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Diana-pillars and their cousins Agyieús-pillars are comparable to our modern May-poles, and basically these are universe-columns, just as well as the Irminsüls.
May-poles are known to symbolize fertility in combining the male and female components1. The universe-columns resting in the flat earth-plate may therefore also be considered as male respectively female elements.
The likeness of the Delphic Agyieús, thus reconstituted, to the Germanic Irminsul is sufficiently striking. It becomes even more so, when we note that the Irminsul described by Widukind was erected at the gateway of the town with a pillar on either side of it.
The Delphic omphalos often is associated with 2 eagles, which would refer to Zeus. If this is true, then the Apollo sanctuary had belonged to Zeus and the letter E may have been assigned to Zeus as well. This is another fundamental approach.
On the block are engraved four archaic letters, referable to the seventh century B.C., of which the last three give us in the genitive case the name of the earth-goddess Ga (or "Gas", respectively "Gaz") and the first appears to be the mystic symbol E.
If this is true, then the Apollo sanctuary had belonged to Zeus and the letter E may have been assigned to Zeus as well. This is another fundamental approach.
The E may have been the central letter for Zyeus (Zeus), which symbolizes the very link between:
-- the leading (male?) letter y (yod) and
-- the trailing (female?) letter u.
By the ways: it also may be comparable to the letter H in YHV, or the letter A in IAΩ
Originaltitel
The E-Inscription at the Omphalos of Delphi - Notes (1) to Zeus by Arthur Bernard Cook (1925)
Diana-pillars and their cousins Agyieús-pillars are comparable to our modern May-poles, and basically these are universe-columns, just as well as the Irminsüls.
May-poles are known to symbolize fertility in combining the male and female components1. The universe-columns resting in the flat earth-plate may therefore also be considered as male respectively female elements.
The likeness of the Delphic Agyieús, thus reconstituted, to the Germanic Irminsul is sufficiently striking. It becomes even more so, when we note that the Irminsul described by Widukind was erected at the gateway of the town with a pillar on either side of it.
The Delphic omphalos often is associated with 2 eagles, which would refer to Zeus. If this is true, then the Apollo sanctuary had belonged to Zeus and the letter E may have been assigned to Zeus as well. This is another fundamental approach.
On the block are engraved four archaic letters, referable to the seventh century B.C., of which the last three give us in the genitive case the name of the earth-goddess Ga (or "Gas", respectively "Gaz") and the first appears to be the mystic symbol E.
If this is true, then the Apollo sanctuary had belonged to Zeus and the letter E may have been assigned to Zeus as well. This is another fundamental approach.
The E may have been the central letter for Zyeus (Zeus), which symbolizes the very link between:
-- the leading (male?) letter y (yod) and
-- the trailing (female?) letter u.
By the ways: it also may be comparable to the letter H in YHV, or the letter A in IAΩ
Diana-pillars and their cousins Agyieús-pillars are comparable to our modern May-poles, and basically these are universe-columns, just as well as the Irminsüls.
May-poles are known to symbolize fertility in combining the male and female components1. The universe-columns resting in the flat earth-plate may therefore also be considered as male respectively female elements.
The likeness of the Delphic Agyieús, thus reconstituted, to the Germanic Irminsul is sufficiently striking. It becomes even more so, when we note that the Irminsul described by Widukind was erected at the gateway of the town with a pillar on either side of it.
The Delphic omphalos often is associated with 2 eagles, which would refer to Zeus. If this is true, then the Apollo sanctuary had belonged to Zeus and the letter E may have been assigned to Zeus as well. This is another fundamental approach.
On the block are engraved four archaic letters, referable to the seventh century B.C., of which the last three give us in the genitive case the name of the earth-goddess Ga (or "Gas", respectively "Gaz") and the first appears to be the mystic symbol E.
If this is true, then the Apollo sanctuary had belonged to Zeus and the letter E may have been assigned to Zeus as well. This is another fundamental approach.
The E may have been the central letter for Zyeus (Zeus), which symbolizes the very link between:
-- the leading (male?) letter y (yod) and
-- the trailing (female?) letter u.
