Boston, Massachusetts, Sylvia Plath published her first poem when she was eight in the Boston Herald (10 August 1941, page B-8). Sensitive, intelligent, compelled toward perfection in everything she attempted, she was, on the surface, a model daughter, popular in school, earning straight A's, winning the best prizes.
After her brothers birth, the family moved to Winthrop, Massachusetts just east of Boston. This is where Plath became familiar and intimate with the sea. From an early age she enjoyed the sea and could recognize its beauty & power.
Daddy Sylvia's surface perfection was however underlain by grave personal discontinuities, some of which doubtless had their origin in the death of her father (he was a college professor and an expert on bees) when she was eight. Otto Plath taught at Boston University (BU). His health began to fail shortly after the birth of his son Warren in 1935. Otto Plath was an expert on bees. He wrote a book called Bumblebees and Their Ways, published in 1934. Sylvia Plath was impressed with her father's handling of bees. He could catch them and they would not sting! (He caught only the males; the males do not have stingers.) Otto Plath died on 5 November 1940, only a week and a half after his daughters eighth birthday. He died of diabetes mellitus, which at the time was a very curable disease. Upon his death a friend only asked, "How could such a brilliant man have been so stupid?"
Smith College By the time she entered Smith College on a scholarship in 1950 she already had an impressive list of publications, and while at Smith she wrote over four hundred poems. From around 1944 on, Plath kept a journal. The journals gained in importance to her in college. She would come to rely heavily on her journals for inspiration and documentation. She had a very quick, sharp eye, noting details that most people miss and take for granted. Her journal became her most trusted friend and confidant, telling it secrets and presenting a completely different and real self on those pages. Sometimes she was blunt, other times candid. She captured ideas for poems and stories, and detailed her ambitions. One of the more memorable passages she writes about the joy of picking her nose. (January 1953)
At this point in her life, the early Smith years, she was writing very measured, pretty poems. She had the craft of poem making down, but she did not have the voice. She was working hard on syllabics, paying close attention on line lengths, stanza lengths and a myriad of other poetic styles that any apprentice should know. Plath was different, though, as she worked herself to perfection. She relied on her thesaurus to push her way through poem after poem. She emulated Dylan Thomas, Wallace Stevens, and W.H. Auden. She read Richard Wilbur, Marianne Moore and John Crowe Ransom. She also wanted to write short stories for women's magazines such as the Ladies Home Journal and other influential 1950s magazines. She was also sending poems and stories out regularly, facing rejection most of the time. She did, however, receive some success.
The Bell Jar During the summer following her junior year at Smith, having returned from a stay in New York City where she had been a student ``guest editor'' at Mademoiselle Magazine, Sylvia nearly succeeded in killing herself by swallowing sleeping pills. She later described this experience in an autobiographical novel, The Bell Jar, published in 1963. The events of this very important month are well covered in her novel, The Bell Jar. A breakdown followed. She returned from the New York exhausted mentally, emotionally, and physically. She was banking on being admitted to a Harvard summer class on writing. When she received word she had not been accepted, Sylvia Plath's fate was also secured. Her journals end abruptly in July. For details of the summer of 1953, readers must rely on information Plath put down in a few letters to friends and in her novel, The Bell Jar.
Throughout July and early August, Plath tells us in The Bell Jar that she could neither read nor sleep nor write. In an interview given to the Voices & Visions audio/video series, Aurelia Plath tells us that her daughter could in fact read, and that she meticulously read Freud's Abnormal Psychology. Plath, however, felt despondent. On 24 August 1953, she left a note saying, "Have gone for a long walk. Will be home tomorrow." She took a blanket, a bottle of sleeping pills, a glass of water with her down the stairs to the cellar. There she crept into a two and a half- foot entrance to the crawl space underneath the screened in porch. She began swallowing the pills in gulps of water and fell unconscious. Her mother began a search for her, assisted by Sylvias friends, the police, neighbours and Boy Scouts. She was found two days later. She recovered in hospital and underwent electroshock therapy. Her recovery was not easy, but Plath pulled through and was readmitted to Smith for the spring 1954 semester. This is really the beginning of Sylvia Plath, poet. Two years later, she graduated summa cum laude and also won a Fulbright Scholarship to study at Newnham College, Cambridge University. Over the summer before she left she had several lovers, but broke her attachments before going to England. Cambridge University Sylvia found it difficult adjusting to life in England, and re-established her relationship with Richard Sassoon, who was living in Paris. He eventually broke up with her. She found the cold winters difficult and became ill and depressed. She began to visit a psychiatrist. Sylvia was also lonely. To be 23 and single in 1953 was considered to be passed her prime.
