, creating line drawings that contain the compositional qualities that are in the image scale, proportion, detail and texture.
Independently chose area of drawing and extracted area of the drawing using buzz words to help create sculptural prototype by way of manipulating paper.
Can work in a group and decide composition and elements that will go into the final design for the group sculptural,
Ability to critically analyze their work in progress and to make adjustments where appropriate.
Technique: Demonstrate proficiency in creating 3-4 prototypes by way of manipulating materials.
Show an awareness of aesthetic considerations.
Evidence of learning Evidence that the student: Became more skillful in use of equipment and materials such as glue guns, cello-tape, cable ties, paper/card, found packaging.
Thought outside the box and invented their own unique forms.
Created 3 dimensional forms with patience and precision clear and well- constructed pieces are important.
Adapt to change if needs be adding or taking away from forms.
An awareness of the sequence to be employed to execute his/her work.
Awareness of the importance of effective construction techniques.
Demonstration of piece being wearable with a closing/fastening mechanism.
Evidence of learning: Evidence that the student: Used a range of paper manipulation techniques i.e. curling, pleating, weaving, plaiting etc
Correctly used glue guns and tapes less is more! Student should have a seamless finish on the 3 dimensional forms
Is aware of numeracy when they are measuring and cutting materials.
Evidence that student is working in sequential order from start to finish.
Sculptural, wearable art will be displayed on mannequin so therefore piece should have a fastening of some sort.
Evidence that the student: Is personally engaged with the project in all areas as reflected in the full and integrated nature of the work, creative and critical/contextual.
Discussion skills: Can explain some key points on the paper manipulation and construction process/methods and its importance.