By the ways: it also may be comparable to the letter H in YHV, or the letter A in IAΩ
%&r'( referring to:Zeus a Study in Ancient Religion Vol 2 Part I (1"#$) by Arthur Bernard Cook The greatest fear of the Celts he fears of the Celts !ust ha"e been co!#ensated for the greatest ho#e to #ro"ide the!sel"es $ith strong #illars% $hich ha"e been found in all ci"ili&ations' he !ost sacred #lace on earth $as the location of the central #illar in the central o!#halos' Strabon and Arrian ( both tell us that in the year ))* B'C' the Celts of the Adriatic% !en of great stature and a haughty dis#osition% sent en"oys to sue for the friendshi# of Ale+ander' he ,acedonian !onarch recei"ed the! in state and asked the! $hat they dreaded !ost% e+#ecting the ob"ious ans$er - .ou'- o his chagrin they re#lied that they had but one fear)lest the s!y should some day fall upon them * # Other statements of the fear for a falling sky 3 he national oath by $hich the Celts bound the!sel"es to the obser"ance of their co"enant $ith Ale+ander is re!arkable' If $e obser"e not this engage!ent%/ they said% /may the s!y fall on us and crush us% !ay the earth ga#e and s$allo$ us u#% !ay the sea burst out and o"er$hel! us'/ he 0lster heroes declare to their king% $ho $ished to lea"e the! in battle in order to !eet an attack in another #art of the field /1ea"en is abo"e us% and earth beneath us% and the sea is round about us' +nless the s!y shall fall $ith its sho$ers of stars on the ground $here $e are ca!#ed% or unless the earth shall be rent by an earth2uake or unless the $a"es of the blue sea co!e o"er the forests of the li"ing $orld% $e shall not gi"e ground' 3 / ( Ptole!y Soter recorded this in his history of the $ars of Ale+ander' Ptole!y% a friend% and #robably% indeed% half4 brother% of Ale+ander% $as doubtless #resent $hen this incident took #lace' 1is $ork has not sur"i"ed% but is 2uoted by Arrian and other historians' he Celts said: /5e fear no !an : there is but one thing that $e fear% na!ely% that the sky should fall on us6 but $e regard nothing so !uch as the friendshi# of a !an such as thou'/ Cha#ter I: he Celts in Ancient 1istory 2 Page ** in Zeus a Study in Ancient Religion Vol 2 Part I (1"#$) by Arthur Bernard Cook ) Cha#ter I: he Celts in Ancient 1istory 3 fro! the /7in Bo Cuailgne%/ in the Book of 8einster% 9he Book of 8einster is a !anuscri#t of the t$elfth century: Pillars ;iana4#illars and their cousins Agyies-pillars are co!#arable to our !odern ,ay4#oles% and basically these are uni"erse4colu!ns% <ust as $ell as the Irminsls. ,ay4#oles are kno$n to sy!boli&e fertility in co!bining the !ale and fe!ale co!#onents * ' he uni"erse4colu!ns resting in the flat earth4#late !ay therefore also be considered as !ale res#ecti"ely fe!ale ele!ents' he likeness of the ;el#hic Agyies, thus reconstituted% to the =er!anic Irminsul is sufficiently striking' It beco!es e"en !ore so% $hen $e note that the Irminsul described by 5idukind $as erected at the gate$ay of the to$n $ith a #illar on either side of it' he ;el#hic o!#halos often is associated $ith 2 eagles% $hich $ould refer to Zeus' If this is true% then the A#ollo sanctuary had belonged to Zeus and the letter > !ay ha"e been assigned to Zeus as $ell' his is another funda!ental a##roach' ?n the block are engra"ed four archaic letters% referable to the se"enth century B'C' (fig' (2@A% of $hich the last three gi"e us in the geniti"e case the na!e of the earth4goddess ,a (or ,as% res#ecti"ely ,a- . A and the first a##ears to be the !ystic sy!bol E' If this is true% then the A#ollo sanctuary had belonged to Zeus and the letter > !ay ha"e been assigned to Zeus as $ell' his is another funda!ental a##roach' he > !ay ha"e been the central letter for Zyeus (ZeusA% $hich sy!boli&es the "ery link bet$een the leading (!aleBA letter y (yodA and the trailing (fe!aleBA letter u' By the $ays: it also !ay be co!