Ted Hughes After her first meeting with the psychiatrist, Plath bought a magazine and read the work of a poet called Ted Hughes. Plath was told of a party that evening celebrating the publication of this new magazine to be held at Falcon Yard. The meeting of Sylvia Plath and Ted Hughes is probably the best-known meeting of two aspiring poets in the 20th century. Plath walked into the room with a date named Hamish and quickly began enquiring as to Hughes' whereabouts. She found him, recited some of his poems, which in the few hours since first reading them had memorized. According to her journals and letters, they were dancing and stamping and yelling and drinking and then he kissed her on the neck and she bit Hughes on the cheek, and he bled. No matter what sort of hyperbole was used in the retelling of their meeting, it was dramatic and life changing. Hughes' voice boomed like the thunder of God, and his Yorkshire accent was deep and intense. She wrote the poem "Pursuit" to him and in the poem she calls him a panther. It is also in this poem that Plath announces with some clairvoyance that "One day I'll have my death of him." Sylvia Plath and Ted Hughes both found influences in W.B Yeats, Dylan Thomas and D. H. Lawrence, to name a few. Hughes read these poets as well and also Hopkins, Blake, Chaucer and Shakespeare. There is no doubt that Hughes helped Plath achieve the major poetic voice she would later find. The voice might have always been in Plath, the talent and drive was certainly there.
Plath still needed resolution in her relationship with Sassoon, and went to Paris to find him. Sassoon did not want to be found and Hughes sent Sylvia at least one love letter while she was there. After travelling in Italy with another lover, she flew back to London to be with Hughes. Just Married Sylvia Plath and Ted Hughes married on Bloomsday 1956 (16 June). Aurelia Plath was there to witness. The Hugheses spent the summer writing and honeymooning in Spain and France, before visiting Yorkshire, to be with Ted's parents, who knew nothing of the wedding. In the autumn, Plath continued studying at Cambridge. Eventually, Plath moved in to a new flat with Ted Hughes. Ironically, some relatives of Richard Sassoon lived above them. The two poets would study, cook, eat, take walks and learn to live with each other. Ted Hughes took a job teaching at a local boy's school. This would be one of his most enjoyable jobs. Plath and Hughes made arrangements to go to America in the summer of 1957. Immediately upon their meeting, Plath began typing and sending out Hughes's poems publishers in America and England. Due in part to this work, in early 1957, Ted Hughes won first prize in the New York Poetry Center contests judged by Marianne Moore, W.H. Auden and Stephen Spender for his book The Hawk in the Rain. This was a contest he was unaware he entered. His publishers would be Harper & Row and they would bring the book out that summer. Plath had been writing some very good poems this English winter, among them "Sow," "The Thin People," and "Hardcastle Crags." On 12 March 1957 Plath was offered a teaching position in Freshman English at Smith College. The English winter dissolved into a studious spring for Plath as she had to study for her exams at Cambridge. She worked day in and day out, whilst being a housewife and typing and retyping manuscripts of Ted's poems. Plath was also writing poems too, like "All the Dead Dears," from this library blitz. Plath submitted a manuscript of poems to the English faculty called Two Lovers and a Beachcomber by the Real Sea, which had been all but lost until some time around 1967/8. After Plath finished her exams, the Hugheses went to Yorkshire to spend time with Ted's family until they sailed for North America. They took daily walks on the moors. This would be the end of Plath's formal studying and education as a student. The Hugheses read proofs of The Hawk in the Rain, and Plath cooked for everyone. On 20 June, the Hugheses sailed out of Southampton on the Queen Elizabeth and arrived in New York a week later. Cape Cod After their return, the Hugheses spent several weeks in Cape Cod. Sylvia's book of poems, Two Lovers and a Beachcomber by the Real Sea, was rejected from the Yale Series of Younger Poets that August. Plath had been writing in the Ladies' Home Journal style and hoping to have stories published, but this goal was never achieved. It was here, however, on the Cape, that Plath visited Rock Harbor, of which she later wrote about in her poem "Mussel Hunter at Rock Harbor." This poem became her first New Yorker acceptance. 1957 In late August Plath & Hughes moved to Northampton & to Smith. Plath immediately began panicking about teaching. She also immediately found teaching to be more exhausting than she thought it would be. Among her frustrations was the lack of time for her own writing in any form--journals, poems, stories, and letters. More importantly, the teachers and other faculty Plath once so admired as a student turned out to be not as great as colleagues. Plath had extreme paranoia about her teaching ability and showed this face to nearly no one except her journal and later, possibly, to her psychiatrist. No one on the faculty that year at Smith could sense the terrible feelings eating at Plath's mind. By November, Plath and Hughes had made the tough but crucial decision to leave academia and turn to a life of writing. In a letter to her brother, Plath justified this decision saying, "Every time you make a choice you have to sacrifice something." Still the year passed and she had moments of assuredness, and moments when her mind became doubting and frail. That winter Plath suffered a severe illness and was all but bed-ridden for much of the holiday season. 1958 The new year, 1958, was also stressful for their relationship. On the last day of school, a well documented day in Plath's Journals, Hughes was to meet with Plath right after her last class but was no where to be found. Plath looked in the library reading rooms and in the car but he was not to be found. Plath writes in her journals that she started walking towards Paradise Pond when she saw her husband coming up the path, smiling broad and chatting, with a young student, a girl who ran off immediately when she saw Plath. This incident led to Plath questioning her reverence of Hughes and also led to quarrels and possibly some violence! In the summer, they moved into a new flat in Boston. They were to dedicate all their efforts to writing and sending poems, stories, and other creative writings to different contests and publishers. Plath took a part-time job at Massachusetts General Hospital, and this is linked to the creation of her short stories "Johnny Panic and the Bible of Dreams" and "The Daughter's of Blossom Street", two of her best short stories. "The Daughters of Blossom Street" was published in London Magazine under an earlier title, "This Earth Our Hospital". She also began auditing Robert Lowell's seminar writing course at Boston University, where she met George Starbuck and Anne Sexton. Free from the restrictions of teaching, Plath found time to write. She slowly began working her way to better poetry.
1959 1959 brought travel to Plath and Hughes. They had decided to move back to England. Plath became pregnant and Hughes wanted the child to be born on his native soil. That autumn the two poets went to Yaddo, a writer's colony in Saratoga Springs, New York. This is where Plath finally had a breakthrough. After getting accustomed to the grounds of the estate Plath was able to mix personal experience with the current landscape at her disposal. The poems were inspired by what she was seeing: "Dark Wood, Dark Water" and "The Manor Garden". She also wrote a poem on the subject of her father, "The Colossus". This poem later became the title of her first collection of poems. She read seriously and closely the poetry of Theodore Roethke. This most evident in her seven-part "Poem for a Birthday," and in particular, the seventh poem, "The Stones." In December they sailed again for England. 1960 They couple spent Christmas at Heptonstall. Plath found it difficult to be there, and felt that Olwyn Hughes, Ted's sister, did not particularly want her company. In January 1960, the Hugheses settled in the Primrose Hill neighborhood in London. On 10 February, Plath met with an editor from Heinemann to sign the contract for The Colossus. They met at the York Minster Pub on Dean Street in Soho. On 1 April, their first child, Frieda Rebecca, was born. In August, Plath and Hughes visited Whitby, a coastal town on Yorkshire. Plath wrote about this visit to Whitby in Letters Home. William Heinemann, Ltd. published Plath's first collection of poetry, The Colossus & Other Poems on 31 October, the week of her birthday. It received decent reviews. With the publication of the book and the birth of Frieda, Plath found very little time otherwise to write. According the list of poems in the Collected Poems, Plath wrote only 12 poems in 1960. Among them, though, are the wonderful poems "You're" and "Candles", and the eerie "The Hanging Man". There are other poems that Plath began working on, such as "Queen Mary's Rose Garden". This poem can be found in the 'Notes: 1960' section of the Collected Poems. In addition to poetry, Plath began to write fiction again. In 1960, she wrote "Day of Success" and used her visit to Whitby as the setting of a story titled "The Lucky Stone".