#arable to the letter 1 in .1V% or the letter A in IAC * he !ay#ole itself is a #hallic sy!bol re#resenting the #lanting of the god-s #hallus into the !other earth-s $o!b% there by illustrating the bringing forth of ne$ life' Source: he Maypole 4 ;ark ;orset D Another de#iction is gi"en in Varieties of 0nreligious >+#erience: he E at ;el#hi The Diana-pillars of Italy 7 ;iana4#illars are co!#arable to our !odern ,ay4#oles: E Page (3) in Zeus a Study in Ancient Religion Vol 2 Part I (1"#$) by Arthur Bernard Cook Fig. 1: Diana-pillar - Painting from Herulaneum, no! in t"e #aples olletion $fig. %&' Fig. (: Diana-pillar - A freso still in t"e trilinium of t"e )House of *i+ia) on t"e Palatine $fig. %,' Similar Pillars Fig. -: Englis" Maypole $1.// AD' Fig. .: A sare0 olumn $stam12a, I0i' of granite $"eig"t 3(.3 ft' faing a 4ain temple at Mu0u1i0ery or Mor1i0ry near Mangalore $E. Moor 5"e Hin0u Pant"eon *on0on 1%&1pi. ,, $ 6 my fig. /7', Agyies-pillars of Greece 8 he Agyie8s-pillar $as essentially a uni"erse4colu!n% and that Agyieus hi!self% ) =od of the 5ay $agyia',) $as originally lord of the road fro! earth to hea"en' he ter! agyia is actually used of the soul4#ath by Pindar6 and the transition fro! Agyie8s in this hy#othetical sense to Agyie8s in its ordinary classical !eaning #resents no difficulty' he -=od of the 5ay- $ould naturally beco!e the -=od of the StreetF es#ecially if G as $as the case at arentu! and else$here G his #illar stood - before the doors - of the houses' It a##ears% then% that the Irminsl of the north had a counter#art on both sides of the Adriatic% the ;iana4#illars of Italy being o$n cousins to the Agyieus-pillars of =reece' But at this #oint a difficulty arises' 1o$ co!es it that the Italian #illars $ere associated $ith a goddess% the =reek #illars $ith a god B he ans$er to this 2uestion is to be sought in the belief that the uni"erse colu!n $as a central #ro#% originally a central tree% rising fro! earth to sky' Such a #ro# $ould be connected #ri!arily $ith the earth in $hich it $as #lanted% secondarily $ith the sky $hich it su##orted' It could therefore be attributed either to the earth !other or to the sky4father% according as the $orshi# of the goddess or the god #re"ailed' 5' 1' Roscher in a recent !onogra#h has sho$n that the =reeks% like !any other #eo#les% concei"ed of the earth as a flat disk $ith a central #oint called its omp"alos or -na"el%- and further that $ithin the li!its of =reece a "ariety of to$ns clai!ed to #ossess this all4i!#ortant center' 1e !akes out a case not only for ;el#hoi% but also for other A#olline seatsGBranchidai% ;elos% =ryneion% Patara% etc' A!ong #ossible clai!ants he includes By&antion% but $ithout #ro"ing the e+istence of a By&antine omp"alos. Co##ers of this to$n struck in the third or second century B'C' ha"e so!eti!es as ob"erse ty#e a laureate head of A#ollon and as re"erse an Agyie8s-pillar set on the to# of an omp"alos, $hich is co"ered $ith its net4$ork or agrenon. he By&antine #illar is of interest% because it e+hibits the omp"alos, earth-s centre% in co!bination $ith the Agyie8s, hea"en-s #ro#' he occurrence of an o!#halos4and4#illar at By&antion leads us to reconsider the sha#e of the omp"alos at ;el#hoi' 1ere% if any$here% $as the centre of the earth' 1ere% if any$here% the sky $ould need a su##orting colu!n% an Agyie8s-pillar.. H 4I the o!#halos at ;el#hoi% like the o!#halos at By&antion% $as originally to##ed by an Agyie8s4#illar' J Page (DD in Zeus a Study in Ancient Religion Vol 2 Part I (1"#$) by Arthur Bernard Cook The E-inscription at the Omphalos of Delphi he real o!