Medical issues Sometime in late 1960, Plath became pregnant again and in February she had a miscarriage. She also had an appendectomy, which left her stitched & hospitalized for a number of weeks. It was the experience of being hospitalized that charged Plath in a writing frenzy that produced "Tulips" and "In Plaster" and also gave her momentum on writing a novel. Sylvia Plath began writing The Bell Jar sometime in March 1961 and she worked like mad for the next seventy days on the novel. The appendectomy probably frightened Plath, or at least brought back many memories of August 1953 when she was institutionalized. Plath felt the power of childbearing to be enormously inspirational. It no doubt led her to creativity--if she could create children, why not poems as well? Whilst at the hospital, Plath received a first reading contract with a check for $100 from The New Yorker. This meant that The New Yorker would read all of Plath's new poems and have first choice at accepting them for publication. In 1961 Plath completed 22 poems. Among these are "Morning Song," "Tulips," "In Plaster," "Barren Woman," and "Parliament Hill Fields," "The Surgeon at 2 a.m.," " I am vertical," "Heavy Woman" and "Insomniac," which won first prize at the 1962 Cheltenham Festival Poetry Competition. "Tulips" was written within ten days of Plath leaving the hospital and is, according to Ted Hughes, Plath's first spontaneous poem; the first poem written without laboriously thumbing the pages of her beaten thesaurus. Aurelia Plath came to England in mid-June. In July the Hugheses took a holiday in France...a well-documented & disastrous stay with the Merwins. At the end of this holiday, the Hugheses went house hunting around England, settling on a house in the southwest. In August, she both completed her novel and moved to North Tawton, Devon. Separation On 17 January 1962 Plath bore Hughes a son, Nicholas Farrar. Somehow with two children, writing and cleaning up Court Green, Plath began writing fantastic, powerful poetry sometime around April. These are the true Ariel poems, and what would lead to the best poems of her life. Plath wrote the wonderful "Elm" and a series of poems expressing concern for Hughes' treatment of animals, "The Rabbit Catcher" being the most famous. May and June seems to have solidified all the troubles the Hugheses would have. Plath became increasingly suspicious that Ted was having an affair. She wrote the poem "Apprehensions" and "Event" in May. However, it was not all negative. On 14 May, Knopf published The Colossus and other poems in the United States. In June, Aurelia Plath came to visit and meet Nicholas. Whilst Mrs. Plath was in England, Plath found out for certain of her husbands infidelity. It seems to be a mixed blessing that Aurelia Plath was there. One of Plath's problems with living in Devon (and in England for that matter) is that she had very few friends, which meant she wrote many letters to her girlfriends back in the US. In September 1962, Hughes and Plath went to Ireland for a holiday to mend their relationship. They stayed at the Old Forge with the poet Richard Murphy in Cleggan, a remote village in the west of Ireland. While in Ireland, Murphy took the Hugheses to see the Autograph Tree at Coole Park and Yeats' Tower at Thoor Ballylee in nearby Gort. However, within a day or two of being there, Hughes left abruptly. Plath returned alone to Devon. Late in the month they decided for a legal separation, though most of Plath's friends and family were in favor of a divorce. Poetic rampage In October, Plath went on a poetic rampage! She wrote over 25 poems during the month. Among them are "Stings," "Wintering," "The Jailer," "Lesbos," "Lady Lazarus," "Daddy," "Ariel," "The Applicant," "The Detective," "Cut" and "Nick and the Candlestick", and many more. Most of them would be published in 1965 as Ariel. The high period of productivity occurred very early in the morning, before the children rose. Plath began somewhere around four in the morning and wrote until the children woke. Her letters home during this period also lends a different sort of view. There are no known journal entries for this important period. Hughes claims that at least one journal has been 'lost' and one destroyed. The publication on 3 April 2000 of the unedited Journals of Sylvia Plath cover the period of 1950-1962, with the later entries from 1962 being character sketches and possible descriptions for future novels and short stories. Beginning in June 1962, Plath took meticulous notes on people, houses, feelings, etc. This certainly helped her creative output and range of controlled emotion in the October poems. This poetic blitzkrieg continued into November with strong poems like "The Couriers," "Getting There," " Gulliver," "Death & Co." and "Winter Trees. During the month of November, Plath was looking for a flat in London. She was fond of the Primrose Hill area, where she lived when Frieda was born, and she found a flat there. The ordeal of securing the flat and starting to pack up Court Green was responsible for a less productive month after mid-November. Final Days Plath and the children moved into the flat in December. She finished only two poems in the month of December. With the onset of a terrible winter and Plath spending many hours painting and laboring, it is no surprise. Plath was still sending poems off, as was usual for her, but was finding publishers not too eager to accept these new, powerful poems. It is as though the publishers somehow were not ready for poems of such magnitude. Plath was mostly alone, although some friends did visit and she was out when possible. Hughes visited regularly and often took Frieda and Nicholas to the London Zoo, which was just through the park. Plath and her children were without a telephone and the heat was poor or non-existent. Plath's friend, the critic A Alvarez, did come by the apartment on Christmas Eve but could only stay a short while as he had other plans. Alvarez was the first critic to notice her poems and has been highly influential in Plath studies since---a very trusted voice. The winter that would follow would be recorded as one of the coldest to date. Pipes froze and there was plenty of ice and snow on the ground. The Bell Jar was published under the pseudonym Victoria Lucas on 14 January 1963 and received mostly positive reviews, though most appeared after her death. Plath's American publisher, Knopf, had not been interested with the story, thinking it either too personal or a case study. Reviews were not as positive as she hoped. Though she called the novel a 'pot-boiler' to nearly everyone who knew of it, its acceptance did weigh heavily on her. Though not writing poetry, Plath had been writing some non-fiction prose pieces at this time. But, by late January, she began writing in what was another outburst of poetry, completing twelve new poems in just fifteen days, all in a brand new voice. This includes the fine poems of February 1963. It had taken Plath less than two months to begin a new collection of poetry, all in this new voice. This voice was softer and less angry; very somber and resolved, as though she new she was nearing the end--poems like "Mystic," "Sheep in Fog," "Kindness," "Gigolo," "Totem," "Child," "The Munich Mannequins," "Paralytic," "Words," "Contusion," "Edge" and "Balloons. The public does not know whether or not she began any poems in the last six days of her life. It is not known what her Journals say or what is in many of the letters she might have written. We only know it was cold, the children were sick and Plath was severely depressed. Plath spent most of the last weekend of her life staying with Jillian and Gerry Becker in North London. Death In early morning of 11 February 1963, Plath took her own life. She placed her head in a gas oven after completely sealing the rooms between herself and her children. She left a note for the man who lived downstairs, Trevor Thomas, to call her doctor. However, rather than rising, the gas seeped through the floor and knocked Mr Thomas out cold for several hours. An au pair girl was to arrive at nine o'clock that morning to help Plath with the care of her children. Arriving promptly at 9, the au pair could not get into the flat. It has been suggested that Plath's timing and planning of this suicide attempt was too precise, too coincidental, not to be "serious" or intended. She had previously asked Mr Thomas what time he would be leaving. Plath must have turned the gas on at a time when Mr Thomas should have been waking and beginning his day. A note was placed that read "Call Dr Horder" and left his phone number. These measures were too time-sensitive and could have saved Plath's life if events followed her suggested logic. Plath was buried in Heptonstall less than a week after her death. Sylvia Plath's gravesite in Yorkshire is now visited by hundreds of people each year. Death
Bibliography Large sections of the text are drawn from http://www.sylviaplath.info/biography.html http://criticalinquiry.edublogs.org/files/2009/03/new- image.jpg http://www.sylviaplath.de/
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