#halos had been #ositioned in a structure like fig' ): ;el#hic building4accounts of the year )3)G)32 B'C' and a little later #ro"e that the omp"alos had a #orch in front of it and $as #rotected by carefully surfaced $alls su##orting a roofGcircu!stances $hich suggest that% like the omp"alos at Argos% it stood in a s!all cha#el of its o$n' Inscription of letters at the Omphalos of Delphi ! " fo#n$ %y &' Co#r%y ?n the block are engra"ed four archaic letters% referable to the se"enth century B'C' (fig' (2@A% of $hich the last three gi"e us in the geniti"e case the na!e of the earth4goddess ,a (or ,as% res#ecti"ely ,a- 1/ A and the first a##ears to be the !ystic sy!bol E' (( K Page (ED in Zeus a Study in Ancient Religion Vol 2 Part I (1"#$) by Arthur Bernard Cook (@ Another de#iction is gi"en in Varieties of 0nreligious >+#erience: he E at ;el#hi (( he ,eaning of the > at ;el#hi Fig. 3: A re0-figure0 amp"ora 0epits t"e mur0er of #eoptolemos at Delp"oi - 9restas, s!or0 in "an0, approa"es "im stealt"ily from 1e"in0 t"e omp"alos Fig. &: Insription :E of ;aia: at t"e omp"alos in Delp"i ;etails fro! a #hotogra#h at #age (E3 in Zeus a Study in Ancient Religion Vol 2 Part I (1"#$) by Arthur Bernard Cook The E on coins () (2 Page (EE in Zeus a Study in Ancient Religion Vol 2 Part I (1"#$) by Arthur Bernard Cook Fig. %: faa0e of t"e temple !it" E in t"e enter of it Fig. ,: Insription of t"e <E=, <;= > <A= in :E of ;aia: at t"e omp"alos in Delp"i Coppers of Delphoi str#c* %y +a$rian an$ %y &a#stina Senior In the te!#le at ;el#hoi "isitors $ere sho$n three symbols rese!bling the letter E G a $ooden original said to ha"e been #ut u# by the sages% a bron&e co#y of it #resented by the Athenians% and a golden replia dedicated by the e!#ress 8i"ia (Plout' de E apud DelphosA' Co##ers of ;el#hoi struck by 1adrian and by Laustina Senior re#resent the faa0e of the te!#le $ith > in the centre of it (I!hoof4Blu!er and P' =ardner #um. Comm. Paus. iii' ((K #i' +% 2) M !y fig' (2( and #i' +% 22 M !y fig' (22% N' O' S"oronos in the ?ull. Corr. Hell. (JKD ++' )D #i' 2E% (2 and 3D #i' 2K% (E f'% 1ead Hist. num.@ #' )32A' E,planations of the E Atte!#ts to e+#lain the sy!bol ha"e been nu!erous' Plout' 0e > apu0 Delp"os ) takes > as ire+5e, the fi"e sages Chilon% hales% Solon% Bias% Pittakos6 i0. i1. 3 e2uates the second "o$el > $ith the second #lanetary body% the sun6 i0. i1. * $rites > as et% -if%- -if only%- a $ord that !ight introduce a 2uestion or a #rayer addressed to the god6 i0, i1. & treats > or el as a sy!bol of dialectic6 i0. i1. EG(D gi"es a Pythagorean dis2uisition on >% that is reVre% as the nu!erical base resulting fro! the union of the first e"en 0tio $ith the first odd rpiaA i0. i1. (EG2( concludes that > is for el% - thou art%- as a !eta#hysical in"ocation of the deity' .ears ago I "entured the suggestion (5' 1' ;' Rouse ;ree2 Boti+e 9fferings Ca!4 LigP 2I bridge (K@2 #' )*3 n' n% Fol2-*ore (K@) +i"' 2JE f'A that the > $as a sacred relic% in fact the head of Poseidon-s trident ke#t in the sanctuary% $here he had an altar (Paus' (@' 23' 3A and #robably a cha#el (see 1' Po!to$ in P"ilologus (K(2 I++i' 3* ff'A% !uch as the trident of Oe#tune is ke#t affi+ed to the $all of the ancient church of S' Vigil in ridentu!% the !odern 5rento, 5rent (8' Sch!it& in S!ith Diet. ;eogr. ii' (2)@A6 and it $ill be ad!itted that the trident4head% $hich sy!bolises Poseidon on coins of Corinth% 8eukas% ,antineia% roi&en% etc'% is of the re2uisite sha#eG indeed Agathon 5elep"os frag. 3 Oauck2 ap. Athen' 3*3 ; describes the letter > as rpio0o+s ErQdEios% -a trident laid cross$ise'- ,y friend ,r A' 1' S!ith once told !e that in his o#inion the !ystic > !ight #ossibly be e+#lained by the rese!blance that it bears to the II4sha#ed $indo$ or s!oke4hole o"er the door of hut4urns fro! >truria etc' $Fol2-*ore (K@) +i"' 2JJA' ,iss N' >' 1arrison $i1. (K@3 +"' 3(D n' 2E(A has acutely co!#ared the ;el#hic > $ith the trinity of #illars re#resented e.g. on Phoenician reliefs fro! Sardinia (=' Patroni in the Man. 0. *ine. (K@3 +i"' 2)@f' #i' 2(% 2a and #i' 2*% 2A and suggested - that the > $as originally three betyl stones or #illars #laced on a basis and re#resenting the three Charites-'''. -e#s instea$ of Apollon he likeness of the ;el#hic Agyie8s% thus reconstituted% to the =er!anic Ir!insul is sufficiently striking' It beco!es e"en !ore so% $hen $e note that the Ir!insul described by 5idukind $as erected at the gate$ay of the to$n $ith a #illar on either side of it and an eagle set u#on it' he !ention of the eagle brings us u# against another long4standing #u&&le' 5hat are $e to !ake of the eagles on the o!#halos B Can they too be e+#lained in the light of this #illar connecting earth $ith hea"enB he ;el#hic eagles a##ear in classical literature fro! the fifth century B'C' ?n$ards' Pindar% our earliest source% $riting in 3D2 B'C' s#eaks of the Pythian #riestess -$ho sitteth beside the golden eagles of Zeus%- and an old =reek co!!entator on the #assage tells the orthodo+ tale: -A story is bruited abroad to the effect that Zeus% $anting to deter!ine the center of the $orld% let fly eagles of e2ual s#eed fro! $est and east' hey% $inging their $ay in o##osite directions% !et' at Pytho and by that "ery fact !arked the central #oint of the $hole $orld' 8ater% in token of $hat had befallen% he !ade other eagles of gold and set the! ti# in the #recinct of the god- () ' he author Arthur Bernard Cook concludes: R SIt looks as though A#ollon had ste##ed into the #lace of Zeus and inherited his local title'T (3 If this is true% then the A#ollo sanctuary had belonged to Zeus and the letter > !ay ha"e been assigned to Zeus as $ell' his is another funda!ental a##roach' he > !ay ha"e been the central letter for Zyeus (ZeusA% $hich sy!boli&es the "ery link bet$een the leading (!aleBA letter y (yodA and the trailing (fe!aleBA letter u' By the $ays: it also !ay be co!#arable to the letter 1 in .1V% or the letter A in IAC () Page (EK in Zeus a Study in Ancient Religion Vol 2 Part I (1"#$) by Arthur Bernard Cook (3 Page (J@ in Zeus a Study in Ancient Religion Vol 2 Part I (1"#$) by Arthur Bernard Cook Omphalos .ith t.o Eagles (/ he e"idence of literature !ay be su##le!ented by that of art' An electru! stater of Uy&ikos% struck . 3*@43@@ B'C'% sho$s t$o eagles% beak to beak% #erched a$k$ardly enough on the sides of a filleted omp"alos (fig' (2)A' his coin #resu!ably de#icts the fa!ous omp"alos at ;el#hoi% not G as 5' 1' Roscher $ould !ake out G a counter#art of it at Branchidai' (* Page (J@ in Zeus a Study in Ancient Religion Vol 2 Part I (1"#$) by Arthur Bernard Cook Omphalos set on a plinth" s#pporting t.o eagles Fig. /: A +oti+e relief in mar1le, foun0 at Cparta 1ut learly Atti in style, pro1a1ly ar+e0 in t"e last Duarter of t"e fift" entury ?.C. $fig. 1(.' Arte!is $ith a pro"oos filling the p"iale of A#ollon : bet$een the! is seen a #lain omp"alos set on a #linth% $hich su##orts t$o eagles $ith re"erted heads (fig' (23% #age (J(A Inho#$ he greatest fear of the Celts''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''( he ;iana4#illars of Italy'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''2 Si!ilar Pillars'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''3 AgyieVs4#illars of =reece'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''* he >4inscri#tion at the ?!#halos of ;el#hi'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''D Inscri#tion of 3 letters at the ?!#halos of ;el#hi% found by L' Courby'''''''''''''''''''''''''''''''''''''D he > on coins''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''E Co##ers of ;el#hoi struck by 1adrian and by Laustina Senior'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''J >+#lanations of the >''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''J Zeus instead of A#ollon''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''K ?!#halos $ith t$o >agles'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''(@ ?!#halos set on a #linth% su##orting t$o eagles'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''((